Hi Fred,
Current Beaulieu 4008 users highly recommend this Spanish service for a new
modern rechargable battery, i.e.
http://professionalbatterycharger.com/beaulieu_4008_battery_accu_930_mah_eneloop_pro_cells_charger_re_cell_new.html
On Fri, Sep 4, 2020 at 3:43 PM Fred Camper wrote:
> I have
Utterly fantastic. Bravo!
On Wed, Jun 3, 2020 at 3:42 PM Ken Paul Rosenthal <
kenpaulrosent...@hotmail.com> wrote:
> Yesterday, I had a delightful phone conversation with Lenny Lipton--a true
> gentleman and a really gentle man. What a treat to talk shop with the man
> who wrote the seminal
Well done! Thanks for the undertaking.
On Wed, Apr 1, 2020 at 3:45 PM wrote:
> For a little diversion I offer a little project I’ve just completed. A
> full restoration of an animation produced by the very talented Fred Burns
> at USC in 1974, with a soundtrack by George Winston.
>
> 95% of the
Hi Pip,
I just verified that Mike's page and email contact are up, i.e.
http://mikehoolboom.com/thenewsite/?page_id=320. I am not sure about his
phone number.
Nick
On Sun, Jan 5, 2020 at 10:42 AM FrameWorks Admin
wrote:
> Dear all,
> I recently sent an email to Mike Hoolboom which was
Spot on, Jeff.
Is this the Concord MTC-11 that you mentioned regarding the Beatles press
conference?
"Andy Warhol, right, waits among the photographers at a Beatles press
conference in New York, October, 1964
Photograph: Tony Ray Jones/Getty Images/SSPL"
Fantastic work, Chris!
On Sun, Oct 20, 2019 at 10:32 PM Christopher Ball
wrote:
> Yes, I made one: It is on youtube:
> https://www.youtube.com/watch?v=gRiGzHKpUaY
>
> https://www.youtube.com/watch?v=1VaM9hPGI_o
>
> On Sun, Oct 20, 2019 at 10:32 PM Chris Rodriguez <
>
The title of my new Super 8 film "Gitpu" is Mi'kmaq for eagle.
My cousin Lorne's spiritual connection with nature did not prepare me
for his passing. A heartfelt thank you to my dear friends and
collaborators who attended Gitpu's debut last evening at the Pleasure
Dome New Works screening in
It is with a very heavy heart that I must tell you that visionary
filmmaker, Paul Clipson, has passed. I cannot believe it. He was 52.
We are reeling. .
https://vimeo.com/109943175
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
FYI
-- Forwarded message --
From: David Wells
Date: Tue, Jan 9, 2018 at 1:57 PM
Subject: [AMIA-L] New home needed for brand new 16mm Eastman projector parts
To: ami...@lsv.uky.edu
We just got a call from a gentleman in the L.A. area who has brand new
Dave,
For the second time in my life I referenced a Dane as a Norwegian. :)
Here is the Logmar's Danish web site, ie http://www.logmar.dk/
On Sat, Jul 15, 2017 at 10:23 PM Dave Tetzlaff wrote:
> Nicholas wrote that the Kodak was designed by Logmar. I couldn’t find
>
Which specific Bolex Reflex viewfinder are you referring too, Scott?
My regular and UltraPan8 Bolex 13x Reflex viewfinders provide a crisp
clear image. Not as bright as the later Aaton and Arri viewfinders but
quite good considering it's prism based.
On Fri, Jul 14, 2017 at 1:15 PM, Scott Dorsey
Predictable negativity not withstandinghere are two recent test
shots with the new Logmar designed Kodak Super 8 camera, i.e.
https://www.youtube.com/watch?v=Bq1vP0viRO8
https://www.youtube.com/watch?v=23eNNss0ZFY
I have the original Logmar prototype Super 8 camera that the new Kodak
S8 cam
Amazing!
On Sun, Jun 26, 2016 at 12:08 PM, Pip Chodorov wrote:
> Henri Chomette did some of that in 1925 although he used train tunnels - not
> sure if headlights were bright then (see around the two-minute mark and
> around 5:40 of
Very happy for all concerned that 101% financing was achieved!
