>>
>> What I'm talking about here is that there's choreography that seems fairly
>> inevitable - if you're going to circle left into a half-poussette isn't the
>> probable direction of the half-poussette pretty obvious, or if you did a
>> clockwise half poussette into a mad robin why should
Alan,
You raise an interesting question. After I’ve had time to sleep on it, I’ve
come up with some other issues to raise and.discuss.
I’m curious if you have a beginning workshop before the dance.
In my opinion the skills needed for a new dancer to not only survive their
first dance but to
Call dances where the dancers have physical contact as much as possible I.e.
circles allemandes etc.
Avoid moves like mad robin and heys. Change heys to heys with hands etc.
Sent from my iPad
> On Sep 27, 2019, at 4:06 PM, callers-requ...@lists.sharedweight.net wrote:
>
> Send Callers
>
> Jim, thank you for all of your in depth analysis. If the dance tempos of
> Danish contra dancers is of interest perhaps a Danish caller will shed some
> light on the subject.
>
> I was attempting to answer Rich’s original question. Rich, what is your take
> now?
>>
>
I believe that the tempo for dancing contras in the United States has to do
with the style and wants of the dancers. It’s the desire to improvise and
flirt which I think is an integral part of the US contra scene and is the
reason for the tempo being what it is.
If you look at the contra
I would stay away from programming dances by their names etc.
Tom Hinds
Sent from my iPad
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I would think that the play party type “dances” would be good for getting them
to equate certain melodies/and perhaps the beat to movement.
I second Sasha and others like that.
If I were doing this I’d incorporate some drumming but that may not be for you.
However, if anyone is interested
Nice dance!
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in dance from that era, check out the blog that my
> wife and I have at http://www.dancehistoryalive.com/blog/ We haven't
> written an article on Away to the Camp yet, but we'll try to do one soon.
>
> Jacob Bloom
>
> On Wed, Jun 26, 2019 at 5:02 PM tom hinds via Callers <
John,
Thanks so much for your hard work and sharing a tremendous amount of
information with us.
There’s one allemande I’d like to know more about. It’s the one used in the
the dance, Away to the Camp which can be seen on the Lambertville ECD site.
Tom
Sent from my iPad
Does anyone know of a discussion list for contra dance musicians? I used
google and didn’t find anything.
Sent from my iPad
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with.
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> On Sep 8, 2018, at 7:06 PM, Alan Winston wrote:
>
> Tom —
>
> Why is the square through 4 10 beats?
>
> — Alan
>
> Sent from my iPad
>
>> On Sep 8, 2018, at 1:39 PM, Tom Hinds via Callers
>> wrote:
>>
>>
Correction. The second square through is the same direction.
Sent from my iPad
> On Sep 8, 2018, at 4:39 PM, Tom Hinds via Callers
> wrote:
>
> Jean, nice dance. Let us know how it goes if you try it out. I would be
> surprised if your dance has been written be
Jean, nice dance. Let us know how it goes if you try it out. I would be
surprised if your dance has been written before. You list it as a double
progression. Is that because you swing the second neighbor?
You gave me an idea for a new dance. I’m not trying to out do any one here,
just
Of course there’s tons of material. If you’re newish to calling I would get
comfortable with a just one at first. How about:
Circle left, right
Allemande left corner, grand right and left.
swing P and promenade
Forward and back twice.
You can change the order of the above for variety.
I don’t know if the dance below qualifies as a glossary dance but it’s one is
one of my favorites for building confidence when there are loads of newbies.
I’ve tried to find out the name but have had no luck.
Just teach the Pet twirl well and tie the end of the B2 to the beginning of the
I’ve used (over used) the combination swing thru, turn thru in a number of
contras:
Batja’s Breakdown
Stretching the Limits.
Batja’s has pass the ocean
I thought it would be fun to include scoot back in a contra and came up with
Lisa’s Contra. The gypsy in that dance is a scoot back without
Emma,
Thanks for sharing your new dance. I believe it’s always best to have larks,
men or first corners gypsy, walk around or allemande by the left. One reason
is that the dancers keep their positioning better especially if there’s a swing.
Of course a large number of dances follow this rule
Since you need an answer quickly i’d say it’s a term in the folk dance world
and it’s possible that different folks will define it differently.
Personally I can see how a 4 X 4 could be a contra since it progresses in the
same way but not other formations like squares and circles.
