[MOPO] International Shipping

2020-01-09 Thread Craig Miller

Hi Folks

As some of you know, I wrote a recently released book called "Star 
Wars Memories: My Time in the (Death Star) Trenches).  It's about the 
years I worked on the marketing of Star Wars and The Empire Strikes Back.


I have two international requests for copies of my book.  They could, 
of course, just order from Amazon in their home countries but they 
want signed copies so they have to get them from me.


Case 1) A guy in Australia (and possibly a couple of his friends) 
want signed copies.  I went to the Post Office and the cheapest rate 
they quoted me -- the clerk admitted she didn't really know how to 
look this up -- was $24 to ship a 2.1 pound envelope.  That would be 
one copy of the book.  Media Mail apparently can't be used overseas.


Case 2) A Star Wars convention in Norway wants to buy 30 (!) copies, 
some personalized and some just signed.  They'd like to bring me in 
as a guest (in which case they could buy from Amazon locally and I'd 
sign on site) but I don't know if my wife, Genny, whose still 
recovering after two and a half months in the hospital from a 
nerve-destroying ailment, will be well enough by March for me to 
travel like that.  Thirty copies of my book, which is large and 
fairly heavy, would require two boxes weighing about 32 pounds 
each.  I'm getting quotes for shipping from USPS, UPS, and FedEx 
ranging from $500 to $1100.


$24 for one copy or $1100 for two boxes of copies is nuts.  There 
must be some cheaper way to ship books overseas.


What am I missing?

Thanks,
Craig.
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Re: [MOPO] LACMA GERMAN EXPRESSIONIST FOLM EXHIBIT

2015-04-06 Thread Craig Miller

It's a great exhibit.  We saw it a couple weeks ago.
Definitely worth seeing.

Craig.


At 11:44 PM 4/4/2015, Toochis Morin wrote:

Hi Mopo

If you're in LA you must see the above exhibit. 
It has incredible original posters from 
Metropolis, M, and De Blau Angel. There are 
drawings from The Cabinet of Dr Caligari which 
are amazing. It closes in a couple of weeks so 
hurry. You won't be disappointed


Toochis

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Re: [MOPO] Here are four special teaser posters that you likely have never seen before

2013-04-16 Thread Craig Miller

I don't know the story behind these posters and why they might
be rare but contractual billing, with the star's name at the top, is
very common and I've never seen exclusions for whether or not
the star is shown on the one-sheet.  Yes, I suppose you can call
it an ego thing but it would apply to most every name star out
there -- and especially to their agents and managers, who would
have been the ones to ask for it as part of their client's deal.

There are plenty of reasons to like or not like Tom Cruise but
this seems just an excuse to knock him.

Craig.


At 04:06 PM 4/16/2013, Harry Caul wrote:
That's probably because the art department realized Tom Cruise's 
name somehow ended up on all the posters and they scrapped the print run!


I mean, his ego couldn't be SO big that he contractually demanded 
it. Right?  Sigh.




On Apr 16, 2013, at 6:47 PM, Bruce Hershenson 
mailto:brucehershen...@gmail.combrucehershen...@gmail.com wrote:


Here are four special teaser posters that you likely have never 
seen before, and you likely will never see them come up for sale, 
EXCEPT in our set of auctions that begin on April 21st!


Inline image 1


--
Bruce Hershenson and the other 29 members of the 
http://eMoviePoster.comeMoviePoster.com team

P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when 
we take lunch)

http://www.emovieposter.com/our site
http://www.emovieposter.com/agallery/all.htmlour auctions

[]


http://www.emovieposter.com/unused/20120625ad_emovieposter_no_buyer_beware_buyer_warranty.jpgComplete 
Buyer Protection - No time limit on our guarantees  NO buyer beware
http://www.emovieposter.com/images/announcements/20120906_mcw_ad_hershenson_help_hotline_forsite.jpgHershenson 
Help Hotline - Direct line to Bruce (our owner!) for urgent problems
Also, please read the following three pages of in-depth Customer 
Reviews of our company - 
http://www.emovieposter.com/images/announcements/buyerreviews_page1.jpgPage 
1, 
http://www.emovieposter.com/images/announcements/buyerreviews_page2.jpgPage 
2, 
http://www.emovieposter.com/images/announcements/buyerreviews_page3.jpgPage 
3, which shows you in our customers' own words exactly what makes 
our company and our auctions so very different from all others!

[]



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Re: [MOPO] Ot - Guernsey's - The Kanter Magic Poster Collection - Page 1 of 2

2012-12-07 Thread Craig Miller

Too rich for my blood, alas, but lots of beautiful pieces.
Good luck with the auction.

Craig.



At 04:05 PM 12/6/2012, ANDREA KANTER wrote:

Dec 9!
http://www.liveauctioneers.com/catalog/34810_the-kanter-magic-poster-collection/page1http://www.liveauctioneers.com/catalog/34810_the-kanter-magic-poster-collection/page1



ANDREA KANTER
mailto:andreakan...@mac.comandreakan...@mac.com




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Re: [MOPO] INSURANCE COVERAGE FOR DEALERS

2012-12-03 Thread Craig Miller

Have you had a problem with Collectibles?  They cover my
various collections but I've never had to file a claim with them
so don't know how they are at anything but accepting checks.

Craig.


At 10:11 AM 12/3/2012, Irvin J. Gelb wrote:

Hi Everyone,
I am looking for alternative insurance companies to Collectibles 
that write policies for dealers as well. If anyone has some good 
recommendations I would really appreciate it.

Many thanks!
irv

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Re: [MOPO] FA: THE PARTY STYLE B 40x60, EMPIRE STRIKES BACK GWTW STYLE + 40+ AUCTIONS!!

2012-10-31 Thread Craig Miller

That Empire Strikes Back poster looks like a commercial
poster of the art (and only the art) from the theatrical poster.

Craig.


At 06:49 PM 10/30/2012, Rix Posterz wrote:

H, Everyone,

Please take a look when you have an extra minute.  Some CLASSIC 
TITLES, RARE SIZES and MANY, MANY MULTIPLE US POSTER BARGAINS...all 
CLOSING THURSDAY!!!
   As always, your support is very much 
appreciated.  Thanks to all,

  Rick
http://www.ebay.com/itm/THE-PARTY-Orig-1968-Style-B-US-40x60-Poster-JACK-DAVIS-ART-ULTRA-RARE-/181006891982?pt=LH_DefaultDomain_0hash=item2a24d9fbcehttp://www.ebay.com/itm/THE-PARTY-Orig-1968-Style-B-US-40x60-Poster-JACK-DAVIS-ART-ULTRA-RARE-/181006891982?pt=LH_DefaultDomain_0hash=item2a24d9fbce 
THE PARTY Orig 1968 US


ROLLED STYLE B 40x60  JACK DAVIS ART

http://www.ebay.com/itm/THE-EMPIRE-STRIKES-BACK-Orig-1980-GWTW-Style-US-Movie-Poster-RARE-SIZE-/181006888485?pt=LH_DefaultDomain_0hash=item2a24d9ee25http://www.ebay.com/itm/THE-EMPIRE-STRIKES-BACK-Orig-1980-GWTW-Style-US-Movie-Poster-RARE-SIZE-/181006888485?pt=LH_DefaultDomain_0hash=item2a24d9ee25 
THE EMPIRE STRIKES BACK
   Orig 1980 GONE 
WITH THE WIND STYLE US  POSTER



http://www.ebay.com/sch/rixposterz/m.html?_ipg=50_from_nkw_armrs=1_sop=1http://www.ebay.com/sch/rixposterz/m.html?_ipg=50_from_nkw_armrs=1_sop=1 
ALL AUCTIONS

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Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

2012-06-22 Thread Craig Miller
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Re: [MOPO] Ray Bradbury, A Remembrance

2012-06-08 Thread Craig Miller

One of the first stories Ray ever told me was about his appearances
in EC Comics.  (I was a comics fan so it was a natural area of interest.)
I no longer remember which of the stories appeared in the comics first
-- adaptations of his short stories -- but EC adapted it, according to
Ray, without his knowledge.  He told me wrote Bill Gaines, the editor, a
letter saying that he really loved the adaptation but they'd forgotten to
send him his check.  Soon thereafter, a contract arrived.  And a check.
And EC continued to adapt (by advance agreement) several more of
his stories.

Craig.


At 07:01 PM 6/7/2012, Bruce Hershenson wrote:
I never met Ray Bradbury OR Ray Harryhausen, and I doubt I would 
have known either one by sight.


But I loved Bradbury stories after I read the EC Comic adaptations 
as a kid, and I went on to read his stuff and some of his stories 
were great and some pretty hard to follow, but he sure was unlike 
any other sci-fi writer and in a great way.


And I was lucky enough to see Sinbad and Jason in the theater and I 
thought them way better than the regular sci-fi or horror stuff.


The funny thing is, I STILL think they wrote and directed light 
years ahead of today's people who churn out crap with regularity, 
and good movies are fewer and fewer.


Bruce

On Thu, Jun 7, 2012 at 4:08 PM, Richard Halegua Comic Art 
mailto:sa...@comic-art.comsa...@comic-art.com wrote:
I had met Ray many times during my life and we chatted frequently at 
shows. I was always quite surprised that he remembered my name.


More than that however, when I was a young teen, and before I had 
been introduced to Raymond Chandler, Bradbury was my favorite 
novelist and the Martian Chronicles was my favorite book


he was a great guy
he loved his fans every bit as much as they loved him, which is 
something that can also be said of his two best friends, Harryhausen 
and Ackerman
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--
Bruce Hershenson and the other 26 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when 
we take lunch)

http://www.emovieposter.com/our site
http://www.emovieposter.com/agallery/all.htmlour auctions

[]


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Re: [MOPO] Ray Bradbury, A Remembrance

2012-06-07 Thread Craig Miller
 that experience over 35 years ago

Rick Ryan
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Re: [MOPO] Missing posters

2012-05-23 Thread Craig Miller

Helmut:

I don't know any more of the details in Geraldine's matter than has
been brought up here but no one seemed to complain about all of
the details (and dumping on) of various people you guys collectively
disliked -- I'm terrible with names but one was the guy from the
auction house and the other was a restorer who didn't and who didn't
return people's posters.  Not to mention the numerous eBay sellers
and buyers not on this list whose practices are perceived as less than
pristine.  But because Geraldine's issue involves Grey and Heritage
-- home town boys -- suddenly we don't talk about such things here.

I don't know who is right and who's wrong, and, truthfully, I think when
matters reach the legal stage they are best left private.  But that's up
to Geraldine.  And Grey.  But let's not pretend that this list doesn't talk
about this kind of dispute.  Perhaps it shouldn't but it does.

Craig.



At 06:24 AM 5/23/2012, Helmut Hamm wrote:

Geraldine,

since you're already employing an attorney, why don't you let him 
handle the conversation regarding this matter?


As far as I'm concerned, this is between you and Heritage (or 
between your attorney and Heritage at this point) and I do not need 
any more of this on Mopo.


Helmut Hamm

http://www.filmposter.nethttp://www.filmposter.net




On Wed, May 23, 2012 at 12:09 AM, Geraldine Kudaka 
mailto:gkud...@rocketmail.comgkud...@rocketmail.com wrote:
I am glad to see Robert Rogovin and James Greshin found their 
missing posters.

I wish I could say the same.
After posting here (March 31  Apr 3, 2012) that Charlie Lippincott 
and I were missing posters from Heritage, Grey offered to handle 
our auctions without a commission. No longer thrilled with our 
relationship with Heritage, we refused.
Next, Grey Smith offered to donate their estimated value to charity 
-- which we also refused.

Grey then sent back a batch of posters.
Upon receipt, I emailed asking if these posters returned were all 
the posters held by Heritge. No reply.
On May 7 our attorney sent Grey Smith and Heritage a letter 
requesting the names of the bonded staff member who had received 
our poster shipments and the names of both staff members who double 
checked the inventory.
I repeated my emails to Grey requesting to know whether he had 
shipped back everything we had sent to heritage. No reply.

Finally, on May 8, I sent an email with the heading 5TH REQUEST.
Grey Smith replied the next day, but did not affirm the return 
represented ALL our inventory. It took two more emails before he 
said everything had been returned.
As of May 18, Grey Smith claims they have not received a letter 
from our attorney.


From: Bruce Hershenson 
mailto:brucehershen...@gmail.combrucehershen...@gmail.com

To: mailto:MoPo-L@LISTSERV.AMERICAN.EDUMoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, May 22, 2012 7:27 PM
Subject: Re: [MOPO] Missing posters
Over the years a ton of people have contacted us that one or more 
items were missing from their package (so many that we have a 
stock reply telling them to carefully check EVERYTHING again). 
Time after time people contact us all embarrassed to say they found it.
I can only recall a couple of times over a 20 year period where 
people were adamant the missing items weren't there, and I refunded them.


99.9% of poster collectors are among the most honest people on 
earth. That ,1%... well...!

Bruce


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Ray Mi 48096
586 677-7669

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Re: [MOPO] Star Wars artist Ralph McQuarrie R.I.P.

2012-03-04 Thread Craig Miller

At 09:15 PM 3/3/2012, Richard Halegua Comic Art wrote:

http://www.empireonline.com/news/story.asp?NID=33315





Ralph was an amazingly talented artist and a terrific guy.  Soft spoken, kind,
easy going, generous.  I haven't seen him in a number of years (he moved
up to the Bay Area many years ago but I used to see him frequently when
he was in L.A.)

I got to work with Ralph on a poster, which I designed for the Official Star
Wars Fan Club.

[]

I couldn't find a digital copy of the poster in my files so pulled
this one off the internet. If someone has a better copy...

Craig.

[Sent this through once before, with an image of the poster pasted into
the message, but the set up for this listserv doesn't seem to accept
images.]






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Re: [MOPO] REQUEST OF MOPO MEMBERS

2011-09-07 Thread Craig Miller

This is a test.  It is only a test.

Craig.


At 10:21 AM 9/7/2011, Kirby McDaniel wrote:

We are having some e-mail problems.
Could the online members please send me an email test message
from any email address that you have?

I think it would help us to determine the extent of the problem.

Kirby




Kirby McDaniel
MovieArt Original Film Posters
P.O. Box 4419
Austin TX 78765-4419
512 479 6680  www.movieart.net
mobile 512 589 5112

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[MOPO] THX 1138 press book question

2011-09-03 Thread Craig Miller

Does anyone have a copy of the press book for the
original release of THX 1138.  I can't find my copy
and I'm trying to find a reference to something in it.
(For the right price, I'll buy an extra copy.)

Thanks,
Craig.


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Re: [MOPO] Dave Dave Dave

2011-08-20 Thread Craig Miller

At 01:15 PM 8/20/2011, Richard Halegua Posters + Comic Art wrote:
eeing the fake rolled 1 sheet for the Kurt Russell the THING which 
was compared side by side to the real deal and was perfect EXCEPT 
that it was rolled, and when we forensically tested it, PROVED it 
was produced in the late 1980's, would make me question any rolled 
one sheet. This fake was THAT GOOD!!!


I spoke to that guy who showed you that poster at Cinevent and he's 
sending it out to me to look at


I'd like to see a video on what kind of tests you put the paper through


I must have missed the original message that mentioned
one-sheets from The Thing.  I don't know anything about
the specific poster you're referring to but I was a publicity
consultant to Universal for that movie (among others) and
I can tell you with absolute certainty that there were rolled
one-sheets for that film.  I probably still have 50 of them
in my garage.

Craig.




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Re: [MOPO] Dave Dave Dave

2011-08-20 Thread Craig Miller

Todd:

I guess it was the phrase compared side by side to the real deal
and was perfect EXCEPT that it was rolled that made me jump to
the conclusion that you were saying real ones aren't rolled.

Craig.


At 03:45 PM 8/20/2011, Todd Spoor wrote:
Craig, we are NOT saying there aren't real rolled 1 sheets of the 
Thing or any other poster out there, we are saying someone is using 
a very high level printing technology to make these knock offs using 
newer paper which possess a high level of alkaline compared to earlier paper.


Sent from my iPad

On Aug 20, 2011, at 2:44 PM, Craig Miller cr...@wolfmill.com wrote:

 At 01:15 PM 8/20/2011, Richard Halegua Posters + Comic Art wrote:
 eeing the fake rolled 1 sheet for the Kurt Russell the THING 
which was compared side by side to the real deal and was perfect 
EXCEPT that it was rolled, and when we forensically tested it, 
PROVED it was produced in the late 1980's, would make me question 
any rolled one sheet. This fake was THAT GOOD!!!


 I spoke to that guy who showed you that poster at Cinevent and 
he's sending it out to me to look at


 I'd like to see a video on what kind of tests you put the paper through

 I must have missed the original message that mentioned
 one-sheets from The Thing.  I don't know anything about
 the specific poster you're referring to but I was a publicity
 consultant to Universal for that movie (among others) and
 I can tell you with absolute certainty that there were rolled
 one-sheets for that film.  I probably still have 50 of them
 in my garage.

 Craig.




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Re: [MOPO] The Best and Worst Movie Posters of the Summer - Photo Gallery on Yahoo! Movies

2011-05-07 Thread Craig Miller

At 01:37 PM 5/7/2011, Kenwick Cook wrote:

cool article, Andrea... I couldn't help checking out this link, as 
my kid is into Lego's these days... cool-looking, official Lego 
movie-poster spoofs of the upcoming Summer movies:


http://screenrant.com/lego-movie-posters-summer-2011s-biggest-movies-rob-114060/


The Lego posters, on the other hand, are pretty cool.

Craig.





-Original Message-
From: Andrea Kanter eccen...@mac.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Sat, May 7, 2011 2:52 pm
Subject: [MOPO] The Best and Worst Movie Posters of the Summer - 
Photo Gallery on Yahoo! Movies


http://movies.yahoo.com/photos/collections/gallery/3398/the-best-and-worst-movie-posters-of-the-summer#photo0http://movies.yahoo.com/photos/collections/gallery/3398/the-best-and-worst-movie-posters-of-the-summer#photo0 



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Re: [MOPO] The Best and Worst Movie Posters of the Summer - Photo Gallery on Yahoo! Movies

2011-05-07 Thread Craig Miller

At 12:52 PM 5/7/2011, Andrea Kanter wrote:

http://movies.yahoo.com/photos/collections/gallery/3398/the-best-and-worst-movie-posters-of-the-summer#photo0



I'd say they're comments got switched.  Thor's a great poster?
Really?  Harry Potter's a bad poster??  Just about every one of
their worst posters is okay to very good and their best posters
are blah at best.

Craig.




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Re: [MOPO] a feature-length documentary film about the career of movie poster artist and Comic-Con special guest Drew Struzan

2010-07-19 Thread Craig Miller

Can you narrow down the day?

Craig.


At 12:24 PM 7/18/2010, kainb...@aol.com wrote:

This might be of interest! Enjoy/Philipp

5:00-6:00 Spotlight on Drew Struzan— See the 
premiere screening of excerpts from Drew: The 
Man Behind the Poster, a feature-length 
documentary film about the career of movie 
poster artist and Comic-Con special guest Drew 
Struzan, featuring exclusive interviews with 
George Lucas, Harrison Ford, Michael J. Fox, 
Frank Darabont, Guillermo del Toro, Steven 
Spielberg, and many others. QA will include 
Struzan and filmmakers Erik Sharkey (director), 
Charles Ricciardi (producer), Greg Boas (editor 
and cinematographer), and Marc-Antoine Serou (cinematographer). Room 7AB


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Re: [MOPO] New tax law: 1099s for vendors....

2010-07-11 Thread Craig Miller

I'm guessing that retail purchases don't come under this
new law.

Craig.


At 02:21 PM 7/11/2010, James Richard wrote:
I love this sort of law... like, say I'm running a business and I 
buy from my local Wall-Mart more than $600 per year worth of 
office/computer supplies and equipment. So now I have to issue a 
1099 form to Wal-Mart?


I guess they will exempt big corporations from this provision, 
because, as we all know, big corporations always pay all of their 
taxes without any hesitation or need for additional reporting to the IRS.


-- JR

Captain Bijou wrote:

Fellow MoPoers:

You may be unaware of nex tax law provisions, which kick in at the 
start of 2012, require any taxpayer with business income to issue 
1099 forms to all vendors from whom they purchased more than $600 
of goods and services that year.