On Tue, Mar 22, 2016 at 6:00 AM, Esperanza Collado
wrote:
> Friends,
>
> Our colleagues in Berlin need a last push to make it. Please help if you
> can. Only 2 days left!
>
> Thank you very much to all
etly ride this mini-film explosion? Or just keep
filming? :)
Film Forever.
Nicholas Kovats
Toronto
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
ven the final Ekta 64T…)
>
> R.
>
> On Jan 8, 2016, at 2:18 PM, Nicholas Kovats <nkov...@gmail.com
> <javascript:;>> wrote:
>
> > Yup.
> >
> > There is a brand new Super 8 camera introduced by Kodak and it is
> > projected to be available in fal
Logmar designed the new Kodak Super 8 camera hardware/software based
on their high end pin registered Logmar S8. No timecode. Some basic
file metadata for each sound file recorded. 24 bit internal digital
recorder can output mp3 or ogg vorbis. Crystal sync accurate to 0.001
fps. Upgradable
STil are excellent special archival poly "cans" that accommodate film
on cores but NOT film reels. They are smaller diameter.
On Sun, Sep 20, 2015 at 10:50 AM, Bill Seery wrote:
> PEL in Norfolk distributes Stil cans. May be pricey since they're "archival"
> but worth a
Wonky, plastic, jamming transport. I have yet to crack the seal on my
boxed unit. Then again some of my friends jumped in when it debuted a
few years ago, i..e https://vimeo.com/38822722. Same aspect ratio as
my UltraPan8 format 2.8.
Dustin Rosemark actually shot a feature length film with this
Tremendous, Zack! Excellent work and presentation.
On Thu, Aug 6, 2015 at 9:28 AM, Zach Poff z...@zachpoff.com wrote:
Hi folks. I recently had some experience modifying a Steenbeck flatbed for
synchronization to Pro Tools. I wrote a guide about it on my website and
figured I'd share with
Fantastic idea!
On Thu, Jul 23, 2015 at 10:00 PM, Roger D. Wilson
rogerdwil...@sympatico.ca wrote:
On Friday July 24 at 7pm a new version of my Cinema-Trike will be revealed
at Artist Centre DAÏMÔN in Gatineau Quebec. The installation is part of
Gatineau's Ruisseau de la Brasserie celebration
With the infamous A wind emulsion out setup developed in conjunction
with Kodak.
Will that A or B, Sir? :)
http://www.cinematography.com/index.php?showtopic=52190
On Thu, Apr 30, 2015 at 9:53 AM, Scott Dorsey klu...@panix.com wrote:
this camera is allmost simular.
Sadly, nothing is similar
Great initiative, Steve!
Is the FUJI Eterna Color Negative 16mm 250D new old stock?
On Fri, Apr 24, 2015 at 1:30 PM, steve cossman stevecoss...@hotmail.com wrote:
Frame-workers,
Greetings from Brooklyn New York!
I wanted to write on behalf of MONO NO AWARE to share an exciting
The Fuji color space is lovely!
On Fri, Apr 24, 2015 at 4:18 PM, steve cossman stevecoss...@hotmail.com wrote:
Thank you for the kind words.
Yes, the FUJI is a new old stock, which was donated to the org from a
production company. It was in cold storage and 2 members of MONO NO AWARE
shot
The most update info is available on the still active Dye Transfer
Yahoo group, i.e. http://www.groups.yahoo.com/group/dyetransfer
On Tue, Apr 21, 2015 at 1:59 PM, Scott Dorsey klu...@panix.com wrote:
You know what, I take that back! There are some folks who are still making
dye transfer
printing. That's what precipitated Tacita
Dean's save film campaign. Nicky.
Nicholas Kovats wrote
The auction title says it all. Over 1032 individual lots and starts on
June 3. Sad to see, i.e.
http://www.hgpauction.com/auctions/60587/deluxe/ The complete catalog,
i.e. https
The auction title says it all. Over 1032 individual lots and starts on
June 3. Sad to see, i.e.
http://www.hgpauction.com/auctions/60587/deluxe/ The complete catalog,
i.e. https://hgpauction.hibid.com/catalog/43298/deluxe-labs. My hope
is that some of the remaining labs are able to raise
Great to hear that you and your 35mm theater exist, Christopher! I am
also from the Martimes originally and it's great to see indigenous
film based micro-cinema! Are you still shooting 35/16mm film and do
you have your own equipment? I will be in touch.
