Just for clarification, what kind of films are you looking for --
narrative, documentary, experimental,...? And when is early, before 1920,
before 1960, ?
>Dear Frameworkers
> Are you aware of
> early mountaineering films (other than the Riefenstahl films, I mean)?
> Where could I find informati
o
question.
-Robert Schaller
> Alan Berliner made a doc about his insomnia, Wide Awake I believe it is. I
> haven't seen it, but he's one of the few filmmakers who has made really
> good documentaries AND really good experimental films. Rudy Burckhardt had
> a nice little poetr
.
Use a stainless steel pot for the developer to get it to temperature (in a
water bath), and put a floating lid on it between uses.
-Robert Schaller
> That 110 reel is nice but buying it is going to cost more than buying
> another bag of Kodak D-19.Why don't you just have your c
x27;t especially like this option, but I'm not
sure I see another way.
The problem isn't really that the DVD would be PAL, it's that the speed
is wrong.
What have others of you done in this sort of situation?
Thanks for any stories or recommendatio
Thank you, Adam, for putting this so clearly! It explains the periodic
warnings I get about programs I run being incompatible with future OS
releases.
I'm sorry to hear Dominic and others are suffering because of Apple's
callous imposition.
--RS
On 2020-01-10 11:35, Adam Hyman wrote:
Yes,
I have another question that I would like to throw out to the collective
knowledge of the frameworks community.
If one wants wants to put digital videos online on a streaming server, are
there non-commercial options (that is, not youtube and not vimeo) could anyone
recommend?
I figure this wou
I'm very sorry to hear that. The intensity of his work was profound, a
revelation about what experimental film can be.
On 2020-06-16 11:56, Warren Cockerham wrote:
One of the biggest hearts of any human
On Jun 16, 2020, at 10:57 AM, Esperanza Collado
wrote:
Hi all,
I just heard that
This sounds great, Ken! Thanks!
It's always inspiring to find people who discover ways to be productive
in the time of this pandemic.
On 2020-07-21 09:40, Ken Paul Rosenthal wrote:
Announced via press release [1]:
“In Lucid Dreaming, curator and writer Pamela Cohn interviews a
constellation
Sirk's Tarnished Angels is a pretty good movie,
but perhaps George Jones' song, Tarnished Angel is more to the point.
Your halo is the neon,
Your heart a jukebox song,
Your heaven is a honkytonk,
You love to live so wrong.
...
Our world's are strangely different,
But love, they say, is b
Sorry for the belated post, but (should anyone care to look) an account of
our Jamaican processing and the recipe we used is now up at:
http://www.handmadefilm.org/research/coffeeAscorbate/index.html
-Robert Schaller
On 8/30/11 9:47 AM, "Kevin Obsatz" wrote:
> We also use
Dear Meg,
I urge you look at my forthcoming ³Flesh Into Light² from Intellect Books
(www.intellectbooks.com). It should be in print in December, and deals with
images of women by a woman film-maker, Amy Greenfield. --Robert Haller
On 9/22/11 12:29 PM, "margaret jamieson" wrot
Re: Dance films, still unmentioned...
these are works on video
Davidson Gigliotti did a great deal of tasteful documentation of dance and
performance in the downtown NYC scene of the late 70's/early 80's. Chant a
Capella is one such piece. He was married at that time to Elaine Summers,
hersel
Does anyone know anything about this?
http://dealbook.nytimes.com/2011/09/30/kodak-hires-lawyers-weighs-bankruptcy
-filing/?hp
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True, as Fred points out, that bankruptcy can just be reorganization, but it
hardly seems reassuring about Kodak's prospects. True too that there are
other companies that make film, but you must admit that Kodak is and has
been a major player in the manufacture of film, and that feels very much
l
st meeting that was
"quite a success"? Why is there so much mystery here? -- Robert Haller
On 10/12/11 12:34 AM, "Jay Hudson" wrote:
> Dear All:
This is a reminder that there is a members meeting Sunday,
> October
16th at 7:00pm at the Millennium Film Workshop, 66 E
The print for UNdergrowth is coming in to town on Friday - I can get it to you
over the weekend...
