On 7/7/2010 10:11 AM, John Howell wrote:
At 8:56 PM -0700 7/6/10, dershem wrote:
But a warning is always welcome. I do the same with mute changes,
using "get plunger ready" and the like. With software, it's easy to
do, and there's really no reason not to.
Absolutely. Cas
"get plunger ready" and the like. With software, it's easy to do, and
there's really no reason not to.
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Trumpet 3
(cup, plunger)
It just makes it easier when setting up to know what to be ready for.
But there is no set pattern I know of yet, so do what works best for you
and your players.
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to avoid adding
that page.
There are always arguments on either side. Use what works best and
causes the fewest potential problems.
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things were all but certain to fall into
the pit during one scene. After the final dress rehearsal, we got the
drummer a hard hat for that scene.
But if you want brawls mixing with the musicians, some of the rock bands
I've played with were always that way. :)
cd
apes a lot, but just the ones included in the program.
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from truck
down to subcompact, for different tones.
Chuck May Percussion, Eagles Band Pittsfield MA
This just makes me think of someone showing up to a gig with a drum set
made up of brake drums.
:)
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instance in the document. Easy.
C.
Thanks to you and John Blane! That worked.
Carl
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t and right, too.)
Christopher
Alas, that works for everything *except* the sharps and flats.
But if I want, say, an Eb-7(b5), the b in Eb is WAY too high, and I
can't figure out how to move it.
Maddening.
cd
On Fri Apr 23, at FridayApr 23 11:43 PM, dershem wrote:
in FinWin2010b - I go
in FinWin2010b - I got the font I like for the fonts, but the suffix
(sharps and flats) are WAY above the baseline. Any idea why, and/or how
to fix this? I looked in the manual, and couldn't find anything useful.
TIA,
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s!
Dennis
I have often run across big band parts, mostly hand-copied, that used a
rubber stamp across the bottom of the page (often, but not always the
last page) with the copyist's name and contact info.
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14, 2010 at 4:56 PM, dershem wrote:
On 3/14/2010 4:45 PM, Eric Dannewitz wrote:
Oh, so you can't just graphically have a quarter note then an = then a
dotted quarter? :-/
That's the easy part. But if you use playback, it will change the tempo.
If you don't use playback, it&
14, 2010 at 4:44 PM, dershem wrote:
On 3/14/2010 4:26 PM, Eric Dannewitz wrote:
I'm trying to get Finale to play back a piece of music that goes from
2/4 to 6/8 and I want it to do dotted quarter note = quarter
notebut the human playback doesn't seem to catch it.
ideas/
If you
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choirs in the side
galleries.
It can't be (much) worse than the PDQ Bach piece that features Lute and
bagpipes in the same ensemble.
"The lute is a nice instrument. Very pretty with a pleasant sound.
Think about it while you're listening to the bagpipes..."
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hecked the Instrument List, and it says Bari Sax, but it still has
the distinct sound of a cello (arco).
Any idea what might be causing this? My bari player doesn't even *own*
a cello, much less play one!
Carl
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On 3/12/2010 8:12 PM, Ray Horton wrote:
dershem wrote:
Seriously, though, the limits depend on the player. I can recall
seeing Bill Watrous speak through his trombone.
cd
..
That could be fun, but Bill did more of a ... controlled vowel
movement, changing the timbre of the sounds he
On 3/12/2010 7:26 PM, Ray Horton wrote:
dershem wrote:
Seriously, though, the limits depend on the player. I can recall
seeing Bill Watrous speak through his trombone.
cd
None of these effects are as resonant as actually _playing_ the
instrument, though, and can fool the player, and
can recall seeing
Bill Watrous speak through his trombone.
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On 3/10/2010 6:16 PM, Chuck Israels wrote:
On Mar 10, 2010, at 5:54 PM, dershem wrote:
On 3/10/2010 5:33 PM, Chuck Israels wrote:
Carl,
You put the actual title into the File Info sub menu in the File Menu,
and then it shows up when you put the generic space holder "title" into
a
andy time saver.
Chuck
Ah! Ya learn something new every day. I've never used that.
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hange that t
the actual title. On the score, at least. I'll find out when I
generate the parts if it worked.
Thanks!
