Probably. Or just a big automated script.
I'm going to try this on a movie next, with After Effects.
M
On Mar 28, 2005, at 10:15 AM, Alan Sondheim wrote:
It's beautiful. I wonder if there are filters that would do the same?
yours Alan
On Mon, 28 Mar 2005, mwp wrote:
Source is my own photo
it was based jumps out at me to the point
that I no longer even see it as abstract. (Its one of those toy robot
action figures. You can clearly make out the head, arms, legs, etc.)
Do you have a link to Tom Z's image work?
Thanks,
mwp
On Mar 28, 2005, at 4:21 PM, Alan Sondheim wrote:
Really like the 2000-2002
then overlapped the horizontally- and vertically-stretched
images and ADDed them together in Photoshop, creating a composite of
the repeated-stretched horizontal and vertical images.
This is the result, compressed into a jpeg and shrunken from its
original 12x18 dimensions.
mwp
What is it?
WROD
m
Who is Richard Powers?
http://www.alltheweb.com/search?
cat=imgcs=iso88591q=richard+powersrys=0_sb_lang=pref
Why not a whole series?
BUSH SHIT
BUSH PISS
BUSH VOMIT
BUSH SPIT
BUSH CUM
BUSH BOOGERS
BUSH ROT
BUSH STAGNATION
BUSH ROADKILL
BUSH TELEVISION
BUSH BLOOD
Etc.
m
On Apr 27, 2005, at 8:09 AM, JOHN BENNETT wrote:
Very VERY cool! For the first time in my life I wish people around here DIDN'T
Does anybody have the most recent password to noemata's ftp site? I
tried emailing him privately a few days ago, but he hasn't responded.
I used to have the password in an email he posted publicly to the list,
but it got deleted from my box.
You may send the info to me privately, if you like.
Help solve the red! Help on the red!
m
On May 6, 2005, at 9:12 AM, John M. Bennett wrote:
Another example of pure literary genius at work. And he achieves these effects off the cuff!
We are left in the dust...
John
Subject: Fwd: Be afraid, be very afraid If you aren't already.
If you got $500-$1800 to burn, you can buy a copy of P's memoirs at abebooks.
Or, if the memoir is included in the S-H Encyclopedia (see below; I can't get the link to work for some reason) I could photocopy and send to you for the cost of copying and mailing, as this is to be found in my local
ym
yr
ur
os
mwp
Movies I wish I'd made:
http://matter.sci.osaka-cu.ac.jp/~taraki/movie.html
A silly little PHP experiment. Each time you refresh the screen, you get a new picture.
Try it and see!
http://kunst.no/alias/HJEMMESIDE/bjornmag/mpphp2004/phptest3b.php
BSOOPS01x2005.mov
(9MB)
http://kunst.no/alias/HJEMMESIDE/bjornmag/mpphp2004/BSOOPS01x2005.mov
Fun with extreme compression.
1% x 1%
= 100%
This is LOUD, so adjust speakers/headphones accordingly.
Listen in stereo for maximal enjoyment.
mwp
I should have said that this is AUDIO only, no VID.
m
On May 19, 2005, at 3:46 PM, mwp wrote:
BSOOPS01x2005.mov
(9MB)
http://kunst.no/alias/HJEMMESIDE/bjornmag/mpphp2004/BSOOPS01x2005.mov
Fun with extreme compression.
1% x 1%
= 100%
This is LOUD, so adjust speakers/headphones accordingly
Mondrian in Piles
R THEN G THEN B THEN O-X
2005
(modernism defragmented)
http://kunst.no/alias/HJEMMESIDE/bjornmag/mpphp2004/Mondrian2005.jpg
(mwp)
) = uint8(hex2dec(itfa(:, 5:6)));
itfx = reshape(itfc, ixxx, iyyy, 3);
imshow(itfx);
imwrite(itfx, 'MP MATLAB01 2005.tif', 'tif');
)
On May 28, 2005, at 10:39 AM, mwp wrote:
Six studies after Matisse 2005
mwp
[classic Matisse images RGB-sorted]
http://kunst.no/alias/HJEMMESIDE/bjornmag/mpphp2004
[895]
[20]ot [2050]
[21]gni [578000]
[22]knis[51900]
[23]th [9370]
[24]john[49900]
[25]m. [1.2900e+09]
[26]bennett [1990]
mwp
sampled:
http://www.kunst.no/bjornmag/mpphp2004/RP01.jpg
http://www.kunst.no/bjornmag/mpphp2004/RP02.jpg
mwp
On Jun 9, 2005, at 6:18 AM, John M. Bennett wrote:
At 08:11 AM 6/9/2005 -0400, you wrote:
this
t hat
the other
unsung
On Jun 10, 2005, at 4:36 AM, Dan Waber wrote:
is
Curious that my contribution to this thread was censored out. Thanks,
guys!
