Re: [h-cost] Cedar chips/moths

2012-02-27 Thread Catherine Kinsey
Thanks for the tip on using cloves, I'm going to give it a try in my drawers of 
small items.  H, have some tubs of wool scaps, may try them there too.
 
For larger, ie; hanging, I've had success with the bags of cedar chips you can 
get at the pet store for small animal bedding.  I take old pillow cases, sew a 
couple of channels in it, full it up and pin to a hanger.  I shake it around a 
couple of times of year and change it out when the smell seems to be fading 
(which reminds me.).  Never had a problem with cedar oil on the pillow 
case, so pretty sure none on the clothing.  I have one in the bottom of my sock 
drawer, which also houses all the wool sock my mother has knit me.  Seems to 
help. 
 
Flour moths;  hates them!  We had them once and had to clean out ALL the 
cupboards.  Put down bay leaves (dried) in the back of each shelf and it seems 
to have kept them away. 
 
Catherine
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Re: [h-cost] Has anyone here beaded garments with real stones

2011-10-04 Thread Catherine Kinsey
I've done pearls and garnets.  It was a renfaire costume (King) that saw a lot 
of use.  We didn't dry clean though, we used Frebreeze on the inside, and 
occasional gentle water rinse.  I think we did end up of using Dryel once.  
Everything held up just fine but then garnets are a dark color and I don't 
believe change very much.  Some stones are heat treated to enchance color so 
you could have a problem there.  If possible, can you test a couple?
 
And I strongly agree with the previous advice for sewing these things on :).  I 
never liked the nylon threads, had trouble with it knotting securely, so I used 
quilting thread and a good beeswas, then at least one overhand knot every 2-3 
beads.  It's been over 20 years on the original costume and never lost a stone.
 
Please let us know how the citrine's work out, might need to use them sometime 
:).

Catherine
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Re: [h-cost] a question about passementerie

2011-09-13 Thread Catherine Kinsey
My question is, what should I do, in future, to finish the ends of the 
braid so that they do not unravel? This first construction used Elmer's 
glue (it was what was to hand) and that is obviously the wrong answer if 
one ever plans on washing the garment.
 
Many thanks,
 
Jen

 
Jen,
 
If I can't bury the end in a seam, or cover it with something, I've used 
Fabri-tac and another craft glue (I think it was the pink label 'Aileen's' 
glue) to seal the ends.  I went for labels on glues in the t-shirt section of 
the hobby store that said they were washable :).  So far they seem to be 
holding up.  Hope that helps.
 
Catherine
 
 
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Re: [h-cost] question on corset patterns

2011-01-11 Thread Catherine Kinsey
A note on fitting corset muslins:

A hint I got several years ago - don't remember from where - was to 
create two strips out of heavy material - old jeans will do in a 
pinch.  Make them at least double thickness, and put a narrow bone of 
some sort along the edge fold.  Then put in grommets about every 
inch.  Make them longer than you think you'll need for any possible 
corset style you might ever make.  These can then be basted into a 
muslin so you can lace it up properly to check the fit, without 
having to put in grommets, try to pin it to fit (not happening), or 
making slits that then rip out after one fitting.  Once you have the 
fit, remove them and use them for the next corset muslin.

These have made corset making much easier!!

Sandy



This is so useful, and it works well for other things that will be laced
too, like 14th/15th century fitted gowns. Pinning stuff closed just doesn't
give you a good impression of how it is working. I use an old gown opening
that I cut out of a dress I was adjusting, from the days before I started
doing hand sewn lacing holes. 

Claire

 
I'm another who recommends this.  I think I saw this hint here many many years 
ago and it has been a hand, and pin saver.  My hands just couldn't grip the 
fabric tight enough anymore to get the fit required with a corset.  It really 
takes no time to machine baste the strips on.  Whoever originally posted about 
this; Thanks!
 
Catherine

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Re: [h-cost] Splendors of the Renaissance photos

2010-06-01 Thread Catherine Kinsey
 My photo set on Flickr is here:
 
http://www.flickr.com/photos/22977...@n08/sets/72157606495042137/ 
 
Please feel free to share the link.
 
Allison T.
**
 
Oh wow!  Just beautiful!  Thanks so much for putting these on Flickr :)!!
 
Catherine
 

  
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[h-cost] Carved busks

2010-03-01 Thread Catherine Kinsey
Saw this at Christies and thought some folks here might be interested in
seeing them:
 
http://www.christies.com/LotFinder/lot_details.aspx?from=searchresultspos=7intObjectID=5294329sid=81e2b2ef-e60b-4c2f-9764-2cd79e81f850

 
They have an auction this month with several carved Welsh busks.
 
Catherine
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Re: [h-cost] [TheRenTailor] Image piracy - Anyone know who

2009-03-02 Thread Catherine Kinsey
http://cgi.ebay.com/Muslin-Bum-Roll-Bustle-Renaissance-Fair-Pirate-SCA-SALE_W0QQitemZ330311003999QQcmdZViewItemQQptZLH_DefaultDomain_0?hash=item330311003999_trksid=p3286.c0.m14_trkparms=72:1205|66:2|65:12|39:1|240:1318|301:1|293:1|294:50

 
Or go to ebay and search on 330311003999
 
She has taken mine down now and has taken someone else's image.
I have contacted that company and am exchanging emails with Ebays
security stuff.
 
Sg

A friend who does custom fantasy wedding dresses had a similar problem
with someone who took one of the images from her website and used it on
eBay for an auction for a custom gown the seller would be creating. 
When some of us emailed the seller asking about the similarities (she
had cropped out the tag on the photo) she said that yes, she knew of my
friends work and admired it so much she had posed her dress exactly the
same for her photo.  Yeah, right, right down to the drape and the
shadows.  My friend was able to get it removed by eBay, not sure what
happened to the seller.
 
Be sure and check the seller's completed auctions too.  I don't think I
saw any more pics from your website but I'm pretty sure I've seen the
white corset and farthingale pic somewhere.

Catherine
 
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Re: [h-cost] Organization

2009-01-29 Thread Catherine Kinsey
I used to have fabrics sorted by type, sub-sorted into projects on other
shelves.  I now have the majority of it in the clear plastic tubs.  I
have labels on the tubs but it still helps to be able to see the actual
fabric, at least for me.  I learned very fast not to get the larger size
tubs as they can get HEAVY.  Quick and fast storage are the big zip-lock
bags.  They do help keep everything together nicely but do no stack
well.  There is always a pile waiting to be sorted out and stored
however :).
 
My shelving is a hodgpodge which I hope to unify one day.  The current
workroom is in the basement and some space had been lost to needing to
keep access to the water shut-off valve (it's an old house) and the
stone room under the front porch (did I mention it was an old house :)
).  Don't know what this room was used for originally.  It is too cold
and a bit damp to work in but we are in Kansas so this is our fail-safe
tornado shelter :).  Hubby built two low rolling platforms, one
single-tub width, one double-tub width, to go in these spots.  I can
stack them pretty high and still easily roll out of the way for access,
or to other places in the basement when I am reorganizing.  Very handy. 

 
Catherine
click your heels together three times
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Re: [h-cost] Costume- and sewing-related Christmas gifts

2008-12-30 Thread Catherine Kinsey
 Oh yeah, and a flying monkey :).  I need to make him a little
 vest..
 
 Catherine
 
 perk?
 
 Flying monkey?
 
 My SCA coat of arms is a winged monkey. Any clue where he came from?

No idea about Catherine's, but I think mine came from here:
http://www.officeplayground.com/flyingmonkey.html 
or possibly here:
http://www.sciplus.com/singleItem.cfm/terms/14980 

But there's a better selection and better prices at Amazon at the
moment.

snip for length
--Robin
--
Not surprised Robin already had one of these :), and yes it is the same
one as in her link.  I think the hubby said he found it at Half-Price
Bookstore.  The cats still aren't sure what to do about the
screaming.
 
