Excellent gallery, Paul. Many look like the full size thing. 45 years ago,
radio control was quite crude compared with today & the units were quite
large & heavy.
Alan C
-Original Message-
From: Paul Stenquist
Sent: Monday, August 29, 2016 11:29 PM
To: Pentax-Discuss Mail List
Thanks Ann. The big guy with the floppy hat in 7890 was national champion 45
years ago. He's now in his mid 70s and still intense. Here he's psyching
himself up while waiting for his race to start.
Paul via phone
> On Aug 29, 2016, at 10:35 PM, ann sanfedele wrote:
>
> I
I love the people shots... especially 7800- such intensity!
The toy cars don't do much for me as subject matter but I can see why
you would ahve fun shooting them
ann
On 8/29/2016 7:49 PM, Paul wrote:
Classy R/C models. What engine displacement were they using?
-p
On 8/29/2016 4:29 PM,
It's in a Toledo suburb, just off I-280 on Woodhaven Road. It's a permanent
facility on city owned land. New asphalt, covered pits and a solid drivers
stand. One of the best in the U.S.
Paul via phone
Paul via phone
> On Aug 29, 2016, at 8:53 PM, Ken Waller wrote:
>
>
The 1/8th scale cars have engines of 3.49 cc. Output is about 2.75 horsepower
at 32,000 rpm. The 1/10th scale cars have engines of about 2 cc.
Paul via phone
> On Aug 29, 2016, at 7:49 PM, Paul wrote:
>
> Classy R/C models. What engine displacement were they using?
>
>
Can't imagine controlling them given the speed potential. Electrics are hard
enough.
Where is the track Paul?
Nice captures.
-Original Message-
>From: Paul Stenquist
>Sent: Aug 29, 2016 5:29 PM
>To: Pentax-Discuss Mail List
>Subject: GESO: Radio
Classy R/C models. What engine displacement were they using?
-p
On 8/29/2016 4:29 PM, Paul Stenquist wrote:
Shot an on-roadl radio control scale auto race for fuel burning cars yesterday.
Mostly just to provide some pics for my old pals, but also for the practice it
provides. It’s far more
Enjoyed both of those, Godfrey - especially the second one. I'm not
quite sure what I'm looking at in that one but it's strangely appealing.
Cheers
Brian
++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/
On Mon, Aug 29, 2016,
Brian, pleased you liked any part of
the composition and for saying so!
J
Sent from my iPhone
> On Aug 29, 2016, at 4:12 PM, Brian Walters wrote:
>
> Hi Jack
>
> I like that - especially the straw-coloued grasses in the foreground.
> The bare-limbed tree provides a
Thanks for looking, Larry.
Cheers
Brian
++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/
On Sun, Aug 28, 2016, at 12:22 PM, Larry Colen wrote:
>
>
> Brian Walters wrote:
> > Thanks for taking a look, Ann.
>
> Very nice. Lots of
Hi Jack
I like that - especially the straw-coloued grasses in the foreground.
The bare-limbed tree provides a nice balance to the composition as well.
Cheers
Brian
++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/
On Tue, Aug 30,
Thanks Igor
This was one of those times where being in the right place at the right
time helped - as well as having a camera ready to hand :-)>
Cheers
Brian
++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/
On Tue, Aug 30, 2016,
It may be the greatest of coincidences, Ann, but Jan and I have just booked
an apartment in East Village for our stay! It's on E. 7th. St., is that
close to you?
John in Brisbane
-Original Message-
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of ann sanfedele
Sent: Monday, 29
Thanks for the comment, Igor (and Alan, Dan, Rick, Ann, Gonz).
I wonder whether others might have had the same reaction if I'd posted
the B version first. I hadn't considered a monochrome version until
Larry suggested it. I have to say it worked better than I thought it
would - but I still
Thanks for the comments, everyone. It seems the consensus is to leave
the image as it is, so I will.
All the comments were much appreciated.
Cheers
Brian
++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/
On Tue, Aug 30, 2016,
Shot an on-roadl radio control scale auto race for fuel burning cars yesterday.
Mostly just to provide some pics for my old pals, but also for the practice it
provides. It’s far more difficult than shooting real motorsports, as the cars
are incredibly fast and not very big. The fastest, the
I also like this from the essay: "Perhaps this is the motive at the
heart of the desire to take images – the record of a constant crossing
between feeling and thinking."
This, to me, speaks to not just Sieff's motive, but to photography in
general which is very precise, scientific and technical
Color. It conveys the mood better.
On Mon, Aug 29, 2016 at 1:27 PM, ann sanfedele wrote:
> what Rick said - the color of the clouds (I've seen that color) is important
> to the story...
>
> The blackand white is equally nice to look at, but if you care about the
> subject
Beautifully done. Leave it as it is.
On Mon, Aug 29, 2016 at 7:57 AM, ann sanfedele wrote:
> as several have said - leave it alone, no worries :-)
>
> ann
>
>
>
> On 8/28/2016 7:23 PM, Marco Alpert wrote:
>>
>> Stunning. I'd change nothing.
