www.noteheads.com is still there. You can download a demo of Igor,
which has sadly not been updated for quite a long time (there's no Mac
OSX version). You can even apparently buy it for 295 USD. There are
lots of excellent ideas in Igor: it's well worth looking at it just to
inspire feature
Ken, thanks.
The last version of Sib I did serious work in was 1.4, so I'm all-too
familiar with many of those frustrations. Some of the fixes I knew
about, and some I didn't, but the nicest thing about Mr. Spreadbury's
comments is that they seem to reflect a genuine change in attitude from
Christopher,
I for one, not speaking for anyone else of course but suspecting I'm
not alone, appreciate you once again for your voice of reason.
Even when I don't agree with what is posted on this list, I
nonetheless appreciate the merit in such...there is usually something
to be gained.
In a message dated 7/13/2005 6:58:57 PM Pacific Standard Time, [EMAIL PROTECTED] writes:
"Lurker" is not a pejorative term.
For the most part I have seen it used in exactly the way I described. But I shall defer to the judgement of Darcy and David and bow out of the discussion now, lest I
Johannes Gebauer wrote:
Not to take anyone's illusions away, but I have just been trying to make
the full GPO imitate a string quartet. To be honest, the only instrument
that is sort of acceptable is the cello, in some registers at least.
None of the violins sound remotely like solo violins
Darcy James Argue wrote:
It was grabbing the tie ends that was hard (especially when items
overlapped). Apparently there's now a shortcut to cycle through
overlapping items, which is nice (and which would be nice for Finale).
Can't you cycle through overlapping items with the selection
Tyler Turner wrote:
[snip]
I'm discovering that scores which have a lot of
markings for HP to interpret can sound better than a
lot of the scores I hear on the GPO demo page - and
that's using the Finale GPO set that comes with
Finale.
Do you HAVE to use HP? Nope. It's all MIDI data that
Finale
Tyler Turner wrote:
[snip]
For most of the instruments, you get a single solo
instrument and 3 ensemble instruments.
Thanks for adding that -- after reading Ronald's post I was feeling a
bit let-down.
I am intrigued now!
--
David H. Bailey
[EMAIL PROTECTED]
ronan wrote:
[snip]
I understand that will not be able to use the full GPO with Finale2006
immediately. But Gary has promised a free patch will be out soon.
[snip]
That's interesting, especially in light of the fact that they are
offering extra-cost addon GPO versions for Finale users to
Johannes Gebauer wrote:
Tyler Turner schrieb:
Sections
strings are solid, but I'm not sure about how well the
solo strings can stand on their own or in small
ensembles (string quartets, etc.).
Not to take anyone's illusions away, but I have just been trying to make
the full GPO imitate a
keith helgesen wrote:
[sniip]
What is the word for ‘identical word- different meaning’e.g. tie,
(equal score in game, or neckwear) bolt, (door fastener, run away)
Is there a word for same spelling, different meaning and pronounciation-
e.g. lead (heavy metal, dog restraint, past
Lee Actor wrote:
Thanks, this is very helpful. It's hard to tell what's missing just from
the list of patch names, e.g., Viola Section is included with Finale, but
Viola Section (10 players) is only in the full GPO. Also, no Violin II
section in either?
[snip]
Oh, no! No violin II
Christopher Smith wrote:
Ken,
Great work! Thanks for this; it is indeed point by point and extremely
detailed.
Of course, given the source, some points will bear confirmation, but it
was good to see someone who knows the present version of the program as
well as the older version give a
Wade KOTTER wrote:
Good point. Here's the definition of homograph from the OED:
Philol. A word of the same spelling as another, but of different origin
and meaning.
Wade Kotter
[EMAIL PROTECTED]
[EMAIL PROTECTED] 07/13/05 6:51 PM
On 13 Jul 2005, at 23:57, keith helgesen wrote:
Is
At 7/14/2005 06:15 AM, dhbailey wrote:
Okay, what's the term for words which are originally antonyms but which
in certain situations mean the same thing?
