I've been wrestling with this concept myself, since over the last few
years I've been flying a LOT for calling, and even my local gigs require
a fair bit of driving. Where I live in Sonoma County, CA, the public
transit options for getting to gigs in the greater Bay Area are very
poor.
On 9/10/2019 6:24 AM, Angela DeCarlis via Callers wrote:
Hello all!
I'm calling a delightful small-town dance here in Melrose, Florida this
Friday...which is Friday the 13th, and also a full moon.
I love using theme opportunities to collect new dances! Anyone have any
ideas?
Off the top
On 8/16/2019 9:40 PM, Linda S. Mrosko via Callers wrote:
Although I've been calling forever and I know things, I'm not currently
inspired to do this and am asking for help.
Been hired to lead a dance for a music school -- ages 5 and up to teens
and their parents and my contact asked if I
Since it was written on St. George's Day, how about "A Dance With Dragons"?
Kalia
On 4/21/2019 4:53 AM, Liam Binley via Callers wrote:
Hi All,
Whilst on a walk with my dogs recently enjoying the remarkably good
weather we have in the UK at the moment, I ended up writing a dance in
my head
On 9/30/2018 2:08 AM, Colin Hume via Callers wrote:
It's on! Same venues as last time; same prices as advertised on the flyer.
Book your Early Bird tickets at http://eiff.org.uk/tickets.html
Such a great event! The California contingent had a super time there
this year.
Kalia from
On 8/21/2018 8:37 PM, Chris Page via Callers wrote:
Michael Dyck and I have done a thing:
http://www.ibiblio.org/contradance/thecallersbox/
I've just started seriously poking around in this site today and it's
fabulous. I can't thank the two of you enough for making this available
to all
On 8/21/2018 8:37 PM, Chris Page via Callers wrote:
Michael Dyck and I have done a thing:
http://www.ibiblio.org/contradance/thecallersbox/
This (mostly) contra dance database 12,000 dances:
5,000 dances with viewable instructions
4,000 more dances with links to instructions
Current search
On 8/13/2018 8:53 AM, Rich Sbardella via Callers wrote:
Old Time Elixir #2 by Linda Leslie and Wrinkled Riccon by Melanie Axel
Lute are two great dances.
Rich
In Wrinkled Ribbon, have you found it awkward to switch from promenade
hold to the handhold for the circles?
Kalia in Sebastopol
On 8/13/2018 8:48 AM, Richard Fischer via Callers wrote:
Here's one of mine:
Power Promenade Becket Richard Allen Fischer
A1 "Power Promenade:" Promenade across with your partner and make a big
loop left so you face your next neighbors; ladies chain.
A2 Petronella x2
B1 Balance &
On 7/24/2018 7:48 AM, Lorraine Sutton via Callers wrote:
Hello All,
I am calling a 2 hour Intro to Contra dance at an Ontario Canada
Festival. ( more a music focus than a dance focus, at this festival)
I would appreciate hearing from you as to contra dances ( lws proper
& Improper) that
On 7/18/2018 6:54 AM, Charles via Callers wrote:
I'm posting a new dance of mine - the hook is a half hey into a long
wavy line of gents in the center. Haven't seen it before, and I'm
wondering if anyone knows of other dances with this figure. Also, I
looked for other dances called the
John's comment reminds me that a while back, somebody posted (a link
to?) a list of equivalent moves, things you could substitute for each
other. I've hunted for it recently but apparently haven't come up with
the right combination of search terms, and haven't been able to find it
in the Shared
On 6/27/2018 3:43 PM, Tom Hinds via Callers wrote:
Since you need an answer quickly i’d say it’s a term in the folk dance world
and it’s possible that different folks will define it differently.
Personally I can see how a 4 X 4 could be a contra since it progresses in the
same way but not
Thanks for posting this link, Dave! I was just trying to remember where
I'd seen that, and rummaging through my assorted contra links hadn't
turned it up. Somehow you read my mind :>)
Kalia in Sebastopol
On 4/8/2018 9:31 PM, David Harding via Callers wrote:
If you haven't done so, take a
On 4/1/2018 10:32 AM, Alexandra Deis-Lauby via Callers wrote:
Does anyone call Chris Weiler’s baridhara?