This item is currently under consideration too :):
http://www.whatonearthcatalog.com/whatonearth/Item_Flying-Monkeys_CB1282_ps_srm.html

 
Catherine
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Re: [h-cost] Costume- and sewing-related Christmas gifts

2008-12-29 Thread Catherine Kinsey
Continuing a trend:  PoF4 (which I received early) and Saxon brooches
from Raymond's Quiet Press.
 
Oh yeah, and a flying monkey :).  I need to make him a little
vest..
 
Catherine
 
good witch, bad witch, I'm still the one with the flying monkeys
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[h-cost] Another source for PoF4

2008-11-12 Thread Catherine Kinsey
The Plimoth Plantation is offering the book for sale through their
online shop.  Price is 49.95 plus 8.95 shipping.  I do not know if/how
many they have on hand right now however.
 
Catherine
who had this on her Christmas list and is about to decide Christmas is
coming wy early this year!
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Re: [h-cost] Corsetry issues (was Looking for bad examples)

2008-10-03 Thread Catherine Kinsey
 Which makes me curious. What actual medical issues have people
encountered
 that really _do_ mean someone can't wear a corset? I'm sure it does
happen
 -- and it seems to me that having some idea of what really are the
issues
 that cause problems might help dressmakers decide whether to (1)
attempt
 to exercise more tactful persuasion, (2) devise some sort of
work-around,
 or (3) do the best they can to make a nice looking garment without
 corsetry.
 
Abdominal issues too.  The corset may be on the torso but, especially
if there is much of a point, it can effect lower issues as well.
 
Catherine
 
 
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Re: [h-cost] JC Superstar and Speedos

2008-06-25 Thread Catherine Kinsey
[EMAIL PROTECTED] wrote:
 Interestingly, the costume designer of JC Superstar is Yvonne
Blake, I  
 believe. She designed one of the BEST costume extravaganzas of the
70's:  Three 
 Musketeers ...
 
She's done a lot of good work. I first noticed her name on Robin and
Marian, 
which had far better costume for medieval style than most films I've
seen 
before or since. Interestingly, I first saw that movie as a double
feature 
with Nicholas and Alexandra -- another of Blake's works. I just
looked her 
up on IMDB and was surprised to see just how many films she's done, and
how 
broad a range:
 
http://www.imdb.com/name/nm0086762/ 
 
--Robin
 

 
Oooo, and she did Flesh and Blood!  Another historic costume goody.  I
love the footsy-under-the-table scene :).
 
Thanks for the link Robin.
 
Catherine
 
 
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Re: [h-cost] Number of machines.Was Sewing and Embroidery

2008-05-12 Thread Catherine Kinsey
18?? No wonder you need that big house :).
 
I learned to sew on my grt-grandmother's treadle machine and my mothers
dependable singer and have four of my own right now.  Currently my main
machine is a Bernina (basic model, not to many bells and whistles but I
love it).  The backup is my 30 yr old White.  I also have a veteran
Kenmore that a friend used for sewing canvas and left me when she moved.
  I use it for the heavy duty sewing I don't want to push the Bernina on
(which isn't much).  There is also an old singer in a cabinet that used
to be the back-up machine but is now looking for a good home.
 
I have never felt the need for a serger, not sure why, just never
appealed to me.  Ditto with an embroidery machine altho I can see where
they could be very handy for some things if I was still sewing more
commercially.
 
Another question might be how many motors have we gone through on our
machines :)?  The White, which was my main machine during my heaviest
sewing time, is on it's second and could probably do with a third.
 
Catherine
 
***
I have 18 sewing machines in my house; two on loan making a whopping
20. 
Four are treadles, two feather weights, and the earliest dates (that I
can 
tell) from 1919 I may have earlier models but I cannot trace them. This
also 
includes my one lone serger and my industrial machine. My main machine
is my 
Singer Stylist c.1969
 
My favourite is my hand crank portable c.1920 that save my bacon back
the 
year we had Hurricane Juan and we were without power for over a week
and I 
had sewing to do; sad irons, a hand crank and oil lamp...somehow
fitting in 
my c1870s house
 
Sarah Paterson
Great Village, NS
Canada
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Re: [h-cost] Standard reference books on embroidery history?

2008-05-01 Thread Catherine Kinsey
Pretty much everything that Jane said below :).
 
I would add George W. Digby's Elizabethan Embroidery (Faber  Faber,
1963) for a good broader perspective on blackwork and embroidery in the
latter 16th C.
 
Mamluk is a MUST!  I don't have the titles in front of me but I think a
couple of books by Kathleen Epstein/Staples touch on this too.
 
Catherine
 
 
At 01:43 PM 1/05/2008, you wrote:
Ages ago I forwarded a question about blackwork to this list on behalf
of a
colleague. You folks were very helpful, so I'm 
coming back with an add-on query.

My colleague has continued her work and is approaching it from a
different
angle now, and for background, she needs to bring herself up to speed
on
what's known about embroidery in late medieval and early modern
Western
Europe, especially England. She is especially interested in seeing
how
blackwork fits into that context.

She asks for recommendations of good published sources that will give
her a
sense of what blackwork is and when it was done, based on specific
examples
(art, documents, and especially surviving artifacts). She needs
sources she
can cite in a formal paper, so Web sites will not do. Neither will
how-to
books that include a little historical background (e.g. that something
was
done in X century) but do not provide sources or evidence.

She particularly needs definitions: What specific characteristics
lead
historians to class the needlework on a 1550 shirt (for example) in
the
category of blackwork style (as the term is understood), while
another
example of embroidery that happens to be black would not be
considered
blackwork? A source that explains the stitches, motifs, patterns,
etc. that
are routinely associated by historians with the 
term blackwork would be great.
 
Such a beasty doesn't really exist. There isn't 
one or even two books that cover all this area. 
And not many articles either, not academic ones anyway.
 
General History of European Embroidey at this time:
 
Bridgeman, Harriet; and Drury, Elizabeth. (eds). 
? ?Needlework, an Illustrated History?, (London: 
Paddington Press, 1978) - section on Great Briton
Schuette, Marie and M?ller-Christensen, Sigrid. 
?The Art of Embroidery? (London: Thames and Hudson, 1964)
 
Blackwork History/Techniques
 
Some of the best background about Blackwork comes from a how-to book:
 
Gostelow, Mary. Blackwork. (New York: Van Nostrand Reinhold, 1976)
Geddes, Elisabeth, and Moyra McNeill. Blackwork 
Embroidery. (New York: Dover, 1976)
 
I also have a handout which describes what I 
consider to be the three main types of blackwork 
during the Elizabethan period with examples and 
details for find original institutions hold the egs.
 
See Embroidery for Clothing - Non-Counted 
Blackwork under Class Handouts on 
http://needleprayse.webcon.net.au/research/index.html 
 

(I realize that some people could argue that you can call almost
anything
monochrome blackwork if you stretch the definition far enough, but
she's
interested in what's traditionally assumed by the accepted
definitions, not
ways to revise it.)
 
One thing to remember, most sources are heavily 
biased towards looking at early period Blackwork 
ie early Tudor under Henry VIII. You can find 
alot about that but much less about the later 
period stuff. Really there aren't any standard 
definitions of what constitutes blackwork.
 
I am not asking anyone here to answer those questions for her ... even
if you
did, she'd still need published authorities she can cite in a formal
paper.
And she really needs to get up to speed on this on her own, and do her
own
reading. So all I'm bothering you folks for are recommendations for
academic-quality reference books. She'll be getting them ILL, so cost
and
availability are not issues.

Bonus points if you can also point her to a good overview source on
known
embroidery styles from, say, 1300-1600, based on surviving pieces, so
she can
get a sense of other known styles of this period and compare them with
what
she learns about blackwork. I think she does not have much of a
sense of
just how much is known about specific embroidery 
styles, and how many types of
embroidery there were in this period.
 
My website:
 
Historical Needlework Resources - above period 
broken down by location, date and techniques. 
Some of the links to extant pieces may be broken 
as the museums etc keep changing their databases, 
but it will get her to the correct institution where she can search.
 
