Re: An observation re Pentax for sale

2003-11-30 Thread Stan Halpin
Shel - I am joining the discussion late as I am just back from a 4-day
holiday trip down to Eureka Springs. I shot about 500 images with my ist-D.
Meg added 8-10 with the Optio. If that were slide film, I would have paid
for one of my two 512mB cards. In the month or so I have had the ist-D, I
have about paid for both cards in saved film purchase and processing. Over
the next few days I will give some of that back as I select the two or
three handfuls I will have printed to take with me to the family Christmas
gathering. I have no doubt that in the long run I will come out ahead ussing
digital rather than film.

stan

on 11/27/03 2:48 PM, Shel Belinkoff at [EMAIL PROTECTED] wrote:

 How much film could you buy for the cost of a given memory card?  IOW, at what
 point does the card start paying for itself?  And how many cards do people
 have?
 
 Bruce Dayton wrote:
 
 Hope this is making sense.  In a nutshell, the ability to shoot
 without the concern of cost.  Another example - My wife is quite
 cognizant of the cost per frame on her 35mm camera.  I believe it to
 be about .50 each (film/develop/print).  So she would mentally count
 the cost as she shot.  Opting many times not to take/try a shot
 because she didn't want to pay for it.  Now with her little Optio S,
 she will go out and freely shoot whatever takes her fancy.  She may
 shoot about 90 frames of which later she wants 5-10 printed.  Others
 she may not print but still want to keep, just in case.
 
 



RE: An observation re Pentax for sale

2003-11-29 Thread Len Paris
How do we know his wasn't a shotgun wedding?
VBSEG

Len
 * There's no place like 127.0.0.1
 

 -Original Message-
 From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED] 
 Sent: Friday, November 28, 2003 9:37 PM
 To: [EMAIL PROTECTED]
 Subject: Re: An observation re Pentax for sale
 
 
 Ok, now that is just too sweet - are you sure you're on the 
 right list?
 
 tan.x. (who hopes her husband says the same thing after 20 
 years of putting
 up with her bs)
 
 
 - Original Message - 
 From: William Robb [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Saturday, November 29, 2003 11:38 AM
 Subject: Re: An observation re Pentax for sale
 
 
 
  - Original Message - 
  From: Tanya Mayer Photography
  Subject: Re: An observation re Pentax for sale
 
 
   lol! so I take it that you're not married then William?
 
  Twenty wonderful years so far, and I love her more now than 
 I did when I
  married her.
 
  William Robb
 
 




Re: An observation re Pentax for sale

2003-11-29 Thread William Robb

- Original Message - 
From: Cotty 
Subject: Re: An observation re Pentax for sale


 On 28/11/03, [EMAIL PROTECTED] disgorged:
 
  lol! so I take it that you're not married then William?
 
 Twenty wonderful years so far, and I love her more now than I did when I
 married her.
 
 Still got the shotgun Bill?

They don't allow me to have a gun.
Telle est la vie 
WW



Re: An observation re Pentax for sale

2003-11-28 Thread Tanya Mayer Photography
Tom, your website is fantastic!  Your work is beautiful!
Very contemporary and classic...

To answer your question - QLD is short for Queensland,
the sunny state that I live in in Australia.  You know NY is to New York...
lol.

 Also, I have never seen a proof magazine offered at any of the Australian
labs that I
deal with however I can see how it would work, and I think that most people
would
love to have them like that to keep.  Might look into it further.  Thanks
for the food
for thought.

tan.x.

- Original Message - 
From: tom [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 1:33 PM
Subject: RE: An observation re Pentax for sale


  -Original Message-
  From: Tanya Mayer - Photographic Artist
  [mailto:[EMAIL PROTECTED]
 
 
  My main stumbling block is the fact that I am in the
  country and country
  people tend to like things
  on paper.  Most turn their nose up in disgust at the idea
  of photographs
  being on a cd-rom. (OTOH,
  all of my Brisbane clients are pretty much requesting JUST to have
  everything on CD!) Only approx. 70%
  of the population even have computers, with waaay less
  having internet
  or email capabilities.  Currently,
  I sell my portrait/wedding packages on a per roll basis,
  with all proofs
  being usable 5x7s that the client
  gets to keep.  I have a personal aversion to daylight
  robbery, and find that
  this way gives my clients the best
  value for their money.

 Interesting way to put it.


  So how do you guys who are shooting
  digital go about
  it?

 That's, uh, kind of a broad question

  I mean, alot of my clients
  won't be able to access my web galleries or even have their
  proofs emailed
  to them.  Many of them live way
  out of town and would probably be extremely intimidated if
  a cd arrived in
  the mail.  The cost of having digital
  files printed in QLD still exceeds even 5x7 inch film proofs...

 What's QLD?

 I don't do paper proofs anymore, but if someone really wants them,
 they can buy them. Another option is a proof magazine. It's a stack
 10x15's with 6 images per page spiral bound.

 tv

 --
 Thomas Van Veen Photography
 www.thomasvanveen.com
 301-758-3085








RE: An observation re Pentax for sale

2003-11-28 Thread tom
 -Original Message-
 From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED]


 Tom, your website is fantastic!  Your work is beautiful!
 Very contemporary and classic...

Thanks.


 To answer your question - QLD is short for Queensland,
 the sunny state that I live in in Australia.  You know NY
 is to New York...
 lol.

Ah. I thought it was some print process I hadn't heard of.


  Also, I have never seen a proof magazine offered at any of
 the Australian
 labs that I
 deal with however I can see how it would work, and I think
 that most people
 would
 love to have them like that to keep.

Well, if you go digital, I would recommend you just offer digital
proofing as your standard process. If they balk, offer the proof mag,
or regular proofs for an extra fee.

My print sales have gone up about 30%. Also, I usually get anywhere
from 100 to 1000 hits to the each online proof set. You can't beat the
advertising.

As to the highway robbery reference...you aren't holding a gun to
your prospect's heads. They know your pricing before they hire you,
and they hire you because they think you're worth it. Higher fees are
ok if you can get them - it means more money or less work, neither of
which is a bad thing. This is a business after all...

tv

--
Thomas Van Veen Photography
www.thomasvanveen.com
301-758-3085





Re: An observation re Pentax for sale

2003-11-28 Thread Herb Chong
it seems the ones that shoot the least complain the most.

Herb
- Original Message - 
From: Shel Belinkoff [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 12:42 AM
Subject: Re: An observation re Pentax for sale


 Sheesh, Herb, everyone has different points of reference.  To some you may
be a
 rank amateur that practices far too little and couldn't make a quality
print if
 you sold your soul to the devil.




Re: An observation re Pentax for sale

2003-11-28 Thread Mark Roberts
Herb Chong [EMAIL PROTECTED] wrote:

it seems the ones that shoot the least complain the most.

Ooh, *there's* one for my collection of PDML quotations!

-- 
Mark Roberts
Photography and writing
www.robertstech.com



Re: An observation re Pentax for sale

2003-11-28 Thread Tanya Mayer Photography

- Original Message - 
From: tom [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 5:43 PM
Subject: RE: An observation re Pentax for sale

 Well, if you go digital, I would recommend you just offer digital
 proofing as your standard process. If they balk, offer the proof mag,
 or regular proofs for an extra fee.

Actually, I have been considering doing this even with film - just getting
the negs processed and offering the scans on cd as proofs.  Not sure
that it will always work around here though - as I said not everyone has
computers, and even less have internet access.

As to the highway robbery reference...you aren't holding a gun to
 your prospect's heads. They know your pricing before they hire you,
 and they hire you because they think you're worth it. Higher fees are
 ok if you can get them - it means more money or less work, neither of
 which is a bad thing. This is a business after all...

Yep, and that's why I am travelling to Brisbane so frequently (14 hour drive
or
2 hour flight), as down there people are much more willing to pay me decent
money.  I think that here in my home town, people don't value my work as
much
due to me being a local, but it seems that the further away people are,
the more
they appreciate what I do!








  -Original Message-
  From: Tanya Mayer Photography [mailto:[EMAIL PROTECTED]
 
 
  Tom, your website is fantastic!  Your work is beautiful!
  Very contemporary and classic...

 Thanks.

 
  To answer your question - QLD is short for Queensland,
  the sunny state that I live in in Australia.  You know NY
  is to New York...
  lol.

 Ah. I thought it was some print process I hadn't heard of.

 
   Also, I have never seen a proof magazine offered at any of
  the Australian
  labs that I
  deal with however I can see how it would work, and I think
  that most people
  would
  love to have them like that to keep.

 Well, if you go digital, I would recommend you just offer digital
 proofing as your standard process. If they balk, offer the proof mag,
 or regular proofs for an extra fee.

 My print sales have gone up about 30%. Also, I usually get anywhere
 from 100 to 1000 hits to the each online proof set. You can't beat the
 advertising.

 As to the highway robbery reference...you aren't holding a gun to
 your prospect's heads. They know your pricing before they hire you,
 and they hire you because they think you're worth it. Higher fees are
 ok if you can get them - it means more money or less work, neither of
 which is a bad thing. This is a business after all...

 tv

 --
 Thomas Van Veen Photography
 www.thomasvanveen.com
 301-758-3085







Re: An observation re Pentax for sale

2003-11-28 Thread graywolf
Tanya, I think tha fact that you were obviously serious about photography 
despite being out in the middle of nowhere was more important to us than your 
being a girl. 'Sides can a married woman with children be considered a girl 
(grin)?

