Ms. 266 has a really crazy Aquila ricercar, No 25 (f. 24v), which starts
at the lowest course and goes up to 7/h. It's also a senza canto ricercar.
Has anyone played this beast?...
Am 30.01.2018 um 16:46 schrieb Wolfgang Wiehe:
a nice example for tone colour (echo) in higher register is:
So what is the difference to what I meant, other than that there are
more notes shifted to a different course?
It is clearly the same effect - same notes on different courses, albeit
a little smaller in size?
how is this not a tone colour echo?
r___a|r|__f_d
d___c|d___f|h___f
_|d_f_h|i
a
2. daa
3 b
2 d
.b
B
e
On 30.01.2018 14:22, Tristan von Neumann wrote:
If what you describe is what I think it is, then I love tone color
echoes!
Check out:
Milán Fantasia 35 - m. 125-130
and from Siena folio 21
m. 40-44
I have seen this in many other pieces, when I find some I&
If what you describe is what I think it is, then I love tone color echoes!
Check out:
Milán Fantasia 35 - m. 125-130
and from Siena folio 21
m. 40-44
I have seen this in many other pieces, when I find some I'll post it here.
Am 30.01.2018 um 11:42 schrieb Rainer:
Dear lute netters,
I may
Because of the constant clinging to weird units,
we already lost an expensive Mars probe :)
Am 29.01.2018 um 12:55 schrieb Christopher Stetson:
And, to continue Monica's thoughts, the change Rainer is speaking of
took place long before there were any standards for teachers at all.
i
are
likewise very interested in free tabbies.
__
From: [4]lute-...@cs.dartmouth.edu <[5]lute-...@cs.dartmouth.edu>
on behalf
of Tristan von Neumann <[6]tristanvonneum...@gmx.de&g
Also, is cat gut best, and how can I convince my cat?
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
ur Ness
arthurjn...@verizon.net
-Original Message-
From: Tristan von Neumann
To: Ron Andrico ; Arthur Ness
; lute
Sent: Thu, Jan 25, 2018 10:48 am
Subject: Re: [LUTE] Re: Mystery Pieces of the Siena Manuscript
Thank you Ron and Arthur for this enlightening discussion.
It seems Victor has
: Re: [LUTE] Re: Mystery Pieces of the Siena Manuscript
Hi Ron,
I need to reply to your comment and will do so tomorrow, since today
has been a bit busy for me.
The thrust of Victor's comments are bizarre and I think you don't
understand what he's saying.
He
Thank you Antonio!
This compilation is great - and this is why it's important to have some
people on the list who actually live in Spanish repertoire.
It seems pictures don't actually tell more than a thousand words.
At least if they are not photographs :)
Maybe the 12th fake peg is just for C
This is a pretty difficult question, but I'd like to hear some thoughts.
As you might know there are people more or less on the synaesthetic side.
Such perception is no doubt to be looked for in Early Music too.
The Lute is also an instrument that furthers synaesthetics, due to the
fine colors p
it was an older brother's book.
Cavalcanti is a famous Italian family. I have a grand niece from
Sicily who lives on Via Cavalcanti in Florence.
Arthur Ness
arthurjn...@verizon.net
-Original Message-----
From: Tristan von Neumann
To: lutelist Net
Sent: Su
ature that is upside down. Oh well. . . .
ajn
-Original Message-
From: Tristan von Neumann
To: lutelist Net
Sent: Sat, Jan 20, 2018 12:56 pm
Subject: [LUTE] Re: Cavalcanti
Dude, you know, everything is upside down? It's just very unintuitive
for me if the notes go up, Italian tabs
Here's one chromatic Pavan by William Corkine, very beautiful.
Ayres to sing and play, v.1 (1610), f.e1va
http://gerbode.net/sources/Corkine/v_1_1610/lute/pdf/14_pavane_lute.pdf
William Corkine seems to have quite a unique style, unlike everything I
have tried to play yet.
