- Original Message -
From: Will Denayer [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Tuesday, November 28, 2006 4:25 PM
Subject: [Finale] Error message and simple entry message
Hello All,
I would like to ask two things.
First, something happened which really scares me. I wrote a
You mean the first one on that page (GPO - Finale2006/Human Playback
Tutorial )? I clicked on the little red dot near the title of the tutorial
and it loaded in my browser window, then I hit save as and saved on my HD
(16 megabytes, really heavy if one has not a fast connection).
- Original
Unfortunately, Finale does not support Unicode. Write and complain,
loudly, or they will never add that functionality.
Nice, I bought it for mainly use in Finale, I nearly threw away 30$? Gosh!
:(
I have been able to work around this by creating the Unicode symbol
in a word processor,
A good bunch of reasons not to upgrade to Vista (yet)
http://www.digitmag.co.uk/blogs/index.cfm?entryid=220blogid=2
- Original Message -
From: Richard Yates [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Wednesday, January 31, 2007 1:29 AM
Subject: RE: [Finale] Vista (?)
Mine has been
where lights are usually low :).
- Original Message -
From: Christopher Smith [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Tuesday, February 20, 2007 5:17 PM
Subject: Re: [Finale] FinWin 2k5b - how to change flats and sharps
insidechords prefixes
On 20-Feb-07, at 10:21 AM, Marcello
I need to scan a score a make a PDF of it to send via email. (The score is made
of 5 pages)
It's the first time I do that and am totally newbie about the matter.
I have Adobe Acrobat 7 Pro and an all-in-one HP printer/scanner.
Is it enough as a starting point? Do I need another software?
Can I
- Original Message -
From: Lawrence David Eden [EMAIL PROTECTED]
To: FinaleList Finale@shsu.edu
Sent: Tuesday, February 27, 2007 12:17 PM
Subject: [Finale] transpositions
I am working on a score written by Paul Hindemith. He wrote the
Klarinette part in B with a key signature, but
Trying to make Finale play the chord symbols entered in a score, Finale plays
them higher than the normal range of a left hand, even over a melody written
in treble key.
Is there no way to tell Finale to play them an octave lower or so?
Thank you
Marcello
Forgive me if this is a stupid question but I did not find anything in the
manual.
I need to write some simple exercises for sax students putting on every note
its name in Italian.
I need to put it as a chord symbol because the exercise has to be repeated in
all keys, so I need to transpose the
Hi, anyone has this version of the font mentioned by CBJ Smith time ago and
could kindly send me it via email?
I would like to apply the beautiful JazzChord suffixes made by CBJ Smith and
add the J.Chipewa's workaround for parenthesis.
Many thanks
Marcello
I'm making some SATTBB arrangements. The systems get too close if put three per
page, too distant if put two per page, the system spacing command gets the
first attached to the top margin and the second attached to the bottom margin
leaving a big hole in the center, if I make the system
dc ha scritto:
Hi Marcello,
Which are the steps that you Finale gurus make to get things
settled the way you want and not the way Finale wants?
Here's how I proceed.
1) I optimize the systems and space the staves in each system for the
whole score. Of course, I have a good idea of the
Time ago I bought Bill Duncan's chord symbol pack but I'm having problems
making symbols like Bb/C or something like that. If I write Bb_C I get Bb-big
space-underscore-big space-bass, if I write Bb/C I get BbC attached.
Any hints to get a Bb/C example as a final result?
Thanks
Wanting to try to make an acappella arrangement of Soul food to go by
Manhattan Transfer, I found a MIDI file of the song and tried to import it in
Finale to have a trace to work on. The file itself plays correctly on Windows
Media Player but when I import it (I checked options about importing
] [FinWin 2k5b] importing a MIDI file
Marcello Noia wrote:
Wanting to try to make an acappella arrangement of Soul food to go by
Manhattan Transfer, I found a MIDI file of the song and tried to import it
in Finale to have a trace to work on. The file itself plays correctly on
Windows Media Player
As I have in mind to create a site of mine proposing my vocal
arrangements for sale, I would like to put on the site demos of PDF's
(first page) and MIDI's with a fade out of the same page.