On Fri, Mar 20, 2015 at 3:59 AM,
Excellent report, Amanda! I have no objection to this type of taxation. :)
I suspect Klaus Linnenbruegger k...@canadianfilm.com built the
National Archive wet gates as per his work at the National Film
Archives of Canada in Ottawa and the Library of Congress in Dayton,
Ohio. He has a web site (KL
Alain,
Just the Concordia side of life. :) He can still be reached at
bolext...@gmail.com.
Cheers,
Nicholas
On Fri, Feb 27, 2015 at 1:38 PM, 40 Frames i...@40frames.org wrote:
Jean-Louis Seguin... did you retire from Bolex camera repair, or just from
your position at Concordia?
Best,
Five years in the making.
First I walked, then ran and finally put on my skates to chase
cyclists on ice with my Bolex Ultrapan8 film camera. The Ice Bike or
Icycle winter races have been a treasured Toronto staple in February
for over 14 years. The serious heats involve handmade studded tires
http://www.pond5.com/free
“a comprehensive and ever-expanding collection of copyright-free
multimedia content that’s accessible for free search, free download
and free use. Our aim is to assemble the world’s greatest collection
of free public domain content tailored specifically for editors,
The Italian film manufacturing firm, Ferrania, have started a
Kickstarter campaign as of today to rescue Trixie (large scale
triacetate base production machinery), Walter (high volume chemical
synthesis lab) and Big Boy (industrial film coating facility).
$21,520 has been pledged of a $250,000
Seeking this item on behalf of a friend's conversion project. Cheers!
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
That sounds unbelievably cool! Has it ever been to Toronto?
On Wed, Sep 3, 2014 at 1:48 PM, Roger Wilson rogerdwil...@sympatico.ca wrote:
I have a cinema trike that powers a 16mm film projector and can run as long
as you can keep your legs moving:). You can see more on my website
Sad to hear. I believe Cinecycle here in Toronto has run a bike
powered projector in the past. I thought it might have been your
system.
On Wed, Sep 3, 2014 at 3:47 PM, Roger Wilson rogerdwil...@sympatico.ca wrote:
No unfortunately Nicholas I've not had the cinema-trike in Toronto yet. I've
All forty (40) Logmar Super 8 cameras have been pre-sold as part of
the introductory beta program. Split evenly between European and North
American markets. I am not surprised. I predicted as such.
Regrettably, NFL fims has decided to switch completely to digital
production and have purchased 30 new digital Arriflex Amira cameras.
Up until recently they were Kodak's largest customer of 16mm stock for
the last 50 years. They have their own immense state of the art
archive, and lab. Up until
There you
go...http://www.nytimes.com/2014/08/14/sports/football/5-decades-later-nfl-films-goes-digital.html?_r=1
On Mon, Aug 25, 2014 at 3:11 PM, Adam Hyman a...@lafilmforum.org wrote:
That link doesn't work for the NY Times article - it has holes...
On 8/25/14 7:51 AM, Nicholas Kovats nkov
Is that actually a serious question? Roger cannot keep up with demand. He
and the owners hangout on the Filmshooting forum. Very detailed threads.
On Wednesday, August 20, 2014, ben.weinst...@mindspring.com wrote:
Actually I take that back; does anyone have one of these in america at all?
Fascinating!
On Thursday, July 31, 2014, FCO. JAVIER HURTADO MOMPEO xhurt...@ub.edu
wrote:
I would like to make the following technical consultation;
My name is Xavi Hurtado working in independent video and
with 16 mm ephemeral latinamerican found footage film.
