Sorry for the SPAM. If anyone would like to be included in our Mid-Atlantic
techno list (launching soon), please let me know and I'll get you sub'd for
the launch. We'll have at least one very 313-friendly lineup soon.
We are proud to announce a new Saturday night event at The Abyss (the former
Hey All,
I was born and raised in 313, but have since moved away. When I was home
visiting in December last year, the buzz I got was that there were really
only a few record stores, and two of them were the Recordtime stores I went
to. While I thought they were ok, I'm looking for something
Hey 313ers familiar with day to day life in the D...
I am considering a move (January 2003) to the to hopefully finish my
undergrad degree for good, and to work on music. Any information on
schools and jobs, as well as any and all advice is welcome.
Thanks in advance...
m*
Upcomming gigs...
- Original Message -
From: Mann, Ravinder [CCS] [EMAIL PROTECTED]
To: '313' 313@hyperreal.org
Sent: Tuesday, March 05, 2002 9:30 AM
Subject: [313] so very. very far OT... m300
Hey Im thinking about buying a m500 palm pilot. Any other gadgets
with techno related names...
I have an
- Original Message -
From: Tom Robbins/Tom Magic Feet [EMAIL PROTECTED]
To: 313 mailing list 313@hyperreal.org
Sent: Tuesday, March 05, 2002 12:55 PM
Subject: [313] Fw: Leftfield RIP (OT)
Thought some people might be interested in this, if they haven't already
heard...
(In a
- Original Message -
From: [EMAIL PROTECTED]
To: Neontsetse [EMAIL PROTECTED]
Cc: 313s 313@hyperreal.org
Sent: Tuesday, March 05, 2002 4:32 PM
Subject: Re: [313] Regarding Business
the fact is, the stuff that ppl are refering to when they refer to Juan
Atkins 'the legend' is his early
I'm agreeing with Laura, but I've always been curious about the moments in
the spotlight of Black Box (late-80s/early 90s) and Crystal Waters (mid
90s). Crystal Waters is still releasing music and playing out (I believe she
lives in Baltimore so I may have a more regionalized perspective on this).
Melodies Memories on Gratiot (a few miles south of RT).
Neptune in Royal Oak is good for indie and some IDM.
The Record Collector in Ferndale is great for retro vinyl as is Car City
records on Harper near 8 mile way over on the east side.
WAY down in Wyandotte used to be a very odd, but cool
Out of towners -- if you show us an ID at the door showing you've driven
100 miles to get to this show, it's $2 off the $10 admission. That's right
-- bring a carload, and the gas is on us. Well not really. But you know
what I mean...
As far as I know this is Fred's only scheduled midwest
More up... Repeat, a few X-Mixes, Carl Craig, Schneider TM, Waldeck, Jeff
Mills, Golden Boy Miss Kittin, Daniel Ibbotson, Tresor comps., Max
Brennan, more. No reserves. Thx.
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems[EMAIL
PROTECTED]completed=0sort=0since=-1
seller id =
OK-
Lets take a look at basically the biggest, most well paid, most recognized
electronic artists today.
trance: oakenfold, sasha digweed (white)
techno: carl cox? (black)
jungle: goldie (black)
its not a black / white thing
its a geographic thing (uk/usa)
and that's because the uk has the
Detroit Threads in Hamtramck has a pretty good selection. It's been awhile
since I've been there, but I think it's on Jos Campaus St.
Kevin
www.mp313.com
- Original Message -
From: Mxyzptlk [EMAIL PROTECTED]
To: Matthew Cloney [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Tuesday, March
www.famzine.org
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
The problem is obvious.