So, if you sell one poster  -- or a cumulative total -- over 
$600.00 to a fellow dealer, you'll have to send him or her a 1099 
in 2012. If you are a dealer, such as myself, and buy over $600.00 
from a vendor such as Bruce or Heritage, you will be issued a 1099 
to accompany your 2012 tax return.


This new law, as it currently stands, means that I, personally, 
will be issuing and/or receiving at least 40-60 1099s in 2012. I 
shudder to think how many Bruce, Kirby, Heritage and the rest of my 
fellow MoPo members will be receiving and/or sending.


You can read the CNN Money article on this subject by clicking the 
below link:


http://money.cnn.com/2010/07/09/smallbusiness/irs_1099_flood/http://money.cnn.com/2010/07/09/smallbusiness/irs_1099_flood/

Earl Blair
CAPTAIN BIJOU
http://www.captainbijou.comwww.captainbijou.com






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Re: [MOPO] wanted: STAR WARS HAPPY BDAY CAKE 1yr anniv 1SH ROLLED NM

2010-03-30 Thread Craig Miller

How much will you pay for one?

Craig.


At 05:17 PM 3/29/2010, David Lieberman wrote:

Please let me know.

thanks,



David Lieberman

http://www.cinemasterpieces.com/CineMasterpieces.com | 15721 N. 
Greenway Hayden Loop, Suite 105 -- Scottsdale, Az 85260
Vintage Original Movie Posters | 602 309 0500 | Office/Gallery Open 
By Appt. Only.


http://www.facebook.com/pages/CineMasterpieces/7735495839?v=wallOur 
Facebook Page


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Re: [MOPO] Any bets on METROPOLIS?

2010-03-20 Thread Craig Miller
 on a re-release, or that the piece is a 
Holy Grail in the minds of the consignor and 
the auctioneer only. But once I found out the 
truth, I would be mightily pissed off.

Penny wise and pound foolish!
Bruce
On Sat, Mar 20, 2010 at 11:21 AM, Brude brude2...@yahoo.com  wrote:
Wy over-priced for a 1970 RR half-sheet.
Opening bid of $200 is more in line (and I still wouldn't buy it).




--- On Sat, 3/20/10, Helmut Hamm texasmu...@web.de  wrote:

From: Helmut Hamm texasmu...@web.de 

Subject: Re: [MOPO] Any bets on METROPOLIS?
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Saturday, March 20, 2010, 12:08 PM

Of course, we won't hear the end of every story 
out there, but I'm pretty optimistic, that the 
majority of 'recorded' sales actually go 
through. Of course, sometimes the same copy of 
a poster comes back to auction, but I'm under 
the impression that quite a number of 
high-priced posters are not nearly as rare as they are (were?) assumed to be.

Be that as may, what do you guys think of this $2,000 poster:
I think I've seen it somewhere before, but 
$2,390 for an R70 halfsheet on A SPACE ODYSSEY? And only one bidder.


http://movieposters.ha.com/common/view_item.php?Sale_No=7019Lot_No=85470http://movieposters.ha.com/common/view_item.php?Sale_No=7019Lot_No=85470 

I think I've seen it somewhere before, but I'm 
not sure. $2,390 for an R70 halfsheet on A SPACE ODYSSEY? And only one bidder.

HH
Am 20.03.2010 um 16:45 schrieb Bruce Hershenson:
 Remember that items that sell for high 
prices often return to the auction block in 
the very next auction (or a couple of auctions 
later). Maybe the buyers never paid, or maybe 
the consignors bought their own items, or 
whatever. We are never told the rest of the story.


 But LOTS of people have been sucked in to 
buying a poster for say, $2,000 because it is 
a bargain since it previously sold for 
$4,000, when it may well be that the $4,000 sale was never consummated.


 Bruce

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Re: [MOPO] AVATAR

2010-02-16 Thread Craig Miller
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Re: [MOPO] AVATAR

2010-02-16 Thread Craig Miller

It's none of those things -- well, not always -- but when someone's
only comment is it's just like [one of a half dozen films] then I think
they aren't thinking but just parroting someone else's comment, to
be on the cool bandwagon.  There's definitely stuff to knock in
Avatar, but way too many seem to not be able to come up with any
of it.  No one's saying you aren't thinking nor that you dismissed the
film.  I disagree that comparable plots is a negative but you had
other negative points as well.  You clearly did think about it.  I don't
completely agree with you but everyone's entitled to their opinion.
I just see a lot of people who are simply on a knock Cameron kick.

Craig.


At 11:22 AM 2/16/2010, James Richard wrote:
So it's now just uncool or jealousy or the old dude just 
doesn't get it to make a perfectly valid observation or criticism of a film?


Guess I have lived too long.

--JR

Jeff Potokar wrote:

Well put, Craig.

Its SO easy to knock one's project or film down. I dont get it. And 
from so many people who know little to nothing about what it 
actually takes to make and put a film of this caliber together.


Jealousy perhaps, or the fact that Cameron has another colossal hit 
in his pocket, i suppose.


Jeff






On Feb 16, 2010, at 10:17 AM, Craig Miller wrote:

I can't say how tired I am of the oh, Avatar is just like movie 
X complaint.

Sorry.  If it's just like Pocahontas, Dances With Wolves, Ferngully, The
Last Samurai, Lawrence of Arabia, and The Last of the Mohicans (and
it's like all of them) that should tell you that it's a common 
story trope used

by countless writers.  To complain of it is to say The West Side Story is
a piece of crap.  It's just like Romeo and Juliet.  The last 
movie I saw that

didn't harken to the plot of something else was Being John Malkovich.  Is
Avatar perfect? No.  Is it's script great?  Nope.  But to say 
there are plot
similarities to something else is fatuous.  If that's all someone 
can complain

about, then they're just looking for something to knock.  (And Cameron has
a lot of people who like to knock him, though I think he's got a 
truly amazing

track record.)

Craig.



At 11:15 PM 2/15/2010, David Kusumoto wrote:
** It's been a while I've written anything of length to MoPo; 
write it off to being too swamped to get into the fights and 
what-nots during the past 5-6 months.


** Meanwhile, you're right, Doug -- Avatar's story line has 
been done 1,000 times before, and that's my only objection to 
it.  Avatar's script resembled Dances With Wolves Meets the 
Blue Man Group -- with the standard theme of money-grubbing 
corporations raping the natural resources of a planet populated 
by blue aliens -- whose every utterance is noble and forcefully 
profound, e.g., like lines given to every Native American 
character in Disney's Pocahontas.


** Anyway, I was put in my place by a former colleague and mother 
of two kids who agreed with me -- but who told me -- (and she was 
right) -- you know, you and your historical film references 
makes you old and out of date -- it makes everything you see 
today sound irrelevant with a been there and done that 
feeling.  Well, that's not true for everything.  Zillions of 
people are paying $15 to see 'Avatar' without your historical 
references; they don't care about Dances with Wolves or 
Pocahontas.  Even if they did, those pictures were made 15-20 
years ago, before today's movie goers were born; they were made 
in ways that seem obsolete or less engaging to kids today.  This 
doesn't mean old films are less important.  It just means they're 
not important to young people YET.  Someday they'll like 
them.  Like we did.  Geezuz, we weren't all born in 1920.  Young 
people buy WAY more tickets than old people.  Remember how you 
used to go to every opening night?  You don't anymore because you 
hate long lines.  You're not supporting the industry and you're 
well past the 'sell-by' date for mass entertainment.  So stay at 
home and watch PBS, TCM or HBO.  'Avatar may not be the best 
picture of the year, but it is historic and my kids loved it.


** I thought about this tirade for a moment and I said, you 
know, you're right.  Most people coming out of 'Avatar' are 
having fun -- and I admit it's astounding that a guy like James 
Cameron can knock out hit after monster hit, while having total 
control of material that, unlike Spielberg, always seems to 
strike industry watchers and the bean counters to have an iffy 
quality -- BEFORE they're released.  Cameron's films never SEEM 
to feel like they will be guaranteed box office gold until AFTER 
word-of-mouth spreads.


** The box-office receipts of Cameron's last three films 
including True Lies -- have blown past everything Spielberg has 
done since 1993, including Jurassic Park, a film at the time I 
thought was a technological game changer.  I just wonder whether 
Avatar, even as a game changer -- has a story/script worthy 
enough to be a Best Picture

Re: [MOPO] Forget the Oscars.. Who Collects Razzies Posters

2010-02-03 Thread Craig Miller

At 11:19 AM 2/2/2010, Richard Halegua Comic Art wrote:

http://razzies.com/history/30thNoms.asp


I don't collect the posters but I attend the Awards
Ceremony every year.

Craig.




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Re: [MOPO] STAR WARS STYLE C 1-SHT QUESTION For STAR WARS MOVIE POSTER EXPERT

2010-02-03 Thread Craig Miller

I can't give you any of the proofs you asked for in your message,
Bruce, but as a publicist working at The Star Wars Corporation/
Lucasfilm in 1977 I can tell you that Style C posters definitely
existed, were sent to theaters, etc.  I have no idea how many were
printed, shipped to theaters, etc., as that was all handled by Fox.

Craig.


At 06:13 AM 2/3/2010, Bruce Hershenson wrote:
Rick, I have wondered the same thing. I have talked to many poster 
collectors who were collecting when the movie first came out, and 
they say that this poster did not appear on the collector's market 
at all in 1977, and that a year or two later a ton of them appeared 
(the ones that are rolled or lightly hand folded).


Some people I have talked to wonder if these aren't the result of 
someone getting the printer to run off a bunch of these at a later 
date. We know there WAS such a poster in 1977 with ratings (because 
printer's proofs have turned up), and it is also possible that the 
no ratings posters were from an international release in 1978.


Can any expert show an image of any theater anywhere that displayed 
this poster in 1977? Or can any expert who was collecting back then 
tell that they purchased one or more of these in 1977, and not at a later date?


Bruce

On Wed, Feb 3, 2010 at 5:32 AM, 
mailto:rixpost...@aol.comrixpost...@aol.com wrote:

Hi,

  I'm not that tremendously knowledgable when it comes to STAR WARS 
material, but of the posters from the three original films in the 
Star Wars trilogy, it appears hands down as if the 1977 Star Wars 
Style C one sheet is the most difficult to find...definitely more 
so than the style D and even more so than Revenge Of The Jedi. (Of 
course the 'birthday cake one sheet tops them all, but I'd put 
that in a different category altogether)
Anyway, I was searching the results of Heritage's auctions and there 
must be 8 or 10 Star Wars Style D one sheets for every ONE style 
Star Wars Style C (if that many!). Hey, I know there's a ton of 
rolled, repro Style C one sheets out there--but those also DON'T 
COUNT.  I'm talking about original, authentic Star Wars Style C one 
sheets.  Could some expert on Star Wars material out there let me 
know the story on this poster? It's rarity in relation to other Star 
Wars posters, etc.  Hey, I've seen a helluva lot of those BOGUS 
Style C's over the past 10 years, but unlike the Star Wars Style A 
and Style D, there NEVER seems to be a genuine Style C listed on 
eBay---unless, of course, it's in an eBay store for $1995 or 
$3995...or an even higher price.
  Can some Star Wars expert out there tell me the approximate ratio 
of Star Wars Style C one sheets out there compared to Styles A and 
D...and what value they put on each...

Thanks very much in advance,
Rick
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Re: [MOPO] STAR WARS STYLE C 1-SHT QUESTION For STAR WARS MOVIE POSTER EXPERT

2010-02-03 Thread Craig Miller

I'd be surprised if they had no ratings, but, honestly, I have
no memory of it and I'm sure I didn't look.  That wasn't an
important issue to what we were doing at Lucasfilm.  (Again,
we weren't doing the distribution to theaters.)

Craig.


At 01:45 PM 2/3/2010, Bruce Hershenson wrote:

Craig

Did you posters you saw in 1977 have ratings or no ratings?

Bruce

On Wed, Feb 3, 2010 at 1:53 PM, Craig Miller 
mailto:cr...@wolfmill.comcr...@wolfmill.com wrote:

I can't give you any of the proofs you asked for in your message,
Bruce, but as a publicist working at The Star Wars Corporation/
Lucasfilm in 1977 I can tell you that Style C posters definitely
existed, were sent to theaters, etc.  I have no idea how many were
printed, shipped to theaters, etc., as that was all handled by Fox.

Craig.



At 06:13 AM 2/3/2010, Bruce Hershenson wrote:
Rick, I have wondered the same thing. I have talked to many poster 
collectors who were collecting when the movie first came out, and 
they say that this poster did not appear on the collector's market 
at all in 1977, and that a year or two later a ton of them appeared 
(the ones that are rolled or lightly hand folded).


Some people I have talked to wonder if these aren't the result of 
someone getting the printer to run off a bunch of these at a later 
date. We know there WAS such a poster in 1977 with ratings (because 
printer's proofs have turned up), and it is also possible that the 
no ratings posters were from an international release in 1978.


Can any expert show an image of any theater anywhere that displayed 
this poster in 1977? Or can any expert who was collecting back then 
tell that they purchased one or more of these in 1977, and not at a later date?


Bruce

On Wed, Feb 3, 2010 at 5:32 AM, 
mailto:rixpost...@aol.comrixpost...@aol.com wrote:

Hi,

  I'm not that tremendously knowledgable when it comes to STAR 
WARS material, but of the posters from the three original films in 
the Star Wars trilogy, it appears hands down as if the 1977 Star 
Wars Style C one sheet is the most difficult to find...definitely 
more so than the style D and even more so than Revenge Of The 
Jedi. (Of course the 'birthday cake one sheet tops them all, but 
I'd put that in a different category altogether)
Anyway, I was searching the results of Heritage's auctions and 
there must be 8 or 10 Star Wars Style D one sheets for every ONE 
style Star Wars Style C (if that many!). Hey, I know there's a ton 
of rolled, repro Style C one sheets out there--but those also DON'T 
COUNT.  I'm talking about original, authentic Star Wars Style C one 
sheets.  Could some expert on Star Wars material out there let me 
know the story on this poster? It's rarity in relation to other 
Star Wars posters, etc.  Hey, I've seen a helluva lot of those 
BOGUS Style C's over the past 10 years, but unlike the Star Wars 
Style A and Style D, there NEVER seems to be a genuine Style C 
listed on eBay---unless, of course, it's in an eBay store for $1995 
or $3995...or an even higher price.
  Can some Star Wars expert out there tell me the approximate 
ratio of Star Wars Style C one sheets out there compared to Styles 
A and D...and what value they put on each...

Thanks very much in advance,
Rick
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Re: [MOPO] STAR WARS STYLE C 1-SHT QUESTION For STAR WARS MOVIE POSTER EXPERT

2010-02-03 Thread Craig Miller

I can certainly confirm that Fox did not believe Star Wars would
be a big hit.  There was small hope it would break even.  Fox
thought their big summer movie would be Damnation Alley.
They were, of course, wrong on both counts.

Craig.


At 01:48 PM 2/3/2010, Robert Maddison wrote:
We operated theaters from the 1960's on and this is what I remember 
about the release of Star Wars to theaters.


Our theaters were being serviced out of the Des Moines, IA branch of 
Twentieth Century Fox, Dave Gold, the manager.  Prior to being 
released, it was apparently felt by Fox that Star Wars was not going 
to be anything big.  They were selling it to theaters in the area, 
including ours, for either a low percentage of the ticket receipts 
and even in some cases in small towns at a flat rental (35mm prints 
available after they finished use in first run theaters).  After 
finding Fox had a hit on their hands, Fox sent their salesmen out 
trying to get many theater owners to void the original contracts and 
sign new ones.  Those of us who refused made a killing on our runs 
of Star Wars.


Since Fox didn't have a lot of faith in the film, it's very possible 
that a low number of the original style C posters were printed for 
the first run.  I'm pretty sure that style was the poster we had at 
the time.  I sold mine on eBay years ago (another killing) and no 
longer have an image in my computer to verify for sure.


Robert Maddison



Craig Miller wrote:

I can't give you any of the proofs you asked for in your message,
Bruce, but as a publicist working at The Star Wars Corporation/ 
Lucasfilm in 1977 I can tell you that Style C posters definitely

existed, were sent to theaters, etc.  I have no idea how many were
printed, shipped to theaters, etc., as that was all handled by Fox.
Craig.

At 06:13 AM 2/3/2010, Bruce Hershenson wrote:

Rick, I have wondered the same thing. I have talked to many poster 
collectors who were collecting when the movie first came out, and 
they say that this poster did not appear on the collector's market 
at all in 1977, and that a year or two later a ton of them 
appeared (the ones that are rolled or lightly hand folded).


Some people I have talked to wonder if these aren't the result of 
someone getting the printer to run off a bunch of these at a later 
date. We know there WAS such a poster in 1977 with ratings 
(because printer's proofs have turned up), and it is also possible 
that the no ratings posters were from an international release in 1978.


Can any expert show an image of any theater anywhere that 
displayed this poster in 1977? Or can any expert who was 
collecting back then tell that they purchased one or more of these 
in 1977, and not at a later date?


Bruce

On Wed, Feb 3, 2010 at 5:32 AM, rixpost...@aol.com 
mailto:rixpost...@aol.com wrote:


Hi,

  I'm not that tremendously knowledgable when it comes to STAR
WARS material, but of the posters from the three original films in
the Star Wars trilogy, it appears hands down as if the 1977 Star
Wars Style C one sheet is the most difficult to find...definitely
more so than the style D and even more so than Revenge Of The
Jedi. (Of course the 'birthday cake one sheet tops them all, but
I'd put that in a different category altogether)
Anyway, I was searching the results of Heritage's auctions and
there must be 8 or 10 Star Wars Style D one sheets for every ONE
style Star Wars Style C (if that many!). Hey, I know there's a ton
of rolled, repro Style C one sheets out there--but those also
DON'T COUNT.  I'm talking about original, authentic Star Wars
Style C one sheets.  Could some expert on Star Wars material out
there let me know the story on this poster? It's rarity in
relation to other Star Wars posters, etc.  Hey, I've seen a
helluva lot of those BOGUS Style C's over the past 10 years, but
unlike the Star Wars Style A and Style D, there NEVER seems to be
a genuine Style C listed on eBay---unless, of course, it's in an
eBay store for $1995 or $3995...or an even higher price.
  Can some Star Wars expert out there tell me the approximate
ratio of Star Wars Style C one sheets out there compared to Styles
A and D...and what value they put on each...
Thanks very much in advance,
Rick
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Re: [MOPO] STAR WARS STYLE C 1-SHT

2010-02-03 Thread Craig Miller
If anyone's interested, I have a Style C available for sale.  It's 
currently with
a friend with a bookstore who wanted to try selling it for me, so I 
can't pull it

out to look at, but here's how he describes it in his catalog:


Star Wars Style C one sheet, tri fold, never folded vertically.  Artwork by
Tom Chantrll, per Sansweet and Vilmur, this poster was never intended for
 US distribution.  Perhaps less than 500 were made and distributed. 27 x
41 1/32. A nice copy of another rare poster, a C9.


I hadn't looked at the listing before so I didn't see this about the quantity
or purpose.  I have absolutely no memory of anyone ever telling us that
they weren't theatrical.  I think we just assumed they were because they
were with all of our one-sheets.  We just used them for publicity and
promotional purposes.  I'm not sure where my friend got the information
from Steve and Pete but they're in a position to actually know.  Pete's
currently asked me to review some material for a new book on the history
of Star Wars so I'll double check with him.

Craig.




At 03:07 PM 2/3/2010, rixpost...@aol.com wrote:



 From some of these posts, it almost seems as if a truly authentic 
Style C Star Wars 1-Sheet is almost on the level of an authentic 
Star Wars Birthday Cake one sheet, a possible fact that is really 
surprising to me.
As I recall, 20 or 35 years ago, the Style C one sheet at least 
occasionally appeared and it wasn't viewed as that much more rare 
than the Style D.  Nowadays, it seems like at any oiven time you can 
find at least 1 or 2 Style D one sheets listed on eBay---there are 
at least a dozen in Heritage's auction records---but I don't know if 
there's a single Style C.  Apparently, a lot of collectors are 
holding on to their Style C Star Wars one sheets. Like I said, it 
all seems a bit mysterious to me.