What kind of music do you ask for? And tempo?
Here’s the dance. Thanks!
Baridhara Improper Chris Weiler
A1 Star Right; Neighbor Gypsy
A2 Circle Single File Left Half (still looking at
I appreciate the point that several have made that a term that sounds
just like gypsy isn't a reasonable substitute. Fair enough. The search
continues...
Kalia in Sebastopol
___
List Name: Callers mailing list
List Address:
On 3/13/2018 11:02 AM, Martha Wild via Callers wrote:
Interesting discussion on the Portland Country Dance Community Facebook
page. Lots of great suggestions. A lot of people really don’t like
“right shoulder round” (I’m one of them). I tried one of their
suggestions last night - Kipsey - and
On 3/6/2018 7:28 PM, Mac Mckeever via Callers wrote:
This seems to me to be a lot of effort with very little benefit. There
are thousands of dances and each caller has their own approach to
programming. It is rare for a dance to be called two nights in a row.
When I do see that happening I
Dance logs, a cumulative record for a series of which dances have been
called on any given evening, are very common in the English dance
community but vanishingly rare in the contra community. Why is that?
They're really helpful for incoming callers, and it's probably nice for
the dancers not
Hi all,
Just found a dance card with no name, and I'm sure somebody out there
can plug it into the dance-o-matic* and tell me what it is.
A1 N b
A2 M alle L 1-1/2; P sw
B1 Lines of 4 down the hall, turn as cpls, return and bend.
B2 Balance ring, circle L 1/2; Ladies chain
Kalia Kliban
*and
On 2/23/2018 3:10 PM, Mary Collins via Callers wrote:
Anyone have a general contract for one night stands that they would care
to share? Thanks!
Mary Collins
In Erik Hoffman's book "Old-time Dance Calling for Weddings, Parties and
One-Night Stands" he shows a good sample contract. It's an
On 2/13/2018 10:50 AM, Seth Seeger via Callers wrote:
Dear callers,
It is with great sadness that I pass on the message below. Her support
of this community and to many of us as individuals cannot be overstated.
She will be missed.
Seth
It seems characteristic that she was calling
I can no longer find the original post about The Wheel circle mixer, but
I'd like to thank the person who recommended it. I used it, with Mac
MacKeever's modification of rolling the women to the inside before going
into the middle, at a contra last night with a large percentage of
energetic
On 1/30/2018 10:23 AM, Sue via Callers wrote:
Sure they're all fun (we hope). I'm looking for a few dances that are
particularly playful, quirky, sillysomething that typically gets the
dancers laughing.
Some examples would be "Over the Hill and Still Chased" with the lady
round two/gent
Hi all,
I recently called Beneficial Tradition for the first time and noticed a
consistent hitch in the dance at the top of the set. It was probably
happening at the bottom too.
I was doing the variant with no wave balance in the A1, just Women
allemande L 1x and P swing. Though the
On 12/17/2017 10:55 PM, Claire Takemori via Callers wrote:
Kalia,
At South Bay Contra ( SF Bay Area) we have a sign posted around the hall
(edited from a sign that I got from Pasadena Contra that edited the sign
from Lake City Contra). It says:
When looking for your next dance partner,
> Although I have occasionally heard of the "rule" that started this
thread, I don't feel that people should ever be penalized for declining
an offer to dance.
Dale
Unfortunately, although the rule in question was well-intended, it did
lead to folks sometimes getting cornered by those they
On 12/16/2017 2:10 PM, Alan Winston via Callers wrote:
BACDS Code of Conduct says:
http://bacds.org/conduct/CodeOfConduct.pdf
"Ask a partner kindly. Accept their answer cheerfully. If you are
repeatedly declined by a prospective partner, it is best to give them
space.