How many people who revere the early Model 500 tracks in retrospect
would have even given them a moment's notice in 1987? No, they were
self-released by a young guy from a no-name Detroit suburb, a bunch
of things ranting on and on about UFOs and stuff over clattery
i don't think anyone is debating the quality of juan's music. obviously,
if you are on this list, i think its safe to assume that you're more
than likely to throw a Model 500 record on the turntable.
what *i* am debating is the sentiment that juan somehow deserves to be
thrown tons of money and
on 3/5/02 8:48 PM, [EMAIL PROTECTED] wrote:
I count 'Deep Space' as my all-time favorite 313 album.
Just a quick story--I spent a frustrating, long Amtrak trip from Detroit to
Chicago several years ago, but was fortunate enough to be seated next to a
fellow music geek.
He was doing his PHD at
*** this week
- Sven Vaeth (cocoon) Thursday night at Tresor
- Chris Korda (gigolo rec.) Saturday night at Ostgut
- Detroit Special Sat night at WMF (last week in this location!)
Todd Sines (Planet E/7Th City/Perlon/Force Tracks, Detroit)
Charles Noel (Good Lookin', Creation Rebel,Ongaku,
TRESOR RECORDS NEWS
www.tresorberlin.de
[EMAIL PROTECTED]
MARCH 2002
Here's another painless update with the latest, including:
1. Club 11th birthday lineup
2. New music updates
3. Musik und Maschine update
4. insightful propaganda
5. True Spirit tour schedule
.. . . . . . . . . . . . . . . .
I thought then fishing cap and shorts he was sporting was the height of
hilarity too.
- Original Message -
From: Tom Robbins/Tom Magic Feet [EMAIL PROTECTED]
To: 313 mailing list 313@hyperreal.org
Sent: Tuesday, March 05, 2002 5:55 PM
Subject: [313] Mills Peel - the dirty truth revealed
From the Royal Festival Hall
Wed May 1st 7.30
SonarSound
Jeff Mills - Metropolis
ETHER
Pioneering Detroit DJ Jeff Mills, arguably the biggest household name in US
techno, provides a score to a screening of Fritz Lang's 1926 masterpiece,
Metropolis. Opening the show are Supercollider and
Sonarsound
£20 (bcdefgpstv) £17.50 (hjlru) £15 (kmno)
No concessions
http://www.sbc.org.uk/rfh/
-Original Message-
From: Toby Frith [mailto:[EMAIL PROTECTED]
Sent: 06 March 2002 09:22
To: 313
Subject: [313] Mills Metropolis UK showing
From the Royal Festival Hall
Wed May 1st
Just a quick plug for listmember Dan Butler's debut CD, 'Sketches Of The
City' by Square City which is coming out on the underrated Pagoda label.
Really impressive stuff, very detailed, cosmic and deep techno with a strong
313 influence, but not a slavish copy at all, and thoroughly recommended.
Have been listening to Speedy J's album a shocking hobby for a few days
now. Lot's of distorted abstract noise, but I like it!!!
I was wondering what the general opinion on this album is, and, whether this
album as considered to be a good example of IDM music (not to step on any
toes here), and
Well, Speedy J has had quite a varied output, some of which I would rank as
drill'n bass (think Mike Paradinas et al), some of which is clearly IDM
(mostly what he released on Warp), some is Detroit techno - and good Detroit
techno too, I'm thinking about his +8 records... Haven't been listening
Hiya all,
Back in 1992 Motown released Blaze's first ever album called 25 years
later. I am told it was a major flop.
What are the chances that I might come accross a copy of that album? Is it
ultra rare expensive?
Anyone got a copy he/she wants to part with? :)
Any info is appreciated.
Tough! I've been looking for a few years myself, and still haven't seen
it...
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 06, 2002 7:52 AM
To: 313@hyperreal.org
Subject: [313] BLAZE - 25 Years Later
Hiya all,
Back in 1992 Motown
I have this release and can't tell any difference between the remixes and
the original mixes, to be honest.
i recently found (but haven't listend to) a jack trax release (jtx-4) that
has:
can you feel it remix (5.30)
washing machine remix (3.50
amnesia
mystery of love
is this remix yet
An outfit called Phase II in the late 80s/early 90s, had substantially the
same members
Most famously, Reachin'. From around the same time check out their other
work on labels like Quark If You Should Need A Friend, Movin' (check
Before The Storm's I Got The Music and aforementioned Phase II
I think all the ismistik releases are very nice.