The 18th is going to be nutty - I'll be carting Tomonari Nishikawa and Chris
Kennedy from their 6pm screening at the Paramount to the Balagan show that
night. Talked to Jeff S about it a bit while
I've always processed Plus X negative with undiluted D76 for 6 minutes @20
degrees C. I can't really speak to reducing contrast -- I haven't really
had that problem! Diluting the developer would reduce the contrast, it
seems, but then I can't recommend a time.
On Thu, September 11, 2014 9:09 am,
Evan Meaney is deeply involved with the digital glitch. Smart guy, good
artist, fine human being. Has not worked, as far as I know, with hollywood
western footage.
Some of Meaney's work uses his own home (VHS) "movies", making it
self-referential and medium-referential.
He teaches in South Car
NY but we are
trying to keep B&W Reversal going and at a high consistent quality.
I am part owner of the lab so if there are any questions I can address them at:
r...@cinelab.com
Robert Houllahan
www.lunarfilms.com
www.cinelab.com
SnApple meTelephone mangled.
> On Sep 23, 2014, at 4:17
After using PacLab for 10 or 12 years for all of my students reversal
processing, I switched to Cinelab, and have used Cinelab for 14 years.
Cinelab has been better than PacLab. Sent 'em 600 feet today.
Robert Harris
On Sep 23, 2014, at 4:43 PM, Robert Houllahan wrote:
> Pa
the way things were going, and it sure didn't sound like
there would be any more made!
I have the impression that it's gone forever. I'd love to be shown wrong!
--Robert
On Mon, September 29, 2014 11:40 am, 40 Frames wrote:
> I received my back ordered 7363 last week. Are othe
7302, black and white print stock, works well for photograms, and it's
orthochromatic like 7363. Big minimum quantity, but considering the way
things are going having a big supply laid away is not such a bad idea!
Sound track films are also appropriate -- is Kodak's 7378? Other
companies make th
8mm 16mm and 35mm film.
I am co owner of Cinelab and am available to answer any questions that might
arise.
Robert Houllahan
Film Maker
www.lunarfilms.com
http://www.vimeo.com/lunarfilms
http://robhoullahan.tumblr.com/
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Fra
The track is usually shot to a separate stock but with cyan tracks on 35mm it
seems possible to make another pass on the printer for the DolbySR and Digital
tracks.
I assume you want a single strand master to print from.
Robert Houllahan
www.lunarfilms.com
www.cinelab.com
SnApple
On Oct 2, 2014, at 12:10 AM, Chris G wrote:
> Hi Robert,
>
> Thank you for sending this information to the list. One HUGE question for me
> is how will Pac Lab handle all of the prepaid processing & transfer they sold
> with Ektachrome S8 and 16mm? Theoretically they hav
Like Jeff says: Rule/Boston Camera
www.rule.com
On Oct 17, 2014, at 7:04 PM, Jeff Kreines wrote:
> Rule/Boston Camera.
>
>
> On Oct 17, 2014, at 5:05 PM, Adam R. Levine wrote:
>
>>
>
> Jeff Kreines
> Kinetta
> j...@kinetta.com
> kinetta.com
>
>
> ___
re soon and we bought the newest of DuArt's Photomec film processors
which is now in New Bedford for 16mm & 35mm ECN
We are very friendly to students and work with allot of schools.
Robert Houllahan
VP - Colorist
HD-2K-3K-4K Data Scans
8mm-16mm-35mm Lab
www.cinelab.com
r...@cinelab
Hi everyone! OtherZine, the semi-annual 'zine of long-standing bastion of
experimental film, video, and performance in San Francisco’s Mission District,
OTHER CINEMA, is now accepting submissions for its nearing Issue #28!