m
On Jun 12, 2005, at 7:29 AM, Bob Marcacci wrote:
a
pre
nt
ice
g
nat
're
tad
txt
aNT
Sorry, feeling a bit testy today. .. Just ignore.
m
On Jun 12, 2005, at 11:57 AM, mwp wrote:
Curious that my contribution to this thread was censored out. Thanks,
guys!
m
On Jun 12, 2005, at 7:29 AM, Bob Marcacci wrote:
a
pre
nt
ice
g
nat
're
tad
txt
aNT
should play in Quicktime or something similar.)
GBV01.au
mwp
file, which should play in Quicktime or something similar.)
GBV01.au
mwp
Splitting Smoke
[AFTER Deep Purple]
2005 mwp
http://www.kunst.no/bjornmag/mpphp2004/SplSmoke.aif
(9MB)
Each channel of the mpeg digitization of a widely famous, if absurdly bombastic, heavy metal hit tune from the 1970s is segmented according to peak and trough gradient values
to the International Dada Archive!)
mwp
So who is this Edgar Fim, the author? A pseudonym, perhaps? An anagram? Anybody have an answer, or even a clue?
M
On Jun 26, 2005, at 10:18 PM, Lanny Quarles wrote:
it was a combination, some of the words i used an engine for, some i found in online dictionaries
and some i couldnt find at all
P-P-P-P-PSYCHO!-!-!
http://www.kunst.no/bjornmag/mpphp2004/PSY1Fr2005.mov
Taking things one frame at a time. . .
After Psycho98 (GVS)
2005
mwp
(10MB)
http://www.kunst.no/bjornmag/mpphp2004/PSY1Fr2005.mov
empty messages to a
mailing list,
because some users are unable to see the Subject: field from the
original
message.
From: mwp [EMAIL PROTECTED]>
Date: July 1, 2005 6:02:16 PM PDT
To: WRYTING-L : Writing and Theory across Disciplines
WRYTING-L@listserv.utoronto.ca>
Subject: intentionall
The movie of my dreams
2005
http://www.kunst.no/bjornmag/mpphp2004/Comp%20ALLX2.mov
(2MB)
Faithful recreation of a movie that began playing in my head last night while asleep.
(Isn’t the internet amazing? I can dispatch a dream to the front lines within hours of its being conceived!)
mwp
:
this is so strong and ghastly, we're used to seeing these clouds, we're teetering on the bring of the nuclear again, bush has ordered the production of plutonium again. i pray every day for his death; he's a killer who continues to kill. -= alan
On Sat, 2 Jul 2005, mwp wrote:
The movie of my dreams
Sorry, I don't know of a fix.
m
On Jul 3, 2005, at 1:32 PM, Lucio Agra wrote:
MWP
I received a message that Quick Time missed something...
Lucio
Citando mwp [EMAIL PROTECTED]:
The movie of my dreams
2005
http://www.kunst.no/bjornmag/mpphp2004/Comp%20ALLX2.mov
(2MB)
Faithful recreation
the
late O.E. þe, nom. masc. form of the demonstrative pronoun and adj. After c.950, it replaced earlier se (masc.), seo (fem.), þæt (neut.), and probably represents se altered by the þ- form which was used in all the masc. oblique cases (see below). O.E. se is from PIE base *so- this, that (cf.
