How in blazes did my message ever get garbaged up like THAT?
----- Original Message ----- 
From: "Doug" <[email protected]>
To: "Antique Phonograph List" <[email protected]>
Sent: Tuesday, February 07, 2006 5:55 PM
Subject: Re: [Phono-L] Need advice on finishing and matching stain colors


> That' riht. Once saned down, the edge of the repir will be vey difficult 
> to
> dicern.
>
>
> ----- Original Message ----- 
> From: "Ron L'Herault" <[email protected]>
> To: "Antique Phonograph List" <[email protected]>
> Sent: Tuesday, February 07, 2006 4:23 PM
> Subject: Re: [Phono-L] Need advice on finishing and matching stain colors
>
>
>> And, if I am understanding the technique correctly, this is why you sand
>> the
>> original to a feather edge.   There is no abrupt change in level and the
>> patch can be then sanded to a feather edge to blend it in, right?
>>
>> Ron L
>>
>> -----Original Message-----
>> From: [email protected]
>> [mailto:[email protected]]on Behalf Of Doug
>> Sent: Tuesday, February 07, 2006 3:45 PM
>> To: Antique Phonograph List
>> Subject: Re: [Phono-L] Need advice on finishing and matching stain
>> colors
>>
>>
>> Not rerally thin stuff. You'll want to use veneer pieces at least as 
>> thick
>> as the original . When you clamp it down, it will sink into the little
>> well
>> in the existing veneer. That's why you use a soft rubber piece to push it
>> into place when it's glued and clamped.
>>
>>
>> ----- Original Message -----
>> From: "Robert Wright" <[email protected]>
>> To: "Antique Phonograph List" <[email protected]>
>> Sent: Tuesday, February 07, 2006 3:10 PM
>> Subject: Re: [Phono-L] Need advice on finishing and matching stain colors
>>
>>
>>> Sage advice from an abominable wretch!  I love radios too, though I 
>>> don't
>>> have any anymore.  My first was a Silvertone (I know, I know)
>>> AM/78rpm/wire
>>> recorder (I said I know!) that I intended to completely re-veneer with a
>>> very pronounced grain of some kind...  maybe green or purple varnish...
>>> *ahem*.  Hey, I was young and needed the money.  If it hadn't been
>>> missing
>>> a
>>> couple of teeth on the gear that undulated the wire recorder head, I
>>> probably would've (egads) finished the thing.  I wish now I would 
>>> have --
>>> with you guys and gals, it would've been worth a good laugh or two.  And
>>> you
>>> KNOW I woulda put it up on eBay at some point.
>>>
>>> I did get about 5 pieces of it veneered, though, and Doug's patching
>>> advice
>>> would've come in handy.  Hey Doug, is there any special trick to get the
>>> veneer soft enough to really fill the hole exactly, or do you just use
>>> extremely thin veneer?
>>>
>>> Best,
>>> Robert
>>>
>>>
>>> ----- Original Message -----
>>> From: "Doug" <[email protected]>
>>> To: "Antique Phonograph List" <[email protected]>
>>> Sent: Tuesday, February 07, 2006 1:41 PM
>>> Subject: Re: [Phono-L] Need advice on finishing and matching stain 
>>> colors
>>>
>>>
>>>> Let me insert another thought or two if I may. I'm one of those
>>>> abominable
>>>> wretches who collects and restores those things called Radios. But, the
>>>> similarity comes with refinishing or repairing cabinets.
>>>>
>>>> Firstly, phonographs and radios both never were varnished. While there
>>> might
>>>> have been an isolated exception, shellac was used prior to 1925, and
>>>> nitrocellulose lacquer after that year. There were some hangers-on 
>>>> after
>>>> '25, of course. You can use Varnish, of course, but you're just making
>>> life
>>>> hard for yourself .I used to use varnish, until I learned the facts.