Feel free to decline
On 12/16/2017 12:01 PM, Alexandra Deis-Lauby wrote:
This is Cdny’s etiquette page. It addresses saying no but not in great
detail in terms of historical practice.
http://cdny.org/what-is-contra/contra-etiquette/
And I hadn't realized until this conversation with my dance friend just
how
Hi all,
Those of us who started dancing 2 or 3 decades back probably remember
the rule about sitting out the dance if you turn down a partner offer.
A very competent male dancer I know who started around the same time I
did (late 80s) recently confessed to me that he never asks anyone to
On 6/29/2017 4:54 PM, Linda Leslie wrote:
I guess I misunderstood your rules! I thought you wished to avoid circle left
3/4, N swing, not all circles in the A1. Hope you find enough!
Linda
You had a couple of really good ones in the list that did fit my
criteria, and the ones that weren't
On 6/29/2017 3:33 PM, Linda Leslie wrote:
Here are few for you to consider, Kalia. Hope you and the new callers
have a lot of fun!
warmly, Linda
*A1 Reel*
by Chris Weiler
Contra/Becket-CCW/Easy
This is my go-to ending dance, and I love it. It does, however, start
with the dread circle left
Hi all,
I'm re-vamping my list of simple contra dances for new callers, and am
in search of a very particular sort of becket dance. The list is one of
my hand-outs for callers' classes at camps, so the folks who'll be using
it are likely to be nervous, brand-new callers. To that end, I'm
On 6/8/2017 6:35 PM, Mac Mckeever via Callers wrote:
I have a dance called The Weevil by Richard Mason
It is a 7 person set (3 face 4)
It looks like it would be fun - but I have never had the opportunity to
try it out. Anyone had any experience with this one?
The Weevil
On 5/30/2017 2:16 PM, Martha Wild via Callers wrote:
So, a while back I was working with a band and they played a tune that was sort
of new for them, and the A part was fine, but the B part was unusual anyway,
and hard to know where the count was, in particular because they were
unfamiliar
Those of you who organize your cards by categories, what do you do when
a dance falls across 2 or more categories? Do you have multiple cards?
Seems like that would get bulky in a hurry (I'm remembering Becky Hill's
suitcase full of cards).
Kalia
On 4/8/2017 8:36 AM, Joy Greenwolfe via
On 3/7/2017 1:51 PM, Ron Blechner via Callers wrote:
Mac, suggestions on how?
(Guessing this is more of an organizer, not caller, thing to do.)
Ron Blechner
On Mar 7, 2017 9:51 AM, "Mac Mckeever via Callers"
>
wrote:
On 2/22/2017 6:25 AM, Luke Donforth via Callers wrote:
Hi all,
Just wondering if anyone else is experiencing a bump in requests for
community/family dances? I feel like the last month or so, there's been
an uptick in schools and community centers requesting them. Could be a
local fluctuation,
I can't figure out the transition from the Dublin Bay figure to the P
bal/sw. Can you elaborate?
K
On 1/19/2017 11:49 PM, Erik Hoffman via Callers wrote:
I find, when dancing the one or two dances I’ve danced that try to steal
the Dublin Bay figure, they have a line backing up bending into a
Hi all
There's often a long announcement segment toward the end of the first
half at many of our local dances, and I've been figuring that after all
that talk, folks just want to dance. The first time I tried doing a NWT
in that slot, it got a great response. So for those of you who call
Luke, I picked this one up from you, probably here, and have used it
with great success with kids, mixed groups of kids and adults, and also
with happily drunk adults. I usually call it "Middle Muddle."
Kalia
On 1/3/2017 9:03 AM, Luke Donforth via Callers wrote:
I have to apologize Claire;
On 12/14/2016 7:44 AM, Rob Harper via Callers wrote:
Following up on original post in case anyone is applying or knows of
others who are. The caller (and band) applications deadline has been
extended to December 29, 2016.