Whether avant-garde or engagé, our emphasis is on the radical subjectivi
Crossroads: Avant-Garde film in Pittsburgh in the 1970s, by Robert Haller,
Anthology Film Archives, 2005
First Light: Abstract Light Forms, edited by Robert Haller, Anthology Film
Archives, 1998
-- R. Haller
From: Andy Ditzler
Reply-To: Experimental Film Discussion List
Date: Thu, 29 Jan
I spent one year (1970-71) of undergraduate studies at Sara Lawrence College.
Howard was then the “film tech/equipment guy” supporting the film production
program. The teacher was theatre director Wilford Leach (who directed the 1983
film version of Pirate of Penzance), a basically good man wh
Pacific Northwest Film Camp
June 20 - 28, 2015
Spend a week on beautiful Orcas Island, WA investigating celluloid film as a
physical medium, learning to make your own emulsion, exploring various
hand-processing techniques, and pushing the creative and aesthetic limits of
the handmade filmmaki
Pacific Northwest Film Camp
http://www.handmadefilm.org/classes/orcas/
June 20 - 28, 2015
Spend a week on beautiful Orcas Island, WA investigating celluloid film as a
physical medium, learning to make your own emulsion, exploring various
hand-processing techniques, and pushing the creative and
Dear Ben,
I have not talked to Stephnie for some years, but the last address is 7
Partridge Drive, Sag Harbor, NY 11963 -- Robert Haller
On 5/27/15 3:55 PM, "Ben Ogrodnik" wrote:
>Hello all,
>Long time lurker here. I wanted to ask if anyone might have contact
>informa
Dear F. Torres,
You should see my book Crossroads: Avant-Garde Film in Pittsburgh in the
1970s. Available from Anthology Film Archives for $15 (includes shipping).
-- Robert Haller
From: Francisco Torres
Reply-To: Experimental Film Discussion List
Date: Mon, 13 Jul 2015 13:33:29 -0400
To
Much of Aldo Tambellini’s early film work:
Black Is
Blackout
and others
On Aug 25, 2015, at 3:14 PM, Scott MacDonald wrote:
> Su Friedrich's GENTLY DOWN THE STREAM and THE TIES THAT BIND.
>
> Robert Huot's SCRATCH
>
> Diana Barrie's MAGIC EXPLAINED
>
What kind of films are these free films? Random footage? Archival art works?
Thanks,
Robert
WithersWorks.com
202 West 80th St. #5W
New York, NY 10024
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Re. Women writing about their film-making/autobiographies. See Flesh Into
Light by Robert Haller on Amy Greenfield, with extensive writing by
Greenfield on her films. Book is in print from University of Chicago Press.
-- R. Haller
From: George Robinson
Reply-To: Experimental Film Discussion
ned.
Of course there are the interesting Feminist Film Theorists: Laura Mulvey,
Kaja Silverman, Teresa de Lauretis, Barbara Creed
and Maya Deren:
Essential Deren: Collected Writings on Film Paperback – January 3, 2005
And Trinh T. Minh-ha of course, an accomplished filmmaker/essayist.
Cheer
Would you consider a donation to, say, Canyon Cinema or the Filmmakers Coop? Is
there any university who has a Whitney collection that would want to acquire
these?
Robert
WithersWorks.com
On Nov 9, 2015, at 7:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
>
> From: michael a
cal reader.
Any thoughts on available equipment to check out these 16mm sound optical
prints with least likelihood of scratching or damaging?
Many thanks,
Robert Withers
rob...@withersworks.com
WithersWorks.com
New York, NY 10024
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Patterns in a Mind's Eye: Seeing the Unnamable
Please join experimental filmmaker and composer Robert Schaller as he presents
a collection of short impressionistic works for film and live music that
explore the relationship of mind, body, and world. The program ranges from the
filmma
http://bplnow.boulderlibrary.org/event/2015-11-23/29061
There will be more up about the films on my website sometime after the show, at
www.robertschaller.org/film
--Robert
On Nov 20, 2015, at 11:34 AM, Steve Polta wrote:
> Hi Robert. I'd like more information on this screening. Is there a listing
She did it in a darkroom, I think she unloaded the film from a daylight spool
onto another daylight spool, used spacers and a spring clamp to hold the
tails-out HiCon and the tails-our TRI-X in place on the rewinds and spooled
those back, then ran it through the boles in dim light to help guide
thing and may last longer than me.