>>>>
>>>> Now, on the veneer grafting issue. If you want to patch in veneer,
>>>> first,
>>>> you'll want to get a piece that matches the surrounding grain that you
>>>> are
>>>> repairing. Then, with possibly 220 grade wet-dry sandpaper, 
>>>> feather-edge
>>> the
>>>> periphery of the hole in the cabinet veneer  (the area that you're 
>>>> going
>>> to
>>>> repair). Then, take the patching piece,  cut a little bigger than the
>>>> area
>>>> to be filled. and glue it over the hole, overlapping the edges. Clamp
>>>> it,
>>>> using a piece of  soft rubber, so as to press the new patch into the
>>>> "welled" area. Let it harden, at least overnight. After the glue is 
>>>> well
>>>> set, block sand the patch to where it blends into the rest of the
>>>> veneered
>>>> surface. It works like a champ. I',ve done it a few times, and the
>>>> repair
>>> is
>>>> all but imperceptable. I use Franklin's Titebond. but there are other
>>>> good
>>>> glues that do just as well.
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>> ----- Original Message -----
>>>> From: "bob" <[email protected]>
>>>> To: "Antique Phonograph List" <[email protected]>
>>>> Sent: Tuesday, February 07, 2006 11:55 AM
>>>> Subject: Re: [Phono-L] Need advice on finishing and matching stain
>>>> colors
>>>>
>>>>
>>>> > Matching old finishes is pretty tricky.  I find the best way to do
>>>> > this
>>> is
>>>> > to use old veneer that is similar the original used on the piece.  I
>>>> > try
>>>> > to
>>>> > save veneer from old pieces that are too far gone to restore.  Most
>>>> > old
>>>> > veneer is finished with a stain varnish.  It can be sanded off 
>>>> > easily.
>>>> > The
>>>> > key is not to remove the filler in the veneer..  I cut the section to
>>>> > be
>>>> > patched with razor blade held at a 45 degree angle.  Then I feather
>>>> > sand
>>>> > the
>>>> > edge of the patch at a similar angle.  If the veneer is too thick,
>>>> > sand
>>> it
>>>> > form the back side with coarse sandpaper.  When it fits properly you
>>>> > can
>>>> > glue it in with white glue.  You can then use any stain you like to
>>> darken
>>>> > the patch to match the piece if necessary.  I usually use gel stains
>>> that
>>>> > can be wiped on with a rag.  After a few minutes you can wipe off the
>>>> > excess.  The more you remove the lighter the color will be.   When
>>>> > your
>>>> > satisfied with the color you can clear coat the area to achieve a
>>>> > gloss
>>>> > similar to the rest of the piece.  The clear coat may darken the 
>>>> > color
>>>> > a
>>>> > little so it's best to make some sample pieces with both the stain 
>>>> > and
>>>> > clear
>>>> > coast finish on them before you finish the patches on your piece.  I
>>> think
>>>> > this technique will also work on a complete piece if you can find a
>>> piece
>>>> > of
>>>> > old veneer large enough to cover a new piece of wood.
>>>> > RMV
>>>> > ----- Original Message -----
>>>> > From: "Mark Albertson" <[email protected]>
>>>> > To: "Antique Phonograph List" <[email protected]>
>>>> > Sent: Monday, February 06, 2006 11:30 PM
>>>> > Subject: Re: [Phono-L] Need advice on finishing and matching stain
>>> colors
>>>> >
>>>> >
>>>> >> Ken:
>>>> >>
>>>> >> I see that no one is jumping in here.  So I will try to give you 
>>>> >> some
>>>> >> pointers.
>>>> >>
>>>> >> Each collector has his or her preference as to finishes.  Some use
>>>> >> original
>>>> >> shellac (orange or clear).  Others like oils, and yet others like
>>> lacquer
>>>> >> based products for big jobs such as cabinets or uprights.  When it
>>> comes
>>>> >> to
>>>> >> these choices, the size of the job matters as does what one is most
>>>> >> comfortable with.  The application also matters...ie: spray vs.
>>>> >> rubbed
>>> on
>>>> >> vs. ragged on.
>>>> >>
>>>> >> So, choosing your refinishing medium is really a personal choice as
>>>> >> to
>>>> >> what
>>>> >> your comfortable with and trying to accomplish.
>>>> >>
>>>> >> By the sounds of it, you have original finish machines that need a
>>>> >> replacement board here or there and the question is how to "match"
>>>> >> finishes...new to the old.  Well, my experience suggests a great 
>>>> >> deal
>>> of
>>>> >> patience, a practice board, and a variety of lighting conditions.
