Re: Renaissance guitar tablature issues (previously was next issue with renaissance guitar tablature - lines representing sustained notes)

> > > > Hello, > > > > Le 26/03/2021 à 15:23, bart deruyter a écrit : > >> Hey, > >> > >> - thanks for the idea, but after some thought, I'm afraid it won't > work. Glissandi don't seem to be the right tool anyway since in the regular > st

Re: next issue with renaissance guitar tablature - lines representing sustained notes

> Am Mi., 24. März 2021 um 23:03 Uhr schrieb bart deruyter < > bart.deruy...@gmail.com>: > >> hello all, >> I've continued working on my tablature for 4-course renaissance guitar. >> - I've got the old-style rhythm notation, the letters by using a specific >&

Renaissance guitar tablature issues (previously was next issue with renaissance guitar tablature - lines representing sustained notes)

hese might be an interesting starting point. Grtz, Bart https://esmiltania.be On Twitter <https://twitter.com/Bart_Issimo> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> Op do 25 mrt. 2021 om 20:10 schreef Jean Abou Samra : > > Le 24/03/2021 à 23:02, bart deruyter a é

next issue with renaissance guitar tablature - lines representing sustained notes

hello all, I've continued working on my tablature for 4-course renaissance guitar. - I've got the old-style rhythm notation, the letters by using a specific font (could we get these types of letters implemented in lilypond's default font? I guess lute players would feel very happy about it too.) -

Re: changing rhythmic representation to align 8ths with 4ths

ns somehow, to make 8ths seem like > 4ths or vice versa? > There is some info on how to do that here: > http://lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms#scaling-durations > \scaleDurations 2/1 might do what you want. > > Kevin > > On Tue, 23 Mar 2021

changing rhythmic representation to align 8ths with 4ths

Hello all, Working on writing down a renaissance piece, tablature combined with regular notation, I'm stumbling on the rhythm issue. For example, I have this piece where I've written everything in 2/8, to get the correct rhythmic representation in my renaissance tablature, but I want the modern

Re: renaissance guitar - tablature

ts-for-sibelius/ > > Hope this helps, > Jean > > Le vendredi 19 mars 2021 à 10:31 +0100, bart deruyter a écrit : > > Hello, > > > > I have the luck of having a partner who builds instruments. Recently > > she has finished her first four course (actually 7 strings, 3

renaissance guitar - tablature

is of that implementation, if it's implemented somehow in lilypond, or if there is a similar library we can include. thanks, Bart Deruyter https://esmiltania.be On Twitter <https://twitter.com/Bart_Issimo> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/>

Re: new compositions - typesetting - guitar

com/u/0/b/116379400376517483499/> Op wo 9 dec. 2020 om 01:13 schreef Devin Ulibarri : > Hi, > > I am a guitarist and I would love to read through it. > > If, for some reason I do not get back to you in a day or two, please > feel free to ping me. > > (Kind of busy, but

Re: stem length in a three voice setting

(via Gmail) > > > On Sun, Oct 18, 2020 at 1:28 PM bart deruyter > wrote: > >> Hey, >> >> @Aaron: thank you that's what I'm looking for, thanks! >> The version that is posted is not the one that is used, for some reason, >> frescobaldi always enters an o

Re: stem length in a three voice setting

f Aaron Hill : > On 2020-10-18 12:37 pm, bart deruyter wrote: > > Hello, > > > > I'm trying to typeset a score of Sor, a piece with three voices and > > have trouble finding a way to shorten the stem length of the middle > > voice to make it fit to be between

stem length in a three voice setting

nce for pointing me in the right direction :-) Bart Deruyter https://esmiltania.be On Twitter <https://twitter.com/Bart_Issimo> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/>

Re: lilyglyphs not found in ubuntu packages 20.04

Am Freitag, den 28.08.2020, 21:20 +0200 schrieb bart deruyter: > > Hi all, > > I would need to start working on my project again, using luatex, lilypond, > lyluatex and lilyglyphs. But lilyglyphs appears to be missing from the > ubuntu packages. This summer I upgraded to 2

lilyglyphs not found in ubuntu packages 20.04

Hi all, I would need to start working on my project again, using luatex, lilypond, lyluatex and lilyglyphs. But lilyglyphs appears to be missing from the ubuntu packages. This summer I upgraded to 20.04 though, and I found out to my surprise, lilyglyphs is missing. It is present in 'eoan' though.