Hm, interesting.I have a non-interactive version of this same idea
where I present slices of time (vertical, mainly, but it doesn’t
matter) so that the viewer of the movie is able to perceive several
seconds of time unfolding within each frame of the movie. (If the pixel
size of the movie
into it more.)
m
On Jul 7, 2005, at 4:32 AM, Alan Sondheim wrote:
there is of course time echo in Premiere - alan
On Wed, 6 Jul 2005, mwp wrote:
Hm, interesting.I have a non-interactive version of this same idea
where I present slices of time (vertical, mainly, but it doesn’t
matter
Maybe this is old news to some of you, but I made an interesting
discovery today. Any ordinary text file can be imported into Quicktime
and instantly made into a movie! Each line of the text file is turned
into 1 to 2 seconds of movie time. You then can export the movie, and
then import it as
is to adjust the
timing
of the lines. Peachpit Press books give the lowdown on all the
options.
Btw if you don't know, you can also drop an image directory in with
the
same results - Alan
On Thu, 7 Jul 2005, mwp wrote:
Maybe this is old news to some of you, but I made an interesting
discovery
. Peachpit Press books give the lowdown on all the options.
Btw if you don't know, you can also drop an image directory in with the
same results - Alan
On Thu, 7 Jul 2005, mwp wrote:
Maybe this is old news to some of you, but I made an interesting
discovery today. Any ordinary text file can
on cd, check out red.mov I think or
baghad.mov or start.mov or start2.mov - Alan
On Thu, 7 Jul 2005, Lanny Quarles wrote:
so what does it look like? can someone post an example?
- Original Message -
From: mwp [EMAIL PROTECTED]
To: WRYTING-L@listserv.utoronto.ca
Sent: Thursday, July 07, 2005
babydaddy
2005
A deliberately crude – (okay, maybe only half deliberate) -- attempt at
programming a noise gate, inflicted upon Sylvia Plath’s classic reading
of Daddy.
http://www.kunst.no/bjornmag/mpphp2004/SPDaddy012005.mov
(Audio file: 9.5MB)
thrx = 0.05; % THRESHOLD VAL
sizx =
shoes on
m
/x-tad-bigger
On Jul 9, 2005, at 12:28 AM, Lanny Quarles wrote:
its interesting of course, but through my own poverty of association
i get mainly the idea that you've reinvented the language of Cousin It..
lq
- Original Message -
From: mwp [EMAIL PROTECTED]>
To: WRYTIN
On the other hand. . .
An outmoded theory is better than no theory at all.
A washed-up aesthetic is better than a dependency on commerce and
audience surveys.
A marginalized politics is better than a cynical rejection of politics
that leads to selfish gain.
-
Yes, art is better than
follow - alan
On Sun, 17 Jul 2005, mwp wrote:
On the other hand. . .
An outmoded theory is better than no theory at all.
A washed-up aesthetic is better than a dependency on commerce and
audience surveys.
A marginalized politics is better than a cynical rejection of
politics that leads
, to see what comes out:
ABUSE OF POWER COMES AS NO SURPRISE
http://www.kunst.no/bjornmag/mpphp2004/abuseofpowercomes.jpg
mwp
Holtzer either.
-Joel
- Original Message -
From: mwp [EMAIL PROTECTED]
To: WRYTING-L@listserv.utoronto.ca
Sent: Monday, July 18, 2005 3:30 PM
Subject: Rebus 01
Rebus 01
2005
Words are replaced with the first image that appears in Alltheweb's
image search. If a word appears more than
No, it's just what fits most compactly in the allotted space without
leaving too many blank spaces.
m
On Jul 18, 2005, at 5:26 PM, [EMAIL PROTECTED] wrote:
i didn't even notice the flag.
is the visual arrangement of the images derived procedurally as well?
jUStin
On 7/18/05, mwp [EMAIL
Here’s one that turned out a bit more explicit. I guess it’s inevitable when images are culled from the web nowadays. (This is the last one I will post to Wryting, so no complaints!)
PROTECT ME FROM WHAT I WANT
http://www.kunst.no/bjornmag/mpphp2004/protectmefromw.jpg
processed to output. an equation
right?
jUStin
On 7/18/05, Joel Weishaus [EMAIL PROTECTED] wrote:
I don't get this.