I'm modifying a 16mm
Scott,
Did Kinoton ever implement this digital stepper design with their 16mm
line? It would fascinating to watch the live manipulation of shutter
phase if such a thing were possible. By that I mean varying the
shutter relative to motion on the screen. Applying or decreasing
(removing?) motion
David,
Douglas Palmer d...@filmisfine.co is a leading proponent and
practitioner of the Ultra16 format based in the UK. He has converted
Bolex 16mm cameras and a Bolex 16mm projector, e.g.
http://filmisfine.co/bolex-ultra-16-camera-sprocket/
http://filmisfine.co/an-ultra-16-projector/
Contact Jean-Louis Seguin in Montreal for the Super 16 conversion,
i.e. bolext...@gmail.com. Yes. The Bolex Bayonet mount is more
robust. Start researching the image circle of your lenses. Remember
the lens mount will have to be offset for the Super 16 format.
Jean-Louis can also collimate
I am very interested. I actually have a handheld 14 perf 70mm camera I
would love to test out. Projecting 70mm would be awesome.
On Fri, Jul 25, 2014 at 4:12 PM, Ekrem Serdar ekremser...@gmail.com
javascript:; wrote:
Hey Framers,
I'm investigating a possibility where we may be able to do a
Great to hear of your progress, Amanda! Please say hi next time they
invite you back to Toronto!
Nicholas
On Fri, Jul 18, 2014 at 4:31 PM, Amanda Christie
ama...@amandadawnchristie.ca wrote:
speaking of 16mm films having longer life than 35mm
i had been hoping to finish my latest project,
You don't often see these babies on Da Bay, i.e.
http://www.ebay.com/itm/Eiki-16mm-projector-with-20-minutes-film-looper-/171385897321?pt=US_Movie_Slide_Projectorshash=item27e7654169
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
This is edited test footage featuring dancer, Jillain Peever and the
musical group The Visit comprised of Raphael Weinroth-Browne (cello)
and Heather Sita Black (voice). It is the first stage of a larger
collaborative work to be shot on film.
https://vimeo.com/98244359
metadata:
camera = Bolex
Mosse's incredible
documentary. Did you manually cut and reperf from a larger batch
(2011)? i.e. http://www.tarquinius.de/index.html
Regards,
Nicholas Kovats
Toronto, Canada
On Thu, May 1, 2014 at 11:46 AM, Ryan Marino ryandmar...@gmail.com wrote:
Not to change topics but does anyone know
Yahoo! 35/16/8mm processing. New and old film stock. Film out service.
http://www.niagaracustomlab.com/
A treasured resource here in Toronto, Canada!
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
Confirmed. They recently developed a roll of Fomapan R8 for me.
On Fri, Mar 28, 2014 at 8:15 AM, Pablo Marin pamari...@yahoo.com wrote:
Niagara Custom Lab (Toronto)?
On Friday, March 28, 2014 9:01 AM, Steven ste...@gladstonefilms.com wrote:
Does anyone know of any labs that currently process
The Super 8 film format is back with a vengence!
Fantastic new Super 8 test film footage shot by German filmmaker
Friedemann Wachsmuth with the first new Super 8 camera in 30+ years !
Unbelievably sharp registration for such a tiny medium. I kept staring
at the corners seeking weave. I believe
Hi Folks,
Here is my documenation of the recent 8fest's program called Bagerooo,
seven! Volume two featuring the world analog premiere of James
Gillespie's UltraPan8 film Trains About, i.e. vimeo.com/86674824
Interestingly enough a recent blog called This Analog Earth reviewed
the wonderful
Here is my recording of the recent 8fest's program called Bagerooo,
seven! Volume two featuring the world analog premiere of James
Gillespie's UltraPan8 film Trains About, i.e. vimeo.com/86674824
Interestingly enough a recent blog called This Analog Earth reviewed
the wonderful 8fest but failed
PM, Nicholas Kovats nkov...@gmail.com wrote:
Here is my unofficial short film of one of my favorite bands, Low. The
song is called Just Make It Stop from their 2013 album The
Invisible Way. Filmed in Chromoflex UltraPan8 2.8.
No digital effects were used.
I shot specially perforated Kodak V3
Here is my unofficial short film of one of my favorite bands, Low. The
song is called Just Make It Stop from their 2013 album The
Invisible Way. Filmed in Chromoflex UltraPan8 2.8.
No digital effects were used.
I shot specially perforated Kodak V3 200D color negative (UltraPan8
2.8 R8) pushed
Sounds fantastic!
