Re: I'm having issue editing my recording

[Dammie Onafeko]

Wonderful Wednesday to you all! Thanks John, Thanks Martin for your
2cents. I'm grateful for your suggestions and insights. I tried the
Pre/post roll, but to no avail. Same with the control P and control
semicolon. I've been trying the control P and control : before your
message camein Martin, but without the shuttle mode and escape. Just
before I came across your message, Martin, I looked into the Cursor
Tool Cluster menu in the Edit window and found that only Single Zoom
Mode is selected along with Link time and edit selection, so I
selected Grabber Tool Time and tried deleting again and it deleted. I
made sure the Pre/post role is off though and did the control P and
control ; again and I was then able to edit, from cutting to copying
to pasting, again. Thanks guys for your support. I'm deeply grateful
for your time and educated suggestions and insights. God bless you
all!

Best,

Dammie

On 9/8/20, Martin (Punky) Sopart  wrote:
> Hello Dammie!
>
> First select the desired track again by using Control+P and
> Control+Semicolon.
> Than activate Shuttle Mode by pressing Control+Numpad0 and deactivate it by
> pressing Escape.
> This will move the insertion cursor tot he right place.
>
> Best! / Martin
>> -Original Message-
>> From: ptaccess@googlegroups.com  On
>> Behalf Of John Gunn
>> Sent: Tuesday, September 8, 2020 6:01 AM
>> To: ptaccess@googlegroups.com
>> Subject: Re: I'm having issue editing my recording
>>
>> Make sure pre-post roll isn’t checked.
>>
>>
>>
>> > On Sep 7, 2020, at 4:28 AM, Dammie Onafeko 
>> wrote:
>> >
>> > Hi guys:
>> >
>> > A marvelous Monday to you all. I imagine you all are doing well and
>> > staying safe. I'm having some issues editing my recording. I just
>> > finished recording voice over on my Mac book pro using Sm 58 mic
>> > connected to ProTools through my Focus Right Scarlet. When tried
>> > deleting, for example, after making a selection, the selected audio
>> > won't delete. I then tried to copy and paste onto a track I created,
>> > but nothing pasted. I've tried checking the wave form, quick nav, and
>> > the mod, everything was set right. Does anyone know what I need to do
>> > turn things around? I would be grateful for the suggestions , advices,
>> > and insights into resolving these issues. Thanks for your time and
>> > attention. God bless!
>> >
>> > Best,
>> >
>> > Dammie
>> >
>> > --
>> > You received this message because you are subscribed to the Google
>> Groups "Pro Tools Accessibility" group.
>> > To unsubscribe from this group and stop receiving emails from it, send
>> > an
>> email to ptaccess+unsubscr...@googlegroups.com.
>> > To view this discussion on the web visit
>> https://groups.google.com/d/msgid/ptaccess/CAN%3Dh5d_qwmf%3DsfyEm
>> BPS1j92FkxeormV8fCCMWK3w%2B_kXPFbLA%40mail.gmail.com.
>> >
>>
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>> DB2120E29E7F%40tznet.com.
>
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RE: I'm having issue editing my recording

[Martin (Punky) Sopart]

Hello Dammie!

First select the desired track again by using Control+P and Control+Semicolon.
Than activate Shuttle Mode by pressing Control+Numpad0 and deactivate it by 
pressing Escape.
This will move the insertion cursor tot he right place.

Best! / Martin
> -Original Message-
> From: ptaccess@googlegroups.com  On
> Behalf Of John Gunn
> Sent: Tuesday, September 8, 2020 6:01 AM
> To: ptaccess@googlegroups.com
> Subject: Re: I'm having issue editing my recording
> 
> Make sure pre-post roll isn’t checked.
> 
> 
> 
> > On Sep 7, 2020, at 4:28 AM, Dammie Onafeko 
> wrote:
> >
> > Hi guys:
> >
> > A marvelous Monday to you all. I imagine you all are doing well and
> > staying safe. I'm having some issues editing my recording. I just
> > finished recording voice over on my Mac book pro using Sm 58 mic
> > connected to ProTools through my Focus Right Scarlet. When tried
> > deleting, for example, after making a selection, the selected audio
> > won't delete. I then tried to copy and paste onto a track I created,
> > but nothing pasted. I've tried checking the wave form, quick nav, and
> > the mod, everything was set right. Does anyone know what I need to do
> > turn things around? I would be grateful for the suggestions , advices,
> > and insights into resolving these issues. Thanks for your time and
> > attention. God bless!
> >
> > Best,
> >
> > Dammie
> >
> > --
> > You received this message because you are subscribed to the Google
> Groups "Pro Tools Accessibility" group.
> > To unsubscribe from this group and stop receiving emails from it, send an
> email to ptaccess+unsubscr...@googlegroups.com.
> > To view this discussion on the web visit
> https://groups.google.com/d/msgid/ptaccess/CAN%3Dh5d_qwmf%3DsfyEm
> BPS1j92FkxeormV8fCCMWK3w%2B_kXPFbLA%40mail.gmail.com.
> >
> 
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> DB2120E29E7F%40tznet.com.

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Re: I'm having issue editing my recording

[John Gunn]

Make sure pre-post roll isn’t checked.



> On Sep 7, 2020, at 4:28 AM, Dammie Onafeko  wrote:
> 
> Hi guys:
> 
> A marvelous Monday to you all. I imagine you all are doing well and
> staying safe. I'm having some issues editing my recording. I just
> finished recording voice over on my Mac book pro using Sm 58 mic
> connected to ProTools through my Focus Right Scarlet. When tried
> deleting, for example, after making a selection, the selected audio
> won't delete. I then tried to copy and paste onto a track I created,
> but nothing pasted. I've tried checking the wave form, quick nav, and
> the mod, everything was set right. Does anyone know what I need to do
> turn things around? I would be grateful for the suggestions , advices,
> and insights into resolving these issues. Thanks for your time and
> attention. God bless!
> 
> Best,
> 
> Dammie
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
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> 

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I'm having issue editing my recording

[Dammie Onafeko]

Hi guys:

A marvelous Monday to you all. I imagine you all are doing well and
staying safe. I'm having some issues editing my recording. I just
finished recording voice over on my Mac book pro using Sm 58 mic
connected to ProTools through my Focus Right Scarlet. When tried
deleting, for example, after making a selection, the selected audio
won't delete. I then tried to copy and paste onto a track I created,
but nothing pasted. I've tried checking the wave form, quick nav, and
the mod, everything was set right. Does anyone know what I need to do
turn things around? I would be grateful for the suggestions , advices,
and insights into resolving these issues. Thanks for your time and
attention. God bless!

Best,

Dammie

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Protools not recording

[Vaughn Brown]

Hello everyone!

I am working on recording professional projects. After arming the
tracks, making sure they are selected, it is not recording. I put in
the click track and cannot hear it.

I tried using a prior project as a test but ran into the same issue.

Yes, the audio from prior projects and other sources play fine.

Any suggestions?

Vaughn

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Heal through Feel Equine Massage
360-904-8432
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Serving Clark County

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Re: Question on latest Protools on Mojave "Step Recording"

[CHUCK REICHEL]

Hi guys,
I Haven't use my num pad for step record but I have used my Kurzweil K2500x 
midi keyboard to step record midi notes before! :)
HTH
Chuck
"God does not play dice with the universe"
"Albert Einstein’

On May 12, 2019, at 6:37 PM, Slau Halatyn wrote:

> Step record is when you enter MIDI notes one at a time using the num pad 
> rather than playing a keyboard.
> HTH
> 
> 
>> On May 12, 2019, at 5:39 PM, John Covici  wrote:
>> 
>> Well, showing my ignorance what is step recording?
>> 
>> On Sun, 12 May 2019 17:17:36 -0400,
>> Slau Halatyn wrote:
>>> 
>>> Intro to Pro Tools
>>> 
>>> 
>>>> On May 12, 2019, at 5:10 PM, Christian  wrote:
>>>> 
>>>> OK, and the tweaks  can be found in the  getting started guide?
>>>> Thanks,
>>>> Christian
>>>> 
>>>> 
>>>>> 12 maj 2019 kl. 22:36 skrev Slau Halatyn :
>>>>> 
>>>>> If it's a new installation and you've never set up an OS for Pro Tools, 
>>>>> you'll definitely need to go through all of the necessary tweaks.
>>>>> 
>>>>> I don't use Step Record but it is doable in Pro Tools. I'm sure there's 
>>>>> probably a chapter on it in the Reference Guide.
>>>>> Slau
>>>>> 
>>>>> 
>>>>>> On May 12, 2019, at 3:26 PM, Christian  wrote:
>>>>>> 
>>>>>> Hi Slau,
>>>>>> 
>>>>>> This is a new installation of Protools. Have you worked with step 
>>>>>> recording within Protools?
>>>>>> Best regards and thanks,
>>>>>> Christian
>>>>>> 
>>>>>>> 12 maj 2019 kl. 21:11 skrev Slau Halatyn :
>>>>>>> 
>>>>>>> One more thing that just occurred to me: if you're simply upgrading and 
>>>>>>> not nuking and paving, probably most of the settings from the previous 
>>>>>>> installation will remain the same but it's always a good idea to review 
>>>>>>> settings when doing something major like an OS upgrade.
>>>>>>> Slau
>>>>>>> 
>>>>>>> 
>>>>>>>> On May 11, 2019, at 6:10 PM, Christian  wrote:
>>>>>>>> 
>>>>>>>> Hi all,
>>>>>>>> 
>>>>>>>> I just have a few questions on latest Protools on Mojave.
>>>>>>>> I listened to the old Protools with speech tutorial some while ago, 
>>>>>>>> will I still have to do all settings suggested in there in order for 
>>>>>>>> the best experience with Protools?
>>>>>>>> And at last, is step recording accessible?
>>>>>>>> Many thanks and best regards,
>>>>>>>> Christian
>>>>>>>> 
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>>>>>>>> https://groups.google.com/d/msgid/ptaccess/79951C60-2BD6-4579-82C8-D74107BA9501%40runbox.com.
>>>>>>>> For more options, visit https://groups.google.com/d/optout.
>>>>>>> 
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>>>>>>> For more options, visit https://groups.google.com/d/optout.
>>>>>> 
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Re: Recording A live Prodcast Using Protools

[Ramy Moustafa]

Hi Michael:
Thanks so much for helping.
COncerning the Repeat issue, i will give it a try now.
and, no, the track will start at a certain point where the Prodcastor will 
announce the song name.


> On Feb 6, 2019, at 7:33 AM, Michael Holmes  wrote:
> 
> Hello again friend. I hope this helps. It is what I would do.
> 
> 1. For this, I would select my intended background track, and use the repeat 
> option from Menu bar > Edit.
> 
> Example of how it works: I have a 30 second loop, and need to have it run 
> during a 60 minute show. I repeat the 30 second clip a minimum of 120 times. 
> This will allow it to play for 60 minutes while recording the show.
> 
> 2. I am not certain of the best approach. My idea is connect the host’s phone 
> to a spare input, check levels of the track before going live, and allowing 
> the host to play it when it should play.
> 
> If it is played directly at the start, you can place the track into the 
> session before going live.
> 
> I hope my ideas have helped. More experienced list members may have easier 
> methods.
> 
> I wish you well, friend,
> Mike
> 
> Sent from my iPhone
> 
>> On 5 Feb 2019, at 18:02, Ramy Moustafa  wrote:
>> 
>> Hi all:
>> 
>> I have a long tern Project, which a popular Announcer here in egypt will 
>> Provide Workshop for Live Prodcasting, He needs to Record and manage all the 
>> Live Prodcast Using Protools.
>> Now, i have 2 major issues:
>> 1- i will choose some Background Music, how can i make it loop forever until 
>> i will end this loop?
>> 2- While Recording, He needs me to insert a song when the Prodcaster will 
>> announce it’s name and so on, is there a way to do it in Protools? or i must 
>> use another app or something to start the song while Recording?
>> 
>> Waiting your feedback.
>> Thanks in advance 
>> 
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Re: Recording A live Prodcast Using Protools

[Michael Holmes]

Hello again friend. I hope this helps. It is what I would do.

1. For this, I would select my intended background track, and use the repeat 
option from Menu bar > Edit.

Example of how it works: I have a 30 second loop, and need to have it run 
during a 60 minute show. I repeat the 30 second clip a minimum of 120 times. 
This will allow it to play for 60 minutes while recording the show.

2. I am not certain of the best approach. My idea is connect the host’s phone 
to a spare input, check levels of the track before going live, and allowing the 
host to play it when it should play.

If it is played directly at the start, you can place the track into the session 
before going live.

I hope my ideas have helped. More experienced list members may have easier 
methods.

I wish you well, friend,
Mike

Sent from my iPhone

> On 5 Feb 2019, at 18:02, Ramy Moustafa  wrote:
> 
> Hi all:
> 
> I have a long tern Project, which a popular Announcer here in egypt will 
> Provide Workshop for Live Prodcasting, He needs to Record and manage all the 
> Live Prodcast Using Protools.
> Now, i have 2 major issues:
> 1- i will choose some Background Music, how can i make it loop forever until 
> i will end this loop?
> 2- While Recording, He needs me to insert a song when the Prodcaster will 
> announce it’s name and so on, is there a way to do it in Protools? or i must 
> use another app or something to start the song while Recording?
> 
> Waiting your feedback.
> Thanks in advance 
> 
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Recording A live Prodcast Using Protools

[Ramy Moustafa]

Hi all:

I have a long tern Project, which a popular Announcer here in egypt will 
Provide Workshop for Live Prodcasting, He needs to Record and manage all the 
Live Prodcast Using Protools.
Now, i have 2 major issues:
1- i will choose some Background Music, how can i make it loop forever until i 
will end this loop?
2- While Recording, He needs me to insert a song when the Prodcaster will 
announce it’s name and so on, is there a way to do it in Protools? or i must 
use another app or something to start the song while Recording?

Waiting your feedback.
Thanks in advance 

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Re: Recording automation for a long time

[Ramy Moustafa]

Thanks so much SLau, this is what i need exactly.


> On Jan 15, 2019, at 11:43 PM, Slau Halatyn  wrote:
> 
> Hi Ramy,
> As is often the case, the subject of automation is huge and there's nothing 
> like experimentation and trial and error to learn how it works. I can't go 
> through everything here but I'll mention a few important things.
> 1. If you've already written volume automation starting in Write mode, you'll 
> need to erase (or rather) cut that automation from your playlist because you 
> won't be able to change it easily now that it's been recorded. Change the 
> track view to Volume rather than waveform, select the track and the entire 
> timeline and press Delete. Double-check that the automation is gone. Don't 
> forget to eventually switch back to Waveform view for any editing.
> 
> 2. Instead of writing automation in Write mode, use Latch mode. That way, 
> automation parameters stay at the last recorded value. This way, you won't 
> have to write automation in real time throughout the timeline. Pro Tools 
> Ultimate offers a few commands that help write automation to start, to the 
> end and to a selection. For regular Pro Tools users, many people just draw in 
> automation but for blind users not using Ultimate, Latch mode is a good way 
> to go.
> HTH,
> Slau
> 
>> On Jan 15, 2019, at 4:15 PM, Ramy Moustafa > > wrote:
>> 
>> HI  all:
>> 
>> now i need to record volume automation, it’s a speech with Background music, 
>> i start lowering the volume at the start, then, the music will have the same 
>> low Volume level to the near end, what am doing now, is that i must listen 
>> to the hole file to Record the automation, because when i stop, the fader 
>> goes up.
>> it there a way to Record an automation in a spot, and go to another place on 
>> the file without changing what i automated? let’s say this is volume here?
>> 
>> thanks in advance.
>> 
>> -- 
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>> .
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>> .
> 
> 
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Re: Recording automation for a long time

[Slau Halatyn]

Hi Ramy,
As is often the case, the subject of automation is huge and there's nothing 
like experimentation and trial and error to learn how it works. I can't go 
through everything here but I'll mention a few important things.
1. If you've already written volume automation starting in Write mode, you'll 
need to erase (or rather) cut that automation from your playlist because you 
won't be able to change it easily now that it's been recorded. Change the track 
view to Volume rather than waveform, select the track and the entire timeline 
and press Delete. Double-check that the automation is gone. Don't forget to 
eventually switch back to Waveform view for any editing.

2. Instead of writing automation in Write mode, use Latch mode. That way, 
automation parameters stay at the last recorded value. This way, you won't have 
to write automation in real time throughout the timeline. Pro Tools Ultimate 
offers a few commands that help write automation to start, to the end and to a 
selection. For regular Pro Tools users, many people just draw in automation but 
for blind users not using Ultimate, Latch mode is a good way to go.
HTH,
Slau

> On Jan 15, 2019, at 4:15 PM, Ramy Moustafa  wrote:
> 
> HI  all:
> 
> now i need to record volume automation, it’s a speech with Background music, 
> i start lowering the volume at the start, then, the music will have the same 
> low Volume level to the near end, what am doing now, is that i must listen to 
> the hole file to Record the automation, because when i stop, the fader goes 
> up.
> it there a way to Record an automation in a spot, and go to another place on 
> the file without changing what i automated? let’s say this is volume here?
> 
> thanks in advance.
> 
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> .
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Recording automation for a long time

[Ramy Moustafa]

HI  all:

now i need to record volume automation, it’s a speech with Background music, i 
start lowering the volume at the start, then, the music will have the same low 
Volume level to the near end, what am doing now, is that i must listen to the 
hole file to Record the automation, because when i stop, the fader goes up.
it there a way to Record an automation in a spot, and go to another place on 
the file without changing what i automated? let’s say this is volume here?

thanks in advance.

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How to clip a multitrack recording the quickest way

[Jørgen Skov Nielsen]

I have recorded a multitrack recording, but how to clip it the quickest way, i 
want to clip the beginning or ending, but how to do it a quick way.
Thanks in advance.
Jørgen

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Re: Accessible recorder or multi track recording device

[Slau Halatyn]

BTW, did you see the messages I posted for you on the whatsApp group?
> On Sep 21, 2018, at 2:21 AM, Benjamin Blatter  wrote:
> 
> Hi
> 
> The Zoom H6 is certainly accessible, but has some quirks because some 
> controls may change their functions in certain situations. I don't have one 
> myself, but I'm very interested in recorders and have talked to Neal Ewers 
> from Ravenswood Productions about accessible recorders a lot.
> If you don't need a built in speaker I'd suggest having a look at the even 
> better F-Recorders from Zoom as well. There is the Zoom F4 and the new Zoom 
> F8N. don't have one of them myself as well. But they really seem to be very 
> accessible with lots of buttons and extensive controls. The F8N even has 
> bluetooth capabilities for controlling and track naming with a smartphone. 
> And the recording quality is really great.
> 
> A certainly expensive option would be a mixer or recorder from sound devices. 
> I got a 788T SSD a few years ago and it never failed me so far. Some newer 
> models which are basicly mixers with built in recorders like the 552 even 
> have a talking menu. So I'd devinitely ask about that if you're interested.
> 
> A non-multitrack recorder but very accessible would be the Sony PCM-D100.
> 
> I suggest talking to Neal Ewers as well. He really is a professional.
> 
> Contact him at: neal dot ewers at ravenswood dot org
> 
> His website is: www dot ravenswood dot org
> 
> Because I can't find his review about the Zoom H6 on his website, I take the 
> liberty to upload it for a short while on my dropbox. I'm sure he doesn't 
> mind.
> 
> https://www.dropbox.com/s/53r1slscsnbz3s5/Zoom-H6-Recorder-Review.mp3?dl=0
> 
> Good luck and kind regards
> Ben
> 
> 
> -Ursprüngliche Nachricht-
> Von: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] Im Auftrag 
> von Darwin May
> Gesendet: Freitag, 21. September 2018 05:28
> An: Pro Tools Google Groups
> Betreff: Accessible recorder or multi track recording device
> 
> Hello, I am looking for a accessible multi track recorder or handheld 
> recording device such as the zoom H6. If anyone has any recommendations on 
> which one will be accessible I would greatly appreciate it. My plan is to 
> record some live bands so I’m really hoping that the zoom is accessible so 
> that I may be able to record them on their own tracks and then put it through 
> ProTools.
> 
> With kind regards,
> Darwin May
> 
> -- 
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> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
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> 
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AW: Accessible recorder or multi track recording device

[Benjamin Blatter]

Hi

The Zoom H6 is certainly accessible, but has some quirks because some controls 
may change their functions in certain situations. I don't have one myself, but 
I'm very interested in recorders and have talked to Neal Ewers from Ravenswood 
Productions about accessible recorders a lot.
If you don't need a built in speaker I'd suggest having a look at the even 
better F-Recorders from Zoom as well. There is the Zoom F4 and the new Zoom 
F8N. don't have one of them myself as well. But they really seem to be very 
accessible with lots of buttons and extensive controls. The F8N even has 
bluetooth capabilities for controlling and track naming with a smartphone. And 
the recording quality is really great.

A certainly expensive option would be a mixer or recorder from sound devices. I 
got a 788T SSD a few years ago and it never failed me so far. Some newer models 
which are basicly mixers with built in recorders like the 552 even have a 
talking menu. So I'd devinitely ask about that if you're interested.

A non-multitrack recorder but very accessible would be the Sony PCM-D100.

I suggest talking to Neal Ewers as well. He really is a professional.

Contact him at: neal dot ewers at ravenswood dot org

His website is: www dot ravenswood dot org

Because I can't find his review about the Zoom H6 on his website, I take the 
liberty to upload it for a short while on my dropbox. I'm sure he doesn't mind.

https://www.dropbox.com/s/53r1slscsnbz3s5/Zoom-H6-Recorder-Review.mp3?dl=0

Good luck and kind regards
Ben


-Ursprüngliche Nachricht-
Von: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] Im Auftrag 
von Darwin May
Gesendet: Freitag, 21. September 2018 05:28
An: Pro Tools Google Groups
Betreff: Accessible recorder or multi track recording device

Hello, I am looking for a accessible multi track recorder or handheld recording 
device such as the zoom H6. If anyone has any recommendations on which one will 
be accessible I would greatly appreciate it. My plan is to record some live 
bands so I’m really hoping that the zoom is accessible so that I may be able to 
record them on their own tracks and then put it through ProTools.

With kind regards,
Darwin May

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Accessible recorder or multi track recording device

[Darwin May]

Hello, I am looking for a accessible multi track recorder or handheld recording 
device such as the zoom H6. If anyone has any recommendations on which one will 
be accessible I would greatly appreciate it. My plan is to record some live 
bands so I’m really hoping that the zoom is accessible so that I may be able to 
record them on their own tracks and then put it through ProTools.

With kind regards,
Darwin May

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Recording issue

['nico berth' via Pro Tools Accessibility]

Hey Guys,

 

got a little prob here :). I've set up an instrument track with the kk
plugin loaded for recording. I've made a selection over 8 bars. After
hitting record the metronome counts them though but for some reason the last
2 bars(within the selection) I've played in get lost somehow  - but The
Record process itself stops at the end of the selection I've made.

Can someone help?

Best, Nico.

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Re: Editing While Recording, can we?

['Stefan Albertshauser' via Pro Tools Accessibility]

Hi,

Meanwhile, I had the oportunity to try recorditor again. The workflow is the 
following: The app controls Pro Tools via a revire plugin, that is inserted to 
an aux track. You have to arm the track and put Pro Tools into record via the 
record butten in the transport toolbar. The other part of the recording, you do 
in the app Recorditor. You have a transport button and a record button. While 
recording, You have the possibility to mark takes as good or bad. Voiceover 
gives You verbal feedback. After the recording, you have a table, where all the 
markers, you create while recording appear. Unfortunately, Voiceover sees this 
table as empty, even though there are markers. For this reason, the software 
isn’t to use for us at the moment. Quietart is aware of this issue. After the 
edit process, there is a commit button and the markers will be inserted into 
the time line of Pro Tools.

Have a nice Day.

Stefan
> Am 24.07.2018 um 20:29 schrieb Ramy Moustafa :
> 
> Hi:
> 
> I read more about Recorditor, It’s very great, but is it accessible for us? 
> will it determine the bad takes with colours or what?
> if you have more info please share.
> Thanks in advance 
> 
>> On Jul 22, 2018, at 3:33 AM, 'Stefan Albertshauser' via Pro Tools 
>> Accessibility  wrote:
>> 
>> Hi,
>> I recently found a tool called recorditor. It is said to help to accomplish 
>> these tasks, that are mentioned here. I myself wanted to try it, but didn't 
>> find the time, while the demo license was running. Now it has expired. 
>> Maybe, someone of you can check it out. The software is from quietart.
>> 
>> Best Stefan
>> 
>> Von meinem iPhone gesendet
>> 
>>> Am 21.07.2018 um 17:34 schrieb Slau Halatyn :
>>> 
>>> Hi Ramy,
>>> 
>>> Sighted users have an advantage in terms of speed, there's no question 
>>> about it. Clients often think, "Well, this song is only 5 minutes long so 
>>> it should only take us 5 minutes of studio time to record it and have a 
>>> finished product." Needless to say, a lot of people are clueless about such 
>>> things. You need to determine your rate for editing and sometimes you win, 
>>> sometimes you lose. If the voice talent is particularly problematic in 
>>> terms of not being able to read long passages, you might need to cut your 
>>> losses and insist on a different reader or just step away from the project. 
>>> There's no easy solution. You have to approach it from a common sense 
>>> perspective. You will always take longer to do something as compared to a 
>>> sighted user. If there is a producer or if the narrator is the client, 
>>> you'll have to sit there with them and edit. They will see how long it 
>>> takes. You'll probably have to charge a competitive price even though it 
>>> might take you longer to perform the tasks than a sighted person. Those are 
>>> the breaks. It sucks to be blind, no question, but you have to do what you 
>>> have to do.
>>> Two cents,
>>> Slau
>>> 
>>>> On Jul 21, 2018, at 11:08 AM, Ramy Moustafa  
>>>> wrote:
>>>> 
>>>> HI Slau:
>>>> You are right, but when you told a customer that you will need extra 
>>>> charge for Editing his Track, he supposed that it’s not your right to take 
>>>> extra money.
>>>> Do not know if am right or wrong. but i also tribble the Wave time that he 
>>>> recorded.
>>>> Which means that if the final record that he recorded is 30 minutes, i 
>>>> took 90 minutes in editing it. 
>>>> Do not know if this is fare or not. but i was thinking to find  some 
>>>> better ways to help me when editing to be easier.
>>>> 
>>>> Thanks 
>>>> 
>>>>> On Jul 21, 2018, at 4:43 PM, Slau Halatyn  wrote:
>>>>> 
>>>>> Yes, Ramy, it's not so straight-forward because of the nature of stopping 
>>>>> and starting often but that's the challenge when doing spoken word. 
>>>>> There's no shortcut for jumping to next and previous markers. When in the 
>>>>> Memory Locations window, you can simply click on a memory location to 
>>>>> call it up but that can also get tedious. No matter how you slice it, 
>>>>> it's not an easy thing to do and that's why studios specializing in 
>>>>> voice-overs and post production usually charge premium rates.
>>>>> Slau
>>>>> 
>>>>>> On Jul 21, 2018, at 10:09 AM, Ramy Moustafa  
>>>>>> wrote:
>>>&g

Re: Editing While Recording, can we?