Which tools do I need? Do I have to get the full Acrobat software to rip
the first page of the PDF or
Thanks to David and Herman for replies. If anyone can advice a simple
free MIDI sequencer that can do that job, I will be grateful
Marcello
As I have in mind to create a site of mine proposing my vocal
arrangements for sale, I would like to put on the site demos of PDF's
(first page) and
Hi, not having the whole Adobe PDF software but only the reader, what
can I use to extract single pages from a PDF document (I did not create
it, I got it as it is. I need that to send single pages via e-mail.
Thank you
Marcello
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Carl Dershem ha scritto:
I've been working with a youth band for a coupe of years now, and have
come up with a few expressions that, if they don't necessarily exist
in print yet, probably should.
Of course, expressions are usually in Italian. Perhaps some of you
have others of your own you
Aaron Sherber ha scritto:
At 09:38 AM 2/4/2008, themark wrote:
I say that because when you apply an expression you have the choice to
apply it to all layers or to a certain layer only, leaving HP apart.
This does not happen with the articulation tool.
As I said in my explanation, this is
Got it, I completely skipped that part, looking around for the word
layer and not taking care of regions.
Thank you
Aaron Sherber ha scritto:
At 12:35 PM 2/4/2008, marcello noia wrote:
Thanks for the hint, I did not know about the drag-enclose method, is it
mentioned in the manual? Where
Sorry for OT question: I'm producing a bunch of choral arrangements of
pop, jazz, classical pieces for mixed voices, both SATB four parts and
divisi.
The question is: could you advice me which editor could I contact to ask
if they're interested in publishing my works? I ask that because
The video shots are a bit small and (sorry for saying that, I'm Italian)
sometimes it's really hard to understand what's being said.
The idea is great as well.
Dick Hauser ha scritto:
On Feb 19, 2008, at 9:27 PM, Matthew Voogt wrote:
It is a website that is totally free and offers video
Unfortunately Mr. Sigler got his Jazz font bundled with Finale then
completely dismissed the updates (and did not reply to
emails about problems with his other Swingfont I bought many years ago).
And think how beatiful are the fonts used in latest Sher Real Books
Anyone has tried to use
22, 2008, at 8:49 AM, Marcello Noia wrote:
Unfortunately Mr. Sigler got his Jazz font bundled with Finale then
completely dismissed the updates (and did not reply to
emails about problems with his other Swingfont I bought many years ago).
And think how beatiful are the fonts used in latest Sher
In Italy we have enough shows made by Berlusconi and his fellows to hide
the real bad politics they're doing
Christopher Smith ha scritto:
Sorry for the off-topic post, but this was just too funny and
brilliant to pass up. Even if you know nothing of American politics,
it is worth the
I have a piece written in 3/2. Can I switch it to a 3/4 one halving the
values and rebarring the music automatically?
Or have I to rewrite it?
Many thanks
Marcello
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Yes, LE means Light Edition, a version that often is packed with
keyboards, audiocards and so on.
It should have lesser options than the full version
Phil Daley ha scritto:
At 2/9/2009 04:45 PM, dhbailey wrote:
Cakewalk is a sequencer program -- it's like a digital tape
recorder so you can
I wrote some jazz tunes with no key signature.
I put them in Finale setting the staves for transposing instruments to
transpose chromatically.
The problem is that the chord symbols do not transpose. I half-solved
problem creating a solo form
section with slash notation and staff style set to
In FinWin 2k6 it happens sometimes at the beginning of a measure without
any apparent reason.
If I can recall well it happens more frequently in bass clef staves.
David W. Fenton ha scritto:
On 16 Feb 2009 at 21:45, Richard Yates wrote:
I have a vague memory of Speedy octave errors at the
I have a jazz tune in two staves system.
The first (melody) is in 5+3 quarters, the second (bass) is in 3+3+2
quarters.
I have set the second stave to have independent time signature but the
problem is
in page layout, because I would want to set a different measure width
for the second staff
Many thanks Christopher, I never would have thought to use same meter
displayed in different ways you opened my mind wide!
I hope to read from Dennis, too.
Marcello
Christopher Smith ha scritto:
On Feb 25, 2009, at 9:59 AM, Marcello Noia wrote:
I have a jazz tune in two staves system
I have to transcribe a piece with a plenty of 16th's triplets in it.
The fastest way to do that without a MIDI keyboard?
Metatools?
As I never used a metatool before, can any kind soul deeply explain
how to do that?