   Rick

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Re: [MOPO] STAR WARS STYLE C 1-SHT QUESTION For STAR WARS MOVIE POSTER EXPERT

2010-02-03 Thread Craig Miller

Just heard back from Pete Vilmur.  He says:


The style Cs are definitely considered theatrical -- the reason some think
they were not is because there is no PG rating printed on the posters.
Granted, many of the style Cs probably were sent abroad to international
venues (I believe it was printed in late 77), but I'm sure some must have
landed in domestic theaters as well (I've never seen a photo of one at a
theater, though). As for the print count at 500, I've heard that, but there's
no way to confirm. They are pretty scarce, though.

Yes, I've heard the b-day posters figure pegged at 500 as well, but again,
difficult to say since I've never found any hard evidence to confirm. I will
say that the b-day poster seems to come up more often than the Style C,
though. If I had to guess, I'd say 500 on the C and 1000 on the b-day. But
that's just a guess ;)


Alas, far from a definitive answer.

Oh, well.

Craig.



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Re: [MOPO] EXCELLENT ARTICLE ON REMAKE POSTERS

2009-12-08 Thread Craig Miller

At 05:49 PM 12/7/2009, Rudy Franchi wrote:

Quite a bit of work went into this piece on remake posters vs. those
for the original release.

http://sixrevisions.com/graphics-design/a-comparative-design-look-at-remakes-of-movie-posters/



A really interesting article.  Thanks, Rudy, for passing it along.

Others have pointed out where it's inaccurate for including re-issue
posters, rather than the actual initial release posters.  I'll point out
one where it's, perhaps, too accurate.  For The Wicker Man, he
includes the poster Warner Bros. used for its test market of the
film before they shelved it.  (The poster was part of Warner's poor
campaign, selling the film as a shocker thriller and revealing the
surprise ending; something the remake's poster did as well.)  The
poster used for the actual general -- albeit independent -- release
looked completely different.

Craig.




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Re: [MOPO] Remake Poster Site

2009-12-08 Thread Craig Miller

At 09:08 AM 12/8/2009, Rudy Franchi wrote:
I just knew that when I posted that site we would start hearing from 
the nit-wit-pickers of MOPO.  Obviously the fellow who put the 
article together is not a anorakian  victim of Asperger's syndrome, 
but just someone who was contrasting older versions of posters with 
contemporary posters for remakes of the same film. He remains 
blissfully unaware that he selected the Antarctican advance or the 
Tasmanian teaser instead of the original Bulgarian release. I've 
said it before: this once pleasant hobby devoted to the graphic 
power of movie poster images has been taken over by a bunch of nerds 
who want to turn it into effing stamp collecting!   rudy


Rudy:

I think you're over-reacting a little.  Everyone seemed to think it was a good
article.  I think pretty much everyone mentioned that, and appreciated that
you'd pointed it out.  Some people -- including me, I admit -- pointed out
that, in a few cases, he wasn't comparing the items he thought he was
comparing.  In most cases, he found a example from a re-issue which
might have had different art from the first release.  In the example I pointed
out, he found an example from the first US release, but it was a test market
and not the poster eventually used for the release most people saw.  (And,
yes, I'm biased; I designed the general release poster.)  Yes, these could
be seen as complaints but they were mentions of corrections; ways to
make the article even better.  Nobody said the article was bad or worthless
or anything of the kind.  Just the same way people talk about movies:
because we don't love every aspect of a film doesn't mean we think the
movie is bad or disapprove of the people who made it.

Craig.




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Re: [MOPO] Disney Co buys Marvel Comics for $4billion

2009-09-01 Thread Craig Miller

You're quite correct that there are various deals in place with
various terms and restrictions.  No doubt Disney will be spending
a good deal on lawyers trying to figure out how to unravel some
of the deals.

Besides Variety and the Hollywood Reporter, try Nikki Finke's
Deadline Hollywood Daily website.  Nikki's spoken with many
involved parties and has a good deal of detail on the terms of
these deals.

Craig.


At 04:49 AM 9/1/2009, Franc wrote:

I think it's going to depend on how the characters were licensed to
Universal Park and Universal Films. If the characters were exclusively
licensed for a set term to Universal Theme Parks, Disney will have to
wait until the license expires. If the characters were licensed to
Universal Pictures and Universal Pictures has the exclusive right to
license theme park rides based on these characters, Disney is stuck and
will have to buy back those rights. I'm sure this will come out in the
trade stories. FRANC

-Original Message-
From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of
MotionPictureArt.com
Sent: Tuesday, September 01, 2009 2:07 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Disney Co buys Marvel Comics for $4billion


Indeed, that's why I'm so interested in the effects of this. Universal
has a theme park called Islands of Adventure and one of the
islands is a Marvel island.
Disney and universal are big competitors, so I wonder what whit happen
next. Is Universal going to change the Marvel island into a different
theme,
that's just what happened when Warner Bros. sold a bunch of their parks,
or
does Disney have a trick up their sleeves.
Disney has tried to take over the Universal parks in the past so who
knows. The best and most creative attraction at Islands of Adventure
(and probably
the whole world in my opinion) is based on Spider-Man. Rumors are
already
spreading that this ride might be replaced with a similar one based on
Transformers.
And how will Disney incorporate the Marvel characters, just an
attraction
here and there or maybe a fifth theme park???
We'll just wait and see.
Ron

- Original Message -
From: Franc fdav...@verizon.net
To: 'MotionPictureArt.com' i...@motionpictureart.com;
MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, August 31, 2009 10:35 PM
Subject: RE: [MOPO] Disney Co buys Marvel Comics for $4billion


 Aren't the Marvel character already rides at Universal? FRANC

 -Original Message-
 From: MoPo List [mailto:mop...@listserv.american.edu] On Behalf Of
 MotionPictureArt.com
 Sent: Monday, August 31, 2009 4:20 PM
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: Re: [MOPO] Disney Co buys Marvel Comics for $4billion


 I wonder how this will affect the Orlando theme parks if the deal goes

 through. Ron


 - Original Message -
 From: Richard Halegua Comic Art sa...@comic-art.com
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Sent: Monday, August 31, 2009 8:45 PM
 Subject: [MOPO] Disney Co buys Marvel Comics for $4billion


 http://finance.yahoo.com/news/Disney-to-acquire-Marvel-for-apf-730717
 1
 39.html?x=0.v=5

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Re: [MOPO] Posters Should Not Foreshadow

2009-08-27 Thread Craig Miller

I am the MoPo member who designed the later one-sheet for
THE WICKER MAN.  When the showed me the artwork that
Warner Bros. had come up with for the film, I couldn't believe
that they'd given away the surprise ending.

(Thanks for liking my version.)

Craig.


At 11:57 PM 8/26/2009, you wrote:
yes it does in a way, BUT to be truthfull, the aussie video, which 
has it as a photo, scared the shite outta me (and gave it ALL away), 
but I was still surprised at the ending, the US poster, or rather 
one of them (2 releases - for the original ) was designed by a 
member of Mopo (my favourite art, but still want a UK 1sht)  and I 
managed to get a rolled version, in my top 3 films of all time 
(maybe top 5 depending on the day and my mood)


Ari

--- On Thu, 27/8/09, Craig Miller cr...@wolfmill.com wrote:

 From: Craig Miller cr...@wolfmill.com
 Subject: Re: [MOPO] Posters Should Not Foreshadow
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Received: Thursday, 27 August, 2009, 11:29 AM


 The original US poster for THE WICKER MAN (the original
 one, not

 the awful remake) showed the surprise ending.


 Craig.




 At 05:58 PM 8/26/2009, you wrote:

 the other
 night, i watched for
 the first time, KIND LADY.  with the great ethel
 barrymore.



 afterwards, i did a poster search.  boy, am i glad
 that i didn't
 read the poster first.  the poster gives away the
 plot; the poster
 ruins the development of the plot; would have ruined
 the first
 25minutes, or so.



 poster link from bruce's site:

 http://www.emovieposter.com/imagearchive/poster/162129.html





 POSTERS SHOULD NOT TELL THE STORY!



 agree?



 of course, hitchcock's THE WRONG MAN does this in the
 title.





 michael





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Re: [MOPO] Posters Should Not Foreshadow

2009-08-26 Thread Craig Miller

The original US poster for THE WICKER MAN (the original one, not
the awful remake) showed the surprise ending.

Craig.


At 05:58 PM 8/26/2009, you wrote:
the other night, i watched for the first time, KIND LADY.  with 
the great ethel barrymore.


afterwards, i did a poster search.  boy, am i glad that i didn't 
read the poster first.  the poster gives away the plot; the poster 
ruins the development of the plot; would have ruined the first 
25minutes, or so.


poster link from bruce's 
site: 
http://www.emovieposter.com/imagearchive/poster/162129.htmlhttp://www.emovieposter.com/imagearchive/poster/162129.html



POSTERS SHOULD NOT TELL THE STORY!

agree?

of course, hitchcock's THE WRONG MAN does this in the title.


michael


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[MOPO] OT: Here's what I've been doing lately

2009-08-04 Thread Craig Miller

Go to http://resistance-themovie.com to see the trailer
for my latest project.

Craig.


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Re: [MOPO] When is buyer's premium too high?

2009-06-12 Thread Craig Miller

The size of the commission/seller's premium/whatever you want to call it
doesn't matter to the buyer.  The amount of the Buyer's Premium -- the
amount extra the buyer has to pay -- definitely matters.  I went to the Forry
Ackerman Auction at Profiles in History.  As a buyer, the percentage of
the hammer price didn't have an effect on how much I bid.  But the 18%
Buyer's Premium sure did.  Add the 9.25% state sales tax and you've
got just over 27% added to the hammer price.  That's a considerable
inducement to bid less.  (And, in fact, there was an item I wanted, for
which I was willing to spend $1500.  Which meant I couldn't bid over
$1200 (in fact a bit less).

Craig.


At 06:43 PM 6/11/2009, Richard Halegua Comic Art wrote:

to a seller, any premium above a few points starts becoming a negative
every point the premium goes up is another point taken from the 
consignor because if a buyer was willing to pay $1000 with premium 
included before, when the premium gets raised, the buyer doesn't say 
oh, that dealer is taking a beating.. I'll kick in the extra 5%
No.. you instead bid a number lower than you previously would have 
and the final sale to the consignor is less


for the buyer's side.. it shouldn't make any difference what the 
premium is. If you were willing to pay $1000 total before, you're 
still only willing to pay $1000


Rich
ps Doug.. pics are coming to you shortly


At 05:58 PM 6/11/2009, Douglas Ball wrote:
I thought buyer's premium @ 15% was just too damn high, but looking 
at Julien's auction is now 28% and Bonham's,  22%. When is enough 
going to be enough?


Ebay is starting to look good again!

Doug
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[MOPO] Star Wars Other Fakes

2009-04-24 Thread Craig Miller

I remember that someone on MoPo has a website with
information on unauthorized reprints of Star Wars and
other posters, but I can't remember who or the URL.

Help.

Thanks,
Craig.



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Re: [MOPO] OFF THE TOPIC GREAT PUZZLE

2009-03-19 Thread Craig Miller

There is no bus driver.  Which is why the girls eventually
had to get off the bus.  Otherwise they'd never get to
school.

Craig.


At 03:41 AM 3/19/2009, Bruce Hershenson wrote:

What about the bus driver?

On Wed, Mar 18, 2009 at 8:26 PM, Michael B 
mailto:dialmbb...@aol.comdialmbb...@aol.com wrote:
i made the following post yesterday, of which the answer appears 
below the question-BUT SCROLL DOWN A LOT IF YOU WANNA TRY TO 
FIGURE OUT THE ANSWER:


THIS IS NOT A TRICK QUESTION.
IT IS A REAL MATH PROBLEM.
SEND YOUR ANSWER TO ME PRIVATELY, so that you don't spoil the game for others.

There are 7 girls on a bus
Each girl has 7 backpacks.
In each backpack, there are 7 big cats.
For every big cat, there are 7 little cats.

There is no bus driver.

Question:  HOW MANY LEGS are on the bus ?

this is NOT a trick question.  just do the math.  send the answer 
privately to me



have fun on OFF TOPIC question.

michael
-
-
-
-
-
-
-
-
-
-
3 people got the answer with one reply
6 people neednt some encouragement and a hint before getting the answer
2 people kept trying and ultimately got it
8 people gave up..

answer below
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ANSWER:  10,990

7 girls
343 big cats
2401 little cats
---then do the math!!!

BYE

michael




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Re: [MOPO] Speaking of Stephen Fishler...

2009-03-15 Thread Craig Miller

At 03:29 PM 3/15/2009, David Kusumoto wrote:
** Today, Comic-Con is gigantic, with crowds of around 100,000 or 
more held at the huge San Diego Convention Center on the harbor -- 
and though the event still retains its geek factor -- it's far more 
inclusive, with tons of stuff for children and movie-related 
material and events going constantly.  When Comic-Con started, its 
only attendees were young adults and grumpy old men.  The trouble 
today is few can afford to attend Comic-Con.  And I understand that 
this year's bash is already sold out.  In terms of its impact on 
traffic and people crowding our streets -- Comic-Con is bigger than 
the Super Bowls our city has hosted.  Every Comic-Con, locals avoid 
downtown.  But now that we have a major league baseball stadium 
downtown, it's a nightmare.


Comic Con is gigantic but it's actually quite affordable.  I've been attending
as a professional since the late 1970s so haven't paid for a membership in
30+ years but I believe a full (four-day) membership is around $65 or $75.
Individual days can be had for as little as $20.

Right now, it's only the four-day memberships that are sold out.  There are
oodles of daily memberships still available.  Saturday -- being the con's
most crowded day -- still had 75% of its memberships available.  The other
days had still higher percentages available.  I suspect that will change quite
soon, now that the full memberships are gone.  But even buying four one-
day memberships, the freight is only $110.  Not free but hardly out of reach
for a high percentage of the population who might be interested.

What is expensive are hotel rooms.  San Diego is never a cheap town to
stay in and the hotels take advantage of what events are in town to raise
their prices to see what the traffic will bear.  (Personally, I'm not 
willing to

pay $200 a night to stay in walking distance of the convention center so I
stay about a mile away, at a very nice little hotel in Little Italy, 
for about half

that rate.)

Craig.



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Re: [MOPO] Speaking of Stephen Fishler...

2009-03-15 Thread Craig Miller

At 04:20 PM 3/15/2009, Richard Halegua Comic Art wrote:
the past 2 years, the fire marshall has shut down entry until other 
attendees left. so last year on Saturday, several thousand people 
who had waited on line for 6 hours to buy a ticket  get in couldn't 
buy a ticket  never got inside to the show. Crap like that is 
unacceptable as a business practice


Two years ago, the Fire Marshall had the convention stop selling
memberships for 60-90 minutes on Saturday early afternoon, until he could
assertain if everyone in line could get in without it being a fire 
hazard.  They

decided they could and the sale of memberships was restarted.  There
was no such stoppage last year that I'm aware of.

But Richard is definitely right that the show has changed a great deal since
the old days of the El Cortez or even the old Convention Center.  It's not
nearly the fun it used to be.

Craig.



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Re: [MOPO] cells

2009-02-28 Thread Craig Miller

Which are, of course cells in name only.  With rare exception,
they were created for sale and weren't used in the actual production
they're from.

But can you be a bit more specific about what you are looking for?
Features only?  TV?  Famous films/series/characters?  US only?

Thanks,
Craig.


At 03:47 PM 2/28/2009, JOE GLENN wrote:
looking for animation cells, and please not the signed and numbered 
mass market stuff.

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Re: [MOPO] Oscars-- best show in eons

2009-02-24 Thread Craig Miller

I agree with Joe.  The opening number was lots of fun.  We were
at a party and everyone was laughing.

And we liked the group tributes to the actor nominees.  It added
a personal dimension.  Far more interesting than just reading a
list of names.

Not the best show ever but definitely good.

I don't know why people had trouble reading the names on
the In Memorium tribute.  We didn't have any problems.

Craig.



At 08:05 AM 2/23/2009, Joseph Bonelli wrote:

Sorry, guys!!  Totally disagree with you both. Loved the opening number!

On the whole, not only Jackman but the show is the best in years!!

Joe B in NOLA (skipping Val Kilmer's Canal Street ride as Bacchus)

PS-- Thank God for NO lame US-TV personality hosts!


Happy Lundi Gras (today) and Mardi Gras (Tuesday!) to all.


--- On Sun, 2/22/09, Jeff Potokar jpotok...@ca.rr.com wrote:
From: Jeff Potokar jpotok...@ca.rr.com
Subject: Re: [MOPO] Oscars
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Sunday, February 22, 2009, 7:51 PM
i agree doug...
that was PATHETIC.
jeff

On Feb 22, 2009, at 5:38 PM, Doug Taylor wrote:

If that opening number is any indication, this will be the most 
grueling 3 hours of our lives.


My gawd.

DBT
http://www.linkedin.com/in/douglasbtaylorProfile
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Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

2009-02-24 Thread Craig Miller

At 10:53 AM 2/23/2009, rixpost...@aol.com wrote:


  Over the past few years, I've noticed that the level of 
songwriting in the Best Song Academy Award category has 
diminished to the point of pure mediocrity. Not only are only THREE 
songs nominated (didn't it always used to be 5?), but the songs 
that ARE nominated won't be remembered 3 or 4 years from 
now---songs like As Time Goes By will never be forgotten.  Hey, 
I'm not a big fan of Moon River, but it seems like Mozart next to 
the inferior songs that are nominated these days. When It's Hard 
To Be A Pimp won a couple of years ago, I thought we'd nit an 
all-time low (maybe we had, come to think about it...)
  Why wasn't Bruce Springsteen's closing song from The Wrestler 
nominated? When I saw that film, the whole audience stayed in their 
seats to listen to that song, which captured the essence of the 
movie perfectly.  Isn't that what Best Song Of The Year should 
do?  It was BY FAR the best song of the year.  Whether you're a fan 
of Springsteen or not, I think you'll agree with me if you watch 
The Wrestler and listen to it over the closing credits.  It seems 
like the art of writing a great, enduring song is a thing of the 
past when it comes to The Oscars


The rules for the Oscars are a bizarre amalgam of attempts to correct
problems by which they create new and different problems.  In order to
eliminate nominations for songs unrelated to the content of the film but
included at the end to goose up soundtrack album sales, the Academy
change the rules a couple years ago to declare that songs had to appear
during the film and could not be just in the credits (this also dealt with
Disney's submitting versions of songs sung by rock stars over the closing
credits rather than the version sung by voice actors during the actual film).
That's what did in Springstein's song The Wrestler.  Seeing which songs
ended up getting nominations and which songs were ineligible this year
(there was another really good song that got axed for similar reasons but
I forget what it was at the moment), the Academy is going back in to once
again rethink the Best Song category's rules for next year.

Craig.




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Re: [MOPO] MOPO] OSCARS

2009-02-24 Thread Craig Miller

At 12:18 PM 2/23/2009, David Kusumoto wrote:
I was extremely disappointed with Sean Penn's win.  Sean Penn is an 
outstanding actor who gave an uncharacteristically loose, engaging 
and wonderful turn as an heroic figure -- in what I thought was a 
conventionally structured, by-the-numbers-bio-pic capped with the 
standard where-are-they-now text epilogue.  His performance was 
noble and deserving -- but his victory was politically correct and 
in keeping with the Academy's self-seriousness to anoint things 
historic that makes it feel good about itself (hence the standing ovation).


But in my view, the demands of his role paled compared to Mickey 
Rourke's shattering, full-range performance in The Wrestler.  I am 
not a fan of Mickey Rourke and dislike him intensely.  But I could 
not ignore -- having seen all the performances nominated this year 
-- what he did in this picture, from start to finish.  His character 
was an exercise in total immersion, on par with what I believe have 
been the best larger-than-life performances nominated since 1980 -- 
including De Niro in Raging Bull (win), Hopkins in Silence of the 
Lambs (win), and Liam Neeson in Schindler's List (lost to Tom Hanks).


This was, by far, Sean Penn's best performance.  He's a heavily mannered
actor whose  performances are always full of the things actors love:
screaming, crying, dying, being mentally handicapped.  You can always
see acting.  But in Milk, he gave a subtle, nuanced performance that
wasn't full of ticks.  He relaxed into the character and stopped being Sean
Penn, A*c*t*o*r.  I thought he deserved the award (although I also thought
that Mickey Rourke was excellent).

While not related to who should win for their performance, I thought Milk
a better film than The Wrestler.  Rourke and Marisa Tomei were both
great but the film was only okay.

Craig.