[Ramy Moustafa]

Hi:

I read more about Recorditor, It’s very great, but is it accessible for us? 
will it determine the bad takes with colours or what?
if you have more info please share.
Thanks in advance 

> On Jul 22, 2018, at 3:33 AM, 'Stefan Albertshauser' via Pro Tools 
> Accessibility  wrote:
> 
> Hi,
> I recently found a tool called recorditor. It is said to help to accomplish 
> these tasks, that are mentioned here. I myself wanted to try it, but didn't 
> find the time, while the demo license was running. Now it has expired. Maybe, 
> someone of you can check it out. The software is from quietart.
> 
> Best Stefan
> 
> Von meinem iPhone gesendet
> 
>> Am 21.07.2018 um 17:34 schrieb Slau Halatyn :
>> 
>> Hi Ramy,
>> 
>> Sighted users have an advantage in terms of speed, there's no question about 
>> it. Clients often think, "Well, this song is only 5 minutes long so it 
>> should only take us 5 minutes of studio time to record it and have a 
>> finished product." Needless to say, a lot of people are clueless about such 
>> things. You need to determine your rate for editing and sometimes you win, 
>> sometimes you lose. If the voice talent is particularly problematic in terms 
>> of not being able to read long passages, you might need to cut your losses 
>> and insist on a different reader or just step away from the project. There's 
>> no easy solution. You have to approach it from a common sense perspective. 
>> You will always take longer to do something as compared to a sighted user. 
>> If there is a producer or if the narrator is the client, you'll have to sit 
>> there with them and edit. They will see how long it takes. You'll probably 
>> have to charge a competitive price even though it might take you longer to 
>> perform the tasks than a sighted person. Those are the breaks. It sucks to 
>> be blind, no question, but you have to do what you have to do.
>> Two cents,
>> Slau
>> 
>>> On Jul 21, 2018, at 11:08 AM, Ramy Moustafa  
>>> wrote:
>>> 
>>> HI Slau:
>>> You are right, but when you told a customer that you will need extra charge 
>>> for Editing his Track, he supposed that it’s not your right to take extra 
>>> money.
>>> Do not know if am right or wrong. but i also tribble the Wave time that he 
>>> recorded.
>>> Which means that if the final record that he recorded is 30 minutes, i took 
>>> 90 minutes in editing it. 
>>> Do not know if this is fare or not. but i was thinking to find  some better 
>>> ways to help me when editing to be easier.
>>> 
>>> Thanks 
>>> 
>>>> On Jul 21, 2018, at 4:43 PM, Slau Halatyn  wrote:
>>>> 
>>>> Yes, Ramy, it's not so straight-forward because of the nature of stopping 
>>>> and starting often but that's the challenge when doing spoken word. 
>>>> There's no shortcut for jumping to next and previous markers. When in the 
>>>> Memory Locations window, you can simply click on a memory location to call 
>>>> it up but that can also get tedious. No matter how you slice it, it's not 
>>>> an easy thing to do and that's why studios specializing in voice-overs and 
>>>> post production usually charge premium rates.
>>>> Slau
>>>> 
>>>>> On Jul 21, 2018, at 10:09 AM, Ramy Moustafa  
>>>>> wrote:
>>>>> 
>>>>> Hi Slau:
>>>>> Ok i was using  this tecnique but it’s so hard to remember which mark i 
>>>>> was on?
>>>>> is there a way to go to next and previous marker?
>>>>> also, in some situations, this tecnique can not be applied, because the 
>>>>> narrator is repeating more and more and more, so do not know when to put 
>>>>> the marker on the fly.
>>>>> 
>>>>> 
>>>>>> On Jul 21, 2018, at 3:29 PM, Slau Halatyn  wrote:
>>>>>> 
>>>>>> Hi Ramy,
>>>>>> 
>>>>>> Sighted users can select audio while recording but, since we can't do 
>>>>>> that for obvious reasons, I'd suggest using memory locations on the fly 
>>>>>> while recording. Set the preference to auto name the markers and each 
>>>>>> marker will correspond to sections where you need an edit. Hope that 
>>>>>> helps,
>>>>>> Slau
>>>>>> 
>>>>>>> On Jul 21, 2018, at 5:12 AM, Ramy Moustafa  
>>>>>>> wrote:
>>>>>>> 
>>>&g

Re: Editing While Recording, can we?

['Stefan Albertshauser' via Pro Tools Accessibility]

Hi,
I recently found a tool called recorditor. It is said to help to accomplish 
these tasks, that are mentioned here. I myself wanted to try it, but didn't 
find the time, while the demo license was running. Now it has expired. Maybe, 
someone of you can check it out. The software is from quietart.

Best Stefan

 Von meinem iPhone gesendet

> Am 21.07.2018 um 17:34 schrieb Slau Halatyn :
> 
> Hi Ramy,
> 
> Sighted users have an advantage in terms of speed, there's no question about 
> it. Clients often think, "Well, this song is only 5 minutes long so it should 
> only take us 5 minutes of studio time to record it and have a finished 
> product." Needless to say, a lot of people are clueless about such things. 
> You need to determine your rate for editing and sometimes you win, sometimes 
> you lose. If the voice talent is particularly problematic in terms of not 
> being able to read long passages, you might need to cut your losses and 
> insist on a different reader or just step away from the project. There's no 
> easy solution. You have to approach it from a common sense perspective. You 
> will always take longer to do something as compared to a sighted user. If 
> there is a producer or if the narrator is the client, you'll have to sit 
> there with them and edit. They will see how long it takes. You'll probably 
> have to charge a competitive price even though it might take you longer to 
> perform the tasks than a sighted person. Those are the breaks. It sucks to be 
> blind, no question, but you have to do what you have to do.
> Two cents,
> Slau
> 
>> On Jul 21, 2018, at 11:08 AM, Ramy Moustafa  
>> wrote:
>> 
>> HI Slau:
>> You are right, but when you told a customer that you will need extra charge 
>> for Editing his Track, he supposed that it’s not your right to take extra 
>> money.
>> Do not know if am right or wrong. but i also tribble the Wave time that he 
>> recorded.
>> Which means that if the final record that he recorded is 30 minutes, i took 
>> 90 minutes in editing it. 
>> Do not know if this is fare or not. but i was thinking to find  some better 
>> ways to help me when editing to be easier.
>> 
>> Thanks 
>> 
>>> On Jul 21, 2018, at 4:43 PM, Slau Halatyn  wrote:
>>> 
>>> Yes, Ramy, it's not so straight-forward because of the nature of stopping 
>>> and starting often but that's the challenge when doing spoken word. There's 
>>> no shortcut for jumping to next and previous markers. When in the Memory 
>>> Locations window, you can simply click on a memory location to call it up 
>>> but that can also get tedious. No matter how you slice it, it's not an easy 
>>> thing to do and that's why studios specializing in voice-overs and post 
>>> production usually charge premium rates.
>>> Slau
>>> 
>>>> On Jul 21, 2018, at 10:09 AM, Ramy Moustafa  
>>>> wrote:
>>>> 
>>>> Hi Slau:
>>>> Ok i was using  this tecnique but it’s so hard to remember which mark i 
>>>> was on?
>>>> is there a way to go to next and previous marker?
>>>> also, in some situations, this tecnique can not be applied, because the 
>>>> narrator is repeating more and more and more, so do not know when to put 
>>>> the marker on the fly.
>>>> 
>>>> 
>>>>> On Jul 21, 2018, at 3:29 PM, Slau Halatyn  wrote:
>>>>> 
>>>>> Hi Ramy,
>>>>> 
>>>>> Sighted users can select audio while recording but, since we can't do 
>>>>> that for obvious reasons, I'd suggest using memory locations on the fly 
>>>>> while recording. Set the preference to auto name the markers and each 
>>>>> marker will correspond to sections where you need an edit. Hope that 
>>>>> helps,
>>>>> Slau
>>>>> 
>>>>>> On Jul 21, 2018, at 5:12 AM, Ramy Moustafa  
>>>>>> wrote:
>>>>>> 
>>>>>> Hi all my Friends:
>>>>>> I’m Recording sometimes big books, script Narration etc. which  are big 
>>>>>> speech projects.
>>>>>> I need to find better way to help me save time while Editing these files 
>>>>>> after Recording them.
>>>>>> THem most important thing is If teh Narrator Recorded something and 
>>>>>> repeated it again, is there a way to remove it without asking him - her 
>>>>>> to stop recording?
>>>>>> The way that am following now is I can leave the narrator to reco

Re: Editing While Recording, can we?

[Slau Halatyn]

Hi Ramy,

Sighted users have an advantage in terms of speed, there's no question about 
it. Clients often think, "Well, this song is only 5 minutes long so it should 
only take us 5 minutes of studio time to record it and have a finished 
product." Needless to say, a lot of people are clueless about such things. You 
need to determine your rate for editing and sometimes you win, sometimes you 
lose. If the voice talent is particularly problematic in terms of not being 
able to read long passages, you might need to cut your losses and insist on a 
different reader or just step away from the project. There's no easy solution. 
You have to approach it from a common sense perspective. You will always take 
longer to do something as compared to a sighted user. If there is a producer or 
if the narrator is the client, you'll have to sit there with them and edit. 
They will see how long it takes. You'll probably have to charge a competitive 
price even though it might take you longer to perform the tasks than a sighted 
person. Those are the breaks. It sucks to be blind, no question, but you have 
to do what you have to do.
Two cents,
Slau

> On Jul 21, 2018, at 11:08 AM, Ramy Moustafa  wrote:
> 
> HI Slau:
> You are right, but when you told a customer that you will need extra charge 
> for Editing his Track, he supposed that it’s not your right to take extra 
> money.
> Do not know if am right or wrong. but i also tribble the Wave time that he 
> recorded.
> Which means that if the final record that he recorded is 30 minutes, i took 
> 90 minutes in editing it. 
> Do not know if this is fare or not. but i was thinking to find  some better 
> ways to help me when editing to be easier.
> 
> Thanks 
> 
>> On Jul 21, 2018, at 4:43 PM, Slau Halatyn  wrote:
>> 
>> Yes, Ramy, it's not so straight-forward because of the nature of stopping 
>> and starting often but that's the challenge when doing spoken word. There's 
>> no shortcut for jumping to next and previous markers. When in the Memory 
>> Locations window, you can simply click on a memory location to call it up 
>> but that can also get tedious. No matter how you slice it, it's not an easy 
>> thing to do and that's why studios specializing in voice-overs and post 
>> production usually charge premium rates.
>> Slau
>> 
>>> On Jul 21, 2018, at 10:09 AM, Ramy Moustafa  
>>> wrote:
>>> 
>>> Hi Slau:
>>> Ok i was using  this tecnique but it’s so hard to remember which mark i was 
>>> on?
>>> is there a way to go to next and previous marker?
>>> also, in some situations, this tecnique can not be applied, because the 
>>> narrator is repeating more and more and more, so do not know when to put 
>>> the marker on the fly.
>>> 
>>> 
>>>> On Jul 21, 2018, at 3:29 PM, Slau Halatyn  wrote:
>>>> 
>>>> Hi Ramy,
>>>> 
>>>> Sighted users can select audio while recording but, since we can't do that 
>>>> for obvious reasons, I'd suggest using memory locations on the fly while 
>>>> recording. Set the preference to auto name the markers and each marker 
>>>> will correspond to sections where you need an edit. Hope that helps,
>>>> Slau
>>>> 
>>>>> On Jul 21, 2018, at 5:12 AM, Ramy Moustafa  
>>>>> wrote:
>>>>> 
>>>>> Hi all my Friends:
>>>>> I’m Recording sometimes big books, script Narration etc. which  are big 
>>>>> speech projects.
>>>>> I need to find better way to help me save time while Editing these files 
>>>>> after Recording them.
>>>>> THem most important thing is If teh Narrator Recorded something and 
>>>>> repeated it again, is there a way to remove it without asking him - her 
>>>>> to stop recording?
>>>>> The way that am following now is I can leave the narrator to record 
>>>>> anything, and i make my editing after that which is very difficult?
>>>>> or i asked the narrator to stop if he will repeat something, i go back, 
>>>>> adn ask him - her to start again. but many narrators feeling annoyed, 
>>>>> because sited engineers can remove what they see unnecessary while 
>>>>> Recording., so, am just asking to find an alternative for us?
>>>>> 
>>>>> Thanks in advance 
>>>>> and hope my question is clear.
>>>>> 
>>>>> -- 
>>>>> You received this message because you are subscribed to the Google Groups 
>>>>> "Pro Tools Accessibility" group.
>>

Re: Editing While Recording, can we?

[Ramy Moustafa]

HI Slau:
You are right, but when you told a customer that you will need extra charge for 
Editing his Track, he supposed that it’s not your right to take extra money.
Do not know if am right or wrong. but i also tribble the Wave time that he 
recorded.
Which means that if the final record that he recorded is 30 minutes, i took 90 
minutes in editing it. 
Do not know if this is fare or not. but i was thinking to find  some better 
ways to help me when editing to be easier.

Thanks 

> On Jul 21, 2018, at 4:43 PM, Slau Halatyn  wrote:
> 
> Yes, Ramy, it's not so straight-forward because of the nature of stopping and 
> starting often but that's the challenge when doing spoken word. There's no 
> shortcut for jumping to next and previous markers. When in the Memory 
> Locations window, you can simply click on a memory location to call it up but 
> that can also get tedious. No matter how you slice it, it's not an easy thing 
> to do and that's why studios specializing in voice-overs and post production 
> usually charge premium rates.
> Slau
> 
>> On Jul 21, 2018, at 10:09 AM, Ramy Moustafa  
>> wrote:
>> 
>> Hi Slau:
>> Ok i was using  this tecnique but it’s so hard to remember which mark i was 
>> on?
>> is there a way to go to next and previous marker?
>> also, in some situations, this tecnique can not be applied, because the 
>> narrator is repeating more and more and more, so do not know when to put the 
>> marker on the fly.
>> 
>> 
>>> On Jul 21, 2018, at 3:29 PM, Slau Halatyn  wrote:
>>> 
>>> Hi Ramy,
>>> 
>>> Sighted users can select audio while recording but, since we can't do that 
>>> for obvious reasons, I'd suggest using memory locations on the fly while 
>>> recording. Set the preference to auto name the markers and each marker will 
>>> correspond to sections where you need an edit. Hope that helps,
>>> Slau
>>> 
>>>> On Jul 21, 2018, at 5:12 AM, Ramy Moustafa  
>>>> wrote:
>>>> 
>>>> Hi all my Friends:
>>>> I’m Recording sometimes big books, script Narration etc. which  are big 
>>>> speech projects.
>>>> I need to find better way to help me save time while Editing these files 
>>>> after Recording them.
>>>> THem most important thing is If teh Narrator Recorded something and 
>>>> repeated it again, is there a way to remove it without asking him - her to 
>>>> stop recording?
>>>> The way that am following now is I can leave the narrator to record 
>>>> anything, and i make my editing after that which is very difficult?
>>>> or i asked the narrator to stop if he will repeat something, i go back, 
>>>> adn ask him - her to start again. but many narrators feeling annoyed, 
>>>> because sited engineers can remove what they see unnecessary while 
>>>> Recording., so, am just asking to find an alternative for us?
>>>> 
>>>> Thanks in advance 
>>>> and hope my question is clear.
>>>> 
>>>> -- 
>>>> You received this message because you are subscribed to the Google Groups 
>>>> "Pro Tools Accessibility" group.
>>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>>> email to ptaccess+unsubscr...@googlegroups.com.
>>>> For more options, visit https://groups.google.com/d/optout.
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
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> email to ptaccess+unsubscr...@googlegroups.com.
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Re: Editing While Recording, can we?

[Slau Halatyn]

Yes, Ramy, it's not so straight-forward because of the nature of stopping and 
starting often but that's the challenge when doing spoken word. There's no 
shortcut for jumping to next and previous markers. When in the Memory Locations 
window, you can simply click on a memory location to call it up but that can 
also get tedious. No matter how you slice it, it's not an easy thing to do and 
that's why studios specializing in voice-overs and post production usually 
charge premium rates.
Slau

> On Jul 21, 2018, at 10:09 AM, Ramy Moustafa  wrote:
> 
> Hi Slau:
> Ok i was using  this tecnique but it’s so hard to remember which mark i was 
> on?
> is there a way to go to next and previous marker?
> also, in some situations, this tecnique can not be applied, because the 
> narrator is repeating more and more and more, so do not know when to put the 
> marker on the fly.
> 
> 
>> On Jul 21, 2018, at 3:29 PM, Slau Halatyn  wrote:
>> 
>> Hi Ramy,
>> 
>> Sighted users can select audio while recording but, since we can't do that 
>> for obvious reasons, I'd suggest using memory locations on the fly while 
>> recording. Set the preference to auto name the markers and each marker will 
>> correspond to sections where you need an edit. Hope that helps,
>> Slau
>> 
>>> On Jul 21, 2018, at 5:12 AM, Ramy Moustafa  
>>> wrote:
>>> 
>>> Hi all my Friends:
>>> I’m Recording sometimes big books, script Narration etc. which  are big 
>>> speech projects.
>>> I need to find better way to help me save time while Editing these files 
>>> after Recording them.
>>> THem most important thing is If teh Narrator Recorded something and 
>>> repeated it again, is there a way to remove it without asking him - her to 
>>> stop recording?
>>> The way that am following now is I can leave the narrator to record 
>>> anything, and i make my editing after that which is very difficult?
>>> or i asked the narrator to stop if he will repeat something, i go back, adn 
>>> ask him - her to start again. but many narrators feeling annoyed, because 
>>> sited engineers can remove what they see unnecessary while Recording., so, 
>>> am just asking to find an alternative for us?
>>> 
>>> Thanks in advance 
>>> and hope my question is clear.
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
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>>> email to ptaccess+unsubscr...@googlegroups.com.
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>> 
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Re: Editing While Recording, can we?

[Ramy Moustafa]

Hi Slau:
Ok i was using  this tecnique but it’s so hard to remember which mark i was on?
is there a way to go to next and previous marker?
also, in some situations, this tecnique can not be applied, because the 
narrator is repeating more and more and more, so do not know when to put the 
marker on the fly.


> On Jul 21, 2018, at 3:29 PM, Slau Halatyn  wrote:
> 
> Hi Ramy,
> 
> Sighted users can select audio while recording but, since we can't do that 
> for obvious reasons, I'd suggest using memory locations on the fly while 
> recording. Set the preference to auto name the markers and each marker will 
> correspond to sections where you need an edit. Hope that helps,
> Slau
> 
>> On Jul 21, 2018, at 5:12 AM, Ramy Moustafa  wrote:
>> 
>> Hi all my Friends:
>> I’m Recording sometimes big books, script Narration etc. which  are big 
>> speech projects.
>> I need to find better way to help me save time while Editing these files 
>> after Recording them.
>> THem most important thing is If teh Narrator Recorded something and repeated 
>> it again, is there a way to remove it without asking him - her to stop 
>> recording?
>> The way that am following now is I can leave the narrator to record 
>> anything, and i make my editing after that which is very difficult?
>> or i asked the narrator to stop if he will repeat something, i go back, adn 
>> ask him - her to start again. but many narrators feeling annoyed, because 
>> sited engineers can remove what they see unnecessary while Recording., so, 
>> am just asking to find an alternative for us?
>> 
>> Thanks in advance 
>> and hope my question is clear.
>> 
>> -- 
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>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
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> 
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Re: Editing While Recording, can we?

[Slau Halatyn]

Hi Ramy,

Sighted users can select audio while recording but, since we can't do that for 
obvious reasons, I'd suggest using memory locations on the fly while recording. 
Set the preference to auto name the markers and each marker will correspond to 
sections where you need an edit. Hope that helps,
Slau

> On Jul 21, 2018, at 5:12 AM, Ramy Moustafa  wrote:
> 
> Hi all my Friends:
> I’m Recording sometimes big books, script Narration etc. which  are big 
> speech projects.
> I need to find better way to help me save time while Editing these files 
> after Recording them.
> THem most important thing is If teh Narrator Recorded something and repeated 
> it again, is there a way to remove it without asking him - her to stop 
> recording?
> The way that am following now is I can leave the narrator to record anything, 
> and i make my editing after that which is very difficult?
> or i asked the narrator to stop if he will repeat something, i go back, adn 
> ask him - her to start again. but many narrators feeling annoyed, because 
> sited engineers can remove what they see unnecessary while Recording., so, am 
> just asking to find an alternative for us?
> 
> Thanks in advance 
> and hope my question is clear.
> 
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Re: A very silly question about recording electric guitar into Protools

[Steve Martin]

You will want to record your electric guitar onto an audio track in ProTools. 
You will set it up the same way you record your acoustic guitar, only 
difference really be in that the cable will replace the microphone. And yes, 
you do want to select the instrument option on your interface  after plugging 
in your electric guitar.  And, if you would like to emulate the sound up an 
amplifier or Fx, you can insert those on to the inserts lots on the audio 
track. Instrument tracks in ProTools, are intended for recording software 
instruments that you play with a midi keyboard. So you would not use an 
instrument or midi track to record it electric guitar.  

Sent from my iPhone

> On Jul 20, 2018, at 1:34 PM, Chris Smart  wrote:
> 
> Your guitar is sending audio into your audio interface, and that audio needs 
> to be recorded on a track.
> 
> If you want that guitar to sound like it is running through an amplifier, 
> speaker cabinet, microphone in front of the speaker cabinet etc. you'll need 
> an effect plugin that simulates those parts of the chain.  Your electric 
> guitar's signal, on its own, naked so-to-speak, will sound totally clean, 
> perhaps uninspiring. That's just what your guitar sounds like, before going 
> through any more equipment like effects or amplifiers.
> 
> 
> 
> At 01:16 PM 7/20/2018, you wrote:
>> All,
>> 
>> I’ve been experimenting with recording my acoustic guitar into ProTools 
>> and, I bet you don’t need me to tell you, but it’s a blast. I haven’t 
>> been having as much luck with my electric guitar, though.
>> 
>> I have an audio interface, but when I plug in my guitar and set the switch 
>> to instrument, I don’t get any sound. So I’m sure it’s a problem on 
>> the ProTools side. So, a few questions:
>> 
>> To record my electric guitar in this fashion, should I create an audio 
>> track, an instrument track, or a midi track? So far, when I try an 
>> instrument track, I get no audio.
>> I have a few instruments that came as free downloads with PT. Does this 
>> apply to electric guitar, or do I have to use a midi controller to be able 
>> to use these sounds? Does this question make sense?
>> 
>> Anyway, there’s a lot to unpack here, so if anyone cares to mail me off 
>> list, please feel free to do so at the address in my signature line.
>> 
>> My very best,
>> 
>> Desmond Delgadillo
>> Freelance Content Writer
>> 
>> e:<mailto:desdelgadi...@gmail.com>desdelgadi...@gmail.com
>> <http://twitter.com/desdelgadillo>
>> []
>>  <http://linkedin.com/in/desdelgadillo>
>> []
>> 
>> 
>> --
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>> email to 
>> <mailto:ptaccess+unsubscr...@googlegroups.com>ptaccess+unsubscr...@googlegroups.com.
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>> <https://groups.google.com/d/optout>https://groups.google.com/d/optout.
> 
> 
> 
> 
> "There are two means of refuge from the miseries of life: music and cats." - 
> Albert Schweitzer 
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Editing While Recording, can we?

[Ramy Moustafa]

Hi all my Friends:
I’m Recording sometimes big books, script Narration etc. which  are big speech 
projects.
I need to find better way to help me save time while Editing these files after 
Recording them.
THem most important thing is If teh Narrator Recorded something and repeated it 
again, is there a way to remove it without asking him - her to stop recording?
The way that am following now is I can leave the narrator to record anything, 
and i make my editing after that which is very difficult?
or i asked the narrator to stop if he will repeat something, i go back, adn ask 
him - her to start again. but many narrators feeling annoyed, because sited 
engineers can remove what they see unnecessary while Recording., so, am just 
asking to find an alternative for us?

Thanks in advance 
and hope my question is clear.

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Re: A very silly question about recording electric guitar into Protools

[Chris Smart]

Your guitar is sending audio into your audio 
interface, and that audio needs to be recorded on a track.


If you want that guitar to sound like it is 
running through an amplifier, speaker cabinet, 
microphone in front of the speaker cabinet etc. 
you'll need an effect plugin that simulates those 
parts of the chain.  Your electric guitar's 
signal, on its own, naked so-to-speak, will sound 
totally clean, perhaps uninspiring. That's just 
what your guitar sounds like, before going 
through any more equipment like effects or amplifiers.




At 01:16 PM 7/20/2018, you wrote:

All,

I’ve been experimenting with recording my 
acoustic guitar into ProTools and, I bet you 
don’t need me to tell you, but it’s a blast. 
I haven’t been having as much luck with my electric guitar, though.


I have an audio interface, but when I plug in my 
guitar and set the switch to instrument, I 
don’t get any sound. So I’m sure it’s a 
problem on the ProTools side. So, a few questions:


To record my electric guitar in this fashion, 
should I create an audio track, an instrument 
track, or a midi track? So far, when I try an instrument track, I get no audio.
I have a few instruments that came as free 
downloads with PT. Does this apply to electric 
guitar, or do I have to use a midi controller to 
be able to use these sounds? Does this question make sense?


Anyway, there’s a lot to unpack here, so if 
anyone cares to mail me off list, please feel 
free to do so at the address in my signature line.


My very best,

Desmond Delgadillo
Freelance Content Writer

e:<mailto:desdelgadi...@gmail.com>desdelgadi...@gmail.com
<http://twitter.com/desdelgadillo>
[]
  <http://linkedin.com/in/desdelgadillo>
[]


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"There are two means of refuge from the miseries 
of life: music and cats." - Albert Schweitzer 


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A very silly question about recording electric guitar into Protools

[Des Delgadillo]

All,

I’ve been experimenting with recording my acoustic guitar into ProTools and, I 
bet you don’t need me to tell you, but it’s a blast. I haven’t been having as 
much luck with my electric guitar, though.

I have an audio interface, but when I plug in my guitar and set the switch to 
instrument, I don’t get any sound. So I’m sure it’s a problem on the ProTools 
side. So, a few questions:

To record my electric guitar in this fashion, should I create an audio track, 
an instrument track, or a midi track? So far, when I try an instrument track, I 
get no audio.
I have a few instruments that came as free downloads with PT. Does this apply 
to electric guitar, or do I have to use a midi controller to be able to use 
these sounds? Does this question make sense?

Anyway, there’s a lot to unpack here, so if anyone cares to mail me off list, 
please feel free to do so at the address in my signature line.

My very best,

Desmond Delgadillo
Freelance Content Writer

e:  desdelgadi...@gmail.com <mailto:desdelgadi...@gmail.com>
 <http://twitter.com/desdelgadillo>   <http://linkedin.com/in/desdelgadillo>

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Re: Recording

[Slau Halatyn]

AutoTune version 1 through version 8 has always been accessible. Virtually all 
of the parameters show up.
> On Mar 1, 2018, at 8:44 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Accessible?
> How? The fx window is not accessible
> 
> Ramy moustafa saber
> licturer at:
> faculty of musical education
> music arranger and sound engineer
> Sent from my iPhone
> 
>> On Mar 1, 2018, at 3:15 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
>> 
>> Hi Ramy,
>> If you're talking about merging new MIDI data with a previously recorded 
>> part on the same track, what you want is MIDI Merge to be enabled. You can 
>> either open the Transport window with Command Num Pad 1 and navigate to the 
>> MIDI Merge button or, in the Edit window, navigate to the Transport cluster 
>> as long as you have it set to be displayed and get to the same control. Or 
>> you can do it the easy way by pressing Num Pad 9 to toggle MIDI Merge if 
>> you're using Transport mode on the num pad, which you probably are. With Flo 
>> Tools, you can report the MIDI Merge status with Option Num Pad 9 and toggle 
>> it with a double tap.
>> Elastic Audio is mildly accessible but that's for audio not MIDI.
>> HTH,
>> Slau
>> 
>>> On Mar 1, 2018, at 7:35 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
>>> 
>>> Hi all:
>>> 
>>> I know that my message subject is so big, but  of cores, all i need is some 
>>> hence, not the hole subject:
>>> 1- i searched over and over to be able to change the recording modes but i 
>>> failed in doing that.
>>> I need to change from nondestructive to anything else, how can i do that?
>>> 2- I’ma keyboard player and some times i need to record for myself, so, 
>>> when using Sonar, i can just press r to record even if this audio track 
>>> contains audio, it will not delete while recording.
>>> let’s say i need to record from bar20, i will press record from bar18 and i 
>>> willl listen then start playing in bar 20, but when am using protools,  
>>> when pressing the record, all data that was recorded disappear or i can not 
>>> listen to it.
>>> is there a way to do this?
>>> 3- if i recorded something, and i need to change it’s pitch  just 1 half, a 
>>> sited person shows me the elastic . but seems that it’s not accessible?
>>> i went to the track and set it’s elastic option to polyphonic, then i can 
>>> not change tones, etc.
>>> 
>>> sorry for all my questions but really, am new and hope to find answers.
>>> 
>>> Thanks in advance 
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>> 
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> 
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Recording

[Ramy Moustafa]

Hi all:

I know that my message subject is so big, but  of cores, all i need is some 
hence, not the hole subject:
1- i searched over and over to be able to change the recording modes but i 
failed in doing that.
I need to change from nondestructive to anything else, how can i do that?
2- I’ma keyboard player and some times i need to record for myself, so, when 
using Sonar, i can just press r to record even if this audio track contains 
audio, it will not delete while recording.
let’s say i need to record from bar20, i will press record from bar18 and i 
willl listen then start playing in bar 20, but when am using protools,  when 
pressing the record, all data that was recorded disappear or i can not listen 
to it.
is there a way to do this?
3- if i recorded something, and i need to change it’s pitch  just 1 half, a 
sited person shows me the elastic . but seems that it’s not accessible?
i went to the track and set it’s elastic option to polyphonic, then i can not 
change tones, etc.

sorry for all my questions but really, am new and hope to find answers.