The quickest way to find extant examples is by 
looking in the Period section, which is then 
broken down by location and technique.
 
No need for anything beyond Europe or outside the 1300-1600 range.
 
In relation to blackwork, I think that would be a 
mistake - look at the Mamluk embroidery such as 
the one on my site: 
http://medieval.webcon.net.au/loc_middle_east_mamluk.html 
and compare to the 16th C modelbuch patterns used 
a source by embroiderers in the 16th Century - almost identical.
 
Thanks for all your help!

--Robin
 
If she 

[h-cost] Ballet Co. looking for Wardrobe Director

2008-04-21 Thread Catherine Kinsey
Just in case anyone here would be interested.  Their website is here:
http://www.kcballet.org/ 
 
 
Title: Wardrobe Director 
Reports to: Production Manager

Description
KC Ballet seeks motivated individual for the position of Wardrobe
Supervisor. KCB produces three repertory shows in addition to Nutcracker
and numerous special events.

Responsibilities include: strategic planning and organization of the
Wardrobe Department, preparation of dressing areas, load-in and strike
of costumes for assigned productions, and maintenance of costumes and
wigs for all performances. Time management, organizational, and problem
solving skills sought.

Salary commensurate with experience. Benefit packages includes health,
dental, 403B.

Ideal candidate will have strong overall skills in construction,
cutting draping, stitching and fittings. Prior experience with dance is
required. Start date July, 1 2008.

Interested candidates should email cover letter and resume to
[EMAIL PROTECTED]

Please no phone calls until after May 6.
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Re: [h-cost] a little OT - hunting a portrait

2008-04-16 Thread Catherine Kinsey
I love this portrait too :).  The original is at Hampton court, or at
least it was when I saw it there almost 23 years ago.  It is almost a
life-size painting. The entire outfit is red, as the version in Tudor
Tailor is.  It makes for a very unique contrast to the white shirt and
blackwork embroidery.
 
The only place I have seen a color copy of the portrait was on the
cover of a costume  armor book.  Sorry I don't have the title, it is
home packed in a box somewhere.

Catherine
**
Yes!  That is exactly the right one!  When I first saw him - probably
10
years ago, because he was the inspiration for the look of a
blackworked
shirt I entered in a Kingdom AS - I found him in color - the black
and
white of the shirt was gorgeous against the red suit.
 
Thanks!  AT least I know I'm not completely crazy! G
 
Liadain
 
-Original Message-
You mean this one?
http://www.elizabethan-portraits.com/UnknownMan19.jpg 
An Unknown Man by an Unknown Artist, c.1548. (The
Royal Collection)
But in color?
 
I know I've seen it in color, I just don't remember
where. Give me until tomorrow, or hopefully someone
else has it, or knows where a better version is.
 
And I checked the Royal Collection, and doing a quick
search did not find it there online.
 
Kimiko
 

 
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Re: [h-cost] DESIGNER PROFESSIONAL STANDARDS

2008-04-14 Thread Catherine Kinsey
This has been a great thread, so nice to know one is not alone in
situations like this.
 
I think one of the problems, especially in community theater, is that
to often the costume designer is looked upon as sewing labor, not design
talent.  I started back doing a little theater a couple of years ago and
found every production to be different.  Communication is the key and I
learned a lot every time, which meant the second time working with a
particular director went a lot smoother :).  I also learned not to take
it to personally if I heard later through the grapevine that there was
something specific they may have wanted that didn't get done, or done
the way they might have preferred.  Budget, and time, was often the
critical crunch in these situations.  I know I've been really lucky with
most of the casts I've worked with too so I had fun.  I'd probably do
more except my hands just can't hold up anymore to the last minute push
there always is to get everything done.
 
Catherine
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Re: [h-cost] What's your dressmaker's wearing?

2007-12-04 Thread Catherine Kinsey
Well, it's not the dressmaker but the rack in the sewing room (sometimes
affectionately known in our house as The Sweat Shop) is filling with
pieces to be adapted for a show in January.  One of the local community
theaters is doing Gross Indecency: the 3 Trials of Oscar Wilde.  Very
limited budget so I am combing the local thrift stores for pieces that
can be reworked to approximate the 1890s.  Yes, this is the show I was
looking for underwear for awhile back :), still working on that.

Handwork is penny rug-style felt ornaments and, long-range, an
embroidered linen coif.

Catherine
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[h-cost] Re: Dress and textile topics, medieval Britain: Your

2007-11-14 Thread Catherine Kinsey
Don't forget the little stuff:

Needle
pin
thimble

Are you sure this is going to all fit into one book :)?

Catherine
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[h-cost] Re: Interesting 1890s Group Photo

2007-10-22 Thread Catherine Kinsey
Penny,

This is just fascinating, especially since I'm putting together
costumes for an 1895 play :).  Please keep us updated on your
discoveries about this.

Catherine
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Re: [h-cost] What's your dressmakers dummy wearing?

2007-10-05 Thread Catherine Kinsey
My DD is currently disassembled and up on a shelf (in a bag) where it is
a favorite cat napping spot for one of our feline kids.

The DD in my head is currently planning out costumes for a local
community theater production of Gross Indecency: The Three Trials of
Oscar Wilde in January.  I love a director who plans ahead for period
pieces :).  Budget is limited so we will do a lot of repurposing from
thrift store finds and probably save the $$, and sewing time, for OW's
wardrobe.  That is assuming I can find enough union-suit type underwear
for the second act.

Handsewing is still my favorite to do but it is increasing limited by
arthritis.

Catherine
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[h-cost] Re: Union suits - was: What's your dressmakers dummy wearing?

2007-10-05 Thread Catherine Kinsey
Beteena's good advice:
I looked on ebay and they have union suits between $10 and $20. :)

And Sharon's:
Try Vermont Country Store. Maybe they can turn you on to some
rejects/damaged ones that would otherwise not be sold. 

Thanks guys!  I'm watching a couple on eBay and will checkout VCS. 
Part of the problem is I am looking for more summer weight than the
long-john style.  The production is in January however so I may be able
to get the director to consider longer ones.  (4 guys will be romping
on-stage in these).  I have found some offered by Dharma trading at a
price that would be worth hemming/shortening, but they are out of stock
until December.  The joys of community theater budgets!  I am also
checking my local thrift stores regularly.

Catherine
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[h-cost] Re: Elizabethan Dressing Jackets

2007-09-20 Thread Catherine Kinsey
I know you are not necessarily looking for info on the embroidery
jackets Alex but, just in case anyone has missed this, the Plimoth
Plantation has a project on to recreated an embroidered jacket.  The
Wardrobe Manager is blogging about the project here:
http://plimoth.org/embroidery-blog/index.php?mode=viewidpost_id=8

It's been a lot of fun to follow and I hope to make one of the January
sessions.
Catherine


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[h-cost] Anniversary Update

2007-09-06 Thread Catherine Kinsey
Just wanted to thank everyone again for their help with the 1957
resources.  The 50th anniversary party was everything the In-Laws had
wanted.  My SiL prepped the priceless poster and it was over the
guestbook where it got quite a lot of chuckles.  The ring pillow I made
from the 1957 dress was also a hit.  There is now interest from the
sisters-in-law of perhaps preserving the remaining scraps as sachets. 
Glad I didn't take the dress apart and use it for a costume years ago as
my MiL had originally suggested I do :).  

Thanks again!
Catherine
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[h-cost] 1957 Thanks

2007-08-23 Thread Catherine Kinsey
Thanks to everyone for their ideas and input, especially Juliana and
Mary who called their own mothers!

I had already been checking at the library, as most of you had
suggested, but there are gaps in the files.  I was also hoping to find
information on costs of boutonnieres, invitations, etc..  At this point
the SiL's get to go dig in their own branch library :).

Costume content:  part of the dress has now been remade into a ring
pillow, with suitable embroidery, to be used for the blessing of their
new anniversary rings.  Part of the satin of the underdress is now a
ribbon-style rose boutonniere for my father-in-law to wear.