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Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

2009-02-24 Thread Craig Miller

Peter Gabriel had an opportunity to perform his song.  He declined.  (It
would have been better to give each song more than 65 seconds in a
medley, which is what he objected to, but it wasn't that the Academy or
the show's producers who wouldn't let him perform.)

Craig.


At 01:47 PM 2/23/2009, Toochis Morin wrote:

I agree with your comments.  I wish Peter Gabriel got to perform his song.
toochis


From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, February 23, 2009 11:31:47 AM
Subject: Re: [MOPO] OSCARS---WHATEVER HAPPENED TO GREAT SONGS?

i agree, rick--add to that that 2 of the 3 of the nominated songs 
were from SLUMDOG.


and could the composer/songwriter from SLUMDOG have been any less 
ungrateful (or at least sounding and appearing so)? gimme a break with that.


Springsteen's song should have at least been in the running.

on a side note-- i also really missed showing a brief clip of the 
nominees-- usually giving just a taste of the performance they have 
been nominated for. the rather boring 5 panel salutes of being 
talked down to from the stage by past winners?? OK, the first time 
was unique--i had NO idea that was going to be the theme. and i 
think Michael Douglas had about 3 lines to say about Frank Langella??


man o man...

jeff



On Feb 23, 2009, at 10:53 AM, 
mailto:rixpost...@aol.comrixpost...@aol.com wrote:




  Over the past few years, I've noticed that the level of 
songwriting in the Best Song Academy Award category has 
diminished to the point of pure mediocrity. Not only are only 
THREE songs nominated (didn't it always used to be 5?), but the 
songs that ARE nominated won't be remembered 3 or 4 years from 
now---songs like As Time Goes By will never be forgotten.  Hey, 
I'm not a big fan of Moon River, but it seems like Mozart next 
to the inferior songs that are nominated these days. When It's 
Hard To Be A Pimp won a couple of years ago, I thought we'd nit 
an all-time low (maybe we had, come to think about it...)
  Why wasn't Bruce Springsteen's closing song from The Wrestler 
nominated? When I saw that film, the whole audience stayed in 
their seats to listen to that song, which captured the essence of 
the movie perfectly.  Isn't that what Best Song Of The Year 
should do?  It was BY FAR the best song of the year.  Whether 
you're a fan of Springsteen or not, I think you'll agree with me 
if you watch The Wrestler and listen to it over the closing 
credits.  It seems like the art of writing a great, enduring song 
is a thing of the past when it comes to The Oscars

  Rick


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Re: [MOPO] Oscars what I didnt like

2009-02-24 Thread Craig Miller

At 02:06 PM 2/23/2009, Dave Smith wrote:
Did they even show Heath during the memorium segment? I was waiting 
to see the audience reaction and I don't recall they showed him. And 
he did pass away in '08 so he should have been included?


They did show it.  Last year.  He died just prior to last year's award
show and was included in last year's In Memorium segment.

Craig.


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Re: [MOPO] Oscars what I didnt like

2009-02-24 Thread Craig Miller

At 02:37 PM 2/23/2009, Jeff Potokar wrote:

that's right...he was memorialized last year technically, incorrect


It was not technically, incorrect.  It's people who died *in the* last year,
not people who died last year.  There's nothing about it being for those
dead before December 31st.

Craig.


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Re: [MOPO] Oscar who?

2009-02-24 Thread Craig Miller

At 12:34 AM 2/24/2009, Phil Edwards wrote:
hhhmmm  is the live Oscars show different to the re-packaged for 
later broadcast in other time zones?


I know in years past, the version in Australia missed many of the 
so-called minor awards (you know, short films, documentaries, 
inclusion of the separate technical achievement awards, etc. that 
people had slaved years over accomplsihing) to have more time on the 
red carpet with de Starz.


As it happens, I'm working on a project with an Australian production
company and two of the producers were up here for meetings.  So on
Saturday I took them to the Razzie Awards and on Sunday we went to a
friend's home for an Oscar Watching Party.  They said that the show is
shortened in Australia.  I assume it isn't shown live there, since that would
have it running from noon to 3:30 on Monday afternoon.  Not the greatest
time for garnering an audience.

Craig.



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Re: [MOPO] Fun MOPO Thread

2008-11-10 Thread Craig Miller

At 09:14 PM 11/9/2008, Bruce Hershenson wrote:
In New York in the 1950s and early 1960s they had The Million 
Dollar Movie on local Channel 9 (with the theme music from Gone 
With the Wind which was rumored to have been shown as the first 
The Million Dollar Movie but had been too expensive and that was 
merely urban legend), and every day at 1 PM, 7 PM, 9 PM and 11 PM 
they would show the same movie for an entire week, 20 times each!


The Million Dollar Movie was syndicated or maybe a format or
a package; I don't really know how it was done at that time but
it existed in many different cities around the country, with the
same title, theme music, and multiple airings of a film for the
week.  I remember once, when I was a kid, that on a particular
Sunday, the only thing I could find on the TV was religion, golf,
and The Crawling Eye, which aired *three* times that day.
There really was no escape from that eye.

Craig.




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Re: [MOPO] HAPPY HALLOWEEN ((( trivia )))

2008-10-16 Thread Craig Miller

At 06:46 AM 10/16/2008, Michael B wrote:
the only movie that i am aware that has a Halloween scene is ARSENIC 
AND OLD LACE.  i believe it was of trick or treaters.


any others ??


Meet Me In St. Louis

Craig.




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Re: [MOPO] FS: EMPIRE STRIKES BACK COLLECTIBLE POSTER

2008-09-04 Thread Craig Miller

I can't remember for certain but I believe there were either three or four
different Coca-Cola designs.  It was part of a licensing/promotional deal
-- Coke glasses, etc. -- and we had to approve them at Lucasfilm.  It was
under me so I wasn't directly involved with the approvals but I seem to
recall multiple designs.

Craig.


At 10:00 AM 9/4/2008, Larry Springer wrote:
HI AGAIN - I sent the previous message and forgot to list another 
item for sale.  I have five (5) absolutely mint, rolled, never 
displayed posters from the Coca-Cola Company advertising THE EMPIRE 
STRIKES BACK.  They were copyrighted in 1980 by Lucas Film Ltd.  The 
artwork is by Boris.  A very nice vintage collectable from the 
film.  All five are the same image (not sure if there was a series 
of these).  Great image of the characters with Darth Vader the 
prominent image!!!  Fine looking poster!  All five for a lot price 
of $25 plus postage.


Larry Springer






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Re: [MOPO] Hollywood Poster Frames

2008-08-24 Thread Craig Miller

I've been travelling a lot and come late to this topic but I echo everyone
else's vote of confidence for Sue.  She's framed stuff for me and it's
always great.  And I just sent a close friend to her to have a birthday
present for his wife -- a photo -- framed.

Craig.


At 08:53 AM 8/23/2008, Susan Heim wrote:

Hello all,
  Wow! A girl goes away to sleep for the night and next morning all 
this love in the mailbox!!  Seriously, thank you all so much for 
the kind words and recommendations to Steve. If you are reading 
this Steve, I too am in the Los Angeles area, the San Fernando 
Valley to be exact.  Just call me and I will give you directions 
and the hours we are open to the public. I will include my local phone number.
   You are very fortunate to have found this group of folks as you 
start your collection. No question here is too rudimenatary.  As 
most of us are longtime collectors and everyone here is always 
willing to help. As several said in their posts, there is always 
somebody out there willing to part you and your money and give you 
shoddy material or take advantage of you. So, I tell all my 
customers that are newer collectors to join this group and ask away.


Thanks again guys for the vote of confidence.

Sue Heim
http://www.hollywoodposterframes.comwww.hollywoodposterframes.com
(800) 463-2994 toll free
(818) 709-6557 local



--

Date: Sat, 23 Aug 2008 08:35:33 -0500
From: [EMAIL PROTECTED]
Subject: Re: [MOPO] Hollywood Poster Frames
To: MoPo-L@LISTSERV.AMERICAN.EDU


I have 10 frames from Hollywwod Poster Frames.  Budget all the way 
to Deluxe.  Yes, stick with Sue.  Integrity, honesty, Intelligence, 
and outstanding tutorials if you request.


Saul
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Re: [MOPO] OT Heinlein et al

2008-08-21 Thread Craig Miller

At 08:31 PM 8/20/2008, Bruce Hershenson wrote:

Once in the late 1970s, I actually wrote Heinlein a fan letter, asking about
some apparent contradictions in his Future History series. To my amazement
I got back a handwritten letter from Mrs Heinlein, saying that they were
written over many years, and that I should be forgiving of some little
errors here and there and besides the books weren't real anyway!
If there was ONE person in history I would have liked to talked to at
length, it is RAH. He made more correct predictions about the future than
Nostradamus and Da Vinci combined!


Heinlein was pretty amazing, both as a writer and as a person.  I met him
several times in the mid-'70s and '80s.  And we corresponded a bit as well.
After a blood transfusion which he felt saved his life, at his request, I
organized the first Heinlein Blood Drive at a science fiction convention in
1976.  Since then, they've become standard events at science fiction
conventions all over the US, though by now most of them are just blood
drives with people having no memory that they were inspired by Heinlein.
Have Spacesuit, Will Travel, one of his juveniles, was the first science
fiction book I ever read.

A fond memory of him I have is, one time, over a very tasty dinner, the
awful subject of food being fattening came up.  I glibly commented that
calories are what they put into food to make it taste good.  Heinlein stared
at me for a second, stood up, and shook my hand.

Politics, however, was one subject we stayed away from discussing.

Craig.



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Re: [MOPO] OT Heinlein et al

2008-08-21 Thread Craig Miller

The blood drive didn't have posters in the sense that there were scads of
them -- or any of them -- printed up.  They were done by a couple of artists
I knew, all one-off, and posted around the convention at which the blood
drive was taking place (the 1976 Westercon in Los Angeles).  We'd also
announced it in the convention's publications prior to the event.  Later
that year, the World Science Fiction Convention, held that year in Kansas
City with RAH as Guest of Honor, hosted another one.  And they've since
spread.

Craig.



At 04:22 PM 8/21/2008, Ari Richards wrote:

Thats great,

RAH politics never REALLY sit right with me, but I get where he is 
coming from. In a certain case his writing did sway me.


regarding the blood drive, as a fan I knew/know where it comes from 
EXCEPT a mopo member was responsible. WOW!


Thats GREAT Craig and to get back ON tpoic, if you have any of the 
first BLOOD DRIVE posters for sale LMK.


Ari

--- On Fri, 22/8/08, Craig Miller [EMAIL PROTECTED] wrote:

 From: Craig Miller [EMAIL PROTECTED]
 Subject: Re: [MOPO] OT Heinlein et al
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Received: Friday, 22 August, 2008, 2:06 AM
 At 08:31 PM 8/20/2008, Bruce Hershenson wrote:
 Once in the late 1970s, I actually wrote Heinlein a fan
 letter, asking about
 some apparent contradictions in his Future
 History series. To my amazement
 I got back a handwritten letter from Mrs Heinlein,
 saying that they were
 written over many years, and that I should be forgiving
 of some little
 errors here and there and besides the books weren't
 real anyway!
 If there was ONE person in history I would have liked
 to talked to at
 length, it is RAH. He made more correct predictions
 about the future than
 Nostradamus and Da Vinci combined!

 Heinlein was pretty amazing, both as a writer and as a
 person.  I met him
 several times in the mid-'70s and '80s.  And we
 corresponded a bit as well.
 After a blood transfusion which he felt saved his life, at
 his request, I
 organized the first Heinlein Blood Drive at a
 science fiction convention in
 1976.  Since then, they've become standard events at
 science fiction
 conventions all over the US, though by now most of them are
 just blood
 drives with people having no memory that they were
 inspired by Heinlein.
 Have Spacesuit, Will Travel, one of his
 juveniles, was the first science
 fiction book I ever read.

 A fond memory of him I have is, one time, over a very tasty
 dinner, the
 awful subject of food being fattening came up.  I glibly
 commented that
 calories are what they put into food to make it taste
 good.  Heinlein stared
 at me for a second, stood up, and shook my hand.

 Politics, however, was one subject we stayed away from
 discussing.

 Craig.



 ~
 Craig MillerWolfmill Entertainment
 [EMAIL PROTECTED]
 ~

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 www.filmfan.com

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 [EMAIL PROTECTED]
 In the BODY of your message type: SIGNOFF
 MOPO-L

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 its content.   Win a MacBook Air or iPod touch with Yahoo!7. 
http://au.docs.yahoo.com/homepageset




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Re: [MOPO] Can a major director shoot an epic on a low budget?

2008-07-23 Thread Craig Miller

At 10:41 PM 7/22/2008, Robert D. Brooks wrote:

the lighting and camera work also leaves a good deal to be desired.


I'll pass your critique along:  he only shot movies like X-Men II, 
Sisterhood of the Travelling Pants, The Fantastic Four, Elf, 
Paycheck, etc...  oh, and the Canadian classic Hookers on 
Davie!  I'm sure he'll be pleased to hear your thoughts...  And, 
what kind of quality do you expect for an 80+ minute film shot in 
less than 5 days???


I'm confused.  X-Men II's DP was

Newton Thomas Sigel.

Sisterhood of the
Travelling Pants' was done by John Bailey.   For Fantastic Four it was Oliver
Reed.  Etc. Etc.  Why does your DP use all those aliases when he works?

Craig.







- Original Message - From: Craig Miller [EMAIL PROTECTED]
To: Robert D. Brooks [EMAIL PROTECTED]
Cc: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, July 22, 2008 9:54 PM
Subject: Re: [MOPO] Can a major director shoot an epic on a low budget?


IMDB is a wonderful website.  It's invaluable.  But they don't only 
list feature

films.  They list TV episodes (actually series, but with listings for each
episode).  And they list short films.  One minute.  Two minutes.  Ten
minutes.  Twenty minutes in length.  I'm discussing feature films.

If you include everything, of all lengths, designed for any and all mediums,
than yes, your number isn't some wild ass guess with no basis in fact. It's
still a guess but it's closer to reality.  If you're talking about 
actual feature

length films made with at least the hope of a theatrical release, then your
number is way way way off.

Even if we accept the IMDB number as being accurate, and double it for
the rest of the year, it's only half the number you first gave and only an
eighth of the number you later increased it to.  But, of course, we can't
really accept the IMDB number because it isn't only feature films.  And
while this film you give as an example might be feature length -- I'll take
your word for it, since what's on YouTube is just 10 minutes long 
-- it's also

apparently soft-core porn, which can be made very very cheaply.  The
acting, from the couple minutes I watched, is hardly top quality; 
the lighting

and camera work also leaves a good deal to be desired.  For a Troma
direct-to-DVD, it's fine, but it isn't theatrical quality.  And I'm 
guessing I

must have missed the parts that qualify it as being much better than what
comes out of the studios.

Oh, and if you want to throw credits back and forth, I've worked on major
studio films and independent films.  I've been a guest speaker at film
festivals and distribution markets in the US, the UK, France, Italy, and the
Screen Producers Association of Australia (an organization of independent
film producers) just asked me to come speak at their conference in
November.  (I've even been on panels with Lloyd Kaufman.)

I've worked with George Lucas, Stephen Spielberg, Jim Henson, Tom
Hanks, John Boorman, Christopher Lee, Edward Woodward, Ken Russell,
Anthony Shaffer, Robin Hardy, Richard Lester, Richard Donner, Howard
Gottfried, Danny Melnick, Frank Oz, Frank Marshall,

Luigi Cingolani, John
Carpenter,

Oliver Stone, Ed Pressman, etc. etc. etc.

So I do know what I'm talking about.

Craig.


At 08:42 PM 7/22/2008, Robert D. Brooks wrote:
So, if $20 million is a 'low budget,' this is what I did with 
about 1/8th of 1% of that amount (meaning I would have to make 
this movie almost 1,000 times - just to have a budget high enough 
to be considered 'low')... Although, I'll warn anyone that dares 
click:  NSFW (it is a Troma-film after all, so don't come crying 
to me if...)!  ;o)


http://www.youtube.com/watch?v=JTMoKB9Zk0E

Cheers,

Bob

PS.  Note to Craig:  You may just notice a couple names in the 
credits there: one is currently the chairman of the Independent 
Film and TV Alliance and the other is the head of the oldest 
independent film studio in existence, so while I may not have your 
30 years in the business (only about 20 here), understand that I 
do know what I'm talking about!  And, just to prove I'm right:


http://www.imdb.com/List?year=2008

You'll notice that there are about 12,000 movies listed there - 
just from the last 6 months (and they only list a fraction of all 
the movies made - very few student films, foreign films, 
ultra-low-budget films, etc...).  I guess I should be expecting an apology?...





- Original Message - From: Craig Miller
To: Robert D. Brooks
Cc: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, July 22, 2008 8:20 PM
Subject: Re: [MOPO] Can a major director shoot an epic on a low budget?


You're missing the point.  You're wrong about the number of movies made.
Your numbers all seem to be wild guesses and you haven't specified if
you're talking about feature length films or including all lengths 
and formats.

I can only believe you're doing the latter because your numbers are just
way, way off for the former.  (And what makes you think each film festival
gets applications

Re: [MOPO] Can a major director shoot an epic on a low budget?

2008-07-23 Thread Craig Miller

This debate is now officially silly.  Yes, DPs aren't their own camera
operators (especially when there's more than one camera at a time going).
But some do still operate the camera.  We were about to do a preliminary
shoot for a project with Andrew Lesnie (DP on Lord of the Rings trilogy,
etc.) in Australia last month when Night Shyamalan stole him away from us
with a bigger contract.  He was going to operate his own camera.

And when someone brags about the guy who shot a list of pictures, they
mean the person in charge, who designed the shots, who came up with the
plan, and who's responsible for the way the picture looks.  Not the guy who
held the camera.  His job is important, too, but he isn't considered the
person who shot the movie.  It's the DP who shot the picture, not the (or
one of the) camera operators.

One of the biggest problems with low budget independent films is they
are just that: low budget.  The producers frequently don't spend enough on
important elements like lighting and sound.  You can make a movie seem
10 times more expensive by spending just a little more to get those
elements right.

Craig.


At 11:44 PM 7/22/2008, Robert D. Brooks wrote:
Where did I say he was DP???  I said he 'shot' those movies, meaning 
he was the one holding the camera (fyi, the DP hardly ever touches 
the camera).  Although I'm sure he was probably DP on at least one 
of those as well...

- Original Message -
From: mailto:[EMAIL PROTECTED]Craig Miller
To: mailto:MoPo-L@LISTSERV.AMERICAN.EDUMoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, July 22, 2008 11:31 PM
Subject: Re: [MOPO] Can a major director shoot an epic on a low budget?

At 10:41 PM 7/22/2008, Robert D. Brooks wrote:

the lighting and camera work also leaves a good deal to be desired.


I'll pass your critique along:  he only shot movies like X-Men II, 
Sisterhood of the Travelling Pants, The Fantastic Four, Elf, 
Paycheck, etc...  oh, and the Canadian classic Hookers on 
Davie!  I'm sure he'll be pleased to hear your thoughts...  And, 
what kind of quality do you expect for an 80+ minute film shot in 
less than 5 days???


I'm confused.  X-Men II's DP was

Newton Thomas Sigel.



Sisterhood of the
Travelling Pants' was done by John Bailey.   For Fantastic Four it was Oliver
Reed.  Etc. Etc.  Why does your DP use all those aliases when he works?

Craig.







- Original Message - From: Craig Miller [EMAIL PROTECTED]
To: Robert D. Brooks [EMAIL PROTECTED]
Cc: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, July 22, 2008 9:54 PM
Subject: Re: [MOPO] Can a major director shoot an epic on a low budget?


IMDB is a wonderful website.  It's invaluable.  But they don't 
only list feature

films.  They list TV episodes (actually series, but with listings for each
episode).  And they list short films.  One minute.  Two minutes.  Ten
minutes.  Twenty minutes in length.  I'm discussing feature films.

If you include everything, of all lengths, designed for any and all mediums,
than yes, your number isn't some wild ass guess with no basis in fact. It's
still a guess but it's closer to reality.  If you're talking about 
actual feature

length films made with at least the hope of a theatrical release, then your
number is way way way off.

