[Finale] Need invisible chord anchors

2005-07-12 Thread BillSincl



 
When generating a lead sheet, it is often desirable to have chords that 
sequence under a fixed melody note. For example, you might have 
an 8 beat whole note wherea sequence ofchords are changing under it. 
This is not in keeping with the way finale anchors chords, since it the chord 
anchor must be on a tied note, note or rest. I have not seen any wayto 
anchor a chord to a note that's not in the staff.

One can generate an artificial chord anchor by breaking a 
long note into tied notes, but that makes it awkwardto readthe 
music, and it's not good notation practice.

I tried hanging chords onto alternate layers, but that means sticking notes 
into the score that don't belong, and I have not figured out 
how to suppress the printing out of the alternate layers. That really confuses 
things.

Has anyone figured out a way around this? 
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Re: [Finale] Need invisible chord anchors

2005-07-12 Thread Rick Neal
I usually put the chord rhythm in another layer using speedy entry and 
type the letter o on each note to hide the note. I then put my chords 
in. The only thing showing is the notes I want in layer one and the 
chords. Hope this helps.


Rick Neal


[EMAIL PROTECTED] wrote:

 
When generating a lead sheet, it is often desirable to have chords 
that sequence under a *fixed* melody note. For example, you might have 
an 8 beat whole note where a sequence of chords are changing under it. 
This is not in keeping with the way finale anchors chords, since it 
the chord anchor must be on a tied note, note or rest. I have not seen 
any way to anchor a chord to a note that's not in the staff.
 
One can generate an *artificial* chord anchor by breaking a long note 
into tied notes, but that makes it awkward to read the music, and it's 
not good notation practice.
 
I tried hanging chords onto alternate layers, but that means sticking 
notes into the score that *don't belong*, and I have not figured out 
how to suppress the printing out of the alternate layers. That really 
confuses things.
 
Has anyone figured out a way around this?




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--
Rick Neal
Teacher, Composer, Bassist, Guitarist
[EMAIL PROTECTED]
[EMAIL PROTECTED]


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Re: [Finale] Need invisible chord anchors

2005-07-12 Thread Darcy James Argue

Bill,

Select Show active layer only.  Fill Layer 4 of measure 1 with 
quarter rests.  Copy that measure to the rest of your document.  Turn 
off Show active layer only.  Enter your chords in Layer 4.  Then 
apply the Staff Style Blank Notation (Layer 4) to the entire 
document.


- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY


On 12 Jul 2005, at 2:12 AM, [EMAIL PROTECTED] wrote:



When generating a lead sheet, it is often desirable to have chords that
sequence under a fixed melody note. For example, you might have  an 8 
beat whole
note where a sequence of chords are changing under it.  This is not in 
keeping
with the way finale anchors chords, since it the chord  anchor must be 
on a
tied note, note or rest. I have not seen any way to  anchor a chord to 
a note

that's not in the staff.

One can generate an artificial chord anchor by breaking a  long note 
into
tied notes, but that makes it awkward to read the  music, and it's not 
good

notation practice.

I tried hanging chords onto alternate layers, but that means sticking 
notes
into the score that don't belong, and I have not figured out  how to 
suppress

the printing out of the alternate layers. That really confuses  things.

Has anyone figured out a way around this?

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Owain Sutton



Dennis Bathory-Kitsz wrote:

At 10:20 PM 7/11/05 -0400, Aaron Sherber wrote:

There's some other message archive subscribed as well. Frankly, as 
long as SHSU isn't providing a proper searchable archive of their 
own, I see this as a good thing.



Not I. I subscribed to a private list. 


I didn't.  Not in the way you mean it:

This is a private list, which means that the list of members is not 
available to non-members - http://lists.shsu.edu/mailman/listinfo/finale


Nothing about the contents of messages not being available to non-members.


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Re: [Finale] Sibelius - Dynamic Parts

2005-07-12 Thread Dennis W. Manasco

At 2:46 PM -0400 7/11/05, David W. Fenton wrote:


On 11 Jul 2005 at 2:01, Dennis W. Manasco wrote:

I do however send back those little postage-paid upgrade offers 
every time I get one, with a note saying that I'd love to upgrade 
as soon as they get rid of the stupid tethered-copy-protection. I 
figure that since it's their dime I can make the effort to beat my 
favorite dead horse.


Unfortunately, chances are good that no one at MakeMusic ever sees 
these, as these likely go to a contracted outside organzation for 
processing.


The only thing you're doing to MakeMusic is costing them the postage.




David,


You are almost certainly correct. Though it is _possible_ that 
someone at Coda might be informed that upgrade notices are coming 
back with specific refusals. I thought this view implicit in my 
original post.


Regardless, I consider this (_very_minor_) act of Civil 
Disobedience a useful, and worthwhile, ploy in the campaign to 
eventually eradicate phone-home copy-protection. It is one I employ 
against other agencies, for other reasons, as well


Like I said: It's their dime. If they're going to offer it, I'll 
spend it to give them my opinion. If they don't read it, that's their 
problem.



Best wishes,


-=-Dennis












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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Aaron Sherber

At 10:56 PM 7/11/2005, Dennis Bathory-Kitsz wrote:
Not I. I subscribed to a private list. If this were a Yahoo group, that
would be a different story.

I'm not sure what the distinction is here. Anyone in the world can 
currently join this list. Once they join, they can in 5 minutes 
download the entire list archives. They can also download the entire 
list of subscribers. So how is this different from OpenSubscriber?


Aaron.

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Dennis Bathory-Kitsz
At 08:39 AM 7/12/05 +0100, Owain Sutton wrote:


Dennis Bathory-Kitsz wrote:
 At 10:20 PM 7/11/05 -0400, Aaron Sherber wrote:
 
There's some other message archive subscribed as well. Frankly, as 
long as SHSU isn't providing a proper searchable archive of their 
own, I see this as a good thing.
 
 Not I. I subscribed to a private list. 

I didn't.  Not in the way you mean it:

This is a private list, which means that the list of members is not 
available to non-members - http://lists.shsu.edu/mailman/listinfo/finale

Nothing about the contents of messages not being available to non-members.

From the same page: To see the collection of prior postings to the list,
visit the Finale Archives. (The current archive is only available to the
list members.)

This is not about my email address. This is about my content. I did not
expect a public archive, or else I'd be posting to the web forum. The
extent of the 'contract' for posting is on the list info site, and nowhere
is a public presentation of our postings suggested.

There are several such services that post our comments publicly.  More of
these are cropping up, such as http://www.mail-archive.com/ and
http://www.archivum.info/   I did not release my posts to the wider public,
and nowhere did I give permission to do so via the list subscription page.
It's incredible that the program(s) we talk about have copy protection all
over them (with many folks on this list supporting that), yet our private
intellectual property is stolen for public posting to the benefit of
various website owners without permission or payment, perhaps even by list
a list member.

As far as I'm concerned, this is straight out intellectual property theft.
I've received a response fro the opensubscriber.com website owner, who
claims this list was subscribed to his robot. How did this happen? Who is
our list owner these days? Or was this done by an individual on the list?

Yes, I post my scores and parts and music and photos and essays on my
websites, but I'm very vigorous about chasing down those who steal that
material and repost it elsewhere. All I usually ask is permission and
credit (except for commercial sites, which I bill). My posts are no different.

Can someone shed some light on how these outside sites were subscribed to
this list, and whether I should pursue having this material taken down?

At 07:17 AM 7/12/05 -0400, Aaron Sherber wrote:
I'm not sure what the distinction is here. Anyone in the world can 
currently join this list. Once they join, they can in 5 minutes 
download the entire list archives. They can also download the entire 
list of subscribers. So how is this different from OpenSubscriber?

Private reading and writing is the purpose of the list. Reposting, for
profit or not, is theft of content. With all the discussions we've had here
on copy protection, that distinction should be clear.

Dennis


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[Finale] Swing?

2005-07-12 Thread Jim Williamson



Can someone tell me how to specify swinging of 
16th's and not 8th's?

I have a slow Hip Hop section (quarter = 76) where 
the 8th's need to stay straight but the 16th's need to be bouncy. The swing 
function doesthe opposite. I can accomplish the task by writing it in "cut 
time" but that's not the way I want it to look.

Any input?

Jim


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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Aaron Sherber

At 07:28 AM 7/12/2005, Dennis Bathory-Kitsz wrote:
This is not about my email address. This is about my content. I did not
expect a public archive, or else I'd be posting to the web forum. The
extent of the 'contract' for posting is on the list info site, and nowhere
is a public presentation of our postings suggested.

Again, I really think this is splitting hairs. Since absolutely 
anyone in the world can subscribe and then read the entire list 
archives, our postings are already public, for all intents and purposes.


I'm not arguing in favor of these archive sites (though I do like the 
search capabilities), I'm just saying that it doesn't matter to me 
because it doesn't expose anything that wasn't already exposed. If 
you disagree with this assessment, I'd be interested in hearing why.


Aaron.

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Dennis Bathory-Kitsz
At 07:42 AM 7/12/05 -0400, Aaron Sherber wrote:
At 07:28 AM 7/12/2005, Dennis Bathory-Kitsz wrote:
 This is not about my email address. This is about my content. I did not
 expect a public archive, or else I'd be posting to the web forum. The
 extent of the 'contract' for posting is on the list info site, and nowhere
 is a public presentation of our postings suggested.

Again, I really think this is splitting hairs. Since absolutely 
anyone in the world can subscribe and then read the entire list 
archives, our postings are already public, for all intents and purposes.

I'm not arguing in favor of these archive sites (though I do like the 
search capabilities), I'm just saying that it doesn't matter to me 
because it doesn't expose anything that wasn't already exposed. If 
you disagree with this assessment, I'd be interested in hearing why.

Because I reserve the right to my creative work. That's the very basis for
copyright protection, and the most elemental understanding of the ownership
of my creative work.

That I make something available at no charge does not mean that anyone else
may then redistribute it. From websites to freeware, you'll see
re-distribution without permission or conditions explicitly prohibited (a
helpful but unnecessary notice).

Intellectual property protection is not merely for the benefit of
corporations. It subsists in my postings and in your postings and in
everyone else's postings as well as in Finale's software -- or I could
happily be posting Finale on my website. The exchange of money doesn't make
MakeMusic's copyright somehow more important than yours or mine. The terms
of my postings on this list are that it is, as it says on the subscription
page, a private list.  At no point did I hand over rights or give
permission for third-party distribution of my writing, however
inconsequential it may be -- not to opensubscriber.com or archivum.info or
mail-archive.com, not to the list owner, and not through the list
subscription contract itself.

Dennis


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Re: [Finale] Swing?

2005-07-12 Thread Christopher Smith

On Jul 12, 2005, at 7:37 AM, Jim Williamson wrote:

Can someone tell me how to specify swinging of 16th's and not 8th's?
 
I have a slow Hip Hop section (quarter = 76) where the 8th's need to stay straight but the 16th's need to be bouncy. The swing function does the opposite. I can accomplish the task by writing it in cut time but that's not the way I want it to look.
 