Please spread the word to your caller, musician, dancer and organizer
On 12/9/2016 10:49 PM, Erik Hoffman via Callers wrote:
Hi All,
I’m going to lead an English dance in early February. I’ve led English
once or twice, and mostly stuck with The Playford Collection, and some
Pat Shaw dances. I wouldn’t mind collecting a few more modern dances.
Please feel free to
On 11/12/2016 11:31 AM, Erik Hoffman via Callers wrote:
Hi All,
Thanks to all who’ve supplied names! Below are the names of most of my
“Don’t Know” dances. A few, reposted at the bottom of this email, are
still mysteries.
~Erik Hoffman
*Greenfield Petronella*
Improper
Chris Ricciotti
A1
On 11/7/2016 1:47 PM, April Blum via Callers wrote:
I calling the Baltimore contra on Wednesday.
Vote With Your Feet of course.
Others I am considering are:
Take All of the Credit and None of the Blame
The Eyes Have It
Illegal in Most States
Not a Figment of Your Imagination
Rocks and Dirt
In
On 10/30/2016 1:55 PM, Tom Hinds via Callers wrote:
On Oct 27, 2016, at 3:25 PM, Rich Sbardella via Callers wrote:
I am looking for the title and author of the following dance.
I wrote a dance similar to this. Perhaps it's been collected and a
variation has been called in other places.
Hi all
I haven't yet called Beneficial Tradition, but think it might be a good
fit for an upcoming dance. Does it get weird at the ends or does it
flow reasonably well? I danced it years ago and don't remember. If you
pull by RH to go out on the right diagonal, do you cross solo to the
On 10/13/2016 11:48 AM, Neal Schlein via Callers wrote:
I think of traditional and traditional-feeling dances as "smooth" not
because the choreography is technically more flowing but because they
somehow feel more lived in, as if any rough spots came naturally. They
don't feel carefully
I've had issues with the combination of box the gnat and pull by. I'd
be hesitant to use that combination for a group with a lot of beginners.
Kalia Kliban (who also posted about Another Nice Combination but forgot
to sign it)
On 10/10/2016 10:30 AM, Meg Dedolph via Callers wrote:
I like
On 10/4/2016 9:58 PM, Michael Barraclough via Callers wrote:
I am sure that Kalia will kill me for this (as I know she knows) but
the dance is really Pride of the Pingle by the late Ken Alexander (UK).
Someone from the USA saw it in the UK, misheard the name, assumed it
was Irish and called it
On 10/4/2016 2:37 PM, Winston, Alan P. via Callers wrote:
Its really tempting to cancel a contra if you only have a few people,
but you don't want to punish the people who showed up - they may
have foregone other options for their evenings. And there's a sense
of triumph if you can show them a
On 10/4/2016 12:09 PM, QuiAnn2 via Callers wrote:
I recently called at a contra dance where we had exactly 6 dancers for almost
the entire evening (one joined us later but only occasionally danced). This was
unexpected as they usually have attendance in the 12-20 range. I was able to
piece
I sent this last week but got a message from Dave Casserly telling me
the message had been marked as spam, so I'm guessing it mostly
disappeared into everyone's lint filter. I've read the previous threads
on headsets going back to 2014 and there aren't a lot of specifics.
JoLaine, if you're
Hi all
I was just working a wedding gig and my old Samson headset mic crapped
out. If the piano player hadn't had hers along, I would have been in
serious trouble. Time for a new and more reliable headset mic. I use
my hands a LOT when I'm doing ONS gigs, so a handheld cordless isn't
Anybody have Marty Fager's "Balance and Bounce" handy?
Many thanks,
Kalia Kliban
Hi all
I just got home late last night from the event (the Greenwood Fest), and
can now report back. I hugely appreciate all the tune suggestions.
