Personally, I am a huge fan of Bernstein's interpretations of the Mahler
symphonies. The 5th symphony with NY Phil and Chambers playing the 3rd
movement obbligato is a fine recording of that piece.

Paul

On Tue, Mar 16, 2010 at 11:26 AM, John Dutton <[email protected]> wrote:

> Of course since Bruno Walter was pretty much the disciple of Mahler,
> worked and studied with Mahler, and was instrumental in championing
> those works.  I'd have to believe Dr. Walter had a pretty good idea of
> what Mahler intended with his symphonies.  Better than the sheer
> bombast of today.  Also, Walter's interpretations changed-sometimes
> dramatically-over his life.  If one listens to the Vienna Philharmonic
> recording of #9 (1938) and the Columbia recording of 1962 there are
> many lifetimes of experiences coloring the latter including the death
> of his own daughter in 1942 (I think).  In the end, Walter would only
> conduct a few of Mahler symphonies, primarily 1, 2, 4, 5, 9.  Those I
> think had the most philosophical importance for him.  Many of those
> recordings are worth listening to even if the audio quality is not up
> to today's sterile standards.
>
> That said, there is room for any well thought out interpretation in my
> opinion.  My issue with many current conductors is that they fail to
> maintain the arc and arch of the emotional impact from the first note
> to the last.  The overall intent is destroyed by too much bombast in
> the effort to play everything equally overwrought.
>
> Having played some Mahler under Solti's baton I can say with certainty
> that there was plenty of excitement combined with a musical plan.  It
> wasn't all about being loud.
>
> The Jack Attack!
>
> On Tue, Mar 16, 2010 at 11:00 AM, <[email protected]> wrote:
> >
> > Send Horn mailing list submissions to
> >        [email protected]
> >
> > I have always found the Bruno Walter recording to be fascinating, but not
> very
> > satisfying.  The approach is vastly different from most more-recent
> > performances.  Most striking for me is that the whole production is far
> less
> > powerful and bombastic.  In general, this performance does not sustain
> loud
> > sections nearly as much.  Also, the audio quality is very poor, which can
> make
> > it difficult to enjoy.
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