of it, but it will not last 100,000 miles.
There is truth to the old can't make a silk purse out of a sow's ear
but sometimes, a few tweaks can make a serious difference.
For me, stereo is about the music, not the gear, and I have no interest
in tweaks other than properly positioning my speakers. YMMV
--
Pat
for high accuracy in either
a studio or audiophile world. And its never going to meet the needs of
either a recording studio or a serious audiophile.
Look elsewhere.
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effects if you use them), but the sound you hear depends on that plus
the way the guitarist plays it.
In the 60s, there was graffiti all over London saying Clapton is God
which might be a bit of an exaggeration, but the boy can play.
--
Pat Farrell
http://www.pfarrell.com
On 03/10/2011 02:26 PM, ralphpnj wrote:
And what does OBE stand for?
I always heard
Overtaken By Events
but in this case, perhaps
Obsoleted By Europeans
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love Lowthers and flee watt amps.
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canceled my subscription to The Absolute Sound in disgust, they
are right one thing. The goal of music reproduction is to sound like
un-amplified instruments and voices in real music halls.
There are no crossovers screwing up the phase with a real singer in a
real hall.
--
Pat Farrell
http
. But if your kid
calls mom or dad then you pick it out instantly. Everyone there
answers to mom or dad, but they are all listening to something specific.
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to
the student.
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on frequency.
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, going to Interlochen Arts Camp, having private lessions
for 5+ years, etc. I know very well what the sound of a trumpet is in my
house.
Playing Winton Marsalis on my very nice stereo is not the same.
--
Pat Farrell
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still more crossovers, it becomes more impossible to keep
then phase correct.
Get a Quad or Maggie instead, no stinking crossover.
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one of the first production Transporters. I was not in the beta
program.
I played with the knob the first days I had it. Its a cool technical
tour-de-force, dynamically programmable force feedback.
I've never touched the knob in the years since.
--
Pat Farrell
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any signficant bits in the last 8 bits
of any 24 bit sample made from it. Those machines barely had 70 dB of SNR.
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On 12/30/2010 10:22 AM, konut wrote:
Glass has the potential to vibrate. I stick with wood.
The stuff that they use to make guitars and violins?
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at audiophiles cost $1,000.
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is important when the music room is also the living room.
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of the old
stuff gets sold. I'm even thinking of selling some of my 30+
microphones. I still have a pair of 70s vintage Large Advent speakers,
my 40 year old 35mm film darkroom, .
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the one DAC, its not like I need a store.
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you think is the best place to sell used audiophile gear?
Thank
Pat
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. But too
many are mangled by marketing, idiot producers, etc.
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not care. That folks won't pay for better quality.
Its a market thing, not education.
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, he who has
the gold rules.
There are lots in the industry responsible, but its not because the
engineers are uneducated.
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, whereas unbalanced are usually under 3
feet long, and get pretty wonky after 10 feet or so.
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, you can also send balanced signals down a 1/4 TRS jack
(looks like a stereo headphone jack). This connection takes up less
space in a rack than XLR connections.
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On 09/17/2010 02:46 PM, seanadams wrote:
I haven't read the review yet but if the touch is resolving 17 bits that
is probably the correct maximum capability of the DAC chip. All things
have a noise floor... it is not realistic to expect that
performance from a $300 device employing a
, but not a good
description of what actually happens.
There is no difference in sound quality, there is no difference in the
decompressed files. Its easy to test for yourself.
Any person who claims otherwise is blowing smoke.
--
Pat Farrell
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' digital audio.
For sure, and putting a digital signal through a TT patch panel is going
to do wonderful things to the wave forms.
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Proper active speakers (not just speakers with amps inside them) are an
expensive proposition...
Yes, but IMHO, they are the future.
I don't think you save money, but the amp engineer can deliver what the
driver engineer wants, how, when, what flavor, etc.
--
Pat Farrell
http
accordingly..
Do you seriously think that replacing a $2 cap with a $50 cap will
greatly change the sound?
Does the term eye candy for rich people mean anything to you?
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On 07/09/2010 10:03 AM, michael123 wrote:
So, you say that the audio design ends at 200$?
No I am saying that if you expect significant improvements in audio
quality by changing a $1 cap with a $200 cap, you are drinking
All IMHO, YMMV, etc
--
Pat Farrell
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in any volume, and
was too computer for the audiophile purists, and too high priced for
consumers.
Suppose someone wanted to make a TP-2, it would be what percent better
than the initial TP, in what area would you put the engineering?
He's dead, Jim
--
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of the parts. Its the engineering,
NRE, non-recurring engineering expense. The only way to lower the impact
of the NRE is to move more units.
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is so processed that lossless is not that important.
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doing for 5 or so years.