Sent from
I like the ending to the revolving door. I'm assuming it's a star and that the
gents join the star behind their partner.
I can't remember doing a Mad Robin immediately after a swing so I'm curious how
that feels. This looks like it's a good one for experienced dancers.
Tom
Sent from my iPad
> On May 17, 2018, at 9:25 PM, Tom Hinds wrote:
>
> If I'm reading it correctly I would say some dancers circulate and the others
> circulate half.
>
> It looks so close to the mwsd diamond circulate.
>
> Tom
>
> Sent from my iPad
>
>> On May
Luke I think you've come up with something original. The only dances I know of
that have a series of half stars were written by Rod Linnel. He came up with a
figure (i believe) he called grand star and used in a double square.
Sent from my iPad
Jim, maybe the meager response was because you didn't give an example. And
what does "the DL;TR crowd" mean?
Tom
Sent from my iPad
> On Apr 10, 2018, at 9:45 PM, jim saxe via Callers
> wrote:
>
>> On Apr 6, 2018, at 3:49 PM, Yoyo Zhou via Callers
>>
I don't think you should make an ocean wave. To get a satisfying swing the
dancers will have to do the arm turns as you describe. You have three arm
turns which comes to 6 beats and I always allow for two extra beats when there
are busy transitions so the dancers would get approx and 8 beat
I think you're correct about it taking between 4 and 8 beats (more like 6).
If you want someone to ask, I'm pretty sure Jane Ewing of Alabama wrote a dance
with this move in it.
I don't think that we need to be rigid about the names we use today, but I
suspect that historically cowboy loop was
Woody,
I haven't heard anyone suggest standardization and I'm not pushing for it. My
whole issue has been freedom so whatever people want to use if fine by me.
At one time, around 2011 I thought the use of different terms by callers might
lead to problems but now I don't think that's the
anization called ContraLab, and thankfully its reach is
> limited.
>
> Rich Sbardella
> Stafford, CT
>
>
>
>> On Fri, Mar 30, 2018 at 3:23 PM, Tom Hinds via Callers
>> <callers@lists.sharedweight.net> wrote:
>> Woody, I really don't understand your que
use the word "gypsy"! And then she did, people
> relaxed, and the evening progressed smoothly.
>
> The intensity and animus of these conversations may have unintended long-term
> consequences in the contra dance world. Does anyone really want to establish
> the contra equival
ings up controversy about
>>>> terminology.
>>>>
>>>> On the flip side, when an older caller tries to adapt pronouns and such
>>>> without making a big deal of it, it’s awesome, even when they make
>>>> mistakes.
>>>>
&g
ction whenever a caller brings up controversy about
>> terminology.
>>
>> On the flip side, when an older caller tries to adapt pronouns and such
>> without making a big deal of it, it’s awesome, even when they make mistakes.
>>
>> Sent from my iPhone
>&g
r 28, 2018 at 2:29 PM, Tom Hinds via Callers
>> <callers@lists.sharedweight.net> wrote:
>> Here was my issue, briefly : I was told to use "walk around" when calling
>> at glen echo. It also happens that I'm a western square caller and have
>> us
Here was my issue, briefly : I was told to use "walk around" when calling at
glen echo. It also happens that I'm a western square caller and have used
"walk around your corner, see saw your taw" for decades.
It has happened on two occasions when I have mixed up square dance calls from
one
Correlation? Maybe so.
>
> Thanks Ron, Louise, Maia and Jen for the thoughtful responses.
>
>
> Sent from my iPhone
>
>> On Mar 28, 2018, at 2:58 PM, Tom Hinds via Callers
>> <callers@lists.sharedweight.net> wrote:
>>
>> Ron,
>&g
Ron,
I keep on reading your writing and see that you often give only partial
information. What you write below is interesting:
> In New England, New York, Seattle, and the Bay Area, many callers have been
> examining terminology and changing. Several dance series have gone genderfree
>
In the land of freedom and rugged individualism I find that my choices in many
realms of my life are being eaten away.
Go for it! Call what you want and don't worry about what others are going to
say. For me the PC stuff has gone over board. Calling is difficult enough
without having to be
see my comments sprinkled...
On Mar 6, 2018, at 12:21 AM, Jeanette Mill via Callers wrote:
Hello
I am devising a workshop for a festival here in Australia, and
have long been of the opinion that there are no "leaders" in
contra dance couples.