Thanks in advance 

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Re: Recording

[Ramy Moustafa]

Accessible?
How? The fx window is not accessible

Ramy moustafa saber
licturer at:
faculty of musical education
music arranger and sound engineer
Sent from my iPhone

> On Mar 1, 2018, at 3:15 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
> 
> Hi Ramy,
> If you're talking about merging new MIDI data with a previously recorded part 
> on the same track, what you want is MIDI Merge to be enabled. You can either 
> open the Transport window with Command Num Pad 1 and navigate to the MIDI 
> Merge button or, in the Edit window, navigate to the Transport cluster as 
> long as you have it set to be displayed and get to the same control. Or you 
> can do it the easy way by pressing Num Pad 9 to toggle MIDI Merge if you're 
> using Transport mode on the num pad, which you probably are. With Flo Tools, 
> you can report the MIDI Merge status with Option Num Pad 9 and toggle it with 
> a double tap.
> Elastic Audio is mildly accessible but that's for audio not MIDI.
> HTH,
> Slau
> 
>> On Mar 1, 2018, at 7:35 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
>> 
>> Hi all:
>> 
>> I know that my message subject is so big, but  of cores, all i need is some 
>> hence, not the hole subject:
>> 1- i searched over and over to be able to change the recording modes but i 
>> failed in doing that.
>> I need to change from nondestructive to anything else, how can i do that?
>> 2- I’ma keyboard player and some times i need to record for myself, so, when 
>> using Sonar, i can just press r to record even if this audio track contains 
>> audio, it will not delete while recording.
>> let’s say i need to record from bar20, i will press record from bar18 and i 
>> willl listen then start playing in bar 20, but when am using protools,  when 
>> pressing the record, all data that was recorded disappear or i can not 
>> listen to it.
>> is there a way to do this?
>> 3- if i recorded something, and i need to change it’s pitch  just 1 half, a 
>> sited person shows me the elastic . but seems that it’s not accessible?
>> i went to the track and set it’s elastic option to polyphonic, then i can 
>> not change tones, etc.
>> 
>> sorry for all my questions but really, am new and hope to find answers.
>> 
>> Thanks in advance 
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
> 
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Re: Recording

[Slau Halatyn]

Hi Ramy,
If you're talking about merging new MIDI data with a previously recorded part 
on the same track, what you want is MIDI Merge to be enabled. You can either 
open the Transport window with Command Num Pad 1 and navigate to the MIDI Merge 
button or, in the Edit window, navigate to the Transport cluster as long as you 
have it set to be displayed and get to the same control. Or you can do it the 
easy way by pressing Num Pad 9 to toggle MIDI Merge if you're using Transport 
mode on the num pad, which you probably are. With Flo Tools, you can report the 
MIDI Merge status with Option Num Pad 9 and toggle it with a double tap.
Elastic Audio is mildly accessible but that's for audio not MIDI.
HTH,
Slau

> On Mar 1, 2018, at 7:35 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hi all:
> 
> I know that my message subject is so big, but  of cores, all i need is some 
> hence, not the hole subject:
> 1- i searched over and over to be able to change the recording modes but i 
> failed in doing that.
> I need to change from nondestructive to anything else, how can i do that?
> 2- I’ma keyboard player and some times i need to record for myself, so, when 
> using Sonar, i can just press r to record even if this audio track contains 
> audio, it will not delete while recording.
> let’s say i need to record from bar20, i will press record from bar18 and i 
> willl listen then start playing in bar 20, but when am using protools,  when 
> pressing the record, all data that was recorded disappear or i can not listen 
> to it.
> is there a way to do this?
> 3- if i recorded something, and i need to change it’s pitch  just 1 half, a 
> sited person shows me the elastic . but seems that it’s not accessible?
> i went to the track and set it’s elastic option to polyphonic, then i can not 
> change tones, etc.
> 
> sorry for all my questions but really, am new and hope to find answers.
> 
> Thanks in advance 
> 
> -- 
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Re: Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hi Marten and Slau:

Thanks for this very clear steps.
But, the steps I described are too long, are there any easier methods
to achieve this?

also, I was using the Noise gate in soar to reduce the noise then try
to remove the remaining issues.
is this ok to do in pro tools, or I must do another steps?




On 9/20/17, Martin (Punky) Sopart <m...@cakewalker.de> wrote:
> Hi Ramy!
>
> Maybe add another step (3.5) after cleaning up the track using your arrow
> keys.
>
> select the whole track by pressing Enter and than Shift+Option+Enter.
> Press Command+F and the Fades Dialog for Batch Fades will pop up.
> Just try the factory settings first bei clicking the ok button.
> If you are not satisfied, undo the task and get into the same dialog again.
> Now - before clicking ok - interact with the different settings.
>
> Batch Fades will add fade-ins at the beginning of an audio clip, fade-outs
> at end and cross fades on overlapping audio clips.
> The settings inside the dialog take effect regarding fade shapes, fading
> times etc.
>
> Than continue with your step 4.
>
> Best! / Martin
>> -Original Message-
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
>> On Behalf Of Slau Halatyn
>> Sent: Wednesday, September 20, 2017 3:24 PM
>> To: PTAccess List <ptaccess@googlegroups.com>
>> Subject: Re: Recording small narration, and splitting them into small
>> files after
>> editing.
>>
>> That's the basic idea, yes.
>> > On Sep 20, 2017, at 3:07 AM, Ramy Moustafa
>> <ramy.moustaf...@gmail.com> wrote:
>> >
>> > Hello SAlau:
>> >
>> > Thanks so much, so the sequence to do this task is as follows:
>> >
>> > 1- Recording the Hole project on 1 track.
>> > 2- insert 2 or 3 tracks that has some extra reverb and delay according
>> > to my needs.
>> > 3- using my down and up errows firstly to remove unwanted coughs,
>> breathing etc.
>> > 4- copying each file from my original track to my other tracks that
>> > contain the reverb an ddelay.
>> > 5- bounce,
>> > is it ok, or do I need something else?
>> >
>> >
>> >
>> > On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> >> Hi Ramy,
>> >> In this case, there's no such thing as more or less professional.
>> >> Either
>> >> approach is viable. It all depends on what is needed in the end and
>> >> which
>> >> approach you feel more comfortable with.
>> >>> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa
>> <ramy.moustaf...@gmail.com>
>> >>> wrote:
>> >>>
>> >>> Hi Slau:
>> >>>
>> >>> Thanks so  much for this, but what is more professional, to put the
>> >>> reverb and delay on the track itself, or to put each fx ina Bus and
>> >>> insert it on the track wanted?
>> >>>
>> >>>
>> >>>
>> >>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> >>>> OK, this is a perfect example of how your approach will vary based
>> upon
>> >>>> your
>> >>>> needs. You never mentioned that you'll be needing to export 100
>> >>>> files.
>> >>>> With
>> >>>> that in mind,it might be best to take the approach of keeping things
>> >>>> on
>> >>>> one
>> >>>> track and exporting as needed. Still, you can even accomplish this
>> >>>> with
>> >>>> multiple tracks as long as you have markers set to locations. In
>> >>>> other
>> >>>> words, you can offline bounce two tracks from marker 3 to marker 4
>> where
>> >>>> the
>> >>>> first part of the audio is dry and the second half includes reverb
>> >>>> or
>> >>>> delay.
>> >>>> If you set a range between markers 3 and 4 and bounce the track,
>> >>>> you'll
>> >>>> have
>> >>>> a single file with material from both tracks. Otherwise, as I
>> >>>> mentioned
>> >>>> earlier, you can do all of this on one track. Ultimately, the
>> >>>> process
>> >>>> will
>> >>>> essentially be the same, that is, selecting a range and bouncing.
>> >>>> HTH,
>> >>>> slau
>> >>>>
>> >>>>> On Sep 19, 2017, at 12:21 PM, Ramy M

RE: Recording small narration, and splitting them into small files after editing.

[Martin (Punky) Sopart]

Hi Ramy!

Maybe add another step (3.5) after cleaning up the track using your arrow keys.

select the whole track by pressing Enter and than Shift+Option+Enter.
Press Command+F and the Fades Dialog for Batch Fades will pop up.
Just try the factory settings first bei clicking the ok button.
If you are not satisfied, undo the task and get into the same dialog again.
Now - before clicking ok - interact with the different settings.

Batch Fades will add fade-ins at the beginning of an audio clip, fade-outs at 
end and cross fades on overlapping audio clips.
The settings inside the dialog take effect regarding fade shapes, fading times 
etc.

Than continue with your step 4.

Best! / Martin
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
> On Behalf Of Slau Halatyn
> Sent: Wednesday, September 20, 2017 3:24 PM
> To: PTAccess List <ptaccess@googlegroups.com>
> Subject: Re: Recording small narration, and splitting them into small files 
> after
> editing.
> 
> That's the basic idea, yes.
> > On Sep 20, 2017, at 3:07 AM, Ramy Moustafa
> <ramy.moustaf...@gmail.com> wrote:
> >
> > Hello SAlau:
> >
> > Thanks so much, so the sequence to do this task is as follows:
> >
> > 1- Recording the Hole project on 1 track.
> > 2- insert 2 or 3 tracks that has some extra reverb and delay according
> > to my needs.
> > 3- using my down and up errows firstly to remove unwanted coughs,
> breathing etc.
> > 4- copying each file from my original track to my other tracks that
> > contain the reverb an ddelay.
> > 5- bounce,
> > is it ok, or do I need something else?
> >
> >
> >
> > On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> >> Hi Ramy,
> >> In this case, there's no such thing as more or less professional. Either
> >> approach is viable. It all depends on what is needed in the end and which
> >> approach you feel more comfortable with.
> >>> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa
> <ramy.moustaf...@gmail.com>
> >>> wrote:
> >>>
> >>> Hi Slau:
> >>>
> >>> Thanks so  much for this, but what is more professional, to put the
> >>> reverb and delay on the track itself, or to put each fx ina Bus and
> >>> insert it on the track wanted?
> >>>
> >>>
> >>>
> >>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> >>>> OK, this is a perfect example of how your approach will vary based
> upon
> >>>> your
> >>>> needs. You never mentioned that you'll be needing to export 100 files.
> >>>> With
> >>>> that in mind,it might be best to take the approach of keeping things on
> >>>> one
> >>>> track and exporting as needed. Still, you can even accomplish this with
> >>>> multiple tracks as long as you have markers set to locations. In other
> >>>> words, you can offline bounce two tracks from marker 3 to marker 4
> where
> >>>> the
> >>>> first part of the audio is dry and the second half includes reverb or
> >>>> delay.
> >>>> If you set a range between markers 3 and 4 and bounce the track, you'll
> >>>> have
> >>>> a single file with material from both tracks. Otherwise, as I mentioned
> >>>> earlier, you can do all of this on one track. Ultimately, the process
> >>>> will
> >>>> essentially be the same, that is, selecting a range and bouncing.
> >>>> HTH,
> >>>> slau
> >>>>
> >>>>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa
> <ramy.moustaf...@gmail.com>
> >>>>> wrote:
> >>>>>
> >>>>> Hi Slau:
> >>>>> ok,  but, if I will put some waves on track 2, others on track 3, to
> >>>>> change the reverb or delay, how can I export all in seprat files? I
> >>>>> need to have like 100 file at the end, so, how will I export the 2
> >>>>> long waves into  small tracks?
> >>>>>
> >>>>>
> >>>>>
> >>>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> >>>>>> Hi Ramy,
> >>>>>>
> >>>>>> You cannot split files while recording. You can punch in and out while
> >>>>>> the
> >>>>>> transport is engaged but that will be quite problematic. You can set
> >>>>>> markers
> &g

Re: Recording small narration, and splitting them into small files after editing.

[Slau Halatyn]

That's the basic idea, yes.
> On Sep 20, 2017, at 3:07 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hello SAlau:
> 
> Thanks so much, so the sequence to do this task is as follows:
> 
> 1- Recording the Hole project on 1 track.
> 2- insert 2 or 3 tracks that has some extra reverb and delay according
> to my needs.
> 3- using my down and up errows firstly to remove unwanted coughs, breathing 
> etc.
> 4- copying each file from my original track to my other tracks that
> contain the reverb an ddelay.
> 5- bounce,
> is it ok, or do I need something else?
> 
> 
> 
> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> Hi Ramy,
>> In this case, there's no such thing as more or less professional. Either
>> approach is viable. It all depends on what is needed in the end and which
>> approach you feel more comfortable with.
>>> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>> 
>>> Hi Slau:
>>> 
>>> Thanks so  much for this, but what is more professional, to put the
>>> reverb and delay on the track itself, or to put each fx ina Bus and
>>> insert it on the track wanted?
>>> 
>>> 
>>> 
>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>> OK, this is a perfect example of how your approach will vary based upon
>>>> your
>>>> needs. You never mentioned that you'll be needing to export 100 files.
>>>> With
>>>> that in mind,it might be best to take the approach of keeping things on
>>>> one
>>>> track and exporting as needed. Still, you can even accomplish this with
>>>> multiple tracks as long as you have markers set to locations. In other
>>>> words, you can offline bounce two tracks from marker 3 to marker 4 where
>>>> the
>>>> first part of the audio is dry and the second half includes reverb or
>>>> delay.
>>>> If you set a range between markers 3 and 4 and bounce the track, you'll
>>>> have
>>>> a single file with material from both tracks. Otherwise, as I mentioned
>>>> earlier, you can do all of this on one track. Ultimately, the process
>>>> will
>>>> essentially be the same, that is, selecting a range and bouncing.
>>>> HTH,
>>>> slau
>>>> 
>>>>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>>>> wrote:
>>>>> 
>>>>> Hi Slau:
>>>>> ok,  but, if I will put some waves on track 2, others on track 3, to
>>>>> change the reverb or delay, how can I export all in seprat files? I
>>>>> need to have like 100 file at the end, so, how will I export the 2
>>>>> long waves into  small tracks?
>>>>> 
>>>>> 
>>>>> 
>>>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>>> Hi Ramy,
>>>>>> 
>>>>>> You cannot split files while recording. You can punch in and out while
>>>>>> the
>>>>>> transport is engaged but that will be quite problematic. You can set
>>>>>> markers
>>>>>> on the fly by simply pressing the Enter key on the num pad. If you're
>>>>>> going
>>>>>> to do that, you'll want to set the preference for auto-naming markers.
>>>>>> To add reverb or delay to certain parts of the recording on a single
>>>>>> track,
>>>>>> you can do this in several ways. Each way has its advantages and
>>>>>> disadvantages. You can send the track's output to a reverb track and a
>>>>>> delay
>>>>>> track and automate the send mutes. Given that you're still new to Pro
>>>>>> Tools,
>>>>>> I wouldn't recommend going the automation route yet. You can also use
>>>>>> Audio
>>>>>> suite to apply such effects to specific sections of the track. You'd
>>>>>> have
>>>>>> to
>>>>>> make the selection (including space at the end for a reverb or delay
>>>>>> tail,
>>>>>> set the plug-ins' wet/dry balance (which you can preview) and apply
>>>>>> the
>>>>>> effect. You can also create a second and third track and move the
>>>>>> desired
>>>>>> clips onto the other tracks and apply reverb to one and delay to t

Re: Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hello SAlau:

Thanks so much, so the sequence to do this task is as follows:

1- Recording the Hole project on 1 track.
2- insert 2 or 3 tracks that has some extra reverb and delay according
to my needs.
3- using my down and up errows firstly to remove unwanted coughs, breathing etc.
4- copying each file from my original track to my other tracks that
contain the reverb an ddelay.
5- bounce,
is it ok, or do I need something else?



On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> Hi Ramy,
> In this case, there's no such thing as more or less professional. Either
> approach is viable. It all depends on what is needed in the end and which
> approach you feel more comfortable with.
>> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hi Slau:
>>
>> Thanks so  much for this, but what is more professional, to put the
>> reverb and delay on the track itself, or to put each fx ina Bus and
>> insert it on the track wanted?
>>
>>
>>
>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>> OK, this is a perfect example of how your approach will vary based upon
>>> your
>>> needs. You never mentioned that you'll be needing to export 100 files.
>>> With
>>> that in mind,it might be best to take the approach of keeping things on
>>> one
>>> track and exporting as needed. Still, you can even accomplish this with
>>> multiple tracks as long as you have markers set to locations. In other
>>> words, you can offline bounce two tracks from marker 3 to marker 4 where
>>> the
>>> first part of the audio is dry and the second half includes reverb or
>>> delay.
>>> If you set a range between markers 3 and 4 and bounce the track, you'll
>>> have
>>> a single file with material from both tracks. Otherwise, as I mentioned
>>> earlier, you can do all of this on one track. Ultimately, the process
>>> will
>>> essentially be the same, that is, selecting a range and bouncing.
>>> HTH,
>>> slau
>>>
>>>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>>> wrote:
>>>>
>>>> Hi Slau:
>>>> ok,  but, if I will put some waves on track 2, others on track 3, to
>>>> change the reverb or delay, how can I export all in seprat files? I
>>>> need to have like 100 file at the end, so, how will I export the 2
>>>> long waves into  small tracks?
>>>>
>>>>
>>>>
>>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>> Hi Ramy,
>>>>>
>>>>> You cannot split files while recording. You can punch in and out while
>>>>> the
>>>>> transport is engaged but that will be quite problematic. You can set
>>>>> markers
>>>>> on the fly by simply pressing the Enter key on the num pad. If you're
>>>>> going
>>>>> to do that, you'll want to set the preference for auto-naming markers.
>>>>> To add reverb or delay to certain parts of the recording on a single
>>>>> track,
>>>>> you can do this in several ways. Each way has its advantages and
>>>>> disadvantages. You can send the track's output to a reverb track and a
>>>>> delay
>>>>> track and automate the send mutes. Given that you're still new to Pro
>>>>> Tools,
>>>>> I wouldn't recommend going the automation route yet. You can also use
>>>>> Audio
>>>>> suite to apply such effects to specific sections of the track. You'd
>>>>> have
>>>>> to
>>>>> make the selection (including space at the end for a reverb or delay
>>>>> tail,
>>>>> set the plug-ins' wet/dry balance (which you can preview) and apply
>>>>> the
>>>>> effect. You can also create a second and third track and move the
>>>>> desired
>>>>> clips onto the other tracks and apply reverb to one and delay to the
>>>>> other.
>>>>> Any clips on those tracks will have their respective effects while the
>>>>> original track will remain unaffected. Again, one can do this in
>>>>> several
>>>>> ways and, depending on what is needed, one can take several
>>>>> approaches.
>>>>> For
>>>>> example, if there will be future editing within the timeline,
>>>>> splitting
>>>>> the
>>

Re: Recording small narration, and splitting them into small files after editing.

[Slau Halatyn]

Hi Ramy,
In this case, there's no such thing as more or less professional. Either 
approach is viable. It all depends on what is needed in the end and which 
approach you feel more comfortable with.
> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hi Slau:
> 
> Thanks so  much for this, but what is more professional, to put the
> reverb and delay on the track itself, or to put each fx ina Bus and
> insert it on the track wanted?
> 
> 
> 
> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> OK, this is a perfect example of how your approach will vary based upon your
>> needs. You never mentioned that you'll be needing to export 100 files. With
>> that in mind,it might be best to take the approach of keeping things on one
>> track and exporting as needed. Still, you can even accomplish this with
>> multiple tracks as long as you have markers set to locations. In other
>> words, you can offline bounce two tracks from marker 3 to marker 4 where the
>> first part of the audio is dry and the second half includes reverb or delay.
>> If you set a range between markers 3 and 4 and bounce the track, you'll have
>> a single file with material from both tracks. Otherwise, as I mentioned
>> earlier, you can do all of this on one track. Ultimately, the process will
>> essentially be the same, that is, selecting a range and bouncing.
>> HTH,
>> slau
>> 
>>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>> 
>>> Hi Slau:
>>> ok,  but, if I will put some waves on track 2, others on track 3, to
>>> change the reverb or delay, how can I export all in seprat files? I
>>> need to have like 100 file at the end, so, how will I export the 2
>>> long waves into  small tracks?
>>> 
>>> 
>>> 
>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>> Hi Ramy,
>>>> 
>>>> You cannot split files while recording. You can punch in and out while
>>>> the
>>>> transport is engaged but that will be quite problematic. You can set
>>>> markers
>>>> on the fly by simply pressing the Enter key on the num pad. If you're
>>>> going
>>>> to do that, you'll want to set the preference for auto-naming markers.
>>>> To add reverb or delay to certain parts of the recording on a single
>>>> track,
>>>> you can do this in several ways. Each way has its advantages and
>>>> disadvantages. You can send the track's output to a reverb track and a
>>>> delay
>>>> track and automate the send mutes. Given that you're still new to Pro
>>>> Tools,
>>>> I wouldn't recommend going the automation route yet. You can also use
>>>> Audio
>>>> suite to apply such effects to specific sections of the track. You'd have
>>>> to
>>>> make the selection (including space at the end for a reverb or delay
>>>> tail,
>>>> set the plug-ins' wet/dry balance (which you can preview) and apply the
>>>> effect. You can also create a second and third track and move the
>>>> desired
>>>> clips onto the other tracks and apply reverb to one and delay to the
>>>> other.
>>>> Any clips on those tracks will have their respective effects while the
>>>> original track will remain unaffected. Again, one can do this in several
>>>> ways and, depending on what is needed, one can take several approaches.
>>>> For
>>>> example, if there will be future editing within the timeline, splitting
>>>> the
>>>> tracks adds a complication that requires grouping of tracks in order to
>>>> keep
>>>> things relatively lined up during the editing process. One needs to
>>>> consider
>>>> this when making the decision on how to proceed. Keeping everything on
>>>> one
>>>> track has its advantages as well but might require additional editing of
>>>> voice overlapping reverb and delay tails. Before doing anything, do
>>>> yourself
>>>> a favor and duplicate the playlist on the track so that you don't lose
>>>> your
>>>> original clips.
>>>> Slau
>>>> 
>>>>> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>>>> wrote:
>>>>> 
>>>>> Hi all:
>>>>> 
>>>>> as you asked me to do, I force myself to leave sonar, to use Pro 

Re: Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hi Slau:

Thanks so  much for this, but what is more professional, to put the
reverb and delay on the track itself, or to put each fx ina Bus and
insert it on the track wanted?



On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> OK, this is a perfect example of how your approach will vary based upon your
> needs. You never mentioned that you'll be needing to export 100 files. With
> that in mind,it might be best to take the approach of keeping things on one
> track and exporting as needed. Still, you can even accomplish this with
> multiple tracks as long as you have markers set to locations. In other
> words, you can offline bounce two tracks from marker 3 to marker 4 where the
> first part of the audio is dry and the second half includes reverb or delay.
> If you set a range between markers 3 and 4 and bounce the track, you'll have
> a single file with material from both tracks. Otherwise, as I mentioned
> earlier, you can do all of this on one track. Ultimately, the process will
> essentially be the same, that is, selecting a range and bouncing.
> HTH,
> slau
>
>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hi Slau:
>> ok,  but, if I will put some waves on track 2, others on track 3, to
>> change the reverb or delay, how can I export all in seprat files? I
>> need to have like 100 file at the end, so, how will I export the 2
>> long waves into  small tracks?
>>
>>
>>
>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>> Hi Ramy,
>>>
>>> You cannot split files while recording. You can punch in and out while
>>> the
>>> transport is engaged but that will be quite problematic. You can set
>>> markers
>>> on the fly by simply pressing the Enter key on the num pad. If you're
>>> going
>>> to do that, you'll want to set the preference for auto-naming markers.
>>> To add reverb or delay to certain parts of the recording on a single
>>> track,
>>> you can do this in several ways. Each way has its advantages and
>>> disadvantages. You can send the track's output to a reverb track and a
>>> delay
>>> track and automate the send mutes. Given that you're still new to Pro
>>> Tools,
>>> I wouldn't recommend going the automation route yet. You can also use
>>> Audio
>>> suite to apply such effects to specific sections of the track. You'd have
>>> to
>>> make the selection (including space at the end for a reverb or delay
>>> tail,
>>> set the plug-ins' wet/dry balance (which you can preview) and apply the
>>> effect. You can also create a second and third track and move the
>>> desired
>>> clips onto the other tracks and apply reverb to one and delay to the
>>> other.
>>> Any clips on those tracks will have their respective effects while the
>>> original track will remain unaffected. Again, one can do this in several
>>> ways and, depending on what is needed, one can take several approaches.
>>> For
>>> example, if there will be future editing within the timeline, splitting
>>> the
>>> tracks adds a complication that requires grouping of tracks in order to
>>> keep
>>> things relatively lined up during the editing process. One needs to
>>> consider
>>> this when making the decision on how to proceed. Keeping everything on
>>> one
>>> track has its advantages as well but might require additional editing of
>>> voice overlapping reverb and delay tails. Before doing anything, do
>>> yourself
>>> a favor and duplicate the playlist on the track so that you don't lose
>>> your
>>> original clips.
>>> Slau
>>>
>>>> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>>> wrote:
>>>>
>>>> Hi all:
>>>>
>>>> as you asked me to do, I force myself to leave sonar, to use Pro tools
>>>>
>>>> and, I can now learn by experience. studying, reading manual, etc.
>>>>
>>>> but, in these days, am recording some small narration for very small
>>>> stories, the narrator was recording about 2 hours, after he recorded,
>>>> don't know what to do, I use this tecnic to split the lon gwave into
>>>> small files:
>>>> I use the down and up errows, to edit and remove unwanted gledshes etc.
>>>> my only problem that I faced is that, the client needs some files to
>>>> be with reverb and others no, some with delay etc.
>

Re: Recording small narration, and splitting them into small files after editing.

[Slau Halatyn]

OK, this is a perfect example of how your approach will vary based upon your 
needs. You never mentioned that you'll be needing to export 100 files. With 
that in mind,it might be best to take the approach of keeping things on one 
track and exporting as needed. Still, you can even accomplish this with 
multiple tracks as long as you have markers set to locations. In other words, 
you can offline bounce two tracks from marker 3 to marker 4 where the first 
part of the audio is dry and the second half includes reverb or delay. If you 
set a range between markers 3 and 4 and bounce the track, you'll have a single 
file with material from both tracks. Otherwise, as I mentioned earlier, you can 
do all of this on one track. Ultimately, the process will essentially be the 
same, that is, selecting a range and bouncing.
HTH,
slau

> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hi Slau:
> ok,  but, if I will put some waves on track 2, others on track 3, to
> change the reverb or delay, how can I export all in seprat files? I
> need to have like 100 file at the end, so, how will I export the 2
> long waves into  small tracks?
> 
> 
> 
> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> Hi Ramy,
>> 
>> You cannot split files while recording. You can punch in and out while the
>> transport is engaged but that will be quite problematic. You can set markers
>> on the fly by simply pressing the Enter key on the num pad. If you're going
>> to do that, you'll want to set the preference for auto-naming markers.
>> To add reverb or delay to certain parts of the recording on a single track,
>> you can do this in several ways. Each way has its advantages and
>> disadvantages. You can send the track's output to a reverb track and a delay
>> track and automate the send mutes. Given that you're still new to Pro Tools,
>> I wouldn't recommend going the automation route yet. You can also use Audio
>> suite to apply such effects to specific sections of the track. You'd have to
>> make the selection (including space at the end for a reverb or delay tail,
>> set the plug-ins' wet/dry balance (which you can preview) and apply the
>> effect. You can also create a second and third track and move the desired
>> clips onto the other tracks and apply reverb to one and delay to the other.
>> Any clips on those tracks will have their respective effects while the
>> original track will remain unaffected. Again, one can do this in several
>> ways and, depending on what is needed, one can take several approaches. For
>> example, if there will be future editing within the timeline, splitting the
>> tracks adds a complication that requires grouping of tracks in order to keep
>> things relatively lined up during the editing process. One needs to consider
>> this when making the decision on how to proceed. Keeping everything on one
>> track has its advantages as well but might require additional editing of
>> voice overlapping reverb and delay tails. Before doing anything, do yourself
>> a favor and duplicate the playlist on the track so that you don't lose your
>> original clips.
>> Slau
>> 
>>> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>> 
>>> Hi all:
>>> 
>>> as you asked me to do, I force myself to leave sonar, to use Pro tools
>>> 
>>> and, I can now learn by experience. studying, reading manual, etc.
>>> 
>>> but, in these days, am recording some small narration for very small
>>> stories, the narrator was recording about 2 hours, after he recorded,
>>> don't know what to do, I use this tecnic to split the lon gwave into
>>> small files:
>>> I use the down and up errows, to edit and remove unwanted gledshes etc.
>>> my only problem that I faced is that, the client needs some files to
>>> be with reverb and others no, some with delay etc.
>>> so, what I did to finish my task, is that after editing, I took my
>>> long wave to sound forge, on windows, and I split the long file into
>>> small waves as requested.
>>> 
>>> so my questions are as follows:
>>> 1- is there a way to split the waves wile recording? I mean putting
>>> markers so,  when I finish I can split all waves between marks into
>>> seprat waves?
>>> 2- can I add  effects to some of these files, others not, before exporting
>>> them?
>>> 3- one of my friends  told me that I can use the num 3 on the Keypad
>>> to make pause  and continue recording, so, pro tools will add marks
>>> while recording, is it good tecni

Re: Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hi Slau:
ok,  but, if I will put some waves on track 2, others on track 3, to
change the reverb or delay, how can I export all in seprat files? I
need to have like 100 file at the end, so, how will I export the 2
long waves into  small tracks?