>>
>> - Marco
>>
>>> On Aug 28,
what Rick said - the color of the clouds (I've seen that color) is
important to the story...
The blackand white is equally nice to look at, but if you care about the
subject matter and portraying the feeling of the moment, the color does
it
ann
On 8/29/2016 11:03 AM, Rick Womer wrote:
On 29 Aug 2016, at 18:19, Bruce Walker wrote:
>
>> On Mon, Aug 29, 2016 at 12:50 PM, Steve Cottrell wrote:
>> On 29/8/16, Bob W-PDML, discombobulated, unleashed:
>>
>>> I wanted to write that it was Les Rencontres de Jeanloup Sieff, but
>>> couldn't
On 29 Aug 2016, at 18:33, Daniel J. Matyola
> wrote:
On Mon, Aug 29, 2016 at 1:09 PM, Bruce Walker
>
wrote:
But I appreciate all of them for their uniqueness.
Uniqueness is an important
On Mon, Aug 29, 2016 at 1:09 PM, Bruce Walker
wrote:
> But I appreciate all of them for their uniqueness.
Uniqueness is an important element of memorable and effective images.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
--
PDML Pentax-Discuss Mail
On Mon, Aug 29, 2016 at 12:50 PM, Steve Cottrell wrote:
> On 29/8/16, Bob W-PDML, discombobulated, unleashed:
>
>>I wanted to write that it was Les Rencontres de Jeanloup Sieff, but
>>couldn't find any reference to that book, so I checked my copy. It means
>>that for almost 40
I greatly enjoy Clergue's nudes. He seems to have pretty much invented
the style of superimposing highly contrasting lines -- as from hard
light through a venetian blind -- over the nude form. He also puts me
in mind of Bill Brandt with his tightly framed bodyscapes.
Sieff's style differs
On 29/8/16, Bob W-PDML, discombobulated, unleashed:
>I wanted to write that it was Les Rencontres de Jeanloup Sieff, but
>couldn't find any reference to that book, so I checked my copy. It means
>that for almost 40 years I have conflated these two photographers in my
>mind. It probably explains
Seriously, Bruce, I feel the shed goes too dark immediately with even a tiny
med-tone contrast boost.
It's not the lens' fault, I focused on the shed from fairly close and the DOF
couldn't cover it.
Slightly darkened the grass in the right foreground. Seemed to have a softening
glare.
Thanks,
Well Bruce, you'll note that I did identify it as "maudlin." :)
Thanks for commenting.
J
- Original Message -
From: "Bruce Walker"
To: "Pentax-Discuss Mail List"
Sent: Monday, August 29, 2016 8:09:37 AM
Subject: Re: Peso-Tarky Shed
It looks like
Brian, wow!
What a great shot! It's worth framing. I'd consider metallic paper (if
only its gamut wouldn't be too limiting for these gorgeous colors).
Igor
PS. I am catching up after travels.
Brian Walters Thu, 25 Aug 2016 18:25:44 -0700 wrote:
G'day all
Back in May, we had just arrived
I think it's a human thing.
Here's a strange thing. I'm piecemeal reading a book at the moment, called Les
Rencontres de Lucien Clergue
(https://www.amazon.fr/Lucien-Clergue-ses-rencontres-Photographies/dp/2862344451).
I wanted to write that it was Les Rencontres de Jeanloup Sieff, but
It looks like it would benefit from a little mid-tone contrast boost,
or maybe a sharper lens. but I quite like the triangular composition.
As I'm on a b jag lately I'd have focussed more attention on the
form and lines by going monochrome, and cropping out more of the
foreground grass.
On Mon,
Oh, it was freshly brewed and piping hot coffee, Jack, not just
quotation marks hot. We each enjoyed a cup of it after we finished
this scene.
Camille is more than willing to take risks to get the shot. Thanks for
your concern, Jack. :)
On Mon, Aug 29, 2016 at 10:44 AM, Jack Davis
I much prefer the original. There is something particularly ominous in
the colors of the clouds.
Rick
http://photo.net/photos/RickW
On Mon, Aug 29, 2016 at 9:34 AM, Igor PDML-StR wrote:
>
>
> Brian,
>
> I like the B version much better.
>
> I hadn't seen the original thread
Another maudlin local shot for your eyes.
I would have used a step ladder had I
thought it worth the effort.
C?
J
http://photolightimages.com/aspupload/detail.asp?ID=1096
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PDML@pdml.net
http://pdml.net/mailman/listinfo/pdml_pdml.net
to UNSUBSCRIBE from the
A lot of tender areas for that "boiling hot" coffee to drip on.