Example: Cool, HotThat's really cool! That's really hot! (both
meaning essentially that's really phat!) ;-)
Slang??
Colloquialisms?
At 7/13/2005 09:03 PM, Ken Durling wrote:
Sorry, Phil. I overreacted because it was so old as to defy relevance in
my eyes. But of course I know the program. I'm sure it's interesting and
relevant to someone who hasn't been tracking its progress.. See the
response on this list from Daniel
At 06:12 AM 07/14/2005, dhbailey wrote:
Compare that with MakeMusic's official disregard for this list and how
we have to look out for each other.
On the other hand, Coda does provide forums (as does Sibelius) which
are officially monnitored. It would be nice if there were an
official presence
On 14 Jul 2005, at 11:15, dhbailey wrote:Okay, what's the term for words which are originally antonyms but which in certain situations mean the same thing? Example: Cool, Hot That's really cool! That's really hot! (both meaning essentially "that's really phat!") ;-)
On Jul 13, 2005, at 4:27 PM, Johannes Gebauer wrote:
David W. Fenton schrieb:
2. cautionary accidentals
I thought they were locked in versions since about Fin2k. You can tell
by a * appearing in the Speedy frame when the cursor is on that note
(and pitch). This is pretty stable. In
Hooray! Sparks flying on the Finale list! :)
To be honest, I never fail to be somewhat amused at the fact that complaints
about non-Finale-related thread inevitably result in threads even longer
than the ones complained about.
I too am very much in the if you don't like it, you don't have to
On Jul 14, 2005, at 5:38 AM, dhbailey wrote:
Well, let me qualify that -- the sounds are unsatisfying, even if not
having to deal with all the egos and attitude problems often present
in human orchestras makes working at my computer that much more
enjoyable! ;-)
Heh, heh! Have you read
On Jul 14, 2005, at 6:15 AM, dhbailey wrote:
Okay, what's the term for words which are originally antonyms but
which in certain situations mean the same thing?
Example: Cool, HotThat's really cool! That's really hot! (both
meaning essentially that's really phat!) ;-)
Or, That
68: It is impossible to have two brackets of the same type in
different
horizontal positions, as for example when a divided string section
uses
extra staves.
This is still fiddly to do, and we should have better automatic
support for it.
Fiddly is a bit euphemistic. At least as of Sib.
I talked with a rep at MakeMusic yesterday about the absence of saxophones in the GPO set that come with 2006. There will be none in the full version of GPO either, for saxophones one must purchase the jazz GPO package. Can this be a blessing in disguise?John WymanI have just one question
In a jazz context, That band really sucks means a band that's so bad
it can't blow. No other meaning.
Joel Sears
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Christopher Smith
Sent: Thursday, July 14, 2005 7:25 AM
To: finale@shsu.edu
Subject: Re:
Joel Sears wrote:
In a jazz context, "That band really sucks" means a band that's so bad
it can't blow. No other meaning.
Joel Sears
On Jul 14, 2005, at 6:15 AM, dhbailey wrote:
Okay, what's the term for words which are originally antonyms but
which in certain situations mean
How does one access the smartmusic soundfount for playback (not through
the internal speaker) with Mac Fin 04c?
Dean
On Jul 14, 2005, at 2:31 AM, dhbailey wrote:
ronan wrote:
Oh well. At least Tyler's review in another post leaves me hopeful
that playback in Fin2006 using GPO will be at
On 14 Jul 2005 at 1:20, Darcy James Argue wrote:
On 13 Jul 2005, at 10:19 PM, Rocky Road wrote:
Are you sure about this? MIDI's 1980 technology is so slow
Not *that* slow.
Right, and the issue is not the amount of data that MIDI produces,
but coordination of the MIDI data with the
On 14 Jul 2005 at 1:23, Darcy James Argue wrote:
If you don't have an OpenGL-compatible graphics card with at least 32
MB of video RAM, Sibelius redraws will be painfully slow. Could that
be the problem?