But then, I never got Jenny Holtzer either.
-Joel
- Original Message -
From: mwp [EMAIL PROTECTED]
To: WRYTING-L@listserv.utoronto.ca
Sent: Monday, July 18, 2005 3:30 PM
Those guys fascinate me. Tell me more about the meeting!
M
Here's an interesting statement of theirs referring to the film that I
took from someplace a while ago (I forget where):
‘An unambiguously CORRECT result of experiments exists; this is
obtained when it works, when this construction
It's spoken text, but the links don't work because the files aren't
there.
M
On Jul 22, 2005, at 2:24 PM, Lanny Quarles wrote:
well, I don't have real player and it wants a CC number to download it.
i thought they might be interesting. i found the author's name via an
article
called
the original (digitized) image.
Calculations are done in Matlab using my own algorithm. The number 12 is variable and can be set to any positive integral amount.
mwp
Well, yes, LQ, your point definitely has been taken into consideration
prior to the conceptualization of the work. Like it or not, I think we
all have learned to live with the fact that there will never be a pure,
unmediated representation of this – or any -- image available for
HSVPerm 01
Individual HSV values of the image subjected to individual inversion in
all combinations, resulting in a cycle of 8 transformations:
123 - (123, -123, 1-23, -1-23, 12-3, -12-3, 1-2-3, -1-2-3).
http://www.kunst.no/bjornmag/mpphp2004/PermHSV012005.jpg
m
HVRand
7 SVRand 8 HSVRand
mwp
about FAUX-VISM
or faux-vision.. at any rate, you still have Derain and Vlaminck..
M a dame S am ur ai Ma tisse
lq
- Original Message -
From: mwp [EMAIL PROTECTED]>
To: WRYTING-L@listserv.utoronto.ca>
Sent: Tuesday, August 02, 2005 7:22 PM
Subject: Re: RGBPerm 01
> Well, yes,
, but I was curious to
see what it would sound like, and if you are too, you will want to
listen.
You will need a program that can play MIDI files.
http://www.kunst.no/bjornmag/mpphp2004/Chess2Midi.mid
mwp
28
109 Kb5 12
110 Kd6 29
mwp
On Aug 4, 2005, at 7:34 AM, { brad brace } wrote:
nice! (like to hear more) -- were the same/similar notes
assigned to the same white/black positions?
/:b
On Wed, 3 Aug 2005, mwp wrote:
Chess2MIDI 01
AFTER FISCHER-SPASSKY 01 1972
2005
http://www.kunst.no
.
This is my mission, God willing.
This I will do without flinching, God willing.
I will not be deterred, Motherfuck.
mwp
/bjornmag/mpphp2004/ALB/Alb13.jpg
http://www.kunst.no/bjornmag/mpphp2004/ALB/Alb14.jpg
http://www.kunst.no/bjornmag/mpphp2004/ALB/Alb15.jpg
http://www.kunst.no/bjornmag/mpphp2004/ALB/Alb16.jpg
mwp
!
m
On Aug 5, 2005, at 12:45 PM, Allen Bramhall wrote:
mwp wrote:
FOUND PHOTOS 2005
Selected from an abandoned photo album found in 2005 along the train
tracks in Albany, CA. The photos in the album were heavily soiled,
scratched, faded, waterlogged, sun-damaged, nature-infiltrated, etc
of the other, along with the original Blue Poles at
the very top.
http://www.kunst.no/bjornmag/mpphp2004/JPBP16Slx2005.jpg
mwp
is your comment
it is not about the 'one' piece
, it is about the flow of experiments
jmcs3
Joel Weishaus wrote:
As someone who likes your work, I don't find this piece interesting.
-Joel
- Original Message -
From: mwp [EMAIL PROTECTED]>
To: WRYTING-L@listserv.utoronto.ca>
likes your work, I don't find this piece interesting.