Many thanks in advance
Marcello
___
:37 AM, Marcello Noia wrote:
I have to transcribe a piece with a plenty of 16th's triplets in it.
The fastest way to do that without a MIDI keyboard?
Metatools?
As I never used a metatool before, can any kind soul deeply explain
how to do that?
Many thanks in advance
Marcello
I need to make a choral piece in which I don't want any beaming between
eights (and smaller values).
I unchecked everything in Beaming box in Document options but Finale
still beams each two eights I put
in speedy entry, forcing me to use the / option to unbeam them.
Any hints?
Thank you
Maybe stupid and useless answer, have you tried to check that in your
audiocard the MIDI volume has not lowered to 0?
Sometimes it happens to me without any reason (with Finale 2006c for
Windows) that when I open any file and start playback I cannot hear
anything,
I go to audiocard mixer and
I need to create a percussion staff for handclapping.
I set up the staff in percussion mode, choose General MIDI Playback
and set the HandClap sound (D#2)
to be on position 6 (central line of the staff).
When I put a note on that line I hear a whistle sound, while the
handclap one is a E far
Thanks David, it worked, lost one hour finding a clue
dhbailey ha scritto:
Marcello Noia wrote:
I need to create a percussion staff for handclapping.
I set up the staff in percussion mode, choose General MIDI Playback
and set the HandClap sound (D#2)
to be on position 6 (central line
I'm making a Finale file out of Weeping song by Shostakovitch to sort
out a MIDI file for listening and learning purpose.
There are crescendo and diminuendo expressions that I am not able to
recreate in Finale.
For example, I create a cresc. expression, open playback options,
choose the
, Marcello Noia marcellon...@gmail.com wrote:
I'm making a Finale file out of Weeping song by Shostakovitch to sort out
a MIDI file for listening and learning purpose.
There are crescendo and diminuendo expressions that I am not able to
recreate in Finale.
For example, I create a cresc. expression
Thanks Jari, I cannot find a way to make HP read my crescendo and
diminuendo expressions although.
Jari Williamsson ha scritto:
Marcello Noia wrote:
I'm making a Finale file out of Weeping song by Shostakovitch to
sort out a MIDI file for listening and learning purpose.
There are crescendo
Hi, I just switched to Finale 2010 and already found a strange problem.
All tempo alterations are not assignable to multiple staves! Why?
The V button beside the assign button is not clickable. Why on Earth
cannot I see those expressions on all staves of my choral piece?
The online manual gives
Thanks to Jari and Rich for info. It seems some things are getting much
harder to find in new versions, sometime hidden, sometime moved to other
menus.
At least it serves to make our brains work a lot more! :-)
Jari Williamsson ha scritto:
Marcello Noia wrote:
Hi, I just switched to Finale
Until 2006 version selectin the mass tool and typing the 5 key one
could get the total duration of the tune.
Where has this function gone?
Thanks again
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Pardon my curiosity :)
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. Where are you, Marcello?
Chuck
On Mar 29, 2010, at 5:56 AM, Marcello Noia wrote:
Pardon my curiosity :)
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Chuck Israels
230 North Garden Terrace
be Italian. I will be in Vicenza and
Verona on May 6 - 8, if you are anywhere near there.
Chuck
On Mar 30, 2010, at 12:38 AM, Marcello Noia wrote:
I am Italian, I play saxophones and clarinet (jazz and blues) and I am a
singer/arranger in a couple of choral ensembles.
Only recently I guessed
First stupid question is: did you check that different MIDI channels are
set for each instrument and for each layer?
Switching to default MIDI device (if you have one installed on your
machine, of course) gets the same trouble?
Haroldo Mauro Jr. ha scritto:
In a score for flute, clarinet,
... I mean, who would want a
new instrument, a flute, for instance, sounding as trumpet? Maybe this is a
stupid question.
Haroldo
At 9:14 +0200 03/05/10, Marcello Noia wrote:
First stupid question is: did you check that different MIDI channels are set
for each instrument and for each layer
I had a really bad experience with voices (hard to select and manage
them in speedy entry, impossibile to tie them in consequent measures,
really bad playback with trembling sound) so I definitely switched to
layers.
Mark D Lew ha scritto:
I typically use layers, not voices. Even if I only
I created a rallentando expression with the shape designer in one bar
of my choral work.
In the next bar I created an A Tempo expression setting the quarter
note at 85.
The playback keeps doing rallentando.