Even if we accept the IMDB number as being accurate, and double it for
the rest of the year, it's only half the number you first gave and only an
eighth of the number you later increased it to.  But, of course, we can't
really accept the IMDB number because it isn't only feature films.  And
while this film you give as an example might be feature length -- I'll take
your word for it, since what's on YouTube is just 10 minutes long 
-- it's also

apparently soft-core porn, which can be made very very cheaply.  The
acting, from the couple minutes I watched, is hardly top quality; 
the lighting

and camera work also leaves a good deal to be desired.  For a Troma
direct-to-DVD, it's fine, but it isn't theatrical quality.  And 
I'm guessing I

must have missed the parts that qualify it as being much better than what
comes out of the studios.

Oh, and if you want to throw credits back and forth, I've worked on major
studio films and independent films.  I've been a guest speaker at film
festivals and distribution markets in the US, the UK, France, Italy, and the
Screen Producers Association of Australia (an organization of independent
film producers) just asked me to come speak at their conference in
November.  (I've even been on panels with Lloyd Kaufman.)

I've worked with George Lucas, Stephen Spielberg, Jim Henson, Tom
Hanks, John Boorman, Christopher Lee, Edward Woodward, Ken Russell,
Anthony Shaffer, Robin Hardy, Richard Lester, Richard Donner, Howard
Gottfried, Danny Melnick, Frank Oz, Frank Marshall,

Luigi Cingolani, John
Carpenter,

Oliver Stone, Ed Pressman, etc. etc. etc.

So I do know what I'm talking about.

Craig.


At 08:42 PM 7/22/2008, Robert D. Brooks wrote:
So, if $20 million is a 'low budget

Re: [MOPO] Can a major director shoot an epic on a low budget?

2008-07-23 Thread Craig Miller

At 03:49 AM 7/23/2008, Robert D. Brooks wrote:
I have a question about all these numbers being thrown around 
about movie budgets (e.g. $5 million, $10 million, etc). Do those 
figures include the buyers
premium, and should that amount be included when talking about the 
cost of the movie?


That's called the sales-agent, the completion-guarantor and EO 
insurance (interestingly around the same percentage as most buyers 
premiums when combined), and yes, you include those in the budget 
(except for the sales agent, who goes more on the income 
statement)...  It doesn't matter what industry, there's always 
someone with their fingers in the pot...


Of those, only EO insurance applies to major studio films.

Craig.




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Re: [MOPO] Can a major director shoot an epic on a low budget?

2008-07-22 Thread Craig Miller

What is low budget depends on who you talk to.  $10-20 million is
moderately low.  For a studio level film, it's positively tiny.  Even for
a lot of small companies, it's considered low budget.  I've dealt with
companies that if a film isn't over $10 million, they won't consider
distributing it because it's way too low.  (An average studio film is
over $65 million, for comparison.  So, no, $10-20 is not ridiculously
high.  Except in the absolute sense of why should they cost so much.
But the fact is that they do.)

But for people not at the studio level, $10 million is toward the high
end.  $2-3 million is about the range for most independent low
budget films.  Ones that actually have a likelihood of making a deal
for distribution.

Absolutely there are films made for less.  $400,000-$1,000,000 is
the range for low budget TV movies, such as those that air on Sci Fi
Channel (and then get sold on DVD or get some theatrical distribution
in Europe).  And there are films made for a lot less.  But those rarely
are of a quality -- in terms of acting, lighting, sound, etc. -- to get any
sort of distribution.

Also, I doubt very strongly that there are 50,000+ English language
movies are made every year.  I doubt there are that many in all
languages made in a given year.  Unless you're including shorts and
internet videos and student films, etc.

Craig.


At 05:09 PM 7/22/2008, Robert D. Brooks wrote:
What on Earth are you guys talking about?!?  You're talking about 
'low budget' as if $10 or 20 million was LOW!  That's not a low 
budget, that's a ridiculously high, Hollywood budget!  A million or 
less is a low budget.  A hundred thousand or less is a shoe-string 
budget.  Here's a clue:  if there are major stars in it and a full 
union cast and crew, it's not 'low budget!' Probably 50,000+ English 
language movies are made every year, and far less than 1% of those 
have a budget over 5 or 10 million...


Cheers,

Bob

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Re: [MOPO] Can a major director shoot an epic on a low budget?

2008-07-22 Thread Craig Miller

You're missing the point.  You're wrong about the number of movies made.
Your numbers all seem to be wild guesses and you haven't specified if
you're talking about feature length films or including all lengths 
and formats.

I can only believe you're doing the latter because your numbers are just
way, way off for the former.  (And what makes you think each film festival
gets applications for a completely different group of films?  Sundance
requires it hasn't been shown anywhere else before them but most
festivals have no such rule.  And they don't say films can't play other
festivals after them.)

Please don't insult us by suggesting that only you are so smart as to know
about films not made by the Hollywood studios or that we don't know about
low budget films.  I assure you, that isn't the case.

And if you think the super low budget filmmakers all make wonderful
movies, you clearly haven't seen a significant enough percentage of them.
A large percentage of the indies are godawful.  As are the majority of
studio pictures.  But they don't suddenly become good because they're
made with low low budgets.

I've been in this business over 30 years now and I've worked with and seen
pictures at all different budget levels.  The budget -- high or low 
-- isn't what

makes them good.

Craig.


At 07:44 PM 7/22/2008, Robert D. Brooks wrote:
You guys don't seem to be getting my point:  If 99.9% of all the 
films that get made in any given year have a budget less than $5 or 
10 million - you can't go calling $20 million 'low budget' -even if 
it is low by Hollywood standards (and do you really think that I 
don't know what the average Hollywood budget is nowadays or how many 
films they put out in a year???). Hollywood isn't the only game in 
town!  You guys (like seemingly everyone else on Earth) only 
consider big-budget Hollywood films 'films' - every other film 
doesn't even exist in your world.  Your world only consists of those 
2-400 films a year that Hollywood puts out, not ALL of the movies 
put out in total...  That's doing a great disservice to the 
film-makers, writers, actors and crews out there around the world 
(who do a far, far better job, dollar-for-dollar, than Hollywood does)!


And, to clarify for you, they make somewhere between 2 and 5 
thousand films a year - in Canada alone!  The Toronto Film Festival 
gets something like 5-800 applications each year from just Canadian 
indie films (and only a tiny fraction of films will get 
submitted).  Vancouver gets another 4 or 500. Consider that the US 
is ten times the size (as well as Europe, Australia and Asia - we'll 
even exclude Bollywood just to even things out), and my numbers are 
probably quite conservative actually.  There's likely well over 1 or 
200,000 English language films made each year.  But, as I said, 
those other 199,800 don't matter to you, so they might as well not exist...


Cheers,

Bob


- Original Message - From: Craig Miller [EMAIL PROTECTED]
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, July 22, 2008 6:09 PM
Subject: Re: [MOPO] Can a major director shoot an epic on a low budget?



What is low budget depends on who you talk to.  $10-20 million is
moderately low.  For a studio level film, it's positively tiny.  Even for
a lot of small companies, it's considered low budget.  I've dealt with
companies that if a film isn't over $10 million, they won't consider
distributing it because it's way too low.  (An average studio film is
over $65 million, for comparison.  So, no, $10-20 is not ridiculously
high.  Except in the absolute sense of why should they cost so much.
But the fact is that they do.)

But for people not at the studio level, $10 million is toward the high
end.  $2-3 million is about the range for most independent low
budget films.  Ones that actually have a likelihood of making a deal
for distribution.

Absolutely there are films made for less.  $400,000-$1,000,000 is
the range for low budget TV movies, such as those that air on Sci Fi
Channel (and then get sold on DVD or get some theatrical distribution
in Europe).  And there are films made for a lot less.  But those rarely
are of a quality -- in terms of acting, lighting, sound, etc. -- to get any
sort of distribution.

Also, I doubt very strongly that there are 50,000+ English language
movies are made every year.  I doubt there are that many in all
languages made in a given year.  Unless you're including shorts and
internet videos and student films, etc.

Craig.


At 05:09 PM 7/22/2008, Robert D. Brooks wrote:
What on Earth are you guys talking about?!?  You're talking about 
'low budget' as if $10 or 20 million was LOW!  That's not a low 
budget, that's a ridiculously high, Hollywood budget!  A million 
or less is a low budget. A hundred thousand or less is a 
shoe-string budget.  Here's a clue:  if there are major stars in 
it and a full union cast and crew, it's not 'low budget!' Probably 
50,000+ English language movies are made every year, and far

Re: [MOPO] Can a major director shoot an epic on a low budget?

2008-07-22 Thread Craig Miller

That's production PLUS marketing.  I was speaking of just
production costs (as were the previous messages).

Craig.


At 06:25 PM 7/22/2008, Patrick Michael Tupy wrote:

Avg. Major Studio Film Budget increases by 6.3% in 2007 to $106.6
Million.

http://www.romow.com/entertainment-blog/average-hollywood-movie-now- 
costs-over-106-million/


Patrick


On Jul 22, 2008, at 6:09 PM, Craig Miller wrote:


What is low budget depends on who you talk to.  $10-20 million is
moderately low.  For a studio level film, it's positively tiny.
Even for
a lot of small companies, it's considered low budget.  I've dealt with
companies that if a film isn't over $10 million, they won't consider
distributing it because it's way too low.  (An average studio film is
over $65 million, for comparison.  So, no, $10-20 is not ridiculously
high.  Except in the absolute sense of why should they cost so much.
But the fact is that they do.)

But for people not at the studio level, $10 million is toward the high
end.  $2-3 million is about the range for most independent low
budget films.  Ones that actually have a likelihood of making a deal
for distribution.

Absolutely there are films made for less.  $400,000-$1,000,000 is
the range for low budget TV movies, such as those that air on Sci Fi
Channel (and then get sold on DVD or get some theatrical distribution
in Europe).  And there are films made for a lot less.  But those
rarely
are of a quality -- in terms of acting, lighting, sound, etc. -- to
get any
sort of distribution.

Also, I doubt very strongly that there are 50,000+ English language
movies are made every year.  I doubt there are that many in all
languages made in a given year.  Unless you're including shorts and
internet videos and student films, etc.

Craig.


At 05:09 PM 7/22/2008, Robert D. Brooks wrote:

What on Earth are you guys talking about?!?  You're talking about
'low budget' as if $10 or 20 million was LOW!  That's not a low
budget, that's a ridiculously high, Hollywood budget!  A million
or less is a low budget.  A hundred thousand or less is a shoe- 
string budget.  Here's a clue:  if there are major stars in it and
a full union cast and crew, it's not 'low budget!' Probably 50,000 
+ English language movies are made every year, and far less than

1% of those have a budget over 5 or 10 million...

Cheers,

Bob

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Re: [MOPO] Can a major director shoot an epic on a low budget?

2008-07-22 Thread Craig Miller
IMDB is a wonderful website.  It's invaluable.  But they don't only 
list feature

films.  They list TV episodes (actually series, but with listings for each
episode).  And they list short films.  One minute.  Two minutes.  Ten
minutes.  Twenty minutes in length.  I'm discussing feature films.

If you include everything, of all lengths, designed for any and all mediums,
than yes, your number isn't some wild ass guess with no basis in fact.  It's
still a guess but it's closer to reality.  If you're talking about 
actual feature

length films made with at least the hope of a theatrical release, then your
number is way way way off.

Even if we accept the IMDB number as being accurate, and double it for
the rest of the year, it's only half the number you first gave and only an
eighth of the number you later increased it to.  But, of course, we can't
really accept the IMDB number because it isn't only feature films.  And
while this film you give as an example might be feature length -- I'll take
your word for it, since what's on YouTube is just 10 minutes long -- it's also
apparently soft-core porn, which can be made very very cheaply.  The
acting, from the couple minutes I watched, is hardly top quality; the lighting
and camera work also leaves a good deal to be desired.  For a Troma
direct-to-DVD, it's fine, but it isn't theatrical quality.  And I'm guessing I
must have missed the parts that qualify it as being much better than what
comes out of the studios.

Oh, and if you want to throw credits back and forth, I've worked on major
studio films and independent films.  I've been a guest speaker at film
festivals and distribution markets in the US, the UK, France, Italy, and the
Screen Producers Association of Australia (an organization of independent
film producers) just asked me to come speak at their conference in
November.  (I've even been on panels with Lloyd Kaufman.)

I've worked with George Lucas, Stephen Spielberg, Jim Henson, Tom
Hanks, John Boorman, Christopher Lee, Edward Woodward, Ken Russell,
Anthony Shaffer, Robin Hardy, Richard Lester, Richard Donner, Howard
Gottfried, Danny Melnick, Frank Oz, Frank Marshall,

Luigi Cingolani, John
Carpenter,

Oliver Stone, Ed Pressman, etc. etc. etc.

So I do know what I'm talking about.

Craig.


At 08:42 PM 7/22/2008, Robert D. Brooks wrote:
So, if $20 million is a 'low budget,' this is what I did with about 
1/8th of 1% of that amount (meaning I would have to make this movie 
almost 1,000 times - just to have a budget high enough to be 
considered 'low')... Although, I'll warn anyone that dares 
click:  NSFW (it is a Troma-film after all, so don't come crying to 
me if...)!  ;o)


http://www.youtube.com/watch?v=JTMoKB9Zk0E

Cheers,

Bob

PS.  Note to Craig:  You may just notice a couple names in the 
credits there: one is currently the chairman of the Independent Film 
and TV Alliance and the other is the head of the oldest independent 
film studio in existence, so while I may not have your 30 years in 
the business (only about 20 here), understand that I do know what 
I'm talking about!  And, just to prove I'm right:


http://www.imdb.com/List?year=2008

You'll notice that there are about 12,000 movies listed there - just 
from the last 6 months (and they only list a fraction of all the 
movies made - very few student films, foreign films, 
ultra-low-budget films, etc...).  I guess I should be expecting an apology?...





- Original Message - From: Craig Miller
To: Robert D. Brooks
Cc: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, July 22, 2008 8:20 PM
Subject: Re: [MOPO] Can a major director shoot an epic on a low budget?


You're missing the point.  You're wrong about the number of movies made.
Your numbers all seem to be wild guesses and you haven't specified if
you're talking about feature length films or including all lengths 
and formats.

I can only believe you're doing the latter because your numbers are just
way, way off for the former.  (And what makes you think each film festival
gets applications for a completely different group of films?  Sundance
requires it hasn't been shown anywhere else before them but most
festivals have no such rule.  And they don't say films can't play other
festivals after them.)

Please don't insult us by suggesting that only you are so smart as to know
about films not made by the Hollywood studios or that we don't know about
low budget films.  I assure you, that isn't the case.

And if you think the super low budget filmmakers all make wonderful
movies, you clearly haven't seen a significant enough percentage of them.
A large percentage of the indies are godawful.  As are the majority of
studio pictures.  But they don't suddenly become good because they're
made with low low budgets.

I've been in this business over 30 years now and I've worked with and seen
pictures at all different budget levels.  The budget -- high or low 
-- isn't what

makes them good.

Craig.

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Re: [MOPO] Can a major director shoot an epic on a low budget?

2008-07-22 Thread Craig Miller

As someone who's primarily a writer these days, you won't get me to
diminish the role of writers in making films.  But, alas, it is a director's
medium -- if in only that the studios tend to defer to the director.  The
budgets are set by the companies and the director -- no matter how big or
small or independent the company.  They say how much they'll spend, the
director argues for how much he needs.  And they'll tell the writer to make
changes if what he's written doesn't work with the budget.  (Of course, to a
great extent, you can shoot most anything on most any budget.  How good
the locations will look -- does it look like Hawaii or Descanso Gardens? --
or how good the effects are or how good the actors are (not that you can't
find good actors who don't charge a lot) will vary, but you can shoot the
script for the budget you have.

I've been told on very low budget projects that the company can't take a
picture that's under $10 million.  I tell them we can make it for $10 million.
 No problem.  It was designed for $5 million but we can spend more, hire
bigger name actors, pay ourselves more, do fancier effects, go on location
rather than the backlot, etc.  But they want you to come in with their budget
range already on paper.  They don't like the idea that you can change the
film expenses to match the budget...

Craig.


At 09:21 PM 7/22/2008, Alan Adler wrote:

Just want to add this note from another perspective.

All this director talk...
It's the writer that sets the budget -
You write big, you write small -
The director interprets, but he sure ain't the be all and end of
making a picture what it is!

Alan

On Jul 22, 2008, at 8:42 PM, Robert D. Brooks wrote:


So, if $20 million is a 'low budget,' this is what I did with about
1/8th of 1% of that amount (meaning I would have to make this movie
almost 1,000 times - just to have a budget high enough to be
considered 'low')... Although, I'll warn anyone that dares click:
NSFW (it is a Troma-film after all, so don't come crying to me
if...)!  ;o)

http://www.youtube.com/watch?v=JTMoKB9Zk0E

Cheers,

Bob

PS.  Note to Craig:  You may just notice a couple names in the
credits there: one is currently the chairman of the Independent Film
and TV Alliance and the other is the head of the oldest independent
film studio in existence, so while I may not have your 30 years in
the business (only about 20 here), understand that I do know what
I'm talking about!  And, just to prove I'm right:

http://www.imdb.com/List?year=2008

You'll notice that there are about 12,000 movies listed there - just
from the last 6 months (and they only list a fraction of all the
movies made - very few student films, foreign 
films, ultra-low- budget films, etc...).  I 
guess I should be expecting an apology?...





- Original Message - From: Craig Miller
To: Robert D. Brooks
Cc: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Tuesday, July 22, 2008 8:20 PM
Subject: Re: [MOPO] Can a major director shoot an epic on a low
budget?


You're missing the point.  You're wrong about the number of movies
made.
Your numbers all seem to be wild guesses and you haven't specified if
you're talking about feature length films or including all lengths
and formats.
I can only believe you're doing the latter because your numbers are
just
way, way off for the former.  (And what makes you think each film
festival
gets applications for a completely different group of films?  Sundance
requires it hasn't been shown anywhere else before them but most
festivals have no such rule.  And they don't say films can't play
other
festivals after them.)

Please don't insult us by suggesting that only you are so smart as
to know
about films not made by the Hollywood studios or that we don't know
about
low budget films.  I assure you, that isn't the case.

And if you think the super low budget filmmakers all make wonderful
movies, you clearly haven't seen a significant enough percentage of
them.
A large percentage of the indies are godawful.  As are the majority of
studio pictures.  But they don't suddenly become good because they're
made with low low budgets.

I've been in this business over 30 years now and I've worked with
and seen
pictures at all different budget levels.  The budget -- high or low
-- isn't what
makes them good.

Craig.

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Re: [MOPO] Freeman Fisher

2008-07-17 Thread Craig Miller

Which tells me that should be the price including a buyer's premium,
and if I'm buying from a seller that doesn't require a buyer's premium,
I should be paying less.  I certainly shouldn't be paying that sale price
plus buyer's premium PLUS another buyer's premium on top of it.
Otherwise, it's simply an artificial way for dealers to inch up the price.
Because it sold for the hammer price.  A Buyer's Premium -- or,
in normal business parlance, a commission -- was added to that
price after the auction.

Craig.


At 04:25 PM 7/16/2008, Smith, Grey - 1367 wrote:
I would agree with Sean on this. When someone 
calls me and asks what a Creature from the Black 
Lagoon one sheet will bring, I will look at our 
archive and say, Here is what we have gotten 
for this item.. I would explain that the figure 
does include a Buyer's Premium, but that that is 
the going price in today's market. The Hammer 
price plus the Buyer's Premium is what the 
piece sold for and is thus, what the market 
should bring for the item. I have great respect 
for Rudy and his opinion, but I would always 
appraise value by what it brought in auction with the BP.


 -Original Message-
From: MoPo List 
[mailto:[EMAIL PROTECTED] Behalf Of Sean Linkenback

Sent: Wednesday, July 16, 2008 6:12 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Freeman Fisher

From: MoPo List 
[mailto:[EMAIL PROTECTED] On Behalf Of Craig Miller

You buy a house for $200,000.  You pay taxes on the sale of
$16,000.  You buy a home warranty at the same time, through
the realty company, for $1000.  You've now paid $217,000.
You wrote a check for $217,000.

What is the value of the house?

Now what if you find out that the Real Estate 
company got a commission from the home owners 
and that the owners received less than $200K.


What’s the value of the house? What if the home 
was listed for $220K, but they accepted 200K, 
What if you sold the house the next day for 
$240K, what if a bear was walking in the woods, 
what if you find out Elvis slept in the house, Etc. etc., etc




I would argue you can’t count taxes and 
shipping, as they are costs that not every 
purchaser pays, but everyone pays the buyer’s premium.