That's a great issue to discuss. My
Jack, I'd like to call the dance you just sent but have a question.
How close do the men get to each other as they do the double Pet?
Since you've danced this, how might it work in a crowded hall? Might
the men crash into each other on the spin?
On Feb 10, 2018, at 9:59 PM, Jack Mitchell
Bree, I'll definitely put your dance on my list to call soon.
We could kick around choreographic ideas for a good long time. Here's what I
came up with after seeing yours:
Becket, left prog.
A1. Circle left 3/4 pass through, do si do
A2 Gypsy and swing this new N
B1 Chain left
Here's one. They have to know the colors of the clothes they are wearing.
It's a circle.
Circle left, right
Forward and back .
Those wearing red, for instance, skip in the inside. Then skip the other way
back to place.
Sent from my iPad
> On Oct 29, 2017, at 12:53 AM, Luke Donforth
l this dance of which you speak. Could you
share the true title and calls? Thanks! I also cringe over ladies
(I don't fit that tradition) yet it is a good "place holder, ROLE
identifer" for my communities.
On Oct 14, 2017 9:06 AM, "Tom Hinds via Callers"
<callers@
I must have fallen asleep during a discussion of "ladies". What's the issue?
Sent from my iPad
> On Oct 11, 2017, at 12:13 PM, Martha Wild via Callers
> wrote:
>
> I’ve got a gypsy star dance (I actually call it “Star Wrong” and not just
> because of the
Isaac, you raise a very good question. There are so many dances that the issue
of originality is bound to come up.
> Of course we're all going to have different opinions. To those who have been
> on this list for some time I apologize for repeating myself. Since you are
> relatively new
I have one in my collection that's similar. Maybe, through the folk process
it's from you.
Sent from my iPad
> On Sep 27, 2017, at 10:10 PM, Rich Sbardella via Callers
> wrote:
>
> Folks,
> I found a square sequence I wrote a while ago?
> Does it exist in
There are some others. Seth Topher and I have each written one with Spin the
top.
I wrote one, not a great dance, with single circle to an ocean wave. It's in
my first book. If you don't have it I'll be glad to send it to you.
Tag the line is in many dances including a nice one written by
For me a leisurely day and relaxed trip yields a better dance. I avoid rush
hour traffic like the plague.
Tom
Sent from my iPad
Begin forwarded message:
> From: Mary Collins via Callers
> Date: September 16, 2017 at 9:01:50 AM EDT
> To:
A1. F,slice
A2 circle left, right
B1. Chain
B2 women do si do, swing partner
Becketized version ofThe Necessity by TH
A1. Long lines... circle left 3/4 pass...
A2. Do si do and swing N
B1. One half prom., right and left through (or any zero)
B2. Ladies do si do once and a half.
Linda, thanks for bringing this topic up. It sounds like might have
a good collection of English village dances in your collection. I
think they're perfect for that group. John is correct, get them
moving right away.
I realize that the thread is super easy dances but I'd like to throw
Really nice dance. Do neighbors face across when they balance? Or
do they face each other?
T
On May 30, 2017, at 8:16 AM, Stephanie Marie via Callers wrote:
Wrote this over the last several months and called it last night in
Charlotte:
Swim at Round Pond, improper
A1 1's in the
Jacqui,
Looks to me like you wrote some real unique and fun dances. I'm
looking forward to calling them.
Tom
On Apr 9, 2017, at 1:32 PM, April Blum via Callers wrote:
I believe that at some point in every dance, you and your partner
are on the same side, usually swinging, so from that perspective
all dances can start in Becket, just depends on where you decide A1
is. So I would not find dances
David, you're thinking of Stretching the Limits (men chain version)
and Stretching the LImits (women chain version).
You're very creative, thinking of switching each time. A caller,
Will Martin has come up with that very idea. The progression is in
the same direction and has half heys
I believe that zig left, zag right normally takes 4 beats. If the
dancers zag a little farther so men can easily take a left hand that
would take an additional 2 beats for a total of 6 counts. I'll
confirm the timing this Saturday.
For me there's this issue of how much we ask the dancers
Cheryl, It looks like a fun dance but there's a mistake in the B1: an
eight-beat balance and an eight-beat roll away?