Any input?


I assume you're talking about playback only?

I think you might be out of luck on this. But I agree that hip-hop 16ths would be a useful option in the playback, and I would certainly make that request to MakeMusic.

In the meantime, I would write it as 16ths, print it out, then use Mass Edit>Change>Note Durations in combination with the Time Sig tool to change the passage to eighths, apply the Human Playback plugin to make them swing, and use that playback.

Sorry for the bad news.

Christopher


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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Christopher Smith


On Jul 12, 2005, at 8:08 AM, Dennis Bathory-Kitsz wrote:


At 07:42 AM 7/12/05 -0400, Aaron Sherber wrote:

 I'm just saying that it doesn't matter to me
because it doesn't expose anything that wasn't already exposed. If
you disagree with this assessment, I'd be interested in hearing why.


Because I reserve the right to my creative work. That's the very basis 
for
copyright protection, and the most elemental understanding of the 
ownership

of my creative work.

That I make something available at no charge does not mean that anyone 
else

may then redistribute it.



This is a very good point. Dennis has already made generally available 
for free a whole cartload of his work (musical and verbal) while 
retaining his copyright, on his various websites. No doubt he considers 
his writings here to be similar.


I, on the other hand, have freely given away a bunch of my writings in 
the public domain, which is a different kettle of fish. But just 
because I don't care who re-distributes MY work doesn't mean that I 
don't support Dennis' point of view.


Point made, I think.

Christopher

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Phil Daley

At 7/12/2005 09:13 AM, Christopher Smith wrote:

I agree with Aaron.

This is a very good point. Dennis has already made generally available
for free a whole cartload of his work (musical and verbal) while
retaining his copyright, on his various websites. No doubt he considers
his writings here to be similar.

Then he needs to mark every message with a Copyright statement.

Otherwise he hasn't a leg to stand on, legally.

Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley



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Re: [Finale] Swing?

2005-07-12 Thread Allen Fisher
Title: Re: [Finale] Swing?



I know its not the greatest solution, but you can use the tempo tool to create the swing.

Double-click a measure with the tempo tool.
Click Set Swing...
Click Duration
Choose 16th
Thatll swing it. Youll have to set tempo to No HP Effect in HP prefs if you are using Human Playback.


On 7/12/05 8:07 AM, Christopher Smith [EMAIL PROTECTED] said this:

 
On Jul 12, 2005, at 7:37 AM, Jim Williamson wrote: 

Can someone tell me how to specify swinging of 16th's and not 8th's? 
  
I have a slow Hip Hop section (quarter = 76) where the 8th's need to stay straight but the 16th's need to be bouncy. The swing function does the opposite. I can accomplish the task by writing it in cut time but that's not the way I want it to look. 
  
Any input? 

 
I assume you're talking about playback only? 

I think you might be out of luck on this. But I agree that hip-hop 16ths would be a useful option in the playback, and I would certainly make that request to MakeMusic. 

In the meantime, I would write it as 16ths, print it out, then use Mass EditChangeNote Durations in combination with the Time Sig tool to change the passage to eighths, apply the Human Playback plugin to make them swing, and use that playback. 

Sorry for the bad news. 

Christopher 



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Allen




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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Christopher Smith


On Jul 12, 2005, at 9:27 AM, Phil Daley wrote:


At 7/12/2005 09:13 AM, Christopher Smith wrote:

I agree with Aaron.

This is a very good point. Dennis has already made generally available
for free a whole cartload of his work (musical and verbal) while
retaining his copyright, on his various websites. No doubt he 
considers

his writings here to be similar.

Then he needs to mark every message with a Copyright statement.

Otherwise he hasn't a leg to stand on, legally.



I don't know about US copyright law, but in Canada copyright is applied 
automatically, with or without the notice. It's kind of like, this 
bicycle is mine, even if I DON'T put a sign on it saying so. The 
copyright notice is just a warning, or a courtesy, depending on your 
intentions.


If he can prove he is the legal author, he has copyright to it, notice 
or not.


Christopher


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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Dennis Bathory-Kitsz
At 09:27 AM 7/12/05 -0400, Phil Daley wrote:
Then he needs to mark every message with a Copyright statement.
Otherwise he hasn't a leg to stand on, legally.

Not quite. To initiate a lawsuit, registration is required. But since 1988,
section 401a says that copyright notice “may be placed on publicly
distributed copies from which the work can be visually perceived”. This was
substituted for “shall be placed on, and follows the silent notice concept
of Geneva. Neither fact affects the exclusive rights under section 106. And
beyond that, sections 408a and 408c2 let me register a yearly bulk of my
postings at any time within the first copyright term -- and *then* initiate
a lawsuit. :)

So the remedy is there if it's needed, but look, it doesn't change the de
facto theft of my creative work, mundane as it may seem. Furthermore, these
guys make money from ad clicks on what is basically an automated service
exploiting the work of thousands of authors, and that is unacceptable to me.

I'm looking for consensus from the group before I send a formal takedown
notice to their web hosts.

Dennis


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Re: [Finale] Does anyone know about this?

2005-07-12 Thread dhbailey

Dennis Bathory-Kitsz wrote:
[snip]

Intellectual property protection is not merely for the benefit of
corporations. It subsists in my postings and in your postings and in
everyone else's postings as well as in Finale's software -- or I could
happily be posting Finale on my website. The exchange of money doesn't make
MakeMusic's copyright somehow more important than yours or mine. The terms
of my postings on this list are that it is, as it says on the subscription
page, a private list.  At no point did I hand over rights or give
permission for third-party distribution of my writing, however
inconsequential it may be -- not to opensubscriber.com or archivum.info or
mail-archive.com, not to the list owner, and not through the list
subscription contract itself.


Sounds like you need to get your intellectual property lawyer involved.

--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread dhbailey

Christopher Smith wrote:

[snip] This is a very good point. Dennis has already made generally 
available
for free a whole cartload of his work (musical and verbal) while 
retaining his copyright, on his various websites. No doubt he considers 
his writings here to be similar.


I, on the other hand, have freely given away a bunch of my writings in 
the public domain, which is a different kettle of fish. But just because 
I don't care who re-distributes MY work doesn't mean that I don't 
support Dennis' point of view.


Point made, I think.


I agree, Dennis has a very valid point concerning his copyrighted 
messages but holding forth on this forum does no good.  Getting his 
intellectual property lawyer involved is the only way to resolve this issue.


Those external archives aren't going to listen to any of us, unless we 
back it up with a lawsuit which has monetary and punitive damages attached.


All those archives are going to say, in response to our complaints and 
requests to stop, is Oh, yeah?  Sez who?  You gonna make me?  Let me 
see you try!  Just like the schoolyard bullies who thought our lunch 
money was their lunch money, it's only when someone with authority to 
incur penalties gets involved that such actions cease.  In this case 
that would be the courts.


We can discuss it until we're blue in the face, and no matter how valid, 
both legally and morally, Dennis' points, what we feel carries no weight 
with the archive sites.


We can petition Henry to pursue it through SHSU, and can also petition 
him to find a way for human-only subscription.


But even that may be impossible in trying to stop things.



--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread dhbailey

Phil Daley wrote:


At 7/12/2005 09:13 AM, Christopher Smith wrote:

I agree with Aaron.

 This is a very good point. Dennis has already made generally available
 for free a whole cartload of his work (musical and verbal) while
 retaining his copyright, on his various websites. No doubt he considers
 his writings here to be similar.

Then he needs to mark every message with a Copyright statement.

Otherwise he hasn't a leg to stand on, legally.



No, since the 1978 revision of the copyright law, copyright subsists in 
any creation once it is placed in fixed format, with or without the 
copyright notice being attached.  For a work to enter the public domain 
immediately a notice to that effect has to be attached by the lawful 
copyright holder.


Dennis' potential penalties he can seek are limited if he hasn't 
registered the copyright for each and every message with the U.S. 
Copyright Office, but he can still get some damages for each infringement.


And then he can also go after the archive sites for unlawfully making 
money from his property, in a civil suit, over and above their copyright 
infringement.


I wonder if the copyright infringement case might be fodder for an 
attorney general's office (in Dennis' case I guess the Atty. General of 
Vermont, although since it's also the SHSU server which is being 
violated perhaps and/or the Atty. General of Texas.)


--
David H. Bailey
[EMAIL PROTECTED]
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[Finale] [Tan] Take it down!

2005-07-12 Thread Simon Troup
 Dennis Bathory-Kitsz:
 I'm looking for consensus from the group before I send a formal
 takedown notice to their web hosts.

Agreed.

Simon Troup
Digital Music Art

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread dhbailey

Christopher Smith wrote:



On Jul 12, 2005, at 9:27 AM, Phil Daley wrote:


At 7/12/2005 09:13 AM, Christopher Smith wrote:

I agree with Aaron.


This is a very good point. Dennis has already made generally
available for free a whole cartload of his work (musical and
verbal) while retaining his copyright, on his various websites.
No doubt he considers his writings here to be similar.


Then he needs to mark every message with a Copyright statement.

Otherwise he hasn't a leg to stand on, legally.



I don't know about US copyright law, but in Canada copyright is
applied automatically, with or without the notice. It's kind of like,
this bicycle is mine, even if I DON'T put a sign on it saying so. The
 copyright notice is just a warning, or a courtesy, depending on your
 intentions.

If he can prove he is the legal author, he has copyright to it,
notice or not.


I wonder if the courts will rule, though, that by posting to a group
where he doesn't know the membership and can't control the membership he 
is effectively publishing the messages for any and all to see and read 
and archive, and so the archive sites are within their legal rights to 
simply be another member of the list.


Sort of like the 'law' of unintended consequences -- posting messages to 
an extremely public list (even though it may be called private by its 
owners, since anybody in the world is free to subscribe, with no 
qualifications to be met nor stipulations placed, the courts may view 
this as a public list) means that the materials are published with the 
intention that users will use them as such materials are commonly used, 
printed, read, stored, archived, shared with others not on the list, 
forwarded to others, and since no such stipulations are placed on the 
messages people who subscribe to this list can reasonably expect that 
all the members realize all the uses to which such postings are put and 
therefore give tacit agreement to such uses.


It would be very interesting to see how a court would rule if this ever 
went to trial!



--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Simon Troup
 All those archives are going to say, in response to our complaints and 
 requests to stop, is Oh, yeah?  Sez who?

It's quite possible that if the site is hosted by a company who takes legal 
matters seriously they will close the site down if it they judge it to be 
against the law - most of the terms of use in web hosting include such a waiver.

I've had luck closing down sites that were redistributing my PHP scripts 
without my authority (all the scripts included a EULA saying that they could 
not be redistributed etc.) All that was needed was a clear email to the host. 
The hosts would usually give 24hours notice (sometimes bcc'd to me in email) to 
remedy the situation and then pull the plug if nothing was done.

I'm not saying it's sure to work in this case, but that's certainly why Dennis 
is talking about going to the host and not the site owner. Is Dennis in 
software or something? Sounds familiar!