On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> Hi Ramy,
>
> You cannot split files while recording. You can punch in and out while the
> transport is engaged but that will be quite problematic. You can set markers
> on the fly by simply pressing the Enter key on the num pad. If you're going
> to do that, you'll want to set the preference for auto-naming markers.
> To add reverb or delay to certain parts of the recording on a single track,
> you can do this in several ways. Each way has its advantages and
> disadvantages. You can send the track's output to a reverb track and a delay
> track and automate the send mutes. Given that you're still new to Pro Tools,
> I wouldn't recommend going the automation route yet. You can also use Audio
> suite to apply such effects to specific sections of the track. You'd have to
> make the selection (including space at the end for a reverb or delay tail,
> set the plug-ins' wet/dry balance (which you can preview) and apply the
> effect. You can also create a second and third track and move the desired
> clips onto the other tracks and apply reverb to one and delay to the other.
> Any clips on those tracks will have their respective effects while the
> original track will remain unaffected. Again, one can do this in several
> ways and, depending on what is needed, one can take several approaches. For
> example, if there will be future editing within the timeline, splitting the
> tracks adds a complication that requires grouping of tracks in order to keep
> things relatively lined up during the editing process. One needs to consider
> this when making the decision on how to proceed. Keeping everything on one
> track has its advantages as well but might require additional editing of
> voice overlapping reverb and delay tails. Before doing anything, do yourself
> a favor and duplicate the playlist on the track so that you don't lose your
> original clips.
> Slau
>
>> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hi all:
>>
>> as you asked me to do, I force myself to leave sonar, to use Pro tools
>>
>> and, I can now learn by experience. studying, reading manual, etc.
>>
>> but, in these days, am recording some small narration for very small
>> stories, the narrator was recording about 2 hours, after he recorded,
>> don't know what to do, I use this tecnic to split the lon gwave into
>> small files:
>> I use the down and up errows, to edit and remove unwanted gledshes etc.
>> my only problem that I faced is that, the client needs some files to
>> be with reverb and others no, some with delay etc.
>> so, what I did to finish my task, is that after editing, I took my
>> long wave to sound forge, on windows, and I split the long file into
>> small waves as requested.
>>
>> so my questions are as follows:
>> 1- is there a way to split the waves wile recording? I mean putting
>> markers so,  when I finish I can split all waves between marks into
>> seprat waves?
>> 2- can I add  effects to some of these files, others not, before exporting
>> them?
>> 3- one of my friends  told me that I can use the num 3 on the Keypad
>> to make pause  and continue recording, so, pro tools will add marks
>> while recording, is it good tecnic, is it professional?
>>
>> Thanks
>>
>>
>> --
>> Ramy MoustafaSaber
>> Music instructor @:
>> Faculty ofmusical education
>> Music arranger and Sound engineer @:
>> Harmony Recording Studio
>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>
>> --
>> You received this message because you are subscribed to the Google Groups
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
>
> --
> You received this message because you are subscribed to the Google Groups
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an
> email to ptaccess+unsubscr...@googlegroups.com.
> For more options, visit https://groups.google.com/d/optout.
>


-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Recording small narration, and splitting them into small files after editing.

[Slau Halatyn]

Hi Ramy,

You cannot split files while recording. You can punch in and out while the 
transport is engaged but that will be quite problematic. You can set markers on 
the fly by simply pressing the Enter key on the num pad. If you're going to do 
that, you'll want to set the preference for auto-naming markers.
To add reverb or delay to certain parts of the recording on a single track, you 
can do this in several ways. Each way has its advantages and disadvantages. You 
can send the track's output to a reverb track and a delay track and automate 
the send mutes. Given that you're still new to Pro Tools, I wouldn't recommend 
going the automation route yet. You can also use Audio suite to apply such 
effects to specific sections of the track. You'd have to make the selection 
(including space at the end for a reverb or delay tail, set the plug-ins' 
wet/dry balance (which you can preview) and apply the effect. You can also 
create a second and third track and move the desired clips onto the other 
tracks and apply reverb to one and delay to the other. Any clips on those 
tracks will have their respective effects while the original track will remain 
unaffected. Again, one can do this in several ways and, depending on what is 
needed, one can take several approaches. For example, if there will be future 
editing within the timeline, splitting the tracks adds a complication that 
requires grouping of tracks in order to keep things relatively lined up during 
the editing process. One needs to consider this when making the decision on how 
to proceed. Keeping everything on one track has its advantages as well but 
might require additional editing of voice overlapping reverb and delay tails. 
Before doing anything, do yourself a favor and duplicate the playlist on the 
track so that you don't lose your original clips.
Slau

> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hi all:
> 
> as you asked me to do, I force myself to leave sonar, to use Pro tools
> 
> and, I can now learn by experience. studying, reading manual, etc.
> 
> but, in these days, am recording some small narration for very small
> stories, the narrator was recording about 2 hours, after he recorded,
> don't know what to do, I use this tecnic to split the lon gwave into
> small files:
> I use the down and up errows, to edit and remove unwanted gledshes etc.
> my only problem that I faced is that, the client needs some files to
> be with reverb and others no, some with delay etc.
> so, what I did to finish my task, is that after editing, I took my
> long wave to sound forge, on windows, and I split the long file into
> small waves as requested.
> 
> so my questions are as follows:
> 1- is there a way to split the waves wile recording? I mean putting
> markers so,  when I finish I can split all waves between marks into
> seprat waves?
> 2- can I add  effects to some of these files, others not, before exporting 
> them?
> 3- one of my friends  told me that I can use the num 3 on the Keypad
> to make pause  and continue recording, so, pro tools will add marks
> while recording, is it good tecnic, is it professional?
> 
> Thanks
> 
> 
> -- 
> Ramy MoustafaSaber
> Music instructor @:
> Faculty ofmusical education
> Music arranger and Sound engineer @:
> Harmony Recording Studio
> https://www.facebook.com/HarmonyRecordingStudio.eg
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
> For more options, visit https://groups.google.com/d/optout.

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hi all:

as you asked me to do, I force myself to leave sonar, to use Pro tools

and, I can now learn by experience. studying, reading manual, etc.

but, in these days, am recording some small narration for very small
stories, the narrator was recording about 2 hours, after he recorded,
don't know what to do, I use this tecnic to split the lon gwave into
small files:
I use the down and up errows, to edit and remove unwanted gledshes etc.
my only problem that I faced is that, the client needs some files to
be with reverb and others no, some with delay etc.
so, what I did to finish my task, is that after editing, I took my
long wave to sound forge, on windows, and I split the long file into
small waves as requested.

so my questions are as follows:
1- is there a way to split the waves wile recording? I mean putting
markers so,  when I finish I can split all waves between marks into
seprat waves?
2- can I add  effects to some of these files, others not, before exporting them?
3- one of my friends  told me that I can use the num 3 on the Keypad
to make pause  and continue recording, so, pro tools will add marks
while recording, is it good tecnic, is it professional?

Thanks


-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Thanks for ur kind reply, will update today to sierra.
Txagain

Ramy moustafa saber
licturer at:
faculty of musical education
music arranger and sound engineer
Sent from my iPhone

> On Mar 19, 2017, at 3:39 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
> 
> Hi Ramy,
> I mean that the benefits of moving to Sierra in general are more numerous 
> than any disadvantages. There's one issue with VoiceOver where focus isn't 
> retained after closing a new window. Normally, VoiceOver would return to the 
> previously focused item in the previously opened window. In Sierra, VoiceOver 
> moves focus to the first item in the window. It's a nuisance and Apple is 
> aware of it and things have improved to an extent but it's not behaving 
> exactly the way it should. Hopefully, they'll get it back to where it needs 
> to be.
> HTH,
> Slau
> 
>> On Mar 19, 2017, at 9:18 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
>> 
>> Thanks so much slau, and sorry for all my questions
>> 
>> but excuse my English.
>> I can' tunderstand, what do you mean by outway, when I ask you about
>> updating to sierra?
>> Do you mean that updating to sierra will cause problems or what?
>> 
>> 
>> 
>> On 3/17/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>> Hi Ramy,
>>> I've answered some of your questions below:
>>>> 1- I'm using pt 12.7.1, do you advice me to update to sierra or not?
>>> The benefits of moving to Sierra outweigh any other issues in my opinion.
>>> 
>>>> 2- What is the Difference between the slash and the star when typing
>>>> the time to go to?
>>> As I mentioned earlier, asterisk activates the main counter field. The slash
>>> key activates first the Start field, then the End field and then the Length
>>> field, depending upon how many times the slash key is pressed. I've typed
>>> out detailed instructions on this a couple of times on this list and I'd
>>> imagine somebody has saved a copy of that message so hopefully they can
>>> share that here.
>>>> 3- How can i move bar by bar?
>>>> There's no simple answer for that because it can be done in any number of
>>>> ways, depending on the desired effect. You can get to any bar by pressing
>>>> asterisk, typing the bar number and pressing Enter. You can set the nudge
>>>> value to one bar and use the plus key on the num pad to move forward one
>>>> bar at a time. You can set the preference for having the fast forward and
>>>> rewind buttons move by a bar at a time. There are multiple possibilities
>>>> which you can learn about in the Pro Tools reference Guide.
>>> 
>>>> 4- What is the difference between:
>>>> A- recording by Command space, and Using the Num3 in the Numeric Keypad?
>>> There's no difference.
>>>> 2- Plaing using the space bar or the 0 in the Keypad?
>>> There's no difference.
>>>> 
>>>> 5- The Shift S for solo is not working, although when i 9interact the
>>>> track, and press the solo button, it's working
>>> Shift+s will solo only the selected track whereas pressing the solo button
>>> within a track will solo it regardless of its selection state.
>>>> 
>>>> 6- From what i understood, shift Control semi-column select all the
>>>> tracks, but when i treid it, nothing happened, even the Control
>>>> Semi-column does not deselect all the tracks.
>>> Shift+Control+semicolon does not select all tracks. It extends the selection
>>> downward to the adjacent tracks below the selected track or to the right,
>>> depending upon how one thinks of tracks as being up and down or left to
>>> right like the Mix and Edit windows respectively. The Keyboard shortcuts pdf
>>> and the Shortcuts text file that I edited and put in the drop Box both
>>> detail the available shortcuts in Pro Tools and there's a chapter in the
>>> Reference Guide dedicated to shortcuts.
>>>> and, if not, how can I deselect all the tracks?
>>> You can interact with the tracks list and use the global command for
>>> toggling the state of an item and changing all similar items to the same
>>> state. In other words, Find a selected track and then use Option and click
>>> on the track. You'll need to use a physical mouse or track pad because
>>> VoiceOver doesn't support modified clicks.
>>>> 
>>>> 7- How can i set the moving value from bar/beat  to minute etc?
>>> Go to the View menu and navigate down to the Main Counter su

Re: Some Questions while Recording on Pro tools 12.7.1

[Slau Halatyn]

Hi Ramy,
I mean that the benefits of moving to Sierra in general are more numerous than 
any disadvantages. There's one issue with VoiceOver where focus isn't retained 
after closing a new window. Normally, VoiceOver would return to the previously 
focused item in the previously opened window. In Sierra, VoiceOver moves focus 
to the first item in the window. It's a nuisance and Apple is aware of it and 
things have improved to an extent but it's not behaving exactly the way it 
should. Hopefully, they'll get it back to where it needs to be.
HTH,
Slau

> On Mar 19, 2017, at 9:18 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Thanks so much slau, and sorry for all my questions
> 
> but excuse my English.
> I can' tunderstand, what do you mean by outway, when I ask you about
> updating to sierra?
> Do you mean that updating to sierra will cause problems or what?
> 
> 
> 
> On 3/17/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>> Hi Ramy,
>> I've answered some of your questions below:
>>> 1- I'm using pt 12.7.1, do you advice me to update to sierra or not?
>> The benefits of moving to Sierra outweigh any other issues in my opinion.
>> 
>>> 2- What is the Difference between the slash and the star when typing
>>> the time to go to?
>> As I mentioned earlier, asterisk activates the main counter field. The slash
>> key activates first the Start field, then the End field and then the Length
>> field, depending upon how many times the slash key is pressed. I've typed
>> out detailed instructions on this a couple of times on this list and I'd
>> imagine somebody has saved a copy of that message so hopefully they can
>> share that here.
>>> 3- How can i move bar by bar?
>>> There's no simple answer for that because it can be done in any number of
>>> ways, depending on the desired effect. You can get to any bar by pressing
>>> asterisk, typing the bar number and pressing Enter. You can set the nudge
>>> value to one bar and use the plus key on the num pad to move forward one
>>> bar at a time. You can set the preference for having the fast forward and
>>> rewind buttons move by a bar at a time. There are multiple possibilities
>>> which you can learn about in the Pro Tools reference Guide.
>> 
>>> 4- What is the difference between:
>>> A- recording by Command space, and Using the Num3 in the Numeric Keypad?
>> There's no difference.
>>> 2- Plaing using the space bar or the 0 in the Keypad?
>> There's no difference.
>>> 
>>> 5- The Shift S for solo is not working, although when i 9interact the
>>> track, and press the solo button, it's working
>> Shift+s will solo only the selected track whereas pressing the solo button
>> within a track will solo it regardless of its selection state.
>>> 
>>> 6- From what i understood, shift Control semi-column select all the
>>> tracks, but when i treid it, nothing happened, even the Control
>>> Semi-column does not deselect all the tracks.
>> Shift+Control+semicolon does not select all tracks. It extends the selection
>> downward to the adjacent tracks below the selected track or to the right,
>> depending upon how one thinks of tracks as being up and down or left to
>> right like the Mix and Edit windows respectively. The Keyboard shortcuts pdf
>> and the Shortcuts text file that I edited and put in the drop Box both
>> detail the available shortcuts in Pro Tools and there's a chapter in the
>> Reference Guide dedicated to shortcuts.
>>> and, if not, how can I deselect all the tracks?
>> You can interact with the tracks list and use the global command for
>> toggling the state of an item and changing all similar items to the same
>> state. In other words, Find a selected track and then use Option and click
>> on the track. You'll need to use a physical mouse or track pad because
>> VoiceOver doesn't support modified clicks.
>>> 
>>> 7- How can i set the moving value from bar/beat  to minute etc?
>> Go to the View menu and navigate down to the Main Counter sub menu and
>> select your time format there.
>>> 
>>> 8- In pro tools 12.5, when i hit Command s, before closing, it saves
>>> my session, and i press Command W then command q with no problems.
>>> but after updating to pt12.71! even if i press save, when i press
>>> Command Q to go out, it asks me if i need to save changes to my
>>> session, why is this?
>> Command+w will close the currently focused window. This is a change to the
>> state of the session being displayed. So, if you save, then close a window,
&g

Re: Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Thanks so much slau, and sorry for all my questions

but excuse my English.
I can' tunderstand, what do you mean by outway, when I ask you about
updating to sierra?
Do you mean that updating to sierra will cause problems or what?



On 3/17/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> Hi Ramy,
> I've answered some of your questions below:
>> 1- I'm using pt 12.7.1, do you advice me to update to sierra or not?
> The benefits of moving to Sierra outweigh any other issues in my opinion.
>
>> 2- What is the Difference between the slash and the star when typing
>> the time to go to?
> As I mentioned earlier, asterisk activates the main counter field. The slash
> key activates first the Start field, then the End field and then the Length
> field, depending upon how many times the slash key is pressed. I've typed
> out detailed instructions on this a couple of times on this list and I'd
> imagine somebody has saved a copy of that message so hopefully they can
> share that here.
>> 3- How can i move bar by bar?
>> There's no simple answer for that because it can be done in any number of
>> ways, depending on the desired effect. You can get to any bar by pressing
>> asterisk, typing the bar number and pressing Enter. You can set the nudge
>> value to one bar and use the plus key on the num pad to move forward one
>> bar at a time. You can set the preference for having the fast forward and
>> rewind buttons move by a bar at a time. There are multiple possibilities
>> which you can learn about in the Pro Tools reference Guide.
>
>> 4- What is the difference between:
>> A- recording by Command space, and Using the Num3 in the Numeric Keypad?
> There's no difference.
>> 2- Plaing using the space bar or the 0 in the Keypad?
> There's no difference.
>>
>> 5- The Shift S for solo is not working, although when i 9interact the
>> track, and press the solo button, it's working
> Shift+s will solo only the selected track whereas pressing the solo button
> within a track will solo it regardless of its selection state.
>>
>> 6- From what i understood, shift Control semi-column select all the
>> tracks, but when i treid it, nothing happened, even the Control
>> Semi-column does not deselect all the tracks.
> Shift+Control+semicolon does not select all tracks. It extends the selection
> downward to the adjacent tracks below the selected track or to the right,
> depending upon how one thinks of tracks as being up and down or left to
> right like the Mix and Edit windows respectively. The Keyboard shortcuts pdf
> and the Shortcuts text file that I edited and put in the drop Box both
> detail the available shortcuts in Pro Tools and there's a chapter in the
> Reference Guide dedicated to shortcuts.
>> and, if not, how can I deselect all the tracks?
> You can interact with the tracks list and use the global command for
> toggling the state of an item and changing all similar items to the same
> state. In other words, Find a selected track and then use Option and click
> on the track. You'll need to use a physical mouse or track pad because
> VoiceOver doesn't support modified clicks.
>>
>> 7- How can i set the moving value from bar/beat  to minute etc?
> Go to the View menu and navigate down to the Main Counter sub menu and
> select your time format there.
>>
>> 8- In pro tools 12.5, when i hit Command s, before closing, it saves
>> my session, and i press Command W then command q with no problems.
>> but after updating to pt12.71! even if i press save, when i press
>> Command Q to go out, it asks me if i need to save changes to my
>> session, why is this?
> Command+w will close the currently focused window. This is a change to the
> state of the session being displayed. So, if you save, then close a window,
> you've technically changed the session file so if you try to quit, Pro Tools
> will ask if you want to save the change you just made. The command to close
> a session is Command+Shift+w.
>>
>> 9- Is there a way to know what tracks that are armed or what tracks
>> that are selected? "am not using flo tools til now, I decided to study
>> pro tools 1st".
> Studying Pro Tools would really simply involve reading the manual so there's
> no shortcut. Unfortunately, a picture's worth a thousand words and, since
> blind users can't see that there are some record buttons armed and some that
> aren't, it means the process isn't straightforward. There are several issues
> at work here and I wouldn't be able to spend the time to explain them. For
> now, suffice it to say that you can arm selected tracks with shift+r. This
> is a gross simplification but it's pointless for me to explain it more 

Re: Some Questions while Recording on Pro tools 12.7.1

[Slau Halatyn]

> Hi Ramy,
I've answered some of your questions below:
> 1- I'm using pt 12.7.1, do you advice me to update to sierra or not?
The benefits of moving to Sierra outweigh any other issues in my opinion.

> 2- What is the Difference between the slash and the star when typing
> the time to go to?
As I mentioned earlier, asterisk activates the main counter field. The slash 
key activates first the Start field, then the End field and then the Length 
field, depending upon how many times the slash key is pressed. I've typed out 
detailed instructions on this a couple of times on this list and I'd imagine 
somebody has saved a copy of that message so hopefully they can share that here.
> 3- How can i move bar by bar?
> There's no simple answer for that because it can be done in any number of 
> ways, depending on the desired effect. You can get to any bar by pressing 
> asterisk, typing the bar number and pressing Enter. You can set the nudge 
> value to one bar and use the plus key on the num pad to move forward one bar 
> at a time. You can set the preference for having the fast forward and rewind 
> buttons move by a bar at a time. There are multiple possibilities which you 
> can learn about in the Pro Tools reference Guide.

> 4- What is the difference between:
> A- recording by Command space, and Using the Num3 in the Numeric Keypad?
There's no difference.
> 2- Plaing using the space bar or the 0 in the Keypad?
There's no difference.
> 
> 5- The Shift S for solo is not working, although when i 9interact the
> track, and press the solo button, it's working
Shift+s will solo only the selected track whereas pressing the solo button 
within a track will solo it regardless of its selection state.
> 
> 6- From what i understood, shift Control semi-column select all the
> tracks, but when i treid it, nothing happened, even the Control
> Semi-column does not deselect all the tracks.
Shift+Control+semicolon does not select all tracks. It extends the selection 
downward to the adjacent tracks below the selected track or to the right, 
depending upon how one thinks of tracks as being up and down or left to right 
like the Mix and Edit windows respectively. The Keyboard shortcuts pdf and the 
Shortcuts text file that I edited and put in the drop Box both detail the 
available shortcuts in Pro Tools and there's a chapter in the Reference Guide 
dedicated to shortcuts.
> and, if not, how can I deselect all the tracks?
You can interact with the tracks list and use the global command for toggling 
the state of an item and changing all similar items to the same state. In other 
words, Find a selected track and then use Option and click on the track. You'll 
need to use a physical mouse or track pad because VoiceOver doesn't support 
modified clicks.
> 
> 7- How can i set the moving value from bar/beat  to minute etc?
Go to the View menu and navigate down to the Main Counter sub menu and select 
your time format there.
> 
> 8- In pro tools 12.5, when i hit Command s, before closing, it saves
> my session, and i press Command W then command q with no problems.
> but after updating to pt12.71! even if i press save, when i press
> Command Q to go out, it asks me if i need to save changes to my
> session, why is this?
Command+w will close the currently focused window. This is a change to the 
state of the session being displayed. So, if you save, then close a window, 
you've technically changed the session file so if you try to quit, Pro Tools 
will ask if you want to save the change you just made. The command to close a 
session is Command+Shift+w.
> 
> 9- Is there a way to know what tracks that are armed or what tracks
> that are selected? "am not using flo tools til now, I decided to study
> pro tools 1st".
Studying Pro Tools would really simply involve reading the manual so there's no 
shortcut. Unfortunately, a picture's worth a thousand words and, since blind 
users can't see that there are some record buttons armed and some that aren't, 
it means the process isn't straightforward. There are several issues at work 
here and I wouldn't be able to spend the time to explain them. For now, suffice 
it to say that you can arm selected tracks with shift+r. This is a gross 
simplification but it's pointless for me to explain it more than that because 
you're at the very earliest stages of learning Pro Tools and haven't read 
through the documentation yet. So, for now, I'd recommend reading a lot and 
asking perhaps a question or two from time to time as you go along. It's easier 
for others to help you if you demonstrate the effort on your part and keep the 
questions to more manageable chunks.
> 
> Again thanks so much, and please,  I need your help


Your welcome and please help yourself as well.

Best,
Slau

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Too

Re: Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Hi Slau, John, Marten and all:
don't know what can I say to thank you for all your help.
And please,  try to ber  with me, these days.
Here are my questions for today:

1- I'm using pt 12.7.1, do you advice me to update to sierra or not?
2- What is the Difference between the slash and the star when typing
the time to go to?
3- How can i move bar by bar?

4- What is the difference between:
A- recording by Command space, and Using the Num3 in the Numeric Keypad?
2- Plaing using the space bar or the 0 in the Keypad?

5- The Shift S for solo is not working, although when i 9interact the
track, and press the solo button, it's working

6- From what i understood, shift Control semi-column select all the
tracks, but when i treid it, nothing happened, even the Control
Semi-column does not deselect all the tracks.
and, if not, how can I deselect all the tracks?

7- How can i set the moving value from bar/beat  to minute etc?

8- In pro tools 12.5, when i hit Command s, before closing, it saves
my session, and i press Command W then command q with no problems.
but after updating to pt12.71! even if i press save, when i press
Command Q to go out, it asks me if i need to save changes to my
session, why is this?

9- Is there a way to know what tracks that are armed or what tracks
that are selected? "am not using flo tools til now, I decided to study
pro tools 1st".

Again thanks so much, and please,  I need your help

Ramy Moustafa


On 3/16/17, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> Aha, I see, Thanks so much for this.
>
>
> On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> Pressing asterisk activates the Main Counter edit field. Pressing 4
>> enters
>> the number 4 in the first field which is either minutes or bars,
>> depending
>> on what time format the session is in. Pressing Enter simply enters the
>> value.
>>
>>> On Mar 16, 2017, at 1:17 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>>
>>> Hello Slau:
>>> sorry for asking, but what will the num 4 plus enter will do?
>>>
>>>
>>> On 3/16/17, Ramy Moustafa <ramy.moustaf...@gmail.com
>>> <mailto:ramy.moustaf...@gmail.com>> wrote:
>>>> Hello Marten:
>>>> I'm trying, and will let you know
>>>>
>>>>
>>>> On 3/16/17, Martin (Punky) Sopart <m...@cakewalker.de> wrote:
>>>>> Hi!
>>>>>
>>>>> NumpadStar also works in the Mix window.
>>>>> Only the NumpadSlash needs the Edit window.
>>>>> Maybe a Mix window view or toolbar thing.
>>>>>
>>>>> Best! / Martin
>>>>>> -Original Message-
>>>>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
>>>>>> On Behalf Of Slau Halatyn
>>>>>> Sent: Thursday, March 16, 2017 3:28 PM
>>>>>> To: PTAccess List <ptaccess@googlegroups.com>
>>>>>> Subject: Re: Some Questions while Recording on Pro tools 12.7.1
>>>>>>
>>>>>> Press the asterisk on the num pad (the top right button and, of
>>>>>> course,
>>>>>> on
>>>>>> an
>>>>>> extended keyboard, we're not talking about the top row of buttons but
>>>>>> the
>>>>>> second of 6 rows). Press 4 and hit Enter on the num pad. The main
>>>>>> counter
>>>>>> should now read either 4 minutes or bar 4, depending on what format
>>>>>> you're
>>>>>> in. If it's not working, you're either in a format other than
>>>>>> minutes/seconds
>>>>>> or bars/beats.
>>>>>>
>>>>>>> On Mar 16, 2017, at 10:07 AM, Ramy Moustafa
>>>>>> <ramy.moustaf...@gmail.com> wrote:
>>>>>>>
>>>>>>> Hello slau:
>>>>>>> Yes the Keypad keys are working, 0 or playback, . and any number to
>>>>>>> go
>>>>>>> to marker etc.
>>>>>>>
>>>>>>>
>>>>>>> On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>>>>> Hi Ramy,
>>>>>>>> 1. When Auto Input is enabled, you will hear the playback from the
>>>>>>>> track
>>>>>> and
>>>>>>>> anything that was recorded on that track but, if the track is
>>>>>>>> armed,
>>>>>>>> upon
>>>>>>>> commencing a recordin

Re: Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Aha, I see, Thanks so much for this.