---

Tanya Mayer - Photographic Artist wrote:

Hi there Frank,

Lovely to make your acquaintance! lol.  I hear you on the tongue in cheek
thing, and have learnt in the past that it pays to have a very open mind and
a good sense of humour when using these lists! Flame wars are very
entertaining to watch, but I generally don't participate. hehe.
As for my being popular - I think it has more to do with me, at that time,
being a true rose amongst the thorns - I think there was only one other
lady
on list when I was around previously, and she wasn't a very regular poster.
So being a 24 year old girl, kind of helped my notoriety a bit.  Mind you, I
do
remember thinking that Shel was a girl for a bit there too! (Thinking that
Shel
was short for Michelle). Stood corrected (and very embarrassed!)when Stan
emailed me a pic of him though! lol!
It's lovely to see now that there are a few ladies here though - I feel much
more
at home! ;-)
Sorry, totally off topic guys, better get back to the subject at hand, or
I'll be
making enemies already!
tan.x.

- Original Message - 
From: frank theriault [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 9:47 AM
Subject: Re: An observation re Pentax for sale

Well, now that you mention it, I ~was~ wondering about that Photographic
Artist bit...  vbg
BTW, hi.  I've been active on the list for several years now, but I faintly
recall that you may have been around, perhaps during my lurlking days, or
possibly when I first started posting.  In any event we certainly didn't get
to know each other at all.  You'll very quickly realize (if you haven't
already) that much of what I say is tongue in cheek, and pretty much always
to be taken worth a grain of salt.  The odd salient point accidently slips
through from time to time, but I'm working on keeping those to a minimum.
(Hey, that's two salt metaphors in successive sentences.  Not bad, eh?)
So, pleased to meet you.  It seems from some of the other welcomes that I've
read that you were quite popular poster in your day g.  Everyone seems
quite happy to have you back.
cheers,
frank
Rider of Bicycles
The optimist thinks this is the best of all possible worlds.  The pessimist
fears it is true.  -J. Robert Oppenheimer




From: Tanya Mayer - Photographic Artist [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: An observation re Pentax for sale
Date: Fri, 3 Oct 2003 08:42:24 +1000
OT- my apologies to you all - I just noticed that all of my posts are
showing
Tanya Mayer - Photographic Artist.  In this context, it looks extremely
pompous and conceited! lol.  I subscribed to the list using my work email
addy, and forgot that that is the display I have for it! Sorry guys,
really,
I am not totally full of myself... I promise *hides head sheepishly*...
;-)

tan.x.

- Original Message -
From: mike wilson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 7:51 AM
Subject: Re: An observation re Pentax for sale
Hi,

Tanya Mayer - Photographic Artist wrote:


Also, my nearest photolab is 3 hours away and currently I send
EVERYTHING

away, which to a very impatient
woman, is an absolute nightmare.  Digital, in this instance, would be
absolute bliss.
Why do you not process your own?  At the most, £200 for a Jobo processor
and tanks to process up to five at a time.  £15 to process 10 C-41 36exp
films.  Probably cheaper if you are buying inquantity and tax
deductible.  Or you could go the whole hog and buy one of the Jobo ATL
series autoprocessors.
If you go digital you will, in your situation, be spending more, not
less time in front of a screen and you will need to invest in a high-end
printer (or digital minilab) to create the output.
mike



_
Protect your PC - get McAfee.com VirusScan Online
http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963


--
graywolf
http://graywolfphoto.com
You might as well accept people as they are,
you are not going to be able to change them anyway.



Re: An observation re Pentax for sale

2003-11-28 Thread Herb Chong
i've been getting the distinct feeling for the past couple of months, the
ones that are shooting are the ones talking about shooting and photography,
and the ones that aren't, are talking about everything else.

one thing i notice about the last couple of weeks with my *istD. my total
frame rate is about the same as before, but i am getting about twice as many
shots that i can put into my stock collection. freedom from having to
bracket and not worrying about film costs makes the difference.

Herb
- Original Message - 
From: Mark Roberts [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 7:27 AM
Subject: Re: An observation re Pentax for sale


 Herb Chong [EMAIL PROTECTED] wrote:

 it seems the ones that shoot the least complain the most.

 Ooh, *there's* one for my collection of PDML quotations!




Re: An observation re Pentax for sale

2003-11-28 Thread graywolf
Some of us have been into photography for a long long time, Herb. After 50 years 
or so you don't need to practice a lot.

The interesting thing about these discussions is that most of us do not mention 
our specific needs when making comments about digital. TV would lose sales in 
the market he is in if he was not doing digital. He has little choice in the 
matter. Me, I am out of the market, do a little bit personal photography, have a 
very limited income, and therefore digital makes no economic sense at all. You 
sound like you are somewhere in the middle and spending on a digital camera is 
no problem for you, so it is a case of liking you new toys.

For someone like TV, not going digital is economic suicide.
For someone like you it is a personal decision.
For someone like me it is nearly an impossibility beyond a low-end PS.
Like most economic decisions, what you should do depends upon your needs, means, 
and desires. It really has little to do with which is better.

--

Herb Chong wrote:

the vast majority aren't people on this list. one of the reasons for being
here is that the members say that they take their photography seriously,
yet, i hear people on this list struggle to get up to a few hundred photos a
year. they argue and moan over the digital wave overtaking us. they say they
take take their photography seriously, but they don't seem to.


--
graywolf
http://graywolfphoto.com
You might as well accept people as they are,
you are not going to be able to change them anyway.



Re: An observation re Pentax for sale

2003-11-28 Thread Herb Chong
despite your financial conditions, you still shoot as much as you can. also,
you could still use more practice. it takes only a few months to lose the
edge.

Herb...
- Original Message - 
From: graywolf [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 11:37 AM
Subject: Re: An observation re Pentax for sale


 Some of us have been into photography for a long long time, Herb. After 50
years
 or so you don't need to practice a lot.

 The interesting thing about these discussions is that most of us do not
mention
 our specific needs when making comments about digital. TV would lose sales
in
 the market he is in if he was not doing digital. He has little choice in
the
 matter. Me, I am out of the market, do a little bit personal photography,
have a
 very limited income, and therefore digital makes no economic sense at all.
You
 sound like you are somewhere in the middle and spending on a digital
camera is
 no problem for you, so it is a case of liking you new toys.




Re: An observation re Pentax for sale

2003-11-28 Thread Cotty
On 28/11/03, [EMAIL PROTECTED] disgorged:

i've been getting the distinct feeling for the past couple of months, the
ones that are shooting are the ones talking about shooting and photography,
and the ones that aren't, are talking about everything else.

That's us sorted then Frank!

I wish I was as good at determining everyone's capabilities over email...



Cheers,
  Cotty


___/\__
||   (O)   |  People, Places, Pastiche
||=|  www.macads.co.uk/snaps
_
Free UK Mac Ads www.macads.co.uk



Re: An observation re Pentax for sale

2003-11-28 Thread mike wilson
Hi Tanya,

Tanya Mayer - Photographic Artist wrote:
 
 Hi there Mike!
 
 Many thanks for your suggestions.  The primary reasons I have never taken to
 processing
 my own films are aged 12 mths, 4 and 6.  

Almosy everyone else seems to disagree with me, too.  Nothing new
there.  I understand your reasons and agree with you, although it is
possible to deal with most of the problems.  My reason for suggesting
that you take control of the whole process was that you are far away
from support (whoop whoop?) and that doing so would relieve you of the
requirement for much travel.  Some of the digitalista seem to have not
quite grabbed this fact

 Have just had a guy really pushing for me to use his lab, by offering really
 cheap roll scans
 (18mb files and using Digital ICE) with processing. This all sounds great to
 me, as it is less scanning
 for me and I am forever fighting with my scanner to keep it dust/finger
 print free.  

Looks like the ideal solution, once you get him to do things the way
_you_ want them.

mike



Re: An observation re Pentax for sale

2003-11-28 Thread John Francis
 
 Some of us have been into photography for a long long time.
 After 50 years or so you don't need to practice a lot.

After only 48 years I find that I've still got things to learn,
even in the areas where I consider myself reasonably competent.



Re: An observation re Pentax for sale

2003-11-28 Thread William Robb

- Original Message - 
From: John Francis
Subject: Re: An observation re Pentax for sale


 
  Some of us have been into photography for a long long time.
  After 50 years or so you don't need to practice a lot.

 After only 48 years I find that I've still got things to learn,
 even in the areas where I consider myself reasonably competent.

I can hardly wait to take my large format out after a couple of years of
disuse and see if I can still set it up...

William Robb



Re: An observation re Pentax for sale

2003-11-28 Thread mike wilson
William Robb wrote:
 
 I can hardly wait to take my large format out after a couple of years of
 disuse and see if I can still set it up...

That's your bio. taken care of, then.  Myself, I have the visage and
physique of a Greek God, PhD's from two separate universities and I'm
still only 18.

mike



Re: An observation re Pentax for sale

2003-11-28 Thread Mark Roberts
Herb Chong [EMAIL PROTECTED] wrote:

i've been getting the distinct feeling for the past couple of months, the
ones that are shooting are the ones talking about shooting and photography,
and the ones that aren't, are talking about everything else.

You ain't seen nuthin!
Head over to the rec.photo newsgroups to see this phenomenon in full
force!

-- 
Mark Roberts
Photography and writing
www.robertstech.com



Re: An observation re Pentax for sale

2003-11-28 Thread William Robb

- Original Message - 
From: mike wilson
Subject: Re: An observation re Pentax for sale


 William Robb wrote:
 
  I can hardly wait to take my large format out after a couple of years of
  disuse and see if I can still set it up...

 That's your bio. taken care of, then.  Myself, I have the visage and
 physique of a Greek God, PhD's from two separate universities and I'm
 still only 18.

I said set it up, not get it up.
I use that equipment with alarming frequency.

William Robb



Re: An observation re Pentax for sale

2003-11-28 Thread Keith Whaley


Herb Chong wrote:
 
 i've been getting the distinct feeling for the past couple of months, the
 ones that are shooting are the ones talking about shooting and photography,
 and the ones that aren't, are talking about everything else.