They're some of my favorites. Trippy, refined melodic
techno with a pretty unique flavor--the kind that bounces
in your mind, makes you smile and sometimes pulls your
heartstrings. Classic sounds arranged in a direct, but
original way. They
Greetings Cats!
Although it will be difficult, it's not impossible to find Blaze's 25 Years
Later album on vinyl. However, if you check with www.NetSounds.com or
www.GEMM.com, you will find a couple of stores who have limited copies of the
CD in stock. I would always suggest you begin your
I agree. 21st century music is a world class place to find stuff. I think
I've picked up over half of my Patrick Adams collection from that place at
amazingly reasonable prices. And their service is top notch too.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent:
someone sent me some tapes and i need them dated..
claude young as you like it
claude young dexit
not recordings of tracks those dj promo ones
thanks
-k
minus 63 in detroit (ok it just feels that way ;)
mail2web - Check
Doesn't Rick Wilhite run a store called Vibes? I could be mistaken.
- Giles
D I G I T A S // B O S T O N
--
Giles Dickerson
Art Director
800 Boylston Street
Boston, MA
02199
--
mobile 617 899 9635
office 617 369 8601
--
From: Kevin
Sent: Tuesday, March 5, 2002 10:30
i have an ismistik record on djax (i think it has palm trees on the label or
something) to be honest i dont think it was that great (though i cant tell
you any more than that as ive not really played it much)
neil
:-Original Message-
:From: James David Beard [mailto:[EMAIL PROTECTED]
Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
I think there was 3 Ismistik 12's on Djax, I've certainly got two and I
know of another.
At the time they came out, I thought they were killer, Techno from Europe
that had similarities
PARADISE MASSAGE PARTY
DETROIT SESSION # 4
THURSDAY MARCH 14TH 2002 AT THE REX CLUB (Paris/France)
A NUMBER OF NAMES (PUZZLEBOX RECORDINGS/ DETROIT) - LIVE
KEITH TUCKER a.k.a. DJ K-1 (PUZZLEBOX RECORDINGS/ DETROIT)
Dj Mic Mac (Fdb Rec.) / Residents Djs: Krikor + Serge Nicolas
THE REX CLUB
5
You are not talking here about Pure Blaze 1 2? I believe volume 2 came out a
few months back. Lot's of early 90s Blaze stuff on both of these compilations
W
Jonny McIntosh wrote:
Far from anonymous disco house, Blaze are, if any group are, the most
deserving of a chapter to themselves in the
As promised:
Would love any further comments/info anyone has.
Cheers,
Ken
Paradise Regained (Compilation) Republic Records 1988
Title Artist MusiciansAuthor(s)
Production
1. Play To Win Sharone Josh Milan Tyler
Tonight on BBC1 at 10.45: When Disco Ruled The World
Previews seem mixed, but it might be worth a look. Apparent Giorgio Moroder
is one person interviewed.
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands,
trance: oakenfold, sasha digweed (white)
techno: carl cox? (black)
jungle: goldie (black)
come on, man ,techno carl cox
if somebody is mega super star in techno thats got to be Richie Hawtin, who
is that carl cox figure.
fat ass dj running intec nothing special
b.
Jeff Mills, Neil Lanstrumm
-Original Message-
From: Berislav [mailto:[EMAIL PROTECTED]
Sent: 06 March 2002 15:16
Cc: 313@hyperreal.org
Subject: Re: [313] Regarding Business
trance: oakenfold, sasha digweed (white)
techno: carl cox? (black)
jungle: goldie (black)
come on, man
The point I was trying to make is that not wether Jaun or Oakenfold being one
dj better than the other, it's the fact that Oakenfold speaks to more people
with his music right now, even if there is some historical arguement against
that he's not as pioneering, who gives a fuck? I don't like
I believe 'Dexit' is circa 1996; not sure about the other.
m
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 06, 2002 9:07 AM
To: 313@hyperreal.org
Subject: [313] claude young tapes dated
someone sent me some tapes and i need them dated..