I’m actually totally in shock at Rudy’s answer 
and he’s the first appraiser I’ve ever heard 
suggest such a thing.  I was an appraiser for 
ASA, have done many more for insurance 
companies, estates, etc and never have heard of 
any other appraiser using the hammer price – 
they look at the final sales price including premium.




If anyone here on their insurance policy lists 
the hammer price as the value and not the full 
price with buyer’s premium (or if anyone lists 
what the seller’s net received was) I’d like to 
hear about it, as you’d be the first I know of to do such a thing.








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Re: [MOPO] Freeman Fisher

2008-07-17 Thread Craig Miller

At 04:11 PM 7/16/2008, Sean Linkenback wrote:
From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of 
Craig Miller

You buy a house for $200,000.  You pay taxes on the sale of
$16,000.  You buy a home warranty at the same time, through
the realty company, for $1000.  You've now paid $217,000.
You wrote a check for $217,000.

What is the value of the house?

Now what if you find out that the Real Estate company got a 
commission from the home owners and that the owners received less than $200K.
What's the value of the house? What if the home was listed for 
$220K, but they accepted 200K, What if you sold the house the next 
day for $240K, what if a bear was walking in the woods, what if you 
find out Elvis slept in the house, Etc. etc., etc


What the owners pay brokers is no more a reduction of the value
of the house than what the buyers pay as BP to the auction house.
Different brokers/realtors charge different commissions; a sale by
owner has no commission.  Some auctioneers charge different
amounts of BP.  A direct sale charges none.  Bruce H. charges
none.  It's a variable cost-of-doing-business.  It isn't part of the
value of the poster or house.

This is Economics 101.

Craig.



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Re: [MOPO] Freeman Fisher

2008-07-16 Thread Craig Miller

The fact is that the cost is different from the value.

Let's say you just bought a brand new 2008 Toyota Camry.  You paid
$20,000.  Plus sales tax (about $1700) and license fees (about $200,
as a guess).  Then you paid $650 for a wonderful extended warranty.
That's $22,550 you've paid to the dealership.  You spent $22,550.

What is the value of the car?

Craig.


At 06:15 PM 7/15/2008, Richard Halegua Comic Art wrote:

I agree with Sean



At 05:29 PM 7/15/2008, Sean Linkenback wrote:
From: MoPo List [ 
mailto:[EMAIL PROTECTED] On Behalf Of Susan Heim
…Some people say value, some say cost, etc. I 
guess, for me personally, when I think of the 
value of a poster I purchased, I think of it 
in terms of how much  money I had to give for that poster…


I used to think the same way Sue, but Bruce’s 
question of whether or not it matters if the 
buyer’s premium is 10% or a 100% has me rethinking everything.
Now I’m thinking that I can be the low price 
leader for items, but just charge a significant 
“buyer’s premium” on all purchases.


“How much is that Frankenstein Title 
Card?”  -  “Why it’s only $600, but there is a 5000% buyer’s premium.”


“That’s a beautiful B-Style One Sheet for 
Citizen Kane, what was the price on that?”
“I got it super cheap at Platinum Posters, they 
only charged me $1000 for it (not counting buyer’s premium of course).”


“Yeah, they’re only charging $15 for Goldfinger one-sheets.”

It could even work when buying – “We normally 
sell This Gun For Hire one-sheets for $400 
which is full appraised value, but I’m in a 
good mood today and will pay you double value for your copy”



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Re: [MOPO] Freeman Fisher

2008-07-16 Thread Craig Miller

At 11:07 AM 7/16/2008, [EMAIL PROTECTED] wrote:

this makes no sense

the car you describe depreciates the moment you sign to buy it from 
the dealer and drive away (I am not referring to collectible antique 
cars because you named the specific car)


a poster bought privately may appreciate the moment you buy it if 
you buy it at a right price and sell it immediately to a collector who wants it


you are comparing apples with airplanes


No, I'm talking economics.

Let's do my example again with a house.  A house, like a poster,
might appreciate or depreciate.  But the economics are the
same.

You buy a house for $200,000.  You pay taxes on the sale of
$16,000.  You buy a home warranty at the same time, through
the realty company, for $1000.  You've now paid $217,000.
You wrote a check for $217,000.

What is the value of the house?

See, apples and apples.  Something that could appreciate
or depreciate.  Sales tax is not part of the value.  The home
warranty is not part of the value.  Money you might have paid
a home inspector to check out the house is not part of the
value.  It's part of what you spent but it isn't part of the value.

This is basic economics.  There's a difference between cost
and value.  You might project a future increase in value that
will bring it up above your cost; you may feel the pleasure you
get from looking at your poster or living in your house is worth
the extra cost, but it doesn't increase the current value.

Craig.




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Re: [MOPO] Freeman Fisher

2008-07-15 Thread Craig Miller

Sue:

I don't know Freeman.  He may be wonderful guy.  But calling someone's
opinion -- especially a thought out, defined opinion -- moronic is neither
nice nor intelligent.  He's saying no one is allowed to disagree with his
opinion.  Something nice people -- and polite people -- simply do not do.
People are allowed to have differences of opinion.

It's interesting to note throughout the hammer price/buyer's premium
discussion, people who are poster dealers all agreed (all except Rudy,
that is) that the buyer's premium *must* be added to the hammer price to
determine the value of the poster.  It's a philosophy that goes well toward
raising the prices of their inventory.  Are the dealers all so 
calculating as to
want to artificially drive up the value of their 
merchandise?  Perhaps not, but
it isn't a difficult argument to make.  Especially when the 
non-dealers all see

it differently.

And, only the dealers (and not just Freeman) have made comments that the
people with differing opinions are stupid or fools or somesuch.

Craig.



At 10:24 AM 7/15/2008, Susan Heim wrote:
I have to agree with Claude on this one. Freeman is one of the 
nicest people I have met in this hobby. He is funny and very 
generous. I typically find his posts very thought provoking and 
usually hilarious. Sometimes, we humans, particularly out of 
frustration, say things that are misinterpreted. I know Freeman 
would never hurt someone intentionally. I know I have made that 
mistake and sometimes right here on MoPo. I say things because, in 
my mind, I am saying them to a group of friends I have known for a 
long time. I feel I am in trustworthy hands. I forget, though, that 
there are lurkers out there who may have another agenda. That 
certainly happened to me a few weeks ago right here on the group. 
So, we all live and learn and just like a marriage you have to 
take the good with the bad.


Sue
http://www.hollywoodposterframes.comwww.hollywoodposterframes.com

P.S..My post I started..O.Kwhere do you 
stand? about the buyer's premium was the most action I've had 
in months!!

- Original Message -
From: mailto:[EMAIL PROTECTED]Claude Litton
To: mailto:MoPo-L@LISTSERV.AMERICAN.EDUMoPo-L@LISTSERV.AMERICAN.EDU
Sent: Monday, July 14, 2008 7:16 PM
Subject: Re: [MOPO] Freeman Fisher

I have read all the posts for the last few days and I believe what 
Freeman wrote was directed at more than one comment and most likely 
out of frustration.  Freeman Fisher is a wonderful person and I 
have  enjoyed my relationship with him (through mopo, buying and 
selling and just conversing on the telephone).


He is a great asset to mopo and as Kirby said, more people should 
post.  I like reading comments even if I disagree with them.  What I 
dislike are stupid one liners that are meant to be funny but are a 
total waste of time.  (Now is the time to attack me for that 
statement but please keep in mind that I am a thick skinned old 
bird.)I have loved every post Freeman has made and may he keep 
doing what he does best, which is putting words together like no one 
else.  He is in a class by himself.


Claude L




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Re: [MOPO] O.k....Where do you stand?

2008-07-14 Thread Craig Miller

At 05:31 PM 7/13/2008, JOHN REID Vintage Movie Memorabilia wrote:
I agree with Rich. Just looking at my Heritage invoice and I'm 
really only interested in the total amunt I have to pay which 
includes the buyers premium.


As far as I'm concerned thats what I paid for the poster/s.


That is, indeed, what you paid.  That isn't the value of the poster,
as defined as what it sells/sold for.  The price of a hamburger at
a restaurant is $8.  There's sales tax and a tip to the waiter on top
of that.  But the hamburger still costs $8, no matter that you paid
more than that in total.

You're confusing value with total paid.

Craig.



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Re: [MOPO] apprraisal/BP response from rudy franchi

2008-07-14 Thread Craig Miller

At 10:53 PM 7/13/2008, Jeff Potokar wrote:

hello mopo,

in lieu of this whole thread which started on saturday, I decided to 
write to rudy franchi, an appraiser and poster expert at Heritage. i 
am sure most of you know his background. he sent me a reply to the 
appraisal/ BP add on question that i have been discussing here. his 
response echoes my thoughts expressed. he asked me to post both my 
original email to him and his response as he was having trouble 
getting messages posted:


jeff


my email to him:


hi rudy,

jeff potokar here. i had a general question that i wanted to run by 
you with regard to a poster's appraised value and the price that 
can be quite a bit different (elevated) if a poster is sold thru an 
auction house.


my basic question is this: as an example, let us say a higher end 
poster has been appraised by you and valued at $10,000.00.


this poster is consigned to an auction house where a 19.5% buyer's 
premium will be added and paid for by the winning bidder.


the question is: does this additional 1950.00 that has been charged 
to the buyer  -- the BP--, suddenly become added to the appraised 
value, so that literally  the poster is now almost a 12,000.00 
poster?  or is the appraised value still the $10K that the poster 
had just before the auction?


the BP is like a fee, or auction commission, isnt it? it is how the 
auction house makes money, but it doesnt boost a poster's appraises 
value, does it?


thanks much, rudy.

best.

jeff potokar



his reply to me:

Jeff, can you post your question and my reply to MOPO?  I'm having 
trouble getting my messages posted. Thanks, rudy


The appraisal price is the hammer price. Appraisals are based on 
comps, comparative prices for the same item in previous 
transactions. There have not always been buyer's premiums, not all 
auctions charge buyer's premiums and when they do, not all auctions 
charge the same buyer's premium. So that appraisers can compare 
consistently, we deal with the hammer price.  Also, should the buyer 
then add on the sales tax when it is charged? Should he add on the 
shipping? Should he add on the cost of the cab he took to the 
auction or the lunch he had during the break? That way lies chaos.

The hammer price is the agreed standard for the value of an item.

rudy franchi


I always knew Rudy was a wise man.

Craig.




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Re: [MOPO] O.k....Where do you stand?

2008-07-13 Thread Craig Miller

At 04:51 AM 7/13/2008, Roland Lataille wrote:
I just won a one sheet Cinerama roadshow Circus World poster from 
Heritage for $60 plus $11.70 for BP. I would say I paid $71.70 for 
it. I think I got a pretty good deal as I was willing to pay a lot 
more for it. You don't see this Cinerama roadshow poster on Ebay very often.



Seems to me there's a difference between the sales price (i.e. what the
poster sold for) and the cost of acquiring it.  If I buy a poster -- 
or anything

-- from someone in person (or from someone from whom I can pick it up)
there is no shipping fee.  That doesn't mean the item sold for less.  It
means there were no added fees.

While a Buyer's Premium is something I would have to pay if I bought a
poster through an auction house, it is a fee that I need to be willing to pay
but isn't truly part of the poster's price, no more than sales tax, or money
later spent to fix up, linenback, or frame a poster.  Those may be part of
what I need or want to spend on the poster, but they aren't part of the price.

Frankly, saying it is sounds more like dealers trying to find ways to push up
the price of a poster.  It sold for $1000 plus a 20% BP, so the real price is
$1200.  Next time, someone should pay $1150 plus a BP of 15% so the
value will be $1440.  It's a fee on a fee on a fee that people are using to
artificially inflate the value.

It is, I'll concede, more accurate to say the *cost* of the poster was the
auction price plus all other expenses incurred.  But that doesn't make it the
value of the poster.

Craig.



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Re: [MOPO] O.k....Where do you stand?

2008-07-13 Thread Craig Miller

Cost to Own does not equal Value or even Price.  Cost to
Own is the Price plus additional expenses entailed in acquiring
it.  How much you spent isn't the same thing as how much the
item sold for.

If you bought something for the auction price of $1,000 but you
had a $200 credit with the auctioneer, you can write a check for
$800.  Does that mean the price is $800 or $1000?  To get rid
of other spurious elements, it isn't a credit based on a transaction
but based on a gift (a la a gift card at a store) or winning a contest.
So you're actually only spending $800.  Does that mean the value
of the poster has just gone down?

The value is the sales price.  Buyers Premiums are the cost of
doing business with that seller.  (If you bought the item in, say, Las
Vegas or Portland, Oregon, where there's no sales tax, does that
mean the value of the poster is less than if you bought it in Los
Angeles or New York where there is?  The sales tax is not part of
the valuation of the poster, just as the BP is not.  That you have to
pay it is separate from the value of the item.)

Craig.


At 03:49 PM 7/13/2008, Dale Dilts wrote:


For the married folks out there. If you bid out a poster at 1000.00, but the
checking account is missing 1200, is your spouse going to think you paid
1000 or 1200 :)

Paid = cost to own, has nothing to do with being a dealer or a collector.


-Original Message-
From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of Kirby
McDaniel
Sent: Sunday, July 13, 2008 5:23 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] O.kWhere do you stand?

Funny, but when I pay for that poster it seems like that was the price to
me.
Lock, stock and barrel.

Kirby McDaniel
www.movieart.net


On Jul 13, 2008, at 2:40 PM, martin s wrote:

 FINALLY, someone who gets it!

 Thanks Craig, that's it exactly... The sales price of the poster is
 the $ amount when the auctioneer says SOLD. Everything added after
 that is a fee, tax, or shipping charge.

 As you said, it breaks down into collectors and dealers. Dealers need
 to roll all of those extra expenses into the total price paid,
 however, that is NOT the price that the poster SOLD for.

 If I paid 10K for a poster, 2k for BP, 825. for tax, and 100. for
 shipping, My total paid is $12,925, but the sale price of the poster
 is still 10K. Everything else is fees, taxes and other charges.

 Best wishes,

 M

 
 Date: Sun, 13 Jul 2008 10:03:14 -0700
 From: [EMAIL PROTECTED]
 Subject: Re: [MOPO] O.kWhere do you stand?
 To: MoPo-L@LISTSERV.AMERICAN.EDU

 At 04:51 AM 7/13/2008, Roland Lataille wrote:
 I just won a one sheet Cinerama roadshow Circus World poster from
 Heritage for $60 plus $11.70 for BP. I would say I paid $71.70 for
 it. I think I got a pretty good deal as I was willing to pay a lot
 more for it. You don't see this Cinerama roadshow poster on Ebay
 very often.


 Seems to me there's a difference between the sales price (i.e.
 what the
 poster sold for) and the cost of acquiring it.  If I buy a poster --
 or anything
 -- from someone in person (or from someone from whom I can pick it
 up)
 there is no shipping fee.  That doesn't mean the item sold for less.
 It means there were no added fees.

 While a Buyer's Premium is something I would have to pay if I bought
 a poster through an auction house, it is a fee that I need to be
 willing to pay but isn't truly part of the poster's price, no more
 than sales tax, or money later spent to fix up, linenback, or frame a
 poster.  Those may be part of what I need or want to spend on the
 poster, but they aren't part of the price.

 Frankly, saying it is sounds more like dealers trying to find ways to
 push up the price of a poster.  It sold for $1000 plus a 20% BP, so
 the real price is $1200.  Next time, someone should pay $1150 plus a
 BP of 15% so the value will be $1440.  It's a fee on a fee on a fee
 that people are using to artificially inflate the value.

 It is, I'll concede, more accurate to say the *cost* of the poster
 was the auction price plus all other expenses incurred.  But that
 doesn't make it the value of the poster.

 Craig.



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Re: [MOPO] O.k....Where do you stand?

2008-07-13 Thread Craig Miller
It's what you spent but it wasn't just the price of the 
poster.  There was also

a commission charged by the seller.  And taxes.  And maybe shipping.
And if you're planning to resell it -- or if you put it up in your please of
business as office decoration, there's a deduction you take on your taxes.
You don't deduct that from the amount when you declare the cost, I
assume.  But you should if you were calculating the true cost to you,
which is not the same as the price.

Craig.


At 03:23 PM 7/13/2008, Kirby McDaniel wrote:

Funny, but when I pay for that poster it seems like that was the
price to me.
Lock, stock and barrel.

Kirby McDaniel
www.movieart.net


On Jul 13, 2008, at 2:40 PM, martin s wrote:


FINALLY, someone who gets it!

Thanks Craig, that's it exactly... The sales price of the poster is
the $ amount when the auctioneer says SOLD. Everything added
after that is a fee, tax, or shipping charge.

As you said, it breaks down into collectors and dealers. Dealers
need to roll all of those extra expenses into the total price paid,
however, that is NOT the price that the poster SOLD for.

If I paid 10K for a poster, 2k for BP, 825. for tax, and 100. for
shipping, My total paid is $12,925, but the sale price of the
poster is still 10K. Everything else is fees, taxes and other charges.

Best wishes,

M



Date: Sun, 13 Jul 2008 10:03:14 -0700
From: [EMAIL PROTECTED]
Subject: Re: [MOPO] O.kWhere do you stand?
To: MoPo-L@LISTSERV.AMERICAN.EDU

At 04:51 AM 7/13/2008, Roland Lataille wrote:

I just won a one sheet Cinerama roadshow Circus World poster from
Heritage for $60 plus $11.70 for BP. I would say I paid $71.70 for
it. I think I got a pretty good deal as I was willing to pay a lot
more for it. You don't see this Cinerama roadshow poster on Ebay
very often.



Seems to me there's a difference between the sales price (i.e.
what the
poster sold for) and the cost of acquiring it.  If I buy a poster --
or anything
-- from someone in person (or from someone from whom I can pick it
up)
there is no shipping fee.  That doesn't mean the item sold for
less.  It
means there were no added fees.

While a Buyer's Premium is something I would have to pay if I
bought a
poster through an auction house, it is a fee that I need to be
willing to pay
but isn't truly part of the poster's price, no more than sales
tax, or money
later spent to fix up, linenback, or frame a poster.  Those may be
part of
what I need or want to spend on the poster, but they aren't part
of the price.

Frankly, saying it is sounds more like dealers trying to find ways
to push up
the price of a poster.  It sold for $1000 plus a 20% BP, so the
real price is
$1200.  Next time, someone should pay $1150 plus a BP of 15% so the
value will be $1440.  It's a fee on a fee on a fee that people
are using to
artificially inflate the value.

It is, I'll concede, more accurate to say the *cost* of the poster
was the
auction price plus all other expenses incurred.  But that doesn't
make it the
value of the poster.

Craig.



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Re: [MOPO] off topic but brilliant

2008-07-10 Thread Craig Miller

I haven't seen WALL-E yet but I know a little something of the story.  Since
Short Circuit is basically our super-soldier/brain enhanced monkey/robot
has gotten away and we want to get it back, no matter what or who gets
hurt and takes place in contemporary society and WALL-E takes place
on a desolate, unpopulated Earth, it seems unlikely that one is a copy of
the other, let alone a dead copy.  Not impossible, but on the surface
unlikely.

Craig.


At 12:08 AM 7/10/2008, Michael Wong wrote:

Hi All,
I know it's not just me.  Wall-E is a dead copy of Number 5 from Short
Circuit (1973?).

I saw the filmmaker and clips at Wondercon SF and someone asked him about the
similarity to Short Circuit.  He claimed ignorance of the other film, not
surprising since he said he was trying to evoke the great science 
fiction films

of the past (his youth), i.e.  Blade Runner, 2001, Star Wars, etc.

Michael, Cinecityposters   /HTML

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Re: [MOPO] Greatest Sky-Fi

2008-06-13 Thread Craig Miller

At 11:01 PM 6/12/2008, Roger Kim wrote:

Did any of you cable subscribers watch MPC Salutes the Greatest
Science Fiction Films of All Time? I didn't think much of the list
they came up with. They managed to ignore the entire Star Trek
franchise. Very rude. And why did they pick that Tom Martin guy to
host the program? He was like Robin Williams on speed. Next time, I
hope they pick someone more like Alistair Cooke.