>>>> >> Patience
>>>> >> is obvious as is a practice board identical to the wood you will be
>>>> >> working
>>>> >> with.  Different lighting (natural vs. fluorescent, vs. 
>>>> >> incandescent)
>>>> >> will
>>>> >> cause colors to act differently, so it's important to go slow and
>>>> >> check
>>>> >> in
>>>> >> different lights at different times using the medium of your choice.
>>> But
>>>> >> you need a product to mix with your shellac, minwax oil
>>>> >> etc........read
>>>> >> on.
>>>> >>
>>>> >> I have found that the best product for dialing in and matching
>>>> >> finishes
>>>> >> is
>>>> >> an alcohol based anyline dye specifically made by the Wood Finish
>>> Supply
>>>> >> Company.  They sell a metalized extract concentrate dye mixed in 
>>>> >> MEK.
>>>> >> The
>>>> >> advantage of these dyes is that they dissolve in any base medium you
>>> like
>>>> >> to
>>>> >> work in (shellac, oil, lacquer..etc.) and come in a host of colors
>>>> >> for
>>>> >> very
>>>> >> precise color control (one drop at a time).  In addition, the 
>>>> >> company
>>>> >> provides baseline quantity combinations for most wood colors you 
>>>> >> will
>>> be
>>>> >> seeking.  I would recommend starting with four colors...black, warm
>>>> >> brown,
>>>> >> yellow, and red.....each in 8oz bottles).  From there you can nail
>>>> >> down
>>>> >> most
>>>> >> all the colors we see in phonos except green oak.
>>>> >>
>>>> >> Used alone, the dye will flash off and evaporate too fast for custom
>>>> >> applications, so you need to use a baseline medium and then add dye
>>> drops
>>>> >> to
>>>> >> that for your precision control of color.
>>>> >>
>>>> >> Again, take a spoonful of patience before starting and have fun.
>>>> >>
>>>> >> You can check out Wood Finish Supply Co. at www.woodfinishsupply.com
>>>> >> I
>>>> >> would
>>>> >> also suggest calling them.  They are very helpful.  Again, the
>>>> >> product
>>> is
>>>> >> "Metalized Extract Concentrate Dye in MEK"....Get the four colors to
>>>> >> start.
>>>> >>
>>>> >> Best
>>>> >>
>>>> >> Mark Albertson
>>>> >>
>>>> >>
>>>> >>
>>>> >> ----- Original Message -----
>>>> >> From: "Ken Danckaert" <[email protected]>
>>>> >> To: <[email protected]>
>>>> >> Sent: Monday, February 06, 2006 3:57 PM
>>>> >> Subject: [Phono-L] Need advice on finishing and matching stain 
>>>> >> colors
>>>> >>
>>>> >>
>>>> >>>I can do almost anything with metal but I have a devil of a time 
>>>> >>>with
>>>> >>> the cases.  When you have to make a new wood part for a cabinet, it
>>>> >>> is
>>>> >>> really difficult to color match close to the original.  I would
>>>> >>> really
>>>> >>> like to see suggestions from you all on how you get wood parts to
>>>> >>> match.  Maybe someone knows a good source for stains or finishes
>>>> >>> that
>>>> >>> help you get a match.  Is there a magical technique out there?  My
>>> brute
>>>> >>> strength approaches usually get me close but they are very time
>>>> >>> consuming and chancy.  Any suggestions?
>>>> >>>
>>>> >>> Ken Danckaert
>>>> >>> Severna Park, MD
>>>> >>> _______________________________________________
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>>>> >>> [email protected]
>>>> >>>
>>>> >>> Phono-L Archive
>>>> >>> http://www.oldcrank.org/pipermail/phono-l/
>>>> >>
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>>>> >>
>>>> >>
>>>> >> --
>>>> >> No virus found in this incoming message.
>>>> >> Checked by AVG Free Edition.
>>>> >> Version: 7.1.375 / Virus Database: 267.15.0/248 - Release Date:
>>> 2/1/2006
>>>> >>
>>>> >>
>>>> >
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>>>>
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