On Fri, Dec 20, 2013 at 6:57 AM, Gideon Kiers d...@telcosystems.net wrote:
Dear List,
We're very proud to announce a new Sonic Acts project that will have it's
international premiere at the upcoming International Film Festival Rotterdam
2014.
Vertical Cinema is a series
indebted to Tony Shapps for providing this invaluable film record
of small format ultra widescreen history.
Cheers!
Nicholas Kovats
Toronto, Canada
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo
Toronto filmmaker, James Gillespie, treated me to his wonderful work
in progress - a very special modified 1950's Specto all metal
projector specifically for the ultrawide UltraPan8 film format. Extra
rollers, modified step down transformer, brighter 300w halogen bulb
and blue LED fans! 8fest is
A newly engineered Super 8 camera is set to debut in the spring of
2014. You read correctly. The first one in approximately 32 years.
Developed by a Norwegian team represented by Lasse Roedtnes who has
been posting updates with pictures on the cinematography forum.
Metal/carbonate body with
mode.
Very best,
Marco
On 5 November 2013 18:26, Nicholas Kovats nkov...@gmail.com wrote:
Hi Marco,
My pleasure.
I agree. The 10mm Leitz-Schneider Cinegon focusing barrel does not
have the smoothest transition from macro to infinity. It is an
ambitious design with a very wide focal
This is an amazing open source scanner project by Maththew Epler.
Watch the presentation video here, i.e. http://mepler.com/Kinograph
Here is his thesis presentation where he details his work and amazing
antedote whereby the King of Jordan injects $10K in startup funds due
to the discovery of
format. It was composed using a
3.1:1 widescreen frame. The film was processed at Niagara Custom Lab.
The resulting footage was digitized by John Gledhill of Bit Works Inc.
The camera, modified by Jean-Louis Seguin, was provided by Nicholas
Kovats. Post-production was completed at the Liaison
Hello everyone,
I am pleased to announce Stephen Brommer's new silent experimental
UltraPan8 work called Blue Guitar. A beautiful abstract study shot
locally here in Toronto, i.e. http://tinyurl.com/kh7anyz Ektachrome
100D Processing by Niagara Custom Labs with scan by bitworks.org.
Nicholas
My apologies to Stephen Broomer regarding my misspelling of his last name.
Nicholas
Original message
Subject: [Frameworks] Stephen Broomer's new silent experimental UltraPan8
work Blue Guitar
From: Nicholas Kovats nkov...@gmail.com
To: Experimental Film Discussion List
Zach,
What format are you seeking re: E100D? R8, S8. 16mm, etc.
Nicholas
Sent from my iPhone
On 2013-01-10, at 2:26 PM, Royce Marcus (Film) roycemarcusfi...@gmail.com
wrote:
From what I understood, when the sent out that press release, they were
already done making ektachrome. It was just
, Jan 7, 2013 at 2:02 PM, Nicholas Kovats nkov...@gmail.com wrote:
Several of my recent UltraPan8 films premiered at the recent 11th
International Super 8mm Festival this past September, 2012 in
beautiful Szeged, Hungary. One of the organizers, Péter Rózsa,
recently requested UltraPan8 frameshots
Check out this wonderful biographical filmic record of Mr. UltraPan8
reperf Edward Nowill as shot by one of his student customers, Rosie
Carr. The film is called Allure Of Objects, i.e.
https://vimeo.com/54606201
Shot on a Bolex H16. This is a wonderful record of Edward's passion in
record
Hi Scott,
Thank you for the great insights and I am now convinced that the 16mm
film out is the way to go. Yes, Cinebyte was on my list but I was
initially leery of approaching them. But your specifics regarding
...unattended transfer to color intermediate negative
and then a one-light print..
, Nicholas Kovats nkov...@gmail.com wrote:
Hi Scott,
Thank you for the great insights and I am now convinced that the 16mm
film out is the way to go. Yes, Cinebyte was on my list but I was
initially leery of approaching them. But your specifics regarding
...unattended transfer to color intermediate
Just wondering as there is a reference to a ...AEO-Light software
from the University of South Carolina MIRC.. in the following Kinetta
scan demonstrating a terrific early 50's 16mm Kodachrome film
regarding the Auricon Pro 1200 16mm camera, i.e.