Thanks again!
Catherine

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[h-cost] Prices in 1957

2007-08-21 Thread Catherine Kinsey
Would anyone know of a resource for finding the prices of things in
1957?  I'm not looking for a current value but what something would have
cost in 1957.  Specifically a cocktail length wedding dress??  

My in-laws are having their 50th annv. in 2 weeks and the kids want to
prepare a card where the punchline is 50 years together, priceless. 
They are trying to find the cost of typical wedding items from this year
for the rest of the bit.  For some reason they thought I would know
about the dress :).

Thanks,
Catherine
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[h-cost] RE: re:iced drinks

2007-08-21 Thread Catherine Kinsey
Sweet tea is popular in the midwest (Kansas City area), altho not
automatically served in restaurants.  My husband used to make very good
sweet tea with a MrCoffee iced tea maker: 
http://www.mrcoffee.com/productmodels.aspx?categoryid=2
He would add about a half cup of sugar to the hopper with the tea bags
so that it dissolved completely as the tea brewed.  While not an iced
tea expert I have to admit that this was really good iced tea.  He's
been using the same machine for years, but we are on our second set of
pitchers :).

Catherine
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Re: [h-cost] Bildindex is in English now!

2007-05-09 Thread Catherine Kinsey
This was brought up on another list.  If you have never used this, you
should.  It is a fabulous website.  www.bildindex.de 
http://www.bildindex.de/ 

Click on the British flag and then use the Expert Search...you could
spend
DAYS here!

Sg  (who has spent days there).

Oh wow Thanks!

There goes the rest of the month of May...

Catherine


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Re: [h-cost] Medieval embroidery

2007-05-07 Thread Catherine Kinsey
lots of fun embroidery discussion that I missed because I'm not online
over the weekend snipped for length, sigh :):

 Monochrome embroidery is actually considerably older than the
1400s...

Sue, any insights into embroidery meant to be seen from both sides, as
on
cuffs or collars? That's the real issue here -- how early that concept
might apply.

--Robin

 Blackwork is my thing. I taught it back at the Known World Art/Sci
 Symposium in Orlando where you taught the Gothic fitted gown a few
 years ago. It is more correctly known as monochrome embroidery and
 was mentioned by Chaucer in Canterbury Tales. Chaucer mentions her
 collar with blackwork inside and outside.

I'm aware of this reference -- it comes up a lot in discussions of 14th
c.
embroidery -- and I always pictured something like blackwork when I
heard
it, as it is black silk embroidery on a white smock, described as
being
all around the collar.

But I'm wondering if that's the right interpretation of the following
line, which indicates that the embroidery is withinne and eek
withoute.
I can't think of a better way to read it, but smocks in this period
were
not designed to show outside the dress, and did not have necklines
that
could be turned outward -- that I know of -- to show the inside.
Anyone
have a better reading?

--Robin


Robin,

If you are needing 14th C the best references I can think of are
Chaucer and the Mamluk embroidery.  There is a new article on Mamluk
work by Kathleen Staples in the newest issue of Sampler and Antigue
Needlework Quarterly (http://www.just-crossstitch.com/sanq.htm).  I just
got it this weekend but have not read it yet.  If I see something that
might help I will drop you a line.

And unfortunately the best argument I can think of against what it
looks like you are trying to find are the fashion elements themselves of
this era, reversible chemise cuffs or necklines don't spring to mind. 
Perhaps finding documentation for elements that would showcase
reversible embroidery is another path to try.

Catherine


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[h-cost] Re: Theatrer vs Historic

2007-05-03 Thread Catherine Kinsey
from Sharon:
Thoughts:
 -30 second costume changes.
 -$300 costume budget for the whole show-12 actors.
 -Director's vision-often more artistic than historically accurate, so
you
try and compromise.
 -Lack of a crew to make everything you envision. Sometimes it just
comes
down to not enough time. You put someone in something close, just so
they
can go onstage in something other than their own clothes.
 

   Bingo!  Especially in local community theater, altho the available
$$ are often much less.

I've been pulled back into theater work the last year or so precisely
because of my historic background.  Fortunately I had directors who
wanted to try for some historic accuracy, even if they had not the
slightest idea of what it was :).  Also fortunately I had a better
perspective of theater work and quickly learned not to tear my hair out
just because the stitching wouldn't pass historic muster.

Ann W. mentioned Mel Gibson and The Patriot, how the film claimed to
have done meticulous research, yet there were obvious (at least to us :)
), costuming compromises.  I find over the years I am more tolerant of
costuming fudges if the overall look is cohesive but this still bugs me.
 If historic accuracy is so important to them that they want to
advertise it, then I think they need to care about those details a
little more.  They might be surprised at how many folks would care,
something a lot of rennfaires seem to be forgetting.

Catherine





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[h-cost] Re: hand rolled hems

2007-04-30 Thread Catherine Kinsey
snip
 how to make it easier and faster. And I hit on something this
weekend. As 
 long as the finished part is longer than my forearm, I can pin the
edge 
 under my right elbow (I'm right-handed) on a table, and hold the 
 unfinished part of the hem in my left hand, rolling the hem toward me
with 
 the left hand's fingers. This keeps the hem taut, while rolling at
the 
 same time. I can then use my right hand to stitch what the left hand
is 
 preparing. Make sure that the table-chair setup puts your elbow no
lower 
 than normal height, or you'll be bending your back, which is Not
Good. 
 This goes fast!
(snip)
 Melanie / Lijsbet

This is pretty much how a sewing clamp/bird works.  It makes pretty
much all 
hand sewing Much faster.  I have two reproduction sewing birds.  One
stays 
clamped next to my sewing machine for handwork in the sewing room, the
other 
travels with me, since I found out I can clamp it to the edge of my
travel 
sewing box.  I do about 1/3 of my sewing by hand, so this has really
speeded 
things up for m.

Melusine 

.

I've seen those, and also wondered about the heavy/stiff pillows it
looks like stitchers are using in some of the 17/18C paintings.  A
couple of examples:
http://www.arthistory.cc/auth/velazquez/index.htm  scroll down to 'The
Needlewoman'

 Interior with a Mother by Willem van Mieris  and The Letter Writer
Surprised by Gabriel Metsu (both are on the http://www.wga.hu site ).  


Seems to be a very similar style of tall basket also used at this time
for mending and/or sewing supplies.

One of those pillows might work pretty well for me, it would be
adjustable.  When I try and pin what I am working on to the chair that
is, naturally, the time the cat wants a lap :).

Catherine


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[h-cost] Re: Back from Costume Con

2007-04-05 Thread Catherine Kinsey
And ending with Don and me in our Goth-ic, already posted here.

I probably missed some h-costumers in my sporadic IDs. Identify
yourselves!

More to come.

--Robin


I would have spotted Don a mile away but I don't think I would have
recognized you in this ensemble, GFD or not :).

Catherine

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[h-cost] Re: Best styles for tall girls - OT

2007-04-03 Thread Catherine Kinsey
Being 5' 11'' myself, and having hit that height before most of my Jr.
High peers, I have to agree that a priority is getting the fit right. 
For one thing, you are more comfortable, and will move better, when you
know something fits.  

I don't know her personal style but I would also second the
recommendations to keep it simple.  She's tall, all her classmates know
it so why try and disguise it.  Give her a graceful line and maybe one
fashion focus point and she will be the belle of the ball.

 Most of my family was tall and this was back when you couldn't find
tall clothes for women.  My mother sewed a lot of our clothes and I
didn't really appreciate it until I was out on my own and having to buy
most of my clothes.  Especially nice now to be able to find tall jeans
:). 