This other Pavan b
-- you can read Italian tab🤔🤔🤓
Sterling
Sent from my Verizon, Samsung Galaxy smartphone
Original message
From: Tristan von Neumann
Date: 1/20/18 6:15 AM (GMT-07:00)
To: lutelist Net
Subject: [LUTE] Cavalcanti
Just curious: Is the
Just curious: Is there a French tab transcription of the Cavalcanti Lute
Book? Is there a facsimile somewhere on the net?...
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Just now came to my attention a rather rare event:
Obviously last Thursday there was an Early Music Jam Session
at "Morrison's Traditional Irish Pub" in Leipzig, Saxony, Germany.
It was "#2", so I guess this is a series of events :)
Sadly, I'm from Hamburg, but maybe some players of various ins
Since gut is the intestines of a living, breathing being, it is
certainly exposed to some environmental or dietary change.
I am sure the key lies in the diet of the animals.
Maybe they aren't allowed to graze any more on lush meadows so their gut
crumbles...
While looking for alternatives (I'
I just looked, it's a transposed version of the Gostena Fantasy 25.
Sounds good though.
Am 19.01.2018 um 21:10 schrieb Alain Veylit:
Goran,
I think you could add: Fantasia Diomedes - [Cherbury lute book fol.
38/1] to that list. Apologies if this was already in your list.
http://fandango.mus
That's funny. I played just today from the Cherbury Book (and failed
mostly, these pieces are quite tricky). I didn't get to this piece.
Thanks! I had looked at it once, but didn't remember.
One question:
What do you people consider "chromatic"? Do you mean with a chromatic
theme or just with
aracteristic of music for the guitar
technically and stylistically. That's why dopo il 1650.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Tristan von Neumann
Gesendet: Donnerstag, 18. Januar 2018 19:47
An: lutelis
-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Tristan von Neumann
Gesendet: Donnerstag, 18. Januar 2018 11:55
An: lutelist Net
Betreff: [LUTE] Re: I'm confused.
To me, everything in Doni seems pretty old school even for 1640.
The minuet seems by the same hand and is in th
n an older style (mano A), and additions in a
younger style (mano B, after 1650), like mutanze, ceccone etc. The minuet is
mano B. Read Dinko Fabris's preface in the S.P.E.S. edition.
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu]
To me, everything in Doni seems pretty old school even for 1640.
The minuet seems by the same hand and is in the middle of the page
between "Ballo di Matova" (very oldschool) and a simple ciacona.
Also, this is just halfway through the manuscript.
http://gerbode.net/facsimiles/doni_lute_book/033
_
SEICENTO-Notenversand
Rainer Luckhardt
Holbeinstrasse 12
D-79312 Emmendingen
Tel. ++49/(0)7641 - 932803
Internet: [4]www.seicentomusic.de
Am 17.01.2018 um 20:48 schrieb Tristan von Neumann:
..why is there a Minuet in Doni's Lutebook?
[5]http://gerbode.net/facsimiles/doni_lu
d to the French court by Lully around 1673 but
that doesn't mean it didn't exist beforehand (Doni's manuscript was
probably completed about 30 years earlier).
Best,
Matthew
On 17/01/2018 20:48, Tristan von Neumann wrote:
..why is there a Minuet in Doni's Lutebook?
http://g
..why is there a Minuet in Doni's Lutebook?
http://gerbode.net/facsimiles/doni_lute_book/033.png
This dance shouldn't be popular until years later.
Any other very early minuets you know of?
Curiously,
Tristan
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wb
1]http://people.bu.edu/blues/acad_pub.html
RA
__
From: lute-...@cs.dartmouth.edu on behalf
of Tristan von Neumann
Sent: Tuesday, January 16, 2018 2:36 PM
To: lutelist Net
Subject: [LUTE] Mystery Pieces of the Siena Man
I think I have hinted at this a while ago.
Still one of my absolute favourites so far, I'm puzzled about the
anonymous ricercars of the Siena Ms..
The groups seem by the same composer (though I know style analysis
never proves anything), and I notice a strange "cut & paste & modify"
technique
Most helpful! Thanks!
