; or in
terrorist activities; or genocide
Rob Studdert
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or precision ground glass surfaces are better and have
predictable longevity but are expensive to produce.
Cheers,
Rob Studdert
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On 20 Nov 2002 at 21:16, Kevin Waterson wrote:
On Wed, 20 Nov 2002 19:49:09 +1000
Rob Studdert [EMAIL PROTECTED] wrote:
Why don't you give us the slightest hint as to what you require so that
someone that knows of a suitable lens can make a suggestion?
Ideally a 135mm 1.4
OK that's
in Leica M
mount but the last one I saw sold for over US$20,000. I don't know if anyone
has made such a fast lens in 135mm FL, maybe it's extremely impractical?
Cheers,
Rob Studdert
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90/1 lenses made in the ELCAN factory in Leica M
mount but the last one I saw sold for over US$20,000. I don't know if anyone
has made such a fast lens in 135mm FL, maybe it's extremely impractical?
http://www.abex.co.uk/sales/optical/fast_lenses/canon_90f1/item.htm
Cheers,
Rob Studdert
On 20 Nov 2002 at 8:03, Mark Roberts wrote:
OK, here's a related question:
Anyone know of a good shop that'll do lens *modifications*? I'd love to get the
4 built-in filters in my 25mm f3.5 changed to a more useful (to me) selection.
Me too, 80 series blue filter and a FL-W perhaps :-)
Rob
) you learn to listen to many posters
opinions, they are often far more valuable than any published review or
independent MTF tests. IOW the closest thing to hands on testing with out the
feel of cold metal VBG in your hands.
Cheers,
Rob Studdert
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then down to relativity regardless of the colours that each of us see in
our heads. Most people with non-colour impaired vision can match colour
swatches. Maybe the colours that we see in out heads account for the
differential between what different people see as harmonious colours?
Rob Studdert
this:
http://www.robertstech.com/temp/7d205009.jpg
Here's the only definitely-non-macro shot:
http://www.robertstech.com/temp/7d205101.jpg
Whoa where'd all that purple come from in the second shot?
Still can't send to you directly from any of my accounts :-(
Cheers,
Rob Studdert
HURSTVILLE
the new LX grip, I suspect too that given the price that the last one raised
there won't be many of these in existence :-(:
http://www.home.aone.net.au/audiobias/grips.html
Cheers,
Rob Studdert (eBay ID: distudio)
PO Box 701
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AUSTRALIA
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doesn't align its production with certain manufacturers (or
technologies?) then they may adopt CMOS imaging technology.
This would be a great move as from what I have read of CMOS imager
specification sheets they don't suffer light fall off at the edges so badly.
Cheers,
Rob Studdert
HURSTVILLE
worth the effort.
Cheers,
Rob Studdert
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is the logic in that?
Rob Studdert
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new electronics to
an existing, complex and reliable electro-mechanical chassis?
Cheers,
Rob Studdert
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mechanical sub-chassis
in the first place just as Fuji and Kodak did :-(
Cheers,
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can't seem to arrive at the same conclusion as yourself. What 50mm
post screw lenses do you own?
Cheers,
Rob Studdert
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the little screen post pic, a
real pain.
Rob Studdert
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to use a lens cap as shutter.
Rob Studdert
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.
Sounds just what I expected, Ultra 50 was the Velvia of print films, a good
special purpose tool.
Cheers,
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say that their aggregate score is misleading.
Cheers,
Rob Studdert
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).
So my question is are there certain lenses that seem more difficult to focus
for you when using a full matt screen?
Cheers,
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,
Rob Studdert
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an LCD in the finder path, I
wonder how much usable brightness it zaps from the finder due to the
polarizers?
Cheers,
Rob Studdert
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for. Possibly earlier
lenses were calibrated for shorter IR wave-lengths? Leica lenses don't feature
IR marks for this very reason, to the uninformed it can be quite misleading.
Cheers,
Rob Studdert
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On 30 Nov 2002 at 8:53, frank theriault wrote:
Just going through the first couple of PUG pics this month makes me wish
that we in North America had the brains to market little urban cars.
God, those things are cute!
Hmm..
http://www.home.aone.net.au/audiobias/PB233609m.JPG
Rob Studdert
releases may work but not reliably).