Simon Troup
Digital Music Art

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Johannes Gebauer



dhbailey schrieb:


Those external archives aren't going to listen to any of us, unless we 
back it up with a lawsuit which has monetary and punitive damages attached.


Ah, now I am getting interested. How much do you think would be in it 
for me? Couple of thousand? Millions? I may be pursuaded to be very 
concerned about my copyrights.



Johannes

Note: This Email is copyrighted. It may not be redistributed by anyone 
without written permission of the author.

© 2005 by Johannes Gebauer, Berlin, Germany. All rights reserved.
--
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http://www.camerata-berolinensis.de

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Ken Moore

From: Dennis Bathory-Kitsz [EMAIL PROTECTED] wrote


I'm looking for consensus from the group before I send a formal takedown
notice to their web hosts.


I'm with you.


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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Dennis Bathory-Kitsz
At 04:02 PM 7/12/05 +0100, Simon Troup wrote:
Is Dennis in software or something?

Not anymore, except maybe this:
http://maltedmedia.com/people/bathory/killer.html

I've just been a (not-a-lawyer) student of copyright for several decades.
And since I am at last trying to live on my pitiful royalties, commissions,
and engraving jobs, I get touchy over someone marketing my work as a
service (and then collecting the ad click revenue).

Anyway, speaking of royalties, I have a piece to finish...

Dennis



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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Brad Beyenhof
On 12/07/05, dhbailey [EMAIL PROTECTED] wrote:

 (even though it may be called private by its owners, since anybody in
 the world is free to subscribe, with no qualifications to be met nor
 stipulations placed, the courts may view this as a public list)

I subscribe to a couple of other Mailman lists where, to subscribe,
your request for subscription is moderated. The list owner receives
the request and  sends out a questionnaire; it is only after
sufficient answers have been received that he will begin the
subscription.

Possibly Henry could set up something similar for our list. He could
even flush out all of the subscribers and require us all to
resubscribe in order to weed out the robots. I would suggest that an
appropriate questionnaire would include such questions as What
version of Finale did you first use? and What version of Finale are
you currently using? Though it is possible that the administrators of
the robots may have the capacity to subscribe manually (and thus
receive the questionnaire themselves), it is likely that certain
questions can be devised that will prove familiarity with Finale in
its present and past incarnations.

However, this will definitely not do anything about the issue of the
content currently available on the servers of these archive sites, and
legal action to remove said content may still be required. In any
case, creating a more comprehensive filter to membership might prevent
this from happening again.

-- 
Brad Beyenhof
[EMAIL PROTECTED]
my blog: http://augmentedfourth.blogspot.com
Life would be so much easier if only (3/2)^12=(2/1)^7.

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Christopher Smith


On Jul 12, 2005, at 11:26 AM, Johannes Gebauer wrote:




dhbailey schrieb:
Those external archives aren't going to listen to any of us, unless 
we back it up with a lawsuit which has monetary and punitive damages 
attached.


Ah, now I am getting interested. How much do you think would be in it 
for me? Couple of thousand? Millions? I may be pursuaded to be very 
concerned about my copyrights.



Johannes

Note: This Email is copyrighted. It may not be redistributed by anyone 
without written permission of the author.

© 2005 by Johannes Gebauer, Berlin, Germany. All rights reserved.



Heh, heh! You ARE a funny guy, Johannes! 8-)

Christopher



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[Finale] Is this a Finale or Sibelius list?

2005-07-12 Thread m_lawlor
I have seen so many Sibelius emails lately, and it is taking up lots of 
space, that I would have thought there was a better place for 
Sibelius-related issues (a Sibelius list?).  Maybe they do have some 
relevance to Finale, but I can't be bothered to read them.
Am I alone? 


Michael Lawlor
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Stephen Peters
Phil Daley [EMAIL PROTECTED] writes:

 Then he needs to mark every message with a Copyright statement.

Or, even more directly, he could put a header line in each email that
says X-No-Archive: true.  From what I've seen, all these mail
collectors do respect such requests to not archive those messages.

On the other hand, it's probably more fun to get lawyers involved.
Have at it.

-- 
Stephen L. Peters  [EMAIL PROTECTED]
  GPG fingerprint: A1BF 5A81 03E7 47CE 71E0  3BD4 8DA6 9268 5BB6 4BBE
 And it don't make you an actress just because you've been on COPS.
-- Laurence O'Keefe's Sensitive Song
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Johannes Gebauer

Christopher Smith schrieb:

Heh, heh! You ARE a funny guy, Johannes! 8-)


Well, thank you Christopher. After not getting Lawrence's joke this 
feels really good!


But wait, that makes my post more valuable in terms of copyright, does 
it not? More money for funnier posts, obviously.


(Not quite) Seriously, if we all join together in a class action suit, 
it won't cost us much will it? I am sure some courts are going to give 
us huge sums for this.


Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de

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Re: [Finale] Is this a Finale or Sibelius list?

2005-07-12 Thread Johannes Gebauer
Yes, they do have a relevance to Finale, and I personally think they are 
vital for the future of Finale. Therefor I object to any attempts to 
move this discussion elsewhere, or to end it prematurely.


If you don't want to read them, just don't read them. I am sure it won't 
go on for much longer. You do have a delete button on your computer, 
don't you?


Johannes

[EMAIL PROTECTED] schrieb:
I have seen so many Sibelius emails lately, and it is taking up lots of 
space, that I would have thought there was a better place for 
Sibelius-related issues (a Sibelius list?).  Maybe they do have some 
relevance to Finale, but I can't be bothered to read them.

Am I alone?
Michael Lawlor
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--
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http://www.camerata-berolinensis.de
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Andrew Stiller


On Jul 11, 2005, at 11:59 PM, Darcy James Argue wrote:

I'm with Aaron.  I really don't care if my email address is available 
for anyone to see in the Google cache, but I DO care about having 
searchable archives, and since we de-linked from Google, that's 
impossible.




I also agree with this viewpoint. And I am frankly dismayed at the 
contempt for the public domain expressed in some of the postings in 
this thread. Since 1983 the public domain in this country has been 
whittled almost out of existence, and a nostalgic yearning for a 
supposed earlier time when copyrights meant something reminds me of 
nothing so much as the assertion from the far right that Christians  
have become a persecuted minority in the US. In both cases there is a 
really serious disconnect from reality.


As for asserting copyright in one's postings to an internet forum, 
that's simply antisocial. You might as well declare copyright on your 
after-dinner conversation. Fortunately, it's legal hooey, since a 
private list that publicizes its existence and accepts anyone who 
signs up is not in fact private by either statute or case law.


Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/

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Re: [Finale] Is this a Finale or Sibelius list?

2005-07-12 Thread YATESLAWRENCE
In a message dated 12/07/2005 17:06:31 GMT Daylight Time,  
[EMAIL PROTECTED] writes:
I have seen so many Sibelius emails lately,  and it is taking up lots of 
space, that I would have thought there was a  better place for 
Sibelius-related issues (a Sibelius list?).  Maybe  they do have some 
relevance to Finale, but I can't be bothered to read  them.
 

At risk of repeating myself, butchers sometimes talk about  fish.

All the best,

Lawrence

þaes ofereode - þisses swa  maeg

http://lawrenceyates.co.uk
Dulcian Wind Quintet:  http://dulcianwind.co.uk
 

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Re: [Finale] Need invisible chord anchors

2005-07-12 Thread laloba2
Hi Bill,

Go to Layer 4
Select Show Active Layer only. 
In layer 4, put in rests where you want the chords anchored.
Input your chords.
Mass Edit select all measures.
PluginsNote Beam and Rest EditingHide Notes and Rests
Go back to Layer one.
Uncheck Show Active Layer only
You should now see notes in layer one along with your chords.

-K



 
When generating a lead sheet, it is often desirable to have chords that  
sequence under a fixed melody note. For example, you might have  an 8 beat 
whole 
note where a sequence of chords are changing under it.  This is not in keeping 
with the way finale anchors chords, since it the chord  anchor must be on a 
tied note, note or rest. I have not seen any way to  anchor a chord to a note 
that's not in the staff.
 
One can generate an artificial chord anchor by breaking a  long note into 
tied notes, but that makes it awkward to read the  music, and it's not good 
notation practice.
 
I tried hanging chords onto alternate layers, but that means sticking notes  
into the score that don't belong, and I have not figured out  how to suppress 
the printing out of the alternate layers. That really confuses  things.
 
Has anyone figured out a way around this? 


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[Finale] OT: mac acrobat reader 7 page size display

2005-07-12 Thread shirling neueweise


i used to be able to see the page size displayed at all times in the 
bottom left corner of the window in previous versions, but can't find 
anywhere in the prefs to make it appear permanently in version 7 
(moving the mouse to the corner makes it appear temporarily), anyone 
have an idea?


jef

--

shirling  neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Owain Sutton



Andrew Stiller wrote:

Dennis Bathory-Kitsz:
I'm looking for consensus from the group before I send a formal
takedown notice to their web hosts.






You'll get no such agreement from me. If copyright  subsists in these  
postings, then it should not. Have you all gone nuts?


Andrew Stiller



I second Andrew's comment.  Of all the copyright issues to be worried 
about, this has to rank way down the bottom.  What next, objecting to 
people remembering what you say in the pub?!

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Andrew Stiller

Dennis Bathory-Kitsz:
I'm looking for consensus from the group before I send a formal
takedown notice to their web hosts.





You'll get no such agreement from me. If copyright  subsists in these  
postings, then it should not. Have you all gone nuts?


Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Simon Troup
 I second Andrew's comment.  Of all the copyright issues to be worried 
 about, this has to rank way down the bottom.  What next, objecting to 
 people remembering what you say in the pub?!

It's the distribution of email addresses that I object to.

Simon Troup
Digital Music Art

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread YATESLAWRENCE
In a message dated 12/07/2005 17:51:00 GMT Daylight Time,  
[EMAIL PROTECTED] writes:

What next, objecting to 
people remembering what you say in the  pub?!
 

I think I can safely say that I have never remembered anything said to  me in 
a pub nor have I heard of anyone ever remembering anything I said to  them.  
If I had, I should consider it to be rather a poor pub.

My  own view on this is that since I have never met anyone on this list, have 
no  idea who may join the list tomorrow nor indeed who is on it at the 
moment, then  I have to presume that whatever nonsense I utter is there for all 
to 
see.   It is, to all intents and purposes a public list since anyone of the 
general  public can join and read everything on it.

All the  best,

Lawrence

þaes ofereode - þisses swa  maeg

http://lawrenceyates.co.uk
Dulcian Wind Quintet:  http://dulcianwind.co.uk
 

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Dennis Bathory-Kitsz
At 12:37 PM 7/12/05 -0400, Andrew Stiller wrote:
 Dennis Bathory-Kitsz:
 I'm looking for consensus from the group before I send a formal
 takedown notice to their web hosts.

You'll get no such agreement from me. If copyright  subsists in these  
postings, then it should not. Have you all gone nuts?