Is there any reason for a filmmaker to have a dedicated web page except perhaps
to sell things?
Thanks for any thoughts on this . . .
Cheers,
Robert
withe...@earthlink.net
WithersWorks.com
https://vimeo.com/robertwi
maker I know had this happen to color prints. Does anyone have
experience with or info about this phenomenon?
Thanks,
Robert
WithersWorks.com
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with three B/W separation negatives still
exists in China, where Technicolor sold it?
Or should we think of movies as an essentially ephemeral art, like dance, with
a life span similar to our own?
Cheers,
Robert Withers
WithersWorks.com
On Dec 19, 2015, at 7:00 AM, frameworks-requ...@jona
The “early cinema/early video” query is a good one, one that I’ve not seen
explored with much rigor.
Kleinhans’ question of “broadcast TV or portapak” is significant.
Early TV might have more in common with radio than with early film.
Early video (portapak) provoked, for some practitioners, se
Earth, Dovzhenko
On Jan 14, 2016, at 12:50 PM, Heath Iverson wrote:
> Any suggestions on avant-garde/experimental films that deal with any aspects
> of farming/gardening/plant or animal agriculture?
>
> A few examples might be Marjorie Keller's Answering Furrow or Lucien
> Castaing-Taylor's
n Lion and it's still working for her.
Good luck,
Robert
WithersWorks.com
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I'm not looking at the whole thread, but I have to recommend one of my
favorite films, Peter Rose's "The Man Who Could Not See Far Enough," which
has a whole segment of people watching a solar eclipse.
On Tue, February 9, 2016 11:15 am, graeme hogg wrote:
>
>
> Our recent 'Film That Buys The Cine
Hi Katherine!
It's certainly better if they don't freeze, to say the least! I've never
actually had film chemicals freeze, but I have noticed that solutions that are
concentrated, like black and white reversal clearing bath, tend to fall out of
solution when stored at 50°F, and that what falls
inters, optical sound recorders,
etc., that have been saved. Please contact Robert David, the owner of
Cinemalab, at 303 783 1020 or robert.da...@cinemalab.com for more information.
Meanwhile, Cinemalab continues it's digital mastering and film transfer work.
In a much smaller sp
Canon and
Sony camcorders
http://camcorderrepair.com/canon-GL2.htm--in Glendale, all camcorders including
Canon, Sony, Panasonic, JVC -- they quoted $150 repair without seeing the camera
Does anyone have experience with either of these or another?
Thanks,
Robert
212 873-1353 main
212 203-3048
typed,
well researched, program notes that we sent to living directors.
Michelangelo Antonioni liked what I wrote about him and sent me a letter of
approval. So did Carl Foreman and John Frankenheimer (years later I got to
spend time with Frankenheimer and Antonioni). --Robert A. Haller, Anthology
ons of guy who used to do bell and howell.
Gary and Jon…Jon is the projector guy.
Any other recommendations?
Thanks,
Robert
212 873-1353 main
212 203-3048 mobile
WithersWorks.com
202 West 80th St. #5W
New York, NY 10024
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Does anyone know where I might get a belt for an upright moviola?
Thanks!
--Robert Schaller
robert at robertschaller dod org
On Mar 28, 2016, at 1:15 PM, "Gravely, Brittany B"
wrote:
> Hello all,
>
> It doesn't seem like there are weekly screenings postings l
I can still hand-inspect film (and use a Moviscop viewer) for dirt, scratches,
splices, missing sections, etc., but can't tell if a print really looks and
sounds good.
Projectors? Viewers?
I imagine expensive scanners work well for picture, at least.
Thanks for any thoughts,
Robert Wi
Picked up from another list:
From: Rebecca Holte
Subject: Job posting: NYPL Media Preservation Assistant
Date: May 6, 2016 12:28:04 PM EDT
Please see nypl.org/careers for the the job listing and application process.