And, somehow, you manage to do a lot of both!

keith whaley



Re: An observation re Pentax for sale

2003-11-28 Thread John Francis
 
 Of course you do, John. That is obvious to us here on the list.
 
Yep.  It's obvious that several other people could have a lot to
learn, too, if only they were smart enough to recognise the fact.
 
As a recent study underlined, the last people to recognise their 
own shortcomings are the truly incompetent.

 John Francis wrote:
  
  After only 48 years I find that I've still got things to learn,
  even in the areas where I consider myself reasonably competent.
 
 
 -- 
 graywolf
 http://graywolfphoto.com
 
 You might as well accept people as they are,
 you are not going to be able to change them anyway.
 
 



Re: An observation re Pentax for sale

2003-11-28 Thread William Robb

- Original Message - 
From: Tanya Mayer Photography
Subject: Re: An observation re Pentax for sale


 lol! so I take it that you're not married then William?

Twenty wonderful years so far, and I love her more now than I did when I
married her.

William Robb



RE: An observation re Pentax for sale

2003-11-27 Thread J. C. O'Connell
I disagree. Film will die in 35mm and medium format because
digital will soon be better. I see it just like what happened
to the home movie market in the 70's. video cameras quickly
killed them and you dont see too many people shooting super-8
film now do you? Those cameras and projectors are essentially
worthless now.
JCO


   J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 12:21 AM
To: [EMAIL PROTECTED]
Subject: RE: An observation re Pentax for sale


I think the whole digital thing has to be put in perspective. It IS taking
off. People are trading in their film cameras to get money to buy digital
cameras because they must have the LATEST AND GREATEST thing. There are
thousands of
used film cameras coming in to camera stores and not too many buyers. The
potential buyers (like many of us) are thinking to ourselves that we might
want
the ist-D so we are not going to buy the LX going for a good price or the MX
going for a song. That pushes the prices down even more.
Camera companies and film cameras are sending out signals that their focus
is
shifting. People panic. Trade in more film cameras for digital. Prices keep
going down.
(Sounds like the Stock market a few years ago. Actually it sounds like the
burst of the high tech bubble in the markets.)
My prediction: Things will eventually quiet down. Digital will be a strong
influence in our society and one that will continue to grow. Film will still
be
around and co-exist with digital for many many years. Eventually film
cameras
will start to increase in price and then everyone will want them.
It's just one big cycle. I'll bet alot of the photographers who went digital
were also among the first to sell their mutual funds when things turned bad.
Just my 2 cents
Vic



RE: An observation re Pentax for sale

2003-11-27 Thread Mark Stringer
I agree that the impact is and will be large.  I just don't see film or film cameras 
going away completely.  My point about the consumer is this... Our office consists of 
25 people.  Our company owns 3 digital cameras for taking and sending pictures of well 
locations, equipment.  Of the 25 people all have film cameras, only 3 have digital 
cameras.  Mr Spiehler's $350 Olympus digital is broken and he has not bought another. 
He has a large family and is a millionaire several times over.  His wife loved the 
camera but can't make it work.  Bruce is the President.  He also has a working Olympus 
digital that he uses to take pictures of his kids soccer team to make ID's for the 
soccer events.  Otherwise it remains in his desk drawer at work.  I have a none 
working Nikon.  Remember this is a group of highly compensated people (engineers).  
Our non degreed office manager makes $75000 a year.  She doesn't have a digital 
camera.  Most do not even own a SLR.

I think this group is too close to the industry.  Film is still too easy and familiar 
and will remain so.  A lot of people still can't work their VCR's.

I do agree that large corporate mentality is pushing this to happen.

-Original Message-
From: J. C. O'Connell [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 1:15 AM
To: [EMAIL PROTECTED]
Subject: RE: An observation re Pentax for sale


I disagree. Film will die in 35mm and medium format because
digital will soon be better. I see it just like what happened
to the home movie market in the 70's. video cameras quickly
killed them and you dont see too many people shooting super-8
film now do you? Those cameras and projectors are essentially
worthless now.
JCO


   J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 12:21 AM
To: [EMAIL PROTECTED]
Subject: RE: An observation re Pentax for sale


I think the whole digital thing has to be put in perspective. It IS taking
off. People are trading in their film cameras to get money to buy digital
cameras because they must have the LATEST AND GREATEST thing. There are
thousands of
used film cameras coming in to camera stores and not too many buyers. The
potential buyers (like many of us) are thinking to ourselves that we might
want
the ist-D so we are not going to buy the LX going for a good price or the MX
going for a song. That pushes the prices down even more.
Camera companies and film cameras are sending out signals that their focus
is
shifting. People panic. Trade in more film cameras for digital. Prices keep
going down.
(Sounds like the Stock market a few years ago. Actually it sounds like the
burst of the high tech bubble in the markets.)
My prediction: Things will eventually quiet down. Digital will be a strong
influence in our society and one that will continue to grow. Film will still
be
around and co-exist with digital for many many years. Eventually film
cameras
will start to increase in price and then everyone will want them.
It's just one big cycle. I'll bet alot of the photographers who went digital
were also among the first to sell their mutual funds when things turned bad.
Just my 2 cents
Vic




RE: An observation re Pentax for sale

2003-11-27 Thread Chris Stoddart

JCO wrote

 I disagree. Film will die in 35mm and medium format because
 digital will soon be better. I see it just like what happened
 to the home movie market in the 70's. video cameras quickly
 killed them and you dont see too many people shooting super-8
 film now do you? Those cameras and projectors are essentially
 worthless now.

Actually this is interesting; whilst it's true that video cameras have
overwhelmed 8mm film cameras, (and it would be a fool who denied it), at
the same time it hasn't destroyed them completely. Check out for example
http://www.widescreen-centre.co.uk where you can still buy film and
cameras. You can even buy Standard-8 film for heaven's sake!

Meanwhile 16mm film is still being fairly widely used by students,
independents and documentary film makers and of course most 'movies
are shot on even larger formats.

So is this an anology to the way that still film will go? The vast
majority of consumers will switch to digital, ending with 35mm
overwhelmed in a similar way to how Super/Standard-8 was. Medium-format
will still be more widely available for the artists/connoisseur who wants
a particular look (like 16mm movie film) and professional high-standard
work will be done on large format (35mm/70mm movie films).

Chris



RE: An observation re Pentax for sale

2003-11-27 Thread J. C. O'Connell
The film is expensive but the cameras and projectors are nearly worthless!


   J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com


-Original Message-
From: Chris Stoddart [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 5:36 AM
To: [EMAIL PROTECTED]
Subject: RE: An observation re Pentax for sale



JCO wrote

 I disagree. Film will die in 35mm and medium format because
 digital will soon be better. I see it just like what happened
 to the home movie market in the 70's. video cameras quickly
 killed them and you dont see too many people shooting super-8
 film now do you? Those cameras and projectors are essentially
 worthless now.

Actually this is interesting; whilst it's true that video cameras have
overwhelmed 8mm film cameras, (and it would be a fool who denied it), at
the same time it hasn't destroyed them completely. Check out for example
http://www.widescreen-centre.co.uk where you can still buy film and
cameras. You can even buy Standard-8 film for heaven's sake!

Meanwhile 16mm film is still being fairly widely used by students,
independents and documentary film makers and of course most 'movies
are shot on even larger formats.

So is this an anology to the way that still film will go? The vast
majority of consumers will switch to digital, ending with 35mm
overwhelmed in a similar way to how Super/Standard-8 was. Medium-format
will still be more widely available for the artists/connoisseur who wants
a particular look (like 16mm movie film) and professional high-standard
work will be done on large format (35mm/70mm movie films).

Chris



Re: An observation re Pentax for sale

2003-11-27 Thread Herb Chong
students and school are using 16mm film for different reasons. they have to
train people to use both film and video and the 16mm equipment is already
paid for. the medium format shooters with the resources are switching in
droves to the Canon 1DS because as far as they are concerned, it already is
better than medium format. it's going to become niche even faster than 35mm.

Herb...
- Original Message - 
From: Chris Stoddart [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 5:35 AM
Subject: RE: An observation re Pentax for sale


 Meanwhile 16mm film is still being fairly widely used by students,
 independents and documentary film makers and of course most 'movies
 are shot on even larger formats.

 So is this an anology to the way that still film will go? The vast
 majority of consumers will switch to digital, ending with 35mm
 overwhelmed in a similar way to how Super/Standard-8 was. Medium-format
 will still be more widely available for the artists/connoisseur who wants
 a particular look (like 16mm movie film) and professional high-standard
 work will be done on large format (35mm/70mm movie films).




RE: An observation re Pentax for sale

2003-11-27 Thread Chris Brogden
On Thu, 27 Nov 2003 [EMAIL PROTECTED] wrote:

 My prediction: Things will eventually quiet down. Digital will be a
 strong influence in our society and one that will continue to grow. Film
 will still be around and co-exist with digital for many many years.
 Eventually film cameras will start to increase in price and then
 everyone will want them. It's just one big cycle.

My prediction: Digital will take over more and more of the film market as
time goes by.  Film ps's will die out within a few years, as the price of
good-quality digital systems drops to--or below--the cost of cheap film
ps's.  Note that I said digital systems, and not cameras.  Right now you
can buy a Pentax 33L or 33LF for the same price as a good film ps, and
get good 4x6 prints, decent 5x7's, and (for the average person) not bad
8x10's.  The problem is that you then have to buy a larger memory card,
rechargeable NiMHs, a case, perhaps a card reader, or an AC adapter, or
even a computer.  When the price of a good digital system drops a bit
more, film ps's will be effectively dead.

