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Dave Cohen wrote:
> 
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. Logically, what gain would be realized by pursuing the matter even if
> someone did acknowledge the errors?  There is no guarantee that this
> particular person will see to it that all of your future film is processed
> correctly, or that they will even be working wherever it was that your film
> was sent in a week or a month or a year.  Correct?  And the film was
> already damaged.  I have learned that mail-order communication cannot be
> personal.  That is one reason that it is discounted and that they put that
> little liability disclaimer on all of the mailer envelopes relieving
> themselves from any responsibility if something as small as a roll of film
> gets misplaced or damaged within their big high volume operation.  They
> know that mailers are used by those who are very cost conscious, and for
> which low cost is the primary priority (like when you have a choice, as
> with E-6 films, the type which you have mentioned here).  Because of this
> cost decision, they do not realistically expect to provide any type of
> customer service for the $3 - $5 that you are paying per roll.  Most of
> their 'processing' cost covers processing your film through their corporate
> operation, not just the chemicals.  The math just doesn't work otherwise.
> Mail-order consumer labs are just that.  They don't expect you to send them
> critical and potentially valuable film for them to process in their system.
>  You may get better mail-order quality with a more professionally geared
> lab like A&I, but there is still the potential for a distant communication
> problem if an error occurs.  That's unavoidable without over-the-counter
> service (which labs like A&I do offer also, if you walk in the door).
> 
> Only one suggestion: In order to have any type of relationship with a lab
> that is beneficial to keeping the processing quality of your film monitored
> and under control, I have found that you must be able to walk in the door,
> talk to them and show them what you want in order to get it, or you will
> have little or no control over what happens to your film during processing.
>  This primary reason and the benefit of completely eliminating any
> potential loss from postal service and courier exposure by dropping off and
> picking up my film myself, often in the same day, is why I was forced to
> cease using mailers.  My film and images are worth too much to me to trust
> them to volume mail-order processing with high employee turnover and low
> employee concern for someone that they never met or will meet.  Is it
> really worth that extra $2 savings to play the 'processing lottery'?  I
> know some of us have burned up more than $2 in frustration trying to
> control a lab in a distant city, run by a faceless voice on the other end
> of a long distance phone call.  When they hang up the phone, where does
> your little problem fit into their day?
> 
> I find it much easier to find a local lab that specializes in what you
> want: Film processed correctly, consistently and reliably every time, with
> the added benefit of a local relationship when communication is necessary.
> 
> When I'm shooting, I know I couldn't stay concentrated on producing quality
> images each time if I was worried each time about whether the roll in the
> camera would be the processing error film or not.  Cheap piece of mind.
> Remember the original message poster said he was using E-6 here.  I
> personally would never send E-6 out to a mail-order lab.
> 
> You guys can go back to your naps now...
> 
> Dave Cohen
> Photographer, Member ASMP
> Action Photographic Webmaster
> [EMAIL PROTECTED]
> http://www.anet-stl.com/acphotog/home/
> 
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> -> SPORRS: 'Serious Photographers Of Railroad Related Subjects'
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zzz  zzzz  huh!  
Mail processing lottery.  Sure you may not lose the film but chances are
you'll never win a damage claim, big (total loss) or small (botched
processing/mounting).  I'll go for mail order and buying 'bricks' to
save on film costs but my days of saving a dollar or two on mail
processors are over IF my option is a local pro-lab that does good
work.  Not everyone has that option, but I agree with Dave.  If you have
a good local option, go for it. 

zzzz  zzzz

Bill Lang
Mandeville, LA

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-> SPORRS: 'Serious Photographers Of Railroad Related Subjects'
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