Hair and Strands are supported as of a couple of builds now, but 'lofted' strands are not, they're still in progress. The hair shader is also not live yet and is being worked on currently, but the default Redshift_Architectural works fine for most cases. You can do a good bit with it, especially cartoony stuff.

-Tim

On 2/19/2014 2:58 PM, Chris Johnson wrote:
Amazing job! I'm buying a license tomorrow! No joke. Any idea on how far away hair/fur/Strands support is?


On Wed, Feb 19, 2014 at 3:27 PM, Tim Crowson <tim.crow...@magneticdreams.com <mailto:tim.crow...@magneticdreams.com>> wrote:

    We were fortunate to be able to work on an ad for Chick-Fil-A
    recently, rendered in Redshift.

    https://www.youtube.com/watch?v=HZow-3nCl0k


    *Client:* Chick-Fil-A/Radiate Films
    *Director:* Ben Smallbone
    *Art Director:* Joel Gibbs
    *3D:* Tim Crowson
    *Comp:* Joel Gibbs/Don Culwell

    The concept was simple: have a camera move through a room as it
    changes decor to reflect a different decade from the 1960s up
    through the present day. We technically had 2 weeks from start to
    finish, but in reality we wound up with a much tighter schedule.
    We certainly didn't have time to model what we needed, so we
    bought some commercial models, retextured and reshaded them, and
    lit the scenes. In the end I was able to get each decade accounted
    for in about one work day each. Spent a couple of hours in the
    morning gathering and prepping the assets, then blocking in the
    lighting and shading, then rest of the day tweaking, and finally
    off to render. Joel and Don then took it and comped it in After
    Effects.

    - The 3-bounce cap was raised right as I started lighting this,
    and I was so thankful! I used 8 bounces on this job and it really
    helped, especially in the 70s set, with all the orange spill
    everywhere.

    - The shag carpet in the 70s set is not hair. It's just a single
    dense rug instanced around the room.

    - Rendered using IPC + BF. The longest frames were for the 70s and
    took maybe 12-15min on our fastest machines. Other shots were
    closer to the 5-6 min mark.

    - The 80s set was tough! Have you ever tried to actually define
    the 80s in terms of style? It's a mess! We all have ideas about
    it, but when it comes time to actually produce something that says
    '80s', and you have like a day to do it, it's not easy. Stupid
    80s! In the end, we had a couple of different directions to go in,
    and just picked one.


--
    *Tim Crowson
    */Lead CG Artist/

    *Magnetic Dreams, Inc.
    *2525 Lebanon Pike, Bldg C, Suite 101, Nashville, TN 37214
    *Ph* 615.885.6801 <tel:615.885.6801> | *Fax* 615.889.4768
    <tel:615.889.4768> | www.magneticdreams.com
    <http://www.magneticdreams.com>
    tim.crow...@magneticdreams.com <mailto:tim.crow...@magneticdreams.com>

    /Confidentiality Notice: This email, including attachments, is
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--
Signature

*Tim Crowson
*/Lead CG Artist/

*Magnetic Dreams, Inc.
*2525 Lebanon Pike, Bldg C, Suite 101, Nashville, TN 37214
*Ph*  615.885.6801 | *Fax*  615.889.4768 | www.magneticdreams.com
tim.crow...@magneticdreams.com

/Confidentiality Notice: This email, including attachments, is confidential and should not be used by anyone who is not the original intended recipient(s). If you have received this e-mail in error please inform the sender and delete it from your mailbox or any other storage mechanism. Magnetic Dreams, Inc cannot accept liability for any statements made which are clearly the sender's own and not expressly made on behalf of Magnetic Dreams, Inc or one of its agents./

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