Am 13.01.2018 um 03:58 schrieb Kenneth M Berry:
I printed it. Hit the print icon and put 1-57 in for pages and click the box
under the pages box to open a paper size dialog to select letter size and then
click the right side button at the bottom. Finally, save as pdf in
Does anyone have an email address of Andrew Atkinson who built a lute
with ancient tech? Maybe he's on the list?
I would like to ask him some questions on ancient lute making.
Thank you!
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
RA
__
From: lute-...@cs.dartmouth.edu on behalf
of Tristan von Neumann
Sent: Monday, January 8, 2018 12:28 PM
To: lutelist Net
Subject: [LUTE] Short Tongue-in-cheek lecture about the Theorbo
If you need a funny video to expla
If you need a funny video to explain to someone what a theorbo is, this
cetainly serves the purpose. :)
https://www.youtube.com/watch?v=rsypbHFR5_E
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
d balloon.
Classical guitar was better received.
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Jan 4, 2018, at 2:38 PM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
My proposition would be the following:
Assem
My proposition would be the following:
Assemble a team: three lutists minimum!
If possible, add recorders, Renaissance guitar, cittern etc., a dulcian
and a trombone, and for the sake of beats some Renaissance percussion.
If you have a portable organ, get it on stage.
Go to your local jazz clu
<[1]landesro...@gmail.com>
wrote:
Tristan von Neumann:
Was this message meant to be private? If it was then you owe all the
members of this list an apology. But if you intended it to go to the
entire list you should be banished by the the list administrators.
Roger
making ensemble music.
Wish us luck.
RA
__
From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu> on
behalf
of Tristan von Neumann <[4]tristanvonneum...@gmx.de>
Sent: Wednesday, January 3, 2018 1:41 PM
To: lutelist Net
Subject: [LU
-...@cs.dartmouth.edu] On Behalf Of
Tristan von Neumann
Sent: Wednesday, January 3, 2018 6:07 PM
To: lutelist Net
Subject: [LUTE] Re: Early Music life
Wow! Seattle seems to really have something, I'm always amazed how much cool
stuff comes from there.
Am 03.01.2018 um 19:23 schrieb guy_and_liz Smith:
Pa
On 1/4/2018 3:02 AM, Tristan von Neumann wrote:
So speaking the truth is not welcome in your opinion?
I didn't expect the Spanish Inquisition... oh wait. The irony writing
this in a forum of 16th century enthusiasts...
What is your problem exactly? Have you no honor? Normally, one would
Kafka fan?
If it is about political discussion not being welcome in this forum, you
should blame Dr. Mardinly, who started it.
Am 04.01.2018 um 03:25 schrieb Roger Landes:
Tristan von Neumann:
Was this message meant to be private? If it was then you owe all the
members of this list an ap
g ensemble music.
Wish us luck.
RA
__
From: [2]lute-...@cs.dartmouth.edu <[3]lute-...@cs.dartmouth.edu> on
behalf
of Tristan von Neumann <[4]tristanvonneum...@gmx.de>
Sent: Wednesday
d, which is far enough from Seattle (and
on the wrong side of Puget Sound, to boot) to get to any of them.
Guy
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf Of
Bruno Cognyl-Fournier
Sent: Wednesday, January 3, 2018 10:08 AM
To: Tristan
Cheers,
Samuel J. Lawson
On Wed, 3 Jan 2018, Tristan von Neumann wrote:
Date: Wed, 3 Jan 2018 14:41:57 +0100
From: Tristan von Neumann <[2][4]tristanvonneum...@gmx.de>
To: lutelist Net <[3][5]lute@cs.dartmouth.edu>
Subje
ts.
Cheers,
Samuel J. Lawson
On Wed, 3 Jan 2018, Tristan von Neumann wrote:
Date: Wed, 3 Jan 2018 14:41:57 +0100
From: Tristan von Neumann <[2]tristanvonneum...@gmx.de>
To: lutelist Net <[3]lute@cs.dartmouth.edu>
Subject: [LUTE] Early Music life
H
context.