Cheers,
Rob Studdert
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Hi Team,
Does anyone have any information on when this strap type was distributed or any
other history?
http://www.home.aone.net.au/audiobias/PC023658m.JPG
Cheers,
Rob Studdert
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archive. Any mention is more likely beneficial to the rest of us in as a
reminder of what not to do with CC details.
Cheers,
Rob Studdert
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On 2 Dec 2002 at 14:29, Alan Chan wrote:
The on-going QC issue of recent Pentax lenses has been making me nervous.
Perhaps Pentax is dying after all.
Nah, it's just a sort of bad karma domino effect whose catalyst was the
impending falling sky :-)
Rob Studdert
HURSTVILLE AUSTRALIA
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it handy as it is so light and small. You can always build a little
cardboard baffle to emulate an FF-1 and get out and give it a test, it will be
the same view, all that would be missing would be the flip-up magnifying lens
(only used with the finder close to the eye).
Cheers,
Rob Studdert
are certainly capable of it, although I've never actually used it for shooting.
Nope, it's an electronic shutter, the MX and Spotty are mechanical releases.
Cheers,
Rob Studdert
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finder,
illuminated LCD in finder EV or F stop, LCD on body with comprehensive read-
out, digital and pseudo analogue scale, real-time F-stop/speed calculations,
flash/ambient, memory and averaging, one AA battery lasts for years, wider
measurement range than Pentax Digispot but larger.
Rob
(cold lights) have special high frequency power sources, hence the
often high costs.
Cheers,
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ad on TV last night, of couse the MZ comes with a luscious Sigma zoom lens.
Cheers,
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of these buttons is to add an exposure offset which will pull metered
highlights or shadows into the range of most slide films, quite handy in some
instances.
Cheers,
Rob Studdert
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On 5 Dec 2002 at 11:14, Herb Chong wrote:
for me, the discussions on focus feel are like discussing the paint job on
a race car.
I disagree, using the race care analogy I'd liken it more to the feel of the
feedback through the steering wheel and pedals :-)
Cheers,
Rob Studdert
HURSTVILLE
makes very good sense and will
generally speed up procedures many fold with the added advantages of
consistency and exposure accuracy.
Cheers,
Rob Studdert
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On 5 Dec 2002 at 10:04, Mark Roberts wrote:
Herb Chong [EMAIL PROTECTED] wrote:
why this obsession with feel?
Good question. Focus feel has never been visible in any photograph I've ever
taken.
I think you'd be wrong if you looked at it from a technical perspective. I
would guess that
that the production lines/camera platforms are flexible so that sensors and
associated parts are basically interchangeable at the production state.
Nah, by the sounds of previous discussions well see a chassis change between
each release too :-(
Rob Studdert
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start offering all the digital services that he is complaining about.
Cheers,
Rob Studdert
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lenses, not nice.
The Cosina Voigtlander SL lens controls are like Pentax for all mounts.
Cheers,
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the mechanism works I can't see how flicking the shutter
to achieve pseudo mirror lock could cause damage to the camera.
Cheers,
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a very neutral AOV the 50mm feels a little long for the type of
subject matter that I shoot.
Cheers,
Rob Studdert
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of accumulated flash
bursts.
Cheers,
Rob Studdert
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not be too difficult to re-sell
should it prove ineffective for you.
Cheers,
Rob Studdert
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constraints that end the reign of film.
Cheers,
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lenses for us (more Limiteds please) I'd
hope that Pentax would write a decent operating specification and send it out
to be coded by a company who knows what it's doing with user interfaces :-)
Cheers,
Rob Studdert
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with a metal baseplate like the ME belt
clip.
There isn't any threaded recess designed to accommodate a grip on the ME Super,
you'd have to either end up adding a Winder or a base grip attached to the
tripod thread as shown here:
http://members28.cool.ne.jp/~khmhk/Tool/rgrip.html
Cheers,
Rob Studdert
numbers of photographic scenarios as are RF cameras.
Rob Studdert
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difficult) why not use a rubber glue or
3M pressure sensitive tape? Just some low risk alternatives.
Cheers,
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between the frames of adjacent exposure, still a problem with mounted
slides though.
Cheers,
Rob Studdert
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(and it doesn't, by my most critical observations
ie 40x magnification). The fact is that MF lenses cover a wider field of view
and project a larger image circle for the same FL, there is no additional
magnification over 35mm, just a larger angle of acceptance for any given MF
FL.