They were really helpful for both me and the band. I sent them a list
of tune names, along with video links, and they settled on Turkey in the
The gig itself is not on Wednesday, thankfully. That's just when I fly,
and thus my deadline for getting things sorted with the band. The gig
is on Saturday night. The structure is that we're tacking a half hour
of community dances onto the front of a full evening that this band was
already
On 6/6/2016 5:41 PM, Michael Barraclough via Callers wrote:
Hokey Poky
Chicken Dance
Circassian Circle to anything 32 bars long
I'm not actually looking for dances. I'm looking for tune suggestions
that a musically literate band would find easy to learn quickly. 32-bar
jigs and reels that
Hi all
I'm posting this to several different callers' lists (ECD,
trad-dance-callers and shared weight) in hopes of some speedy advice.
I'm heading off shortly (Weds. evening, 6/8) for an event that is not a
dance event, but at which I've been asked to lead a short community
dance session on
On 3/27/2016 6:15 PM, David A Kaynor via Callers wrote:
Hi Everyone,
The “Young Adult Rose” which I made up goes thus:
Duple Improper
A1: w/neighbor, balance and swing end progressed
A2: Circle left 3/4 til gents are back home; w/partner, pass right
shoulder; w/shadow, left hand turn
B1:
On 3/27/2016 5:09 PM, JD Erskine via Callers wrote:
On 2016-03-27 1324, Kalia Kliban via Callers wrote:
I called Young Adult Rose last night and experienced a near-complete
dancer revolt about the shadow allemande. The dance is written with a
circle left 3/4, pass P by R along the line
I called Young Adult Rose last night and experienced a near-complete
dancer revolt about the shadow allemande. The dance is written with a
circle left 3/4, pass P by R along the line then allemande shadow R 1x,
before coming back to P for a balance and swing. The dancers all
_really_ wanted
3-2-1 Dance by Devin Nordberg (double progression)
Catch 'Em on the Fly by Al Olson (4 swings, 2 pairs of swing-to-swing
transitions, hence the name). Definitely not for a beginning group :>)
Kalia
On 3/11/2016 12:56 PM, Lindsey Dono via Callers wrote:
Hi all,
I'm in the process of sorting
On 3/5/2016 1:27 PM, Erik Hoffman via Callers wrote:
In looking at Kalia's suggestions, I've put the Itchinton dance in what
is more readable to me. Kalia, do I have it correct?
As written, it's proper (or, for a non-dancer crowd, "it doesn't matter
which side you're on as long as you're
On 3/5/2016 1:02 PM, Tepfer, Seth via Callers wrote:
Hard to beat Sherry Nevin's fabulous
Family Contra
A1: Bal ring 2x (8); Circle Left (8)
A2: Bal ring 2x (8); Circle Right (8)
B1: Neighbor DSD (8); Partner DSD (8)
B2: As couples, DSD 1.5 to progress (16)
I enjoyed watching a group of
. R through is a tough move for a ONS situation. Anything
you can do to simplify it is a good idea.
Kalia
On Sat, Mar 5, 2016 at 3:54 PM, Kalia Kliban via Callers
<callers@lists.sharedweight.net <mailto:callers@lists.sharedweight.net>>
wrote:
On 3/5/2016 10:44 AM, Rich S
On 3/5/2016 10:44 AM, Rich Sbardella via Callers wrote:
I rarely call a contra at a One Night Party Dance, but occasionally I am
asked to. I have a few in my cards, but can anyone make some sure fire
recommendations.
Assume 95%-100% non dancers.
Just getting to the duple minor progression
On 2/21/2016 12:19 AM, Chris Page via Callers wrote:
I'd really recommend talking to the organizers. And possibly watching
one of their normal events.
Here's some of my thoughts on potential biggies:
-Many people will likely keep the same partner throughout the evening.
-The expected flow of
Thanks for sharing this, Will! Organizers out there, how many of you
have a coherent contingency plan in place for dealing with issues that
occur at your dances? How many of you have had to deal with issues on
the fly, making it up as you go? Those of you that do have a plan, how
did you
Rich kindly pointed out that I was mistaken about Butter being the one
with the hey leading into the progression. Note to self: never post to
lists before having coffee...