SLRs will take longer to go.  There's still a huge market for cheap
entry-level SLRs.  Students love 'em because used ones are well-built and
often fully mechanical, and others like them because of the flexibility
offered by interchangeable lenses.  When DSLRs drop in price to be
comparable to film SLRs, then you can expect to see film SLR sales decline
sharply.

I don't think film will ever make a comeback, except in the hands of a
few.  It will still exist for a long time, but its user base will be
limited.  I expect to see DP prices for film rise in the future, and I
expect the cost of repairing a film SLR to go up as well.

chris



Re: An observation re Pentax for sale

2003-11-27 Thread wendy beard
- Original Message -
From: graywolf
 Camera maker's have to be glad for digital right now
 or they would have very few sales as folks hang on waiting for better times. I 
 mean how likely is someone who just got laid off along with 2500 of his 
 co-workers to go out and but a new high-end camera? And how likely is he to go 
 out and sell his 6x7?
 
I did! (the first, not the second. I kept the 67 ;-) )
But you're right. Normal people wouldn't do what I did. Blowing a wad of cash on a 
high end digital camera and lenses when they've just been laid off.
There was method in my madness though. Having the gear has proved an invaluable 
sideline and it looks like I will be heaviliy in demand next year (fingers crossed!)
I admit that I sold some Pentax stuff along the way, but I wouldn't have had to if 
they'd been a bit quicker in shipping that darn *istD!!

wendy beard
ottawa, canada
http://www.muddypawz.net






Re: An observation re Pentax for sale

2003-11-27 Thread Herb Chong
it's already declined sharply. the total SLR market hasn't changed much,
according to Pop Photo's reporting of a Photo Marketing Association report,
only difference is that this past year, DSLRs made up 40% of the sales
whereas 3 years ago, it was nonexistent.

Herb
- Original Message - 
From: Chris Brogden [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 10:44 AM
Subject: RE: An observation re Pentax for sale


 SLRs will take longer to go.  There's still a huge market for cheap
 entry-level SLRs.  Students love 'em because used ones are well-built and
 often fully mechanical, and others like them because of the flexibility
 offered by interchangeable lenses.  When DSLRs drop in price to be
 comparable to film SLRs, then you can expect to see film SLR sales decline
 sharply.




Re: An observation re Pentax for sale

2003-11-27 Thread Pat White
It's funny that digital photography supporters keep saying that there are no
processing costs in filmless photography.  That's only true if you only want
digital files, to email or look at on your monitor.  If you want prints, you
still have to pay for them.

For the working pro, printing only the images that someone's actually paying
for (no more proofs) represents a definite saving, but it's still not free.

For the hobbyist, if you'd been getting very few keepers per roll with your
film camera, there's a saving with digital, but if you want large numbers of
prints to share, give away, or maybe even sell, it's another story.  You
either print them yourself (expensive), or head to the lab to get them done,
just like before.  In either case, it's still not free.

If you're happy with your digital camera, great!  Just don't keep saying the
pictures are free.

Pat White




RE: An observation re Pentax for sale

2003-11-27 Thread Len Paris
The cards start paying for themselves the second time that you format
and re-use them.  Though they seem expensive in the beginning, after a
few years, you can pretty much pay for the cards and the camera that you
use them in.  How many rolls of film do you shoot per year?  Add up the
cost of the film. The digital darkroom isn't free but, if you are
reading this list, you've already got most of what you need in hardware.
If you are as meticulous in shooting with a digital camera as you are in
shooting with a film camera, you won't need expensive software to fix
your pictures. I, personally take my digital images to WalMart and let
them print 4 x 6 prints of the keepers on their Fuji Frontier.  $0.26
per print is cheaper than I can do it at home.  Anything I want to print
really big, bigger than 13 x 19, I upload to Ofoto.com.  A 20 x 30
print costs About $23.00.  Yes, the Kodak folks at Ofoto make a great
20 x 30 print from a 6MP DSLR.  As a matter of fact, they say you
don't need that much resolution to get a good 20 x 30 print.

Now you know all of my secrets

Len
 * There's no place like 127.0.0.1
 

 -Original Message-
 From: Shel Belinkoff [mailto:[EMAIL PROTECTED] 
 Sent: Thursday, November 27, 2003 2:48 PM
 To: [EMAIL PROTECTED]
 Subject: Re: An observation re Pentax for sale
 
 
 How much film could you buy for the cost of a given memory 
 card?  IOW, at what point
 does the card start paying for itself?  And how many cards do 
 people have?
 
 Bruce Dayton wrote:
 
  Hope this is making sense.  In a nutshell, the ability to shoot
  without the concern of cost.  Another example - My wife is quite
  cognizant of the cost per frame on her 35mm camera.  I believe it to
  be about .50 each (film/develop/print).  So she would mentally count
  the cost as she shot.  Opting many times not to take/try a shot
  because she didn't want to pay for it.  Now with her little Optio S,
  she will go out and freely shoot whatever takes her fancy.  She may
  shoot about 90 frames of which later she wants 5-10 printed.  Others
  she may not print but still want to keep, just in case.
 




Re: An observation re Pentax for sale

2003-11-27 Thread Tanya Mayer - Photographic Artist
This is a very interesting thread - and very relevant to myself.  I am
currently in a bit
of a quandry wondering what direction to take.  I was HANGING out for the
D-ist to
arrive here in Oz, but then couldn't bring myself to part the the $3k to buy
one.  I was
wanting to hang onto my $$ to go towards a new studio set up.

Now, I am at a crossroads again  - I have a HUGE project about to commence -
a 12 month
calendar for SIDS Australia, that will go national in 2005 and be available
at the likes of K-Mart,
Target, all newsagents and Angerson Robertson Bookworld.  It will be in
conjunction with their
Red Nose Day Promotions.  Anyways, I can see the obvious benefit in me being
able to shoot
digital in this instance, so that really goes without saying.  My query is
though, to you wedding
and portrait photographers.  I am still shooting exclusively film, and
scanning and converting my
files digitally with Photoshop.  I actually like this method as it
effectively means that I have a 2-in-1
backup ie the digital files PLUS film.  It is however, very time consuming,
and I am really trying to
come up with sure fire way of doing things, if I do take the plunge to the
D-ist.

My main stumbling block is the fact that I am in the country and country
people tend to like things
on paper.  Most turn their nose up in disgust at the idea of photographs
being on a cd-rom. (OTOH,
all of my Brisbane clients are pretty much requesting JUST to have
everything on CD!) Only approx. 70%
of the population even have computers, with waaay less having internet
or email capabilities.  Currently,
I sell my portrait/wedding packages on a per roll basis, with all proofs
being usable 5x7s that the client
gets to keep.  I have a personal aversion to daylight robbery, and find that
this way gives my clients the best
value for their money.  So how do you guys who are shooting digital go about
it?  I mean, alot of my clients
won't be able to access my web galleries or even have their proofs emailed
to them.  Many of them live way
out of town and would probably be extremely intimidated if a cd arrived in
the mail.  The cost of having digital
files printed in QLD still exceeds even 5x7 inch film proofs...

Also, my nearest photolab is 3 hours away and currently I send EVERYTHING
away, which to a very impatient
woman, is an absolute nightmare.  Digital, in this instance, would be
absolute bliss.

Ok, so sorry, as you who remember me will know, I tend to think out loud
and often digress, but I am sure
that most of you will get the gist of what I am asking here.  All thoughts
and suggestions most appreciated!

tan.x.
- Original Message - 
From: graywolf [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 11:55 PM
Subject: Re: An observation re Pentax for sale


 While most of the news photogs have gone that way. And most of the
high-end big
 city commercial photogs (though I don't think those guys are using 6mp
DSLR's).
 I doubt that most of the commercial photogs in smaller towns, nor very
many
 portrait photographers have gone fully digital as yet. Even though there
are
 real economic advantages for a pro to do so. I have to admit however that
I have
 not done a survey on this.

 I would bet however that most of the used medium format you are seeing on
the
 market is not being dumped by pros but by amateurs like us here on the
list who
 can not afford to keep both systems.

 --

 William Robb wrote:
  - Original Message - 
  From: Lasse Karlsson
  Subject: An observation re Pentax for sale
 
 
 
 I noticed an unusually high number of Pentax 67 and 645 items for sale
on
 
  a Swedish second hand online store yesterday.
 
 Is this a sign of the times?
 And in that case, what does the sign tell us?
 
 
  It means that the pro boys are figuring out that 6mp digital cameras are
  equal to the task that they have been using medium format for up to now.
  The signs tell us that the demise of film is probably closer than most
of
  the people on this list are comfortable with.
 
  William Robb
 
 

 -- 
 graywolf
 http://graywolfphoto.com

 You might as well accept people as they are,
 you are not going to be able to change them anyway.





Re: An observation re Pentax for sale

2003-11-27 Thread John Francis
 
 You have but one memory card?  Using MedF, right?  The numbers would, of course, be 
 quite a
 bit different with 35mm, of course.  It certainly works out well for you, that's for 
 sure.

I've got two 1GB microdrives, at $175 each, for a total of $350.  That's
comparable to the cost of one 20-roll box of Provia 100-F (around $100)
plus what I pay for developing and mounting at a one-hour lab I trust.

I could get processing a little cheaper, so let's say that the drives are
both paid for after 1000 exposures.
 
 Bruce Dayton wrote:
 
  Shel,
 
  Let's see.  Film costs me $4.00/roll.  I get 10 shots.  Developing
  costs $3.75.  Prints cost .50 each.  So cost per shot is about $1.30.
   A 256MB memory card costs me about $50.  I get about 50 frames on it.
That is about $1.00/frame for the first use.  Then I can start using
it over and over.
 
I'd say, that for me, the payback is almost immediate.
 
