manually, in a different tool. I make substantial
use of this tool, having discovered it when FinWin 2004 kept losing
systems between pages or duplicating them on two.
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using the
left and right arrow keys.
This is on a MacBook Pro, OS 10.4.10, Sib 4.1.5. Windows controls
are obviously somewhat different.
Indeed. My HP laptop differs to the extent of having both the page keys
and the fn key. I must see if AutoHotKey can recognize it.
--
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rule of imperfection in tempus perfecta (i.e. when a B
represents two Ss instead of three) on p.108 of Apel: A B-rest can
never be imperfected; however, a S-rest may cause imperfection of a note.
* this is a context in which it seems a bit perverse to call it a double
whole note.
--
Ken Moore
[EMAIL PROTECTED] wrote:
How come it's not Hes-Dur?
Because the B/H notation was invented before sharps and flats were, and
presumably Des, Es etc. came last.
B - flat sign
H - natural and sharp signs
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from
Spanish law, this having previously the longest period of the states
that were members at the time.
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how existing Sibelius users anywhere feel
about the special offer S~. has made to Finale users in the Western
Hemisphere?
I'm in the Western Hemisphere (by about 40 miles (:-), and my special
offer is seven times as expensive as the one available in the Americas.
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. America
residents only.
The discount price for Finale users in the UK is 386 Pounds Sterling. I'm used
to Dollar = Pound for software, but a factor of 9 is a new experience.
Ken Moore
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need the threat. All they do
is refuse to activate one with the serial number of an American copy.
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as the transfer of their software to a new system.
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during the last 20 years. When did you last fan a
pile of paper on all four sides?
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would prefer a commercial format.
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, especially for
a reduction in its use c. 1750. Spohr (c. 1840) I know, and Joachim
(c.1909) I been told, describe vibrato as an embellishment to be used on
particular notes, possibly more by soloists than by ripieno players.
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choirs were the norm in early 18th century Germany.
That's a ridiculous straw man -- it's not even close to what anyone
is suggesting in this discussion.
It's pretty close to what Koopman has been suggesting for the last 20 years.
--
Ken Moore
in some Tchaikovsky ballets and Prokofiev's
Lieutenat Kijé also. I would expect historically informed conductors
like Norrington (who did the Brahms symphonies with a near approximation
to the original instruments about 10 years ago) and Rattle to insist on
having the right instrument.
--
Ken
Bruce E. Clausen [EMAIL PROTECTED]
wrote
Another problem (WinFin06c)! I'm attempting to insert
43 mm. on the front of a file.
I eventually worked out that you didn't mean millimetres (:-)
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than the computer variety,
which is why some people took years to stop calling solid state memory core.
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are optimised out.
In the UK, rehearsal pianists rarely have a page turner, so whether or
not they are expected to play the solo passage, the fewer page turns
they have to negotiate, the better they are pleased.
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rest (mandatory, AFAIK, if the visible notes are
a cue) in the part? I always put in a real one (WinFin 2004).
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weird Human Playback effects.
Have you tried custom HP? In WinFin 2004 you can choose a version from
the menu as basis and switch off the features you want to avoid.
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unreliable.
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BMV, so I hope I found the right one. The time
signature is 3/8; the trill is on a dotted quarter A; the LH
has 16ths in this measure.
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some dark corners and
leaves others unrevealed.
Likewise
Yup, Schenker was a chauvinist. But then, aren't we all in
some way?
Maybe, but not to the extent of considering Paganini and Crueger masters
while denying that status to Debussy.
--
Ken Moore
, and a
chauvinist in his musical tastes. Moreover, his later supporters include some
with similar ignorance of, or contempt for, the facts of acoustics and
psychology.
(see http://www.mooremusic.org.uk/schenk/index.htm, Section 9, Paragraph 3, for
two examples).
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, but barrels
of oil are 35 gallons (according to the Chambers Dictionary).
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and have the choice to observe this rit.
or not.[...]
True, but you can select custom, select the style that you
wish to use as a basis and remove features you don't want. I
suspect this one is final bar
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one) on a
range of pages.
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Madrigal, which I used to play with my son and daughter on
horn, trombone and bassoon.
June Emerson's Brass catalogue has over 250 trombone quartets in it.
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then arises, Why not notate it in treble clef?
A possible reason is that it is a 1st or 3rd horn part that shares a stave in the score
with a low note from 2nd or 4th. IIRC, that situation arises in one of Strauss's
Four Last Songs.
--
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) I see no problem in providing
dual time signatures at the start and using beaming to differentiate.
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for its figures (with
ascenders and descenders). At 22 point, it has about the same x-height
as 24-point TNR, but it may be too wide for your purposes.
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Finale hogging the CPU, even when parked. I delete it
and the computer returns to normal behaviour.