Cheers,
Rob Studdert
that was
owned by a pretty hard working wedding pro, the steel ball was so worn and
rough I gave it away, so I would assume that either type will wear badly given
hard use or inappropriate use (ie allowing dust/grit to enter the mech).
Cheers,
Rob Studdert
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(even used).
Cheers,
Rob Studdert
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found that it was far
less resolute than the SMCPA50f1.2 in my testing.
Cheers,
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be glad to hear from listers with experience and other
suggestions.
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the components.
If anyone has a good contact for Pentax parts I would appreciate their
contact details.
Cheers,
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On 13 Jun 2001, at 20:19, Douglas E Harmon wrote:
Hi all,
Was there a cover that came with the Super A for the drive coupler?
No.
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, 28f2, 35f2, 50f1.2 etc. I
have rarely had problems with stiffening aperture rings on those lens that
employ metal.
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interesting, I am impressed that you
consider it within your scope of competence. My question is that if the
development costs are so reasonable why haven't Pentax done it already :-(
Cheers,
Rob Studdert
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On 17 Jun 2001, at 8:43, Jeff wrote:
All in all, I shot about 500 shots with a huge amount going into the Trash
but at least next time, I know what I should and shouldn't be doing!
...and then you can take a real camera ... with film :-)
Cheers,
Rob Studdert
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and they actually
feel quite good to use. So I am not put off by plastic components as long as
they are engineered with respect to their properties.
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parameters well within the scope of the MZ-S
capabilities. Wherein lies the problems then?
Cheers,
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http://www.tradingpost.com.au/search-
results/ad_view/1,,,00.html?CD_CPD=%21trvC4b3nskdtCD_NPD=%21trOu
9DvVNIVQitemNum=13
Might have to cut and paste the URL.
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Hi Team,
I may find myself in NY city for a couple of weeks in the not too distant
future. So I would like some local advice about where to go, what shouldn't
be missed, what and where to avoid etc. Any feedback would be
appreciated, private email correspondence is welcome.
Cheers,
Rob
. Ironically I probably
won't be lugging any Pentax gear :-(
I look forward to your emails.
Cheers,
Rob Studdert
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On 24 Jun 2001, at 23:09, PAUL STENQUIST wrote:
New York is a photographer's dream:
Thanks all who replied for all the excellent NY travel tips, I will contact those
listers who we interested in a meeting privately.
Cheers,
Rob Studdert
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:-)
Cheers to all,
=
Rob Studdert
_
http://shopping.yahoo.com.au - Father's Day Shopping
- Find the perfect gift for your Dad for Father's Day
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thumb-print (combination of
all the commonly measured and non-measured optical parameters) of the
lens.
Written in haste :-)
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On 6 Jan 2001, at 15:43, Rob Studdert wrote:
So resolving power isn't directly related to resolving power but
more so to the overall optical thumb-print (combination of all the commonly
measured and non-measured optical parameters) of the lens.
Duh,
Should read:
So sharpness isn't directly
uyers not bid should they have any reservations, easy.
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they will push Canon or Nikon over Pentax. You think availability and
pricing is bad in the US, it seems sometimes that it is easier to find Leica
here :-)
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takes
off this will surely change and more lower level stuff will be made for us
non-"pros".
Difference is that they are not full frame, whilst this is often a boon for sports
snappers it really precludes any ultra-wide angle shooting.
Cheers,
Rob Studdert
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detail available in most =100ISO films that the SS4000 can resolve. I have
come to this conclusion after comparing many 4000DPI scans to the actual
film under 40x optical magnification.
Cheers,
Rob Studdert
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[EM
cameras on hand each with specific primes, this is one
option that I would definitely have to forsake due to high digital body prices.
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On 8 Jan 2001, at 11:55, John Francis wrote:
Rob Studdert wrote:
Having used the Polaroid SS4000 (my third film scanner over 6 years) I might
just add that from my observations I estimate that there is at least twice the
detail available in most =100ISO films that the SS4000 can
Pentax-FA28-70mm f4.0
SMC Pentax-A*300mm f2.8
SMC Pentax-A 2XL teleconverter
I sometimes use every one of them on the same day while out on the trail.
Hi David,
When equipped with this lot are you carrying anything other than
photographic equipment?