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On 3/10/2010 4:55 PM, Darcy James Argue wrote:
[Text - Inserts - Part/Score Name] Page [Text - Inserts - Page Number]
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 10 Mar 2010, at 7:40 PM, dershem wrote:
I've looked through way more of the Help than I care to remember
at.
Has anyone got it figured out?
Thanks!
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On 3/6/2010 1:31 PM, Dean M. Estabrook wrote:
How does one get cued notes to not play back?
Dean
Tell the player "Ssssh!"
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the same key as the part being read. The tonality
heard by the player should not change, unless you really like confusion.
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really like confusion.
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Aha! I found something missing that i was used to.
Among articulations, there used to be a number of falls, doits, and the
like. Where are they hiding now?
Carl
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David McKay wrote:
G'day Carl.
My wife and I are still using FinWin 2004. I'd love to hear whether you
think that upgrading was worth it, and what you have gained with the new
version. And also what you've lost...
David McKay
On 6 February 2010 14:14, dershem wrote:
I fin
Dean M. Estabrook wrote:
Hi ... I own a Wilsun Euphonium (Canadian Brass Edition) finished in
Silver. Is there a polish you can recommend to take a few spots off of
the surface? I'm assuming it is in fact a silver finish, not nickel
plated ...
Thanks,
Dean Estabrook
Wrights works pretty well
John Howell wrote:
At 3:49 PM +0100 2/7/10, Jari Williamsson wrote:
Lee Actor wrote:
I've had plenty of rehearsals slog down with
questions about assumed dynamics that aren't written in, but never about
dynamics that seem to be redundant. :-)
When the identical dynamic reappears in successio
Which, come to think of it, sounds like an engineering company. Hm.
Anyway, another place to put dynamics would be when the dynamic doesn't
change, but is about to.
If you have a long section at, say, mf, and are beginning a crescendo
9or decrescendo), definitely drop one in there.
Maybe t
Aaron Sherber wrote:
Hi all,
Given an instrumental part that plays for 20 measures or so at mf with
the occasional rest thrown in, is there a rule of thumb (or something
more formal) about when the dynamic should be restated?
It's in my head that if there are two or more full measures of rest,
Jari Williamsson wrote:
Hello!
I've posted an in-depth Finale 2010 review (with some usage tips) on the
Finale Productivity Tips site. Let me know if you spot any spelling or
language errors - or other errors.
http://www.finaletips.nu/
Enjoy!
Best regards,
Jari Williamsson
Thanks!
I'm exp
I finally ordered my Finale upgrade. I've been using 2K4, and it has
done most of what I wanted, but my new PC has a 64-bit OS (Windows 7),
and I want to make the best of that.
What pitfalls should I be on the lookout for?
Carl
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Dean M. Estabrook wrote:
So, what appellation do we ascribe to such an ensemble in these modern
times?
Dean
"Those reprobates" is one I've heard. :)
cd
On Jan 31, 2010, at 11:15 AM, David W. Fenton wrote:
On 31 Jan 2010 at 13:54, John Howell wrote:
P.S. Don't give away our age, Dean,
John Howell wrote:
At 8:04 PM -0800 1/30/10, Dean M. Estabrook wrote:
Good info ... let me push the question a little further ... can it be
done by bones as well as Tps?
Dean
Yes, of course. A trombone is just a big trumpet (which is exactly
what the word means in Italian). Just remember
But marking it as a shake would give them a good
idea of what sound was desired.
Carl
On Jan 30, 2010, at 4:44 PM, dershem wrote:
Dean M. Estabrook wrote:
I writing a piece for basic stage band instrumentation, wherein the
tempo is a half note gets 84 (swung). Is it feasible for brass
pl
Dean M. Estabrook wrote:
I writing a piece for basic stage band instrumentation, wherein the
tempo is a half note gets 84 (swung). Is it feasible for brass players
to do a shake (Jazz Font Symbol # 113) on a quater-note at that
speed? The quarter is followed immediately by an accented eighth o
Dean M. Estabrook wrote:
Any of you folks have a line on a decent used Bass Bone (just missed
my chance last night on e bay, buy going to bed instead of bidding on
a Holton that really looked nice ... oh well)? Would like a double
rotor for somewhere between 1k and $1500, if I could find it .
jclev...@aol.com wrote:
The JazzFont is in serious need of an overhaul, and I would gladly
pay $50 for a chord font which improved the current Jazz Text font
used for chords, but to my eye, Arial Narrow doesn't really fill the
bill. Even something similar to Dom Casual would be an improvemen
Do any of you mac-heads have a recommendation for a numeric keypad for a
Mac-Book? My brother just got one, and as a former accountant, he is
very fluent in 10-key.