Not at all. Sometimes issues discussed here get into great depth, at
significant effort from the authors of the posts. I for one would *not* be
happy to find my material harvested into a book or term paper or thesis
under someone else's byline. There are other public forums and blogs for
material intended for public release. This is not one of them.

The point of a private list is precisely that -- we speak to each other
with a certain level of understanding and respect and especially mutual
trust. On a private list, even a large one, we can also be honest and
direct without fearing trolls and hate-mongers and (I hope) thieves. But
harvesting/redistribution robots do not contribute to the group, have no
judgment, take everything, and place it all (including substantial
commentary) in what *appears to be* the public domain -- but is not.

For example, in January, we engaged in an important discussion about
nonpop, during which I made significant commentary and revelations to
colleagues here, eliciting rich responses. I have collected and edited that
material, and at some point will request permission from the individual
posters to permit inclusion of their comments in a public essay. That's the
ethical and legal route.

Irrespective of how large this group might be, and irrespective of the
legalities involved, it is still identified as a private list. No effort on
my part should be required to keep my postings -- and my intellectual
property -- distributed exactly as promised, i.e., only to the audience for
which they were intended.

Look, there are two issues here: Whether we object to our material being
read by a wider public, and whether harvesting and redistribution without
permission is legal and ethical. The latter is clear, but the former
depends on the list member.

We have no consensus, so it goes on. But the list owner should at least
identify that the list is no longer a private one so future members will
know their efforts are being taken and distributed for others' gain.

Dennis


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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Neal Schermerhorn
I agree that this is silly. When you send an email to this list you are
going to sometimes have an email forwarded to an offlist member. You are
going to be quoted with attribution in other emails, perhaps to other lists.
It's part of the expected actions to be taken with an email, and these are
not illegal as far as I'm aware.

While the argument exists that since your post is © 2005 you, one must also
consider the value of the post. If someone wants to read your post all they
need to do is join the list and they can. Therefore, there is no undue harm
caused by someone archiving their received emails elsewhere, even if
publically accessible.

If you wish to have your posts not archived, then the correct protocaol in
email is to set the appropriate X-Header. Adding a © notice in your
signature is senseless - that is used in print for use by humans, but no
human is involved with the actual archiving of your post. Complaining about
archiving when the X-Header has not been set is kinda like whining about the
draft when you've left the door open.

Finally, the whole point of this list is to help others. Does it matter in a
real way whether the person is helped through the official archive or
another?

If there was some proprietary information or secrets or artistic worth or
such here, ok. But it's an email list. If someone thinks so highly of the
information we freely exchange here that they want to draw attention to it,
that's a compliment.

Neal Schermerhorn
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Phil Daley

At 7/12/2005 11:26 AM, Johannes Gebauer wrote:

Note: This Email is copyrighted. It may not be redistributed by anyone
without written permission of the author.
© 2005 by Johannes Gebauer, Berlin, Germany. All rights reserved.

You make think this is funny, but that's what I think it would take to 
actually make a case in court.


Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley





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[Finale] OT: graphics in MS word

2005-07-12 Thread shirling neueweise


does anyone know of a way to find out the file name of a graphic 
which has been inserted into a word doc?  i can find all the info on 
its placement, adjustments etc. via the contextual menu format 
picture, but not the file name!


since edits to an external graphics file are not reflected in the 
word document, i wonder if graphic files are not linked, but rather 
imported into the word doc through insertion?  if so, is there a way 
to link rather than import, so that changes can be made to the source 
graphic file which will then show in the word doc?


jef

PS i know the real answer is to NOT use word... but sometimes i have 
to for score legends etc.


--

shirling  neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Christopher Smith


On Jul 12, 2005, at 1:01 PM, Simon Troup wrote:


It's the distribution of email addresses that I object to.



There is no distribution of email addresses on this archive. They are 
stripped out. Check it out yourself.


http://www.opensubscriber.com/messages/finale@shsu.edu/416.html


Christopher


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Re: [Finale] OT: graphics in MS word

2005-07-12 Thread Owain Sutton



shirling  neueweise wrote:


does anyone know of a way to find out the file name of a graphic which 
has been inserted into a word doc?  i can find all the info on its 
placement, adjustments etc. via the contextual menu format picture, 
but not the file name!


since edits to an external graphics file are not reflected in the word 
document, i wonder if graphic files are not linked, but rather imported 
into the word doc through insertion?  if so, is there a way to link 
rather than import, so that changes can be made to the source graphic 
file which will then show in the word doc?




I *think* Insert-Object-Create from file is what you need
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Re: [Finale] Swing?

2005-07-12 Thread Jim Williamson
Title: Re: [Finale] Swing?



Hey Allen, thanks for the info but the tempo tool 
seems fragile and it wants to slow the tempo. I, of course can get around that 
but I think I'll just do as I had planned and was also suggested by another 
member: save as a seperate playback file, change that section to cut-time and 
let it swing the 8th's.

Thanks,

Jim



  - Original Message - 
  From: 
  Allen 
  Fisher 
  To: finale@shsu.edu 
  Sent: Tuesday, July 12, 2005 9:03 
AM
  Subject: Re: [Finale] Swing?
  I know it’s not 
  the greatest solution, but you can use the tempo tool to create the 
  swing.Double-click a measure with the tempo tool.Click Set 
  Swing...Click DurationChoose 16thThat’ll swing it. You’ll have to 
  set tempo to “No HP Effect” in HP prefs if you are using Human 
  Playback.On 7/12/05 8:07 AM, "Christopher Smith" 
  [EMAIL PROTECTED] said this:
  On Jul 12, 
2005, at 7:37 AM, Jim Williamson wrote: 
Can someone tell me how to specify swinging of 
  16th's and not 8th's? 
   I have a 
  slow Hip Hop section (quarter = 76) where the 8th's need to stay straight 
  but the 16th's need to be bouncy. The swing function doesthe 
  opposite. I can accomplish the task by writing it in "cut time" but that's 
  not the way I want it to look. 
   Any 
  input? 
I assume you're talking about playback only? 
I think you might be out of luck on this. But I agree that hip-hop 
16ths would be a useful option in the playback, and I would certainly make 
that request to MakeMusic. In the meantime, I would write it as 
16ths, print it out, then use Mass EditChangeNote Durations in 
combination with the Time Sig tool to change the passage to eighths, apply 
the Human Playback plugin to make them swing, and use that playback. 
Sorry for the bad news. Christopher 

___Finale 
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Phil Daley

At 7/12/2005 01:22 PM, Dennis Bathory-Kitsz wrote:

The point of a private list is precisely that -- we speak to each other
with a certain level of understanding and respect and especially mutual
trust.

You are totally wrong.

There is no such thing as a private list than anyone in the general 
public can join.


Good luck on your civil suit.

I'll testify for the defense.

Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley




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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Dennis Bathory-Kitsz
At 01:37 PM 7/12/05 -0400, Neal Schermerhorn wrote:
I agree that this is silly. When you send an email to this list you are
going to sometimes have an email forwarded to an offlist member. You are
going to be quoted with attribution in other emails, perhaps to other lists.
It's part of the expected actions to be taken with an email, and these are
not illegal as far as I'm aware.

Proportional incidental quoting is perfectly legal (Limitations on
exclusive rights: Fair use, Section 107). Acquisition/distribution of
complete writings is not.

While the argument exists that since your post is © 2005 you, one must also
consider the value of the post. If someone wants to read your post all they
need to do is join the list and they can. Therefore, there is no undue harm
caused by someone archiving their received emails elsewhere, even if
publically accessible.

While the argument exists that since your [song] [score] [drawing]
[website] [program] [photo] [essay] is © 2005 you, one must also consider
the value of the [song] [score] [drawing] [website] [program] [photo]
[essay]. If someone wants to read [get] your [song] [score] [drawing]
[website] [program] [photo] [essay] all they need to do is join the list
[go to your website] [use a data aggregator] and they can. Therefore, there
is no undue harm caused by someone archiving their received [song] [score]
[drawing] [website] [program] [photo] [essay] elsewhere, even if publically
accessible.

Complaining about
archiving when the X-Header has not been set is kinda like whining about the
draft when you've left the door open.

That is entirely irrelevant. This is a private list. It's identified as a
private list. Access is restricted for members to read. I want to read and
write to a private list and its archive. What's hard to understand?
Furthermore, even if the list were not private, I would still expect only
the official list archive to present this information. Even newsgroups,
where redistribution is in the nature of the medium, do not weaken the
author's IP rights.

Remember: *No action on anyone's part* is necessary to reserve rights to
their creative work.

If there was some proprietary information or secrets or artistic worth or 
such here, ok. But it's an email list. If someone thinks so highly of the
information we freely exchange here that they want to draw attention to it,
that's a compliment.

Sure, just like when they think so highly of your [song] [score] [drawing]
[website] [program] [photo] [essay] that they harvest it for their own
profit and distribute it over P2P networks.

I'm not suggesting anything abnormal or 'nuts' here. I was not notified
that my work was going to be taken and redistributed by a third party, nor
were you. At what point does this taking become unacceptable? Neal, you've
made some great postings over the years in several lists. Would you be so
cavalier if I took all your material, reworked it, and issued it as a book
or ad-revenue website? With full credit, of course, but no money for or
control by you?

Dennis


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Re: [Finale] OT: graphics in MS word

2005-07-12 Thread Phil Daley

At 7/12/2005 01:56 PM, shirling  neueweise wrote:

does anyone know of a way to find out the file name of a graphic
which has been inserted into a word doc?

No.  They have been imported, ie. delinked from the object source.

They have no knowledge of whence they came from.

Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley




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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Simon Troup
 I agree that this is silly. When you send an email to this list you
 are going to sometimes have an email forwarded to an offlist member.
 You are going to be quoted with attribution in other emails, perhaps
 to other lists. It's part of the expected actions to be taken with an
 email, and these are not illegal as far as I'm aware.

... apart from the fact that when you join it says ...

This is a private list, which means that the  list of members is not available 
to non-members.

... which I would have thought covered _not_ having my email address readily 
available on another site. 

Simon Troup
Digital Music Art

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Phil Daley

At 7/12/2005 12:04 PM, Stephen Peters wrote:

Phil Daley [EMAIL PROTECTED] writes:

 Then he needs to mark every message with a Copyright statement.

Or, even more directly, he could put a header line in each email that
says X-No-Archive: true.  From what I've seen, all these mail
collectors do respect such requests to not archive those messages.

A good idea.

But, I think it's interesting that someone even wants to collect _my_ 2 
cents ;-)


I just did a Google search on my name.

Last year there were about 30, 000 entries, about half to an Australian 
rugby player.


Now there are only 1000, again half to the rugby guy.

It seems like Google has cut back on the archives it searches.

Phil Daley   AutoDesk 
http://www.conknet.com/~p_daley




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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread John Abram


On 12-Jul-05, at 11:00 AM, Owain Sutton [EMAIL PROTECTED] wrote:




Andrew Stiller wrote:


Dennis Bathory-Kitsz:
I'm looking for consensus from the group before I send a formal
takedown notice to their web hosts.