Catherine 
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[h-cost] Re: 1960s-70s School Dress Codes

2007-03-29 Thread Catherine Kinsey
If you answer these questions, please let me know your location and the
app. 
year you remember these fashions were worn to public elementary through
high 
school:

1. Mini-skirts: Girl's skirt lengths were measured
2. Girls' pants:  When were girls' allowed to wear pants to school.  
Pants-suits, hiphuggers?
3. Boys' Hair: Allowed to wear long hair
4. Boy's mustaches: When allowed



I went to high school in the late '60's, class of 1970 (just dated
myself :) ).  We lived in the greater Kansas City area (suburb on the
Kansas side).  I'm afraid I do not remember to much about boy's hair,
altho some did have it a little shaggy.  We didn't have anyone running
around with a ruler but as a general rule skirts were not supposed to be
to far above the knee.  I remember some of the cheerleaders could get
away with very short ones on game day.  My mother made a lot of my
clothes some hem length was her choice :).  Naturally I rolled my
waistlines :) :).

What I do remember is pants for girls!  We were not allowed to wear any
all through my high school years and the seniors really started
agitating for them.  One of our arguments was that it was cold standing
waiting for the bus :).  To make a point, some of us wore maxi-skirts to
school.  Naturally, the year *after* I graduated they lifted the dress
code and pretty much anything was fair game.  I remember visiting a year
later and it was a sea of denim!

Catherine

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[h-cost] Re: Moda a firenze

2007-03-28 Thread Catherine Kinsey
 Has anyone heard when these are coming? I pre-ordered, but seem to
recall
 some people saying they had already received theirs?
 Sharon C.



I think those who mentioned they had gotten their copies had actually
gotten
copies of the first printing.  According to Ian Stevens of David Brown
books, they are supposed to get their shipment on 1 April.  Sounds like
a
bad day for something as important as this doesn't it?
snip
Wanda
..
Actually, Michael Shamansky, Booksellers have already received the
copies of the second edition.  I received mine a couple of weeks ago. 
They are still offering free shipping until March 31.

Catherine


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[h-cost] Moda a Firenze has arrived!

2007-03-14 Thread Catherine Kinsey
Yup, my copy was finally delivered yesterday, exactly as promised.  It
has been a couple of months since I was able to peruse a friend's copy
and boy, it is even better than I remembered.  Happy costuming sigh :).

I ordered my copy from Michael Shamansky Books and it was $90, with
free shipping anywhere in the USA through March 31.  Ordering info
here:

Michael Shamansky, Bookseller Inc
P.O. Box 3904
Kingston, New York 12402

Telephone:  1-800-527-6775  (845 331 8519)
Fax:  845-331-0852

Email: [EMAIL PROTECTED] 
Url:  www.artbooks.com 

So when is the men's version coming out, I'm definitely not going to
wait to order that one!

Catherine


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[h-cost] The Tudors on Showtime

2007-03-14 Thread Catherine Kinsey
Since she said we could share this and I don't think I have seen it
posted yet:

OK, People --

I pulled some strings and got permission to give you all the secret VIP
password so that you can watch the first 2 episodes of The Tudors
online immediately.  

Meaning right this minute,Even before NEXT week's Yahoo streaming
of the episodes.  And even before VIP's get notified.  Plus, the quality
of the video should be better than regular streaming.  

Unfortunately, online viewing is only available in the U.S., The link
won't work for anyone outside the country.

Please alert your pals on other Costume and re-enactor and historical
boards.  Showime was only going to give out the link to subscribers who
have signed up for VIP e-mails, but I persuaded them that MY peeps
deserve a shot, too!  

go to

http://www.sho.com/vip 

Type in the password: king

This is the woman who has been very patiently getting an earful about
the costuming from some historic costumers.
It is an, err, interesting take on Henry :).
Catherine
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[h-cost] Re: robin hood

2007-03-06 Thread Catherine Kinsey
You can get more info on the website: http://www.bbcamerica.com/ 

I can't comment on the story yet. I though the first episode was 
passable in a Robin Hood meets hip 21st century youth sort of way.
The 
costumes are the usual mix of attempts at authenticity and modern 
fantasy. I'm not sure about the orange (stretch knit?) dress on the 
website, but Marian was in a lovely cream colored gothic fitted gown in

the first episode. And they had Guy of Gisbourne in a black leather 
trenchcoat...

I'll watch a couple more episodes to see how it goes. :)

Dawn
.
You are a bit more generous than I was feeling :).

Plot was kind of fun but the costumes jumping all over the place were a
big distraction for me.  You know you are in trouble with a show when
the peasants look more authentic than the leads.  And that
trenchcoat!  Looked like they are going for the Van Helsing look for Sir
Guy.  Sigh.

Catherine




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[h-cost] More Moda a Firenze

2007-02-23 Thread Catherine Kinsey
Looks like there was a lot of interest in this reprint.  

I just had an update on my order with Michael Shamansky Booksellers
(contact info below).  They are offering free shipping on Moda a Firenze
(anywhere in the USA) thru March 31, 2007.  Their price is $90 and they
are expecting within the next 1-2 weeks.  I think he said they are
getting theirs via airfreight.  

I could kick myself for not getting this when it first came out, the
reprint was great news, but that is not making the wait any easier :).

Catherine

Contact info;
Michael Shamansky, Bookseller Inc
P.O. Box 3904
Kingston, New York 12402

Telephone:  1-800-527-6775  (845 331 8519)
Fax:  845-331-0852

Email: [EMAIL PROTECTED] 
Url:  www.artbooks.com 


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[h-cost] Re: embroidery magazine

2007-02-21 Thread Catherine Kinsey
Hi,
Maybe some of you would have the time to help me out.
I find it a little difficult to find myself, and therefore i ask you.
Country Bumpkins embroidery magazine Inspirations, is going to have an

interwiev with me in their issue nr 55.
They want me to send them 8-10 pictures of my work.
Wich pictures do you think i should send them with the interwiev?
Also for the later issue nr. 57 wich is going to be all about flowers,
they 
wanted me to design an embroidered waistcoat for the readers to make
and 
wear.
This i told them i  dont have time to do, but i thoaght about what if i
gave 
them the pattern for the beautifull stomacher i made on the yellow
stumpwork 
dress?
Do you think readers would be interrested in this. They could not wear
it, 
but they could frame it?
If you have the time for these questions, i would be very greatfull.

Many thanks

Bjarne
***
This is awesome Bjarne, congratulations!  I love Inspirations and can't
wait for the latest issue.  One of the local fabrics store chains has
started carrying it but I have to be sure to check for it regularly. 
Their print quality is beautiful and should do justice to your work.  

Only 8-10 pics?  I don't know how you are going to whittle it down, I'd
have problems eliminating even one :).

The stomacher for the yellow stumpwork is beautiful, perhaps the
readers could use it on the back of a vest?  Otherwise I would think any
of your patterns for the purses would fit the theme too.

Thanks for continuing to be an inspiration,
Catherine




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[h-cost] Re: Polistampa - 'Moda a Firenze 1540-1580' Reprint

2007-02-02 Thread Catherine Kinsey
I think we are going to have a better way of getting this book.  David
Brown
books contacted me because I suggested THEY carry it.  That way they
can do
all the work of getting it, pricing it (looks like about $99.50 but
don't
quote me yet) and making it available.  They speak English, they do
mail
order all the time; they take plastic.  I've even known them to make a
deal
where you pay in installments!

If there was ever a book that those who love the Italian Renaissance
either
in costuming or in history (or both).  You NEED this book!

Stay tuned to this Group for further developments!

Regina Romsey

Michael Shamansky will also be carrying it.  He told me he has
contracted for half the edition.  Current price is $99.99 but he admits
that could change depending on exchange rates and shipping but he will
be trying to keep it as low as possible.  Contact information for him
is:

Michael Shamansky, Bookseller Inc
P.O. Box 3904
Kingston, New York 12402

Telephone:  1-800-527-6775  (845 331 8519)
Fax:  845-331-0852

Email: [EMAIL PROTECTED] 
Url:  www.artbooks.com 

Catherine
who has really regretted not having gotten this book earlier and has a
copy on order.  Come on April!!

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[h-cost] Seminar in the Kansas City Area

2007-02-01 Thread Catherine Kinsey
For those in the KC area that might be interested this weekend:

http://www2.kumc.edu/itc/staff/rknight/cs.htm 

Catherine
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[h-cost] Re: Questions re: Moda a Firenze

2006-12-29 Thread Catherine Kinsey
 I was under the impression that Shramansky was sold out permanently;
 if this is not the case I may go ahead and put in a request with them
 as well.