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of the importance of '50s
rock 'n' roll and how abysmally far under the radar it was
at the time.
I recall hearing Bill Haley and the Comets playing Rock around the Clock on
Radio Luxembourg Top Twenty in 1955 or '56, so it had made some impact in Europe.
--
Ken Moore
scientists would. But all
scientists pay lip service to it as an ideal
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by composers from
the 18th C onward, to provide striking modulations.
The 35 note name system is better than 12, but we really ought to
have 53, so as to distinguish major and minor tones
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/minute, .wav is c. 10 Mbyte/minute
for 16 bit stereo at CD rate (44100 Hz).
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at 320 kbit/s., and confirmed your first finding:
Coding kb/s Size (kB)
MP3 -- 128 -- 2949
MP3 -- 320 -- 7373
wav - 1283.2 32505
I haven't looked at content variation. Can you easily post
some examples?
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use Media Center, but Windows
Networking allows me to use the laser printer on my wife's PC, both PCs
running under XP Home Edition. Our router is a Linksys ADSL Gateway,
that also gives access to broadband for these and one other computer.
--
Ken Moore
Noel Stoutenburg [EMAIL PROTECTED] wrote: Ken Moore wrote:
In my WinFin 2004 (under XP), optimisation in the Page
Layout tool occasionally gives anomalous results.
[...] I have tried update layout, but never seen it work;
I think first thing Id try is Update Layout on the Edit
menu
page.
I Display Multiple Pages when doing Page Layout. Consequently, when I
notice the duplication, I am always on the first page of the two.
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dhbailey [EMAIL PROTECTED] wrote:
Ken Moore wrote:
Please will you tell me the place in the WinFin 2004 UI that allows me to
set the size of the handle square.
I did want to point out that MakeMusic have finally included
that option in the Program Options dialogue (Finale2007
items.
Any ideas?
TIA
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David W. Fenton [EMAIL PROTECTED] wrote:
But why do you need to edit those? Don't your
applications provide UIs for changing their settings?
Please will you tell me the place in the WinFin 2004 UI
that allows me to set the size of the handle square.
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between 1500 and 3000 words.
* ISTR that being able to read without actually saying the
words was regarded as a major intellectual achievement
in the Middle Ages.
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in a Windows emulator inside Linux.
Does anyone know of that having been done?
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Phil Daley [EMAIL PROTECTED] wrote:
At 1/26/2007 04:23 AM, Ken Moore wrote:
Hibernation doesn't cause me any peripheral
problems, AFAICS, [...]
That is probably because you are running WinXP and
David recommends Win2K
True that I am.
--
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devices.
The function is presumably provided by the maker, not
by Microsoft. My laptop is a HP pavilion 4500, and
hibernation is provided by a convenient, blue-lit
button.
--
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intermittently
it is very difficult to close Finale down from this condition and Windows
reboot may be the only option.
* I'm getting better at saving the file before playback.
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I use Mozilla Thunderbird (with Windows, but I believe a Mac version is
available). Reply produces (in order) the quoted original text, the
cursor, the sig.
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, who typically want to play at least two different pitches for D
or A or both.
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than
harmonic, the difference increasing with higher numbers.
It's a fairly small effect, enough to ameliorate the roughness
of thirds in ET 12, but less than enough to eliminate it
altogether, even on the piano.
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the historical evidence.
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(which a good player usually
gets close to a
just major third apart, whatever fingering s/he uses).
* similar tuning to an alphorn, of course.
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it among
the Serenades as a genre. But a contemporary report on a performance
of the work says it was performed on ein Contre-Violon, which would
be contrabass (this from the forward in the NMA). [...]
This identification is strongly supported by the pizzicato markings in
the part.
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decided to have
another look after 2 p.m. my time.
-
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of a word. Through speakers, a 10 ms. gap in a hissing sound* could be heard
(by me and a few others), while through speakers gaps less than about 50 ms.
were not detectable (in a lecture theatre seating about 200).
* The gap turned s into st.
--
Ken Moore
#
If you want to work in ET31, you can add double flats and double sharps
to give enough
different pitch classes. I would want automatic application of the
pitch bend before I tried
that, and can't think how to do it.
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Eric Dannewitz [EMAIL PROTECTED] wrote:
Forests...Oh, those things I've seen in books...
Even in cosy Berkshire, England, Mariposa County has a high reputation.
Haven't you ever felt inclined to visit Yosemite?!?!
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image do you have when you read it or hear it. I really
appreciate your help!
I associate it with souverain = French for sovereign or supreme.
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(in the digest). I urge all contributors not to make the
nth contribution to a thread until they have removed all those before
the (n-1)th.
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keyboard in speedy entry and the
chords are not too widely spread) and explode it to the ones below it.
