Jane - do i get a bit of Shelley in ur new(?) poemette-"O West windthou breath of Autumn's beingthou from whose unseen presencethe leaves dead are drivenlike ghosts from an enchanter fleeing...."Great poem Jane! but i would rather have the leaves littered on a cobbled windswept pavement. and the leaves have to be yellowing isn't it? and the pavement slightly wet..remember Eliot?the winter evening settles downwith smells of steaks in passagewaysSix o'clockthe burnt out ends of smoky daysand now a gusty shower wrapsthe grimy scrapsof withered leaves about your feetand newspaper from vacant lotsthe showers beaton broken blinds and chimney potsand by the corner of the streeta lonely cab horse steams and stampsand then the lighting of the lamps..regardsRonAfter the first gales, leaves lie across the grass
Like corpses, whispering death in ghostly voices,
And the wind keens through the empty branches,
Sharpening their edges against the bitter sky,
Cutting it into a grey shroud for dead summer.
What do you do, that you know about Mondrian?
Abhishek Hazra <[EMAIL PROTECTED]> wrote:tears.>
:-)
no, no not at all, Jane! When brother and sister sing
that song together in a dim-lit room in Ghatak's
"Cloud Capped Star" (Meghe Dhaka Tara) can one resist
the tears?
Just curious, Jane. In your writing process, how does
the imagery evolve over versions/revisions?
I really liked the image of the sharpened branch. For
me, those last three lines were really visually
evocative, particularly the action of the branches
âcutting up the skyâ.
I was kind of reminded of Mondrianâs âGrey
Treeâ...Particularly the manner in which the mass of
broken lines carve up the picture plane in multiple
ways producing arrays of form-counter pairs.
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