NYPL Media Preservation Assistant
Position Description:
Overview:
Located
Were Born For? Part 4
Mutiny (1982–83) Is This What You Were Born For? Part 2
Prefaces (1981) Is This What You Were Born For? Part 1
Robert Withers
(What's AG Film?)
On May 16, 2016, at 8:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
> From: lagonaboba
> Subject: [Frameworks]
fascinating and heartening to know that there are
disembodied consciousnesses out there that profess to care about something I
believe I care about. But this is no fun to type about abstractly.
So, I’m Robert Harris. I live in greater Boston. I teach filmmaking (actual
16mm bolex/arri filmmaking
lving Ernst Karel? (Leviathan, Sweetgrass….)
>
> https://sel.fas.harvard.edu/index.html
>
>
>
> Carl
>
>
>
>
>
>
>
> From: robert harris [mailto:lagonab...@gmail.com]
> Sent: Monday, May 16, 2016 1:43 PM
> To: Experimental Film Discussion List
Yes! The Accursed Mazurka. Thanks!
On May 16, 2016, at 4:24 PM, peter snowdon wrote:
> What I know of Nina Fonoroff's work has always struck me as a kind of model
> for a complexity in the sound track in which formal experimentation and
> meaningful polyphonies of language and discourse are i
good work about sound effects:
> http://www.pythagorasfilm.com/hacked-circuit.html
>
> Maybe Arthur Lipsett works are could be considered "deep sound design" films.
> They are collage sound works, as those created by Abigail Child year
y are supposedly clocking 48,000 Hz/second.
You probably have to spend a little more for a recorder with time code to get
perfect sync.
Robert Withers
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Had the Chinese invented cinema, might not the aspect ratio been something
along the lines of 3x11?
What if the Inuit had invented cinema, how would their sensibility have placed
edges?
bh
On Oct 21, 2011, at 12:24 PM, Tom Whiteside wrote:
> Rob’s brilliant question raises another point that
Dear Anna,
There are a few books on this subject, the best is one we published, William
Wees, Recyled Images. I think the price is $20. Order quickly, as our
supply of the books is running low. -- Robert Haller
On 11/17/11 8:28 AM, "Anna Briggs" wrote:
> Hello,
>
>
&g
und, and if we use
them they'll be here longer. If you're lucky enough to be near one that prints
on film, take advantage of that fact by adopting them as a part of your
practice! You might have to invest a little time and money on projects like
this, but I think it's worth it.
-
Dear Eleni,
Contact Martina Kudlacek . -- Robert Haller
On 12/8/11 10:52 AM, "eleni tranouli" wrote:
> Hello Frameworkers,
>
> i'm currently searching for books on Alexander Hammid and the czech
> avant-garde of the early 20th century in Paris and I stumbled
MIT's List Visual Arts Center recently held an exhibition of Otto Piene's work.
In conjunction there were numerous panels and screenings (though no Group Zero
public access episodes to my knowledge)
You might check the Nov. 17 listing on this calendar
http://listart.mit.edu/past_programs
J. Ketner
Re: Reg.8mm
The Bolex P-1 is a wonderful 8mm camera.
Biggest limitation is the fixed zoom lens. There are R8Bolex's in the P.
series that have interchangeable lenses.
Not having owned one, I don't know the quality of the lenses nor the current
availability.
The P1 is essentially a miniaturized
is Daichi in town for a while?
On Jan 17, 2012, at 11:17 PM, Mariya Nikiforova wrote:
[http://images.benchmarkemail.com/client78919/image474178.jpg]
Tuesday, January 24th, 2012
Breathing a Fatal Stillness
Screening of seven works by Daïchi Saïto, followed by a discussion with the
filmmaker!
http://dealbook.nytimes.com/2012/01/19/eastman-kodak-files-for-bankruptcy/?hp
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too late I know, but I have some new ones, if you're interested...