RA
__
From: lute-...@cs.dartmouth.edu on behalf
of Tristan von Neumann
Sent: Wednesday, January 3, 2018 1:41 PM
To: lutelist Net
Subject: [LUTE] Early Music life
Happy New Year to all who are on the European calendar.
Here'
Happy New Year to all who are on the European calendar.
Here's one question - is there any noticeable Early Music life going on
in your neighborhood, besides the 19th/20th century concert context
(which I always find a bit awkward)?
Ever heard of a bar where there are Early Music jam session
Probably thousands of gamers had contact with Lute Song due to this
scene in "Witcher 3".
https://www.youtube.com/watch?v=2YAITI_np_M
leading to at least one cover version by this young guy who might even
have bought his lute because of the game.
https://www.youtube.com/watch?v=BkRd_OmsJKk
Maybe it's my personal taste, but having worked with an Early Baroque
group at one time taught me something.
It consisted of Recorder, Violin, Viola da Gamba, Dulcian,
Theorbo/Guitar, Harpsichord and a big Double Bass.
Mostly the dulcian played with the Basso Continuo except for select sonatas.
tone more suitable to the human voice than the guitar (in my
opinion).
I'm not sure if all these are enough to tackle the above problems.
On Dec 23, 2017 02:08, "Tristan von Neumann"
<[1]tristanvonneum...@gmx.de> wrote:
This is
This is probably too pessimistic, for reasons I will now try to explain
I hope in a deeper look at today's music.
Of course this is just an educated guess, not a prophecy, and more of an
encouragement. The Lutists ultimately set the course. (oh no - back in
the pundaemonium...)
1. The audien
Not exactly "new", but modern:
Charles Tournemire requests a lute in his 8th Symphony (1924) :)
Not a piece you can play with your friends though, except if you are
friends with a Philharmonic Orchestra...
Am 22.12.2017 um 12:23 schrieb Jim Dunn:
As the lute becomes slowly more popular, I
If you count madrigals:
Marenzio's "Venuta era Madonna"
from
Donaueschingen Lute Book Vol. 3 f.31v
some fancy chord progressions for sure.
Am 19.12.2017 um 23:37 schrieb G. C.:
A quick online archive search also gives a. o. some partial chromatic
pieces:
15. Peter Philips Galliard
Let's add Michelagnolo Galilei Corrente 16 (slightly chromatic)
and the other chromatic Gostena Fantasy is No. 7.
(a really nice one indeed, and not as difficult as others in the collection)
Am 19.12.2017 um 21:37 schrieb G. C.:
So, to summarize, the quest for a list of chromatic works
Also Spinacino's Ricercar 17 from Volume 1.
It's not chromatic per se, but cadences on 12 tones are quite impressive.
Am 16.12.2017 um 22:06 schrieb G. C.:
I imagine there is not a great number of chromatic lute pieces
available. Dowland and Aegidius come to mind, as well as the Phillip
"No, let chromatic tunes"
Really. No kidding.
Am 17.12.2017 um 01:09 schrieb G. C.:
Dear Jelma,
which ones?
G.
On Sun, Dec 17, 2017 at 12:44 AM, Jelma van Amersfoort
<[1]jel...@gmail.com> wrote:
There are very chromatic lute songs by John Danyel.
Jelma
--
R
I can't find it right now, but one other Gostena Fantasy has some
chromatic steps.
Also, Gregorius Howet has one with a slightly chromatic theme.
In the Donaueschingen Lutebook there are some madrigal intavolations
with more extravagant harmonies.
Am 16.12.2017 um 22:29 schrieb Miles Dempste
I like Kapsberger and Piccinini, and Michelagnolo Galilei.
Those pieces are ok to play, but most French stuff just doesn't sound
right to me without the deeper register...
Am 15.12.2017 um 02:28 schrieb G. C.:
>Unfortunately, 7 courses don't take you very far.
Even if you should only
poised, quite deep in its simplicity IIMSS, in spite of its
formulaeicity :)
G.