I corresponded at length with the same very nice Sibelius employee
who annotated the
On 14 Jul 2005, at 1:45 PM, David W. Fenton wrote:
That would suggest that each USB device adds its own timecode to the
data. If it didn't, the hub shouldn't be causing any bottlenecks,
because in computer terms, there really *isn't* much data involved.
Hi David,
My understanding is that a
On 14 Jul 2005, at 1:52 PM, David W. Fenton wrote:
Nonetheless, the competitor program, Finale, exhibits no such
problems.
That's because Finale doesn't use OpenGL-enhanced drawing.
If you have an OpenGL-compatible video card, drawing in Sib 3 is
virtually instantaneous, and drawing in Sib
On Jul 14, 2005, at 6:15 AM, dhbailey wrote:
Okay, what's the term for words which are originally antonyms but
which in certain situations mean the same thing?
Example: Cool, HotThat's really cool! That's really hot! (both
meaning essentially that's really phat!) ;-)
Try this on
On 14 Jul 2005 at 6:12, dhbailey wrote:
Christopher Smith wrote:
Great work! Thanks for this; it is indeed point by point and
extremely detailed.
Of course, given the source, some points will bear confirmation, but
it was good to see someone who knows the present version of the
On 14 Jul 2005 at 7:36, Aaron Sherber wrote:
At 06:12 AM 07/14/2005, dhbailey wrote:
Compare that with MakeMusic's official disregard for this list and
how we have to look out for each other.
On the other hand, Coda does provide forums (as does Sibelius) which
are officially monnitored.
David W. Fenton / 2005/07/14 / 01:52 PM wrote:
Nonetheless, the competitor program, Finale, exhibits no such
problems.
It used to. I remember painful redraw slowness prior to FinMac3, and
there was an option to turn off redraw until you ask for it. ProComp
had much faster redraw back then, but
On 14 Jul 2005 at 10:36, Andrew Stiller wrote:
Another Sibelius flaw, unmentioned in the long list quoted in this
thread, is its inability (as of Sib. 3) to break secondary beams. To
me this is a deal breaker all by itself, though I do keep a copy of
the program to edit the occasional
On 14 Jul 2005 at 14:00, Darcy James Argue wrote:
On 14 Jul 2005, at 1:52 PM, David W. Fenton wrote:
Nonetheless, the competitor program, Finale, exhibits no such
problems.
That's because Finale doesn't use OpenGL-enhanced drawing.
If you have an OpenGL-compatible video card, drawing
On 14 Jul 2005 at 14:13, A-NO-NE Music wrote:
David W. Fenton / 2005/07/14 / 01:52 PM wrote:
Nonetheless, the competitor program, Finale, exhibits no such
problems.
It used to. I remember painful redraw slowness prior to FinMac3, and
there was an option to turn off redraw until you ask
On Jul 14, 2005, at 1:45 PM, David W. Fenton wrote:
On 14 Jul 2005 at 1:20, Darcy James Argue wrote:
On 13 Jul 2005, at 10:19 PM, Rocky Road wrote:
Are you sure about this? MIDI's 1980 technology is so slow
Not *that* slow.
Right, and the issue is not the amount of data that MIDI produces,
On 14 Jul 2005, at 2:13 PM, A-NO-NE Music wrote:
Darcy James Argue / 2005/07/14 / 02:00 PM wrote:
If you have an OpenGL-compatible video card, drawing in Sib 3 is
virtually instantaneous, and drawing in Sib 4 is still very good.
(There are some slowdowns when you have to actually adjust
At 02:06 PM 07/14/2005, David W. Fenton wrote:
Back in the Randy Stokes days, we had somebody like that, but who
also was one of the programmers and could give technical explanations
for problems. Boy, but I do miss Randy. Having him around really
increased my confidence in Finale.
And it seems
On 14 Jul 2005, at 2:18 PM, David W. Fenton wrote:
That's because Finale doesn't use OpenGL-enhanced drawing.
If you have an OpenGL-compatible video card, drawing in Sib 3 is
virtually instantaneous, and drawing in Sib 4 is still very good.