You'll get no such agreement from me. If copyright  subsists in these
postings, then it should not. Have you all gone nuts?

Andrew Stiller




I second Andrew's comment.  Of all the copyright issues to be worried
about, this has to rank way down the bottom.  What next, objecting to
people remembering what you say in the pub?!


I also agree with Andrew.
Aa searchable archive is a great resource, and can cut down on  
repetitive posts.

_
with best wishes,
John
http://abram.ca/

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Noel Stoutenburg

Dennis Bathory-Kitsz wrote:


I'm looking for consensus from the group before I send a formal takedown
notice to their web hosts.
 

Yes, I acknowledge that it is your creative work.  I see the discussions 
here as on the same order as if we were meeting in a publick house for 
discussion.  Yes, your comments are your creative effort, but it is also 
accurate to report what you wrote. 

I think the greater interests of the community are such that I vote 
nay to your request to remove your posts. 

Further, as a practical matter, how do you deal with the issue of other 
subscribers not being particularly careful to trim out your posts?  Even 
if your posts are removed, it may not be possible to remove those parts 
of your posts--in some cases, the entire thing, perhaps--included in the 
posts of others.


ns
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Johannes Gebauer



Simon Troup schrieb:

... apart from the fact that when you join it says ...

This is a private list, which means that the  list of members is not
available to non-members.

... which I would have thought covered _not_ having my email address
readily available on another site.


Which they aren't, no matter how many times you repeat this.

Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread dhbailey

Johannes Gebauer wrote:




dhbailey schrieb:



Those external archives aren't going to listen to any of us, unless we 
back it up with a lawsuit which has monetary and punitive damages 
attached.



Ah, now I am getting interested. How much do you think would be in it 
for me? Couple of thousand? Millions? I may be pursuaded to be very 
concerned about my copyrights.



Johannes

Note: This Email is copyrighted. It may not be redistributed by anyone 
without written permission of the author.

© 2005 by Johannes Gebauer, Berlin, Germany. All rights reserved.


Did you give express written permission for SHSU to redistribute your 
message?  how about all those servers it passed through from your 
computer to SHSU and then back out to all of us who receive the list?


Then how about permission for us to quote the message -- I don't see any 
written permission for me to do that.  Please don't sue me -- my 2 
pfennigs are in the mail, honest!  :-)


--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Johannes Gebauer

Which they aren't, no matter how many times you repeat this.


Actually, I take this back. I just checked, and it is easy to find out
any email address, although they are displayed only as a graphic.

Now that does worry me a little, especially as the amount of SPAM on my
mailing list address has increased quite q bit recently.

From this point of view I do actually now support a petition to stop
OpenSubscribers from redistributing my emails, unless they stop making
my email address available.

This is what they have to say:

E-mail Address Obfuscation

Spam is a major annoyance these days. Legislation is the only thing
that will bring spam to an end. Some people don't feel like holding
their breaths until that happens, and want spam to stop right now.

One popular, but anti-social way of getting less spam is to never
give out the real email address. That doesn't work very well with
mailing lists. They really need to know what your address is.
openSubscriber is a mail-to-web gateway, which means that these
addresses could potentially be exposed. Thankfully we're commited to
not supporting spam in any shape or fashion...

The email address of 'Johannes Gebauer' has been converted to an
image to prevent SPAM bots aquiring it...


and it then gives my email address as a graphic.

Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 11 Jul 2005 at 23:28, [EMAIL PROTECTED] wrote:

 In a message dated 7/11/2005 6:17:58 PM Pacific Daylight Time, 
 [EMAIL PROTECTED] writes:
 
  Isn't there something illegal or unethical about this?
  
 Wait a second. Let's differentiate between illegal and unethical on
 the one hand, . . .

I differentiated legal from ethical, by using the conjunction OR.

 . . . and the realities of cyberspace on the other. In the
 latter case, there might as well be no rules, because there's no way
 to enforce them. It's the American Wild West of the 1850s.

What are you smoking? The rules of real life still apply. The 
Internet has not repealed copyright laws.

 Think about it for a moment: how many people on this list would feel
 comfortable publishing one of their compositions in its entirety on
 the internet, even with a big copyright notice in bold at the bottom?
 Raise your hands.
 
 That's what I thought.

I already have done so. Nobody cares.

And your analogy doesn't work. What you really need as an analogy is:

What if somebody else posted your musical composition in its entirety 
on the Internet with NO COPYRIGHT NOTICE?

That's what's going on here, not what you've described.

 I'm as unhappy (angry, frustrated, add your own adjective here) as
 anybody else about this state of affairs. I grew up in a world where
 copyright protection meant something. On the internet you'd be crazy
 to think it still does--everything is fair game. So you might as well
 not be in denial about it.

Just because it's happening does not mean it's right or that there's 
nothing that can be done about it.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Darcy James Argue

On 12 Jul 2005, at 12:47 PM, Owain Sutton wrote:


Andrew Stiller wrote:

Dennis Bathory-Kitsz:
I'm looking for consensus from the group before I send a formal
takedown notice to their web hosts.




You'll get no such agreement from me. If copyright  subsists in these 
 postings, then it should not. Have you all gone nuts?

Andrew Stiller


I second Andrew's comment.  Of all the copyright issues to be worried 
about, this has to rank way down the bottom.  What next, objecting to 
people remembering what you say in the pub?!


Thirded.  This is like objecting to internet search engines.  
Searchable online list archives benefit everyone.


If you're *that* concerned about copyright, then don't post here.

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY


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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Simon Troup
 Simon Troup schrieb:
  ... apart from the fact that when you join it says ...
  
  This is a private list, which means that the  list of members is 
  not available to non-members.
  
  ... which I would have thought covered _not_ having my email
  address readily available on another site.
 
 Which they aren't, no matter how many times you repeat this.
 
 Johannes

Oh hello, what's this then?

http://www.opensubscriber.com/message/email/1476456.html

Simon Troup
Digital Music Art

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 11 Jul 2005 at 23:59, Darcy James Argue wrote:

 On 11 Jul 2005, at 10:20 PM, Aaron Sherber wrote:
 
  At 09:15 PM 7/11/2005, David W. Fenton wrote:
  http://www.opensubscriber.com/messages/finale@shsu.edu/416.html
  
  Isn't there something illegal or unethical about this?
 
  There's some other message archive subscribed as well. Frankly, as
  long as SHSU isn't providing a proper searchable archive of their
  own, I see this as a good thing.
 
 I'm with Aaron.  I really don't care if my email address is available
 for anyone to see in the Google cache, but I DO care about having
 searchable archives, and since we de-linked from Google, that's
 impossible.
 
 Here is a solution which fixes the problem we had with Google (the
 emails are erased) and provides an enormously useful service that we
 would not otherwise get -- searchable archives.  Doesn't anyone else
 want searchable archives?

The archives of this mailing list get stale very quickly, much moreso 
than about any technical forum I've ever seen (perhaps because of the 
frequent upgrade cycle?). I've never once wanted to search them.

 I don't get the privacy concerns.  How is this worse than the Google
 archives?  The only problem anyone had with Google indexing the list
 is that the email addresses were not erased.  So what's the big deal
 about a searchable index that *does* erase email addresses?

The reason is that *that* archive was maintained by the owner of the 
list. It's a *huge* difference.

My concerns have *zilch* to do with the email address issue -- it's 
all about permission, copyright and context.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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[Finale] Finale SongWriter??

2005-07-12 Thread Brad Beyenhof
http://www.makemusic.com/press_releases.aspx?pid=53

Does MakeMusic! really need *another* intermediate-level notation product?

-- 
Brad Beyenhof
[EMAIL PROTECTED]
my blog: http://augmentedfourth.blogspot.com
Life would be so much easier if only (3/2)^12=(2/1)^7.

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Re: [Finale] Sibelius - Dynamic Parts

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 0:08, Darcy James Argue wrote:

 On 11 Jul 2005, at 8:07 PM, Ken Durling wrote:
 
  I'm confused by this - isn't AIFF the mac equivalent of a .WAV
  file?  MIDI files contain no timbral information, so wouldn't there
  have to be an intermediate sound card or sampler for the MIDI file
  to drive to produce an AIFF?
 
 QuickTime contains a General MIDI soundfont -- QuickTime Musical
 Instruments.  It's what Mac users without an external MIDI device used
 for Finale playback before the introduction of Finale's own soundfont.

iTunes on Windows uses your hardware soundcard for outputting MIDI 
files to wave formats. Unfortunately, on my system, it chooses the 
dreadful Microsoft soft synthesizer instead of my far superior Turtle 
Beach soundcard's hardware synthesizer. The results are unusable, but 
it's doing it without using Quicktime instruments, because I have 
never installed them (well, I installed them once; they were so bad, 
I thereafter never installed them on any further PCs of mine).

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Owain Sutton



Simon Troup wrote:

Simon Troup schrieb:


... apart from the fact that when you join it says ...

This is a private list, which means that the  list of members is 
not available to non-members.

... which I would have thought covered _not_ having my email
address readily available on another site.


Which they aren't, no matter how many times you repeat this.

Johannes



Oh hello, what's this then?

http://www.opensubscriber.com/message/email/1476456.html




Brilliant!  You convert your address to an image to prevent it being 
harvested, then complain when it's the one address that doesn't get 
stripped out!!!


Would you like to have your spam and eat it, sir?
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Owain Sutton



David W. Fenton wrote:

On 11 Jul 2005 at 22:56, Dennis Bathory-Kitsz wrote:



At 10:20 PM 7/11/05 -0400, Aaron Sherber wrote:


There's some other message archive subscribed as well. Frankly, as
long as SHSU isn't providing a proper searchable archive of their
own, I see this as a good thing.


Not I. I subscribed to a private list. If this were a Yahoo group,
that would be a different story.



I was Googling on my own name, because of having read this (all on 
one line):


http://www.washingtonmonthly.com/archives/individual/2005_07/006691.ph
p

And that's how I discovered this. The point is that posts that I've 
made for one audience (you subscribers to this list) are being made 
available to everyone in the world, potentially out of context, since 
they are accessible through Google.


Now, I also noticed a large number of Usenet archiving services, but 
I never expected my Usenet posts to be anything other than public. I 
am quite annoyed at the number of sites that are using content they 
are basically stealing to populate their websites, without making it 
at all clear that the content doesn't really originate with them (the 
database websites that are running comp.databases.ms-access as a 
local group are the ones that annoy me). But there's nothing much can 
be done about that.




I've filed a request to remove my posts.



Now that your sharp eyes have allowed it, I've resent my request to 
remove my posts, and the Finale list, as well.




How have you worded the request for the entire list to be removed?
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Owain Sutton



Simon Troup wrote:

Simon Troup schrieb:


... apart from the fact that when you join it says ...

This is a private list, which means that the  list of members is 
not available to non-members.

... which I would have thought covered _not_ having my email
address readily available on another site.


Which they aren't, no matter how many times you repeat this.