If any of you has a good one to recommend, it would be appreciated.
cd
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that text
to vary from part to part? Is a puzzlement!
Thanks!
Carl
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e.
I Use FinWin2004b, and my printer (a HP) gives me no problems I don't
cause myself.
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dhbailey wrote:
Chuck Israels wrote:
Of course, Shakespeare. (The Louis Armstrong of the English
language! :)
Oh, yeah . . .
And if you have to ask what that means, you'll never know. :)
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, from The Scottish Play.
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;s host and got it shut down.
Of course, they are now chasing the site's owners through multiple
hosts, but if you make the site harder to find, it suts down on the
pirate's business.
Luck!
cd
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http:
important plugin
developers (or the best one IMHO) doesn't have his plugins ready for
the release of program? That would be like Apple shipping a new iPod
and having iTunes not work fully with it.
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ean M. Estabrook
http://deanestabrook.googlepages.com/home
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John Howell wrote:
At 5:46 PM -0700 10/2/09, Carl Dershem wrote:
Read "The Gripping Hand" by Larry Niven and Jerry Pournelle.
Science fiction with aliens who have 3 hands (one to hold things
steady, 2 for fine manipulation). Not their best work, but appropriate.
And no,
Mark D Lew wrote:
I've seen some crazy dynamic markings, but "pf" is a new one to me!
I've run across it in performance, but it's kind of messy!
:o
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"one natural" instead of "six flats." It's much easier.
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Darcy James Argue wrote:
Should have been "Bb and *Eb* instruments," obviously.
Cheers,
- Darcy
Well, except for the Bari player, who is always a little off anyway. ;>
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readable.
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her
Thanks!!
Carl
On Wed Sep 30, at WednesdaySep 30 1:40 PM, Carl Dershem wrote:
I'm working on a big band piece that has a section in 7 flats (C-Flat)
in the middle. Oddly enough, the guitar and bass parts are in 5
sharps (B).
FinWin2k4
Does anyone have any idea why Finale might
bones?
Very interesting.
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llest Windows
Netbook, although the screen size might make it a bit of a challenge.
Simple solution - never use long notes. :)
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http://www.zazzle.com/violin+ties
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John Howell wrote:
At 1:43 PM -0700 9/13/09, Carl Dershem wrote:
And of the drummers I work with, none like the "play 8 bars" style of
drum part. They all consider it a way for lazy copyists and arrangers
to get the point across.
Hmmm. I did that for years when I was hand co
ence, we talked about that a bit (he wrote LONG
charts), and it really affects playability a lot.
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.
It also gives them room to write in stuff that the arranger/copyist
might not have considered.
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d attack on the 1 of the measure after the next.
so: /^..||^
How to join the tweo ^ markings with a jagged "glissando" type smear in
a "U" shape, with no notes in the intervening spaces, and not make it a
"V" shape?
Is a puzzlement.
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27;s what works for me. Anybody else?
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looks like they used untouched default settings for all of them. It
might be interesting to compare this with more polished output. That is
really where the money lies.
I know I'd never turn over anything printed from default settings to anyone.
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king in Finale, not the final look on the page. I may have
misinterpreted the question.
Chuck
Definitely what it sounded like to me.
Can u hide staves from the display to save screen space
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you can send him a message and ask precisely what he did on the
soundtrack of that film. He does a lot of movie work, and is one of
those guys that is asked for by name, because his 'touch' is exactly
what a composer wants.
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Chord Definition in the box
at the upper right, then adjust the positioning and font and all that
jazz, then click on the NEXT button to go on.
When satisfied, click OK.
A triangle over a straight line is easy to mistake in the usually bad
light on a bandstand.
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y seems to have its head up
its...yeah
Agreed.
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's also a little bit easier to read in bad light. Well, most parts are.
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uot;O".
Hahaha, O associates with Onzichtbaar (invisible in Dutch).