 



Re: An observation re Pentax for sale

2003-11-27 Thread mike wilson
Hi,

Tanya Mayer - Photographic Artist wrote:

 
 Also, my nearest photolab is 3 hours away and currently I send EVERYTHING
 away, which to a very impatient
 woman, is an absolute nightmare.  Digital, in this instance, would be
 absolute bliss.

Why do you not process your own?  At the most, £200 for a Jobo processor
and tanks to process up to five at a time.  £15 to process 10 C-41 36exp
films.  Probably cheaper if you are buying inquantity and tax
deductible.  Or you could go the whole hog and buy one of the Jobo ATL
series autoprocessors.

If you go digital you will, in your situation, be spending more, not
less time in front of a screen and you will need to invest in a high-end
printer (or digital minilab) to create the output.

mike



Re: An observation re Pentax for sale

2003-11-27 Thread graywolf
I would like to see the reletive price breakdown for 10 wall hanger images. Not 
for 1000 throwaways. (grin)

--

Shel Belinkoff wrote:

You have but one memory card?  Using MedF, right?  The numbers would, of course, be 
quite a
bit different with 35mm, of course.  It certainly works out well for you, that's for 
sure.
Bruce Dayton wrote:


Shel,

Let's see.  Film costs me $4.00/roll.  I get 10 shots.  Developing
costs $3.75.  Prints cost .50 each.  So cost per shot is about $1.30.
A 256MB memory card costs me about $50.  I get about 50 frames on it.
 That is about $1.00/frame for the first use.  Then I can start using
 it over and over.
 I'd say, that for me, the payback is almost immediate.




--
graywolf
http://graywolfphoto.com
You might as well accept people as they are,
you are not going to be able to change them anyway.



Re: An observation re Pentax for sale

2003-11-27 Thread graywolf
If you are going to make money with it lease a digital. The lease payments are 
100% deductable (at least in the US). Why tie up your capital? And by the time 
the lease runs out there will be a better camera available anyway.

--

Tanya Mayer - Photographic Artist wrote:

This is a very interesting thread - and very relevant to myself.  I am
currently in a bit
of a quandry wondering what direction to take.  I was HANGING out for the
D-ist to
arrive here in Oz, but then couldn't bring myself to part the the $3k to buy
one.  I was
wanting to hang onto my $$ to go towards a new studio set up.
--
graywolf
http://graywolfphoto.com
You might as well accept people as they are,
you are not going to be able to change them anyway.



Re: An observation re Pentax for sale

2003-11-27 Thread graywolf
Most pros gave up in house processing long ago. Because processing is an $8.00 
and hour job. A $100 an hour photographer would be a fool to waste his time on it.

--

mike wilson wrote:

Hi,

Tanya Mayer - Photographic Artist wrote:


Also, my nearest photolab is 3 hours away and currently I send EVERYTHING
away, which to a very impatient
woman, is an absolute nightmare.  Digital, in this instance, would be
absolute bliss.


Why do you not process your own?  At the most, £200 for a Jobo processor
and tanks to process up to five at a time.  £15 to process 10 C-41 36exp
films.  Probably cheaper if you are buying inquantity and tax
deductible.  Or you could go the whole hog and buy one of the Jobo ATL
series autoprocessors.
If you go digital you will, in your situation, be spending more, not
less time in front of a screen and you will need to invest in a high-end
printer (or digital minilab) to create the output.
mike


--
graywolf
http://graywolfphoto.com
You might as well accept people as they are,
you are not going to be able to change them anyway.



Re: An observation re Pentax for sale

2003-11-27 Thread Tanya Mayer - Photographic Artist
Hi there Mike!

Many thanks for your suggestions.  The primary reasons I have never taken to
processing
my own films are aged 12 mths, 4 and 6.  (Yep, the 12mth old is the reason
for my
disappearance from the list, sorry guys, if I didn't fill you in on her
impending arrival at
the time!).  The need to lock myself away in a dark room for many hours at a
time, is just
all too difficult - my 4 and 6 year olds would succeed in trashing my house,
killing each other
and painting the walls with vegemite.  However, working on the 'puter is not
such an issue
as I actually get to WATCH them trashing my house, killing each other and
painting the
walls with vegemite!  Also, with young kids in the house, the idea of lots
of chemicals in
vicinity isn't too appealing.

I have on many occasions however, considered at least developing my own film
and just scanning
the negs.  At the moment I do all of my work in Photoshop (usually scanned
from 5x7s), upload it
via ftp to my pro lab and then they send it out to me.  I don't think I
would ever actually consider
printing them myself, the ftp works really well, and the results are lovely.

Have just had a guy really pushing for me to use his lab, by offering really
cheap roll scans
(18mb files and using Digital ICE) with processing. This all sounds great to
me, as it is less scanning
for me and I am forever fighting with my scanner to keep it dust/finger
print free.  HOWEVER, the luxury
of having a digital body where it comes straight from the camera,
eliminating all need for any scanning, is
just all too inviting.  It is all a matter of  and quality though, and
whether I need those Elinchrom Monoblocs
more than I do the D-ist.  Then, as I am sure you have all discussed in my
absence, it also raises the issue of
lens compatibility/focal lengths, and I am not sure if I am ready to change
my entire collection just at the moment.
I have a few new favourites that I am really enjoying playing with at the
moment.

Mind you my ever-expanding behind would probably appreciate the Monoblocs,
as I seem to
really be wearing a good seat into my computer chair these days




- Original Message - 
From: mike wilson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 7:51 AM
Subject: Re: An observation re Pentax for sale


Hi,

Tanya Mayer - Photographic Artist wrote:


 Also, my nearest photolab is 3 hours away and currently I send EVERYTHING
 away, which to a very impatient
 woman, is an absolute nightmare.  Digital, in this instance, would be
 absolute bliss.

Why do you not process your own?  At the most, £200 for a Jobo processor
and tanks to process up to five at a time.  £15 to process 10 C-41 36exp
films.  Probably cheaper if you are buying inquantity and tax
deductible.  Or you could go the whole hog and buy one of the Jobo ATL
series autoprocessors.

If you go digital you will, in your situation, be spending more, not
less time in front of a screen and you will need to invest in a high-end
printer (or digital minilab) to create the output.

mike



Re: An observation re Pentax for sale

2003-11-27 Thread Tanya Mayer - Photographic Artist
OT- my apologies to you all - I just noticed that all of my posts are
showing
Tanya Mayer - Photographic Artist.  In this context, it looks extremely
pompous and conceited! lol.  I subscribed to the list using my work email
addy, and forgot that that is the display I have for it! Sorry guys, really,
I am not totally full of myself... I promise *hides head sheepishly*...

;-)

tan.x.

- Original Message - 
From: mike wilson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 7:51 AM
Subject: Re: An observation re Pentax for sale


Hi,

Tanya Mayer - Photographic Artist wrote:


 Also, my nearest photolab is 3 hours away and currently I send EVERYTHING
 away, which to a very impatient
 woman, is an absolute nightmare.  Digital, in this instance, would be
 absolute bliss.

Why do you not process your own?  At the most, £200 for a Jobo processor
and tanks to process up to five at a time.  £15 to process 10 C-41 36exp
films.  Probably cheaper if you are buying inquantity and tax
deductible.  Or you could go the whole hog and buy one of the Jobo ATL
series autoprocessors.

If you go digital you will, in your situation, be spending more, not
less time in front of a screen and you will need to invest in a high-end
printer (or digital minilab) to create the output.

mike



Re: An observation re Pentax for sale

2003-11-27 Thread Tanya Mayer - Photographic Artist
Same goes here in Oz for tax - AND I have actually looked at doing just
that.  Somewhere
along the line I forgot about it, but might just look into it again.  I can
feel the d-ist in
my hands already! lol...

BTW, I totall agree with this And by the time the lease runs out there will
be a
better camera available anyway, which is why I have held off for as long
as I have.
The technology is such that it will be obsolete in 12 months time, and we
will be offered
12 megapixel cameras at todays 6mp prices.  Mind you, don't like the chances
of my
1.7ghz processor/256mb RAM/Win 98 being able to handle that large a file
size! It struggles
with Photoshop 7.0 as it is! hohum, yet another upgrade to think of...

- Original Message - 
From: graywolf [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 9:02 AM
Subject: Re: An observation re Pentax for sale


 If you are going to make money with it lease a digital. The lease payments
are
 100% deductable (at least in the US). Why tie up your capital? And by the
time
 the lease runs out there will be a better camera available anyway.

 --

 Tanya Mayer - Photographic Artist wrote:

  This is a very interesting thread - and very relevant to myself.  I am
  currently in a bit
  of a quandry wondering what direction to take.  I was HANGING out for
the
  D-ist to
  arrive here in Oz, but then couldn't bring myself to part the the $3k to
buy
  one.  I was
  wanting to hang onto my $$ to go towards a new studio set up.

 -- 
 graywolf
 http://graywolfphoto.com

 You might as well accept people as they are,
 you are not going to be able to change them anyway.





Re: An observation re Pentax for sale

2003-11-27 Thread frank theriault
Well, now that you mention it, I ~was~ wondering about that Photographic 
Artist bit...  vbg

BTW, hi.  I've been active on the list for several years now, but I faintly 
recall that you may have been around, perhaps during my lurlking days, or 
possibly when I first started posting.  In any event we certainly didn't get 
to know each other at all.  You'll very quickly realize (if you haven't 
already) that much of what I say is tongue in cheek, and pretty much always 
to be taken worth a grain of salt.  The odd salient point accidently slips 
through from time to time, but I'm working on keeping those to a minimum. 
(Hey, that's two salt metaphors in successive sentences.  Not bad, eh?)