Speaking of finding rarities, I've just this afternoon been poking around a
secondhand dance shop near me and found a copy of Rob Hood 'The Protein
Valve' on M-Plant for £3. £3! And I didn't have a bean on me... so I hid it
at the back of the stack.
Also found a cool bass 12 by the Unknown DJ on
Greetings all.
Just to expand my knowledge a bit more, I have been recently interested in
acid/acid house and its history. When I think of this genre Baby Ford and
portamento'd 303 basslines come to mind, but I'm sure I am either just
scratching the surface or overgeneralizing. The track Are You
In a message dated 3/6/02 10:18:18 AM Eastern Standard Time, [EMAIL PROTECTED]
writes:
come on, man ,techno carl cox
if somebody is mega super star in techno thats got to be Richie Hawtin, who
is that carl cox figure.
fat ass dj running intec nothing special
dude, you're
Hi,
Just to let London 313'ers know that there's a booty/ghetto tech night on at
Play bar on Old Street tomorrow night - last time round we had DJ Godfather
and Ectomorph playing, but it's the residents this time!
Play is at 58 Old Street, on the corner with Golden Lane - venue is open
from 8pm,
Tonight on BBC1 at 10.45: When Disco Ruled The World
would be cool if someone could capture it and make an
realvideo, avi, mpg file. i can share it but cannot capture it.
- janne -
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
Uh No the DEMF was not a Detroit clique thing and even if it was it is called
the DETROIT ELECTRONIC MUSIC FESTIVAL.
you must be a person living outside of the us or in the us in a white skin
and ignorant of history.
UR and Atkins are pioneers of this music and get no respect from the business
It was a planet e, KMS, metroplex promo package.
number of planet e artists at DEMF 2000:2 (Recloose + Jason
Hogans)
number of KMS recording at DEMF 2000: 1 (Kevin Saunderson)
number of metroplex recording artists: 0 (debatable, as Juan was
scheduled
but
Perhaps you can elaborate (with slightly better English, punctuation and
spelling please, you are a journalist after all) on the cultural diversity
of the electronic music scene in the US - which is what I think you're
implying exists.
By the way, if you haven't got any intention of causing
what spotlight??? Juan Atkins was never in the Spotlight
the techno were always larger overseas than at home. Those records were
underground.
KMS's Big Fun and Good Life were the biggest records for that whole scene.
There was NEVER a time that Derrick got mobbed walking down the street in
[EMAIL PROTECTED] wrote:
unless, I suppose you work for UR, which is anti anything not black.
You just proved that you have got absolutely no clue what you're talking
about.
Otto
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
If peeps aren't sick of this thread by tomorrow, I will post details of 'The
Garage Sound Volume III' Rumor/Republic (1991) which features Blaze too.
Also Colonel Abrams (I kid you not) Dave Lee, Larry Heard (I wouldn't lie to
you) Paul Simpson (the same one) and Kirk Degiorgio(!) ... Unless
Of course there a lot of different opinions on what was the first acid track
but i think i am fairly save when say it's Phuture's Acid Tracks. There is a
nice interview with Marshal Jefferson in the Modulations documentary where
he explains how he made that track together with Nick Jones and
Memo from Alex Bond of PricewaterhouseCoopers
Start of message text
A while ago while some friends and I were in Amsterdam, one of my friends
who is based over there had a bag full of very rare Detroit records stolen.
Like I say, it happened a while ago,
I am sick of all this ignorant banter about racism not existing in dance
music.
Racism is in the world and the music is a part of the world.