*somebody* (you know, *them*) said that both Michael Shramansky and  
David Brown/Oxbow were talking to the museum about a second printing.

susan
-
Susan Farmer

Shramansky definately gave me the impression that he was expecting to be
able to get some more but the holidays were slowing things down.  I have
not heard from him for a couple of weeks however, hope to hear something
next week on it.


Catherine

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[h-cost] Re: Questions re: Moda a Firenze

2006-12-27 Thread Catherine Kinsey
snip  The only place that I know of right now that has it for  
sale is Poison Pen Press, and last time I checked, they wanted 190.00 

for it.  Evidently, I got one of the last copies that Michael  
Shramansky had! snip

susan
-
Susan Farmer

Susan; when did you last talk to Michael?  I ordered one about
mid-December and while he was out, he was expecting another shipment
from the Italian publishers after the holidays so I am on back order.  

Sure hope it makes it!
Catherine


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[h-cost] Christmas gift exchange

2006-12-25 Thread Catherine Kinsey
My h-costume santa went out of her own comfort zone to research, and
hand-stitch, a medieval needlebook for me.  And then threw in a couple
of skeins of silk floss!  

Not to mention it arrived the day after I had mailed off my package,
which was still a few days ahead of the recommended deadline :).  Thank
you Sarah Nucci!

Happy Holidays everyone,
Catherine

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[h-cost] Re: The Green Valley

2006-12-04 Thread Catherine Kinsey
Oh, LORD, this is JUST what I have wished and wished they would do,  
except of course that I wanted them to invite ME along. But I'm not  
finding it on US TV yet. PBS doesn't have a listing for it. Has  
anybody found it here south of the border?
Lauren
.
No but I will definitely be keeping an eye out for it.  Thanks for the
heads-up Lorina!

Catherine


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[h-cost] New Civil War program?

2006-10-27 Thread Catherine Kinsey
My mother, belatedly, informed me that a crew from the History Channel
was filming at a local (Leavenworth, KS) museum this week.  She has been
involved with this museum for years and was onhand to help setup, find
props, etc.  Naturally (sigh) she could not remember the names of anyone
working on the program (some local, some from Los Angeles) but thought
it was about women who had fought in the Civil War.  They were to be
filming battle scenes at another site in Kansas this week.  

She did remember it was for the History Channel and I was wondering if
it might be for their Civil War Classroom series.  Anyone familiar with
this?

Now when she said History Channel I kind of cringed because I think
we have all seen how hit and miss their authenticity can be.  She was
impressed with the woman she was working with however.  The lady had
brought her own box of period linens to use if neccessary, and
questioned several of the background props, like a clock, to be sure
they were appropriate for the period.  How much of this will end up in
the final cut is anyone's guess.

Catherine
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[h-cost] Bad historical costume movies

2006-09-25 Thread Catherine Kinsey
Three movies that illustrate how movie costumes aren't about actual 
history but rather modern ideas (whether those modern ideas are about 
modern or historical fashion) are _Brigadoon_, _Rob Roy_, and 
TFWNSNBU**. snip
Interestingly, _Brigadoon_, for all its straight out of the 1950s 
women's clothing, actually manages to get  it's Scottish men's 
clothing a lot more historically accurate than Mel They really did 
that Gibson's flick, despite the much hyped (and publicized) 
specially woven tartans and similar promotional copy efforts. snip
Sharon

**That Film Whose Name Shall Not Be Uttered -- that is, the one with 
Mel Gibson supposedly portraying William Wallace.


That is what really bugs me, when a production claims to be
historically accurate but so glaringly misses the mark.  Also I have
mellowed a bit with age and at times can grudgingly forgive a production
that does not claim to be historically accurate.

In part this is probably because I have also recently been exposed to
some of the theatrical attitudes about period costuming.  I helped
costume a production of Moliere's The Miser this summer for one of our
oldest community theaters.  I knew we couldn't afford to be period (and
in fact pushed it out about 100 years for pattern availability) so I was
calling it period 'style'.  The director still insisted on calling it
period costumeing and we had several good natured arguments about the
semantics of our chosen terminologies :).  

And another worst costume movie:  the 1953 version of 'Knights of the
Round Table'.  H, another Robert Taylor movie.

Catherine
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[h-cost] Re: What do you do?

2006-07-06 Thread Catherine Kinsey
 What do you do when you finally realise you dont want to reenact
anymore, 
 and when your costumes gets bored to look at?
 When alll your reenactment friends leaves you, and your family two?
 What is left then?

 Bjarne

Lots of good advice here, not to much to add except that you are not
alone and I think most of us have been where it sounds like you are at
one time or another.  I few things I learned:  

Don't burn any bridges/costumes, at least not yet :).

Try something just for fun.  I know I sometimes get so caught up in a
complete project I don't have time to enjoy the little bits that are my
favorite part to research and work out.  I did this w/ some Le Pompe
patterns for example.  Small project just for fun, no deadline, work at
my leisure.

Go do some of the things you haven't been able to do because you have
deadlines or events to go to.  

And while these down-times happen, if it goes on to long do get a
check-up to be sure there is not a physical cause (I will refrain from
getting on my thyroid hobby horse here :) ).

Be well,
Catherine



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[h-cost] Re: Another Hancock's closing

2006-06-02 Thread Catherine Kinsey
Stephen Bergdahl wrote:
The good news is that Hancock Fabrics at 7900 Florin Road in
Sacramento CA has everything marked off at least 30%. The bad news is
that the sale
is because they are closing up the store.
Julie wrote:
The Hancock Fabrics in 
Bremerton, Washington (on Wheaton Way) is also closing, and also has 
everything currently at 30% off.
The Hancock Fabrics near 85th and Greenwood in Seattle is also
closing.

I wonder what's going on?  I've had fairly good luck finding nice wools
at Hancock in the winter.

Colleen
===
Chalk up another one in the Greater Kansas City area on the Missouri
side.  Not a bad area of town but it has had a few upheavels over the
last several years from road construction.

Sounds like they are consolidating.

Catherine


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[h-cost] Re: French and Spanish headdresses Re: SCA sumptuary laws Re:

2006-04-28 Thread Catherine Kinsey
lots of cool links snipped
http://www.artnet.com/PDB/PublicLotDetails.aspx?lot_id=424319628page=1

Funny what you find.. this is just nifty so I'm popping it on the end
here;)

Michaela de Bruce
==
To many temptations for one morning  Thanks Michaela :).

Catherine

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[h-cost] Fabric Resources

2006-04-28 Thread Catherine Kinsey
It looks like I will be helping a local community theater costume
Moliere's The Miser.  I've worked with this director once before, he
would like a period look and respects my attempts to be as authentic as
possible for the chosen era (18thC)  That being said, since I will be
relying on family members of the cast for some of the costume
construction I will probably be resorting to some of Butterick's
patterns (#4315 4317) to get these made.  

So, I would like to try to get the fabric as authentic as possible.
 My 'eye' however is more trained for 16th C and earlier.  Does anyone
have suggestions for a couple of books I could use to browse through to
get a feel for fabrics and patterns for this era?

Thanks,
Catherine
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[h-cost] Re: Fabric Resources

2006-04-28 Thread Catherine Kinsey
Thank you everyone for the references!  I remember some discussion about
the Dangerous Liasons book but hadn't noted it down at the time.  We
have a pretty good Interlibrary Loan system so I am going to give it a
try first (altho your books are only one of the reasons I wish you still
lived around here Sarah :) ).

Onward to a new century!
Catherine
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[h-cost] Re: Tudor jewellrey

2006-04-26 Thread Catherine Kinsey
Do you mean the Tudor Shoppe?  website here;

http://tudorshoppe.com/Merchant2/merchant.mvc?Screen=SFNTStore_Code=TTS


Catherine
whose Tudor Tailor book arrived yesterday, wooo hooo!
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[h-cost] New MCT Book was Update on Henry VIII book

2006-04-25 Thread Catherine Kinsey
I'll be interested in knowing when people get their copies. I still
don't
have mine, which is apparently on the slow boat from England.