For those who missed it, here are the winners:

1) 2001: A Space Odyssey
2) Solaris (1972)
3) Blade Runner (1982)
4) Metropolis
5) Star Wars (1977)
6) Silent Running
7) Fahrenheit 451
8) Fantastic Planet
9) Colossus: The Forbin Project
10) War of the Worlds (1953)


Not sure what MPC is.  And that's certainly an odd list.
I can quibble with a couple of these but some of them
are definitely not in the top ten of Greatest Science
Fiction Films of All Time.  2, 8, and 9 in particular.

Craig.




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Re: [MOPO] Feedback Quirk No Make That Jerk

2008-06-13 Thread Craig Miller
 a determination that hopefully is 
close,  I shoot for within ten dollars and feel lucky to be within 
that  range. However once I sold a miniature prop one of a city 
street at Warner Brothers for SUPERMAN.I was $80  off due to the 
newly enacted dimensional weight and fuel surcharge assessment.   I 
emailed buyer and asked upon the safe delivery of prop, would he be 
willing to split the difference explaining why so far off on 
estimate  as miniature was only  slightly heavy, more 
unyieldly  than anything  but when I set about  packing it well to 
arrive in perfect condition,( a near two hour undertaking,)  it 
turned out to be a carton almost 5 feet long and about 16 X 16 
deep.  I charged $55 for ground  and it came to a shocking $135 with 
insurance.   In no uncertain terms a flat screw you was the 
answer.  The extra care in packing to arrive safely 2000 miles away 
was met with zip concern or understanding.


This same person purchased another item later which I had not 
connected to the  months earlier purchase.   Whatever the prop or 
costume was I charged $25 shipping and it came to $21.   Upon its 
delivery  he demanded a $4 refund on shipping  when he viewed the 
shipping fee sticker.   That's when I noticed his email which rang 
familiar.   I emailed back that I would be pleased to refund but I 
reminded him that when I asked for a similar request  months earlier 
regarding the SUPERMAN  miniature he was less than fair.   I 
received back an email that went something like  f*ck you If I am 
not sent by Paypal $4 in 24 hours you will receive a negative.


Believe me  his user ID is now blocked.  It has also made me much 
more careful about setting shipping rates.   But how frequently I 
get emails regarding my supposed high costs and I have to answer by 
sharing past experience and promising if over will 
refundevery question every time.   And still with 
fuel sky rocketing I am  off more frequently than I prefer.  But its 
rare if more than $20  and I eat the loss.


But its the lack of understanding by some buyers that catches one 
off guard.  The first to bellyache at overcharge but under 
charge  and its the bird.   The issue here is it takes so little 
effort to play nice.


freeman




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[MOPO] Cinerama In Your Living Room

2008-05-01 Thread Craig Miller

Thought some of you might be interested in this story from Studio Briefing.

Craig.


Cinerama In Your Living Room

Warner Bros. plans to make home theaters look much like theaters did a
half century ago with the release of the classic How the West Was Won,
starring John Wayne, Jimmy Stewart and Henry Fonda, on Blu-ray disc in
August.  The high-definition video will offer a SmileBox version --
essentially making the screen look as if it were curved like an old Cinerama
screen.  Only a handful of features were made in the Cinerama process,
which featured a screen so large that it wrapped around the audience's
field of vision, producing a 3D effect.  The screen was so large that it took
three projectors to fill it -- one projecting onto the left third of 
the screen,

another the middle, and another the right.  Likewise, the movies were shot
with a special camera that shot the three images simultaneously.  While
nature documentaries and thrill-ride experiences were initially released in
the Cinerama process, 1962's How the West was Won was the first
feature film to be filmed and projected in the process.  Warner Home
Video's Blu-ray release will also include the documentary Cinerama
Adventure.


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Re: [MOPO] Excellent comparison: Hollywood Blacklist and Gun Deaths

2008-04-07 Thread Craig Miller
] Excellent comparison: Hollywood Blacklist
and  Gun Deaths



Yes, it takes a brave man to ambush an elderly gentleman in the
early stages
of Alzheimer's.

That may be his legacy to you, but fortunately it won't be to a
majority of
the world.



-Original Message-
From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of
rodxmorgan
Sent: Sunday, April 06, 2008 4:32 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Excellent comparison: Hollywood Blacklist and
Gun Deaths

http://www.nytimes.com/imagepages/2007/04/21/weekinreview/20070422_MARSH_GRA
PHIC.html

2004:  almost 100,000 people killed or injured by guns, in just
one year!

Sounds like a runaway epidemic to me---promoted largely by the
gun- lobby
profiteers  NRA.

Heston's legacy:  running like a squirmy dog from Michael
Moore's interview.
The image is
indelibly etched into our collective film consciousness.

video.google.com/videoplay?docid=379436543310263692




--- Bill Brent [EMAIL PROTECTED] wrote:



wow - take a position in the land of the free that doesn't
keep  step with

the vocal left!


I guess the liberals are just in favor of censorship - or at
least its

okay to shut people up

who don't believe what they believe.

but then why the big outcry againt the hollywood black list -
what's good

for the goose...


-Original Message-
CALLOWAY: He was about the worst NRA-whore who ever made a dirty
living

in this city.









You rock. That's why Blockbuster's offering you one month of
Blockbuster
Total Access, No Cost.
http://tc.deals.yahoo.com/tc/blockbuster/text5.com

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Re: [MOPO] Would anyone seriously pay this much for Tom Cruise?

2008-03-26 Thread Craig Miller

I love the fact that it's the one and only copy but they actually
produced and sold an unknown number and he'd be surprised
if there were any left around and certainly not as nice and
framed as his.  Either it's the only one or its not.  And from what
the seller says in his own ad, it's not.

Craig.


At 11:45 AM 3/26/2008, [EMAIL PROTECTED] wrote:

http://cgi.ebay.com/THE-RAREST-TOM-CRUISE-POSTER-IN-THE-WORLD_W0QQitemZ220214766743QQihZ012QQcategoryZ1419QQssPageNameZWDVWQQrdZ1QQcmdZViewItemhttp://cgi.ebay.com/THE-RAREST-TOM-CRUISE-POSTER-IN-THE-WORLD_W0QQitemZ220214766743QQihZ012QQcategoryZ1419QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
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Re: [MOPO] DVD RECORDERS -- BLUE RAY

2008-03-03 Thread Craig Miller
 to when you mentioned
Beta which is the same as Betamax) had no relation to Betamax other
than using the same sized tape width and cassette shell.  Betacam's
true parent was U-Matic, with which it shared a great many more
similarities than it ever did to Betamax.  At 30 minutes per cassette,
Betacam was used almost entirely in electronic new gathering and was
never intended to be used by consumers, nor ever marketed to them.  It
had nothing to do with the studio's wishes - everybody knew that the
public would have absolutely no use for a 30-minute format no matter
how good the quality.

I could go on, but I suspect I've already lost almost everybody to
boredom by now, and besides this is a movie poster list, not a history
of home video technology list.

Colin (who never represented any studios during this period but has a
better memory and a big stack of Video magazines)

On Mar 2, 2008, at 11:34 AM, Craig Miller wrote:


It wasn't that Sony wouldn't license the technology.  They wouldn't,
at
first, but then they made it expensive, so few others were willing
to pay
for the privilege of making the machines.  It kept the cost of Betamax
format machines high; much higher than for VHS equipment.

Licensing of the technology was but one reason Betamax failed.  In
some
ways a more important factor is that Betamax was a superior recording
format.  That superiority was a problem for the studios.  Worried
about
piracy, commercial video tape producers used Copyguard to prevent
tapes from being duplicated.  This process, in essence, recorded a
very
bright light in the spaces between frames (there aren't actually
frames on
video tape the way we think of them on film but there were effective
frames, to more or less match the original).  VHS, being an
inferior format,
was completely flummoxed by this area of bright light.  VHS machines
were unable to deal with it and it overbalanced the images that you
wanted
to see (the images from the movie).  It made for an almost unwatchable
viewing experience.  Betamax, on the other hand, was quite capable of
recording those bright lights and not interfering with the main
image.  So
studios aggressively supported VHS and worked to get rid of Betamax as
a format.  They more heavily produced VHS copies, gave preferential
pricing on VHS, etc.

It was the combination of expensive equipment (because Sony wouldn't
license out the technology) and the studios supporting the other
format that
doomed Betamax.  (It should also be noted that Beta, the commercial
format used by TV crews continued to be used for many, many years.  It
was a variant of Betamax and because it was superior -- it kept the
color
components separate, for example, for better balancing and mixing --
the
studios and networks wanted it.  They just didn't want the public to
have it.)

Craig.
Who represented several studios during this period.



At 12:46 PM 3/1/2008, Patrick Michael Tupy wrote:

Exactly, Doug, and that's why they allow licensing of the format
unlike the proprietary ownership they held with the Betamax format.
No one made Betamax but Sony.  VHS was inferior to Betamax but
available for any manufacturer to make.

Ipods from Apple are a glaring exception...for every rule, there is
an exception...or two.

Patrick

On Mar 1, 2008, at 12:24 PM, Doug Taylor wrote:




Profile

MoPo List [ mailto:[EMAIL PROTECTED] On Behalf Of Saul
H. Chapman, Ph.D
Sent: Saturday, March 01, 2008 2:06 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] DVD RECORDERS -- BLUE RAY



http://my.earthlink.net/article/tec?guid=20080219/47ba6250_3ca6_15526200802191110856345



- Original Message -

Franc

MoPo-L@LISTSERV.AMERICAN.EDU

Saturday, March 01, 2008 12:42 PM

Re: [MOPO] DVD RECORDERS -- BLUE RAY





i want to buy a DVD recorder.  my first.

they are cheaper than 100.00 BUT the Blue Ray technology is closer
to 700.00

since i would be recording primarily the classics of the 40s and
50s off TMC channel etc.. is the extra blue technology worth
it

of course, i really do want that HI DEF and GREAT SURROUND when i
record the habdful of current stuff.














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Re: [MOPO] DVD RECORDERS -- BLUE RAY

2008-03-02 Thread Craig Miller

It wasn't that Sony wouldn't license the technology.  They wouldn't, at
first, but then they made it expensive, so few others were willing to pay
for the privilege of making the machines.  It kept the cost of Betamax
format machines high; much higher than for VHS equipment.

Licensing of the technology was but one reason Betamax failed.  In some
ways a more important factor is that Betamax was a superior recording
format.  That superiority was a problem for the studios.  Worried about
piracy, commercial video tape producers used Copyguard to prevent
tapes from being duplicated.  This process, in essence, recorded a very
bright light in the spaces between frames (there aren't actually frames on
video tape the way we think of them on film but there were effective
frames, to more or less match the original).  VHS, being an inferior format,
was completely flummoxed by this area of bright light.  VHS machines
were unable to deal with it and it overbalanced the images that you wanted
to see (the images from the movie).  It made for an almost unwatchable
viewing experience.  Betamax, on the other hand, was quite capable of
recording those bright lights and not interfering with the main image.  So
studios aggressively supported VHS and worked to get rid of Betamax as
a format.  They more heavily produced VHS copies, gave preferential
pricing on VHS, etc.

It was the combination of expensive equipment (because Sony wouldn't
license out the technology) and the studios supporting the other format that
doomed Betamax.  (It should also be noted that Beta, the commercial
format used by TV crews continued to be used for many, many years.  It
was a variant of Betamax and because it was superior -- it kept the color
components separate, for example, for better balancing and mixing -- the
studios and networks wanted it.  They just didn't want the public to have it.)

Craig.
Who represented several studios during this period.



At 12:46 PM 3/1/2008, Patrick Michael Tupy wrote:
Exactly, Doug, and that's why they allow licensing of the format 
unlike the proprietary ownership they held with the Betamax format.
No one made Betamax but Sony.  VHS was inferior to Betamax but 
available for any manufacturer to make.


Ipods from Apple are a glaring exception...for every rule, there is 
an exception...or two.


Patrick

On Mar 1, 2008, at 12:24 PM, Doug Taylor wrote:




Profile

MoPo List 
[mailto:mopo-l@LISTSERV.AMERICAN.EDUmailto:[EMAIL PROTECTED] 
On Behalf Of Saul H. Chapman, Ph.D

Sent: Saturday, March 01, 2008 2:06 PM
To: mailto:MoPo-L@LISTSERV.AMERICAN.EDUMoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] DVD RECORDERS -- BLUE RAY



http://my.earthlink.net/article/tec?guid=20080219/47ba6250_3ca6_15526200802191110856345http://my.earthlink.net/article/tec?guid=20080219/47ba6250_3ca6_15526200802191110856345



- Original Message -

mailto:[EMAIL PROTECTED]Franc

mailto:MoPo-L@LISTSERV.AMERICAN.EDUMoPo-L@LISTSERV.AMERICAN.EDU

Saturday, March 01, 2008 12:42 PM

Re: [MOPO] DVD RECORDERS -- BLUE RAY





i want to buy a DVD recorder.  my first.

they are cheaper than 100.00 BUT the Blue Ray technology is closer to 700.00

since i would be recording primarily the classics of the 40s and 
50s off TMC channel etc.. is the extra blue technology worth it


of course, i really do want that HI DEF and GREAT SURROUND when i 
record the habdful of current stuff.













--




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Re: [MOPO] More about my coming auctions that are NOT on eBay

2008-02-28 Thread Craig Miller

I don't buy a lot but I've never used sniping and I've been able to win items,
both on eBay and from Bruce.  And not because I'm bidding extra high.  I
couldn't afford to even if I wanted to.

Craig.


At 06:28 AM 2/28/2008, Judith Weaver wrote:
Franc is probably right.  I know that if it weren't for sniping I 
would NEVER win ANYTHING on Bruce's auctions.  Guess my 
collecting/buying days are at an end.

[]


[]
Judith Weaver
3115 Panama Drive
Melbourne, FL  32934

(PLEASE NOTE NEW ADDRESS!!)



--
Date: Wed, 27 Feb 2008 19:51:58 -0600
From: [EMAIL PROTECTED]
Subject: Re: [MOPO] More about my coming auctions that are NOT on eBay
To: MoPo-L@LISTSERV.AMERICAN.EDU

FRANC wrote: I think some people are just pissed off because Bruce 
doesn't play to do things in a manner that they perceive as most 
advantageous to themselves.


Very perceptive, Franc. People tend to think in terms of their own 
interests. In this case, it is compounded by a natural fear of the 
unknown. Nobody likes what they have never seen before, and they DO 
like what is comfortable and familiar.


I predict that people will see how good this system is once they 
give it a try, because they will pay less on some items and get 
outbid on some items they might have won with sniping, but they will 
have complete control over both, and that will feel great to them!


Bruce
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it now!

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Re: [MOPO] More about my coming auctions that are NOT on eBay

2008-02-25 Thread Craig Miller
 
the auctions remain 100% honest and free of shill bidding of any 
kind), and I will also be giving more information about how and 
when the first of these auctions will be; I have lots of plans to 
make the first of these REALLY excellent, to better show my 
appreciation to those buyers who participate in my first auctions 
on my site. But time is short now, and so (as they used to say in 
the old time serials), return next week to learn more (in other 
words, to be continued...!).


IMPORTANT: If YOU have an opinion on how these new auctions should 
be run, or on how you feel about my leaving eBay, I want to hear 
from you NOW! Please e-mail me at 
mailto:[EMAIL PROTECTED][EMAIL PROTECTED] with any 
comments you may have (or post them here), and I will be posting 
the ones I receive in the next e-mail club (and I will leave 
people's names off, so they can feel free to give their honest 
opinions! I welcome any sort of constructive comments. NOW is the 
time to tell me any suggestions you have, because we are now 
setting up the new auction site, and this is the best time to make 
any changes or improvements!


Bruce
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Re: [MOPO] More about my coming auctions that are NOT on eBay

2008-02-25 Thread Craig Miller

I'm certain you're honest and believe what you say,  but auctions that
continue until people stop bidding are unfair?  Really?  All the millions of
auctions have occurred over time in places that aren't eBay have been
unfair, because people could bid until they were through?  It's only those
auctions where there's an arbitrary ending time that are fair?  Especially
when some of the bidders have access to external bidding software; that
makes them really, really fair.

Craig.


At 01:36 AM 2/25/2008, [EMAIL PROTECTED] wrote:

My Two penneth

Bruce I can understand your feelings about fixed end as opposed to 
extended end auctions, however fixed end I think is the fairest way.


If you are at a live auction the hammer drops no more bidding on 
that item, same should happen on an internet auction, if you have 
the standard ebay seven days then instead open it up to ten days but 
the end is the end.


Otherwise how long will an auction go on for.

If a bidder loses out then so be it, he didn't bid enough. We all 
have had regrest when bidding oh I'd have paid an extra $5 or $10 
but what if your opponent had bid an extra $100 or $200 would you go 
that far? Maybe and mybe not. I am sure we have all learned our 
lessons and had our fingers burned with getting into auction fever, 
If that is what you wish to encourage Bruce, but my personal opinion 
is that it is not a fair way to operate.


With open ended auctions you could be accused of greed, with such a 
business operation that you have Bruce, you don't need to be tarred 
with such a brush as your turnover is exemplarary.


The only other point I would make, if you are dispensing with ebay 
then you are in the position to makes some savings which you can 
pass on to your customers both sides. This will encourage punters to 
bid that little extra more.




Apart from that I wish you well with starting your own auction site 
I am sure it will be a success with all the past reputation you have 
from ebay.


Best of luck.

Adrian
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Re: [MOPO] Oscars -SNOOZEABLE

2008-02-25 Thread Craig Miller

Too bad we don't have hosts like Bob Hope and Johnny Carson
anymore.  They'd never do a political joke on the Oscars...

Craig.


At 12:36 PM 2/25/2008, Franc wrote:
Jon Stewart is strickly a smart-ass, college humor stand-up 
comic  and not a very funny one at that. He wasn't even capable of 
abandoning his political satire for the event and frankly, it just 
wasn't appropriate in this venue.


The only thing I liked about the telecast were the clips from 
previous years' telecasts that helped remind us how wonderful 
watching the Oscars used to be.  Franc Martarella





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Re: [MOPO] More about my coming auctions that are NOT on eBay

2008-02-25 Thread Craig Miller
 I've ever come to it!


Patrick Tupy



On Feb 25, 2008, at 11:38 AM, Craig Miller wrote:


I'm certain you're honest and believe what you say,  but auctions that
continue until people stop bidding are unfair?  Really?  All the 
millions of

auctions have occurred over time in places that aren't eBay have been
unfair, because people could bid until they were through?  It's only those
auctions where there's an arbitrary ending time that are fair?  Especially
when some of the bidders have access to external bidding software; that
makes them really, really fair.

Craig.


At 01:36 AM 2/25/2008, mailto:[EMAIL PROTECTED][EMAIL PROTECTED] wrote:

My Two penneth

Bruce I can understand your feelings about fixed end as opposed to 
extended end auctions, however fixed end I think is the fairest way.


If you are at a live auction the hammer drops no more bidding on 
that item, same should happen on an internet auction, if you have 
the standard ebay seven days then instead open it up to ten days 
but the end is the end.


Otherwise how long will an auction go on for.

If a bidder loses out then so be it, he didn't bid enough. We all 
have had regrest when bidding oh I'd have paid an extra $5 or 
$10 but what if your opponent had bid an extra $100 or $200 would 
you go that far? Maybe and mybe not. I am sure we have all learned 
our lessons and had our fingers burned with getting into auction 
fever, If that is what you wish to encourage Bruce, but my 
personal opinion is that it is not a fair way to operate.


With open ended auctions you could be accused of greed, with such 
a business operation that you have Bruce, you don't need to be 
tarred with such a brush as your turnover is exemplarary.


The only other point I would make, if you are dispensing with ebay 
then you are in the position to makes some savings which you can 
pass on to your customers both sides. This will encourage punters 
to bid that little extra more.




Apart from that I wish you well with starting your own auction 
site I am sure it will be a success with all the past reputation 
you have from ebay.


Best of luck.

Adrian
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Re: [MOPO] More about my coming auctions that are NOT on eBay

2008-02-25 Thread Craig Miller
I don't want to get into a great debate on this -- and won't -- so 
let me leave

this with a couple quick comments.  Because there's a loophole that lets
you get away with something, that doesn't mean it's in the spirit of 
the law.

Because you can doesn't mean you should.  Sniping is allowable on eBay
through a technicality (and the use of external software).  It isn't 
part of the

system.