How do I reset that expression? Would not be enough to insert a new
expression like I
Thanks for reply, I actually did not understand exactly how to solve the
problem (my fault, of course).
Noel Stoutenburg ha scritto:
Marcello Noia wrote:
I created a rallentando expression with the shape designer in one bar
of my choral work.
In the next bar I created an A Tempo expression
Having a look at the flyer I see that the fonts look like those used by
recent Sher Music real books.
Nice look and readability
Good work
Marcello
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-pen work of their head copyist (except
for the New Real Book Vol 1, which is actually hand-copied; amazing
but true). None that I have use an Arial-based chord font. Can you
point me to a volume?
Christopher
On Tue Jun 22, at TuesdayJun 22 6:13 AM, Marcello Noia wrote:
Having a look
I don't understand how to buy the font set paying through paypal.
On your site I cannot find any order page.
Thanks
jclev...@aol.com ha scritto:
Hey folks. My associate Kent Williams presented ChordSymbol and JazzSymbol
in a video-conference for Indiana University Purdue University at
Holiday (or busy scheduled) time for most of contributors maybe
Michael Withers ha scritto:
Is the Finale list still working? I haven't received any postings in the
last couple of days.
Thanks
Michael
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Great Work Jari!
Il 05/11/2010 0.24, Jari Williamsson ha scritto:
Hello!
I have now made an update to the Windows version of JW Space Systems
to work with Finale 2011a or higher. (It'll work with earlier Finale
versions as well.) The most important addition in this new version is
that the
I switched from version 6 to version 10 and notice that in this last
version, being in speedyentry and inserting a chord then striking the
TAB key takes me to the next measure, while in version 6 the same key
took me to the next note or rest in the same measure.
Right arrow key won't do the job
Thanks, I will try that - Is it written somewhere in the (awful html)
manual?
Il 10/11/2010 14.42, Giz Bowe ha scritto:
At 07:59 AM 11/10/2010, you wrote:
I switched from version 6 to version 10 and notice that in this last
version, being in speedyentry and inserting a chord then striking the
I created a SATB score (4 separate staves) with an expression set to
create a playback swing effect at 75%.
Then I decided to create a divisi section (same staves, layer 2) where
second alto and first tenor
sing the same line. When I play back that section, tenor's line plays
with swing
A solution could be to create a new expression that sets swing playback
to 0 to be put at the beginning
of the section where you want normal playback. You can decide to make it
visible writing a description like even eights
or no swing or invisible letting the field blank.
If you have more than
Took a default file, added a staff to make a simple piano+acoustic bass
sheet.
At the beginning of the top staff I put the default swing expression
and set it to 75% value.
(First strange thing, why Finale allows me to assign it only to top staff?)
In piano staff I manually enter chords in half
On Feb 17, 2011, at 7:02 AM, Marcello Noia wrote:
Took a default file, added a staff to make a simple piano+acoustic bass sheet.
At the beginning of the top staff I put the default swing expression and set
it to 75% value.
(First strange thing, why Finale allows me to assign it only to top staff
Brand new score, Human playback set to none, no tempo indications set in
the score.
I enter some notes here and there, set the quarter to 100 bpm instead of
default 120.
Finale plays still at 120, the same if I set quarter or eight or half to
any value.
This did not happen in 2006 version (I
Messaggio originale
Oggetto:FinWin 2k11 - strange Hp rendition of ' (breath) sign
Data: Wed, 15 Jun 2011 10:45:56 +0200
Mittente: Marcello Noia marcello.n...@unimi.it
Rispondi-a: marcello.n...@unimi.it
A: finale@shsu.edu finale@shsu.edu
Why Finale
AM +0200 6/15/11, Marcello Noia wrote:
Messaggio originale
Oggetto: FinWin 2k11 - strange Hp rendition of ' (breath) sign
Data: Wed, 15 Jun 2011 10:45:56 +0200
Mittente: Marcello Noiamarcello.n...@unimi.it
Rispondi-a:marcello.n...@unimi.it
A: finale
Talking about velocities and MIDI, I experienced this:
on one staff I had a voice in layer 1, then added some
finger snaps X headed notes in layer 4, setting this one to mute.
When I saved the file as MIDI and played it with VanBasco,
the muted layer played back!
Why?