--Robin
==
I just got an email notification from Amazon that my pre-ordered copy
is on the way.

At this rate it could beat my pre-ordered copy of Tudor Tailor

Catherine

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[h-cost] Re: Underwear, demystified

2006-02-27 Thread Catherine Kinsey
Kathy,
Thanks so much for posting this!  I'm still green with envy but looking
forward to when/what you can publish.  Let me know if you need a beta
reader :).

And regarding Myth #4, the blackwork that is purple;  check with some
of the historic dye folks.  It is my understanding that some black dyes
used for embroidery silks faded to various shades of purple, which would
explain the varigation of color.  And if they didn't fade, the iron used
for the mordant caused them to rot, sometimes w/ parts of the ground
fabric.

Thanks again!
Catherine


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[h-cost] Re: Babylon 5

2006-02-24 Thread Catherine Kinsey
I got to see one of the G'Kar costumes at the Seattle Science Fiction
Museum
last weekend.  The costume is almost all created out of hot glue and
bits
and pieces.  I was so bummed to hear that Andreas Katsulas passed away
from
inoperable lung cancer on 13 February.
loved smoking with a passion that cannot be described, was diagnosed
with
inoperable lung cancer; he passed away a year later, in Los Angeles,
California. He was 59. He is survived by his wife and two children. The
day
after his death, his Babylon 5 co-star Jerry Doyle devoted much of his
daily
radio talk show to Katsulas, sharing stories of their days working
together
on Babylon 5.

Regina
===
Reminds me of when a friend got an upclose look at some of the BBC
costumes and props for either Six Wives or Elizabeth R.  She said there
was a lot of gold painted hot glue!  I guess the 10-foot rule applys to
tv cameras as well as the stage :).  Can't push the envelope quite that
far at faire darn it.  The Narn costumes were an amazing blend of
fabrics, loved the Minbari robes too.

I saw that we had lost Andreas last week, hits home right now as my
father just had surgery for lung cancer (caught unbelievable early,
excellent prognosis).  There will never be another G'Kar.  

Catherine

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[h-cost] Re: clothing for the reluctant husband

2006-02-24 Thread Catherine Kinsey
He now wants to make peoples eyes bleed.

Of course, that's not really the same as being a peacock, but it's
interesting. :)

-Irmgart
=
The line we use around here for our local
how-brightly/garish-can-I-dress Landsknecht/Byzantine is:
Oh my god, he blinded my best horse!

Catherine


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[h-cost] Re: h-costume Digest, Vol 5, Issue 181

2006-02-23 Thread Catherine Kinsey
 At least  Simplicity's designer had something to work with besides 
Thin
 Air!
 *
 C'mon Susannobody works from thin air. Don't you watch Project 
Runway???
 ;-)
Actually, my husband does.  I've watched precious little TV with this
dissertation.  Any Babylon 5 fans here?  Anybody remember Garibaldi's
monolog on why thin air??
Susan
-

you mean:
Thin air? Why is it always thin air? Never fat air, chubby air,
mostly-fit-could-stand-lose-a-few-pounds air? 
-- Garibaldi to a Supervisor in Babylon 5:Grey 17 is Missing

Always one of my favorite characters on B5 :).  
Altho on Project Runway I think they are sometimes pulling things from
an unmentionable place, not thin air :) :) :)

Catherine

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[h-cost] Babylon 5

2006-02-23 Thread Catherine Kinsey
Belatedly sharing the reason I could pull that quote from, hrmmmp, 'thin
air' :);
http://www.cs.tut.fi/~albert/Quotes/B5-quotes.html 

Susan; it's fun to cruise for stress relief :).

Costume content:  besides the great characters and storyline, I've
always thought this show was one of the better examples for using
costuming to define characters, especially the different alien races.  

Catherine
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[h-cost] Knitted gloves

2006-02-08 Thread Catherine Kinsey
I was drooling over a friends new book this weekend that had great pics
of, if I remember correctly, 3 pairs of knitted gloves.  One of the
earliest pairs was red.  He got it at a museum in Bavaria on a trip last
fall so the text is in Germany.  Haven't had a chance to search around
and see if it is available outside the museum but here is the info I
copied down:

Textile Schatze aus Renaissance und Barock Bayerisches National Museum
Birgitt Borkopp-Restle
Bavarian National Museum

Had some great pics of a 16/early 17C embroideryed shirt, lace
examples, etc. as well

Catherine
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[h-cost] Visit to Tuscany

2006-01-31 Thread Catherine Kinsey
A good friend of mine is going to Tuscany in April and the
gift-ideas-for-Brits made me wonder if anyone has suggestions for small
gifts she can take that Italians might appreciate?  

Also, any must-see costume or embroidery resources in this area that
she can checkout for me :)?

Catherine
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[h-cost] Re: Livrustkammaren/Sture Shirts

2006-01-19 Thread Catherine Kinsey
I wish I knew. I only know that as a whole the entire
set of scans is 29 megs.
I wanted to make a PDF of them, but hubby, who
actually knows how to do that, is down with a virus
right now. So I did the best I could with what I had. 
'sides, asking the computer demi god simple questions
like this is taking ones' life into ones' hands... He
has little patience for my fundamental queries. Ironic
it is a virus that has him crashed on the couch at the
moment. ;-) Sorry, I couldn't resist the bad joke.

Anyone who wants to make a pdf of them, go right
ahead.

Kathy
==
Kathy,
I was able to download but not open.  I am more than willing to wait
for hubby's recovery for a PDF file :).  Please post again to let us
know if/when this is available.  And thanks again for sharing!!!

Catherine


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[h-cost] Re: Italian Underwear

2006-01-06 Thread Catherine Kinsey
I am gearing up for my visit to the Met to document their 16th century
Sicilian Bride underpinning collection and a pair of chopines. I had to
delay from my original date of the 5th - I would be just coming down
from my high right about now, had I gone when I was supposed to. But,
life jumped up and got in the way... 
snip for length
So, knowing that we have the time to go into dramatic detail, and
wanting to maximise said time, I am trolling for additional questions to
my own. This is also my first time doing something like this, so I am
fairly sure I haven't thought of everything. 
snip
Kathy
=

OHMYGOD!  I am green with envy :).  

Any color pics would be great, references for colors will be fantastic.
 Pics of the embroidery w/ something to put it in scale would also be
very much appreciated.  How about pics of the reverse side as well?  And
best estimates on types of embroidery stitches used?  Close-ups of the
construction seams and how they are stitched would also be good.

Enjoy the 'high' and thanks for being willing to share :).

Catherine


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[h-cost] Re: bosoms

2006-01-03 Thread Catherine Kinsey
  
snip for length
my def. on MoaP
this is not (though loud) MoaP
http://photobucket.com/albums/v314/Maestro01/PSClaudeandPetronella/?action=v

iewcurrent=PC36.jpg

It's when the bodice is cinched in such a way that the bosoms have no
room
but to pop out.
http://www.printroom.com/ViewGalleryPhoto.asp?userid=jmstrangegallery_id=25

2009image_id=11
Though these are wenches, I have seen women suppose to be nobility and
looking like tarts.
http://photobucket.com/albums/v314/Maestro01/CommercialShoot/?action=viewcu

rrent=Commercial95.jpg
This isn't as bad as I have seen in the past.
Now I have no problem MoaPs except that it has become the belief that
this
was the norm for women of that century. This is not saying that the
blooming
bosom wasn't seen but it wasn't common.

De


Sigh, I have to take responsibility for some of these, this is my home
faire :).

I think you are right though, in the business part of the rennfaire
world, this is a *very* accepted look for any female in costume.  It is
expected by the majority of the patrons too.  There is little tolerance
for authentic costuming when what they want is 'St. Pauly Girl' both for
serving the ale and wearing the crown.  