No arguments possible from the evil goons at the RIAA, I have the cd,
case, all that crap.
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On 07/03/2010 09:10 PM, Robin Bowes wrote:
On 04/07/10 00:59, Pat Farrell wrote:
No arguments possible from the evil goons at the RIAA, I have the cd,
case, all that crap.
...except that is technically not legal in the UK.
Well, here it is technocally illegal to talk about what goons
.
And, IMHO, there will never be a Logitech TP 2. Perhaps a Sean's Garage
TP 2, if he hasn't gone off to spend his retirement surfing.
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the physics.
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than 24.
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for blowing up.
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audiophiles out of their money.
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archives, and I
hate using the Forum software, so I can't help you there.
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is talking about a nearly trivial
single multiply or shift function.
DSP is more like dealing with quantum physics rather than Newtonian physics.
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. Using the natural
roll off of an analog tape was part of the art of audio engineering.
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would think that it could be
perfectly matched with enough DSP power.
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are forcing
distortion.
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mswlogo wrote:
You guys are clueless.
Now you resort to personal insults. That lowers your SeanTrollScale to
0/10
You are still a troll
Do not feed the trolls.
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could rebuild the four-barrel carb on my Pontiac 389 V8, as
well as nearly anything else on the car. With modern fuel injection and
mixture and spark advance systems, they are considered black boxes that
are replaced.
Even TVs have become like toasters, use and throw away.
--
Pat Farrell
http
, while the TP is still for
sale, its no longer a $2000 product and its not getting any press.
Even audiophiles like their tail fins.
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like it.
And it still sounds pretty darn good.
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mlsstl wrote:
I didn't know they were interviewing candidates for the position of
forum cop. Guess I need to watch my step from here on out and keep my
opinions to myself
0/10
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mswlogo wrote:
I work with analog and digital signals at data rates that would make
your head spin.
Specifics please?
Replies like yours are priceless.
I'm sorry that the clipping I'm referring to is beyond your grasp.
1/10
--
Pat Farrell
http://www.pfarrell.com
mswlogo wrote:
We determine the speed at which IONS fly through a vaccum in order to
determine their Mass.
I did that in high school physics class, over 40 years ago.
You are still a troll, and your score is no higher than
1/10
on the SeanTrollScale
--
Pat Farrell
http://www.pfarrell.com
in the 70s.
But they had two characterists that were not talked about nearly as much
as their great performance:
1) they were amazingly inefficient, and needed serious power to drive
2) they sounded great when loud, but totally unimpressive at low volume
(say background music levels).
--
Pat Farrell
of modern
science.
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.
The value is calculated. The calculations are simple. I've got a write
up on this page:
http://www.pfarrell.com/prc/bits.html
The calculation is driven by the number of bits in the signal. Each bit
gives you about 6 dB of range. 16*6 is 96.
--
Pat Farrell
http://www.pfarrell.com
were underground, but they were weird enough that I
couldn't stand being in either for more than a few minutes.
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are analog RCA, be happy.
There are coax digital connections terminated with RCA, but they are
pretty rare. I haven't looked at my Touch carefully recently, but I
don't remember it having a coax digital output. Toslink, sure.
--
Pat Farrell
http://www.pfarrell.com
richardw wrote:
sorry you struggle reading my lack of interest in the shift key.
I share Robin's view that your words would be easier to read if you took
a nanosecond to use proper capitalization. But then, perhaps you are not
really interested in communicating.
--
Pat Farrell
http
for
megadollar interconnects.
I probably have 30 suitable cables in lengths from 3 feet to 50 feet in
my basement/studio.
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holes,
which flow for electrical current, don't know direction.
Shields are good, which is why RCA connectors are lame. Use proper
balanced connections, like the Transporter supports.
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in the early 50s had access to a lot
of war surplus gear with RCA connections. They were cheap and adequate
for the time. Its not like they are actually a good connection.
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, and probably some features that I have not
noticed, the heart of 7.5 is support for the Touch.
Its been a non-event as far as the rest of my SlimDevices collection is
concerned.
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.
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.
But if the circumstances are different, and all the surgeon has is my
pocket Swiss Army knife, I bet the surgeon will do better than an intern.
Its about the music, not geeks claiming mine is bigger
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take five to ten
years. The problem is that the music industry (and the RIAA) have no
interest in music. They care only about sales and revenue.
Its only the boutique folks that care at all about quality, accuracy, etc.
--
Pat Farrell
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that there is no business case for putting much effort into the
Transporter. I have no idea what the suitable definition of much is,
but I expect its close to zero.
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expect that in time, there will be very little hardware differences
in even high end audio equipment.
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michael123 wrote:
Shall I continue?