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both know has said the same thing. ;-)
It's too bad that the dreck-to-pearls ratio is what it is...
Is it worse there than anywhere else? ISTR that someone once said
something like:
90% of everything is cr*p.
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as a program.
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always pleased to see it in parts from which I play.
They are especially helpful in French music (Franck and Saint=Saens
symphonies in recent memory) in editions that make 3 and 5 almost
indistinguishable.
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assumptions are not
necessarily appropriate, but I would still prefer the relationship that
David suggests.
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were produced before
operational research was invented, so I don't suppose there were double-blind
comparisons with a control group.
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find generally more legible than Times New Roman in a given size.
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, with [n] nasal.
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dictionary has lingère (= linen maid) but
lingerie with no accent. Do I understand that there is one in
French-Canadian spelling?
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instead of green sweater.
Gren-itch is standard BBC pronunciation for Greenwich, England, and green-witch
for Greenwich Village, but the inhabitants of Greenwich, England, mostly call
it grin-itch.
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: Scoring for Various Ensembles, of which 7 pages are specifically for strings. However, the string quartet is not mentioned.
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, nor was it one of
about nine variant spellings in the Oxford.
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, against virtually none that end with a sound like
-cle-ar.
That doesn't stop me from thinking that anyone who pronounces it
[nukjulr] is a grade A idiot
(even if he is a high-ranking member of the US Federal Government).
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(and scale) back
to normal before adding the pitch bends.
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(composed c. 1930) concerning lack of confidence in someone
who fails to keep his hat clean:
This person hates sadly-boiled rats
In the drain as quite messy, so that's
A sign that I am
Not to dust him a tram;
Besides, he has spurious cats.
Ken Moore
apply to Finale, IIRC that the CD
provided has both Windows and Mac versions.
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David W. Fenton wrote: On 12 Oct 2006 at 19:15, Ken Moore wrote:
Is there a Linux implementation of Windows networking?
SAMBA. It's available in every Linux distribution I've ever heard of.
Thanks.
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this reply, and
2. The Finale group signature.
On the version of the digest that I receive, your new material, David's post
and the Finale signature were all included twice, between the message number
(26) of its post and that of the next one. The digest never has attachments.
--
Ken Moore
to Windows Networking on both OSs? or must I buy something?
In the longer term, there is still the tempting prospect of getting a
Finale and a Linux configuration (possibly running a Windows emulator)
that are mutually compatible.
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, so what can you expect!?!!
Nuns on roller-skates! ("Le Prophte", 1849)
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satisfactory semi-public performances this year, with sizeable invited
audiences; the third and fourth get their premières next Saturday, with
quality of performance still somewhat in the balance.
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tasten: keyboard glockenspiel.
According to the NMA score, Mozart called it strumento d'acciaio, with
(glockenspiel) after it, but the latter possibly an editor's added
translation. Also a keyed glockenspiel is jeu de timbres as required
for Turangalila.
--
Ken Moore
Genuine Advantage (WGA) met all the EU criteria (and those
of some states of the US) for illegal spyware; and that some Vista
features and important updates will be available only on computers on
which WGA is implemented.
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of the orchestra since before 1865
(Meyerbeer); and is used in important works by, inter alia, Bizet,
Debussy and Rachmaninov.
* I write only for human players, mostly my amateur musician friends, so
realistic play-back is not a strong requirement.
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, this was the quickest entry method I found.
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2005) makes it clear: close
encounters occur roughly every two years. 2003 was very close, 2005 fairly.
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and 19th
centuries. From my recollection of the G bass trombones of my youth,
modern tenors have bigger bells.
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I would append vn, va, vc and cb in non-printing style.
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it at its first rehearsal with the orchestra. The
waltz gave him severe problems, so he called an interval, after which he
returned with the solution: un, deux, trois, qua-tre, cinq.
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, at least of the first section.
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are very quick.
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and
the von Neumann Machine (to which real computers are an approximation)
is equivalent to a Universal Turing Machine. Any modern processor,
combined with sufficient memory, could provided a virtual DOS
environment. The only question is whether it would be fast enough to be
useful.
--
Ken Moore
Eric Dannewitz [EMAIL PROTECTED] wrote
But WHY do you want or NEED to run 6 year old software on a modern
computer??
Because it took me a long time to write it (about 12 years ago), and I
don't want to rewrite it.
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Musician and engineer
in QuattroPro.
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at the RH
end), instead of End of Piece.
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, and never as few as
32, which is what all the others appear to be.
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didn't discover whether it gave
any help with pitch bend for playback.
[...]
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. They were
much more distinguishable than 3 and 5 in the font the publisher had
used.
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the end or to the beginning of
a tie is the Barenreiter NMA, presumably because that's what Mozart did.
I don't care for it, but it's a precedent of some stature.
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have had that as their
principal function.
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