Il 17/06/2011 12.04,
I want to create a tempo variation that starts a Lentamente playback
on the last beat of a 4/4 measure.
I created the expression, set the value of the quarter note, assigned it
(it marks the dotted blue line at the
beginning of the measure), then edited it to start at the position where
I put
I have several files made (more fool me!) with Sigler's SwingFont.
Now I have to convert them in PDF to send them to musicians who
don't own Finale.
Making the conversion I get an Adobe error telling that the owner of the
font
(Macromedia) doesn't allow to embed the font in PDF's (unbelievable!).
As far as I know all Hammond players use Leslie (lately DeFrancesco is
endorsing KeyB and Numa Hammond clones that have a nice digital leslie
emulation).
I read that Brian Auger does not use it, preferring guitar and bass amps
or active speakers
to get a fatter sound.
Il 04/09/2011 20.11, Chuck
My 2 cents: I saw tenor parts in bass clef in two staff scores (SA
together-TB together) only,
while all 4 staff scores I could manage and sing got the treble(8) clef.
I think that the main reason
for using treble clef is an easier readability of the score, especially
when tenors have to reach
TgTools Custom Chords Styles plugin (DO,RE,MI,etc) does not work in
Finale 2011 (Windows).
Is there any workaround?
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I made a bigband score using the Finale template in Jazz font.
When I extract the parts, all of them at the same position sort out with a
multimeasure rest of 36 bars until the end of the piece when they should
all have notes instead.
I cannot understand where the problem could be.
Thanks for
Thanks, will try that.
Another problem: in Finale 2006 I could decide where to put the
instrument name
in extracted parts, here it seems I can only decide if to insert it or
not. What am I missing?
Il 05/06/2012 11:55, Lawrence Yates ha scritto:
I never had Finale 2011 but I had this problem
. Bailey ha scritto:
On 6/5/2012 4:34 AM, Marcello Noia wrote:
I made a bigband score using the Finale template in Jazz font.
When I extract the parts, all of them at the same position sort out with a
multimeasure rest of 36 bars until the end of the piece when they should
all have notes instead.
I
Driving me crazy...
I extracted all parts and each one jumps from bar 121 to bar 132 (that
is the last one of the piece)
What happened to the bars in the gap? The main score is complete.
Il 05/06/2012 12:00, David H. Bailey ha scritto:
On 6/5/2012 4:34 AM, Marcello Noia wrote:
I made a bigband
It seemed it won the beast at least!
Everything seems to work with linked parts.
Thanks for advising me
Il 05/06/2012 15:16, Marcello Noia ha scritto:
Driving me crazy...
I extracted all parts and each one jumps from bar 121 to bar 132 (that
is the last one of the piece)
What happened
Another little thing I did not get is to have part name in all pages of
the linked parts, kind of page 2 - Tenor sax - Night and day
which I could do in Finale 2006.
A little more help, please
Many thanks
Il 05/06/2012 15:16, Marcello Noia ha scritto:
Driving me crazy...
I extracted all parts
I think you should deal with notes inserted in layer 3 or 4 and set that
layer to be muted but
it's better to wait for experts reply.
Il 15/03/2013 11:38, Haroldo Mauro ha scritto:
Finale Mac 2012.
I've set the velocity of a few notes to zero through the process described
below:
Midi Tool
Hi to eveyrbody.
Having a rhythmic guitar part (Woodchopper's ball) where the last
quarter of a bar ties to the first quarter
of the next bar, why on hell the tie covers the whole next bar?
Last quarter = rhythmic notation
First quarter = slash notation
Tie = looong slur all over the
Grr..
HI, I got lost in searching about the way to get part names onto every page
of extracted parts.
Any help appreciated
Marcello
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- Original Message -
From: Phil Daley [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Wednesday, April 05, 2006 12:56 PM
Subject: Re: [Finale] Finale 2006 Win - not possible to run it
withoutadministrator rights?
At 4/5/2006 05:10 AM, themark wrote:
I installed Finale 2006 on a Win 2000
It happens that some messages I sent to the list
get this error:
Your message is being returned; it has been enqueued and undeliverable
for7 days to the following recipients: Recipient address: finale@lists.shsu.edu Reason:
unable to deliver this message after 7 daysDelivery attempt
- Original Message -
From: Scott Jones [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Tuesday, May 23, 2006 1:29 PM
Subject: Re: [Finale] Synchronisation of Finale playback with video
I hate to mention the OTHER competition but the latest version of
Sibelius (version 4) does this now.