I just try and tell myself it is at least fairly close to 17th C :).

That being said, this group of wenches actually do a pretty good job of
staying away from TOAP and overflowing cups.  

Catherine
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[h-cost] 18th C plates on eBay

2005-12-07 Thread Catherine Kinsey
This may have been mentioned already but just in case;

http://cgi.ebay.com/1786-DIDEROT-LACE-MAKING-decorative-feathers-etc_W0QQitemZ6584496015QQcategoryZ29223QQrdZ1QQcmdZViewItem


Not quite my period but very interesting to look through anyway.  

Catherine
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[h-cost] Re: What periods for these fabrics?

2005-12-02 Thread Catherine Kinsey
None of the linen is period at all.  

You can send it to me :).

Catherine
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[h-cost] Favorite Christmas Movie

2005-12-02 Thread Catherine Kinsey
Scrooge, 1951 version w/ Alastair Sims and We're No Angels, from 1955. 


The latter just came out on DVD so I will be able to watch it this year
without the horrible editing it usually receives :).

Catherine

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[h-cost] Re: Question about display...

2005-11-30 Thread Catherine Kinsey
Now, my questions are, am I correct in my understanding that vintage
clothes 
should be displayed flat, and not to clean them  (We've got the whole -
no 
UV thing covered already)?

And is there anything I'm not thinking about?

Marc
==
My only experience with this is a small local museum but they regularly
vacuum their costume pieces, which are stored flat in acid-free tissue
and boxes.  For display, they are mounted on padded maneguins or forms,
occasionally laid across a bed or something like that.  A lot of the
choice on how to display depended on the condition of the garment.  They
try to rotate their displays several times a year but that depends on
staff/volunteer availability.

Good luck :).
Catherine



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[h-cost] Re: Holiday Gift exchange - question...clarification

2005-11-03 Thread Catherine Kinsey
I have someone who does a period I know absolutely nothing about, and
now
I'm trying to figure out where to seek help on making a good choice --
since I can't post my questions to the list!

--Robin
=
Post privately to someone on the list who you know might know something
about the period?

Catherine

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[h-cost] Re: holiday idea

2005-10-25 Thread Catherine Kinsey
 how much would I have to slip you to make sure that Bjarne is my gift

exchange?
===
So how about if we *all* have Bjarne's name?  

And of course then he gets all of ours :)?

Catherine
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[h-cost] Re: a holiday idea

2005-10-24 Thread Catherine Kinsey
Sounds like a fun idea Dawn :), please count me in.

And I agree with some of the ideas being tossed around, keep it simple
and costume related.  How about an accessory or sewing notion/tool?

Catherine
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[h-cost] Re: Embroidered Coif from VA/ stitch question

2005-09-27 Thread Catherine Kinsey
As several folks have already mentioned, this gold braid is also called
plait stitch and Jane Zimmerman has instructions for doing it in one of
her books on Elizabethan embroidery.

Leon Conrad also has a different idea on how to do this stitch.  His
website seems to be down right now ( http://www.lcdesigns.org/  ), and I
can't remember if he ever posted instructions there but there was a
two-part article on the stitch by him in Fine Lines (Historic Needlework
Guild) last year.

I've only had a chance to play with this stitch a little myself but I
would recommend practicing before putting it on a coif :).

Hope this helps,
Catherine
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[h-cost] Re: THAT movie Elizabeth

2005-09-23 Thread Catherine Kinsey
I remember, at the time the movie came out, someone on this list posted
how
silly it was that Elizabeth wouldn't have known that her lover was
married.
(I forget his name -- sudden blank mind.) And of course, it was
ridiculous.
The whole movie was ridiculous.

Gail Finke

Ah, yes.  Lord Robert Dudley (later created Earl of Leicester by 
Elizabeth), whose wedding to Amy Robsart Elizabeth attended.  Of 
course she knew he was married.  In a way, that was what made things 
better for Elizabeth; Robert could not marry her.  Things changed 
after Amy died.

Joan Jurancich
[EMAIL PROTECTED] 
==
But I think he did secretly marry Elizabeth's cousin, Lettice Knollys. 
It was his last (third?) marriage.  Did not make her very popular with
the Queen but it didn't stop one of Lettice's children by her first
marriage, Robert, Earl of Essex, from becoming one of the Queen's
favorites, and later being beheaded by Elizabeth.

Catherine



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[h-cost] Re: At Long Last- the QE2!

2005-09-14 Thread Catherine Kinsey
Just lovely Karen!  And I think your crown is a good choice in keeping
with the portraits of QE you found.  

I have the site bookmarked for the cartridge pleating info, have a
project this winter that will require it, thanks.

Catherine
Wooo Hooo Calontir :)
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[h-cost] Re: lacing and clothing superstitions

2005-09-14 Thread Catherine Kinsey
(2) It's unlucky for anyone to sew or mend clothing while someone is
actually wearing it. But the person wearing the clothing can avert evil
consequences by holding a piece of thread between their teeth while the
sewing is going on. (Can't remember where I saw this, but it was
relatively recent.)

Good thing I had never heard of this, I've stitched up way to many
pairs of tights while they were on the performers out at faire.  Just to
much trouble for them to disrobe everything down to what is essentially
the bottom layer.  Haven't stuck anyone, or lost a needle. yet :).

Catherine


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[h-cost] Re: KWCS Update

2005-08-12 Thread Catherine Kinsey
   For the non-SCA folks; this is an SCA sponsored Costume Symposium
here
 in the states in October.  While it is an SCA event, anyone
interested
 in costuming is welcome to attend.

Is this a replacement for, or in addition to the local costume event 
normally held in February?

Dawn

The February event is local (this year was the 20th).  The one in
October is 'Known World' and travels around the country with a different
group sponsoring it each year.  I think the continued succes of our
local event helped get it started.

And yes, the registration fee is for the whole event.  If you can get
there, the site has some fairly inexpensive accomodations available
(dorm rooms).

Catherine
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[h-cost] Re: KWCS Update

2005-08-12 Thread Catherine Kinsey
As to someone else's question, although the kingdom calendar doesn't
extend that far into the future, Calontir Clothier's Symposium is
expected to be held in the beginning of February as usual.  Some local
people are already starting to produce new outfits for the walk
through history, so I'd be extremely surprised if it wasn't happening.

Catrijn
.
Yup, it is always on the first full weekend of February (says the
originating autocrat :) ).  We were a little worried about catching a
snowstorm every year but have been pretty lucky.  This last one was the
20th.

Now watch, I just jinxed it for next year!

Catherine/Liriel

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[h-cost] KWCS Update

2005-08-11 Thread Catherine Kinsey
I don't know if any of the autocrats are on this list but since I
haven't seen this posted yet:

The registration fee for KWC/RS has changed, prices have been lowered. 
Also, the feast has been canceled.  Please check the website for
updates:  http://www.dunard.org/KnownWorldCostuming/Index.htm 

They also still have some openings for classes so if you have been
thinking about volunteering, now would be a good time :).

For the non-SCA folks; this is an SCA sponsored Costume Symposium here
in the states in October.  While it is an SCA event, anyone interested
in costuming is welcome to attend.

Catherine
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[h-cost] Re: Handkerchief Linen

2005-08-03 Thread Catherine Kinsey
I used it for a couple of 16th C shirts, machine sewed one, hand sewed
the other.  It was a dream to handsew as fingerpressing took quite
easily.  It doesn't wear as well as the heavier linens but both of the
guys I made these for say it is very cool and comfortable to wear.

I was using the handkerchief linen available on sewingcentral.com.

Hope that helps,
Catherine
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[h-cost] Re: costume critique/discussion website

2005-08-02 Thread Catherine Kinsey
If there was a place to put your worst creation, I would love to put
this one.
Jonica

ROTFL!  I think we all have some of these that we could drag out and
get a good cathartic laugh from.  Maybe designate one or two times a
year for these, like around April Fool's Day, so folks know it is meant
in fun?

Catherine


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