Jane - do i get a bit of Shelley in ur new(?) poemette-
 
"O West wind
thou breath of Autumn's being
thou from whose unseen presence
the leaves dead are driven
like ghosts from an enchanter fleeing...."
 
Great poem Jane! but i would rather have the leaves littered on a cobbled windswept pavement. and the leaves have to be yellowing isn't it? and the pavement slightly wet..
remember Eliot?
 
the winter evening settles down
with smells of steaks in passageways
Six o'clock
the burnt out ends of smoky days
and now a gusty shower wraps
the grimy scraps
of withered leaves about your feet
and newspaper from vacant lots
the showers beat
on broken blinds and chimney pots
 and by the corner of the street
 a lonely cab horse steams and stamps
and then the lighting of the lamps..
regards
Ron
 
 
After the first gales, leaves lie across the grass
Like corpses, whispering death in ghostly voices,
And the wind keens through the empty branches,
Sharpening their edges against the bitter sky,
Cutting it into a grey shroud for dead summer.
 

What do you do, that you know about Mondrian?

Abhishek Hazra <[EMAIL PROTECTED]> wrote:
tears.>
:-)
no, no not at all, Jane! When brother and sister sing
that song together in a dim-lit room in Ghatak's
"Cloud Capped Star" (Meghe Dhaka Tara) can one resist
the tears?

Just curious, Jane. In your writing process, how does
the imagery evolve over versions/revisions?
I really liked the image of the sharpened branch. For
me, those last three lines were really visually
evocative, particularly the action of the branches
‘cutting up the sky’.
I was kind of reminded of Mondrian’s ‘Grey
Tree’...Particularly the manner in which the mass of
broken lines carve up the picture plane in multiple
ways producing arrays of form-counter pairs.
 


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