On Thu, Dec 14, 2017 at 8:24 PM, Matthew Daillie
<[1]dail...@club-internet.fr> wrote:
On 14/12/2017 19:32, Tristan von Neumann wrote:
True, but compared to earlier styles, these s
True, but compared to earlier styles, these seem kind of skinny, also
oftentimes formulaic. (I love Froberger though, I used to play some of
his fugues on my piano.)
But this is surely different in different countries... in Germany at
least colorful Venetian Style vocal and instrumental music
The complaint is surely understandable...
Coming from lush madrigals of the likes of Marenzio and earlier
Monteverdi the music of the 1620s sure look like a monodic desert.
Am 14.12.2017 um 15:43 schrieb Jean-Marie Poirier:
Georges, Walsh Stuart did it before I could do anything !
The end o
Am 14.12.2017 um 12:49 schrieb WALSH STUART:
> Google translate is amazing: translations between many different
> languages. And it's free...insofar as anything from google is free.. a
> lure into a google-dominated world.
It's not so amazing. It could be much better.
Google translate runs every
Here's a few scenarios:
- The musician had to sell his luxury car for a small one, but the lute
did not fit into the baggage compartment.
- The musician had to downsize his apartment, now living in a small room
under the roof the lute was too long for the low ceiling.
- the musician had a very
The book "The Lute in Europe 2" states that though the German Lute was
indeed played by Early Hippies (aka Wandervogel), it wasn't the
instrument taken into the wilderness. For that purpose, there was the
Wandervogel-Guitar (I think this is the "Klampfe" that inspired the
common word for cheap
-Original-Nachricht-----
Betreff: [LUTE] Stringing Question (German Lute)
Datum: 2017-11-30T19:58:23+0100
Von: "Tristan von Neumann"
An: "lutelist Net"
Hi there,
I'm currently repairing my old German Lute (6x1, 62cm), previously
decorative only. Some ribs have come apart. I
.. don't laugh, but I'd like to play the Game of Thrones theme...
Does anyone have a nice intabulation? :)
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
ormer discovery.
G.
On Thu, Dec 7, 2017 at 1:15 AM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
THanks G.,
I own the Poulton Lute Book, also I browse regularly through Sarge
Gerbode's site. I have harvested literally 1000s of pieces now...
But you never
THanks G.,
I own the Poulton Lute Book, also I browse regularly through Sarge
Gerbode's site. I have harvested literally 1000s of pieces now...
But you never know what's out there, so that's why I asked, and also to
see what people think is on the easy to intermediate side.
Hans Neusiedler is r
Another special instrument question:
I have a German Mandolin (4x2, 33cm, those folksy ones with nacre
butterfly on the soundhole) which I once bought as a cittern-like
substitute.
What would be a good tuning to play for someone inexperienced, for
example to learn 3 chords easily and accompany
le more on the challenging side, but not so much as Melchior
Neusidler.
Carry on,
Eugene
-Original Message-
From: [1]lute-...@cs.dartmouth.edu
[[2]mailto:lute-...@cs.dartmouth.edu] On Behalf Of Tristan von Neumann
Sent: Monday, December 04, 2017 3:18 PM
To:
Here's a poll for Renaissance Lutists -
what do you consider most rewarding to play in terms of playability
combined with beauty?
So far, I love Francesco da Milano and most anonymous pieces from the
Siena Ms., they never get tiresome and lie gently on the hands.
Also Hans Neusiedler and Luis
oachim Lüdtke
Blumenstraße 20
D-90762 Fürth
Tel.: 0911 / 976 45 20
Mail: jo.lued...@t-online.de
Mitglied im Verband der freien Lektorinnen und Lektoren
www.vfll.de
www.lektoren.de/profil/joachim-luedtke
-Original-Nachricht-
Betreff: [LUTE] Stringing Question (German Lute)
Datum: 2
relation to baroque
or renaissance lutes.
http://www.classicalguitardelcamp.com/viewtopic.php?t=86444#p929532
Bruno
2017-11-30 13:57 GMT-05:00 Tristan von Neumann <mailto:tristanvonneum...@gmx.de>>:
Hi there,
I'm currently repairing my old German Lute (6x1, 62cm), previously
Hi there,
I'm currently repairing my old German Lute (6x1, 62cm), previously
decorative only. Some ribs have come apart. I managed one connection
already.