I'm not talking about some Kodwo Eshun discourse about sonic fictions I'm
talking about the business side of things.
We can talk all day about the
from ad.techno.org (yes, it's still there)
Djax-Up-132 Ismistik - Bonus Bouncers
Djax-Up-140 Ismistik - Oasis
Djax-Up-164 Ismistik - 3rd Trace
Djax-Up-CD9 Ismistik - Remain
W
-Original Message-
From: [EMAIL PROTECTED] at INET-1
Sent: Wednesday, March 06, 2002 2:28 PM
To:
What about DJ Pierre ?
... he made 'Wild Pitch' famous throughout the European, Asian and
eventually US markets.
Just wondering because last time he played in NYC the flyer touted him as
being the originator of acid house. Of course you can't believe everything
you read on a flyer but i've
If the money is not behind an artist they will not succeed. And the people
who determine who will succeed have
their own bias about what is valuable.
I think that everything cinqueorange is saying is true but one thing must
be made clear and that is this definition of success - it exists on
he's got a new track out called dancin on nitegrooves that is great. i
expect it to be a big hit. i was glad to see pierre have a new record out,
as i used to be really into the sex trax/power music stuff. spanky, etc...
-Original Message-
From: Grammenos, Peter [mailto:[EMAIL PROTECTED]
According to my info Acid Tracks was produced by DJ Pierre, Spanky and
Marshall Jefferson - no mention of Nick Jones.
From the info I have it looks like Nick Jones wasn't involved with Phuture
until around 92 or so after Pierre had left...
I can check some record labels for credits when I
for a very different side of speedy j, check out 1998's self-titled debut
from slag boom van loon (NOT the recent remix album so far, although
that's worth a listen, too). it's a collab b/t jochem paap and the
aforementioned mike paradinas but they seem to cancel out each other's
noisier
is this strictly an internet broadcast, or is it on-air broadcast in
germany?
On Wed, 6 Mar 2002, Pit Schultz wrote:
*** this week
- Sven Vaeth (cocoon) Thursday night at Tresor
- Chris Korda (gigolo rec.) Saturday night at Ostgut
- Detroit Special Sat night at WMF (last week in this
Too funny, my friend owns Neptune. I have a hat from there I wear out here
a lot. Love Windy Carl too... I'm actually from Dearborn.
Cheers,
-m
-Original Message-
From: Mxyzptlk [mailto:[EMAIL PROTECTED]
Sent: Tuesday, March 05, 2002 7:16 PM
To: Matthew Cloney
Cc: 313@hyperreal.org
I cant believe what bullshit this list is. dont you fools
know that the music knows no color? cant you people
remember the days when no one knew what color the guy
putting out the record was and you just listened to it
for, *gasp* the MUSIC?
This list bickers and bitches about race more
you obviously didn't read all of our posts.
Nor did you read Juan's interview. I would suggest you go to the submerge
site and find the interview he did with the california paper.
This should clear some things up about the non-existence race in the music
business and rumors
Five
a shocking hobby is good, although i think most in the IDM scene
over-looked it. have you heard public energy #1? that's speedy j's 1997
album 9his last for +8). that's where he first made the switch from clean
smooth techno to the serious noise. (attention 313 guards: i know the 'ni go
snix' 12
what I SHOULD do is unsub and quit wasting the time I could
be spending making tracks for the people on the list that
actually love the music and not the shitstorm surrounding
it.
race issues will appear anywhere you let them and sometimes
despite your wishes. i've yet to encounter race
i bought the dexit tape at grammaphone in chicago fall of 1996.
that night, mike dearborn threw his first Blast Off party with dj hell, claude
young, miss djax, joey beltram, stacy pullen (jungle set).
damn, why aren't there events like that anymore? (rhetorical question)
On Wed, 6 Mar 2002,
hmmm. hawtin or cox. internationally, i really think cox might have a
slightly higher profile, although i could be wrong.