No
You have become a troll. And your SeanTrollScore for these recent posts
is 0/10. See http://forums.slimdevices.com/showthread.php?t=76315
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claim,
built your own.
Otherwise, please, go away.
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of insanity is doing the same thing over and over and
expecting different results.
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have a longer time frame, anything
computer related that is four or five years old is economically obsolete.
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)
have gotten so powerful that 99% of the buyers never use even a fraction
of their capabilities.
Pat
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slow.
Accept it and move on with your life
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to be
changed by anyone emplyeed at Logitech either.
Give it up.
You have become a troll. And your SeanTrollScore for these recent posts
is 0/10. See http://forums.slimdevices.com/showthread.php?t=76315
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Pat Farrell
http://www.pfarrell.com
?t=76315
You can't get a negative score on the SeanTrollScore, but we may have to
change the rules just for you.
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compiler and linker, and the
license for that costs solid five figures. So they thought that no one
would spring for a legal license, so there was no reason to release the
firmware source code.
I have worked on other embedded systems, and expensive tools are
frequent in the business.
--
Pat
, it makes far less.
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Even the tinySBS is stable and works well.
In any event, you have both a Transporter and a Touch, are you
experiencing problems with 24/96?
Nope, no problems, but I don't have much 24/88.2 o 24/96 content.
--
Pat Farrell
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will see that 7.5.0 has been
feature frozen as they beat down the last few high priority bugs.
I'd be serious beers that it will be released by the end of March, this
year.
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handle from reaching the main woofers.]
I don't think you could easily connect my particular REL model to active
speakers. There are no speaker-level connections on most (all?) active
speakers to tap into.
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Pat Farrell
http://www.pfarrell.com
cosmopolous wrote:
I'll try that tonight. fingers crossed.
Is this something that's common?
It happens. I've had it perhaps twice in the many years that I've had my
Transporter.
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Curt962 wrote:
Of course the best equipment will be capable of resolving the smallest
subtleties better than will lesser components.
For some suitable definition of best equipment
Perhaps. Maybe.
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in the An interesting video thread
If you want to argue that we would be better off with 18 or 20 bit files
instead of the RedBook's 16 bits, you would have at least a leg to stand on.
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.
Weiss is definitely better than Transporter. The problem is that
hooking up via SPDIF is not a good idea as it will introduce jitter :-(
Weiss works the best via IEEE 1394, as Transporter prefers Ethernet
This may be true, but I was commenting on your other paragraphs, which
were pure hype.
--
Pat
.
A standard jazz trio, of piano, drums and standup bass, has lots of the
subtle stuff that MP3 does badly.
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been told this, pay attention.
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about TCP/IP can cause jitter in any
SqueezeBox device. You have been told this, pay attention.
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Kuro wrote:
I'm (we're) your paying customers. You do not call your paying
customers trolls.
Sean is retired. You are not his customer.
You are a troll.
Do not feed the trolls.
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outputs, which are handy if your amp
has balanced input.
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? That makes zero sense.
And jitter is not going to vary due to the network wiring. The network
has nothing to do with the DAC's clock.
I'm all for you liking one way or the other, personal tastes being
personal.
But your claim makes zero sense from any technically accurate view.
--
Pat Farrell
jtf wrote:
looking at buying a Transporter and it said that rackmount ears are
available. It didn't say that they actually came in the box.
They do not come in the box.
Someone more plugged into the retail channel will have to address if
they are still available
with only one SqueezeBoxen
I have not done A/B comparison between my Touch and my TP, but the Touch
is very nice.
I have a TP, Touch, Boom, Radio, Duet, and have bought and used three
plain SqueezeBoxen.
So I'm a bit biased.
--
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. Then you can hear the soft parts
without the loud ones damaging your ears.
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formats, or even three if you keep flac, MP3 and audio
comppressed version, is not an issue.
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cores. Nearly all serious desktops these days are quad, and
even most better than netbook laptops are at least dual core. Soon,
all desktops will be at least 8 cores.
Most of the time, if you use a cron job to make the parallel mp3 tree,
you don't care how long it takes.
--
Pat Farrell
http
. It would not
surprise me that they accept the fee and the vendor's claims, since
testing is actually work.
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sampling makes far more sense.
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with selling it.
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is about 30 second.
For every 3 dBs the permissible exposure time before possible damage can
occur is cut in half.
118 dB ~ 15 second
121 dB ~ 7 seconds
123 dB ~ 3.5 seconds
126 dB ~ 1.7 seconds
See http://en.wikipedia.org/wiki/Dynamic_range
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Pat Farrell
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, there is no reason
for more than 16 bits of width. Well, one could argue in theory that 18
bits would be a better number, but even 24 bits is wild overkill.
--
Pat Farrell
http://www.pfarrell.com/
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