I searched in the manual but could not find a
clue.
I have two staves:
in the first one there is music both in level 1
than level 2;
in the second one there is music only in level
1
Can I copy only level 2 of staff 1 into level 2 of
staff 2 without deleting its level 1?
I ask this
Some time ago I read a post here about a huge MIDI
classical database. I did not print that message and searching on the web is a
mess. Could someone kindly post the link to that site?
Many thanks
Marcello
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- Original Message -
From: Henry E. Howey [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Wednesday, June 07, 2006 10:07 PM
Subject: [Finale] GPO assist link is down
I just went to the GPO website, and it is down. MM may still have it?
Henry Howey
Professor of Music
Sam Houston
I have a choral score with a lot of "da va da ba"
and so on syllables that look well spaced in page view. When I print the pages
some of those syllables (attached to octave notes) get "glued" together. So I
assume it is a printersetup (I use alaser HPdevice). Some
hints?
Thank you
I notice that assigning any _expression_ sign to a
note, the playback starts on the next note. If I assign the _expression_ sign to a
rest before that note (when available) playback is ok. What I'm
missing?
Thank you
Marcello
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Forget about it, I forgot to set "attached to note"
instead of "attached to measure"
Thank you
- Original Message -----
From: Marcello
Noia
To: finale@shsu.edu
Sent: Thursday, June 22, 2006 10:47 AM
Subject: FinWin 2k5 - Expressions signs (f,p,ff etc.) not playing o
I don't know if it is a problem related to my keyboard but
the command alt+34 to switch between layers in speedy entry works only if I
deactivate and reactivate everytime the numlock on the numeric keypad.
No other way to dothat without being forced to use
the mouse?
Another question: is
Hi, surely my problem has been discussed before but I cannot recall if a
solution was found.
I have a score in Db major where a section goes in A major. Applying the
trasposition to the
alto sax part, the result is Bb major F# major. Is it possible that
the section in F# major could
be
Thanks for the reply, I also recall this kind of trick, but as the
problem involves only a part
of the score, the problem could be not so easily solved. The alto player
will have to deal
with that wood of sharps!
Il 03/05/2013 12:15, David H. Bailey ha scritto:
On 5/3/2013 5:32 AM, Marcello
Hmm, I'm not so sure, I play sax and don't like very much having to play
lots
of E# considering them natural F's...
Il 03/05/2013 14:38, Phil Daley ha scritto:
-Original Message-
From: marcellon...@gmail.com
The alto player will have to deal
with that wood of sharps!
Alto sax
it up.
Christopher
On Fri May 3, at FridayMay 3 7:46 AM, Marcello Noia wrote:
Thanks for the reply, I also recall this kind of trick, but as the
problem involves only a part
of the score, the problem could be not so easily solved. The alto player
will have to deal
with that wood of sharps
Finale Windows 2011: when I import in a sequencer (Cubase) a MIDI file
created in Finale with the save as... function,
I don't see the names given to every staff in Finale, so I have to
manually create tracks names in Cubase.
Staff names are not included in MIDI save as function? Is there a
Hi, could be that my brain is tilting, but I remember I could put in a
measure both slash and
rhythmic notation, why Finale 2011 tells me This style (slash) can only
be applied to full measures?
I have to fill in a 4/4 bar the first half with two slashes, the second
half with one dotted
I have 2011, 2012 and 2014a Finale versions installed on Win7.
I have no problems playing files with 2011 and 2012, while I get pops
and interruptions of playing
in 2014.
I tried playing both with default MIDI sounds and with Finale default
synthfont, with disabled and enabled Human Playback.
From my side (Win7 32 - 4gb RAM) Finale 2014a takes ages to load the
whole screen
(Windows wheel spinning eternally), back to Win2012 until good news
Il 09/06/2014 13:10, Jan Angermüller ha scritto:
Can you confirm that when Finale 2014b has finished loading on Windows
(it's Windows 7/64bit
I'm afraid I did not understand...
Il 27/08/2014 16:15, Howey, Henry ha scritto:
I've been resuscitating some 20+ year-old Finale files. Unless I open them in
2012 and immediately convert them into MusicXML 3.0 they cannot be reliably
be dealt with.
I must assume the same in 2014. I offer
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