On Mar 22, 2017, at 10:32 AM, Cheryl Joyal via Callers wrote:
I have a wonderful dance in my box that I enjoy dancing and calling
- but do not know who wrote it…. can
I attempted to call modern western at Pinewoods and then latter Buff.
Gap (in the early 90s). Unfortunately there was always one person
that wasn't up for it. One person in each class had a very hard time
learning the new moves while the rest of the class had no difficulty
at all.
So I
On Jan 30, 2017, at 3:53 PM, Ron Blechner via Callers wrote:
If I need to teach a box the gnat or a square-thru to a room with a
number of new dancers, does it matter whether that move is taught
for a contra or a square?
I think it depends on your creativity and more specifically the move/
, many, many
have been arranged into 32 bar tunes, and many are appropriate for
contra dance with a slight tempo adjustment.
Rich
On Tue, Dec 6, 2016 at 9:08 AM, Tom Hinds via Callers
<callers@lists.sharedweight.net> wrote:
It's not my cup of tea but Grandma Got Run Over by a Reindeer
It's not my cup of tea but Grandma Got Run Over by a Reindeer could
be used as a singing square or in a contra medley.
On Dec 5, 2016, at 11:49 PM, Tina Fields via Callers wrote:
The year I called the No Snow Ball in the SF Bay Area, Hillbillies
from Mars agreed to include I Saw Mommy
The Host, by TH
My memory tells me that this might be a Becket version of a
previously written improper contra.
A1 circle left 3/4, balance, Calif. tw.
A2 bal and swing N2
B1 hey, men, left
B2 men pass left a 3rd time and swing P.
T
On Dec 3, 2016, at 4:09 PM, Maia
On Oct 27, 2016, at 3:25 PM, Rich Sbardella via Callers wrote:
I am looking for the title and author of the following dance. Can
anyone help me?
A1 CL 3/4, N Swg
A2 LL, Partner Balance, Pull R, Pull L
B1 Along Line RH Bal, Bx Gnat, Gents Alle Left 1 1/2
B2 P Bal & Swg
I wrote a dance
John,
Thanks for summarizing all of this.
I thought it was saddle-pack not that it really matters.
You can add Washington DC and surrounding areas (probably Baltimore)
plus central Virginia as wrist lock.
T
There are many reasons some contra dancers don't like squares. One
is that they take a long time to teach. For some squares it's a good
idea to walk through the figure for both the heads and sides.
Depending on the caller and dancers a full length break may be taught
as well.
When I
Erik,
I really like the break and figure you sent! Is the promenade in the
figure about 3/4 of the way around?
When you say it's "not the easiest in the world" do you think it's
better for an all experienced crowd?
Tom
Cheat or swing in a square.
On Oct 10, 2016, at 12:36 PM, K Panton via Callers wrote:
3-33-33 is not a good choice for introducing beginners to
extra-4some expeditions. I've also found that a diagonal chain
followed by a straight-across figure causes confusion.
The Young Adult Rose,and
I suspect that many callers have what Bob Dalsemer labeled
"danceritis". The term he should have used is dancerphopia i.e. fear
of dancers or more specifically of what dancers might think of the
caller.
I often see new callers who are afraid of calling programs that will
bore the
In 1992 I wrote and called this:
A1 bal and sw N
A2 left and right through, men chain
B1 men L gypsy, swing P
B2 circle left 3/4 pass through and do-si-do the next.
Left and right through: pull by P with left and women courtesy turn
the men.
T
On Jun 13, 2016, at 11:04 AM, Maia McCormick
Looks new to me. How about a little change:
A1 Left gypsy neighbor (or allemande) 1 1/2
Next neighbor right gypsy (or allemande) 1 1/2
A2 Next neighbor left gypsy once
Swing second gypsy.
T
On Apr 18, 2016, at 3:53 PM, Andy Shore via Callers wrote:
from a dance-writing session led
Michael,
That's one of my favorites too. I'm curious about the chasse down
and heel toe. Are there any old English dances that have this
combination? Maybe French (shouldn't leave them out)?
Tom
Kalia,
I wouldn't hesitate changing a dance. I call variations of other
people's dances and my own all the time. It's good for variety's
sake if nothing else.
The pass through, allemande right and swing combination forces the
dancers to use three "rights" in a row. The most awkward
Nice dance Amy. I really like the sequence of moves.
I'm trying to imagine this in my head and assume that the allemande
right is once around which takes less than 8 beats to do.