On Wed, 6 Mar 2002, Berislav wrote:
trance: oakenfold, sasha digweed (white)
techno: carl cox? (black)
jungle: goldie (black)
come on, man ,techno carl cox
if
the DEMF did an amazing job representing everything in electronic music.
and carl got knocked down by the playa haters network.
On Wed, 6 Mar 2002 [EMAIL PROTECTED] wrote:
The point I was trying to make is that not wether Jaun or Oakenfold being one
dj better than the other, it's the fact that
in case some of you dont know of it yet, there is a
napster-like file sharing service just for electronic
music called soulseek (www.soulseek.org) lots of very
very hard to find stuff on there. its PC only though. I
found 3-4 speedy J live sets on there that just plain kick
ass. also I
is everyone here familiar with thedjlist.com?
its a website where anyone can go and vote for their favorite dj, any dj.
cox is # 8
hawtin is #36
On Wed, 6 Mar 2002 [EMAIL PROTECTED] wrote:
In a message dated 3/6/02 10:18:18 AM Eastern Standard Time, [EMAIL PROTECTED]
writes:
come on,
Ok sorry but I'm kinda going backward in reading my mail today -
After reading reading all the opinions on this very real very serious
problem several questions and other points come up in my head -
Let me begin with this question - why has hip-hop replaced techno/house as
the accepted black
dexit came out at the same time his dexit album came out.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 06, 2002 11:50 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: [313] claude young tapes dated
i bought the dexit tape at
a real good primer would be the hardfloor x-mix. it has tracks by dj
pierre, armando, phuture.
unfortuately, it doesn't have 'acid track', but i don't know of anyother
real good chicago acid 'mix' cds.
On Wed, 6 Mar 2002, Grammenos, Peter wrote:
What about DJ Pierre ?
... he made 'Wild
ever heard of, thedjlist can suck it?
paul van oakenfag and sasha van digaho before hawtin? BAD BOY BILLLIEE
in the mix.. live.. understand?
PLUHHHLLLEEEAASSSEEE.
gag me with a fucking 20inch penis.
1 TIESTO 8080
2 PAUL VAN DYK 6845
3 PAUL OAKENFOLD 5338
4 GEORGE ACOSTA 4607
5 SASHA 4181
6
my intention was never to slap juan.
my intention was to correct certain ppl who make their living off of juan
adn feel the need to discredit other artist in a vague attempt to up their
income.
although, in a moment of blatent self appraisal, i suppose i have taken a
few shots at juan in the
I can't remember a time when Techno was THE accepted black music among the
population in tha D. From the time I moved to Detroit in '85 until I
graduated high school, it was all about hip hop. Now, Techno and house were
acceptable, meaning, one could listen to either without getting stares or
i don't really think that hip-hop 'replaced' techno.
even in the 80's there really couldn't have been more than several
thousand ppl attending the music institute.
radio certainly had more variety back then, but hip-hop certainly had its
cultural footing in place long before techno was even a
Philip Brian Harper wrote a book called Are We Not Men? which deals with
the politics of homophobia, masculinity, and black music.
mostly it talks about motown, but it gets into disco and post-disco dance
music, too, including Sylvester.
It's a good book and I suspect one could write an amended
btw: i'm really too young to have been involved with either. but i
defiantely knew what rap was long before i ever heard of techno.
On Wed, 6 Mar 2002 [EMAIL PROTECTED] wrote:
Ok sorry but I'm kinda going backward in reading my mail today -
After reading reading all the opinions on this very
amen. having attended sickness and recovery as a total newbie a few months
earlier and been blown away by mills, hawtin and acquaviva, i attended
blastoff as a budding convert to all things techno. hell and claude blew my
mind - and still blow it, from time to time.
brian
-Original
try mad on acid, a two-cd compilation of chicago classics plus a few other
turn-of-the-decade acid tracks, including one by joey beltram (can't
remember which).
brian
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Wednesday, March 06, 2002 11:12 AM
To:
what happened to courtesy and politeness.
the debate we were having was simply which techno artist has the highest
profile.