And here I'd always thought it was for "obscure" which the instructions
could be considered.
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then click on the Playback tab and choose Patch
from the type of expression and then choose Muted Trumpet from the patch
list.
Don't forget to reverse this when you enter the OPEN expression when you
take the mute out.
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i...@fisherartandtech.com
Well, good luck with the art (which from your 'sig appears to be your
direction) and have much fun and success!
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ou enter the ( or the flat or whatever in
the "SYMBOL" box, and then you can set the font on each specific element
using the PREVIOUS and NEXT buttons and the SET FONT button.
For example, you get the FLAT symbol by typing 'b' in SYMBOL, and then
setting the font to JAZZ or
m Xerox to
begin with?
It was part of their excuse, but falls apart if you look at what
actually happened.
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ief? :-)
Actually Apple had permission to use the ideas. Jobs had spent time
with the people tat Xerox PARC and worked out an agreement. Gates then
saw what Jobs was up to ant stole the concept.
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by the most recent dynamic
marking.
8) both of these expressions should be placed in the music at the same
point, the first note of the repeated process.
I just ran through these steps in Finale2008 and they still work just
like they've always worked.
Thanks! It sounds unduly complex, b
htly different, but not a lot.
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you've got some great bands on tap.
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box
for "play only on pass __" designed to do that.
Of course, it has never worked for me, but it is supposed to. :)
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et.
What would you charge to do such a thing?
(The fun part is that now we hear that Sammy might be at the concert,
which really raises my personal tension levels. Add in a lack of time
to work (I play almost every night) and I'm going nuts here.)
TIA,
Carl
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to get a call to play 2nd
trombone in a big band, bring a small bore tenor, and discover there was
a booking error and you're playing 4th(bass) bone. It's a skill that
must be learned.
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far out to
consider in popular music.
And that "Bond, James Bond" harmonic pattern goes back to Harold Arlen,
if not earlier.
Harold was a spy?
;>
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n "OFF" button? (So many don't any more)
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Darcy James Argue wrote:
You should *never* use just "M" or "m" for chord symbols, regardless of
the font.
I know Christopher disagrees, but I prefer either the geometric symbols
("?" and "-"), or "MA" and "mi".
I believe Christopher uses "Cmaj7" (which is okay, though I *greatly*
prefer CM
Richard Smith wrote:
I have never understood the use of the "jazz" fonts. When I was a hand
copyist, the goal was to look as much like printed music as possible. I
do find most of the "jazz" fonts very readable and understand that there
may be some psychological advantage for jazz musicians. I
Dean M. Estabrook wrote:
When I want to assign an expression, say, a rit. to all staves, I
properly get handles on them all. Now, if I want to adjust one or two
of those expressions, is there any way to move them one at a time
rather than when one is selected, all are selected and ergo, all are
Dan Tillberg wrote:
Hi folks,
When arranging for big band, there might be for instance three separate
long choruses which essentially repeats in piano and guitar since the rely
on the same chord pattern even though the horns have three totally
different designed choruses. In the score, pi/gui ar
I recently got a few latin tunes to print parts for, and I;'m wondering
what patches sound best for Timbales and Bongos.
Using WinFin 2K4.
cd
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dc wrote:
Johannes Gebauer écrit:
I want to clean up some facsimile copies I have of old music prints.
Ideally I'd like to scan them into Acrobat, then apply some filters,
and edit them slightly with an eraser. Ideally everything should be
done in the PDF format, to keep small file sizes and m
Giz Bowe wrote:
At 11:14 AM 8/25/2008, you wrote:
I encourage any comments you have, but especially appreciate a
description of your most negative experiences with the Finale help
resources and perhaps any ideas regarding its improvement.
I don't like having to use Internet Explorer to acces
My brother just bought a new PC with Windows Vista on it, and wonders
how to transfer his Outlook address book and bookmarks to it. Do any of
you with less obsolete technical skills than I have any hints?
TIA
Carl
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Chris Bell wrote:
On Aug 10, 2008, at 9:57 PM, Darcy James Argue wrote:
In fact, I think anyone would be hard-pressed to complain about the
instrument selection for JABB -- it is amazingly comprehensive. They
actually have MORE instruments than they list on the product page:
. . . . I really
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