Hi Olivier! The carpet isn't hair. It's just a big dense rug instanced in a grid pattern. I was afraid the seams would be problematic, but it worked!
-Tim

On 2/20/2014 4:13 AM, olivier jeannel wrote:
Amazing ! How did you do the thick carpet ?


Le 19/02/2014 22:02, Tim Crowson a écrit :
Hair and Strands are supported as of a couple of builds now, but 'lofted' strands are not, they're still in progress. The hair shader is also not live yet and is being worked on currently, but the default Redshift_Architectural works fine for most cases. You can do a good bit with it, especially cartoony stuff.

-Tim

On 2/19/2014 2:58 PM, Chris Johnson wrote:
Amazing job! I'm buying a license tomorrow! No joke. Any idea on how far away hair/fur/Strands support is?


On Wed, Feb 19, 2014 at 3:27 PM, Tim Crowson <[email protected] <mailto:[email protected]>> wrote:

    We were fortunate to be able to work on an ad for Chick-Fil-A
    recently, rendered in Redshift.

    https://www.youtube.com/watch?v=HZow-3nCl0k


    *Client:* Chick-Fil-A/Radiate Films
    *Director:* Ben Smallbone
    *Art Director:* Joel Gibbs
    *3D:* Tim Crowson
    *Comp:* Joel Gibbs/Don Culwell

    The concept was simple: have a camera move through a room as it
    changes decor to reflect a different decade from the 1960s up
    through the present day. We technically had 2 weeks from start
    to finish, but in reality we wound up with a much tighter
    schedule. We certainly didn't have time to model what we needed,
    so we bought some commercial models, retextured and reshaded
    them, and lit the scenes. In the end I was able to get each
    decade accounted for in about one work day each. Spent a couple
    of hours in the morning gathering and prepping the assets, then
    blocking in the lighting and shading, then rest of the day
    tweaking, and finally off to render. Joel and Don then took it
    and comped it in After Effects.

    - The 3-bounce cap was raised right as I started lighting this,
    and I was so thankful! I used 8 bounces on this job and it
    really helped, especially in the 70s set, with all the orange
    spill everywhere.

    - The shag carpet in the 70s set is not hair. It's just a single
    dense rug instanced around the room.

    - Rendered using IPC + BF. The longest frames were for the 70s
    and took maybe 12-15min on our fastest machines. Other shots
    were closer to the 5-6 min mark.

    - The 80s set was tough! Have you ever tried to actually define
    the 80s in terms of style? It's a mess! We all have ideas about
    it, but when it comes time to actually produce something that
    says '80s', and you have like a day to do it, it's not easy.
    Stupid 80s! In the end, we had a couple of different directions
    to go in, and just picked one.


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    *Tim Crowson
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    *Magnetic Dreams, Inc.
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    *Ph* 615.885.6801 <tel:615.885.6801> | *Fax* 615.889.4768
    <tel:615.889.4768> | www.magneticdreams.com
    <http://www.magneticdreams.com>
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    <mailto:[email protected]>

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*Tim Crowson
*/Lead CG Artist/

*Magnetic Dreams, Inc.
*2525 Lebanon Pike, Bldg C, Suite 101, Nashville, TN 37214
*Ph*  615.885.6801 | *Fax*  615.889.4768 | www.magneticdreams.com
[email protected]

/Confidentiality Notice: This email, including attachments, is confidential and should not be used by anyone who is not the original intended recipient(s). If you have received this e-mail in error please inform the sender and delete it from your mailbox or any other storage mechanism. Magnetic Dreams, Inc cannot accept liability for any statements made which are clearly the sender's own and not expressly made on behalf of Magnetic Dreams, Inc or one of its agents./



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