I noticed that it has very thin ribs (about 1-1.5mm), however the
soundboard is quite thick judging at the rose (about 4-5mm).
There is one
Hi Sterling,
this is pretty normal for me too, though it shouldn't be... :)
Whenever I play a new piece, I try to get into the mood and play it like
it should be played - no matter how bad I f. u. on the road.
Surprisingly, this first time is often much better than when I play it
more slowly se
I beg to differ - James Corbett is all but right wing.
If anything, he's an anarcho-libertarian, and splitting society into
wings is one thing he despises most...
I have been following him for the last 12 years or so and his research
is well done, albeit uncomfortable.
He's also connected to
Am 11.11.2017 um 18:51 schrieb Alain Veylit:
Anyone with a good ending for: A lute walks into a bar
...?
How about those:
A lute walks into a bar: "I'll have a large beer please. No mug, I have
a bowl."
A lute walks into a bar. The barkeeper: "Why all those frets?"
A lute walks into a ba
e.pdf
On 01.11.2017 16:00, Tristan von Neumann wrote:
Ĥello Lutists,
I'd love to print and bind my own Capirola Facsimile (I neither like
black and white or double pages...).
Unfortunately I couldn't find the original measurements.
Is there any information out there about the act
Ĥello Lutists,
I'd love to print and bind my own Capirola Facsimile (I neither like
black and white or double pages...).
Unfortunately I couldn't find the original measurements.
Is there any information out there about the actual size of the book(let)?
Many thanks,
Tristan
To get on or off
, whose density
is higher than tynex is useless like musical string. Nylgut density is 1.35;
pvdf (so called carbon ) is 1.78. These values are the correct ones.
Take care
Mimmo
Il giorno 31 ott 2017, alle ore 21:05, Tristan von Neumann
ha scritto:
Let's talk numbers here.
Nylon is 1140
s!
Dan
On 10/31/2017 11:21 AM, Tristan von Neumann wrote:
It's much less dense than Fluorocarbon.
And only a little less dense than actual gut or nylgut. You will end
up with similar, just a bit thicker diameters than those.
Careful: They take a long time to settle (more than a week).
Am
ed to as "Carbon" or "Flourocarbon"- the KF (in gauges up
to.91) made by Savarez?
Dan
On 10/31/2017 6:55 AM, Tristan von Neumann wrote:
Hello Lutist "cheapskates",
I just got the information from the factory who produce KastKing
Hello Lutist "cheapskates",
I just got the information from the factory who produce KastKing
Durablend fishing line (available in 0.4-1.4mm) - specific weight is
1150 kg/m³ so it's a bit more dense than usual Nylon.
So if there's anyone out there needing a cheap string replacement and
don't li
Am 07.10.2017 um 20:10 schrieb Gary Boye:
That's the main problem with the Spinacino: there's very
little else to compare his works to . . .
When I was playing Spinacino I found he most compared to the Capirola
style, especially in the Ricercars (but not so much to the
contemporaries Da
This seems to be a difficult topic... I'll try to "put my mustard to it"
as we Germans say...
As an amateur playing a 7c. lute for a good two years now, I can say the
following:
I started playing the lute because of the beautifully balanced music I
love so much which gives me a peace of mind. It
I tried the demo, but it crashes frequently.
A linux port would be highly welcome.
Am 29.09.2017 um 03:04 schrieb Alain Veylit:
Does it run with WINE?
On 09/28/2017 08:50 AM, theoj89...@new-old-mail.cs.dartmouth.edu wrote:
I run several several Windows-native programs on my mac seamlessly
Hello Lutists,
playing through Sarge Gerbode's recently published French tabs of
Galilei, I was very surprised about this piece:
http://gerbode.net/sources/vgalilei/libro_d_intavolatura_di_liuto_1584/v4/pdf/21_untitled.pdf
which seems to be some weird precursor to Dowland's "Can she excuse".
OMG! Where do all these Lute sites come from??