On Wed, 6 Mar 2002 [EMAIL PROTECTED] wrote:
ever heard of, thedjlist can suck it?
paul van oakenfag and sasha van digaho before hawtin? BAD BOY BILLLIEE
in the
You'd think a 'journalist' would understand the bias associated with such a
poll. Feel free to continue picking and choosing such ethics and standards
as they suit your argument.
That top-ten list could be renamed 'Biggest ads in Mixer' or similar. Again,
if these Web-access priviledged,
What happened to the sarcasm? And people getting it?
Oh yeah.. this is 313. I forgot for a second.
To make this techno related. I finally broke down and bought richies closer
to the edit cd.
_L
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED];
i'm quite certain this poll is simply open to anyone who wishes to vote.
obviously there are flaws, but what otehr gauge could you possibly use to
judge what djs have the highest profile 'overall'
On Wed, 6 Mar 2002, keleigh casper wrote:
You'd think a 'journalist' would understand the bias
Or, its open to anyone with Internet access, anyone who the site has been
marketed to and is aware of it, anyone who has the personality-type that
participates in such polls, anyone who would want to contribute to such
bogusness, anyone who isn't turned off by the entire idea of polling dj
So is this list unfortunately;)
i'm quite certain this poll is simply open to anyone who wishes to vote.
obviously there are flaws, but what otehr gauge could you possibly use to
judge what djs have the highest profile 'overall'
On Wed, 6 Mar 2002, keleigh casper wrote:
You'd think a
my intention was to correct certain ppl who make their living off of juan
adn feel the need to discredit other artist in a vague attempt to up their
income.
and in that vein, who pays your bills (???) mr. i work for motor and
freelance for ad-driven, cheese filled, put lil' kim on the cover
I just finished reading his book Stupid White Men and was wondering the
lists thoughts on his work. The book talks a lot about what it means to be
a particular skin color and to live in the us. He will also be at St
Andrews on 3/12 for a lecture and peace rally.
Keith
acid originated in chicago in the late 80s. it was the high point of human
civilsation. some of the early producers are dj pierre and phuture and
phortune, armando, bam bam, mike dunn, house master baldwin, laurent x. some
of the labels are trax, dj international, future sound, early dance mania,
why don't you try reading Juan's piece first
and if you really do feel that way, leave.
Five
-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]
about four or five years ago dj pierre played an acid house set at baktun in
new york. absolutely amazing night.
james
www.jbucknell.com
From: Grammenos, Peter [EMAIL PROTECTED]
Date: Wed, 6 Mar 2002 12:16:17 -0500
To: 'Jongsma, K.J.' [EMAIL PROTECTED], 313@hyperreal.org
Subject: RE: [313]
I don't have a problem with Juan but you don't know what you are talking
about because you did not read the article.
Do some research first before you start ranting.
You just make yourself look ignorant when you don't.
Five
-
i refuse to argue this point until you can present me with another
reliable way to gauge anything.
On Wed, 6 Mar 2002, keleigh casper wrote:
Or, its open to anyone with Internet access, anyone who the site has been
marketed to and is aware of it, anyone who has the personality-type that
Someone mentioned Richie Hawtin. Recently picked up Closer to the (Re-)Edit
on CD single. 2 cuts totalling just 11 or so mins., (Re-)edit #1:
freak'd which is actually rather subdued, (Re-)edit #2: ranged. This
last one uses Rhythm Sound, some Bluetrain/Mosaic track(s) to quite
devastating
imo acid trax wasnt that great of a song. it merely
opened the door to a new sub genre
I think it was all 707 and 303 too. very amenic.
a real good primer would be the hardfloor x-mix. it has
tracks by dj
pierre, armando, phuture.
unfortuately, it doesn't have 'acid track', but i don't
1 - 100 of 129 matches
Mail list logo