On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> Pressing asterisk activates the Main Counter edit field. Pressing 4 enters
> the number 4 in the first field which is either minutes or bars, depending
> on what time format the session is in. Pressing Enter simply enters the
> value.
>
>> On Mar 16, 2017, at 1:17 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hello Slau:
>> sorry for asking, but what will the num 4 plus enter will do?
>>
>>
>> On 3/16/17, Ramy Moustafa <ramy.moustaf...@gmail.com
>> <mailto:ramy.moustaf...@gmail.com>> wrote:
>>> Hello Marten:
>>> I'm trying, and will let you know
>>>
>>>
>>> On 3/16/17, Martin (Punky) Sopart <m...@cakewalker.de> wrote:
>>>> Hi!
>>>>
>>>> NumpadStar also works in the Mix window.
>>>> Only the NumpadSlash needs the Edit window.
>>>> Maybe a Mix window view or toolbar thing.
>>>>
>>>> Best! / Martin
>>>>> -Original Message-
>>>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
>>>>> On Behalf Of Slau Halatyn
>>>>> Sent: Thursday, March 16, 2017 3:28 PM
>>>>> To: PTAccess List <ptaccess@googlegroups.com>
>>>>> Subject: Re: Some Questions while Recording on Pro tools 12.7.1
>>>>>
>>>>> Press the asterisk on the num pad (the top right button and, of
>>>>> course,
>>>>> on
>>>>> an
>>>>> extended keyboard, we're not talking about the top row of buttons but
>>>>> the
>>>>> second of 6 rows). Press 4 and hit Enter on the num pad. The main
>>>>> counter
>>>>> should now read either 4 minutes or bar 4, depending on what format
>>>>> you're
>>>>> in. If it's not working, you're either in a format other than
>>>>> minutes/seconds
>>>>> or bars/beats.
>>>>>
>>>>>> On Mar 16, 2017, at 10:07 AM, Ramy Moustafa
>>>>> <ramy.moustaf...@gmail.com> wrote:
>>>>>>
>>>>>> Hello slau:
>>>>>> Yes the Keypad keys are working, 0 or playback, . and any number to
>>>>>> go
>>>>>> to marker etc.
>>>>>>
>>>>>>
>>>>>> On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>>>> Hi Ramy,
>>>>>>> 1. When Auto Input is enabled, you will hear the playback from the
>>>>>>> track
>>>>> and
>>>>>>> anything that was recorded on that track but, if the track is armed,
>>>>>>> upon
>>>>>>> commencing a recording, you will hear the live input.
>>>>>>>
>>>>>>> 2. Try toggling the num lock key. Test the num pad to make sure
>>>>>>> other
>>>>>>> shortcuts work like 0 for playback, etc.
>>>>>>>
>>>>>>> 3. I don't know why you wouldn't hear the other tracks. Try playing
>>>>>>> back
>>>>> the
>>>>>>> Pro Tools demo session to see if you're getting audio from other
>>>>>>> tracks.
>>>>>>>
>>>>>>> HTH,
>>>>>>> Slau
>>>>>>>
>>>>>>>> On Mar 16, 2017, at 7:32 AM, Ramy Moustafa
>>>>> <ramy.moustaf...@gmail.com>
>>>>>>>> wrote:
>>>>>>>>
>>>>>>>> Hello Slau:
>>>>>>>> Thanks so  much for your quick reply.
>>>>>>>> Please, see my comments:
>>>>>>>>
>>>>>>>>> 1-  Why, when i  use the input monitor, i can not listen to my
>>>>>>>>> track
>>>>>>>>> after recording it??
>>>>>>>>> I must disable the input monitor to listen?
>>>>>>>> You can toggle the monitoring with Option+k. When a track is
>>>>>>>> record-enabled, you can either listen to its input or what's been
>>>>>>>> recorded but you can't listen to both at the same time, of course.
>>>>>>>> "aha very nice feature, sorry different from my old system that I
>>>>>>>> was
>>>>>>>> us

Re: Some Questions while Recording on Pro tools 12.7.1

[Slau Halatyn]

Pressing asterisk activates the Main Counter edit field. Pressing 4 enters the 
number 4 in the first field which is either minutes or bars, depending on what 
time format the session is in. Pressing Enter simply enters the value.

> On Mar 16, 2017, at 1:17 PM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hello Slau:
> sorry for asking, but what will the num 4 plus enter will do?
> 
> 
> On 3/16/17, Ramy Moustafa <ramy.moustaf...@gmail.com 
> <mailto:ramy.moustaf...@gmail.com>> wrote:
>> Hello Marten:
>> I'm trying, and will let you know
>> 
>> 
>> On 3/16/17, Martin (Punky) Sopart <m...@cakewalker.de> wrote:
>>> Hi!
>>> 
>>> NumpadStar also works in the Mix window.
>>> Only the NumpadSlash needs the Edit window.
>>> Maybe a Mix window view or toolbar thing.
>>> 
>>> Best! / Martin
>>>> -Original Message-
>>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
>>>> On Behalf Of Slau Halatyn
>>>> Sent: Thursday, March 16, 2017 3:28 PM
>>>> To: PTAccess List <ptaccess@googlegroups.com>
>>>> Subject: Re: Some Questions while Recording on Pro tools 12.7.1
>>>> 
>>>> Press the asterisk on the num pad (the top right button and, of course,
>>>> on
>>>> an
>>>> extended keyboard, we're not talking about the top row of buttons but
>>>> the
>>>> second of 6 rows). Press 4 and hit Enter on the num pad. The main
>>>> counter
>>>> should now read either 4 minutes or bar 4, depending on what format
>>>> you're
>>>> in. If it's not working, you're either in a format other than
>>>> minutes/seconds
>>>> or bars/beats.
>>>> 
>>>>> On Mar 16, 2017, at 10:07 AM, Ramy Moustafa
>>>> <ramy.moustaf...@gmail.com> wrote:
>>>>> 
>>>>> Hello slau:
>>>>> Yes the Keypad keys are working, 0 or playback, . and any number to go
>>>>> to marker etc.
>>>>> 
>>>>> 
>>>>> On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>>> Hi Ramy,
>>>>>> 1. When Auto Input is enabled, you will hear the playback from the
>>>>>> track
>>>> and
>>>>>> anything that was recorded on that track but, if the track is armed,
>>>>>> upon
>>>>>> commencing a recording, you will hear the live input.
>>>>>> 
>>>>>> 2. Try toggling the num lock key. Test the num pad to make sure other
>>>>>> shortcuts work like 0 for playback, etc.
>>>>>> 
>>>>>> 3. I don't know why you wouldn't hear the other tracks. Try playing
>>>>>> back
>>>> the
>>>>>> Pro Tools demo session to see if you're getting audio from other
>>>>>> tracks.
>>>>>> 
>>>>>> HTH,
>>>>>> Slau
>>>>>> 
>>>>>>> On Mar 16, 2017, at 7:32 AM, Ramy Moustafa
>>>> <ramy.moustaf...@gmail.com>
>>>>>>> wrote:
>>>>>>> 
>>>>>>> Hello Slau:
>>>>>>> Thanks so  much for your quick reply.
>>>>>>> Please, see my comments:
>>>>>>> 
>>>>>>>> 1-  Why, when i  use the input monitor, i can not listen to my
>>>>>>>> track
>>>>>>>> after recording it??
>>>>>>>> I must disable the input monitor to listen?
>>>>>>> You can toggle the monitoring with Option+k. When a track is
>>>>>>> record-enabled, you can either listen to its input or what's been
>>>>>>> recorded but you can't listen to both at the same time, of course.
>>>>>>> "aha very nice feature, sorry different from my old system that I
>>>>>>> was
>>>>>>> using, but, what setting shoud we use? the auto input monitor or the
>>>>>>> input only? I noticed that the Input only will enable me to listen
>>>>>>> to
>>>>>>> the track,m but what is the auto input?
>>>>>>> 
>>>>>>> 
>>>>>>>> 2-When i press the slash to type the start and end selection,,
>>>>>>>> nothing
>>>>>>>> happened? I tried using the 

Re: Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Hello Marten:
I'm trying, and will let you know


On 3/16/17, Martin (Punky) Sopart <m...@cakewalker.de> wrote:
> Hi!
>
> NumpadStar also works in the Mix window.
> Only the NumpadSlash needs the Edit window.
> Maybe a Mix window view or toolbar thing.
>
> Best! / Martin
>> -Original Message-
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
>> On Behalf Of Slau Halatyn
>> Sent: Thursday, March 16, 2017 3:28 PM
>> To: PTAccess List <ptaccess@googlegroups.com>
>> Subject: Re: Some Questions while Recording on Pro tools 12.7.1
>>
>> Press the asterisk on the num pad (the top right button and, of course, on
>> an
>> extended keyboard, we're not talking about the top row of buttons but the
>> second of 6 rows). Press 4 and hit Enter on the num pad. The main counter
>> should now read either 4 minutes or bar 4, depending on what format
>> you're
>> in. If it's not working, you're either in a format other than
>> minutes/seconds
>> or bars/beats.
>>
>> > On Mar 16, 2017, at 10:07 AM, Ramy Moustafa
>> <ramy.moustaf...@gmail.com> wrote:
>> >
>> > Hello slau:
>> > Yes the Keypad keys are working, 0 or playback, . and any number to go
>> > to marker etc.
>> >
>> >
>> > On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> >> Hi Ramy,
>> >> 1. When Auto Input is enabled, you will hear the playback from the
>> >> track
>> and
>> >> anything that was recorded on that track but, if the track is armed,
>> >> upon
>> >> commencing a recording, you will hear the live input.
>> >>
>> >> 2. Try toggling the num lock key. Test the num pad to make sure other
>> >> shortcuts work like 0 for playback, etc.
>> >>
>> >> 3. I don't know why you wouldn't hear the other tracks. Try playing
>> >> back
>> the
>> >> Pro Tools demo session to see if you're getting audio from other
>> >> tracks.
>> >>
>> >> HTH,
>> >> Slau
>> >>
>> >>> On Mar 16, 2017, at 7:32 AM, Ramy Moustafa
>> <ramy.moustaf...@gmail.com>
>> >>> wrote:
>> >>>
>> >>> Hello Slau:
>> >>> Thanks so  much for your quick reply.
>> >>> Please, see my comments:
>> >>>
>> >>>> 1-  Why, when i  use the input monitor, i can not listen to my track
>> >>>> after recording it??
>> >>>> I must disable the input monitor to listen?
>> >>> You can toggle the monitoring with Option+k. When a track is
>> >>> record-enabled, you can either listen to its input or what's been
>> >>> recorded but you can't listen to both at the same time, of course.
>> >>> "aha very nice feature, sorry different from my old system that I was
>> >>> using, but, what setting shoud we use? the auto input monitor or the
>> >>> input only? I noticed that the Input only will enable me to listen to
>> >>> the track,m but what is the auto input?
>> >>>
>> >>>
>> >>>> 2-When i press the slash to type the start and end selection,,
>> >>>> nothing
>> >>>> happened? I tried using the Keypad and the upper numeric row, but
>> >>>> nothing happened.
>> >>>> Make sure the Edit window is open. It doesn't necessarily have to be
>> the
>> >>>> front-most window but it does at least have to be open within the
>> session
>> >>>> in order for numeric
>> >>> keypad shortcuts to work.
>> >>> "the edit window is opened, but nothing happened".
>> >>>
>> >>>> 3- When i record a track, i can not here the other tracks? and of
>> >>>> cores they are not soloed or muted.
>> >>>>
>> >>> Make sure input monitoring is not enabled for those tracks.
>> >>> "they are not enabled, when I  touch my pinao, no sound, does it
>> >>> means
>> >>> that the input monitor is not enabled , or what?"
>> >>>
>> >>>> 4- in the mix window, The track table can not be found. while moving
>> >>>> with Voice over with errows, I can find them, but I need the track
>> >>>> table to select the tracks etc. so what am missing?
>> >>>> In the Mix window, press Control+Option+End to go to th

Re: Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Hello Slau:
sorry for asking, but what will the num 4 plus enter will do?


On 3/16/17, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> Hello Marten:
> I'm trying, and will let you know
>
>
> On 3/16/17, Martin (Punky) Sopart <m...@cakewalker.de> wrote:
>> Hi!
>>
>> NumpadStar also works in the Mix window.
>> Only the NumpadSlash needs the Edit window.
>> Maybe a Mix window view or toolbar thing.
>>
>> Best! / Martin
>>> -Original Message-
>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
>>> On Behalf Of Slau Halatyn
>>> Sent: Thursday, March 16, 2017 3:28 PM
>>> To: PTAccess List <ptaccess@googlegroups.com>
>>> Subject: Re: Some Questions while Recording on Pro tools 12.7.1
>>>
>>> Press the asterisk on the num pad (the top right button and, of course,
>>> on
>>> an
>>> extended keyboard, we're not talking about the top row of buttons but
>>> the
>>> second of 6 rows). Press 4 and hit Enter on the num pad. The main
>>> counter
>>> should now read either 4 minutes or bar 4, depending on what format
>>> you're
>>> in. If it's not working, you're either in a format other than
>>> minutes/seconds
>>> or bars/beats.
>>>
>>> > On Mar 16, 2017, at 10:07 AM, Ramy Moustafa
>>> <ramy.moustaf...@gmail.com> wrote:
>>> >
>>> > Hello slau:
>>> > Yes the Keypad keys are working, 0 or playback, . and any number to go
>>> > to marker etc.
>>> >
>>> >
>>> > On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>> >> Hi Ramy,
>>> >> 1. When Auto Input is enabled, you will hear the playback from the
>>> >> track
>>> and
>>> >> anything that was recorded on that track but, if the track is armed,
>>> >> upon
>>> >> commencing a recording, you will hear the live input.
>>> >>
>>> >> 2. Try toggling the num lock key. Test the num pad to make sure other
>>> >> shortcuts work like 0 for playback, etc.
>>> >>
>>> >> 3. I don't know why you wouldn't hear the other tracks. Try playing
>>> >> back
>>> the
>>> >> Pro Tools demo session to see if you're getting audio from other
>>> >> tracks.
>>> >>
>>> >> HTH,
>>> >> Slau
>>> >>
>>> >>> On Mar 16, 2017, at 7:32 AM, Ramy Moustafa
>>> <ramy.moustaf...@gmail.com>
>>> >>> wrote:
>>> >>>
>>> >>> Hello Slau:
>>> >>> Thanks so  much for your quick reply.
>>> >>> Please, see my comments:
>>> >>>
>>> >>>> 1-  Why, when i  use the input monitor, i can not listen to my
>>> >>>> track
>>> >>>> after recording it??
>>> >>>> I must disable the input monitor to listen?
>>> >>> You can toggle the monitoring with Option+k. When a track is
>>> >>> record-enabled, you can either listen to its input or what's been
>>> >>> recorded but you can't listen to both at the same time, of course.
>>> >>> "aha very nice feature, sorry different from my old system that I
>>> >>> was
>>> >>> using, but, what setting shoud we use? the auto input monitor or the
>>> >>> input only? I noticed that the Input only will enable me to listen
>>> >>> to
>>> >>> the track,m but what is the auto input?
>>> >>>
>>> >>>
>>> >>>> 2-When i press the slash to type the start and end selection,,
>>> >>>> nothing
>>> >>>> happened? I tried using the Keypad and the upper numeric row, but
>>> >>>> nothing happened.
>>> >>>> Make sure the Edit window is open. It doesn't necessarily have to
>>> >>>> be
>>> the
>>> >>>> front-most window but it does at least have to be open within the
>>> session
>>> >>>> in order for numeric
>>> >>> keypad shortcuts to work.
>>> >>> "the edit window is opened, but nothing happened".
>>> >>>
>>> >>>> 3- When i record a track, i can not here the other tracks? and of
>>> >>>> cores they are not soloed or muted.
>

RE: Some Questions while Recording on Pro tools 12.7.1

[Martin (Punky) Sopart]

Hi!

NumpadStar also works in the Mix window.
Only the NumpadSlash needs the Edit window.
Maybe a Mix window view or toolbar thing.

Best! / Martin
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
> On Behalf Of Slau Halatyn
> Sent: Thursday, March 16, 2017 3:28 PM
> To: PTAccess List <ptaccess@googlegroups.com>
> Subject: Re: Some Questions while Recording on Pro tools 12.7.1
> 
> Press the asterisk on the num pad (the top right button and, of course, on an
> extended keyboard, we're not talking about the top row of buttons but the
> second of 6 rows). Press 4 and hit Enter on the num pad. The main counter
> should now read either 4 minutes or bar 4, depending on what format you're
> in. If it's not working, you're either in a format other than minutes/seconds
> or bars/beats.
> 
> > On Mar 16, 2017, at 10:07 AM, Ramy Moustafa
> <ramy.moustaf...@gmail.com> wrote:
> >
> > Hello slau:
> > Yes the Keypad keys are working, 0 or playback, . and any number to go
> > to marker etc.
> >
> >
> > On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> >> Hi Ramy,
> >> 1. When Auto Input is enabled, you will hear the playback from the track
> and
> >> anything that was recorded on that track but, if the track is armed, upon
> >> commencing a recording, you will hear the live input.
> >>
> >> 2. Try toggling the num lock key. Test the num pad to make sure other
> >> shortcuts work like 0 for playback, etc.
> >>
> >> 3. I don't know why you wouldn't hear the other tracks. Try playing back
> the
> >> Pro Tools demo session to see if you're getting audio from other tracks.
> >>
> >> HTH,
> >> Slau
> >>
> >>> On Mar 16, 2017, at 7:32 AM, Ramy Moustafa
> <ramy.moustaf...@gmail.com>
> >>> wrote:
> >>>
> >>> Hello Slau:
> >>> Thanks so  much for your quick reply.
> >>> Please, see my comments:
> >>>
> >>>> 1-  Why, when i  use the input monitor, i can not listen to my track
> >>>> after recording it??
> >>>> I must disable the input monitor to listen?
> >>> You can toggle the monitoring with Option+k. When a track is
> >>> record-enabled, you can either listen to its input or what's been
> >>> recorded but you can't listen to both at the same time, of course.
> >>> "aha very nice feature, sorry different from my old system that I was
> >>> using, but, what setting shoud we use? the auto input monitor or the
> >>> input only? I noticed that the Input only will enable me to listen to
> >>> the track,m but what is the auto input?
> >>>
> >>>
> >>>> 2-When i press the slash to type the start and end selection,, nothing
> >>>> happened? I tried using the Keypad and the upper numeric row, but
> >>>> nothing happened.
> >>>> Make sure the Edit window is open. It doesn't necessarily have to be
> the
> >>>> front-most window but it does at least have to be open within the
> session
> >>>> in order for numeric
> >>> keypad shortcuts to work.
> >>> "the edit window is opened, but nothing happened".
> >>>
> >>>> 3- When i record a track, i can not here the other tracks? and of
> >>>> cores they are not soloed or muted.
> >>>>
> >>> Make sure input monitoring is not enabled for those tracks.
> >>> "they are not enabled, when I  touch my pinao, no sound, does it means
> >>> that the input monitor is not enabled , or what?"
> >>>
> >>>> 4- in the mix window, The track table can not be found. while moving
> >>>> with Voice over with errows, I can find them, but I need the track
> >>>> table to select the tracks etc. so what am missing?
> >>>> In the Mix window, press Control+Option+End to go to the last item in
> the
> >>>> window. If you're on a laptop, use FN+Control+Option+right arrow.
> Move
> >>>> backwards until you find the item called "Track List Show/Hide." Click on
> >>>> it.
> >>> "it's working, now THanks so much."
> >>>
> >>> HTH,
> >>>
> >>>
> >>> On 3/16/17, John Covici <cov...@ccs.covici.com> wrote:
> >>>> Hi.  Comments in line for some of your questions.
> >>>>
> >>>> On Wed, 15 Mar 2017 

RE: Some Questions while Recording on Pro tools 12.7.1

[Martin (Punky) Sopart]

Ramy!

Try the slash only in the edit whindow.
I have to do so.

Good luck.

Best! / Martin
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
> On Behalf Of Ramy Moustafa
> Sent: Thursday, March 16, 2017 3:08 PM
> To: ptaccess@googlegroups.com
> Subject: Re: Some Questions while Recording on Pro tools 12.7.1
> 
> Hello slau:
> Yes the Keypad keys are working, 0 or playback, . and any number to go
> to marker etc.
> 
> 
> On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> > Hi Ramy,
> > 1. When Auto Input is enabled, you will hear the playback from the track
> and
> > anything that was recorded on that track but, if the track is armed, upon
> > commencing a recording, you will hear the live input.
> >
> > 2. Try toggling the num lock key. Test the num pad to make sure other
> > shortcuts work like 0 for playback, etc.
> >
> > 3. I don't know why you wouldn't hear the other tracks. Try playing back
> the
> > Pro Tools demo session to see if you're getting audio from other tracks.
> >
> > HTH,
> > Slau
> >
> >> On Mar 16, 2017, at 7:32 AM, Ramy Moustafa
> <ramy.moustaf...@gmail.com>
> >> wrote:
> >>
> >> Hello Slau:
> >> Thanks so  much for your quick reply.
> >> Please, see my comments:
> >>
> >>> 1-  Why, when i  use the input monitor, i can not listen to my track
> >>> after recording it??
> >>> I must disable the input monitor to listen?
> >> You can toggle the monitoring with Option+k. When a track is
> >> record-enabled, you can either listen to its input or what's been
> >> recorded but you can't listen to both at the same time, of course.
> >> "aha very nice feature, sorry different from my old system that I was
> >> using, but, what setting shoud we use? the auto input monitor or the
> >> input only? I noticed that the Input only will enable me to listen to
> >> the track,m but what is the auto input?
> >>
> >>
> >>> 2-When i press the slash to type the start and end selection,, nothing
> >>> happened? I tried using the Keypad and the upper numeric row, but
> >>> nothing happened.
> >>> Make sure the Edit window is open. It doesn't necessarily have to be the
> >>> front-most window but it does at least have to be open within the
> session
> >>> in order for numeric
> >> keypad shortcuts to work.
> >> "the edit window is opened, but nothing happened".
> >>
> >>> 3- When i record a track, i can not here the other tracks? and of
> >>> cores they are not soloed or muted.
> >>>
> >> Make sure input monitoring is not enabled for those tracks.
> >> "they are not enabled, when I  touch my pinao, no sound, does it means
> >> that the input monitor is not enabled , or what?"
> >>
> >>> 4- in the mix window, The track table can not be found. while moving
> >>> with Voice over with errows, I can find them, but I need the track
> >>> table to select the tracks etc. so what am missing?
> >>> In the Mix window, press Control+Option+End to go to the last item in
> the
> >>> window. If you're on a laptop, use FN+Control+Option+right arrow.
> Move
> >>> backwards until you find the item called "Track List Show/Hide." Click on
> >>> it.
> >> "it's working, now THanks so much."
> >>
> >> HTH,
> >>
> >>
> >> On 3/16/17, John Covici <cov...@ccs.covici.com> wrote:
> >>> Hi.  Comments in line for some of your questions.
> >>>
> >>> On Wed, 15 Mar 2017 18:42:55 -0400,
> >>> Ramy Moustafa wrote:
> >>>>
> >>>> Hello all:
> >>>>
> >>>> If you don't mind, I need some Patience from you,  as in these days,
> >>>> am following the Protools with speech step by step.
> >>>> I have here Pro tools 12.7.1
> >>>> and,  I recorded yesterday, just 2 tracks.
> >>>> I have some issues I will try to summarise tehm here, and hope I can
> >>>> find a solution for them.
> >>>> my questions are as follows:
> >>>> 1-  Why, when i  use the input monitor, i can not listen to my track
> >>>> after recording it??
> >>> You have to disarm the record enable button by doing shift-r or in the
> >>> mix window go  into the track and disarm the record enable button.

Re: Some Questions while Recording on Pro tools 12.7.1

[Slau Halatyn]

Press the asterisk on the num pad (the top right button and, of course, on an 
extended keyboard, we're not talking about the top row of buttons but the 
second of 6 rows). Press 4 and hit Enter on the num pad. The main counter 
should now read either 4 minutes or bar 4, depending on what format you're in. 
If it's not working, you're either in a format other than minutes/seconds or 
bars/beats.

> On Mar 16, 2017, at 10:07 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hello slau:
> Yes the Keypad keys are working, 0 or playback, . and any number to go
> to marker etc.
> 
> 
> On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> Hi Ramy,
>> 1. When Auto Input is enabled, you will hear the playback from the track and
>> anything that was recorded on that track but, if the track is armed, upon
>> commencing a recording, you will hear the live input.
>> 
>> 2. Try toggling the num lock key. Test the num pad to make sure other
>> shortcuts work like 0 for playback, etc.
>> 
>> 3. I don't know why you wouldn't hear the other tracks. Try playing back the
>> Pro Tools demo session to see if you're getting audio from other tracks.
>> 
>> HTH,
>> Slau
>> 
>>> On Mar 16, 2017, at 7:32 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>> 
>>> Hello Slau:
>>> Thanks so  much for your quick reply.
>>> Please, see my comments:
>>> 
>>>> 1-  Why, when i  use the input monitor, i can not listen to my track
>>>> after recording it??
>>>> I must disable the input monitor to listen?
>>> You can toggle the monitoring with Option+k. When a track is
>>> record-enabled, you can either listen to its input or what's been
>>> recorded but you can't listen to both at the same time, of course.
>>> "aha very nice feature, sorry different from my old system that I was
>>> using, but, what setting shoud we use? the auto input monitor or the
>>> input only? I noticed that the Input only will enable me to listen to
>>> the track,m but what is the auto input?
>>> 
>>> 
>>>> 2-When i press the slash to type the start and end selection,, nothing
>>>> happened? I tried using the Keypad and the upper numeric row, but
>>>> nothing happened.
>>>> Make sure the Edit window is open. It doesn't necessarily have to be the
>>>> front-most window but it does at least have to be open within the session
>>>> in order for numeric
>>> keypad shortcuts to work.
>>> "the edit window is opened, but nothing happened".
>>> 
>>>> 3- When i record a track, i can not here the other tracks? and of
>>>> cores they are not soloed or muted.
>>>> 
>>> Make sure input monitoring is not enabled for those tracks.
>>> "they are not enabled, when I  touch my pinao, no sound, does it means
>>> that the input monitor is not enabled , or what?"
>>> 
>>>> 4- in the mix window, The track table can not be found. while moving
>>>> with Voice over with errows, I can find them, but I need the track
>>>> table to select the tracks etc. so what am missing?
>>>> In the Mix window, press Control+Option+End to go to the last item in the
>>>> window. If you're on a laptop, use FN+Control+Option+right arrow. Move
>>>> backwards until you find the item called "Track List Show/Hide." Click on
>>>> it.
>>> "it's working, now THanks so much."
>>> 
>>> HTH,
>>> 
>>> 
>>> On 3/16/17, John Covici <cov...@ccs.covici.com> wrote:
>>>> Hi.  Comments in line for some of your questions.
>>>> 
>>>> On Wed, 15 Mar 2017 18:42:55 -0400,
>>>> Ramy Moustafa wrote:
>>>>> 
>>>>> Hello all:
>>>>> 
>>>>> If you don't mind, I need some Patience from you,  as in these days,
>>>>> am following the Protools with speech step by step.
>>>>> I have here Pro tools 12.7.1
>>>>> and,  I recorded yesterday, just 2 tracks.
>>>>> I have some issues I will try to summarise tehm here, and hope I can
>>>>> find a solution for them.
>>>>> my questions are as follows:
>>>>> 1-  Why, when i  use the input monitor, i can not listen to my track
>>>>> after recording it??
>>>> You have to disarm the record enable button by doing shift-r or in the
>>>> mix window go  into the track and disarm the recor

Re: Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Hello slau:
Yes the Keypad keys are working, 0 or playback, . and any number to go
to marker etc.