And even though an auction under Bruce's system would seemingly not
allow for sniping, it will still (it appears) allow for placing your 
maximum bid

and having the computer auto-bid you up to your limit.  So you don't have
to sit there and watch the end of every auction you're interested in, just as
you don't on eBay.

Craig.


At 04:24 PM 2/25/2008, Patrick Michael Tupy wrote:
I look at sniping like I look at a last second shot in a basketball 
game.  It doesn't always work, but
given the rules, if it goes through and wins the game, fine, THOSE 
ARE THE RULES.  And using your
logic, why is sniping on Ebay inherently unfair when you, like 
anyone else, can post your maximum
amount anytime you want to?  How is anyone 'sneaking' anything if 
you've bid higher than they have?
Sniping reveals the highest bidder whether it be the first bidder 7 
days before or the sniper who
bid higher in the final seconds.  And if you wanted to bid more, 
again, applying your logic to the open
ended online auction you could and, as I learned many times, SHOULD 
have bid more in the first place

for your maximum bid.

Sniping makes no sense in an open-ended auction and that's 
fine.  But don't try to make it sound
as if it's more fair because you can just place your maximum bid 
anytime then maybe you can bid again if
it's extended.  How is that different than contending that sniping 
is more fair because you can bid at the beginning
THEN snipe at the end as an insurance bid?  It's not like sniping is 
a selective club, it's a strategy no different
than some in a Live auction allowing others to bid themselves out 
before they hop in with a higher bid.  If you

bid higher than they were willing to bid, their sniping would be ineffective.

In the end there are pro's and con's to all sorts of auctions.  I've 
lost bids to snipers, I've sniped and lost and
sniped and won.  By no means is sniping a sure thing.  I've probably 
won about 60% of the time using a sniping
service but only because in the end I bid the highest, often others 
snipe after me and they win or lose based upon
whether they were higher than me.  Bottom line, if we all know when 
the auction ends and we all know we have a
chance to place a maximum bid during that time, sniping is an 
adaptation to different time zones and strategies inherent to
online bidders applying their strategies to win an auction.  Unless 
it's LIVE though, there will be obstacles that anyone will

need to address to open-ended auctions online.

But I'm sure Bruce is up to the task.

Patrick



On Feb 25, 2008, at 3:24 PM, Craig Miller wrote:

I didn't bring up the concept of fair.  The original poster 
talked about how

only timed auctions were fair.  If you've got a beef with the general
concept of applying fair to this discussion, take it up with them.

I assume -- and since Bruce said the only major change from eBay is how
the auctions end, I think this is correct -- you still post a 
maximum amount.

So you don't have to be there at the end.  If you post your maximum, and
it's more than the other person/people's, then you get it.  As with 
eBay, the

computer bids for you up to the amount it needs to for you to win (or to tap
out if the other bidders have higher bids).  But you also have the option of
being on line, seeing how the bidding is going, and bidding higher, if you
choose to.

That seems fair to me.

Sniping, on the other hand -- no matter how many people use it and like the
fact that it allows them to win -- seems inherently unfair, because 
its whole

design and intent is to sneak in bids in the last micro-seconds, to prevent
anyone else from getting in.

Everyone has different opinions.  This is mine.

Craig.



At 01:28 PM 2/25/2008, Patrick Michael Tupy wrote:
Jeez,  as for 'fair' or 'unfair' an argument could be made for 
both.   First, define Fair.  Bruce will have unfixed endings 
because he feels it is fair, given his needs and it will benefit 
his bottom line.  Who can blame him?  This is a business and that 
is certainly fair.   In fact, it's likely that Bruce will work out 
any 'kinks' so that those participating will feel that it is a 
fair auction in the long run.


Still, the task is not simple.  For in an 'in person' Live non 
fixed ending auction you don't bid your maximimum amount up front, 
you are there to 'feel' the room, etc. not to mention see the item 
in person that you are bidding on.  And in person Live auctions 
are not unending but end when someone IN THE ROOM reaches the 
highest bid for that item.  The problem with an online 'auction' 
is that unless

Re: [MOPO] More about my coming auctions that are NOT on eBay

2008-02-25 Thread Craig Miller

Claude:

I don't resent anyone outbidding me.  (Well, I suppose I do, but no more
than anyone else who loses an item at auction.)  I do resent people who
use external software, designed to get around loopholes in the system,
and then crow about it, as if they've done a fine and noble thing.  Well,
you could have...  done X or Y or Z.  If sniping had been intended, it
would have been built into the system.  It wasn't and it wasn't.  People
do it, but that doesn't make it good or wholesome.  Not that sniping is
in any way illegal or against the rules, but it's akin to the people who say
that, since there wasn't a cop around, it was okay they went through the
stop sign.  No one got hurt...

Mind you, I know sniping exists and I know people will use it.  If I bid on
enough items, or cared enough on a piece, I might use it, but only as
self defense.  Since there are so many people who think it's okay to
use it, sometimes you just have to go along.  But I don't think it's in the
spirit of fair auctions or good for the hobby.  I know many many people
-- poster buyers and people into other things -- who've gotten completely
turned off of buying from eBay because they hate dealing with snipers.
They don't mind being outbid; they hate feeling cheated.

Sniping has only a little to do with the highest bidder, of course.  The
external software for sniping is designed to get in with a bid so close to
the end of bidding, it's too late for other bids.

Craig.


At 04:28 PM 2/25/2008, [EMAIL PROTECTED] wrote:

Craig

You seem to resent the fact that other people bid higher than 
you.  What is the difference how close to the ending time I sneak 
in a bid and beat you.  Why didn't you bid much higher to begin 
with?  I have no clue as to how my last second sneak bid will fare 
when the auction ends.  I place my bid as soon as I see the poster 
and that could mean the same night Bruce posts them.  At that point 
I forget about it.  If I win it is because I made a higher bid than 
you and not because I am a sneak.You must face the reality of 
bidding.  It does not matter when a bid is made.  The HIGHEST  bidder wins.


Claude Litton

-- Original message --
From: Craig Miller [EMAIL PROTECTED]
I didn't bring up the concept of fair.  The original poster talked 
about how

only timed auctions were fair.  If you've got a beef with the general
concept of applying fair to this discussion, take it up with them.

I assume -- and since Bruce said the only major change from eBay is how
the auctions end, I think this is correct -- you still post a 
maximum amount.

So you don't have to be there at the end.  If you post your maximum, and
it's more than the other person/people's, then you get it.  As with eBay, the
computer bids for you up to the amount it needs to for you to win (or to tap
out if the other bidders have higher bids).  But you also have the option of
being on line, seeing how the bidding is g! oing, a nd bidding higher, if you
choose to.

That seems fair to me.

Sniping, on the other hand -- no matter how many people use it and like the
fact that it allows them to win -- seems inherently unfair, because its whole
design and intent is to sneak in bids in the last micro-seconds, to prevent
anyone else from getting in.

Everyone has different opinions.  This is mine.

Craig.



At 01:28 PM 2/25/2008, Patrick Michael Tupy wrote:
Jeez,  as for 'fair' or 'unfair' an argument could be made for 
both.   First, define Fair.  Bruce will have unfixed endings 
because he feels it is fair, given his needs and it will benefit 
his bottom line.  Who can blame him?  This is a business and that 
is certainly fair.   In fact, it's likely that Bruce will work out 
any 'kinks' so that those participating will feel that it is a fair 
auction in the long run.


Still, the task is not simple.  For in an 'in person' Live non 
fixed ending auction you don't bid your maximimum amount up front, 
you are there to 'feel' the room, etc. not to mention see the item 
in person that you are bidding on.  And in person Live auctions 
are not unending but end when someone IN THE ROOM reaches the 
highest bid for that item.  The problem with an online 'auction' is 
that unless it is Live not everyone who is bidding or has bid is 
! in the room at the same time.  Not everyone has the same chance 
to bid their highest amount by using strategy which is what one 
does when sniping in an effort to 'win' an auction that you may or 
cannot be present for.  I must add here there Sue Heim says it best 
when you tell her that you 'won' an auction on Ebay.  To quote 
Sue...Oh, great, congratulations, you won, does that mean you 
don't have to pay for it?  HA!


But to say that it's completely fair to continue an auction 
unending really means that whoever is present online when Bruce has 
finally had enough and says going, going, gone thinks it's VERY 
fair and the others either won't know when this moving ending line 
is about to end

Re: [MOPO] RECOMMENDED: THERE WILL BE BLOOD

2008-02-03 Thread Craig Miller

I'm way behind on movie watching.  You'd think that being on strike would
give me lots of time, but since I've been running the Guild's Media Room
since the start of the second week of the strike, I seem to have no time at
all.  (Picket duty would have been easier; shorter hours and I'd be in better
shape after walking four hours a day for three months.)

Anyway, I'm finally catching up via the screeners I've been sent.

Yesterday, we watched Juno and Michael Clayton.  Both were excellent.
Juno is, I think, one of the very few comedies in the bunch.  The writing and
the performances were excellent.  Similarly, Michael Clayton.  Tom
Wilkinson is an actor who I think is underrated.  He's always excellent and is
again here.  George Clooney, too, gives a really good performance.  And
while the ending isn't a surprise, the film works well.

Who knows, maybe a chance for more movies today.  (I'm soon off to my
uncle's 91st birthday party, but it's an event I don't foresee running long.)

Craig.


At 11:46 AM 2/3/2008, Kirby McDaniel wrote:

I loved this movie and found it enormously entertaining.  Daniel
Day Lewis was great as was Paul Dano.  I have not been such a huge
fan of P.T. Anderson's films - I find his ideas for films more
interesting
than the films themselves - but I think this is his best film.  Great
cinematography and a great score and use of incidental music.

Kirby McDaniel
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Re: [MOPO] How long have you had your eBay ID? A cool prize to the 'oldest' here!

2007-12-12 Thread Craig Miller

I don't really remember when I first signed on to eBay.  It seems
like I've been buying things there forever, although I'm sure it's
been less time than for most of you.  Is there someplace on the
eBay site where it can be looked up?

Craig.

At 07:23 PM 12/11/2007, Bruce Hershenson wrote:

On March 9th, 2008, I will have the 10th anniversary of my eBay ID, 
http://emovieposter.comemovieposter.com. I plan on having some 
kind of celebration (I don't know that too many PowerSellers make it 
to 10 years) and giving some great prizes to my 29,000+ customers.


That got me thinking. Who among us here on MoPo has had their eBay 
ID (the one they bid with OR sell with) the longest? I will give 
whoever posts on this thread with the oldest eBay ID (by one week 
from now) a free set of all 27 of my in-print full-color movie 
poster books (a $529.96 retail value), AND I will give at another 
set to one person who posts their anniversary date here (no matter 
how new or old). I will draw that person at random, and if lots of 
people reply to this thread with their anniversary dates, I will 
give SEVERAL sets!


These sets of books are great for anyone who likes old movies, but 
even if you don't, you can put them on eBay and sell them yourself, 
or you can give them away as stocking stuffers, or whatever. Why am 
I doing this? Just tonight I sold enough ($152,000+) to make 2007 my 
record selling year ever, and I thought I would share my joy with 
some of you here!


Just put down your eBay ID and the date (month, day, and year) your 
ID was first registered with eBay (no use trying to fib, since it is 
easily checked) and post it to MoPo.


Bruce
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Re: [MOPO] How long have you had your eBay ID? A cool prize to the 'oldest' here!

2007-12-12 Thread Craig Miller

With help from Andrea, who pointed me through the route to
eBay information, I found it.

March 2, 1997

Maybe I'm not such an eBay newbie afterall.

Craig.


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Re: [MOPO] Need information

2007-11-18 Thread Craig Miller

Well, back in the '70s and '80s, when I was a publicity and marketing
consultant to Warners, Disney, Universal, Columbia, Fox, etc., we just
called them captions.  Sometimes they were printed onto the front of the
still, other times they were slips of paper glued or taped on.  But we never
had an official name for the slips of paper.  Maybe the photo houses who
prepared them did but the publicity departments didn't.

Craig.


At 04:10 AM 11/18/2007, [EMAIL PROTECTED] wrote:

Hi all,
What is the correct term for the piece of paper (with all of the 
publicity information and photo description) that is affixed to the 
reverse of a vintage movie still? I tend to call it a publicity 
blurb -which I know is not the official name...I have heard it 
called a snipe.but in the business, so to speak, what is it 
really known as?


Thanks,
Diana




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Re: [MOPO] OT: Question for poster dealers in the group....and one for everyone.....

2007-10-03 Thread Craig Miller

At 03:25 PM 10/3/2007, Richard Auras wrote:

Hi Folks,

This something I was wondering within the group of dealers here:

1.  Do any of you sell/deal in anything other than movie related 
items?  (I myself am a multi-collector since age 5 and deal in comic 
books, US Stamps, books dealing with humor such as newspaper 
cartoons, comic strips, editorial cartoons.  Also sports cards, 
non-sports cards and a small amount of vintage toys.


Not a dealer so this doesn't apply to me.


2.  Does anyone on the list collect anything other than movie 
related items?  (I don't need to make a list because I collect the 
same type items I sell - see list above... :-)  I know someone on 
the list once mentioned collecting Esso statues and that is 
something I would like to start doing too once I have enough space 
to display them.


I collect animation art, toy robots, pop-up books, stuffed/plush animals, and
items relating to red/lesser pandas.  My wife also collects teapots and items
relating to otters.

Craig.



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Re: [MOPO] OFF TOPIC -- 3:10 to Yuma

2007-09-14 Thread Craig Miller

At 05:42 PM 9/13/2007, channinglylethomson wrote:
I saw the film yesterday and can say it's one of the really great 
Westerns.  I think it has a superb script, excellent performances,
beautiful production values.  It's the kind of film that some might 
call old-fashioned.  It reminds those of us with taste of hat we've 
been missing in a lot of the scripts that have come out of Hollywood 
in the last 25 years.


As 75% or so of the script is virtually identical to the 1957 version,
it's no wonder you felt the old fashioned flavor.  Even most of
the best dialogue comes straight out of the original script.  (The
writer of the original, Halsted Welles, has screenplay credit on
this, not a based on credit.  Frankly, it seemed to me that if
Michael Brandt and Derek Haas, the new writers, hadn't added
the whole short cut/Indians/Chinese section, they might not have
qualified for screen credit themselves.)

Overall, I liked the film quite a bit.  Great acting.  But I'd have
preferred a slightly different ending.  (Don't want to say anything
that would spoil it for those who haven't had a chance to see it
yet.)

Craig.



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Re: [MOPO] STAR WARS Poster Question CAN SOMEONE IDENTIFY THIS POSTER???

2007-08-28 Thread Craig Miller

At 12:19 PM 8/28/2007, [EMAIL PROTECTED] wrote:

Hi, Everyone,

  I just came across a poster that I've had rolled in a tube with a 
lot of other posters for the past 12 to 15 years.  It is a rolled 
US poster, measuring approx 20 x 28.  It has artwork similar, but 
I don't believe the same as the US Style A Star Wars one 
sheet.  Its artwork is signed by Hildebrandt.  The only writing on 
the poster are the words STAR WARS, written in letters outlined in 
white against a black background near bottom of poster.  Along the 
bottom right is printed  c  TWENTIETH CENTURY FOX FILM 
CORP.---Along the left bottom of the poster is printed FACTORS, 
ETC,INC., BEAR, DEL. U.S.A. IMAGE FACTORY INC, HOLLYWOOD, 
CALIF.   I'm sure it's not a reproduction.  I was wondering if 
some Star Wars expert out there might be able to give me some 
insight as to what I have.  Any help would be greatly appreciated.


Factors, Etc. was the licensee for posters, tee-shirts, buttons, keychains,
and similar items during the first few years of Star Wars merchandising.
It's likely an original but of a commercially available poster.

Craig.



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Re: [MOPO] A quick question: Who here does NOT sell ANY movie paper?

2007-07-31 Thread Craig Miller

I've sold a handful of items over the years, mostly through Bruce,
plus a couple private sales to collectors.  More of getting rid of
duplicates than dealing.  Even if you averaged them all out, it's
less than one sale per year I've been collecting so I don't think
I qualify as a dealer except in the most extreme definition.  Of
course, these days I don't buy much either.

Craig.


At 06:51 AM 7/31/2007, Bruce Hershenson wrote:
I get the feeling that a majority of members of MoPo are either 
full-time or part-time movie paper sellers. If it is not too 
personal, who here is a member who does not sell ANY movie paper? 
You are welcome to simply post a one sentence answer, and not 
explain why. I am just wondering if there are virtually ANY 
collectors only on this forum!


Bruce

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Re: [MOPO] Seeking comprehensive list of all 50's Sci-Fi Films

2007-07-03 Thread Craig Miller

At 06:31 AM 7/3/2007, rodxmorgan wrote:

URL, not Book

Not just favorites or most popular

All the cheese, schlock, MST3000, etc

Would include:  late 40's and early 60's of the genre

Does one exist?


The only thing I know of is a book, Bill Warren's KEEP WATCHING
THE SKIES.

Craig.



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Re: [MOPO] a General Question

2007-06-25 Thread Craig Miller

At 05:47 PM 6/25/2007, JEFF POTOKAR wrote:

hi MOPO'ers,

just a general question.siilar to a poll. how many in here are
ACTUALLY involved in the film business? and i dont mean you had a
relative or friend that has explained things to you..but are actually
WORKING in this business. i do. so many throw comments around in here
as if they were irving thalberg, stacey snider, or sherry lansing...



These days I work mostly in television but I started out in features and
still do occasionally.

Craig.



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Re: [MOPO] Dark Crystal one-sheets

2007-06-08 Thread Craig Miller

Not super-cheap but not terribly valuable.  (Years ago I gave a friend a
Style D Star Wars poster, not knowing the value.  Back then it was only
worth about $100 but still, I might have not just given it away if I'd known.)

Thanks for the quick reply.

Craig.


At 05:49 PM 6/7/2007, Kirby McDaniel wrote:

We have them rolled for $45.00.

Now if I get an order for 10, you will know they are too cheap.

Kirby McDaniel
www.movieart.net

On Jun 7, 2007, at 7:48 PM, Kirby McDaniel wrote:


We have them rolled for $45.00.

Now if I get an order for 10, you will know they are too cheap.

Kirby McDaniel
www.movieart.net


On Jun 7, 2007, at 6:48 PM, Craig Miller wrote:


Can anyone give me a ballpark value for original The Dark Crystal
one-
sheets?  Not trying to buy or sell.  I have a few (from when I did
the
publicity for the film's release) and a friend wants me to give
him one.
I don't mind doing it since he's a huge fan of the film, but don't
want to
discover I've given him something worth a couple hundred bucks.  He
isn't that good a friend...

Thanks,
Craig.


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Re: [MOPO] F/A: 787 dvds on ebay ending in less than 48 hours

2007-05-07 Thread Craig Miller

I've no problem with film-related items being mentioned here.

Certainly no more than I have a problem with the idea that this is a selling
list as opposed to one for discussion of movie posters.

(Of course, I'd be more interested in buying DVDs if the prices were
better than I could get locally, for the most part, and locally I 
don't have to

pay postage.)

Craig.


At 10:40 PM 5/6/2007, JEFF POTOKAR wrote:

is this a dvd selling list??

jeff


On May 6, 2007, at 8:57 PM, Richard Auras wrote:

Less than 2 days left on the 787 dvds currently on ebay.  Some 
great out of print classic titles, criterion editons, boxed sets 
(Charlie Chan) and more.  Please check them out


Rick

http://search.ebay.com/_W0QQfgtpZ1QQfrppZ25QQsassZtxQ2aretahttp://search.ebay.com/_W0QQfgtpZ1QQfrppZ25QQsassZtxQ2areta
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Re: [MOPO] In the NY Times today...

2007-03-24 Thread Craig Miller
For those of us who don't subscribe to the New York 
Times would appreciate a little more detail.

Craig.


At 10:42 AM 3/24/07 -0700, Danny Steward wrote:
 
From Today's Headines in the NY Times on line is this header story in the
Arts section, and all on a poster near you!  Is the Congress, itself a
hotbed of horror and corruption, about to create a new form of censorship.
 
Danny / Seattle


Government to Take a Hard Look at Horror 
By MICHAEL CIEPLY
Torture, murder and deadly plagues, all making their way to a theater near
you. And all being advertised on a poster near you.

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