So, pleased to meet you.  It seems from some of the other welcomes that I've 
read that you were quite popular poster in your day g.  Everyone seems 
quite happy to have you back.

cheers,
frank
Rider of Bicycles
The optimist thinks this is the best of all possible worlds.  The pessimist 
fears it is true.  -J. Robert Oppenheimer




From: Tanya Mayer - Photographic Artist [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: An observation re Pentax for sale
Date: Fri, 3 Oct 2003 08:42:24 +1000
OT- my apologies to you all - I just noticed that all of my posts are
showing
Tanya Mayer - Photographic Artist.  In this context, it looks extremely
pompous and conceited! lol.  I subscribed to the list using my work email
addy, and forgot that that is the display I have for it! Sorry guys, 
really,
I am not totally full of myself... I promise *hides head sheepishly*...

;-)

tan.x.

- Original Message -
From: mike wilson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 7:51 AM
Subject: Re: An observation re Pentax for sale
Hi,

Tanya Mayer - Photographic Artist wrote:


 Also, my nearest photolab is 3 hours away and currently I send 
EVERYTHING
 away, which to a very impatient
 woman, is an absolute nightmare.  Digital, in this instance, would be
 absolute bliss.

Why do you not process your own?  At the most, £200 for a Jobo processor
and tanks to process up to five at a time.  £15 to process 10 C-41 36exp
films.  Probably cheaper if you are buying inquantity and tax
deductible.  Or you could go the whole hog and buy one of the Jobo ATL
series autoprocessors.
If you go digital you will, in your situation, be spending more, not
less time in front of a screen and you will need to invest in a high-end
printer (or digital minilab) to create the output.
mike

_
Protect your PC - get McAfee.com VirusScan Online  
http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963



Re: An observation re Pentax for sale

2003-11-27 Thread Tanya Mayer - Photographic Artist
Hi there Frank,

Lovely to make your acquaintance! lol.  I hear you on the tongue in cheek
thing, and have learnt in the past that it pays to have a very open mind and
a good sense of humour when using these lists! Flame wars are very
entertaining to watch, but I generally don't participate. hehe.

As for my being popular - I think it has more to do with me, at that time,
being a true rose amongst the thorns - I think there was only one other
lady
on list when I was around previously, and she wasn't a very regular poster.
So being a 24 year old girl, kind of helped my notoriety a bit.  Mind you, I
do
remember thinking that Shel was a girl for a bit there too! (Thinking that
Shel
was short for Michelle). Stood corrected (and very embarrassed!)when Stan
emailed me a pic of him though! lol!

It's lovely to see now that there are a few ladies here though - I feel much
more
at home! ;-)

Sorry, totally off topic guys, better get back to the subject at hand, or
I'll be
making enemies already!

tan.x.

- Original Message - 
From: frank theriault [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 9:47 AM
Subject: Re: An observation re Pentax for sale


Well, now that you mention it, I ~was~ wondering about that Photographic
Artist bit...  vbg

BTW, hi.  I've been active on the list for several years now, but I faintly
recall that you may have been around, perhaps during my lurlking days, or
possibly when I first started posting.  In any event we certainly didn't get
to know each other at all.  You'll very quickly realize (if you haven't
already) that much of what I say is tongue in cheek, and pretty much always
to be taken worth a grain of salt.  The odd salient point accidently slips
through from time to time, but I'm working on keeping those to a minimum.
(Hey, that's two salt metaphors in successive sentences.  Not bad, eh?)

So, pleased to meet you.  It seems from some of the other welcomes that I've
read that you were quite popular poster in your day g.  Everyone seems
quite happy to have you back.

cheers,
frank
Rider of Bicycles

The optimist thinks this is the best of all possible worlds.  The pessimist
fears it is true.  -J. Robert Oppenheimer




From: Tanya Mayer - Photographic Artist [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: An observation re Pentax for sale
Date: Fri, 3 Oct 2003 08:42:24 +1000

OT- my apologies to you all - I just noticed that all of my posts are
showing
Tanya Mayer - Photographic Artist.  In this context, it looks extremely
pompous and conceited! lol.  I subscribed to the list using my work email
addy, and forgot that that is the display I have for it! Sorry guys,
really,
I am not totally full of myself... I promise *hides head sheepishly*...

;-)

tan.x.

- Original Message -
From: mike wilson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, November 28, 2003 7:51 AM
Subject: Re: An observation re Pentax for sale


Hi,

Tanya Mayer - Photographic Artist wrote:

 
  Also, my nearest photolab is 3 hours away and currently I send
EVERYTHING
  away, which to a very impatient
  woman, is an absolute nightmare.  Digital, in this instance, would be
  absolute bliss.

Why do you not process your own?  At the most, £200 for a Jobo processor
and tanks to process up to five at a time.  £15 to process 10 C-41 36exp
films.  Probably cheaper if you are buying inquantity and tax
deductible.  Or you could go the whole hog and buy one of the Jobo ATL
series autoprocessors.

If you go digital you will, in your situation, be spending more, not
less time in front of a screen and you will need to invest in a high-end
printer (or digital minilab) to create the output.

mike


_
Protect your PC - get McAfee.com VirusScan Online
http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963




Re: An observation re Pentax for sale

2003-11-27 Thread William Robb

- Original Message - 
From: graywolf
Subject: Re: An observation re Pentax for sale




 I would bet however that most of the used medium format you are seeing on
the
 market is not being dumped by pros but by amateurs like us here on the
list who
 can not afford to keep both systems.

Around here, there aren't a lot af amateurs using medium format in the first
place. I do know of close to a dozen local pro boys who are out of medium
format completely, having bought into Canon digital.

William Robb



Re: An observation re Pentax for sale

2003-11-27 Thread Cotty
On 27/11/03, [EMAIL PROTECTED] disgorged:

And how many cards do people have?

3 cards

1 @ 256 MB
2 @ 512 MB

would like more but don't need them.




Cheers,
  Cotty


___/\__
||   (O)   |  People, Places, Pastiche
||=|  www.macads.co.uk/snaps
_
Free UK Mac Ads www.macads.co.uk



Re: An observation re Pentax for sale

2003-11-27 Thread Shel Belinkoff
Hi Bruce ...

You've brought up an interesting point that I was mulling over while making a few 
photos earlier.

There's this discussion going on about the cost of working with film v working with 
digital,
and, depending on what one wants to throw into the argument (buying a scanner, a 
printer, film
cost v memory card cost, the cost of the camera/lenses, and so on - hell, if y'wanna 
get fancy,
one can include the time value of money, amortizing the cost over the useful life of 
the
equipment, recovering depreciation, resale value, ad nauseum), and it seems to me that 
the
financial aspect of one format over the other is of no consequence from the standpoint 
of
preference unless one is using the gear to generate income.  Otherwise photography is 
a hobby
that's generally paid for with discretionary income, so what difference does it make 
if digi or
film costs more.  The hobbyist will buy what s/he  prefers, for whatever reason s/he 
prefers, and
that's the end of it.

When was the last time you heard a discussion about 35mm v MedF v LF with the cost 
being an
argument?

kind regards,

shel



Bruce Dayton wrote:

 Hello Shel,

 Actually, I already had 2-256MB cards from other digi's.  So I didn't
 even buy them.  They have already logged at least 1000 pictures.  I
 did buy a 512MB card, though.  My point was that it doesn't take long
 at all to recoup the cost of the card.

 It should be pointed out that I already have
 computer/printer/software for other uses so that was not a necessary
 cost for me.

 And yes, Medium Format is what I have been using. It is more costly
 per frame to shoot.  In fact, pretty much I don't shoot it unless
 someone is paying me to.  Doesn't give me much practice or
 experimentation.



Re: An observation re Pentax for sale

2003-11-27 Thread Paul
Never enough

And how many cards do people have?
   





Re: An observation re Pentax for sale

2003-11-27 Thread John Francis
 
 Um, sorry to inform you but film can be scanned and
 then digitally processed the same way as a digital original.

Sorry to inform you that we know that - some of us have been
doing exactly that for the last five years or more.  But it's
completely irrelevant to the discussion at hand.  It doesn't
save you anything on film costs, and you have to pay for the
scanner; until recently these cost nearly as much as the *ist-D.
As such, it's unlikely that anything involving scanning film is
going to be a serious contender for a low-cost setup.

 
 
J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com
 
 
 -Original Message-
 From: John Francis [mailto:[EMAIL PROTECTED]
 Sent: Thursday, November 27, 2003 3:54 PM
 To: [EMAIL PROTECTED]
 Subject: Re: An observation re Pentax for sale
 
 
 
  If you're happy with your digital camera, great!  Just don't keep saying
 the
  pictures are free.
 
 Noone has said that.  They have said film is free, though - those
 experimental shots to try different techniques don't cost anything.
 
 It's also a lot cheaper to produce anything larger than a 6x4 print
 yourself at home than it is to pay someone else to do it.  An 8x10
 from Wolfe Camera costs around $5.  For $1.50 in consumables I can
 produce an 8x10 with far better colour balance than anything from
 Wolfe, cropped exactly how I want it.  Sure, I have to pay for the
 printer, too.  But even at $3.50 a print that doesn't take too long.
 And don't even look at the cost of one-off prints from a pro lab.
 
 In my case I expect the *ist-D to pay for itself in less than two
 years, based solely on the cost of film and processing.  But the
 big benefit, for most users, isn't the cost - it's the fact that
 anyone with a computer now has access to the flexibility and
 control over the process that was previously only available to
 the very few people who set up their own photographic darkroom.
 
 If you are happy with your film camera, and 5c 6x4 prints from
 the minilab at your local discount warehouse, great!  But ...
 



RE: An observation re Pentax for sale

2003-11-27 Thread J. C. O'Connell
you stated below that the big advantage of a digicam was
the control available only darkroom users. Scanning
film gives same exact control and you dont need
a darkroom.