Johannes



Oh hello, what's this then?

http://www.opensubscriber.com/message/email/1476456.html



Apologies for my earlier message, I misunderstood what this was showing

Still, I maintain that if you don't want your email address to be 
widely-publicised, using a mailing list to which anyone can subscribe is 
a silly thing to do

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 7:42, Aaron Sherber wrote:

 At 07:28 AM 7/12/2005, Dennis Bathory-Kitsz wrote:
  This is not about my email address. This is about my content. I did
  not expect a public archive, or else I'd be posting to the web
  forum. The extent of the 'contract' for posting is on the list info
  site, and nowhere is a public presentation of our postings
  suggested.
 
 Again, I really think this is splitting hairs. Since absolutely 
 anyone in the world can subscribe and then read the entire list 
 archives, our postings are already public, for all intents and
 purposes.

They are public *within the context of the ongoing discussions on the 
list*. Since they are now in this archive, they are in Google *absent 
context*.

But the real issue is that someone is republishing content on which I 
hold the copyright, all of my posts. Some of these sites are selling 
ads, and making a profit.

 I'm not arguing in favor of these archive sites (though I do like the
 search capabilities), I'm just saying that it doesn't matter to me
 because it doesn't expose anything that wasn't already exposed. If you
 disagree with this assessment, I'd be interested in hearing why.

It's unethical, and possible constitutes copyright infringement (very 
likely, I'd say). It's definitely not within the terms of use of the 
list as I understand them (explicit or implicit). It's certainly at 
odds with the policy that the list's own archives are open only to 
list subscribers.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Brad Beyenhof
On 12/07/05, Simon Troup [EMAIL PROTECTED] wrote:
 This is a private list, which means that the  list of members is 
 not available to non-members.

 ... which I would have thought covered _not_ having my email
 address readily available on another site.

 Which they aren't, no matter how many times you repeat this.
 
 Oh hello, what's this then?
 
 http://www.opensubscriber.com/message/email/1476456.html

It's an *image file*, which is not able to be harvested by web
spiders. It's there for actual humans who click over to that page, but
it is in NO WAY readily available.

-- 
Brad Beyenhof
[EMAIL PROTECTED]
my blog: http://augmentedfourth.blogspot.com
Life would be so much easier if only (3/2)^12=(2/1)^7.

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Re: [Finale] Finale SongWriter??

2005-07-12 Thread Simon Troup
 http://www.makemusic.com/press_releases.aspx?pid=53
 
 Does MakeMusic! really need *another* intermediate-level notation 
 product?

I think these variations of feature releases are pretty easy for MM to 
implement, and enable them to easily strip features and drop the price while 
focussing on target markets.

I used to do something similar in scripts where every feature had an array that 
dictated whether a feature was available when (in my case) encrypting the code 
(more likely compiling in this case). I could set a variable as a switch and 
then create targetted versionsall from the same source code. I very much doubt 
this is an appreciable hit on the developers. I'm presuming this is your 
concern?

Simon Troup
Digital Music Art

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 9:13, Christopher Smith wrote:

 On Jul 12, 2005, at 8:08 AM, Dennis Bathory-Kitsz wrote:
 
  At 07:42 AM 7/12/05 -0400, Aaron Sherber wrote:
   I'm just saying that it doesn't matter to me
  because it doesn't expose anything that wasn't already exposed. If
  you disagree with this assessment, I'd be interested in hearing
  why.
 
  Because I reserve the right to my creative work. That's the very
  basis for copyright protection, and the most elemental understanding
  of the ownership of my creative work.
 
  That I make something available at no charge does not mean that
  anyone else may then redistribute it.
 
 This is a very good point. Dennis has already made generally available
 for free a whole cartload of his work (musical and verbal) while
 retaining his copyright, on his various websites. No doubt he
 considers his writings here to be similar.

Regardless of what type of copyright any individual wants to assert, 
either full control or releasing into the public domain, the 
*creator* of the content has an absolute right by law to determine 
what copyright restrictions they release their work under.

 I, on the other hand, have freely given away a bunch of my writings in
 the public domain, which is a different kettle of fish. But just
 because I don't care who re-distributes MY work doesn't mean that I
 don't support Dennis' point of view.

But if you haven't explicitly identified the content you're releasing 
into the public domain, then it's *not* in the public domain. The 
default for content with no copyright notice is the assumption of the 
most restrictive copyright rules, which is that the creator reserves 
all rights.

These archives are completely ignoring that fact, even if they are 
archiving posts of people who are fine with it.

 Point made, I think.

I'm surprised it too such vehement advocacy for people to realize 
that -- Dennis's points are self-evident to me, which is why I 
brought this to the list's attention.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 8:39, Owain Sutton wrote:

 Dennis Bathory-Kitsz wrote:
  At 10:20 PM 7/11/05 -0400, Aaron Sherber wrote:
  
 There's some other message archive subscribed as well. Frankly, as
 long as SHSU isn't providing a proper searchable archive of their
 own, I see this as a good thing.
  
  
  Not I. I subscribed to a private list. 
 
 I didn't.  Not in the way you mean it:
 
 This is a private list, which means that the list of members is not
 available to non-members -
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Nothing about the contents of messages not being available to
 non-members.

What meaning is there to the policy the list of members is not 
available to non-members if the posts (with many email addresses of 
senders readable by a human being) are available to anyone who can 
Google?

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Aaron Sherber

At 03:04 PM 7/12/2005, Simon Troup wrote:
Oh hello, what's this then?

http://www.opensubscriber.com/message/email/1476456.html

It's exactly what it says: it's an image of your email address, which 
is not harvestable by bots in that form. This is not what most of us 
would call readily available.


Aaron.

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 11 Jul 2005 at 20:16, Ken  Durling wrote:

 There are literally thousands of groups on this list.  I see a few
 others, like photography groups, that I belong to.  I don't know. I
 think RSS is probably something like a Google for discussion groups...

This is not about RSS, which has nothing specifically to do with 
discussion groups (it was originally designed for blogs, so that you 
could subscribe to an RSS feed and then check your RSS feeds to see 
when new content had been added to the blogs whose RSS feeds you 
subscribe to; there is also a competing standard, called Atom, but 
most programs that handle RSS now handle Atom as well). 

This is about archiving a mailing list without permission of the 
subscribers or the list owner.

RSS is only a mechanism for notifying users of the archiving website 
when it has added posts.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Owain Sutton



Johannes Gebauer wrote:



Darcy James Argue schrieb:

Thirded.  This is like objecting to internet search engines.  
Searchable online list archives benefit everyone.


If you're *that* concerned about copyright, then don't post here.



I have no problem with my messages appearing there. However, I am _very_ 
concerned about their email address policy, especially as it is 
completely unnecessary. I do not want to see my email address on any 
publically accessable server, unless I have given permission to do so.




Then STOP USING THIS LIST.  You have no idea where the emails are going, 
or what is being done with them.  Just because theft is illegal doesn't 
mean I leave my wallet lying around.

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Re: [Finale] Finale SongWriter??

2005-07-12 Thread Owain Sutton



Simon Troup wrote:

http://www.makemusic.com/press_releases.aspx?pid=53

Does MakeMusic! really need *another* intermediate-level notation 
product?



I think these variations of feature releases are pretty easy for MM to 
implement, and enable them to easily strip features and drop the price while 
focussing on target markets.




Again I wonder how they possibly are identifying these 'target markets', 
when Sibelius site licences are selling like hotcakes.

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread Aaron Sherber

At 02:56 PM 7/12/2005, David W. Fenton wrote:
And that's how I discovered this. The point is that posts that I've
made for one audience (you subscribers to this list) are being made
available to everyone in the world,

But David, they've *always* been available to everyone in the world. 
Anyone in the world can join and then download the complete list 
archives themselves in about 5 minutes.


Aaron.

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 10:44, dhbailey wrote:

 Christopher Smith wrote:
 
 [snip] This is a very good point. Dennis has already made generally
 available  for free a whole cartload of his work (musical and verbal)
 while  retaining his copyright, on his various websites. No doubt he
 considers  his writings here to be similar.   I, on the other hand,
 have freely given away a bunch of my writings in  the public domain,
 which is a different kettle of fish. But just because  I don't care
 who re-distributes MY work doesn't mean that I don't  support Dennis'
 point of view.   Point made, I think.
 
 I agree, Dennis has a very valid point concerning his copyrighted
 messages but holding forth on this forum does no good.  Getting his
 intellectual property lawyer involved is the only way to resolve this
 issue.
 
 Those external archives aren't going to listen to any of us, unless we
 back it up with a lawsuit which has monetary and punitive damages
 attached.
 
 All those archives are going to say, in response to our complaints and
 requests to stop, is Oh, yeah?  Sez who?  You gonna make me?  Let me
 see you try!  Just like the schoolyard bullies who thought our lunch
 money was their lunch money, it's only when someone with authority to
 incur penalties gets involved that such actions cease.  In this case
 that would be the courts.

Actually, all the listowner has to do is ban subscriptions under the 
domain of these archiving sites. Problem solved.

 We can discuss it until we're blue in the face, and no matter how
 valid, both legally and morally, Dennis' points, what we feel carries
 no weight with the archive sites.
 
 We can petition Henry to pursue it through SHSU, and can also petition
 him to find a way for human-only subscription.
 
 But even that may be impossible in trying to stop things.

These sites only work because they can subscribe to the list. If 
their domains are blocked, the problem is gone, no lawyer required.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 10:38, dhbailey wrote:

 Dennis Bathory-Kitsz wrote:
 [snip]
  Intellectual property protection is not merely for the benefit of
  corporations. It subsists in my postings and in your postings and in
  everyone else's postings as well as in Finale's software -- or I
  could happily be posting Finale on my website. The exchange of money
  doesn't make MakeMusic's copyright somehow more important than yours
  or mine. The terms of my postings on this list are that it is, as it
  says on the subscription page, a private list.  At no point did I
  hand over rights or give permission for third-party distribution of
  my writing, however inconsequential it may be -- not to
  opensubscriber.com or archivum.info or mail-archive.com, not to the
  list owner, and not through the list subscription contract itself.
 
 Sounds like you need to get your intellectual property lawyer
 involved.

That's exactly why these people think they can get away with this -- 
it takes a lawsuit to force them to act.

That's wrong.

And ethical actors who are concerned about acting legally shouldn't 
be doing what's right only when under threat of lawsuit.

-- 
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David Fenton Associateshttp://www.bway.net/~dfassoc
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Simon Troup
 Apologies for my earlier message, I misunderstood what this was
 showing

No problem.

 Still, I maintain that if you don't want your email address to be
 widely-publicised, using a mailing list to which anyone can subscribe
 is a silly thing to do

Why does it have to be that way? Can't I join a professional list? (If I can 
call it that, I do this for a living!).

I think we should operate as we do and then combat ourselves when people 
overstep the mark. I'm not silly, I'm just trying to maintain some limits.