(There are some slowdowns when you have to actually
David W. Fenton [EMAIL PROTECTED] wrote
I wish there were a number of things that could be locked and not
changed:
1. manual spacing
2. cautionary accidentals
3. manual beaming breaks
All of these edits, despite my having explicitly told Finale I want
to override the defaults, are
Here's the list of strings that I took directly from MaekMusic!'s site.
With Finale:
Viola Solo
Viola: Player 1
Viola: Player 2
Viola: : Player 3
Cello: : Modern Solo
Cello: : Player 1
Cello: : Player 2
Cello: : Player 3
Bass: : Solo
Bass: Player 1
Solo Bass: Player 2
Bass: Player 2
How do I change the font for all existing staff names simultaneously?
Changing the default font only affects newly created staff names, not
the ones already entered.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
___
Finale mailing list
Dean M. Estabrook schrieb:
How does one access the smartmusic soundfount for playback (not through
the internal speaker) with Mac Fin 04c?
Not sure how you mean. Where would the sound come out if not the
internal speaker?
Johannes
--
http://www.musikmanufaktur.com
David W. Fenton schrieb:
Secondly, the implementation of default beaming rules is exactly what
I've always requested for Finale. Finale works a lot better since the
implementation of classic 8ths into the basic beaming algorithm,
but it still doesn't properly beam smaller subdivisions (at
Darcy James Argue / 2005/07/14 / 02:33 PM wrote:
Hiro,
I don't think you understood what I meant.
Ha-ha. I did it again. I reread it and you are right I got it
backward. Sorry about that. By the way, in general, the difference
between OGL app and non-OGL app is CPU hit rather than GUI
Darcy--
The Global Staff Attributes PI should do the job.
Allen
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Darcy James Argue
Sent: Thursday, July 14, 2005 1:44 PM
To: finale@shsu.edu
Subject: [Finale] Staff Name Font
How do I change the font for
On 14 Jul 2005, at 3:06 PM, Fisher, Allen wrote:
Darcy--
The Global Staff Attributes PI should do the job.
Allen
Thanks!
BTW -- have you guys considered folding some of these plugin items into
the regular menus? You could just borrow the code from the Global
Staff Attributes PI and make
--- David W. Fenton [EMAIL PROTECTED] wrote:
Back in the Randy Stokes days, we had somebody like
that, but who
also was one of the programmers and could give
technical explanations
for problems. Boy, but I do miss Randy. Having him
around really
increased my confidence in Finale.
Nope. Randy's still here. He just does more lurking (:-P) these days.
A
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Aaron Sherber
Sent: Thursday, July 14, 2005 1:36 PM
To: finale@shsu.edu
Subject: Re: [Finale] comparing finale/sibelius
At 02:06 PM
Ah, but you can cycle through overlapping elements with the +/- keys in
the selection tool...
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Matthew Hindson Fastmail Account
Sent: Thursday, July 14, 2005 3:20 AM
To: finale@shsu.edu
Subject: Re: [Finale]
On Thu, 14 Jul 2005, Ken Moore wrote:
Not quite the same, but reading this reminded me of it: I use dotted
quarter rests in 6/8, 9/8 and 12/8, because I think it makes it easier
to see where the beats are. Whenever I copy a measure, Finale turns each
of these into a quarter plus an eighth.
On 14 Jul 2005, at 3:18 PM, Fisher, Allen wrote:
Ah, but you can cycle through overlapping elements with the +/- keys in
the selection tool...
Yes, but Allen, as you know, the selection tool has been so slow as to
be completely useless on MacFin since 2k4. It's faster to just drag
Or just by clicking them again.
--- Fisher, Allen [EMAIL PROTECTED] wrote:
Ah, but you can cycle through overlapping elements
with the +/- keys in
the selection tool...
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf
Of Matthew Hindson Fastmail
I know this is annoying. Two things can help:
1. If you make sure that you copy whole measures, with no partial
measure selection, Finale should copy the measures exactly as you wrote
them.