-Joel
- Original Message -
From: mwp [EMAIL PROTECTED]
To: WRYTING-L@listserv.utoronto.ca
Sent: Saturday, August 06, 2005 9:29 PM
Subject: ANY WAY YOU SLICE IT
ANY WAY YOU SLICE IT
AFTER Jackson Pollock’s Blue Poles
2005
JP’s Blue
From: mwp [EMAIL PROTECTED]
Reply-To: WRYTING-L : Writing and Theory across Disciplines
WRYTING-L@LISTSERV.UTORONTO.CA
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: August is Entropy Month!
Date: Thu, 11 Aug 2005 12:27:23 -0700
August is Entropy Month! (For me, at least.)
In this so-called Age
://www.kunst.no/bjornmag/mpphp2004/PixelDustf/PixelDust02c2005.jpg
Blowup (Ex. 3)
http://www.kunst.no/bjornmag/mpphp2004/PixelDustf/PixelDust02cx2005.jpg
mwp
Not to try anybody’s patience, but here’s two more images to add to the corpus:
http://www.kunst.no/bjornmag/mpphp2004/PixelDustf/PixelDust03b2005.jpg
http://www.kunst.no/bjornmag/mpphp2004/PixelDustf/PixelDust03c2005.jpg
m
On Aug 13, 2005, at 8:08 PM, mwp wrote:
PixelDust 2005
After Seraut
things.
I know in Gimp, at least the older versions, you could write
mathematical filters directly and/or modify the mathematics of
already-written filters. You might be interested in that - Alan
On Sun, 14 Aug 2005, mwp wrote:
Not to try anybody’s patience, but here’s two more images
On Aug 14, 2005, at 9:52 PM, Alan Sondheim wrote:
I use Mathematica on and off, but my current instantiation won't take
images, only works on straightforward mathematics. Don't ask. So it's
been frustrating. Years ago I tried Matlab (an early version I think
for DOS) and got nowhere - can
FYI
Here are the Chladni patterns for a square surface from 1-10 in the X
and Y directions. I did this in Matlab today. (In a later version, I
might be able to make this in color, which will have more detail and be
even more spectacular!)
http://www.kunst.no/bjornmag/mpphp2004/Chladni012005.jpg
FYI cont. . .
The same thing in polar coordinates – so cool!
Lots of nasty words being bandied about today. (In jest, I hope.) Here’s a series of beautiful images to act as karmic counterweight:
http://www.kunst.no/bjornmag/mpphp2004/ChladALLPC2.jpg
m
On Aug 16, 2005, at 12:30 PM, mwp wrote
/VangWhite022005.jpg
Detail of pic (upper left-hand corner):
http://www.kunst.no/bjornmag/mpphp2004/VangWhite02detail2005.jpg
mwp
Wow! Would you like this event professionally videotaped for CD quality?
I can do the single-camera taping myself, and make the mini-DV and/or DVD available to you and all for free.
Backchannel me, if interested. . .
Mark P
On Aug 18, 2005, at 9:13 AM, Michael Rothenberg wrote:
David
The Colorfields of Battle, or
Greenberg’s Revenge
2005
http://www.kunst.no/bjornmag/mpphp2004/Medals2005.jpg
mwp
) of the Green River
Killer (male), who was recently given a life sentence for his serial
crimes; -- a gruesome subject indeed, so be forewarned. The method of
transformation is quadtree decomposition, in case you are curious.
http://www.kunst.no/bjornmag/mpphp2004/GRK2005/index.html
mwp
/MPIS01b.jpg
http://www.kunst.no/bjornmag/mpphp2004/MPIS01c.jpg
http://www.kunst.no/bjornmag/mpphp2004/MPIS01d.jpg
Detail of upper left of image #1:
http://www.kunst.no/bjornmag/mpphp2004/MPIS02.jpg
Detail of lower right of image #1:
http://www.kunst.no/bjornmag/mpphp2004/MPIS03.jpg
mwp
Stuttering Daddy
2005
http://www.kunst.no/bjornmag/mpphp2004/mpmerenxx3x.aif
9MB (audio only)
(Elaborating on the ideas of LLR in my previous post. . .)