Hope you don't mind suggesting a change. I would change the
allemande right to once and a half. That would
Joseph,
Everyone's given you great advice.
If I were doing this I would use music that they're more used to for
the first evening. And I'd use dances that they can more easily
relate to (see below). That might make for a easier transition and
more acceptance (and therefore more
Thank you for doing that!
I hate to say this but it's not a bad idea to have a line dance like
Texas Freeze in your hip pocket just in case. I don't like line
dances but some people enjoy them.
And for heaven's sake don't forget everyone's favorite, the bird
dance!
T
See if you can find El Capitan on line. I learned it from Larry
Edelman and I believe it's Fr-CA. I probably have the dance but am
to busy with the snow and critters right now to find it.
T
Jeremy,
My understanding is that here in the US choreography can't be
protected by law but the written word or the description of it can be
legally copyrighted.
It would be interesting to know what the law is in the UK.
T
Luke,
There have been times when I've tried new ideas and the dancers
figured out an easier way. Or said differently they saw through the
complexity and thought it was not worth the effort. I'm not saying
this is true for your dance but it's something to be prepared for.
In terms of
No Aahz my logic is broken. Our perceptions and experiences are
different.
You said,
The question isn't whether using "gypsy" generates negative
stereotypes but whether using the word reminds people of existing
negative stereotypes and whether the people referred to by the word
have
When this discussion started I decided to actually use honky instead
of gypsy the next time I called. I would of course explain to the
dancers this extremely important and delicate issue that is now
confronting the contra dance community. Why not get a chuckle from
the floor? I
Laur,
Even with great music and calling it's tough to create excitement
when the hall feels empty. I've tried to think of everything I can
do to make that kind of evening fun. My personal choice is to call a
large proportion of contras where the dancers swing their partner not
their
I believe it's called If You Were Dead. I called it in England
recently and out of all the dances I called, that was the most
popular. I understand it was the first one she's written!
T
On Sep 9, 2015, at 10:20 PM, Perry Shafran via Callers wrote:
I happen to know of one by Rachel
I'd be interested in knowing which one came first, stationary verses
step sideways. Anyone know?
In the book book, Cowboy Dances I believe there's a square called
Sashay, re-sashay - Mad Robins with a different attitude.
T
I don't think there is a difference.
On Aug 21, 2015, at 5:19 PM, Claire Takemori via Callers wrote:
In Contra dancing, what is the difference between "Roll your ___
Across/along" and "Roll away with a half sashay"?
What are your favorite words to teach this move?
thanks!!
claire takemori
I must have missed the suggestion about windows. I was curious if
this hall is air-conditioned. And I would think it would be useful
to know the condition of the floor before the dance begins.
I'm thinking the only real solution is increasing the capacity of the
HVAC system to remove
Keith,
You probably missed my response. The Becket dance you refer to was
written by me and is called The Host. I'm embarrassed that I took
credit for The Host since it really isn't original. I just never
figured out that it was the same as Piece of Cake until Martha
mentioned it.
Several of you have asked about programming and how it relates to
teaching the beginning workshop. I'll get to that fairly soon as
work is too demanding.
Before much time goes by I want to apolopize to everyone and
especially Miai for one of my emails that was too intense. I hope I
Thank you for letting me know about the date of my computer.
On Jun 21, 2015, at 10:51 AM, Aahz Maruch via Callers wrote:
With Ladies Chain, two dancers change places. If they fail to execute
that part, it's likely that the progression will get affected. That's
probably not going to happen
Aahz,
I'm not sure what you're saying in your email. Do you teach a right
and left through plus the chain in the beginning lesson because
learning those moves is critical to the success of the evening? And
are you saying that you spend little time with the swing because
those other
I'm asking myself why not demo a ricochet? In my mind there are some
advantages to demonstrating a move instead of describing it (or doing
both with a wireless mic).
My experience is most contra callers are highly educated and have
exceptional verbal skills. Maybe some callers don't
Ron, what a great question. I think it's interesting that Ted
Sannella once said that a dance had to have 50% different
choreography in order to be a new dance. Although I never asked him
why, it occurred to me that there might be a historical reason for
his view.
Take Petronella,
In my opinion a zig and a zag past one couple takes four beats, sort
of like a half do-si-do as couples. So I agree that it takes 8 beats
it takes to weave the line past two couples.
Tom
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