On Oct 25, 2011, at 1:08 PM, Bryan Konefsky wrote:
> Hi all - another reminder that Experiments in Cinema is
> still seeking submissions for our 7th annual April 2012
> festival... Our submission deadline is December 1 so don't
Passin' it On
http://www.docurama.com/docurama/passin-it-on/
Framing the Panthers in Black and White
http://www.vdb.org/node/1691
An important collective of political filmmakers. The group became Third World
Newsreel.
Newsreel Films
http://www.newsreel.us/
Regarding MOVE:
A 1978, portapak sho
Could you be more descriptive of what you mean by "direct-films" and what
qualifies? What you're looking for?
On Feb 25, 2012, at 11:11 AM, steve cossman wrote:
>
> Frameworker's,
>
> Good afternoon,
>
> I'm assembling a program of direct-films on 16mm made in the last 5 years to
> pre
Summer 2012 at the Handmade Film Institute
*NEW* Pacific Northwest Film Camp July 7 - 15, 2012
Spend a week on beautiful Orcas Island, WA investigating the physical
medium and chemical underpinnings of celluloid film, learning to make
your own emulsion, exploring hand processing techniques, and p
> http://vimeo.com/39068015
This is the first roll of Orwo we developed I shot it in my B&H Filmo with an
Angie 10mm on a bright day (yesterday) shot at an F8 between 24 to 48 fps.
-Rob-
VP Cinelab Inc.
Robert Houllahan
Film Maker
www.lunarfilms.com
http://www.vimeo.com/lun
neously? Whoa.
Don't tell the cops
I got the stock direct from www.orwona.com
-Rob-
VP Cinelab inc.
Robert Houllahan
Film Maker
www.lunarfilms.com
http://www.vimeo.com/lunarfilms
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http://vimeo.com/39300154
We ran this with a 0.66 Gamma and the same time and temp as we run Plus-X
Negative.
VP Cinelab Inc.
Robert Houllahan
Film Maker
www.lunarfilms.com
http://www.vimeo.com/lunarfilms
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On Mar 27, 2012, at 6:23 PM, Nicholas Kovats wrote:
> Very nice. Luminous!
It is really nice stock I am very impressed.
-Rob-
Robert Houllahan
Film Maker
www.lunarfilms.com
http://www.vimeo.com/lunarfilms
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Dear Bryan,
Please send us the catalog.
Anthology Film Archives
Attn Library
32 Second Avenue
New York, NY 10003
--Robert Haller
On 4/1/12 1:05 PM, "Bryan Konefsky" wrote:
> Hello everyone - As we have done in past years we would
like to continue to
> offer a copy of our
Cinelab inc.
www.cinelab.com
Robert Houllahan
Film Maker
www.lunarfilms.com
http://www.vimeo.com/lunarfilms
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Inc.
www.cinelab.com
Robert Houllahan
Film Maker
www.lunarfilms.com
http://www.vimeo.com/lunarfilms
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Taylor Reel makes S8mm reels and we have hundreds in stock at Cinelab if PacLab
does not have them, but they probably do.
Robert Houllahan Film
www.lunarfilms.com
www.cinelab.com
Mapple iTelephone sent
On May 17, 2012, at 10:43 AM, ev petrol wrote:
> howya folks
> looking for 400&
ay my text ranks
above any of the books of P. Adams Sitney or Robin Wood, or the multi-volume
set on D.W. Griffith, all of whom inspired me. -- Robert Haller
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Dear Frameworks,
Re. films about or evocative of physics or astronomy. Jim Davis¹s films are
suggestive of cosmic genesis, plasma energy, or ³liquid² light, with waves
of color. Especially Color Dances (1952), Becoming (1955), Energies (1957),
Impulses (1959). For more on Davis and his often abst
ed to any
lower res format easily.
Robert Houllahan Film
www.lunarfilms.com
www.cinelab.com
Mapple iTelephone sent
On Jun 24, 2012, at 7:12 PM, David Tetzlaff wrote:
>> If you're looking for a cheap way to make acceptable-grade copies of
>> films, consider one of the Elmo film
Only some of the Tri-X cat numbers like the high speed pitch got discontinued
and I think odd loads like the 50' spools for High Speed.