2. Go to Options Quantization Settings and click on More Settings.
Here you will find the option Allow
On 7/14/05 9:08 AM, Colin Broom [EMAIL PROTECTED] wrote:
I'd be interested in hearing more about Finale in education elsewhere. I've
always had this (probably largely unfounded) idea that Finale is for the
most part still the prominent product in the States, is this true?
Colin.
Based on
On Thu, 14 Jul 2005, Ken Moore wrote:
Not quite the same, but reading this reminded me of it: I use dotted
quarter rests in 6/8, 9/8 and 12/8, because I think it makes it easier
to see where the beats are. Whenever I copy a measure, Finale turns each
of these into a quarter plus an
In the Australian Army Band circles Sibelius is, I understand, the primary
system- but Finale is available.
Most schools I know of here in Canberra use Sibelius- I am regularly told it
is more user friendly.
Anyone who learns at school or in the Army is almost certainly going to stay
with that
Excuse a bunny daring to offer an answer- but I found Finale will not
believe, as described, if in select partial measures' (edit menu) mode.
It works for me with dotted v tied notes, but I don't know about rests.
(I haven't got Finale handy to check up!)
Click alt.e.m. (with no dots) before
Lately my FinMac 2005b installation has seriously been acting up when
it comes to playback. After running for a while, it will suddenly
decide to stop playing anything, either when I hit play or use
Opt-Space-Drag to listen to a preview. During playback, the little
green bar will move across the
On Jul 14, 2005, at 6:39 PM, Stephen Peters wrote:
Lately my FinMac 2005b installation has seriously been acting up when
it comes to playback. After running for a while, it will suddenly
decide to stop playing anything, either when I hit play or use
Opt-Space-Drag to listen to a preview.
Ever since the unfortunate demise of JW Tempo for Mac, I've been
looking for an easy way to tell Finale Change smoothly from q=X to q=Y
over Z number of measures.
I know tempo improvements are coming in Fin2k6, but is there any *easy*
way to do this in FinMac2k5?
(And just in case, using
Darcy James Argue [EMAIL PROTECTED] wrote:
The Sibelius discussion was directly related to the future of Finale and
the kind of features and approach we'd like to see Finale emulate
And why
is it always the lurkers who never contribute solutions to Finale problems
(or contribute to the
Ever since the unfortunate demise of JW Tempo for Mac, I've been
looking for an easy way to tell Finale Change smoothly from q=X to q=Y
over Z number of measures.
I know tempo improvements are coming in Fin2k6, but is there any *easy*
way to do this in FinMac2k5?
(And just in case, using
Hello Tyler,
Am 14.07.2005 um 21:15 schrieb Tyler Turner:
Part of the nice thing about the forum is that the
organization into threads makes it much easier to
browse through and quickly see where your input is
beneficial and skip over the stuff where you aren't needed.
You can get the
Hello Darcy,
Am 14.07.2005 um 08:04 schrieb Darcy James Argue:
14 Clunky text selection for expressions etc.
I assume this is a complaint about our word menu system (where you
right-click during text input for a useful menu of terms to input
into the score). This is actually pretty
Human Playback usually does it pretty well. Just make
sure to have an expression at the end set to the
desired target tempo, and put the accel expression
where you want it to start.
Tyler
--- Darcy James Argue [EMAIL PROTECTED] wrote:
Ever since the unfortunate demise of JW Tempo for
Mac,
--- Gerhard Torges, geb. Hölscher [EMAIL PROTECTED]
wrote:
Hello Tyler,
Am 14.07.2005 um 21:15 schrieb Tyler Turner:
Part of the nice thing about the forum is that the
organization into threads makes it much easier to
browse through and quickly see where your input is
beneficial
Colin Broom wrote:
[snip] I'd be interested in hearing more about Finale in education
elsewhere.
I've always had this (probably largely unfounded) idea that Finale is
for the most part still the prominent product in the States, is this true?