Kalia
*From:* Rich Sbardella via Callers
*To:* Caller's discussion list ;
trad-dance-call...@yahoogroups.com
*Sent:* Tuesday, December 8, 2015 12:48 PM
*Subject:* [Callers] Contras with a Hey
Hello Folks,
I am relatively new at calling
Just out of curiosity, since I had a gig scheduled while this discussion
was going on, I tried substituting the phrase "right/left shoulders
around" for "gypsy." I had not taught the move in the beginners
session. The first dance this came up in had a neighbors gypsy 1-1/2.
I said "neighbors
On 11/1/2015 5:12 AM, Donna Hunt via Callers wrote:
Thanks everyone for great ideas.
It was late when I posted my request and I should mention that this is
an English/Contra crossover weekend (Princeton Country Dancers Head for
the Hills).
I'm definitely looking for dances that don't fit a
On 10/31/2015 2:28 AM, Erik Hoffman via Callers wrote:
OK, Adding Gyre to the top of the list. Makes me wonder what the move
"gimble" will look like...
And a quick look at another minor fascination of mine: Gypsy Jazz. Don't
know if they're looking for a replacement word...
~erik hoffman
On 10/25/2015 6:32 PM, Don Veino via Callers wrote:
At the risk of offering one more straw dog, there's "loop".
"End that star [left] facing your next neighbor, loop right [around]
that neighbor and continue into a swing."
"Two ladies loop left once and a half, _insert_call_here_ your
Thanks Dave, Alan and Sue for catching me up!
Kalia
On 10/6/2015 10:27 AM, Dave Casserly wrote:
Done.
On Tue, Oct 6, 2015 at 1:15 PM, Kalia Kliban via Callers
<callers@lists.sharedweight.net <mailto:callers@lists.sharedweight.net>>
wrote:
If Woody sent a message
On 10/6/2015 1:07 AM, JD Erskine iDance via Callers wrote:
On 2015-10-02 0853, Maia McCormick via Callers wrote:
I think that rolling starts (seamless transition from walkthrough into
the dance, as the band just starts playing music during the walkthrough)
are super neat if done properly!
It
On 9/9/2015 2:13 PM, Michael Fuerst via Callers wrote:
Richard: Your suggestion is subterfuge to rationalize the caller's
doing something (calling a shadow swing dance) that should never be done.
Michael Fuerst 802 N Broadway Urbana IL 61801 217 239 5844
Never, Michael? That
On 7/11/2015 8:53 PM, Keith Wood via Callers wrote:
Hi Rickey
I have a five person dance in a diamond:
http://www.dancekaleidoscope.org.au/dance.html#Crossroads.
Crossroads
And a five couple dance in Levi Jackson formation:
http://www.dancekaleidoscope.org.au/dance.html#Rubigold.
Rubigold
On 7/8/2015 1:07 PM, Hulsether Sue via Callers wrote:
All great suggestions.
I would also like to add that when I first started calling, I did many
of the things already listed, but I also practiced.
I practiced with imaginary people in my living room: practicing (out
loud!) the walk-through,
On 7/8/2015 1:00 PM, Maia McCormick via Callers wrote:
If you can get the band on-board, any number of sea chanteys are
contra-tune-able--for instance, Drunken Sailor and South Australia, in
addition to the sea songs already in the repertoire like Sailor's
Hornpipe (which turns up in the Popeye
On 6/24/2015 11:29 AM, Rich Sbardella via Callers wrote:
How do you descibe giving weight, and how do you teach it for circles,
allemandes, and, swings?
Rich
Stafford, CT
In my beginner sessions, I have them form a ring and then circle left
and right a couple of times. Then I ask them to
On 6/19/2015 4:04 AM, Tom Hinds via Callers wrote:
I'm asking myself why not demo a ricochet? In my mind there are some
advantages to demonstrating a move instead of describing it (or doing
both with a wireless mic).