   J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com


-Original Message-
From: John Francis [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 10:04 PM
To: [EMAIL PROTECTED]
Subject: Re: An observation re Pentax for sale



 Um, sorry to inform you but film can be scanned and
 then digitally processed the same way as a digital original.

Sorry to inform you that we know that - some of us have been
doing exactly that for the last five years or more.  But it's
completely irrelevant to the discussion at hand.  It doesn't
save you anything on film costs, and you have to pay for the
scanner; until recently these cost nearly as much as the *ist-D.
As such, it's unlikely that anything involving scanning film is
going to be a serious contender for a low-cost setup.


 --
--
J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com
 --
--

 -Original Message-
 From: John Francis [mailto:[EMAIL PROTECTED]
 Sent: Thursday, November 27, 2003 3:54 PM
 To: [EMAIL PROTECTED]
 Subject: Re: An observation re Pentax for sale


 
  If you're happy with your digital camera, great!  Just don't keep saying
 the
  pictures are free.

 Noone has said that.  They have said film is free, though - those
 experimental shots to try different techniques don't cost anything.

 It's also a lot cheaper to produce anything larger than a 6x4 print
 yourself at home than it is to pay someone else to do it.  An 8x10
 from Wolfe Camera costs around $5.  For $1.50 in consumables I can
 produce an 8x10 with far better colour balance than anything from
 Wolfe, cropped exactly how I want it.  Sure, I have to pay for the
 printer, too.  But even at $3.50 a print that doesn't take too long.
 And don't even look at the cost of one-off prints from a pro lab.

 In my case I expect the *ist-D to pay for itself in less than two
 years, based solely on the cost of film and processing.  But the
 big benefit, for most users, isn't the cost - it's the fact that
 anyone with a computer now has access to the flexibility and
 control over the process that was previously only available to
 the very few people who set up their own photographic darkroom.

 If you are happy with your film camera, and 5c 6x4 prints from
 the minilab at your local discount warehouse, great!  But ...




RE: An observation re Pentax for sale

2003-11-27 Thread tom
I'm up to 9 gigs.

tv

 -Original Message-
 From: Paul [mailto:[EMAIL PROTECTED]
 Sent: Thursday, November 27, 2003 7:24 PM
 To: [EMAIL PROTECTED]
 Subject: Re: An observation re Pentax for sale
 
 
 
 Never enough
 
 And how many cards do people have?
 
 
 
 
 
 



RE: An observation re Pentax for sale

2003-11-27 Thread tom
 -Original Message-
 From: mike wilson [mailto:[EMAIL PROTECTED]

 Hi,

 Tanya Mayer - Photographic Artist wrote:

 
  Also, my nearest photolab is 3 hours away and currently I
 send EVERYTHING
  away, which to a very impatient
  woman, is an absolute nightmare.  Digital, in this
 instance, would be
  absolute bliss.

 Why do you not process your own?

It's an extremely inefficient way to operate as a photographer. I
tried it for a while, and it's just nuts.


 If you go digital you will, in your situation, be spending more, not
 less time in front of a screen and you will need to invest
 in a high-end
 printer (or digital minilab) to create the output.


No, you don't. The vast majority of pros send their files to a lab,
just like they did with film.

You do have to spend more time in front of the computer, but overall I
have less work to do.

tv




RE: An observation re Pentax for sale

2003-11-27 Thread tom
 -Original Message-
 From: Tanya Mayer - Photographic Artist
 [mailto:[EMAIL PROTECTED]


 My main stumbling block is the fact that I am in the
 country and country
 people tend to like things
 on paper.  Most turn their nose up in disgust at the idea
 of photographs
 being on a cd-rom. (OTOH,
 all of my Brisbane clients are pretty much requesting JUST to have
 everything on CD!) Only approx. 70%
 of the population even have computers, with waaay less
 having internet
 or email capabilities.  Currently,
 I sell my portrait/wedding packages on a per roll basis,
 with all proofs
 being usable 5x7s that the client
 gets to keep.  I have a personal aversion to daylight
 robbery, and find that
 this way gives my clients the best
 value for their money.

Interesting way to put it.


 So how do you guys who are shooting
 digital go about
 it?

That's, uh, kind of a broad question

 I mean, alot of my clients
 won't be able to access my web galleries or even have their
 proofs emailed
 to them.  Many of them live way
 out of town and would probably be extremely intimidated if
 a cd arrived in
 the mail.  The cost of having digital
 files printed in QLD still exceeds even 5x7 inch film proofs...

What's QLD?

I don't do paper proofs anymore, but if someone really wants them,
they can buy them. Another option is a proof magazine. It's a stack
10x15's with 6 images per page spiral bound.

tv

--
Thomas Van Veen Photography
www.thomasvanveen.com
301-758-3085






RE: An observation re Pentax for sale

2003-11-27 Thread tom
 -Original Message-
 From: Pat White [mailto:[EMAIL PROTECTED]
 
 
 It's funny that digital photography supporters keep saying 
 that there are no
 processing costs in filmless photography. 


Who said that?

tv
 



Re: An observation re Pentax for sale

2003-11-27 Thread Chris Brogden
On Thu, 27 Nov 2003, Pat White wrote:

 It's funny that digital photography supporters keep saying that there
 are no processing costs in filmless photography.  That's only true if
 you only want digital files, to email or look at on your monitor.  If
 you want prints, you still have to pay for them.

Of course.  No one, to my knowledge, has claimed that prints are free.
However, you no longer have to worry about film and dp costs if you feel
like shooting several hundred photos in a day.  If you bring them enough
images on a CD, local pro labs charge anywhere from 20-30 cents CAN per
4x5/4x6 print from a digital file.  At this price digital is much cheaper
than film plus good developing, especially since you can pick and choose
which shots to print.

chris



Re: An observation re Pentax for sale

2003-11-27 Thread Shel Belinkoff
Maybe some people just enjoy taking a few snaps a month, don't want to spend
time practicing, and much prefer other pleasures.  Perhaps photography means
something different to them than it does to you ...

Herb Chong wrote:

 in addition to all this, if you are a little bit serious about photography,
 you will be learning from the photographs you take. if you take a lot, you
 will learn more quickly. that is one reason why i don't understand the 35mm
 shooters on this list who take less than a couple of rolls a month. how can
 you keep up your skills well enough to generate good shots reliably when you
 must if you don't practice. digital encourages both practice and
 experimentation.



Re: An observation re Pentax for sale

2003-11-27 Thread Bill Owens
And since most digicams now support DPOF, the lab can print only those
images you request, without resorting to a contact sheet or negatives.  As a
matter of fact, many inkjet printers now support DPOF through card readers.

Bill

- Original Message - 
From: Chris Brogden [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 10:40 PM
Subject: Re: An observation re Pentax for sale


 On Thu, 27 Nov 2003, Pat White wrote:

  It's funny that digital photography supporters keep saying that there
  are no processing costs in filmless photography.  That's only true if
  you only want digital files, to email or look at on your monitor.  If
  you want prints, you still have to pay for them.

 Of course.  No one, to my knowledge, has claimed that prints are free.
 However, you no longer have to worry about film and dp costs if you feel
 like shooting several hundred photos in a day.  If you bring them enough
 images on a CD, local pro labs charge anywhere from 20-30 cents CAN per
 4x5/4x6 print from a digital file.  At this price digital is much cheaper
 than film plus good developing, especially since you can pick and choose
 which shots to print.

 chris






Re: An observation re Pentax for sale

2003-11-27 Thread Bill Owens
The vast majority just want to record an event in their lives, and could
care less about the nuances a serious photographer is concerned with.  These
folks are quite satisfied with the results from a one time use camera, as
well they should be.

Bill

- Original Message - 
From: Shel Belinkoff [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 11:01 PM
Subject: Re: An observation re Pentax for sale


 Maybe some people just enjoy taking a few snaps a month, don't want to
spend
 time practicing, and much prefer other pleasures.  Perhaps photography
means
 something different to them than it does to you ...

 Herb Chong wrote:

  in addition to all this, if you are a little bit serious about
photography,
  you will be learning from the photographs you take. if you take a lot,
you
  will learn more quickly. that is one reason why i don't understand the
35mm
  shooters on this list who take less than a couple of rolls a month. how
can
  you keep up your skills well enough to generate good shots reliably when
you
  must if you don't practice. digital encourages both practice and
  experimentation.






Re: An observation re Pentax for sale

2003-11-27 Thread Herb Chong
the vast majority aren't people on this list. one of the reasons for being
here is that the members say that they take their photography seriously,
yet, i hear people on this list struggle to get up to a few hundred photos a
year. they argue and moan over the digital wave overtaking us. they say they
take take their photography seriously, but they don't seem to.

Herb...
- Original Message - 
From: Bill Owens [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, November 27, 2003 11:09 PM
Subject: Re: An observation re Pentax for sale


 The vast majority just want to record an event in their lives, and could
 care less about the nuances a serious photographer is concerned with.
These
 folks are quite satisfied with the results from a one time use camera, as
 well they should be.




Re: An observation re Pentax for sale

2003-11-27 Thread Shel Belinkoff
Sheesh, Herb, everyone has different points of reference.  To some you may be a
rank amateur that practices far too little and couldn't make a quality print if
you sold your soul to the devil.

People have other things to do in their lives - raise a family, put bread on the
table, keep a roof over their heads, fight illness ... maybe they do take their
photography seriously, but  other things take precedence.

I thought I was a critical curmudgeon ... you take the prize!

shel

Herb Chong wrote:

 the vast majority aren't people on this list. one of the reasons for being
 here is that the members say that they take their photography seriously,
 yet, i hear people on this list struggle to get up to a few hundred photos a
 year. they argue and moan over the digital wave overtaking us. they say they
 take take their photography seriously, but they don't seem to.