The brand new high school plus the rebuilt older
On 14 Jul 2005 at 14:31, Christopher Smith wrote:
I don't have a hub. All I have (right now) is my MIDI interface
plugged into one of the two available USB ports in the back of the Mac
G4, and my keyboard plugged into the USB port for that purpose on the
back of my Apple Cinema Display. There
On 14 Jul 2005 at 14:36, Aaron Sherber wrote:
At 02:06 PM 07/14/2005, David W. Fenton wrote:
Back in the Randy Stokes days, we had somebody like that, but who
also was one of the programmers and could give technical
explanations for problems. Boy, but I do miss Randy. Having him
around
On 14 Jul 2005 at 14:37, Darcy James Argue wrote:
On 14 Jul 2005, at 2:18 PM, David W. Fenton wrote:
That's because Finale doesn't use OpenGL-enhanced drawing.
If you have an OpenGL-compatible video card, drawing in Sib 3 is
virtually instantaneous, and drawing in Sib 4 is still very
On 14 Jul 2005 at 14:37, Darcy James Argue wrote:
When Sib3 first came out, there was a discussion on this list of the
effectively instantaneous graphics-card assisted redraw. Several PC
users downloaded the demo and reported the same results.
Um, the Sibelius 3 demo is FINE on my PC --
On 15 Jul 2005, at 00:45, Tyler Turner wrote:Human Playback usually does it pretty well. Just makesure to have an _expression_ at the end set to thedesired target tempo, and put the accel _expression_where you want it to start.I don't understand how to do this. Target tempo, OK, but how do I
On 14 Jul 2005 at 12:15, Tyler Turner wrote:
I'll be honest. When I was working as an employee of
MakeMusic, I tried to keep up with this list so I
could comment when needed. But boy, there are so many
e-mails going through here every day that keeping up
here meant not being able to keep up
On 14 Jul 2005 at 21:39, Michael Cook wrote:
I know this is annoying. Two things can help:
1. If you make sure that you copy whole measures, with no partial
measure selection, Finale should copy the measures exactly as you
wrote them. 2. Go to Options Quantization Settings and click on
On 15 Jul 2005, at 02:11, David W. Fenton wrote:I would think that MakeMusic would want someone's job description to include monitoring this list, in any case. There are too many heavy hitters here to ignore, in my opinion. SecondedJohn___
Finale
On 15 Jul 2005 at 1:25, Gerhard Torges, geb. Hölscher wrote:
Am 14.07.2005 um 08:04 schrieb Darcy James Argue:
14 Clunky text selection for expressions etc.
I assume this is a complaint about our word menu system (where you
right-click during text input for a useful menu of terms to
Hi David,
That probably wouldn't work. IIRC, the USB port on the Apple keyboard
is only designed to take 1.5 Mb/s devices (like a mouse).
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 14 Jul 2005, at 8:59 PM, David W. Fenton wrote:
On 14 Jul 2005 at 14:31, Christopher Smith wrote:
I
--- John Bell [EMAIL PROTECTED] wrote:
On 15 Jul 2005, at 00:45, Tyler Turner wrote:
Human Playback usually does it pretty well. Just
make
sure to have an expression at the end set to the
desired target tempo, and put the accel expression
where you want it to start.
I don't
--- David W. Fenton [EMAIL PROTECTED] wrote:
Yes, I don't find this at all difficult in the
Sibelius 4 demo. I can
select and entire measure and apply an articulation
to all notes. Of
I can click a note and then shift-click any
additional notes, then
apply an articulation.
This
On 15 Jul 2005, at 02:28, Tyler Turner wrote:
--- John Bell [EMAIL PROTECTED] wrote:
On 15 Jul 2005, at 00:45, Tyler Turner wrote:
Human Playback usually does it pretty well. Just
make
sure to have an expression at the end set to the
desired target tempo, and put the accel
On 14 Jul 2005 at 18:31, Tyler Turner wrote:
--- David W. Fenton [EMAIL PROTECTED] wrote:
Yes, I don't find this at all difficult in the
Sibelius 4 demo. I can
select and entire measure and apply an articulation
to all notes. Of
I can click a note and then shift-click any
I had this problem when HP was introduced, and reported it, but it
remains an issue in 2005 (Mac). I have found no consistent way to
get it to play. I think it's merely chance, so I just keep hitting
the play button until I get a pass that will play. It'll happen, but
it might take a
John Wyman wrote:
I talked with a rep at MakeMusic yesterday about the absence of
saxophones in the GPO set that come with 2006. There will be none in the
full version of GPO either, for saxophones one must purchase the jazz
GPO package.