A polyrhythmic mix of entropy-threshold blocks, at 44100 / 1000, /
1250, / 1500 and / 1750 block-samples per sec.
mwp
of the original.)
mwp
CORRECTION
Make that link:
http://www.kunst.no/bjornmag/mpphp2004/WSIofOx22005.aif
And it's 13MB, not 18.
m
On Sep 13, 2005, at 2:58 PM, mwp wrote:
The Idea of Disorder, or Ketjak in Key West
2005
http://www.kunst.no/bjornmag/mpphp2004/WSIofOx22005.mov
18MB (audio only)
Elaborating
The Place of a Mountain
2005
http://www.kunst.no/bjornmag/mpphp2004/WS02+32005.aif
2.5MB
Same process as before, different poem, different numbers.
mwp
://www.kunst.no/bjornmag/mpphp2004/ERE02d2005.jpg
mwp
gutterbreath
2005
http://www.kunst.no/bjornmag/mpphp2004/EPUxBreaths2005.aif
(AIFF sound file: 8MB)
EP’s reading of his famous Usura Canto, retaining only the intakes and
exhalations of breath.
(+ Noise reduction and reverberation.)
mwp
to
tell the difference.. I'd be much more likely to listen to a lot more
of these... ~mIEKAL
sorry, Im a snob about using compression formats suited toward low
bandwidth net delivery...
On Sep 18, 2005, at 4:36 PM, mwp wrote:
gutterbreath
2005
http://www.kunst.no/bjornmag/mpphp2004
/EPUPr01x.mp3
mp3 audio – 4MB
(+ No added processing.)
mwp
Only the Primes, Ma’am
2005
http://www.kunst.no/bjornmag/mpphp2004/AUDPr012005.mp3
(audio file 1MB)
Your Unlistenable Music Moment of the Day -
Process:
Size of audio file SXXX = SIZX
# of primes lessthanORequalto SIXZ = PXXX
Selection of PXXX prime samples in audio file SXXX = SXXP
mwp
and Bruces,
Richards and Geres
there’s a fate worse than death
awaiting humanity
Jesus has up his sleeve:
It’s called Christianity.
Uh-huh. . .
mwp
? -- that interpolates between
the pixels and reveals the structural glue that holds the
pixel-particles together and makes them into an image, a work.
This version is shrunken and compressed from the original, alas.
mwp
On Sep 29, 2005, at 12:40 AM, Alan Sondheim wrote:
This is quite beautiful; I certainly prefer it to De Kooning (except
the
late De Kooning, another story and there's one, altogether). This is
also
amazing from an aesthetic viewpoint - and how much does aesthetics
play a
role in your work?
I don’t think it would be possible to go back and reconstruct the
original, even if one knew the process. Naturally, at the programming
stage one could position-stamp every transformation of the data to
allow it to be reconstructed later on, but as it stands now, the
information simply gets
/
20050924SF.mov
(c) mwp
the number of sine waves, utilizing different waveforms, and other
variations.
It seems to have worked reasonably well in this case, in which the
original file is Ezra Pound’s reading of his poem Usura.
mwp
/mpphp2004/JJDevice01x2005.jpg
mwp
Testing the Means I
2005
(AFTER MATISSE)
http://www.kunst.no/bjornmag/mpphp2004/RYBMeans01x2005.jpg
mwp
mwp
spoematazoa
m
On Oct 9, 2005, at 9:00 AM, Steve Dalachinsky wrote:
smeop
Testing the Means 3, I II
An extension of the idea of Testing the Means. This time with diagonals
added.
1) AFTER MATISSE
http://www.kunst.no/bjornmag/mpphp2004/RYBMeans.jpg
2) XPLICITXXX
http://www.kunst.no/bjornmag/mpphp2004/RYBMeans2.jpg
mwp
mwp
/RYBMeans04d2005.jpg
mwp
They’ve made a number of Situationist films available for download at
UBUWEB.
I must say that my response to these works is not positive. Can you
argue in favor of anybody seeing them, aside from the historical
perspective they provide? Debord’s fims in particular are tedious to
watch, I
Aren't they cute? And talented, too!
http://www.prussianblue.net/
.
. . .
I really don't know.
. . .
I can't deny that, I just – I have no memory of that at all.
mwp
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