Robert Houllahan Film
www.lunarfilms.com
www.cinelab.com
Mapple iTelephone sent
On Jul 17, 2012, at 7:15 PM, Jay Hudson wrote:
> I saw it
Orwo 54 is a nice reversal although it is 80iso
Rob
Robert Houllahan Film
www.lunarfilms.com
www.cinelab.com
Mapple iTelephone sent
On Jul 17, 2012, at 7:46 PM, Scott Dorsey wrote:
> Looks to me like they just discontinued double perf and the high speed
> camera loads. 1R is still
I shot the 54 stock for tests as both neg and rev and shot the 400 as a push-1
and as normal but did not shoot the 400 as a reversal test but maybe I will do
that this week.
Robert Houllahan Film
www.lunarfilms.com
www.cinelab.com
Mapple iTelephone sent
On Jul 17, 2012, at 8:33 PM, Scott
in day to day and it does
eat machinery.
We have also developed 8mm for 1/2 of the celebrities cited.
Robert Houllahan Film
www.lunarfilms.com
www.cinelab.com
Mapple iTelephone sent
On Aug 24, 2012, at 6:17 PM, m...@spaz.org wrote:
>
> "Well I develop film for Spike Lee and Martin
It hard to run a film lab. Mistakes get made.
Robert Houllahan Film
www.lunarfilms.com
www.cinelab.com
Mapple iTelephone sent
On Aug 24, 2012, at 10:04 PM, op wrote:
> I've always found them to be nice people.
>
> Owen
>
>
>
>
>
> On Aug 24, 2012,
Seems like the first smart thing I've heard Kodak do in a long time...
On Aug 28, 2012, at 2:53 AM, Pip Chodorov wrote:
> Kodak announces 'asset protection' cinema film, thumbs nose at your digital
> movie collection
> ENGADGET | AUGUST 27, 2012
> http://pulse.me/s/cGnKt
>
>
> Kodak may not
Does anyone have a stepper motor for the Bolex that they would sell or part
with? All I really need is the motor and mounting hardware onto the Bolex.
If you want to rid yourself of such a thing, please contact me off-list at
robertATrobertschallerDOTorg.
Thanks!
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OR (WITH BLUE
FLIGHT CASE)
1
EIKI
EX-4000P
OPERATIONAL
USED
Robert Hodkin Mad Hatter StudiosLos Angeles(323) 479 5067robe...@madhatterstudios.orgSkype: robert.hodkin
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Note that the domain name in this case is NOT msnbc.msn.com, as it might seem
to be, but com-local8.us
msnbc.msn.com is just a subdomain at that site
Spammers will do anything to get your click. Sorry to see that they've
infiltrated frameworks, too!
On Nov 13, 2012, at 9:57 AM, Bryan McManus
Solarization (Sabatier) is a first-developer thing, because it effects how the
image is formed from the latent image by the developer. The second developer
pretty much develops everything that's left on the film, so solarization in the
second developer shouldn't do much. Then again, I never u
Dear tony,
My phone is 212-505-5181, ex 12. Is Jerry back from Singapore? --Robert
Haller
On 11/4/12 3:05 PM, "Tony Conrad" wrote:
> Hi Rob--
Been thinking of you, and misplaced your phone number...or
> how about skype?
t0ny
tonyconrad000
Hi,I am resending my list of equipment that my studio is selling down. Please find below a list of what we have. This includes items such as optical printers, panel printers, projectors, telecine equipment, splicers and more. Please let me know if you have any interest in anything, and if you could
ak
D19 powder. This is by far the easiest thing to do! I checked some to Jamaica
a couple of years ago, and it was fine. What are your limitations?
-Robert
On Dec 10, 2012, at 2:34 PM, Echo Park Film Center wrote:
> Hello there.
>
> My name is Paolo Davanzo and I work at the Ec
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