Can this be a blessing in disguise?
Oh,
Raymond Horton wrote:
Joel Sears wrote:
In a jazz context, That band really sucks means a band that's so bad
it can't blow. No other meaning.
Joel Sears
On Jul 14, 2005, at 6:15 AM, dhbailey wrote:
Okay, what's the term for words which are originally antonyms but
which in certain
I've had mixed success with accel. rit. markings. Sometimes it
works fairly well. Other times, it does nothing. Most of the time,
it doesn't make a smooth transition from one tempo to the new
tempo. Perhaps it doesn't work well over short distances (2
measures or less?), with changes
Aaron Sherber wrote:
At 02:06 PM 07/14/2005, David W. Fenton wrote:
Back in the Randy Stokes days, we had somebody like that, but who
also was one of the programmers and could give technical explanations
for problems. Boy, but I do miss Randy. Having him around really
increased my
Ken Moore wrote:
David W. Fenton [EMAIL PROTECTED] wrote
I wish there were a number of things that could be locked and not
changed:
1. manual spacing
2. cautionary accidentals
3. manual beaming breaks
All of these edits, despite my having explicitly told Finale I want to
David,
You don't have to use partial measure selection, *or* the apply
articulation dialog.
In the articulation tool, hold down the metatool for the articulation
you want, and then just drag enclose the notes you want.
I only wish note expressions worked like this too.
- Darcy
-
Gosh, I was going to write, I have the same problem finmac2k4. I
thought it was because I have first gen harman kardon soundsticks, but
maybe not. I guess I'll just go back to not worrying about it.
Am 14.07.2005 um 15:39 schrieb Stephen Peters:
Lately my FinMac 2005b installation has
Darcy James Argue wrote:
How do I change the font for all existing staff names simultaneously?
Changing the default font only affects newly created staff names, not
the ones already entered.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
___
Finale
Johannes Gebauer wrote:
Dean M. Estabrook schrieb:
How does one access the smartmusic soundfount for playback (not
through the internal speaker) with Mac Fin 04c?
Not sure how you mean. Where would the sound come out if not the
internal speaker?
Johannes
The line-out jack.
--
David
I think the word is slang
Am 14.07.2005 um 19:05 schrieb dhbailey:
Raymond Horton wrote:
Joel Sears wrote:
In a jazz context, That band really sucks means a band that's so
bad
it can't blow. No other meaning.
Joel Sears
On Jul 14, 2005, at 6:15 AM, dhbailey wrote:
Okay, what's the term
Lee Actor wrote:
[snip]
Something that bothers me is when Finale combines rests on a partial measure
copy. For example, if I copy a beat consisting of two 16th notes
surrounding two 16th rests, Finale will combine the rests into a single 8th
rest. This annoying behavior doesn't occur when
On 14 Jul 2005, at 10:16 PM, dhbailey wrote:
Can't you use the Swap Fonts function?
No.
Or does that do it for every instance of a given font in a file?
Yes.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
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On 14 Jul 2005, at 10:04 PM, dhbailey wrote:
John Wyman wrote:
I talked with a rep at MakeMusic yesterday about the absence of
saxophones in the GPO set that come with 2006. There will be none in
the full version of GPO either, for saxophones one must purchase the
jazz GPO package. Can this
John Bell wrote:
On 15 Jul 2005, at 00:45, Tyler Turner wrote:
Human Playback usually does it pretty well. Just make
sure to have an expression at the end set to the
desired target tempo, and put the accel expression
where you want it to start.
I don't understand how to do this. Target
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