Of course since Bruno Walter was pretty much the disciple of Mahler,
worked and studied with Mahler, and was instrumental in championing
those works.  I'd have to believe Dr. Walter had a pretty good idea of
what Mahler intended with his symphonies.  Better than the sheer
bombast of today.  Also, Walter's interpretations changed-sometimes
dramatically-over his life.  If one listens to the Vienna Philharmonic
recording of #9 (1938) and the Columbia recording of 1962 there are
many lifetimes of experiences coloring the latter including the death
of his own daughter in 1942 (I think).  In the end, Walter would only
conduct a few of Mahler symphonies, primarily 1, 2, 4, 5, 9.  Those I
think had the most philosophical importance for him.  Many of those
recordings are worth listening to even if the audio quality is not up
to today's sterile standards.

That said, there is room for any well thought out interpretation in my
opinion.  My issue with many current conductors is that they fail to
maintain the arc and arch of the emotional impact from the first note
to the last.  The overall intent is destroyed by too much bombast in
the effort to play everything equally overwrought.

Having played some Mahler under Solti's baton I can say with certainty
that there was plenty of excitement combined with a musical plan.  It
wasn't all about being loud.

The Jack Attack!

On Tue, Mar 16, 2010 at 11:00 AM, <[email protected]> wrote:
>
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> I have always found the Bruno Walter recording to be fascinating, but not very
> satisfying.  The approach is vastly different from most more-recent
> performances.  Most striking for me is that the whole production is far less
> powerful and bombastic.  In general, this performance does not sustain loud
> sections nearly as much.  Also, the audio quality is very poor, which can make
> it difficult to enjoy.
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