Simon Troup
Digital Music Art

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 10:53, dhbailey wrote:

 Christopher Smith wrote:
 
  On Jul 12, 2005, at 9:27 AM, Phil Daley wrote:
  
  At 7/12/2005 09:13 AM, Christopher Smith wrote:
  
  I agree with Aaron.
  
  This is a very good point. Dennis has already made generally
  available for free a whole cartload of his work (musical and
  verbal) while retaining his copyright, on his various websites. No
  doubt he considers his writings here to be similar.
  
  Then he needs to mark every message with a Copyright statement.
  
  Otherwise he hasn't a leg to stand on, legally.
  
  I don't know about US copyright law, but in Canada copyright is
  applied automatically, with or without the notice. It's kind of
  like, this bicycle is mine, even if I DON'T put a sign on it saying
  so. The
   copyright notice is just a warning, or a courtesy, depending on
   your intentions.
  
  If he can prove he is the legal author, he has copyright to it,
  notice or not.
 
 I wonder if the courts will rule, though, that by posting to a group
 where he doesn't know the membership and can't control the membership
 he is effectively publishing the messages for any and all to see and
 read and archive, and so the archive sites are within their legal
 rights to simply be another member of the list.

I think only a very stupid court that doesn't understand the issues 
would rule that way.

 Sort of like the 'law' of unintended consequences -- posting messages
 to an extremely public list (even though it may be called private by
 its owners, since anybody in the world is free to subscribe, with no
 qualifications to be met nor stipulations placed, the courts may view
 this as a public list) . . . 

Consider the difference between posting to any unmoderated Usenet 
group and posting to the Finale list.

It's a *huge* difference.

 . . . means that the materials are published with the
 intention that users will use them as such materials are commonly
 used, printed, read, stored, archived, shared with others not on the
 list, forwarded to others, and since no such stipulations are placed
 on the messages people who subscribe to this list can reasonably
 expect that all the members realize all the uses to which such
 postings are put and therefore give tacit agreement to such uses.
 
 It would be very interesting to see how a court would rule if this
 ever went to trial!

I think the ethical and legal issues are pretty clear to someone who 
understands how mailing lists work. There are a number of implicit 
aspects to the subscription contract that have been pretty well 
understood for a very long time. 

I note that there don't seem to be any explicit Finale list terms of 
service accessible from 
http://lists.shsu.edu/mailman/listinfo/finale. It was so long ago 
that I subscribed that I don't believe I have the terms of service 
you get when you subscribe. I think it would be helpful to have those 
accessible from the listinfo page (based on my past experiencing 
administering a mailman mailing list, I know that part of the content 
of that page is configurable by the list administrator).

As to what courts would or would not rule, that's a different kettle 
of fish. It shouldn't need to get that far.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 11:55, Christopher Smith wrote:

 On Jul 12, 2005, at 11:26 AM, Johannes Gebauer wrote:
 
  dhbailey schrieb:
  Those external archives aren't going to listen to any of us, unless
  we back it up with a lawsuit which has monetary and punitive
  damages attached.
 
  Ah, now I am getting interested. How much do you think would be in
  it for me? Couple of thousand? Millions? I may be pursuaded to be
  very concerned about my copyrights.
 
  Johannes
 
  Note: This Email is copyrighted. It may not be redistributed by
  anyone without written permission of the author. © 2005 by Johannes
  Gebauer, Berlin, Germany. All rights reserved.
 
 Heh, heh! You ARE a funny guy, Johannes! 8-)

As you see, I've added something similar.

My only concern is that my notice (or Johannes's) could be 
interpreted to prevent you from quoting my posts. I think it's 
implicit in the subscription contract, and in the fact of posting to 
a list, that you allow others to quote your posts in the context of 
that list.

The point is, by explicitly saying all rights reserved Johannes has 
notified you that he has the right to control how his words are used, 
and if you use them after he's specifically told you not to, then you 
have no legal or ethical leg to stand on.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
All non-quoted content (c) David W. Fenton, all rights reserved


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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Owain Sutton



Simon Troup wrote:

Actually, I take this back. I just checked, and it is easy to find out
any email address, although they are displayed only as a graphic.



Thanks Johannes, I thought you must have missed that. I'm not sure where we're 
up to with SpmBot OCR but that particular graphic is hardly the industry 
standard as far as CAPTCHA goes. Check this one ...




True - but I know I'm not the only person who's had trouble deciphering 
Yahoo's ones.  As with any measure, they'll last for so long before 
becoming useless.

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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 12:17, Andrew Stiller wrote:

 On Jul 11, 2005, at 11:59 PM, Darcy James Argue wrote:
 
  I'm with Aaron.  I really don't care if my email address is
  available for anyone to see in the Google cache, but I DO care about
  having searchable archives, and since we de-linked from Google,
  that's impossible.
 
 I also agree with this viewpoint. And I am frankly dismayed at the
 contempt for the public domain expressed in some of the postings in
 this thread. . . .

The concept of public domain as regards to copyright should not be 
confused with publicly available information.

 . . . Since 1983 the public domain in this country has been
 whittled almost out of existence, and a nostalgic yearning for a
 supposed earlier time when copyrights meant something reminds me of
 nothing so much as the assertion from the far right that Christians 
 have become a persecuted minority in the US. In both cases there is a
 really serious disconnect from reality.

Posts to mailing lists have *never* been in the public domain, 
Andrew, at least not in the sense that public domain is used as a 
legal construct in copyright law.

 As for asserting copyright in one's postings to an internet forum,
 that's simply antisocial. You might as well declare copyright on your
 after-dinner conversation. Fortunately, it's legal hooey, since a
 private list that publicizes its existence and accepts anyone who
 signs up is not in fact private by either statute or case law.

On the fact of it, that argument seems completely wrong to me.

The list is *not* publicly available to anyone. You have to identify 
yourself to the list owner (even if it's done in an automated 
fashion), and that list owner has the ability to deny you access to 
the information.

Secondly, the archives of the list that are maintained by the owner 
of the list are not open to the public. That is a pretty clear 
indication of a certain intent to restrict some of the information 
from full public disclosure.

A mailing list, to which you must subscribe, is very different from a 
public posting forum like an unmoderated Usenet group, which is 
publicly available to anyone with access to a Usenet server carrying 
the the newsgroup.

The point here is that someone is using content posted for the use of 
subscribers to the mailing list for purposes that are not explicitly 
authorized by the subscribers when they sign up. Adding insult to 
injury, these sites are profiting from that re-use.

They are using my posts without my permission.

They are profiting from that re-use.

From a copyright point of view, on principle, it's a pretty open-and-
shut case.

Legally, it's not as easy, since enforcing copyright usually requires 
the realistic threat of a lawsuit.

But on principle, it's a pretty clear case.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Christopher Smith


On Jul 12, 2005, at 2:22 PM, Simon Troup wrote:


I agree that this is silly. When you send an email to this list you
are going to sometimes have an email forwarded to an offlist member.
You are going to be quoted with attribution in other emails, perhaps
to other lists. It's part of the expected actions to be taken with an
email, and these are not illegal as far as I'm aware.


... apart from the fact that when you join it says ...

This is a private list, which means that the  list of members is not 
available to non-members.


... which I would have thought covered _not_ having my email address 
readily available on another site.




And that is indeed the case. Emails ARE stripped out.

Christopher


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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Owain Sutton
Am I the only one who might actually try using Opensubcriber to search 
the archives?

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 12:37, Andrew Stiller wrote:

  Dennis Bathory-Kitsz:
  I'm looking for consensus from the group before I send a formal
  takedown notice to their web hosts.
 
 You'll get no such agreement from me. If copyright  subsists in these 
 postings, then it should not. Have you all gone nuts?

Consider the issues raised here (all on one line):

http://www.washingtonmonthly.com/archives/individual/2005_07/006691.ph
p

Consider that, under your rules, all discussion here is available 
*outside its original context* to anyone with access to Google (as 
long as Opensubscriber.com archives the group).

Google Andrew Stiller. Is it really your intent that your postings 
on this list should show up as entries 13-14 in Google's search 
results? 

For me, it's items 3-4, and that's a bad thing, from my point of 
view.

The copyright issue is really open and shut -- Opensubscriber.com is 
violating copyright here. And making money in the process (selling 
ads).

If that doesn't concern you, then the context issue should. Posts you 
make in the flow of a discussion can pop in Google absent that 
context and could then be easily misinterpreted.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
All non-quoted content (c) David W. Fenton, all rights reserved

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Darcy James Argue

On 12 Jul 2005, at 4:05 PM, Owain Sutton wrote:

Am I the only one who might actually try using Opensubcriber to search 
the archives?


No.  It's *insanely frustrating* that since de-linking from Google, 
there has been no way to search the archives.  I have already started 
using OpenSubscriber, and sincerely hope that Henry will *not* de-link 
us from OpenSubscriber as well, because then I doubt we will EVER get 
searchable archives.


The problem with OpenSubscriber is that the current archive isn't very 
deep -- the archiving began fairly recently -- and it's not as flexible 
with search terms as Google was.  But it's better than nothing.


- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 13:46, Phil Daley wrote:

 At 7/12/2005 11:26 AM, Johannes Gebauer wrote:
 
  Note: This Email is copyrighted. It may not be redistributed by
  anyone without written permission of the author. © 2005 by Johannes
  Gebauer, Berlin, Germany. All rights reserved.
 
 You make think this is funny, but that's what I think it would take to
 actually make a case in court.

No, it wouldn't -- the copyright violation would be the same.

On the other hand, republishing content with this explicit disclaimer 
(which simply restates the implicit rights that every author has 
until they explicitly give them up) would probably incur larger 
penalties were the case ever brought into court.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
All non-quoted content (c) David W. Fenton, all rights reserved


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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Simon Troup
 It's an *image file*, which is not able to be harvested by web
 spiders. It's there for actual humans who click over to that page, but
 it is in NO WAY readily available.

I know what you mean but I think you're overestimating the security of that 
image. OCR exists, and spammers are conttinually improving it otherwise why the 
attempts at BaffleText and the like (this is clearly not up to that standard). 

The voice of reason in me simply says that we should do what we can to protect 
our privacy. I'm not pretending we can do this 100%, just that like everything 
else in life we should try.

If people want searchable archives and RSS then let's find a solution that 
doesn't include this guy (opensubscriber.com) who clearly just wants his 
GoogleAds revenue at the expense of my privacy.

Simon Troup
Digital Music Art

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Re: [Finale] OT: graphics in MS word

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 13:56, shirling  neueweise wrote:

 does anyone know of a way to find out the file name of a graphic which
 has been inserted into a word doc?  i can find all the info on its
 placement, adjustments etc. via the contextual menu format picture,
 but not the file name!
 
 since edits to an external graphics file are not reflected in the word
 document, i wonder if graphic files are not linked, but rather
 imported into the word doc through insertion?  if so, is there a way
 to link rather than import, so that changes can be made to the source
 graphic file which will then show in the word doc?

If you PASTE, you get a copy.

If you PASTE SPECIAL, you get a dialog box that allows you to control 
whether or not you copy or link to the original file.