On 3/16/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> Hi Ramy,
> 1. When Auto Input is enabled, you will hear the playback from the track and
> anything that was recorded on that track but, if the track is armed, upon
> commencing a recording, you will hear the live input.
>
> 2. Try toggling the num lock key. Test the num pad to make sure other
> shortcuts work like 0 for playback, etc.
>
> 3. I don't know why you wouldn't hear the other tracks. Try playing back the
> Pro Tools demo session to see if you're getting audio from other tracks.
>
> HTH,
> Slau
>
>> On Mar 16, 2017, at 7:32 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hello Slau:
>> Thanks so  much for your quick reply.
>> Please, see my comments:
>>
>>> 1-  Why, when i  use the input monitor, i can not listen to my track
>>> after recording it??
>>> I must disable the input monitor to listen?
>> You can toggle the monitoring with Option+k. When a track is
>> record-enabled, you can either listen to its input or what's been
>> recorded but you can't listen to both at the same time, of course.
>> "aha very nice feature, sorry different from my old system that I was
>> using, but, what setting shoud we use? the auto input monitor or the
>> input only? I noticed that the Input only will enable me to listen to
>> the track,m but what is the auto input?
>>
>>
>>> 2-When i press the slash to type the start and end selection,, nothing
>>> happened? I tried using the Keypad and the upper numeric row, but
>>> nothing happened.
>>> Make sure the Edit window is open. It doesn't necessarily have to be the
>>> front-most window but it does at least have to be open within the session
>>> in order for numeric
>> keypad shortcuts to work.
>> "the edit window is opened, but nothing happened".
>>
>>> 3- When i record a track, i can not here the other tracks? and of
>>> cores they are not soloed or muted.
>>>
>> Make sure input monitoring is not enabled for those tracks.
>> "they are not enabled, when I  touch my pinao, no sound, does it means
>> that the input monitor is not enabled , or what?"
>>
>>> 4- in the mix window, The track table can not be found. while moving
>>> with Voice over with errows, I can find them, but I need the track
>>> table to select the tracks etc. so what am missing?
>>> In the Mix window, press Control+Option+End to go to the last item in the
>>> window. If you're on a laptop, use FN+Control+Option+right arrow. Move
>>> backwards until you find the item called "Track List Show/Hide." Click on
>>> it.
>> "it's working, now THanks so much."
>>
>> HTH,
>>
>>
>> On 3/16/17, John Covici <cov...@ccs.covici.com> wrote:
>>> Hi.  Comments in line for some of your questions.
>>>
>>> On Wed, 15 Mar 2017 18:42:55 -0400,
>>> Ramy Moustafa wrote:
>>>>
>>>> Hello all:
>>>>
>>>> If you don't mind, I need some Patience from you,  as in these days,
>>>> am following the Protools with speech step by step.
>>>> I have here Pro tools 12.7.1
>>>> and,  I recorded yesterday, just 2 tracks.
>>>> I have some issues I will try to summarise tehm here, and hope I can
>>>> find a solution for them.
>>>> my questions are as follows:
>>>> 1-  Why, when i  use the input monitor, i can not listen to my track
>>>> after recording it??
>>> You have to disarm the record enable button by doing shift-r or in the
>>> mix window go  into the track and disarm the record enable button.
>>>
>>>> I must disable the input monitor to listen?
>>>> 2-When i press the slash to type the start and end selection,, nothing
>>>> happened? I tried using the Keypad and the upper numeric row, but
>>>> nothing happened.
>>>
>>> It happens, just no vo feedback.  To verify just use the hotspots.
>>>
>>>>
>>>> 3- When i record a track, i can not here the other tracks? and of
>>>> cores they are not soloed or muted.
>>>
>>> Not sure of this one, maybe turn input monitor off.
>>>
>>>>
>>>> 4- in the mix window, The track table can not be found. while moving
>>>> with Voice over with errows, I can find them, but I need the track
>>>&g

Re: Some Questions while Recording on Pro tools 12.7.1

[Slau Halatyn]

Hi Ramy,
1. When Auto Input is enabled, you will hear the playback from the track and 
anything that was recorded on that track but, if the track is armed, upon 
commencing a recording, you will hear the live input.

2. Try toggling the num lock key. Test the num pad to make sure other shortcuts 
work like 0 for playback, etc.

3. I don't know why you wouldn't hear the other tracks. Try playing back the 
Pro Tools demo session to see if you're getting audio from other tracks.

HTH,
Slau

> On Mar 16, 2017, at 7:32 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hello Slau:
> Thanks so  much for your quick reply.
> Please, see my comments:
> 
>> 1-  Why, when i  use the input monitor, i can not listen to my track
>> after recording it??
>> I must disable the input monitor to listen?
> You can toggle the monitoring with Option+k. When a track is
> record-enabled, you can either listen to its input or what's been
> recorded but you can't listen to both at the same time, of course.
> "aha very nice feature, sorry different from my old system that I was
> using, but, what setting shoud we use? the auto input monitor or the
> input only? I noticed that the Input only will enable me to listen to
> the track,m but what is the auto input?
> 
> 
>> 2-When i press the slash to type the start and end selection,, nothing
>> happened? I tried using the Keypad and the upper numeric row, but
>> nothing happened.
>> Make sure the Edit window is open. It doesn't necessarily have to be the 
>> front-most window but it does at least have to be open within the session in 
>> order for numeric
> keypad shortcuts to work.
> "the edit window is opened, but nothing happened".
> 
>> 3- When i record a track, i can not here the other tracks? and of
>> cores they are not soloed or muted.
>> 
> Make sure input monitoring is not enabled for those tracks.
> "they are not enabled, when I  touch my pinao, no sound, does it means
> that the input monitor is not enabled , or what?"
> 
>> 4- in the mix window, The track table can not be found. while moving
>> with Voice over with errows, I can find them, but I need the track
>> table to select the tracks etc. so what am missing?
>> In the Mix window, press Control+Option+End to go to the last item in the 
>> window. If you're on a laptop, use FN+Control+Option+right arrow. Move 
>> backwards until you find the item called "Track List Show/Hide." Click on it.
> "it's working, now THanks so much."
> 
> HTH,
> 
> 
> On 3/16/17, John Covici <cov...@ccs.covici.com> wrote:
>> Hi.  Comments in line for some of your questions.
>> 
>> On Wed, 15 Mar 2017 18:42:55 -0400,
>> Ramy Moustafa wrote:
>>> 
>>> Hello all:
>>> 
>>> If you don't mind, I need some Patience from you,  as in these days,
>>> am following the Protools with speech step by step.
>>> I have here Pro tools 12.7.1
>>> and,  I recorded yesterday, just 2 tracks.
>>> I have some issues I will try to summarise tehm here, and hope I can
>>> find a solution for them.
>>> my questions are as follows:
>>> 1-  Why, when i  use the input monitor, i can not listen to my track
>>> after recording it??
>> You have to disarm the record enable button by doing shift-r or in the
>> mix window go  into the track and disarm the record enable button.
>> 
>>> I must disable the input monitor to listen?
>>> 2-When i press the slash to type the start and end selection,, nothing
>>> happened? I tried using the Keypad and the upper numeric row, but
>>> nothing happened.
>> 
>> It happens, just no vo feedback.  To verify just use the hotspots.
>> 
>>> 
>>> 3- When i record a track, i can not here the other tracks? and of
>>> cores they are not soloed or muted.
>> 
>> Not sure of this one, maybe turn input monitor off.
>> 
>>> 
>>> 4- in the mix window, The track table can not be found. while moving
>>> with Voice over with errows, I can find them, but I need the track
>>> table to select the tracks etc. so what am missing?
>> Use the hotspot or this is in the edit window.
>> 
>>> 
>>> SOrry for all my questions and hope I can find an answers
>>> --
>>> Ramy MoustafaSaber
>>> Music instructor @:
>>> Faculty ofmusical education
>>> Music arranger and Sound engineer @:
>>> Harmony Recording Studio
>>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>> 
>>> --
>>> You received this message because you are 

Re: Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Hello John:

Thanks so much for helping,
I'm learning now the hotspot feature.
Thanks so much


On 3/16/17, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> Hello Slau:
> Thanks so  much for your quick reply.
> Please, see my comments:
>
>> 1-  Why, when i  use the input monitor, i can not listen to my track
>  > after recording it??
>  > I must disable the input monitor to listen?
> You can toggle the monitoring with Option+k. When a track is
> record-enabled, you can either listen to its input or what's been
> recorded but you can't listen to both at the same time, of course.
> "aha very nice feature, sorry different from my old system that I was
> using, but, what setting shoud we use? the auto input monitor or the
> input only? I noticed that the Input only will enable me to listen to
> the track,m but what is the auto input?
>
>
>  > 2-When i press the slash to type the start and end selection,, nothing
>  > happened? I tried using the Keypad and the upper numeric row, but
>  > nothing happened.
>> Make sure the Edit window is open. It doesn't necessarily have to be the
>> front-most window but it does at least have to be open within the session
>> in order for numeric
> keypad shortcuts to work.
> "the edit window is opened, but nothing happened".
>
>> 3- When i record a track, i can not here the other tracks? and of
>  > cores they are not soloed or muted.
>  >
> Make sure input monitoring is not enabled for those tracks.
> "they are not enabled, when I  touch my pinao, no sound, does it means
> that the input monitor is not enabled , or what?"
>
>> 4- in the mix window, The track table can not be found. while moving
>  > with Voice over with errows, I can find them, but I need the track
>  > table to select the tracks etc. so what am missing?
>> In the Mix window, press Control+Option+End to go to the last item in the
>> window. If you're on a laptop, use FN+Control+Option+right arrow. Move
>> backwards until you find the item called "Track List Show/Hide." Click on
>> it.
> "it's working, now THanks so much."
>
>  HTH,
>
>
> On 3/16/17, John Covici <cov...@ccs.covici.com> wrote:
>> Hi.  Comments in line for some of your questions.
>>
>> On Wed, 15 Mar 2017 18:42:55 -0400,
>> Ramy Moustafa wrote:
>>>
>>> Hello all:
>>>
>>> If you don't mind, I need some Patience from you,  as in these days,
>>> am following the Protools with speech step by step.
>>> I have here Pro tools 12.7.1
>>> and,  I recorded yesterday, just 2 tracks.
>>> I have some issues I will try to summarise tehm here, and hope I can
>>> find a solution for them.
>>> my questions are as follows:
>>> 1-  Why, when i  use the input monitor, i can not listen to my track
>>> after recording it??
>> You have to disarm the record enable button by doing shift-r or in the
>> mix window go  into the track and disarm the record enable button.
>>
>>> I must disable the input monitor to listen?
>>> 2-When i press the slash to type the start and end selection,, nothing
>>> happened? I tried using the Keypad and the upper numeric row, but
>>> nothing happened.
>>
>> It happens, just no vo feedback.  To verify just use the hotspots.
>>
>>>
>>> 3- When i record a track, i can not here the other tracks? and of
>>> cores they are not soloed or muted.
>>
>> Not sure of this one, maybe turn input monitor off.
>>
>>>
>>> 4- in the mix window, The track table can not be found. while moving
>>> with Voice over with errows, I can find them, but I need the track
>>> table to select the tracks etc. so what am missing?
>> Use the hotspot or this is in the edit window.
>>
>>>
>>> SOrry for all my questions and hope I can find an answers
>>> --
>>> Ramy MoustafaSaber
>>> Music instructor @:
>>> Faculty ofmusical education
>>> Music arranger and Sound engineer @:
>>> Harmony Recording Studio
>>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>>
>>> --
>>> You received this message because you are subscribed to the Google
>>> Groups
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send
>>> an
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>>
>> --
>> Your life is like a penny.  You're going to lose it.  The q

Re: Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Hello Slau:
Thanks so  much for your quick reply.
Please, see my comments:

> 1-  Why, when i  use the input monitor, i can not listen to my track
 > after recording it??
 > I must disable the input monitor to listen?
You can toggle the monitoring with Option+k. When a track is
record-enabled, you can either listen to its input or what's been
recorded but you can't listen to both at the same time, of course.
"aha very nice feature, sorry different from my old system that I was
using, but, what setting shoud we use? the auto input monitor or the
input only? I noticed that the Input only will enable me to listen to
the track,m but what is the auto input?


 > 2-When i press the slash to type the start and end selection,, nothing
 > happened? I tried using the Keypad and the upper numeric row, but
 > nothing happened.
> Make sure the Edit window is open. It doesn't necessarily have to be the 
> front-most window but it does at least have to be open within the session in 
> order for numeric
keypad shortcuts to work.
"the edit window is opened, but nothing happened".

> 3- When i record a track, i can not here the other tracks? and of
 > cores they are not soloed or muted.
 >
Make sure input monitoring is not enabled for those tracks.
"they are not enabled, when I  touch my pinao, no sound, does it means
that the input monitor is not enabled , or what?"

> 4- in the mix window, The track table can not be found. while moving
 > with Voice over with errows, I can find them, but I need the track
 > table to select the tracks etc. so what am missing?
> In the Mix window, press Control+Option+End to go to the last item in the 
> window. If you're on a laptop, use FN+Control+Option+right arrow. Move 
> backwards until you find the item called "Track List Show/Hide." Click on it.
"it's working, now THanks so much."

 HTH,


On 3/16/17, John Covici <cov...@ccs.covici.com> wrote:
> Hi.  Comments in line for some of your questions.
>
> On Wed, 15 Mar 2017 18:42:55 -0400,
> Ramy Moustafa wrote:
>>
>> Hello all:
>>
>> If you don't mind, I need some Patience from you,  as in these days,
>> am following the Protools with speech step by step.
>> I have here Pro tools 12.7.1
>> and,  I recorded yesterday, just 2 tracks.
>> I have some issues I will try to summarise tehm here, and hope I can
>> find a solution for them.
>> my questions are as follows:
>> 1-  Why, when i  use the input monitor, i can not listen to my track
>> after recording it??
> You have to disarm the record enable button by doing shift-r or in the
> mix window go  into the track and disarm the record enable button.
>
>> I must disable the input monitor to listen?
>> 2-When i press the slash to type the start and end selection,, nothing
>> happened? I tried using the Keypad and the upper numeric row, but
>> nothing happened.
>
> It happens, just no vo feedback.  To verify just use the hotspots.
>
>>
>> 3- When i record a track, i can not here the other tracks? and of
>> cores they are not soloed or muted.
>
> Not sure of this one, maybe turn input monitor off.
>
>>
>> 4- in the mix window, The track table can not be found. while moving
>> with Voice over with errows, I can find them, but I need the track
>> table to select the tracks etc. so what am missing?
> Use the hotspot or this is in the edit window.
>
>>
>> SOrry for all my questions and hope I can find an answers
>> --
>> Ramy MoustafaSaber
>> Music instructor @:
>> Faculty ofmusical education
>> Music arranger and Sound engineer @:
>> Harmony Recording Studio
>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>
>> --
>> You received this message because you are subscribed to the Google Groups
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
>
> --
> Your life is like a penny.  You're going to lose it.  The question is:
> How do
> you spend it?
>
>  John Covici
>  cov...@ccs.covici.com
>
> --
> You received this message because you are subscribed to the Google Groups
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an
> email to ptaccess+unsubscr...@googlegroups.com.
> For more options, visit https://groups.google.com/d/optout.
>


-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Some Questions while Recording on Pro tools 12.7.1

[John Covici]

Hi.  Comments in line for some of your questions.

On Wed, 15 Mar 2017 18:42:55 -0400,
Ramy Moustafa wrote:
> 
> Hello all:
> 
> If you don't mind, I need some Patience from you,  as in these days,
> am following the Protools with speech step by step.
> I have here Pro tools 12.7.1
> and,  I recorded yesterday, just 2 tracks.
> I have some issues I will try to summarise tehm here, and hope I can
> find a solution for them.
> my questions are as follows:
> 1-  Why, when i  use the input monitor, i can not listen to my track
> after recording it??
You have to disarm the record enable button by doing shift-r or in the
mix window go  into the track and disarm the record enable button.

> I must disable the input monitor to listen?
> 2-When i press the slash to type the start and end selection,, nothing
> happened? I tried using the Keypad and the upper numeric row, but
> nothing happened.

It happens, just no vo feedback.  To verify just use the hotspots.

> 
> 3- When i record a track, i can not here the other tracks? and of
> cores they are not soloed or muted.

Not sure of this one, maybe turn input monitor off.

> 
> 4- in the mix window, The track table can not be found. while moving
> with Voice over with errows, I can find them, but I need the track
> table to select the tracks etc. so what am missing?
Use the hotspot or this is in the edit window.

> 
> SOrry for all my questions and hope I can find an answers
> -- 
> Ramy MoustafaSaber
> Music instructor @:
> Faculty ofmusical education
> Music arranger and Sound engineer @:
> Harmony Recording Studio
> https://www.facebook.com/HarmonyRecordingStudio.eg
> 
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-- 
Your life is like a penny.  You're going to lose it.  The question is:
How do
you spend it?

 John Covici
 cov...@ccs.covici.com

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Some Questions while Recording on Pro tools 12.7.1

[Ramy Moustafa]

Hello all:

If you don't mind, I need some Patience from you,  as in these days,
am following the Protools with speech step by step.
I have here Pro tools 12.7.1
and,  I recorded yesterday, just 2 tracks.
I have some issues I will try to summarise tehm here, and hope I can
find a solution for them.
my questions are as follows:
1-  Why, when i  use the input monitor, i can not listen to my track
after recording it??
I must disable the input monitor to listen?
2-When i press the slash to type the start and end selection,, nothing
happened? I tried using the Keypad and the upper numeric row, but
nothing happened.

3- When i record a track, i can not here the other tracks? and of
cores they are not soloed or muted.

4- in the mix window, The track table can not be found. while moving
with Voice over with errows, I can find them, but I need the track
table to select the tracks etc. so what am missing?

SOrry for all my questions and hope I can find an answers
-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

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Re: the best blug ins for Recording Narration or Voice over artists

['Joy Bausch' via Pro Tools Accessibility]

Hey Ramy,
the gate-plugin in ProTools is quite good, I'd say. 
Good alternative, in my opinion, FabFilter Pro-G.
Compressors, well, there are too many, but Waves, FabFilter, and also Native 
Instruments are favourites on my list.
I personally have not messed enough with Izotopes' plugins, except for there FX 
stuff like Stutter Edit. But i only hear great things about them, both the 
Ozone suite and their restoration plugins.

hth

Joy


Von meinem iPhone gesendet

> Am 18.02.2017 um 22:18 schrieb Ramy Moustafa <ramy.moustaf...@gmail.com>:
> 
> Can't I get better results with Iso top or something? are they accessible?
> 
> 
>> On 2/18/17, Steve Martin <monkeypushe...@gmail.com> wrote:
>> Have you tried using the ones included with pro tools? Any particular issues
>> you are having with those?
>> 
>>> On Feb 18, 2017, at 12:06 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>> 
>>> Hello all my friends:
>>> 
>>> I'm recording many hours containing Narration and Vo Tallents, and my
>>> problem is editing, so, what are the best blug ins that you suggest
>>> for editing? like a good noise gate, good Compresser to fix any small
>>> volume problems, a good Mastering fx for Vo Projects?
>>> and of cores, they must be accessible on pro tools.
>>> 
>>> I need your suggestions please
>>> THanks
>>> 
>>> 
>>> --
>>> Ramy MoustafaSaber
>>> Music instructor @:
>>> Faculty ofmusical education
>>> Music arranger and Sound engineer @:
>>> Harmony Recording Studio
>>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>> 
>>> --
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>>> "Pro Tools Accessibility" group.
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>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>> 
>> --
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>> email to ptaccess+unsubscr...@googlegroups.com.
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>> 
> 
> 
> -- 
> Ramy MoustafaSaber
> Music instructor @:
> Faculty ofmusical education
> Music arranger and Sound engineer @:
> Harmony Recording Studio
> https://www.facebook.com/HarmonyRecordingStudio.eg
> 
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Re: the best blug ins for Recording Narration or Voice over artists

[Ramy Moustafa]

Can't I get better results with Iso top or something? are they accessible?


On 2/18/17, Steve Martin <monkeypushe...@gmail.com> wrote:
> Have you tried using the ones included with pro tools? Any particular issues
> you are having with those?
>
>> On Feb 18, 2017, at 12:06 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hello all my friends:
>>
>> I'm recording many hours containing Narration and Vo Tallents, and my
>> problem is editing, so, what are the best blug ins that you suggest
>> for editing? like a good noise gate, good Compresser to fix any small
>> volume problems, a good Mastering fx for Vo Projects?
>> and of cores, they must be accessible on pro tools.
>>
>> I need your suggestions please
>> THanks
>>
>>
>> --
>> Ramy MoustafaSaber
>> Music instructor @:
>> Faculty ofmusical education
>> Music arranger and Sound engineer @:
>> Harmony Recording Studio
>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>
>> --
>> You received this message because you are subscribed to the Google Groups
>> "Pro Tools Accessibility" group.
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>> email to ptaccess+unsubscr...@googlegroups.com.
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>
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>


-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

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Re: the best blug ins for Recording Narration or Voice over artists

[Steve Martin]

Have you tried using the ones included with pro tools? Any particular issues 
you are having with those?

> On Feb 18, 2017, at 12:06 PM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hello all my friends:
> 
> I'm recording many hours containing Narration and Vo Tallents, and my
> problem is editing, so, what are the best blug ins that you suggest
> for editing? like a good noise gate, good Compresser to fix any small
> volume problems, a good Mastering fx for Vo Projects?
> and of cores, they must be accessible on pro tools.
> 
> I need your suggestions please
> THanks
> 
> 
> -- 
> Ramy MoustafaSaber
> Music instructor @:
> Faculty ofmusical education
> Music arranger and Sound engineer @:
> Harmony Recording Studio
> https://www.facebook.com/HarmonyRecordingStudio.eg
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
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the best blug ins for Recording Narration or Voice over artists

[Ramy Moustafa]

Hello all my friends:

I'm recording many hours containing Narration and Vo Tallents, and my
problem is editing, so, what are the best blug ins that you suggest
for editing? like a good noise gate, good Compresser to fix any small
volume problems, a good Mastering fx for Vo Projects?
and of cores, they must be accessible on pro tools.

I need your suggestions please
THanks


-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

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Re: FS Recording gear

[TheOreoMonster]

Unless you have some eyes to assist you and hey are familiar with the process i 
wouldn’t bother trying to put a bigger drive in even though there should be one 
more drive slot in there. iMacs are not the easiest thing to take apart except 
for swapping out ram.  It does  have 2 thunderbolt ports in addition to  1 
firewire port and 4 USB 2 ports. So plenty of expansion options . Also an SD 
card slot in addition to a dvd  drive/burner.   Keep me posted. 

> On Dec 14, 2016, at 3:38 PM, Gordon Kent <dbmu...@cybernex.net> wrote:
> 
>   That mac is a good deal.  I'll need 
> to see if I can scare up the money.  Don't wait for me.  If somebody elseelse 
> is interested, you should let them have it.  But if I can swing it, I would 
> definitely be interested.  I would probably want to put in a bigger hd if it 
> isn't to much trouble to get inside and change it.
> 
> -Original Message- From: TheOreoMonster
> Sent: Tuesday, December 13, 2016 10:10 PM
> To: logic-accessibil...@googlegroups.com ; ptaccess@googlegroups.com
> Subject: FS Recording gear
> 
>> 
>> Hey all,
>> 
>> Downsizing as i need to be on a more mobile rig for the foreseeable future. 
>> Email for details or to make offers on any of the below stuff.
>> 
>> iMac 27” mid 2011
>> i7 3.4Ghz  quad core processor with hyper threading.
>> 256GB internal SSD drive
>> 32GB of Ram
>> asking $1200.
>> Also have a Focusrite Claret 8 pre x  thunderbolt interface. asking $700
>> 
>> 
>> Ship insured  and with tracking. Prices include shipping. Drop me a line 
>> with any questions.
> 
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Re: FS Recording gear

[Gordon Kent]

   That mac is a good deal.  I'll 
need to see if I can scare up the money.  Don't wait for me.  If somebody 
elseelse is interested, you should let them have it.  But if I can swing it, 
I would definitely be interested.  I would probably want to put in a bigger 
hd if it isn't to much trouble to get inside and change it.


-Original Message- 
From: TheOreoMonster

Sent: Tuesday, December 13, 2016 10:10 PM
To: logic-accessibil...@googlegroups.com ; ptaccess@googlegroups.com
Subject: FS Recording gear



Hey all,

Downsizing as i need to be on a more mobile rig for the foreseeable 
future. Email for details or to make offers on any of the below stuff.


iMac 27” mid 2011
i7 3.4Ghz  quad core processor with hyper threading.
256GB internal SSD drive
32GB of Ram
asking $1200.
Also have a Focusrite Claret 8 pre x  thunderbolt interface. asking $700


Ship insured  and with tracking. Prices include shipping. Drop me a line 
with any questions.


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FS Recording gear

[TheOreoMonster]

> 
> Hey all,
> 
> Downsizing as i need to be on a more mobile rig for the foreseeable future. 
> Email for details or to make offers on any of the below stuff. 
> 
> iMac 27” mid 2011
> i7 3.4Ghz  quad core processor with hyper threading.
> 256GB internal SSD drive
> 32GB of Ram
> asking $1200. 
> Also have a Focusrite Claret 8 pre x  thunderbolt interface. asking $700 
> 
> 
> Ship insured  and with tracking. Prices include shipping. Drop me a line with 
> any questions.

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Re: Recording problems

[Slau Halatyn]

Yes, good suggestions. It could be absolutely any number of things. Address the 
things that Rui mentioned and rule out the possibilities. Let us know how you 
get on.
Best,
Slau

> On Oct 9, 2016, at 2:40 PM, Rui Vilarinho <ruivilarinhomu...@gmail.com> wrote:
> 
> Hi Kurt, this is Rui. Just guessing here, but could be the folowing: when we 
> creat a new track, PT will define automatically  an next analog input, this 
> means that or you go to the track input list and swap to another input, or 
> change phisical cables to the one that PT selected.
> Of course, dont forget the basic stuff as selecting and arming the track 
> within PT to record. Sometimes we do forget, grin!!!
> Hope this makes sense, take care,
> Rui Vilarinho 
>  
>  
>> - Original Message - 
>> From: Kurt Lantz <mailto:blindm...@gmail.com>
>> To: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
>> Sent: Sunday, October 09, 2016 6:49 PM
>> Subject: Recording problems
>> 
>> HelloSlau and everyone on the list, I am new to the list, I think this is 
>> really awesome. I am having some type of recording problem. PT seems to be 
>> kind of temperamental to me. I am a new pro tools user. I have L Cappy Tan, 
>> latest version of ProTools. Not quite sure what's going on. I am able to 
>> record a track, sometimes. I am able to create a track, get levels, but not 
>> able to record on the second or third track. Does anyone have any input. I 
>> really appreciate this group. Thank you all very much, we are all learning 
>> together.
>> 
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> 
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Re: Recording problems

[Rui Vilarinho]

Hi Kurt, this is Rui. Just guessing here, but could be the folowing: when we 
creat a new track, PT will define automatically  an next analog input, this 
means that or you go to the track input list and swap to another input, or 
change phisical cables to the one that PT selected.
Of course, dont forget the basic stuff as selecting and arming the track within 
PT to record. Sometimes we do forget, grin!!!
Hope this makes sense, take care,
Rui Vilarinho 
 

  - Original Message - 
  From: Kurt Lantz 
  To: ptaccess@googlegroups.com 
  Sent: Sunday, October 09, 2016 6:49 PM
  Subject: Recording problems


  HelloSlau and everyone on the list, I am new to the list, I think this is 
really awesome. I am having some type of recording problem. PT seems to be kind 
of temperamental to me. I am a new pro tools user. I have L Cappy Tan, latest 
version of ProTools. Not quite sure what's going on. I am able to record a 
track, sometimes. I am able to create a track, get levels, but not able to 
record on the second or third track. Does anyone have any input. I really 
appreciate this group. Thank you all very much, we are all learning together.

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Recording problems

[Kurt Lantz]

HelloSlau and everyone on the list, I am new to the list, I think this is 
really awesome. I am having some type of recording problem. PT seems to be kind 
of temperamental to me. I am a new pro tools user. I have L Cappy Tan, latest 
version of ProTools. Not quite sure what's going on. I am able to record a 
track, sometimes. I am able to create a track, get levels, but not able to 
record on the second or third track. Does anyone have any input. I really 
appreciate this group. Thank you all very much, we are all learning together.

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Recording difficulties

[Kurt Lantz]

Having difficulty recording tracks. Able to record one track. Able to create, 
arm, and get levels on the next track. But when I go to hit command to record 
nothing happens on the second track  created three tracks the other day, was 
not able to record on the fourth but I created it. Does anyone else have any 
feedback or has this been anyone else's experiences? Thank you.