J
- Original Message -
From: "Bruce Walker"
To: "Pentax-Discuss Mail List"
Sent: Monday, August 29, 2016 7:36:37 AM
Subject: Re: PESO - wake up call
On Sun, Aug 28, 2016 at 12:36
On Sun, Aug 28, 2016 at 12:36 PM, Steve Cottrell wrote:
> On 28/8/16, Bruce Walker, discombobulated, unleashed:
>
>>A teaser for Cotty, really. :) An outtake from my upcoming Jonvellesque
>>series.
>>
>>http://off-axis.brucemwalker.com/image/149600276892
>>
>>645z, 55mm/2.8;
Jonvelle shares his fondness for bottom curves with Jeanloup Sieff,
another great Frenchman. I wonder if it's a French thing, or is it
continental Europeans -- Italians, Spaniards -- in general?
In keeping with the spirit of the theme I shall be exploring the rear
view extensively myself.
Thanks, all!
The only thing I don't care for is the bokeh. I shot this at a variety
of focal lengths and apertures, but the 50-200's bokeh is always
slightly curdled rather than creamy.
That's the price of small size and light weight, though, which are of
increasing importance to me.
Rick
Brian,
I like the B version much better.
I hadn't seen the original thread until just now, while writing this
message. So, I saw the B version first.
I even thought that the "original" was actually a dirivative - colored
with a "creative" filter, and went back to reread your message to
What is good is that he doesn't look posed.. just looks like you came
upon him smoking a joint..
ann
On 8/29/2016 1:44 AM, Larry Colen wrote:
Thursday night I was out looking for places to photograph crosswalks
from above. When I was walking up the stairs to a parking garage a
young man
as several have said - leave it alone, no worries :-)
ann
On 8/28/2016 7:23 PM, Marco Alpert wrote:
Stunning. I'd change nothing.
- Marco
On Aug 28, 2016, at 3:39 PM, Brian Walters wrote:
Over the past few months I've been working on the photos from our tour
of
Me too
ann
On 8/29/2016 6:04 AM, Steve Cottrell wrote:
On 28/8/16, Rick Womer, discombobulated, unleashed:
http://photo.net/photodb/photo?photo_id=18279355=lg
K-5, DA 50-200)
Comments appreciated.
Really interesting image Rick, I like it!
--
PDML Pentax-Discuss Mail List
On Sun, Aug 28, 2016 at 7:14 PM, John Francis wrote:
> The B-17 shooting the northern ice pack got into a bit of trouble
> for filming too near to a classified military site.
>
Why does that not surprise me?
The old Dew Line installations have been abandoned by the military.
I think it would be lovely if you out of towners would come over to Chez
Ashley for a visit and use it as a take off point for whatever..
You can't say you've been to NY without the East Village being on your
itin..
I can promise excellent coffee for a start
yayayay! NY PDML
ann
On
The B seems to bring out more detail, especially in the dark upper clouds.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Mon, Aug 29, 2016 at 1:57 AM, Brian Walters
wrote:
> Larry wondered:
>
> "I can't help but wonder what sort of tonality it would
Yoiu captured the mood quite well indeed! That is an effective image in
all respects.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Sun, Aug 28, 2016 at 6:39 PM, Brian Walters
wrote:
> Over the past few months I've been working on the photos from our
Wow, that's a very powerful image.
Is that thunder or the Crack of Doom I hear?
Rick
On Monday, August 29, 2016, Mark Roberts wrote:
> Bob W-PDML wrote:
>
> >That's superb - don't change anything.
>
> What Bob said.
>
> >> On 28 Aug 2016, at 23:40, Brian Walters
Bob W-PDML wrote:
>That's superb - don't change anything.
What Bob said.
>> On 28 Aug 2016, at 23:40, Brian Walters wrote:
>>
>> Over the past few months I've been working on the photos from our tour
>> of Tasmania in April/May - putting together a Blurb travel book of
On 28/8/16, Rick Womer, discombobulated, unleashed:
>http://photo.net/photodb/photo?photo_id=18279355=lg
>
>K-5, DA 50-200)
>
>Comments appreciated.
Really interesting image Rick, I like it!
--
Cheers,
Cotty
___/\__Broadcast, Corporate,
|| (O) |Web Video Production
--
On 29/8/16, Brian Walters, discombobulated, unleashed:
>Here's one I like - its dark and moody feel is suggestive of the sort of
>weather we encountered for most of the trip - which was enjoyable
>nonetheless, I hasten to add. But photography was a challenge!
>
On 29/8/16, Jostein, discombobulated, unleashed:
>http://www.alunfoto.no/innhold/lopebille/
>
>A deep stack, 240 images with FA 50mm f/1.4 at f/5.6.
>
>Found it dead in a corner, in a mess of cobweb.
>Took a lot of time to clean. That's another skill to learn.
Wow - super.
Not to mention
It works! Some detail is visible in the foreground too.
Alan C
-Original Message-
From: Brian Walters
Sent: Monday, August 29, 2016 7:57 AM
To: Pentax-Discuss Mail List
Subject: Storm over the D'Entrecasteaux Channel - Monochrome Version
Larry wondered:
"I can't help but wonder what
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