RE: An observation re Pentax for sale

2003-11-27 Thread Paul Ewins
 Strangely enough sheet film had already gone to where 
advanced amateurs and fine arts photographers are the pretty much the
only ones 
using it even before digital became a major market contender, so
digital will 
not make the inroads there that it will in the smaller formats.

I'd have to agree with that in terms of BW, and for colour it is
probably almost there now. There really are very few situations where
you need to use sheet film; you do so because you want to. So long as I
can still get FP4 and HP5 in 4x5 I'll be content, and even if it got to
the stage that only one 100 and one 400 emulsion where available from
anybody I'd probably still survive.
Still, it does seem to be the pro gear that is being dumped. My local
pro dealer is awash in Hasselblads and F3/F4s.
The up side to this has been the very low prices I have paid for
darkroom gear over the last few months, probably 10% of new price for
quality equipment.


Paul Ewins
Melbourne, Australia




Re: An observation re Pentax for sale

2003-11-26 Thread Dario Bonazza 2
Lasse wrote:

 I noticed an unusually high number of Pentax 67 and 645 items for sale on
a Swedish second hand online store yesterday.

 Is this a sign of the times?

Yes, I believe so.

 And in that case, what does the sign tell us?

That if you are interested in that stuff, and wait a little more, you'll pay
even less.

Dario Bonazza





Re: An observation re Pentax for sale

2003-11-26 Thread Keith Whaley
You mean, I can finally decide to go Medium Format, if I want?
Reasonably priced?

After I got an LX and an MX and an Optio S4?
I thought heaven was already here!  g

keith whaley

Dario Bonazza 2 wrote:
 
 Lasse wrote:
 
  I noticed an unusually high number of Pentax 67 and 645 items for sale on
 a Swedish second hand online store yesterday.
 
  Is this a sign of the times?
 
 Yes, I believe so.
 
  And in that case, what does the sign tell us?
 
 That if you are interested in that stuff, and wait a little more, you'll pay
 even less.
 
 Dario Bonazza



RE: An observation re Pentax for sale

2003-11-26 Thread J. C. O'Connell
the sign is : advanced DSLRs will obsolete both 35mm AND medium format
film cameras in no time at all.

It will take some time to equal 4X5 and 8X10 film formats
but I wouldnt be surprised if digital matches those in
the very long run too.

jco


   J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com


-Original Message-
From: Lasse Karlsson [mailto:[EMAIL PROTECTED]
Sent: Wednesday, November 26, 2003 4:07 PM
To: [EMAIL PROTECTED]
Subject: An observation re Pentax for sale


I noticed an unusually high number of Pentax 67 and 645 items for sale on a
Swedish second hand online store yesterday.

Is this a sign of the times?
And in that case, what does the sign tell us?

Lasse




RE: An observation re Pentax for sale

2003-11-26 Thread Mark Stringer
I disagree.  I see no point in buying an *istD to take BW photographs.  They will 
never replace silver.

-Original Message-
From: Bill Owens [mailto:[EMAIL PROTECTED]
Sent: Wednesday, November 26, 2003 4:40 PM
To: [EMAIL PROTECTED]
Subject: Re: An observation re Pentax for sale


IMHO, advanced DSLRs have already made 35mm basically obsolete.

Bill

- Original Message - 
From: J. C. O'Connell [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, November 26, 2003 5:01 PM
Subject: RE: An observation re Pentax for sale


 the sign is : advanced DSLRs will obsolete both 35mm AND medium format
 film cameras in no time at all.

 It will take some time to equal 4X5 and 8X10 film formats
 but I wouldnt be surprised if digital matches those in
 the very long run too.

 jco

 --
--
J.C. O'Connell   mailto:[EMAIL PROTECTED]   http://jcoconnell.com
 --
--

 -Original Message-
 From: Lasse Karlsson [mailto:[EMAIL PROTECTED]
 Sent: Wednesday, November 26, 2003 4:07 PM
 To: [EMAIL PROTECTED]
 Subject: An observation re Pentax for sale


 I noticed an unusually high number of Pentax 67 and 645 items for sale on
a
 Swedish second hand online store yesterday.

 Is this a sign of the times?
 And in that case, what does the sign tell us?

 Lasse








RE: An observation re Pentax for sale

2003-11-26 Thread tom
 -Original Message-
 From: Mark Stringer [mailto:[EMAIL PROTECTED]


 I disagree.  I see no point in buying an *istD to take BW
 photographs.  They will never replace silver.

Hmm. I had a full-on commercial darkroom, which I ditched within a
month of going digital.

In my case digital replaced silver fairly easily and painlessly.

tv





Re: An observation re Pentax for sale

2003-11-26 Thread graywolf
Well, remember digital is not the only reason that photo equipment prices are 
down. The economy kind of sucks, but should be getting better at this point. My 
experience is that photo equipment prices lag the economy by a couple of years 
so there should be another couple of years of good buys out there.

--

Dario Bonazza 2 wrote:

I think that ALL prices for used film equipment (film cameras and dead-mount
lenses and accessories) will reduce more and more as lots of stuff will be
offered on the market, including MF.
As better and better digital stuff will be on sale for lower and lower
prices (probably never lower than a given threshold price for serious stuff)
better and better MF used stuff will be on sale for lower and lower prices.
So the 67 is going the digital way after all :-)
Yes, I'm also thinking setting-up a 67 system, but since prices for MF
equipment are more or less going to follow the same trend of digital stuff
(according to my theory above) I'm not sure if I have to go digital or MF
first.
Dario Bonazza

Keith Whaley wrote:


You mean, I can finally decide to go Medium Format, if I want?
Reasonably priced?
After I got an LX and an MX and an Optio S4?
I thought heaven was already here!  g
keith whaley

Dario Bonazza 2 wrote:

Lasse wrote:


I noticed an unusually high number of Pentax 67 and 645 items for sale
on

a Swedish second hand online store yesterday.

Is this a sign of the times?
Yes, I believe so.


And in that case, what does the sign tell us?
That if you are interested in that stuff, and wait a little more, you'll
pay

even less.

Dario Bonazza



--
graywolf
http://graywolfphoto.com
You might as well accept people as they are,
you are not going to be able to change them anyway.



Re: An observation re Pentax for sale

2003-11-26 Thread William Robb

- Original Message - 
From: Lasse Karlsson
Subject: An observation re Pentax for sale


 I noticed an unusually high number of Pentax 67 and 645 items for sale on
a Swedish second hand online store yesterday.

 Is this a sign of the times?
 And in that case, what does the sign tell us?

It means that the pro boys are figuring out that 6mp digital cameras are
equal to the task that they have been using medium format for up to now.
The signs tell us that the demise of film is probably closer than most of
the people on this list are comfortable with.

William Robb



RE: An observation re Pentax for sale

2003-11-26 Thread Mark Stringer
Color did not replace BW.  Bayonet mount did not replace screwmount.  Who is going to 
want these used DSLR's in 5 years?  People still covet the LX.

Despite the Nikon story, digital cameras are not going to replace point and shoots.  
My Nikon 885 has been on the blink for 2 months.  After $150 repair by Nikon it still 
does not work.  The average guy is not likely to spend $400 on a point and shoot 
digital camera, repair it and then go spend another $400 on another.  

My wife has been using a Pentax IQ zoom and I my slr's. My money went for a FA77, 
FA24, PZ1p, 67II and my photos are better than ever. And you know what? I don't worry 
about losing my photos on a hard drive or cd that has the laminate separating.  I know 
where the negatives are and scan in what I want.  

I like looking at my photos under a good light.  I cannot judge much in the way of 
resolution on a monitor and the internet does not convey the elements of a good 
photograph.

Digital is useful and may serve some commercial purposes well but there is a craft to 
photography.  Digital still does not surpass a good film negative and print.  Not even 
close to what can be done with a medium format camera.  I will always have my digital 
camera. I like the technology but...

Really, Chicken Little, the sky is not falling...

-Original Message-
From: tom [mailto:[EMAIL PROTECTED]
Sent: Wednesday, November 26, 2003 6:30 PM
To: [EMAIL PROTECTED]
Subject: RE: An observation re Pentax for sale


 -Original Message-
 From: Mark Stringer [mailto:[EMAIL PROTECTED]


 I disagree.  I see no point in buying an *istD to take BW
 photographs.  They will never replace silver.

Hmm. I had a full-on commercial darkroom, which I ditched within a
month of going digital.

In my case digital replaced silver fairly easily and painlessly.

tv






Re: An observation re Pentax for sale

2003-11-26 Thread Herb Chong
the manufacturers are making it happen. they are definitely cutting back on
film camera production and people are buying the digitals. if film
stabilizes at 10% of it's peak market share, you're going to have far less
selection and higher costs.

Herb
- Original Message - 
From: Mark Stringer [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, November 26, 2003 9:41 PM
Subject: RE: An observation re Pentax for sale


 Color did not replace BW.  Bayonet mount did not replace screwmount.  Who
is going to want these used DSLR's in 5 years?  People still covet the LX.

 Despite the Nikon story, digital cameras are not going to replace point
and shoots.  My Nikon 885 has been on the blink for 2 months.  After $150
repair by Nikon it still does not work.  The average guy is not likely to
spend $400 on a point and shoot digital camera, repair it and then go spend
another $400 on another.




Re: An observation re Pentax for sale

2003-11-26 Thread William Robb

- Original Message - 
From: Mark Stringer
Subject: RE: An observation re Pentax for sale



 Digital is useful and may serve some commercial purposes well but there is
a craft to photography.  Digital still does not surpass a good film negative
and print.  Not even close to what can be done with a medium format camera.
I will always have my digital camera. I like the technology but...

 Really, Chicken Little, the sky is not falling...

You need to get a little closer to the industry, thats all.

William Robb