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Re: recording question

[Slau Halatyn]

Brian,

There's no reason why moving to a different section of the song should erase 
what you've recorded earlier. If you're recording to the first track and have 
verified that the recording was done, disarm the track record enable button, 
enable the next track, move to the section and start recording. That's exactly 
how it should work. I hate to say it but it's almost always pilot error in 
these cases. Sometimes people are not actually in record and they're simply 
monitoring input. Sometimes they hit Command-period rather than the Space Bar 
and inadvertently delete their recording. It could be any number of things. 
Whatever the case is, verify that you've recorded the first section before 
moving on and make sure you're not still monitoring the input of the first 
track. Also, make sure it's not muted. Again, it could be virtually anything. 
Let us know what you figure out.
Best,
Slau

On May 2, 2016, at 1:55 PM, Brian Howerton <bshowert...@gmail.com> wrote:

> Hello folks,
> So I am working on recording these vocal parts, and there are two tenor parts 
> and a baritone part.  They are all singing at different sections of the song, 
> but I am trying to record each part separately.  So right now I am working on 
> recording the first tenor part for this song, and I recorded the first part 
> where he sings, and then I tried fast forwarding to the next section to 
> record, but when I pressed record, it got rid of what I had previously 
> recorded.  What is the best way that I can record each of these parts in 
> section without getting rid of what is already recorded on each track?  I 
> don’t know that I necessarily want to punch each time using quick punch, I 
> just would like to fast forward to each section and record each section of 
> each part separately because I am reading the chart as I am recording it, and 
> I don’t want to record each part all in one pass.  Thanks,
> Brian
> 
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recording question

[Brian Howerton]

Hello folks,
So I am working on recording these vocal parts, and there are two tenor parts 
and a baritone part.  They are all singing at different sections of the song, 
but I am trying to record each part separately.  So right now I am working on 
recording the first tenor part for this song, and I recorded the first part 
where he sings, and then I tried fast forwarding to the next section to record, 
but when I pressed record, it got rid of what I had previously recorded.  What 
is the best way that I can record each of these parts in section without 
getting rid of what is already recorded on each track?  I don’t know that I 
necessarily want to punch each time using quick punch, I just would like to 
fast forward to each section and record each section of each part separately 
because I am reading the chart as I am recording it, and I don’t want to record 
each part all in one pass.  Thanks,
Brian

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SV: New to recording. What's my best setup for starting out?

[Niklas Karlsson]

Hello!

 

Nice to hear that you want to get into the world of recording! :)

 

Yes, the Mac is a great option, both considering processor power and 
accessibility.

 

If you want to use Pro Tools and maybe record from an external microphone or 
from a guitar, my tip is to get a simple external audio interface to get you 
started, since this will give you the best flexibility and audio quality.

My advice is to go with just a 2-channel interface.

I’ve personally used the Edirol UA-25 sound card for many years and it has 
worked really well!

 

Hope this helped!

 

Good luck!

 

All the best,

Niklas

 

Från: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] För 
TheOreoMonster
Skickat: den 31 mars 2016 14:33
Till: ptaccess@googlegroups.com
Ämne: Re: New to recording. What's my best setup for starting out?

 

That depends on your price point and whether you want a laptop or desktop. 
Anything in apples current line up minus maybe the macbook and macbook air 
should be plenty sufficient to get going and keep you going for along time to 
come.  Whatever system  you get get as much ram as you can afford.  Also go for 
an SSD if you can afford it but no need to get more than 128Gb or 256GB as you 
will want an external  drive to record to.  Advantage of a mac mini or iMac is 
you have the option to get both  drives internally. 

 

On Mar 31, 2016, at 7:39 AM, Cody Care <codyjc...@gmail.com 
<mailto:codyjc...@gmail.com> > wrote:

 

Hey all, so I've been wanting to get into recording for a long time. I 
currently have a Toshiba with windows 8.1. I want to get a mac, but before I 
did I wanted to just get some opinions on what the most efficient setup is for 
a blind person.

 

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Re: New to recording. What's my best setup for starting out?

[TheOreoMonster]

That depends on your price point and whether you want a laptop or desktop. 
Anything in apples current line up minus maybe the macbook and macbook air 
should be plenty sufficient to get going and keep you going for along time to 
come.  Whatever system  you get get as much ram as you can afford.  Also go for 
an SSD if you can afford it but no need to get more than 128Gb or 256GB as you 
will want an external  drive to record to.  Advantage of a mac mini or iMac is 
you have the option to get both  drives internally. 

> On Mar 31, 2016, at 7:39 AM, Cody Care <codyjc...@gmail.com> wrote:
> 
> Hey all, so I've been wanting to get into recording for a long time. I 
> currently have a Toshiba with windows 8.1. I want to get a mac, but before I 
> did I wanted to just get some opinions on what the most efficient setup is 
> for a blind person.
> 
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New to recording. What's my best setup for starting out?

[Cody Care]

Hey all, so I've been wanting to get into recording for a long time. I 
currently have a Toshiba with windows 8.1. I want to get a mac, but before 
I did I wanted to just get some opinions on what the most efficient setup 
is for a blind person.

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RE: guide for usb midi keyboard recording

[Poppa Bear]

If it is a USB keyboard then you typically do not need to create a midi track. 
You need to create an instrument track, make sure that that instrument track is 
armed for record  and then on the insert of that track you need to insert an 
instrument from the plug-in menu and you should be good to go. I would start by 
inserting the instrument plug-in named Expand, it has a good size library of 
sounds. HTH

-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of 
Pavel Vlcek
Sent: Tuesday, January 05, 2016 7:21 AM
To: Pro Tools Accessibility
Subject: guide for usb midi keyboard recording

Dear Pro tools users,
I downloaded and activated Pro tools 12.4. Now it is a time to try 
record my first little song with my usb midi keyboard. Is here some 
guide, how to record with usb midi keyboard? I created project, I 
created one midi and one instrument track, but when I play something 
with midi keyboard, I get no sound, so I am doing something wrong. Can 
you help, how to set up Pro tools for easy recording? I have Pro tools 
and usb midi keyboard, I don't have any iinterface, such as Q-con or 
other, so I can use usb midi keyboard and pc keyboard for manipulation 
with Pro tools.
Thank you,
Pavel

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guide for usb midi keyboard recording

[Pavel Vlček]

Dear Pro tools users,
I downloaded and activated Pro tools 12.4. Now it is a time to try 
record my first little song with my usb midi keyboard. Is here some 
guide, how to record with usb midi keyboard? I created project, I 
created one midi and one instrument track, but when I play something 
with midi keyboard, I get no sound, so I am doing something wrong. Can 
you help, how to set up Pro tools for easy recording? I have Pro tools 
and usb midi keyboard, I don't have any iinterface, such as Q-con or 
other, so I can use usb midi keyboard and pc keyboard for manipulation 
with Pro tools.

Thank you,
Pavel

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Re: guide for usb midi keyboard recording

[Pavel Vlček]

Yea, so I must to read something about Pro tools interface, cause I am 
lost. I can create instrument track, but that is all, so I go to read 
and read.

Thanks,
Pavel


Dne 05.01.2016 v 18:09 Poppa Bear napsal(a):

If it is a USB keyboard then you typically do not need to create a midi track. 
You need to create an instrument track, make sure that that instrument track is 
armed for record  and then on the insert of that track you need to insert an 
instrument from the plug-in menu and you should be good to go. I would start by 
inserting the instrument plug-in named Expand, it has a good size library of 
sounds. HTH

-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of 
Pavel Vlcek
Sent: Tuesday, January 05, 2016 7:21 AM
To: Pro Tools Accessibility
Subject: guide for usb midi keyboard recording

Dear Pro tools users,
I downloaded and activated Pro tools 12.4. Now it is a time to try
record my first little song with my usb midi keyboard. Is here some
guide, how to record with usb midi keyboard? I created project, I
created one midi and one instrument track, but when I play something
with midi keyboard, I get no sound, so I am doing something wrong. Can
you help, how to set up Pro tools for easy recording? I have Pro tools
and usb midi keyboard, I don't have any iinterface, such as Q-con or
other, so I can use usb midi keyboard and pc keyboard for manipulation
with Pro tools.
Thank you,
Pavel



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Re: Question about recording guitar

[Steve Martin]

Ope, still for electric systems only. Given how it works I don't see how it 
could be applied to an acoustic guitar. There are some acoustic emulations via 
the guitar modeling side of the system though. 

Sent from my iPhone

> On Jan 2, 2016, at 12:09 PM, Chris Smart <csma...@cogeco.ca> wrote:
> 
> do they have that system for acoustic guitars yet?
> 
> I don't believe Melodyne Editor is accessible. Melodyne Single Track is 
> accessible on the PC side, with some rather extensive hotspot clicker sets 
> and Jaws, but that only corrects monophonic material.
> 
> Best to just get the instrument properly set up.
> 
> At 05:02 PM 1/1/2016, you wrote:
>> unless Auto Tune can deal with polyphonic sources it probably won’t work. 
>> I believe Melodime does this but not sure on its accessibility. BTW this is 
>> the very thing that the AutoTune Guitar system tackles and one of the 
>> reasons i like using one for recording.
>> 
>>> On Jan 1, 2016, at 4:52 PM, Christopher-Mark Gilland 
>>> <<mailto:clgillan...@gmail.com>clgillan...@gmail.com> wrote:
>>> 
>>> I have a lead guitar part I need to record on a song I'm tracking.  We have 
>>> a little problem though.
>>> 
>>> For some reason, my 3rd G string and also on some occasions my 2nd B string 
>>> keeps going out of tune.  It's not a matter of retune it though.  If I do, 
>>> then certain chords, like E, or G sound fine, or A, even, but if I play a D 
>>> chord, then, e! Gross!  the G string, and the B string are totally 
>>> flat.  More so my G string.  No, these are not wound strings.
>>> 
>>> Anyway, my suspicion is that I probably have an intonation problem going on 
>>> here.  I plan to take the guitar into a shop and have 'em look at it, but 
>>> in the mingtime, my question is, if I was to pop auto-tune on that guitar 
>>> track, would that make it sound worse, or could I effectively use that and 
>>> maybe get the thing more in tune?  I mean, I know it theoretically would 
>>> work, but do you think it would sound unnatural, or is it hard to say?
>>> 
>>> Is there maybe a better way until I can get this thing looked at that I 
>>> maybe could tackle this?
>>> 
>>> Chris.
>>> 
>>> --
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>>> "Pro Tools Accessibility" group.
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Re: Question about recording guitar

[Chris Smart]

When tuning by ear using harmonics, beware. Only 
tune using unisons or octaves. Use harmonics at 
the 5th or 12th frets and compare to open strings 
or fretted notes. Don't use harmonics at the 7th 
fret, as they are slightly flat (almost 2 cents) 
of the perfect fifth intervals used in equal 
temperament tuning. Comparing 5th fret and 7th 
fret harmonics, a popular tuning method, causes 
out-of-tune-ness with the first pair of strings, 
and this is compounded as you move across the neck!


Use a reliable reference like an electronic 
keyboard, reference tones from an electronic 
tuner etc. and get the open strings in tune first.


There probably isn't such a thing as a perfectly 
in tune guitar, and chasing this dream may drive 
you crazy if you're a person with absolute pitch. 
Your tech can get things very close though, and 
hopefully explain what he's doing so you can 
perform basic guitar maintenance yourself in the 
future.  Also, consider that compensating for 
poor intonation causes you to push and pull the 
strings, engraining bad habbits that are difficult to break later.


My guitar teacher in college recommended the 
following tuning method. IMPORTANT: It assumes 
that your guitar is properly intonated from the 
start, so that fretted notes all across the 
fretboard are perfectly in tune, or as close as possible!


1. Tune your A string using an accurate reference 
pitch from a tuning fork, keyboard, electronic tuner, tone generator, etc.


2. Fret your 4th string at the 7th fret (A) and 
adjust the tuning of the 4th string until there 
are no beats with the open 5th string.


3. Fret your 3rd string at the 2nd fret (A) and 
adjust the tuning of the 3rd string until there 
are no beats with the open 5th string.


4. Fret your 2nd string at the 10th fret (A) and 
adjust the tuning of the 2nd string until there 
are no beats with the open 5th string.



5. Fret your 1st string at the 5th fret (A) and 
adjust the tuning of the 1st string until there 
are no beats with the open 5th string.


6. Tune your low E string to the high E string so that there are no beats.

You will notice that this method gets one string 
in tune with a reliable reference, and tunes the 
other strings to it, using only octaves. If some 
of those pairs are too hard to hear, you can 
always use the 5th or 12th fret A string 
harmonics, since these are still octave multiples.


Here's a great article explaining the basic tasks in setting up a guitar.
http://www.guitarnotes.com/notes/noteget.cgi?basic_guitar_setup

Chris

At 05:41 PM 1/1/2016, you wrote:
Hey Chris. it can make some difference, and it 
will probably help a bit, But as you have 
multiple notes going on, it’s not going to fix 
the problem really well. Have you tried playing 
around with the harmonics on the guitar itself. 
That may get you out of trouble until you can 
get it looked at properly. I think you said 
it’s an electric guitar is that right.
I’ve set the internasion on guitars before 
when in trouble, and i’ve got the job done.

Steve

On 2 Jan 2016, at 7:52 am, Christopher-Mark 
Gilland <clgillan...@gmail.com> wrote:


I have a lead guitar part I need to record on a 
song I'm tracking.  We have a little problem though.


For some reason, my 3rd G string and also on 
some occasions my 2nd B string keeps going out 
of tune.  It's not a matter of retune it 
though.  If I do, then certain chords, like E, 
or G sound fine, or A, even, but if I play a D 
chord, then, e! Gross!  the G string, and 
the B string are totally flat.  More so my G 
string.  No, these are not wound strings.


Anyway, my suspicion is that I probably have an 
intonation problem going on here.  I plan to 
take the guitar into a shop and have 'em look 
at it, but in the mingtime, my question is, if 
I was to pop auto-tune on that guitar track, 
would that make it sound worse, or could I 
effectively use that and maybe get the thing 
more in tune?  I mean, I know it theoretically 
would work, but do you think it would sound unnatural, or is it hard to say?


Is there maybe a better way until I can get 
this thing looked at that I maybe could tackle this?


Chris.

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Re: Question about recording guitar

[Ricky Prevatte]

What it is is you probably do not have enough string around your peg to hold it 
in tune. Try to rewind the string or put another string on your problem may be 
solved. I have that problem just a while back.

Ricky Prevatte LMBT1154

> On Jan 1, 2016, at 5:41 PM, Steve Sparrow  wrote:
> 
> Hey Chris. it can make some difference, and it will probably help a bit, But 
> as you have multiple notes going on, it’s not going to fix the problem really 
> well. Have you tried playing around with the harmonics on the guitar itself. 
> That may get you out of trouble until you can get it looked at properly. I 
> think you said it’s an electric guitar is that right.
> I’ve set the internasion on guitars before when in trouble, and i’ve got the 
> job done. 
> Steve
> 
>> On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland  
>> wrote:
>> 
>> I have a lead guitar part I need to record on a song I'm tracking.  We have 
>> a little problem though.
>>  
>> For some reason, my 3rd G string and also on some occasions my 2nd B string 
>> keeps going out of tune.  It's not a matter of retune it though.  If I do, 
>> then certain chords, like E, or G sound fine, or A, even, but if I play a D 
>> chord, then, e! Gross!  the G string, and the B string are totally flat. 
>>  More so my G string.  No, these are not wound strings.
>>  
>> Anyway, my suspicion is that I probably have an intonation problem going on 
>> here.  I plan to take the guitar into a shop and have 'em look at it, but in 
>> the mingtime, my question is, if I was to pop auto-tune on that guitar 
>> track, would that make it sound worse, or could I effectively use that and 
>> maybe get the thing more in tune?  I mean, I know it theoretically would 
>> work, but do you think it would sound unnatural, or is it hard to say?
>>  
>> Is there maybe a better way until I can get this thing looked at that I 
>> maybe could tackle this?
>>  
>> Chris.
>> 
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Re: Question about recording guitar

[Chris Smart]

do they have that system for acoustic guitars yet?

I don't believe Melodyne Editor is accessible. 
Melodyne Single Track is accessible on the PC 
side, with some rather extensive hotspot clicker 
sets and Jaws, but that only corrects monophonic material.


Best to just get the instrument properly set up.

At 05:02 PM 1/1/2016, you wrote:
unless Auto Tune can deal with polyphonic 
sources it probably won’t work. I believe 
Melodime does this but not sure on its 
accessibility. BTW this is the very thing that 
the AutoTune Guitar system tackles and one of 
the reasons i like using one for recording.


On Jan 1, 2016, at 4:52 PM, Christopher-Mark 
Gilland <<mailto:clgillan...@gmail.com>clgillan...@gmail.com> wrote:


I have a lead guitar part I need to record on a 
song I'm tracking.  We have a little problem though.


For some reason, my 3rd G string and also on 
some occasions my 2nd B string keeps going out 
of tune.  It's not a matter of retune it 
though.  If I do, then certain chords, like E, 
or G sound fine, or A, even, but if I play a D 
chord, then, e! Gross!  the G string, and 
the B string are totally flat.  More so my G 
string.  No, these are not wound strings.


Anyway, my suspicion is that I probably have an 
intonation problem going on here.  I plan to 
take the guitar into a shop and have 'em look 
at it, but in the mingtime, my question is, if 
I was to pop auto-tune on that guitar track, 
would that make it sound worse, or could I 
effectively use that and maybe get the thing 
more in tune?  I mean, I know it theoretically 
would work, but do you think it would sound unnatural, or is it hard to say?


Is there maybe a better way until I can get 
this thing looked at that I maybe could tackle this?


Chris.

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Re: Question about recording guitar

[Chris Smart]

I doubt the color matters, and those Gibson-style 
bridges are easy enough to adjust.  Each string 
has a screw for intonation adjustment and the 
bridge has a thumb screw at each end for action (string height) adjustment.


A lot of this is easy enough, once you get 
someone to show you the correct processes. yes, 
that includes adjusting the trus rod.  Feeler 
gauges may help if you want to keep track of your 
ideal string height, for example. The thumb 
screws can be turned by hand. A small Philips or 
slot screwdriver adjusts the individual saddle 
screws when setting intonation.  Your guitar may 
have come with the correct tool for adjusting the 
trus rod. Never adjust more than a quarter turn - 
an eighth of a turn would be better - and always 
give the guitar time to settle after each 
adjustment before re-evaluating the amount of neck curvature.


At 07:12 PM 1/1/2016, you wrote:
It's an Epiphone SG Series.  I dono if this 
matters, but it's the one they made that's dark solid red in color.


Chris.

- Original Message -
From: <mailto:i...@sparrowsound.com.au>Steve Sparrow
To: <mailto:ptaccess@googlegroups.com>ptaccess@googlegroups.com
Sent: Friday, January 01, 2016 6:41 PM
Subject: Re: Question about recording guitar

yeah, it’s a bit of tryale  and error. 
Generally i much prefer a guitar tech to do this 
work. But i have gotten myself out of 
trouble.  What sort of guitar do you have, if 
it’s a stratt or Tele, there are 6 little 
screws on the back of the bridge. These adjust 
the string length. So normally what i do is hit 
the string open, and then play the harmonic on 
the 12th fret, and compare the pitch of the two 
notes. I think a tuner would make it easy for a 
sighted person. If the harmonic is flat, then 
get a little screw driver and turn the screw 
clockwise, and the oppersit  way if it’s 
sharp. But you won’t need to turn it much, maybe an 8th  of a turn or less.


How ever having said that, if you have never 
been shown how to do this, may be best to get 
some sighted assistance first from someone who’d done this before.


There may be lots of reasons why the intonation 
is out, yes the harmonics will help, and are 
very much a part of the set up.  but it could be 
something to do with a nec adjustment swell. I 
don’t play around with that at all.

Steve
n 2 Jan 2016, at 9:22 am, Christopher-Mark 
Gilland <<mailto:clgillan...@gmail.com>clgillan...@gmail.com> wrote:


I'm not sure how I'd play with the harmonics 
though.  I'm a fairly beginner guitarest.  I 
mean, as you all've heard in some of my 
recordings I've sent the list, I can get by, but that's about it.


Chris.


- Original Message -
From: <mailto:i...@sparrowsound.com.au>Steve Sparrow
To: <mailto:ptaccess@googlegroups.com>ptaccess@googlegroups.com
Sent: Friday, January 01, 2016 5:41 PM
Subject: Re: Question about recording guitar

Hey Chris. it can make some difference, and it 
will probably help a bit, But as you have 
multiple notes going on, it’s not going to 
fix the problem really well. Have you tried 
playing around with the harmonics on the 
guitar itself. That may get you out of trouble 
until you can get it looked at properly. I 
think you said it’s an electric guitar is that right.
I’ve set the internasion on guitars before 
when in trouble, and i’ve got the job done.

Steve

On 2 Jan 2016, at 7:52 am, Christopher-Mark 
Gilland <<mailto:clgillan...@gmail.com>clgillan...@gmail.com> wrote:


I have a lead guitar part I need to record on 
a song I'm tracking.  We have a little problem though.


For some reason, my 3rd G string and also on 
some occasions my 2nd B string keeps going 
out of tune.  It's not a matter of retune it 
though.  If I do, then certain chords, like 
E, or G sound fine, or A, even, but if I play 
a D chord, then, e! Gross!  the G string, 
and the B string are totally flat.  More so 
my G string.  No, these are not wound strings.


Anyway, my suspicion is that I probably have 
an intonation problem going on here.  I plan 
to take the guitar into a shop and have 'em 
look at it, but in the mingtime, my question 
is, if I was to pop auto-tune on that guitar 
track, would that make it sound worse, or 
could I effectively use that and maybe get 
the thing more in tune?  I mean, I know it 
theoretically would work, but do you think it 
would sound unnatural, or is it hard to say?


Is there maybe a better way until I can get 
this thing looked at that I maybe could tackle this?


Chris.

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Re: Question about recording guitar

[Chris Smart]

ah ok. good to know. I guess a trip to the guitar store is in order.

At 07:22 PM 1/1/2016, you wrote:
Dunno, and with me having mild CP in both my hands, I'm not about to 
chance doing it myself, anyway.





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Re: Question about recording guitar

[Christopher-Mark Gilland]

Chris, I'd never heard of that method with the octaves, I'll have to give 
that a try.


Chris.

- Original Message - 
From: "Chris Smart" <csma...@cogeco.ca>

To: <ptaccess@googlegroups.com>
Sent: Saturday, January 02, 2016 12:50 PM
Subject: Re: Question about recording guitar


When tuning by ear using harmonics, beware. Only
tune using unisons or octaves. Use harmonics at
the 5th or 12th frets and compare to open strings
or fretted notes. Don't use harmonics at the 7th
fret, as they are slightly flat (almost 2 cents)
of the perfect fifth intervals used in equal
temperament tuning. Comparing 5th fret and 7th
fret harmonics, a popular tuning method, causes
out-of-tune-ness with the first pair of strings,
and this is compounded as you move across the neck!

Use a reliable reference like an electronic
keyboard, reference tones from an electronic
tuner etc. and get the open strings in tune first.

There probably isn't such a thing as a perfectly
in tune guitar, and chasing this dream may drive
you crazy if you're a person with absolute pitch.
Your tech can get things very close though, and
hopefully explain what he's doing so you can
perform basic guitar maintenance yourself in the
future.  Also, consider that compensating for
poor intonation causes you to push and pull the
strings, engraining bad habbits that are difficult to break later.

My guitar teacher in college recommended the
following tuning method. IMPORTANT: It assumes
that your guitar is properly intonated from the
start, so that fretted notes all across the
fretboard are perfectly in tune, or as close as possible!

1. Tune your A string using an accurate reference
pitch from a tuning fork, keyboard, electronic tuner, tone generator, etc.

2. Fret your 4th string at the 7th fret (A) and
adjust the tuning of the 4th string until there
are no beats with the open 5th string.

3. Fret your 3rd string at the 2nd fret (A) and
adjust the tuning of the 3rd string until there
are no beats with the open 5th string.

4. Fret your 2nd string at the 10th fret (A) and
adjust the tuning of the 2nd string until there
are no beats with the open 5th string.


5. Fret your 1st string at the 5th fret (A) and
adjust the tuning of the 1st string until there
are no beats with the open 5th string.

6. Tune your low E string to the high E string so that there are no beats.

You will notice that this method gets one string
in tune with a reliable reference, and tunes the
other strings to it, using only octaves. If some
of those pairs are too hard to hear, you can
always use the 5th or 12th fret A string
harmonics, since these are still octave multiples.

Here's a great article explaining the basic tasks in setting up a guitar.
http://www.guitarnotes.com/notes/noteget.cgi?basic_guitar_setup

Chris

At 05:41 PM 1/1/2016, you wrote:
Hey Chris. it can make some difference, and it will probably help a bit, 
But as you have multiple notes going on, it’s not going to fix the 
problem really well. Have you tried playing around with the harmonics on 
the guitar itself. That may get you out of trouble until you can get it 
looked at properly. I think you said it’s an electric guitar is that 
right.
I’ve set the internasion on guitars before when in trouble, and i’ve 
got the job done.

Steve

On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland 
<<mailto:clgillan...@gmail.com>clgillan...@gmail.com> wrote:


I have a lead guitar part I need to record on a song I'm tracking.  We 
have a little problem though.


For some reason, my 3rd G string and also on some occasions my 2nd B 
string keeps going out of tune.  It's not a matter of retune it though. 
If I do, then certain chords, like E, or G sound fine, or A, even, but if 
I play a D chord, then, e! Gross!  the G string, and the B string are 
totally flat.  More so my G string.  No, these are not wound strings.


Anyway, my suspicion is that I probably have an intonation problem going 
on here.  I plan to take the guitar into a shop and have 'em look at it, 
but in the mingtime, my question is, if I was to pop auto-tune on that 
guitar track, would that make it sound worse, or could I effectively use 
that and maybe get the thing more in tune?  I mean, I know it 
theoretically would work, but do you think it would sound unnatural, or is 
it hard to say?


Is there maybe a better way until I can get this thing looked at that I 
maybe could tackle this?


Chris.

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Re: Question about recording guitar

[Chris Smart]

it's just one of many ways to do it. I like that 
it compares everything else to one note, and that 
one note was tuned to an accurate reference. That 
plus using only octaves or unisons eliminates 
many possible errors when you're tuning solely by ear.


Even though I have perfect pitch, I still just 
get reference tones from a tuner here. It's much quicker. (grin)


At 10:08 PM 1/2/2016, you wrote:
Chris, I'd never heard of that method with the 
octaves, I'll have to give that a try.


Chris.

- Original Message - From: "Chris Smart" <csma...@cogeco.ca>
To: <ptaccess@googlegroups.com>
Sent: Saturday, January 02, 2016 12:50 PM
Subject: Re: Question about recording guitar


When tuning by ear using harmonics, beware. Only
tune using unisons or octaves. Use harmonics at
the 5th or 12th frets and compare to open strings
or fretted notes. Don't use harmonics at the 7th
fret, as they are slightly flat (almost 2 cents)
of the perfect fifth intervals used in equal
temperament tuning. Comparing 5th fret and 7th
fret harmonics, a popular tuning method, causes
out-of-tune-ness with the first pair of strings,
and this is compounded as you move across the neck!

Use a reliable reference like an electronic
keyboard, reference tones from an electronic
tuner etc. and get the open strings in tune first.

There probably isn't such a thing as a perfectly
in tune guitar, and chasing this dream may drive
you crazy if you're a person with absolute pitch.
Your tech can get things very close though, and
hopefully explain what he's doing so you can
perform basic guitar maintenance yourself in the
future.  Also, consider that compensating for
poor intonation causes you to push and pull the
strings, engraining bad habbits that are difficult to break later.

My guitar teacher in college recommended the
following tuning method. IMPORTANT: It assumes
that your guitar is properly intonated from the
start, so that fretted notes all across the
fretboard are perfectly in tune, or as close as possible!

1. Tune your A string using an accurate reference
pitch from a tuning fork, keyboard, electronic tuner, tone generator, etc.

2. Fret your 4th string at the 7th fret (A) and
adjust the tuning of the 4th string until there
are no beats with the open 5th string.

3. Fret your 3rd string at the 2nd fret (A) and
adjust the tuning of the 3rd string until there
are no beats with the open 5th string.

4. Fret your 2nd string at the 10th fret (A) and
adjust the tuning of the 2nd string until there
are no beats with the open 5th string.


5. Fret your 1st string at the 5th fret (A) and
adjust the tuning of the 1st string until there
are no beats with the open 5th string.

6. Tune your low E string to the high E string so that there are no beats.

You will notice that this method gets one string
in tune with a reliable reference, and tunes the
other strings to it, using only octaves. If some
of those pairs are too hard to hear, you can
always use the 5th or 12th fret A string
harmonics, since these are still octave multiples.

Here's a great article explaining the basic tasks in setting up a guitar.
http://www.guitarnotes.com/notes/noteget.cgi?basic_guitar_setup

Chris

At 05:41 PM 1/1/2016, you wrote:
Hey Chris. it can make some difference, and it 
will probably help a bit, But as you have 
multiple notes going on, it̢۪s not gt going 
to fix the problem really well. Have you tried 
playing around with the harmonics on the guitar 
itself. That may get you out of trouble until 
you can get it looked at properly. I think you 
said it̢۪s an electrctric guitar is that right.
I̢۪ve set the internasion on guitars before 
when in in trouble, and i̢۪ve



got the job done.
Steve

On 2 Jan 2016, at 7:52 am, Christopher-Mark 
Gilland <<mailto:clgillan...@gmail.com>clgillan...@gmail.com> wrote:


I have a lead guitar part I need to record on 
a song I'm tracking.  We have a little problem though.