If you use INSERT OBJECT, and choose CREATE FROM FILE, the LINK 
option is right there in the dialog box.

If you INSERT PICTURE, there's a check box in the dialog for LINK TO 
FILE.

So, I'm not sure why you can't find how to control linking or not. It 
seems to be an option in every UI that is relevant.

Of course, I'm specifically looking at Winword 97, but I know that 
newer versions of Word are very little changed, and these are options 
that are unlikely to have been removed, since they are essential 
components of the entire process.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 14:04, Christopher Smith wrote:

 
 On Jul 12, 2005, at 1:01 PM, Simon Troup wrote:
 
  It's the distribution of email addresses that I object to.
 
 
 There is no distribution of email addresses on this archive. They are
 stripped out. Check it out yourself.
 
 http://www.opensubscriber.com/messages/finale@shsu.edu/416.html

But if you click on them, you get to a graphical representation of 
the email address which a human being can read. Go to:

http://www.opensubscriber.com/message/finale@shsu.edu/1719087.html

and then click on the SENDER name. This takes you to:

http://www.opensubscriber.com/message/email/1719087.html

where you see a graphic with your email address.

Yes, this (mostly) insures that bots can't harvest the address 
(though some of them are savvy enough to be able to OCR a graphic and 
convert it to text; that's why many online sources require you to 
read through noise, such as:

  http://www.geektools.com/whois.php

The text in the graphic is readable by a human being, but the noise 
added to the graphic makes it pretty hard (if not impossible) for a 
bot to OCR it.

The point here is that the addresses are still available, and quite a 
few garden-variety bots would have no problem OCR'ing those graphics.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
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[Finale] midi chanels assignment

2005-07-12 Thread Eric Dussault
I am pretty bad in understanding how midi works, having been always  
interested in music typesetting, but I have a problem here and I  
don't know what to do.


The composer wants me to export de music so that every instruments  
will appear in midi in the same order as the score (39 different  
instruments) so that he can assign himself the proper instruments.  
I've tried to assign a different chanel to every instrument (39  
chanels) and when I open the midi file in Finale, to order in fucked  
up, and so are the chanel number assignements. I don't care about  
what instrument goes with what chanel, but want one chanel per  
instruement in the same order as the score.


Thanks for your help,

Éric Dussault



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Re: [Finale] Is this a Finale or Sibelius list?

2005-07-12 Thread D. Keneth Fowler

No, Michael, you are not alone.

Ken Fowler

At 04:59 PM 7/12/2005 +0100, you wrote:
I have seen so many Sibelius emails lately, and it is taking up lots of 
space, that I would have thought there was a better place for 
Sibelius-related issues (a Sibelius list?).  Maybe they do have some 
relevance to Finale, but I can't be bothered to read them.

Am I alone?
Michael Lawlor
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[Finale] Beams over rests

2005-07-12 Thread Lee Actor
I want to extend 16th note beams over rests in one particular measure
without setting it that way for the entire file.  Does anyone have a
simple/clever workaround for this?  (And wouldn't it be nice if this option
could be turned on and off for selected measures within a piece?)

Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com


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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Darcy James Argue

On 12 Jul 2005, at 4:18 PM, Simon Troup wrote:

If people want searchable archives and RSS then let's find a solution 
that doesn't include this guy (opensubscriber.com) who clearly just 
wants his GoogleAds revenue at the expense of my privacy.


I'm not opposed to that, but if past experience is any judge, it won't 
happen.


I objected strenuously to de-linking from Google because of the email 
issue.  It solved one problem I really don't care about (the 
availability of my email address) by creating a much bigger problem I 
care very much about -- removing the ability to search the archives.


Sure, an in-house, members-only searchable archive would be ideal, but 
it seems there is absolutely no interest from anyone about actually 
making that happen.  For now, OpenSubscriber is the best we're going to 
get, and if we de-link, we'll be back to zero, with no searchable 
archives and virtually no prospect of ever getting them.


- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY


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Re: [Finale] turn quarters into 16ths

2005-07-12 Thread John Howell

At 10:52 PM +0200 7/11/05, Johannes Gebauer wrote:

Is there a way to turn every quarter note in a passage into 4 16th notes?

(If not, this seems like something that is missing from the plugin 
menu - or the TGTools menu).


Two slashes through the stems?

John


--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 13:27, Noel Stoutenburg wrote:

 Dennis Bathory-Kitsz wrote:
 
 I'm looking for consensus from the group before I send a formal
 takedown notice to their web hosts.
 
 Yes, I acknowledge that it is your creative work.  I see the
 discussions here as on the same order as if we were meeting in a
 publick house for discussion. . . .

What if someone recorded your discussions in the pub and then 
broadcast them on a public television station? Would you be OK with 
that, since your words were spoken in a public place?

I don't know about the UK (I believe you're in the UK?), but in the 
US, you can't record someone without their permission. And you 
certainly can't broadcast a recording without permission to broadcast 
even when you have permission to record the conversation.

It seems like sound law to me, as the presumption is on the side of 
the individual's rights to privacy.

 . . . Yes, your comments are your creative
 effort, but it is also accurate to report what you wrote. 

I don't know what this means.

If you're quoting as a matter of reporting what happened, that's one 
thing, and, perhaps, OK.

If you're republishing everything in a completely unchanged form, 
that's vastly different.

 I think the greater interests of the community are such that I vote
 nay to your request to remove your posts. 
 
 Further, as a practical matter, how do you deal with the issue of
 other subscribers not being particularly careful to trim out your
 posts?  Even if your posts are removed, it may not be possible to
 remove those parts of your posts--in some cases, the entire thing,
 perhaps--included in the posts of others.

It seems to me that, as with the US laws on sound recordings, one 
ought to err on the side of caution.

There is no automatic right to republish content distributed in a 
completely different forum. 

That it is easy to do makes it neither right nor pointless to fight.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 15:03, Darcy James Argue wrote:

 On 12 Jul 2005, at 12:47 PM, Owain Sutton wrote:
 
  Andrew Stiller wrote:
  Dennis Bathory-Kitsz:
  I'm looking for consensus from the group before I send a formal
  takedown notice to their web hosts.
 
  You'll get no such agreement from me. If copyright  subsists in
  these 
   postings, then it should not. Have you all gone nuts?
  Andrew Stiller
 
  I second Andrew's comment.  Of all the copyright issues to be
  worried about, this has to rank way down the bottom.  What next,
  objecting to people remembering what you say in the pub?!
 
 Thirded.  This is like objecting to internet search engines.  
 Searchable online list archives benefit everyone.

No, it's not like that at all -- it's extremely different. Google 
archives publicly available content.

This archiving of posts to this list would be like somebody archiving 
content on my website that:

1. has no links from any other website and is not linked from 
anywhere on my own website

2. has not been sent to Google explicitly requesting that it be 
archived.

The definition of public is that it can be reached without someone 
else's permission. The content of this list was previously accessible 
only to person's who had the permission of the listowner (and his 
software agent, the listserv software).

Now it's available to anyone.

 If you're *that* concerned about copyright, then don't post here.

That's the best argument I've seen for taking down the 
Opensubscriber.com archive -- you've basically boiled it down to a 
choice between retaining control of your words and participating in 
discussions in this forum.

That's a pretty sad choice.

And it's especially sad considering that the republication is being 
done by someone who has no association whatsoever with this forum and 
its interests.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
All non-quoted content (c) David W. Fenton, all rights reserved

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Re: [Finale] [Tan] Take it down!

2005-07-12 Thread Stephen Peters
Darcy James Argue [EMAIL PROTECTED] writes:

 On 12 Jul 2005, at 4:05 PM, Owain Sutton wrote:

 Am I the only one who might actually try using Opensubcriber to
 search the archives?

 No.  It's *insanely frustrating* that since de-linking from Google,
 there has been no way to search the archives. 

Agreed wholeheartedly.

-- 
Stephen L. Peters  [EMAIL PROTECTED]
  GPG fingerprint: A1BF 5A81 03E7 47CE 71E0  3BD4 8DA6 9268 5BB6 4BBE
And since folks here to an absurd degree, seem fixated on your
verdigris, would it be all right by you, if I de-greenify you? -- Wicked
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RE: [Finale] Is this a Finale or Sibelius list?

2005-07-12 Thread keith helgesen
No, you certainly are not! I r'cd 102 Finale(?)messages this a.m.- far too
many were Sibelius related. They must be rubbing their hands in glee!

Now we have the same thing regarding does anyone know about this.

I do not know figures, but I suspect that the majority of list subscribers
are not website publishers, but just guys (and gals) like me who use Finale
as a neater/quicker/more interesting way of producing sheet music for their
own 'local' group or school or church choir or band/orchestra.

Maybe I'm wrong- it has been known- just ask my wife!!

Cheers, K in OZ

Keith Helgesen.
Director of Music, Canberra City Band.
Ph: (02) 62910787. Band Mob. 0439-620587
Private Mob 0417-042171

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Wednesday, 13 July 2005 2:00 AM
To: finale@shsu.edu
Subject: [Finale] Is this a Finale or Sibelius list?

I have seen so many Sibelius emails lately, and it is taking up lots of 
space, that I would have thought there was a better place for 
Sibelius-related issues (a Sibelius list?).  Maybe they do have some 
relevance to Finale, but I can't be bothered to read them.
Am I alone? 

Michael Lawlor
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Re: [Finale] Does anyone know about this?

2005-07-12 Thread David W. Fenton
On 12 Jul 2005 at 14:43, dhbailey wrote:

 Johannes Gebauer wrote:
 
  dhbailey schrieb:
  
  Those external archives aren't going to listen to any of us, unless
  we back it up with a lawsuit which has monetary and punitive
  damages attached.
  
  Ah, now I am getting interested. How much do you think would be in
  it for me? Couple of thousand? Millions? I may be pursuaded to be
  very concerned about my copyrights.
  
  Johannes
  
  Note: This Email is copyrighted. It may not be redistributed by
  anyone without written permission of the author. © 2005 by Johannes
  Gebauer, Berlin, Germany. All rights reserved.
 
 Did you give express written permission for SHSU to redistribute your
 message?  how about all those servers it passed through from your
 computer to SHSU and then back out to all of us who receive the list?

By sending it to the listserv address he's given permission for 
redistribution to the list's subscribers, since that's the only 
purpose for sending the message to that address.

 Then how about permission for us to quote the message -- I don't see
 any written permission for me to do that.  Please don't sue me -- my 2
 pfennigs are in the mail, honest!  :-)

He's saying he's reserving his rights. If you're in doubt whether you 
can quote him, ask him first.

I think it's pretty much an implicit right to quote, as long as you 
maintain the attributions, since that's part of the flow and the 
culture of mailing lists. And you could almost certainly claim the 
fair use (fair dealing in Canada and the UK) exception even if 
Johannes decided to be an ass and deny you the right to quote his 
posts.

-- 
David W. Fentonhttp://www.bway.net/~dfenton
David Fenton Associateshttp://www.bway.net/~dfassoc
All non-quoted content (c) David W. Fenton, all rights reserved


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