My experience is most contra callers are highly educated and have
exceptional
On 6/14/2015 9:48 AM, Richard Hart via Callers wrote:
I've considered writing an entirely hands free dance, as an example,
along with a very similar dance that used hands for the corresponding
moves. The hands free dance would certainly need to used only at an
expert-only dance.
I'm a caller
On 6/1/2015 10:23 AM, Dave Casserly via Callers wrote:
Also with regard to Ron's questions, numbers 2 and 3 (who-leads-whom and
who-walks-forward) can be handled by using the terms "clockwise" and
"counterclockwise." As to 4 (who passes whom for a hey), I agree with
Bob that if the dance is
This is a wonderful addition to the files. Thanks, Jill, for pointing
it out!
Kalia
On 5/8/2015 11:41 AM, jill allen wrote:
Chris,
Thank you so much for the correct author and title.
Jill
On May 8, 2015, at 12:23 PM, Chris Page wrote:
Beneficial Triplet by Al Olson. A very nice one.
On 5/4/2015 7:14 AM, Bill Olson via Callers wrote:
Kalia, You said you already had a triplet with contra corners in it, BUT
I figured I'd offer this anyway. I often call Chorus Jig as a triplet,
(B2 being 1's (bal and) swing to bottom of set and others move up). I
found that in a triplet dancers
On 5/4/2015 6:57 AM, Martha Wild via Callers wrote:
Though it may seem like heresy to do it without the associated tune, Levi
Jackson Rag can be done to other thirty-two bar tunes if the band doesn't know
the required tune, and is good for 5 couples.
That was at the top of my mind for this
On 5/3/2015 9:02 PM, Paul Wilde wrote:
Kalia,
I love David's Triplet # 5 (David Smuckler). It has a lovely hey for 6
w/ a P Gypsy Meltdown to finish.
I just revisited David's site yesterday and looked through his set of
triplets and that one looked really nice so I added it to my
I just called a tiny dance last night, and went through several of my
triplets along with a big pile of English 3-couple dances that we did to
old-time tunes (that was a little weird for me but the dancers enjoyed
them, so what the heck). I was grateful to have the few triplets I had,
and I'd
I usually warn bands that I tend to run dances just a little shorter
than other callers. My habit is about 5-and-a-bit dances an hour, 12
minutes (give or take) from the start of teaching one to the start of
teaching the next, but that definitely varies. Size, energy, chattiness
and skill
Yeesh. This sounds like a recipe for a difficult evening, unless it's
one of those very rare bands where the musicians are really watching
what's happening on the floor.
Do you have the option of not working with this band in the future?
Kalia
On 4/27/2015 1:58 PM, Donald Perley via Callers
On 4/22/2015 7:08 PM, Erik Hoffman via Callers wrote:
Hi All,
There are several places where almost no applause occurs after a dance. In some communities, when
I've been subjected to that experience, I've asked, "were we off tonight?" The reply
usually is something like, "no, the dance was
I'm not entirely clear on what's happening in B2 1-4. One possible
stumbling point, though, is that pass-throughs are almost always by the
right shoulder, so you'll need to come up with a really strong way to
teach that it's left (LEFT, no, the _other_ left).
Kalia
On 4/16/2015 3:32 PM, Ric
On 3/27/2015 12:34 PM, Brooks Hart via Callers wrote:
Thanks, Ben! I will hang in there.
Someone posted this video in our facebook group. It's cute and well
done. It has inspired me to see this other small dance, and the
statement, "Making mistakes is part of the fun," has really stuck with
So while the rest of the line is turning itself inside out, W1 is not
involved at all? I thought W1 was part of the inversion, thus ending up
on the R end of the line once it was facing up. I was having the same
confusion Keith was. So to clarify, lines of 4 down the hall after the
N swing.
If Chris Weiler, who wrote A1 Reel, is reading this, I'd like to thank
you for a really good ender dance. It's a simple, low-piece count
Becket that ends with a partner balance and swing. It gets the caller
out of the way in a hurry and lets the dancers and the band have a great
time at the
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