For some reason, my 3rd G string and also on 
some occasions my 2nd B string keeps going out 
of tune.  It's not a matter of retune it 
though. If I do, then certain chords, like E, 
or G sound fine, or A, even, but if I play a D 
chord, then, e! Gross!  the G string, and 
the B string are totally flat.  More so my G 
string.  No, these are not wound strings.


Anyway, my suspicion is that I probably have 
an intonation problem going on here.  I plan 
to take the guitar into a shop and have 'em 
look at it, but in the mingtime, my question 
is, if I was to pop auto-tune on that guitar 
track, would that make it sound worse, or 
could I effectively use that and maybe get the 
thing more in tune?  I mean, I know it 
theoretically would work, but do you think it 
would sound unnatural, or is it hard to say?


Is there maybe a better way until I can get 
this thing looked at that I maybe could tackle this?


Chris.

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Re: Question about recording guitar

[Ricky Prevatte]

I would take him up on it even if it were a high cost. Because it would be 
taking a cab or finding a way to the music store. Then you might have to leave 
the instrument and go back again and get it. I thought I would mention that 
though because my Kusic kept slipping and I lost both the B and the G string. 
Rewound them I'm all was hunky-dory.

Ricky Prevatte LMBT1154

> On Jan 2, 2016, at 10:03 PM, Christopher-Mark Gilland <clgillan...@gmail.com> 
> wrote:
> 
> No Ricky, that's definitely not the issue.  I had my cousin-inlaw look at it 
> who is a very very very very very professional local guitarest.  Maybe you've 
> heard of him, being we're in the same city?  His name is Dan Hood.  He's a 
> worship church music leader.
>  
> Anyway, he definitely said it's an intonation issue.  He's offered to fix it 
> for me for a very low cost, so I'm probably  gonna take him up on it.
>  
> Chris.
>  
> - Original Message -
> From: Ricky Prevatte
> To: ptaccess@googlegroups.com
> Sent: Saturday, January 02, 2016 11:55 AM
> Subject: Re: Question about recording guitar
> 
> What it is is you probably do not have enough string around your peg to hold 
> it in tune. Try to rewind the string or put another string on your problem 
> may be solved. I have that problem just a while back.
> 
> Ricky Prevatte LMBT1154
> 
>> On Jan 1, 2016, at 5:41 PM, Steve Sparrow <i...@sparrowsound.com.au> wrote:
>> 
>> Hey Chris. it can make some difference, and it will probably help a bit, But 
>> as you have multiple notes going on, it’s not going to fix the problem 
>> really well. Have you tried playing around with the harmonics on the guitar 
>> itself. That may get you out of trouble until you can get it looked at 
>> properly. I think you said it’s an electric guitar is that right.
>> I’ve set the internasion on guitars before when in trouble, and i’ve got the 
>> job done. 
>> Steve
>> 
>>> On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland <clgillan...@gmail.com> 
>>> wrote:
>>> 
>>> I have a lead guitar part I need to record on a song I'm tracking.  We have 
>>> a little problem though.
>>>  
>>> For some reason, my 3rd G string and also on some occasions my 2nd B string 
>>> keeps going out of tune.  It's not a matter of retune it though.  If I do, 
>>> then certain chords, like E, or G sound fine, or A, even, but if I play a D 
>>> chord, then, e! Gross!  the G string, and the B string are totally 
>>> flat.  More so my G string.  No, these are not wound strings.
>>>  
>>> Anyway, my suspicion is that I probably have an intonation problem going on 
>>> here.  I plan to take the guitar into a shop and have 'em look at it, but 
>>> in the mingtime, my question is, if I was to pop auto-tune on that guitar 
>>> track, would that make it sound worse, or could I effectively use that and 
>>> maybe get the thing more in tune?  I mean, I know it theoretically would 
>>> work, but do you think it would sound unnatural, or is it hard to say?
>>>  
>>> Is there maybe a better way until I can get this thing looked at that I 
>>> maybe could tackle this?
>>>  
>>> Chris.
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>> 
>> -- 
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Re: Question about recording guitar

[Christopher-Mark Gilland]

No Ricky, that's definitely not the issue.  I had my cousin-inlaw look at it 
who is a very very very very very professional local guitarest.  Maybe you've 
heard of him, being we're in the same city?  His name is Dan Hood.  He's a 
worship church music leader.

Anyway, he definitely said it's an intonation issue.  He's offered to fix it 
for me for a very low cost, so I'm probably gonna take him up on it.

Chris.

  - Original Message - 
  From: Ricky Prevatte 
  To: ptaccess@googlegroups.com 
  Sent: Saturday, January 02, 2016 11:55 AM
  Subject: Re: Question about recording guitar


  What it is is you probably do not have enough string around your peg to hold 
it in tune. Try to rewind the string or put another string on your problem may 
be solved. I have that problem just a while back.

  Ricky Prevatte LMBT1154

  On Jan 1, 2016, at 5:41 PM, Steve Sparrow <i...@sparrowsound.com.au> wrote:


Hey Chris. it can make some difference, and it will probably help a bit, 
But as you have multiple notes going on, it’s not going to fix the problem 
really well. Have you tried playing around with the harmonics on the guitar 
itself. That may get you out of trouble until you can get it looked at 
properly. I think you said it’s an electric guitar is that right.
I’ve set the internasion on guitars before when in trouble, and i’ve got 
the job done. 
Steve


  On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland 
<clgillan...@gmail.com> wrote:


  I have a lead guitar part I need to record on a song I'm tracking.  We 
have a little problem though.

  For some reason, my 3rd G string and also on some occasions my 2nd B 
string keeps going out of tune.  It's not a matter of retune it though.  If I 
do, then certain chords, like E, or G sound fine, or A, even, but if I play a D 
chord, then, e! Gross!  the G string, and the B string are totally flat.  
More so my G string.  No, these are not wound strings.

  Anyway, my suspicion is that I probably have an intonation problem going 
on here.  I plan to take the guitar into a shop and have 'em look at it, but in 
the mingtime, my question is, if I was to pop auto-tune on that guitar track, 
would that make it sound worse, or could I effectively use that and maybe get 
the thing more in tune?  I mean, I know it theoretically would work, but do you 
think it would sound unnatural, or is it hard to say?

  Is there maybe a better way until I can get this thing looked at that I 
maybe could tackle this?

  Chris.


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Re: Question about recording guitar

[Christopher-Mark Gilland]

Dunno, and with me having mild CP in both my hands, I'm not about to chance 
doing it myself, anyway.

Chris.

  - Original Message - 
  From: Steve Sparrow 
  To: ptaccess@googlegroups.com 
  Sent: Friday, January 01, 2016 7:19 PM
  Subject: Re: Question about recording guitar


  Hmm. not sure.about exactly what one looks like. I’ve never played around 
with one of them. But i’d imagine the screws would be there on the back of the 
bridge. 
  Steve


On 2 Jan 2016, at 10:12 am, Christopher-Mark Gilland 
<clgillan...@gmail.com> wrote:


It's an Epiphone SG Series.  I dono if this matters, but it's the one they 
made that's dark solid red in color.

Chris.

  - Original Message - 
  From: Steve Sparrow
  To: ptaccess@googlegroups.com
  Sent: Friday, January 01, 2016 6:41 PM
  Subject: Re: Question about recording guitar


  yeah, it’s a bit of tryale  and error. Generally i much prefer a guitar 
tech to do this work. But i have gotten myself out of trouble.  What sort of 
guitar do you have, if it’s a stratt or Tele, there are 6 little screws on the 
back of the bridge. These adjust the string length. So normally what i do is 
hit the string open, and then play the harmonic on the 12th fret, and compare 
the pitch of the two notes. I think a tuner would make it easy for a sighted 
person. If the harmonic is flat, then get a little screw driver and turn the 
screw clockwise, and the oppersit  way if it’s sharp. But you won’t need to 
turn it much, maybe an 8th  of a turn or less. 


  How ever having said that, if you have never been shown how to do this, 
may be best to get some sighted assistance first from someone who’d done this 
before.


  There may be lots of reasons why the intonation is out, yes the harmonics 
will help, and are very much a part of the set up.  but it could be something 
to do with a nec adjustment swell. I don’t play around with that at all.
  Steve
  n 2 Jan 2016, at 9:22 am, Christopher-Mark Gilland 
<clgillan...@gmail.com> wrote:


I'm not sure how I'd play with the harmonics though.  I'm a fairly 
beginner guitarest.  I mean, as you all've heard in some of my recordings I've 
sent the list, I can get by, but that's about it.

Chris.

  - Original Message - 
  From: Steve Sparrow
  To: ptaccess@googlegroups.com
  Sent: Friday, January 01, 2016 5:41 PM
  Subject: Re: Question about recording guitar


  Hey Chris. it can make some difference, and it will probably help a 
bit, But as you have multiple notes going on, it’s not going to fix the problem 
really well. Have you tried playing around with the harmonics on the guitar 
itself. That may get you out of trouble until you can get it looked at 
properly. I think you said it’s an electric guitar is that right.
  I’ve set the internasion on guitars before when in trouble, and i’ve 
got the job done. 
  Steve


On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland 
<clgillan...@gmail.com> wrote:


I have a lead guitar part I need to record on a song I'm tracking.  
We have a little problem though.

For some reason, my 3rd G string and also on some occasions my 2nd 
B string keeps going out of tune.  It's not a matter of retune it though.  If I 
do, then certain chords, like E, or G sound fine, or A, even, but if I play a D 
chord, then, e! Gross!  the G string, and the B string are totally flat.  
More so my G string.  No, these are not wound strings.

Anyway, my suspicion is that I probably have an intonation problem 
going on here.  I plan to take the guitar into a shop and have 'em look at it, 
but in the mingtime, my question is, if I was to pop auto-tune on that guitar 
track, would that make it sound worse, or could I effectively use that and 
maybe get the thing more in tune?  I mean, I know it theoretically would work, 
but do you think it would sound unnatural, or is it hard to say?

Is there maybe a better way until I can get this thing looked at 
that I maybe could tackle this?

Chris.


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Re: Question about recording guitar

[Steve Sparrow]

Hmm. not sure.about exactly what one looks like. I’ve never played around with 
one of them. But i’d imagine the screws would be there on the back of the 
bridge. 
Steve

> On 2 Jan 2016, at 10:12 am, Christopher-Mark Gilland <clgillan...@gmail.com> 
> wrote:
> 
> It's an Epiphone SG Series.  I dono if this matters, but it's the one they 
> made that's dark solid red in color.
>  
> Chris.
>  
>> - Original Message - 
>> From: Steve Sparrow <mailto:i...@sparrowsound.com.au>
>> To: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
>> Sent: Friday, January 01, 2016 6:41 PM
>> Subject: Re: Question about recording guitar
>> 
>> yeah, it’s a bit of tryale  and error. Generally i much prefer a guitar tech 
>> to do this work. But i have gotten myself out of trouble.  What sort of 
>> guitar do you have, if it’s a stratt or Tele, there are 6 little screws on 
>> the back of the bridge. These adjust the string length. So normally what i 
>> do is hit the string open, and then play the harmonic on the 12th fret, and 
>> compare the pitch of the two notes. I think a tuner would make it easy for a 
>> sighted person. If the harmonic is flat, then get a little screw driver and 
>> turn the screw clockwise, and the oppersit  way if it’s sharp. But you won’t 
>> need to turn it much, maybe an 8th  of a turn or less. 
>> 
>> How ever having said that, if you have never been shown how to do this, may 
>> be best to get some sighted assistance first from someone who’d done this 
>> before.
>> 
>> There may be lots of reasons why the intonation is out, yes the harmonics 
>> will help, and are very much a part of the set up.  but it could be 
>> something to do with a nec adjustment swell. I don’t play around with that 
>> at all.
>> Steve
>> n 2 Jan 2016, at 9:22 am, Christopher-Mark Gilland <clgillan...@gmail.com 
>> <mailto:clgillan...@gmail.com>> wrote:
>>> 
>>> I'm not sure how I'd play with the harmonics though.  I'm a fairly beginner 
>>> guitarest.  I mean, as you all've heard in some of my recordings I've sent 
>>> the list, I can get by, but that's about it.
>>>  
>>> Chris.
>>>  
>>>> - Original Message - 
>>>> From: Steve Sparrow <mailto:i...@sparrowsound.com.au>
>>>> To: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
>>>> Sent: Friday, January 01, 2016 5:41 PM
>>>> Subject: Re: Question about recording guitar
>>>> 
>>>> Hey Chris. it can make some difference, and it will probably help a bit, 
>>>> But as you have multiple notes going on, it’s not going to fix the problem 
>>>> really well. Have you tried playing around with the harmonics on the 
>>>> guitar itself. That may get you out of trouble until you can get it looked 
>>>> at properly. I think you said it’s an electric guitar is that right.
>>>> I’ve set the internasion on guitars before when in trouble, and i’ve got 
>>>> the job done. 
>>>> Steve
>>>> 
>>>>> On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland 
>>>>> <clgillan...@gmail.com <mailto:clgillan...@gmail.com>> wrote:
>>>>> 
>>>>> I have a lead guitar part I need to record on a song I'm tracking.  We 
>>>>> have a little problem though.
>>>>>  
>>>>> For some reason, my 3rd G string and also on some occasions my 2nd B 
>>>>> string keeps going out of tune.  It's not a matter of retune it though.  
>>>>> If I do, then certain chords, like E, or G sound fine, or A, even, but if 
>>>>> I play a D chord, then, e! Gross!  the G string, and the B string are 
>>>>> totally flat.  More so my G string.  No, these are not wound strings.
>>>>>  
>>>>> Anyway, my suspicion is that I probably have an intonation problem going 
>>>>> on here.  I plan to take the guitar into a shop and have 'em look at it, 
>>>>> but in the mingtime, my question is, if I was to pop auto-tune on that 
>>>>> guitar track, would that make it sound worse, or could I effectively use 
>>>>> that and maybe get the thing more in tune?  I mean, I know it 
>>>>> theoretically would work, but do you think it would sound unnatural, or 
>>>>> is it hard to say?
>>>>>  
>>>>> Is there maybe a better way until I can get this thing looked at that I 
>>>>> maybe could tackle this?
>

Re: Question about recording guitar

[TheOreoMonster]

unless Auto Tune can deal with polyphonic sources it probably won’t work. I 
believe Melodime does this but not sure on its accessibility. BTW this is the 
very thing that the AutoTune Guitar system tackles and one of the reasons i 
like using one for recording. 

> On Jan 1, 2016, at 4:52 PM, Christopher-Mark Gilland <clgillan...@gmail.com> 
> wrote:
> 
> I have a lead guitar part I need to record on a song I'm tracking.  We have a 
> little problem though.
>  
> For some reason, my 3rd G string and also on some occasions my 2nd B string 
> keeps going out of tune.  It's not a matter of retune it though.  If I do, 
> then certain chords, like E, or G sound fine, or A, even, but if I play a D 
> chord, then, e! Gross!  the G string, and the B string are totally flat.  
> More so my G string.  No, these are not wound strings.
>  
> Anyway, my suspicion is that I probably have an intonation problem going on 
> here.  I plan to take the guitar into a shop and have 'em look at it, but in 
> the mingtime, my question is, if I was to pop auto-tune on that guitar track, 
> would that make it sound worse, or could I effectively use that and maybe get 
> the thing more in tune?  I mean, I know it theoretically would work, but do 
> you think it would sound unnatural, or is it hard to say?
>  
> Is there maybe a better way until I can get this thing looked at that I maybe 
> could tackle this?
>  
> Chris.
> 
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Re: Question about recording guitar

[Steve Sparrow]

Hey Chris. it can make some difference, and it will probably help a bit, But as 
you have multiple notes going on, it’s not going to fix the problem really 
well. Have you tried playing around with the harmonics on the guitar itself. 
That may get you out of trouble until you can get it looked at properly. I 
think you said it’s an electric guitar is that right.
I’ve set the internasion on guitars before when in trouble, and i’ve got the 
job done. 
Steve

> On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland  
> wrote:
> 
> I have a lead guitar part I need to record on a song I'm tracking.  We have a 
> little problem though.
>  
> For some reason, my 3rd G string and also on some occasions my 2nd B string 
> keeps going out of tune.  It's not a matter of retune it though.  If I do, 
> then certain chords, like E, or G sound fine, or A, even, but if I play a D 
> chord, then, e! Gross!  the G string, and the B string are totally flat.  
> More so my G string.  No, these are not wound strings.
>  
> Anyway, my suspicion is that I probably have an intonation problem going on 
> here.  I plan to take the guitar into a shop and have 'em look at it, but in 
> the mingtime, my question is, if I was to pop auto-tune on that guitar track, 
> would that make it sound worse, or could I effectively use that and maybe get 
> the thing more in tune?  I mean, I know it theoretically would work, but do 
> you think it would sound unnatural, or is it hard to say?
>  
> Is there maybe a better way until I can get this thing looked at that I maybe 
> could tackle this?
>  
> Chris.
> 
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Re: Question about recording guitar

[Christopher-Mark Gilland]

It's an Epiphone SG Series.  I dono if this matters, but it's the one they made 
that's dark solid red in color.

Chris.

  - Original Message - 
  From: Steve Sparrow 
  To: ptaccess@googlegroups.com 
  Sent: Friday, January 01, 2016 6:41 PM
  Subject: Re: Question about recording guitar


  yeah, it’s a bit of tryale  and error. Generally i much prefer a guitar tech 
to do this work. But i have gotten myself out of trouble.  What sort of guitar 
do you have, if it’s a stratt or Tele, there are 6 little screws on the back of 
the bridge. These adjust the string length. So normally what i do is hit the 
string open, and then play the harmonic on the 12th fret, and compare the pitch 
of the two notes. I think a tuner would make it easy for a sighted person. If 
the harmonic is flat, then get a little screw driver and turn the screw 
clockwise, and the oppersit  way if it’s sharp. But you won’t need to turn it 
much, maybe an 8th  of a turn or less. 


  How ever having said that, if you have never been shown how to do this, may 
be best to get some sighted assistance first from someone who’d done this 
before.


  There may be lots of reasons why the intonation is out, yes the harmonics 
will help, and are very much a part of the set up.  but it could be something 
to do with a nec adjustment swell. I don’t play around with that at all.
  Steve
  n 2 Jan 2016, at 9:22 am, Christopher-Mark Gilland <clgillan...@gmail.com> 
wrote:


I'm not sure how I'd play with the harmonics though.  I'm a fairly beginner 
guitarest.  I mean, as you all've heard in some of my recordings I've sent the 
list, I can get by, but that's about it.

Chris.

  - Original Message - 
  From: Steve Sparrow
  To: ptaccess@googlegroups.com
  Sent: Friday, January 01, 2016 5:41 PM
  Subject: Re: Question about recording guitar


  Hey Chris. it can make some difference, and it will probably help a bit, 
But as you have multiple notes going on, it’s not going to fix the problem 
really well. Have you tried playing around with the harmonics on the guitar 
itself. That may get you out of trouble until you can get it looked at 
properly. I think you said it’s an electric guitar is that right.
  I’ve set the internasion on guitars before when in trouble, and i’ve got 
the job done. 
  Steve


On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland 
<clgillan...@gmail.com> wrote:


I have a lead guitar part I need to record on a song I'm tracking.  We 
have a little problem though.

For some reason, my 3rd G string and also on some occasions my 2nd B 
string keeps going out of tune.  It's not a matter of retune it though.  If I 
do, then certain chords, like E, or G sound fine, or A, even, but if I play a D 
chord, then, e! Gross!  the G string, and the B string are totally flat.  
More so my G string.  No, these are not wound strings.

Anyway, my suspicion is that I probably have an intonation problem 
going on here.  I plan to take the guitar into a shop and have 'em look at it, 
but in the mingtime, my question is, if I was to pop auto-tune on that guitar 
track, would that make it sound worse, or could I effectively use that and 
maybe get the thing more in tune?  I mean, I know it theoretically would work, 
but do you think it would sound unnatural, or is it hard to say?

Is there maybe a better way until I can get this thing looked at that I 
maybe could tackle this?

Chris.


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Question about recording guitar

[Christopher-Mark Gilland]

I have a lead guitar part I need to record on a song I'm tracking.  We have a 
little problem though.

For some reason, my 3rd G string and also on some occasions my 2nd B string 
keeps going out of tune.  It's not a matter of retune it though.  If I do, then 
certain chords, like E, or G sound fine, or A, even, but if I play a D chord, 
then, e! Gross!  the G string, and the B string are totally flat.  More so 
my G string.  No, these are not wound strings.

Anyway, my suspicion is that I probably have an intonation problem going on 
here.  I plan to take the guitar into a shop and have 'em look at it, but in 
the mingtime, my question is, if I was to pop auto-tune on that guitar track, 
would that make it sound worse, or could I effectively use that and maybe get 
the thing more in tune?  I mean, I know it theoretically would work, but do you 
think it would sound unnatural, or is it hard to say?

Is there maybe a better way until I can get this thing looked at that I maybe 
could tackle this?

Chris.

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Re: Question about recording guitar

[Steve Sparrow]

yeah, it’s a bit of tryale  and error. Generally i much prefer a guitar tech to 
do this work. But i have gotten myself out of trouble.  What sort of guitar do 
you have, if it’s a stratt or Tele, there are 6 little screws on the back of 
the bridge. These adjust the string length. So normally what i do is hit the 
string open, and then play the harmonic on the 12th fret, and compare the pitch 
of the two notes. I think a tuner would make it easy for a sighted person. If 
the harmonic is flat, then get a little screw driver and turn the screw 
clockwise, and the oppersit  way if it’s sharp. But you won’t need to turn it 
much, maybe an 8th  of a turn or less. 

How ever having said that, if you have never been shown how to do this, may be 
best to get some sighted assistance first from someone who’d done this before.

There may be lots of reasons why the intonation is out, yes the harmonics will 
help, and are very much a part of the set up.  but it could be something to do 
with a nec adjustment swell. I don’t play around with that at all.
Steve
n 2 Jan 2016, at 9:22 am, Christopher-Mark Gilland <clgillan...@gmail.com> 
wrote:
> 
> I'm not sure how I'd play with the harmonics though.  I'm a fairly beginner 
> guitarest.  I mean, as you all've heard in some of my recordings I've sent 
> the list, I can get by, but that's about it.
>  
> Chris.
>  
>> - Original Message - 
>> From: Steve Sparrow <mailto:i...@sparrowsound.com.au>
>> To: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
>> Sent: Friday, January 01, 2016 5:41 PM
>> Subject: Re: Question about recording guitar
>> 
>> Hey Chris. it can make some difference, and it will probably help a bit, But 
>> as you have multiple notes going on, it’s not going to fix the problem 
>> really well. Have you tried playing around with the harmonics on the guitar 
>> itself. That may get you out of trouble until you can get it looked at 
>> properly. I think you said it’s an electric guitar is that right.
>> I’ve set the internasion on guitars before when in trouble, and i’ve got the 
>> job done. 
>> Steve
>> 
>>> On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland <clgillan...@gmail.com 
>>> <mailto:clgillan...@gmail.com>> wrote:
>>> 
>>> I have a lead guitar part I need to record on a song I'm tracking.  We have 
>>> a little problem though.
>>>  
>>> For some reason, my 3rd G string and also on some occasions my 2nd B string 
>>> keeps going out of tune.  It's not a matter of retune it though.  If I do, 
>>> then certain chords, like E, or G sound fine, or A, even, but if I play a D 
>>> chord, then, e! Gross!  the G string, and the B string are totally 
>>> flat.  More so my G string.  No, these are not wound strings.
>>>  
>>> Anyway, my suspicion is that I probably have an intonation problem going on 
>>> here.  I plan to take the guitar into a shop and have 'em look at it, but 
>>> in the mingtime, my question is, if I was to pop auto-tune on that guitar 
>>> track, would that make it sound worse, or could I effectively use that and 
>>> maybe get the thing more in tune?  I mean, I know it theoretically would 
>>> work, but do you think it would sound unnatural, or is it hard to say?
>>>  
>>> Is there maybe a better way until I can get this thing looked at that I 
>>> maybe could tackle this?
>>>  
>>> Chris.
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
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>>> email to ptaccess+unsubscr...@googlegroups.com 
>>> <mailto:ptaccess+unsubscr...@googlegroups.com>.
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>>> <https://groups.google.com/d/optout>.
>> 
>> 
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Re: Question about recording guitar

[Christopher-Mark Gilland]

I'm not sure how I'd play with the harmonics though.  I'm a fairly beginner 
guitarest.  I mean, as you all've heard in some of my recordings I've sent the 
list, I can get by, but that's about it.

Chris.

  - Original Message - 
  From: Steve Sparrow 
  To: ptaccess@googlegroups.com 
  Sent: Friday, January 01, 2016 5:41 PM
  Subject: Re: Question about recording guitar


  Hey Chris. it can make some difference, and it will probably help a bit, But 
as you have multiple notes going on, it’s not going to fix the problem really 
well. Have you tried playing around with the harmonics on the guitar itself. 
That may get you out of trouble until you can get it looked at properly. I 
think you said it’s an electric guitar is that right.
  I’ve set the internasion on guitars before when in trouble, and i’ve got the 
job done. 
  Steve


On 2 Jan 2016, at 7:52 am, Christopher-Mark Gilland <clgillan...@gmail.com> 
wrote:


I have a lead guitar part I need to record on a song I'm tracking.  We have 
a little problem though.

For some reason, my 3rd G string and also on some occasions my 2nd B string 
keeps going out of tune.  It's not a matter of retune it though.  If I do, then 
certain chords, like E, or G sound fine, or A, even, but if I play a D chord, 
then, e! Gross!  the G string, and the B string are totally flat.  More so 
my G string.  No, these are not wound strings.

Anyway, my suspicion is that I probably have an intonation problem going on 
here.  I plan to take the guitar into a shop and have 'em look at it, but in 
the mingtime, my question is, if I was to pop auto-tune on that guitar track, 
would that make it sound worse, or could I effectively use that and maybe get 
the thing more in tune?  I mean, I know it theoretically would work, but do you 
think it would sound unnatural, or is it hard to say?

Is there maybe a better way until I can get this thing looked at that I 
maybe could tackle this?

Chris.


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Weird sounds coming from my surface controller when recording and midi mode.

[Darwin May]

Hello, I have finally got all the audio issues ironed out, but now I am running 
into midi issues. For example, when I go to record a instrument track with a 
midi instrument selected, I will get a weird noise at a very low octave coming 
through the studio monitors. But once I complete the recording, and then hit 
play back the hum  is not there anywhere and the sample. I have the Yamaha 
motif XF hooked up via the USB port and my computer, and I'm not going through 
the surface controller, due to I was having issues getting it to see the 003 as 
the midi source. Any suggestions would be greatly appreciated and dealing with 
this issue.
Thanks Darwin

Sent from my iPhone

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Re: Arming more than 1 track for recording.

[Slau Halatyn]

Hi Jason,

Others have had no issues arming more than one track. Before moving on, are we 
talking audio or MIDI tracks? For MIDI, you need to Shift-click on subsequent 
record buttons unless you're using a control surface.

Slau

On Sep 10, 2015, at 7:39 AM, studiojay <overdriverecord...@gmail.com> wrote:

> Hi everyone, thanks for the replies, but even with the latch record checkbox 
> on, I can't arm more than 1 track. I tried both selecting the tracks and 
> pressing shift plus R, as well as navigating to the channel strips and 
> pressing the record button. Can someone please have a look at this for me? 
> Thanks,
> Jason
> 
> On Wednesday, September 9, 2015 at 4:02:52 PM UTC-4, Slau Halatyn wrote:
> Hi Jason,
> 
> Under the Operations tab of Preferences, go to the Record cluster and the 
> first item in there is a checkbox for "Latch Record Enable Buttons" which 
> should be checked.
> 
> HTH,
> 
> Slau
> 
> On Sep 9, 2015, at 12:07 PM, studiojay <overdrive...@gmail.com> wrote:
> 
>> Hi Everyone, Can some one please remind me how to arm more than 1 track for 
>> recording in protools? When I arm different tracks, the previously armed 
>> track is disarmed. I want to do this using voiceover. Thanks in advance for 
>> any help.
>> Jason
>> 
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