I answered my own question. From the research paper, i.e. Our
proposal seeks to develop open-source software to serve a truly global
community of film archives.
A wonderful initiative.
On Fri, Nov 9, 2012 at 2:11 PM, Nicholas Kovats nkov...@gmail.com wrote:
Thanks, Rick, for your prompt reply
Thanks, Rick, for your prompt reply! Do they intend to enter this
software into the public domain?
On Fri, Nov 9, 2012 at 2:08 PM, Rick Prelinger foot...@panix.com wrote:
USC is working on it. Here is a portion of their NEH grant application:
Very nice! I am intrigued as to the technique used.
Sent from my iPhone
On 2012-08-20, at 12:27 AM, Emile Tobenfeld (a.k.a Dr. T)
em...@foryourhead.com wrote:
Meditation on Blue Time Lapse Variation
http://youtu.be/85zwwY7Nr0M is a slowed down version of the piece
requested by a viewer.
l am very grateful for your introduction to me of the world of Robert
Schaller. Wow!
On Wed, Jun 13, 2012 at 3:09 PM, Jason Halprin jihalp...@yahoo.com wrote:
And, if you get your hands on any of these, you can rewire the lamp portion
to run on LEDs (ala Robert Schaller's Wilderness Film
Inspired by Fred Jenne's wonderful Chocolate Inspirational Experience
and the beautiful space/grounds of The Yoga House in Toronto, i.e.
http://vimeo.com/39417454
Filmed in the new motion picture format called Ultrapan8. Camera used
was Bolex UP8 camera# 1. Film stock is reversal Ektachrome 100D
Very nice. Luminous!
Sent from my iPhone
On 2012-03-27, at 6:13 PM, Robert Houllahan lunarfi...@mindspring.com wrote:
http://vimeo.com/39300154
We ran this with a 0.66 Gamma and the same time and temp as we run Plus-X
Negative.
VP Cinelab Inc.
Robert Houllahan
Film Maker
Congrats on the expanding business, Jeff!
Your statements have been validated and represent my current
methodology with both Super 8 and UltraPan8 film. I utilize the custom
over-scanned services of engineer John Gledhill at bitworks.org here
in Toronto and the amount of information extracted
I recently attended the 2012 8Fest R8 workshop led by my friend and
instructor, John Kneller. Workshop participants shot on two R8 cameras
and the UP8 cam. Here is the overscanned uncropped example of their
work shot on the UltraPan8 format with Plus-X and the 5.9mm ultrawide
Angenieux lens. The
Thanks, Kevin. I am interested in replicating this with my UltraPan8
format with a modern reversal stock such as Ektachrome 100D. I suspect
it will have similar Kodachrome jet blacks albeit fresh stock.
Regards,
Nicholas
On Fri, Jan 27, 2012 at 3:52 PM, Kevin Timmins on-on...@hotmail.com wrote:
That would be Mr. Edward Nowill in the UK, i.e. edwardnow...@btinternet.com
His machine perf dies are setup for 2 perf 16mm to 2 perf
R8...specifically 2R-2994 16mm to 2R-1497 R8. Acetate only. He charges
approximately 40 GBP per 400 FT.
Attempting to punch single perf 16mm B Wind (1R-2994)
Sarah,
Which format are you referring to? i.e. 16mm 2 perf - 2R-2994 or R8 2
perf - 2R-1497. Are you seeking to re-perforate 2 perf 16mm stock
into 2 perf R8?
This is a current list of Kodak 2 perf 16mm stock 2R-2994 (acetate based), i.e.
a.) Catalog schema - 2R (2x perf) 2994 (pitch in
Edward Nowill in the UK might be able assist you, i.e. edwardnow...@talktalk.net
He is a retired engineer who typically reperfs 2 perf 16mm reversal or
negative into Regular 8mm, i.e. adding two additional perfs per 16mm
frame. He charges approx. 20 GBP per 400 ft 16mm stock for that
service.
http://lennylipton.wordpress.com/2011/09/16/george-kuchar/
I remember laughing so hard with George that I had to fight for
breath. I remember one occasion when George laughed so hard that he
fell out of his chair.
___
FrameWorks mailing list
84 matches
Mail list logo