Google seems to be only half as good when you need lute resources...
Thanks David! I'm even more glad that I joined.
Am 12.09.2017 um 02:36 schrieb David Smith:
It is now posted at: http://www.dolcesfogato.com/Music/
David
-Original Message
I'm glad I joined in time. *scnr*
Can someone objectively explain the "bone of contention" to me please,
so I can lean back with a bucket of popcorn? :)
Am 11.09.2017 um 16:50 schrieb G. C.:
Well, one little flame war every 25 years or so is not too bad! :)
--
To get on or off thi
Hey Ron, David,
it's not only early music... if you're into contemporary music, it's the
same.
For early music I have one advice: go practice in the park, if possible.
I do, and though I am but an amateur looking for some good time with
other musicians, there's feedback everytime. Might boost
Sting raised at least my interest in the Lute.
Mainly because of Karamazov, but still.
It also led to "Singer-Songwriter Time Travels",
a series of concerts where contemporary singer-songwriters
were covering old Lute songs or similar Early Music.
This worked surprisingly well.
Am 07.09.2017 um
Congrats. This should result in a Lute frenzy. :)
Am 07.09.2017 um 15:40 schrieb spiffys84121:
In July I was asked by Disney to appear in an episode of the show Andi
Mack. They needed a lute player for a big Ren Faire scene. I
wascontracted to play the Gianoncelli Bergamesca on cam
How about "A Serious Man"? :)
https://elkjerkyforthesoul.files.wordpress.com/2011/11/mathematics6.jpg
Am 06.09.2017 um 21:34 schrieb Rainer:
Of course, this doesn't matter for non-mathematicians (or physicists).
Rainer
OF course, I am a mathematician :)
To get on or off this list see l
Thank you, that was a pretty convincing explanation.
And also very sad...
Am 06.09.2017 um 19:24 schrieb Ron Andrico:
>Movies mess up the music and/or historical facts nearly all the
time...
I wonder why that is? - on behalf of Tristan von Neumann
In my experience, f
a fantasy movie.
Am 06.09.2017 um 18:25 schrieb Rainer:
On 06.09.2017 18:07, Tristan von Neumann wrote:
Which is everyone's favourite Period Movie when it comes to well
placed authentic music?
https://www.youtube.com/watch?v=LTwkQEHBUQk
To get on or off this list see list info
pronunciation. Wouldn't it be wonderful to experience the
Canterbury Tales visually whilst hearing the original Middle English?
On Sep 6, 2017 19:08, "Tristan von Neumann"
<[1]tristanvonneum...@gmx.de> wrote:
To get on or off this list see list information at
http://www.
Hello Rainer, and fellow cinephile Lutists,
This is a long standing topic of mine...
Movies mess up the music and/or historical facts nearly all the time...
I wonder why that is? There's really good and authentic music for almost
all purposes available, yet the makers choose some pseudo historic
Sorry, I thought I could attach the jpg.
It didn't go through.
Lack of example does however not invalidate the question :)
Am 02.09.2017 um 15:30 schrieb adS:
On 02.09.2017 15:18, Tristan von Neumann wrote:
I meant this probably early version from the Lute manuscript in
Nuremberg.
W
A Frenche".
Best wishes,
Rainer
On 02.09.2017 04:52, Tristan von Neumann wrote:
Hello Lutists,
why is it that when playing dance music, it always sounds more like
chillout music than actual dance music? Exaggerating here, but still.
Certainly, dances must have been played by one lutist for som
Hello Lutists,
why is it that when playing dance music, it always sounds more like
chillout music than actual dance music? Exaggerating here, but still.
Certainly, dances must have been played by one lutist for some dancers,
especially outdoors.
I realized that for example this "Ballet du Roy" (ne
Thank you Rainer!
I'll have a look. Have you any additional information about the date?
I can't read Italian tabs, it's so counterintuitive. The notes go up,
but the symbols go down. I cannot get used to it...
But I'll set it in French soon and post it.
Are you allowed to send pdf via the list?
401 - 500 of 515 matches
Mail list logo