Ch
at
www.threehundredsixty.com
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I shot a whole roll of Portra 800 in the LX all hand held with the SMCP-
A15f3.5 mounted and got a heap of great prints.
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long does it take for you to pop off the pack and change a lens?
How long would it take to pop the pack off fit a different lens and set up the
tripod?
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Includes:
Table of Pentax LX Focusing screens and Pentax lenses
LX Focusing Screens: Description
Focusing Screens and Rear Converters
http://www.euronet.nl/~pimr/lxfsmain.html#main_table
Cheers,
Rob Studdert (eBay ID: distudio)
PO Box 701
HURSTVILLE BC NSW 1481
AUSTRALIA
Tel +61-2-9554-4110
Caucasian.
Hi Ed,
Have you ever tried shooting portraiture with it through a yellow or orange
filter?
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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This message is from
for the mask automatically, but it is nontheless
trivial to do in Photoshop, should you wish to.
Can do in Photoshop however you loose image dynamics, best to leave it to
the scanner software unless you are importing 48bit un-corrected scanner
output files.
Cheers
Rob Studdert
HURSTVILLE
, but.
Hope someone finds this useful.
Beware that since it is mains powered it most probably requires 240VAC
50Hz :-)
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
of a small subject? I've built a support that can act as aa
"third hand" and hold the light source, now I just need an
appropriate light source.
Hi Shel,
AFAIK there are fibre-optic type light sources available just for this purpose,
where to find them I have no idea.
Cheers,
Ro
Hi Team,
Can anybody tell me the exact lengths of the SMC A 1.4X-L and 2X-L
teleconvertors flange to flange ie how much length do they add to the
assembly?
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
http
On 17 Jan 2001, at 12:08, William Robb wrote:
The next months gallery will incorporate a feature that will
hopefully limit the harvesting of images. Rob Studdert put a
meta tag into the page which should cause the image harvesters
to pass us by without affecting legitimate text based search
On 17 Jan 2001, at 20:18, Frits J. Wthrich wrote:
May we assume the hotshoe adapter on the camera is parallel with the base of the
camera? Is this always the case?
Not on my Contax RTS II which I dropped on its prism last year :-(
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554
" Bob :-)
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
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This message is from the Pentax-Discuss Mail List. To unsubscribe,
go to http://www.pdml.net and follow the
information at the site would be
indexed. Unless of course the search bot totally ignores the request, as you
pointed out :-(
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
use the 3 way head levers when the
head is tilted through 90 degrees.
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
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This message is from the Pentax-Discuss
and unchallenged by content owners
then these procedures will become the defacto standard, we will then
eventually effectively loose our implicit copyright to our own images
regardless of the supposed international copyright conventions. That's why
some of us see red on the issue.
Cheers,
Rob Studdert
e PUG site which is known to have been
indexed and then to search for it again (I don't know how caches may affect
this experiment though).
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
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is usually made smaller so that all the ancillary
viewfinder information can be accommodated around the view window whilst
still maintaining a comfortable AOV. Lower VF magnification also often leads
to claims of a "brighter viewfinder image"
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel
magnification does that work out to? Ralf?
0.219512
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
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glass, it is no hassle to use as the aperture stop-
down action remains automatic and it is well built and has no mechanical
slop.
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
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On 18 Jan 2001, at 23:15, Otis Wright, Jr. wrote:
I find it pays to verify each CDRW.
If the contents on the CDRWs are of great value to you, consider keeping
them in appropriately separate locations.
I use a BFFPS to store my disks and film :-)
Cheers,
Rob Studdert
HURSTVILLE
On 20 Jan 2001, at 2:07, tom wrote:
If it's too dark dark for TMAX 3200 and a 50/1.4, go have a beer!
Wimp, just push the TMZ to 6400 or 12500 and pop on a 50f1.2, and you'll
be sweet :-) Then go have a beer!
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
it means that all of us who disapprove of this type of action should
band together to stomp it out or simply remove thy images from the web
indefinitely (not I).
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-9259
UTC(GMT) +10 Hours
[EMAIL PROTECTED]
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, even though one of my tripods + head will extend
to 235cm (~92.5") with a 10kg load, it's more stable down low. If you gonna
pull out a tripod why not make it worth your while, otherwise hand hold the
damn rig.
Cheers,
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
Fax +61-2-9554-925
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