Re: lilyglyphs.sty not found after upgrade to ubuntu 20.04

;> > Am Donnerstag, den 02.07.2020, 10:18 +0200 schrieb Urs Liska: >> > > Am 2. Juli 2020 10:00:25 MESZ schrieb bart deruyter < >> > > bart.deruy...@gmail.com>: >> > > > Hi all, >> > > > a bit off topic, but I thought maybe here

Re: lilyglyphs.sty not found after upgrade to ubuntu 20.04

<https://plus.google.com/u/0/b/116379400376517483499/> Op do 2 jul. 2020 om 17:13 schreef Urs Liska : > Am Donnerstag, den 02.07.2020, 17:01 +0200 schrieb Urs Liska: > > Am Donnerstag, den 02.07.2020, 10:18 +0200 schrieb Urs Liska: > > > Am 2. Juli 2020 10:00:25 MESZ schrieb ba

lilyglyphs.sty not found after upgrade to ubuntu 20.04

Hi all, a bit off topic, but I thought maybe here someone would know something. I've recently upgraded to ubuntu 20.04 and tried to compile a luatex file containing lilypond material, using lyluatex and lilyglyphs. Now my system complains about 'lilyglyphs.sty not found'. I thought it would have

Re: two-way synchronization (live or otherwise) between Lilypond and a DAW

Hi, I don't know if it is an interesting way, or even a possible way, but Ardour has built in lua scripting to automate tasks: http://manual.ardour.org/lua-scripting/ grtz, Bart https://esmiltania.be On Twitter On Google+

Re: lilypond.org error 500

I've got the same thing here in Belgium. https://esmiltania.be On Twitter On Google+ Op zo 10 mrt. 2019 om 09:25 schreef Andrew Bernard : > Also seeing it here in Australia. Error 500. > > On Sun, 10 Mar

Re: lilypond.org blocked by OpenDNS?

Maybe something to do with http versus https ? Op zo 6 jan. 2019 21:05 schreef N. Andrew Walsh Hi Sasha, > > Likewise, happy New Year. > > On Sun, Jan 6, 2019 at 8:12 PM SashaO wrote: > >> Hello and Happy New Year! >> >> I have something installed on my computer that uses OpenDNS and it blocks

Re: fisisis impossible?

Hey, thanks for the info :-) . I thought about something like that, but now how to get that in "\chordmode". I make a \chordmode entry for both the chord names and the diagrams, looks like this would only work on notes. I know it is a rare situation in which triple sharps and flats are used.

Re: fisisis impossible?

9/> 2018-03-10 21:33 GMT+01:00 Ben <soundsfromso...@gmail.com>: > On 3/10/2018 3:20 PM, bart deruyter wrote: > > Hi all, > > got in a situation, trying to describe the bis augmented chord in second > inversion, which would contain fisisis in a slashed chord name. > &g

fisisis impossible?

Hi all, got in a situation, trying to describe the bis augmented chord in second inversion, which would contain fisisis in a slashed chord name. Lilypond returns an error, unexpected symbol, expecting tonicname pitch, which makes me believe that lilypond does not know triple sharps (isisis). Am

Re: Hammer-on and pull-off

Hi, in my experience there seems to be a difference in notiation between classical music for gutiar and popular music. So far I have never seen H or P in scores for classical guitar, but sometimes in educational books. On the other hand I have sometimes seen it in sheet music for popular music,

Re: markup circle and sub

Hey, I found that this works: \version "2.19.62" \mark \markup \box {\concat {A \sub 1}} grtz, Bart http://www.bartart3d.be/ On Twitter On Identi.ca On Google+ 2017-11-10

Re: Parallel Square Premusic

Hi all, has nobody here visited his website? I took the risk :-). it will save a lot of typing-time. grtz, Bart http://www.bartart3d.be/ On Twitter On Identi.ca On Google+

Re: tag - midi

400376517483499/> 2016-12-07 12:53 GMT+01:00 Hans Aikema <hans.aik...@aikebah.net>: > > > On 7 Dec 2016, at 08:31, bart deruyter <bart.deruy...@gmail.com> wrote: > > > > Hi all, > > > > I'm sorry for this late reply, it has been quite busy here. > &g

Re: tag - midi

gt; (via Gmail) > > On Fri, Dec 2, 2016 at 2:40 PM, Darren Modra <dar...@modra.net> wrote: > >> Hi Bart, >> I think you'll find that if you don't save your work in freescobaldi >> before running it, it will put the PDF and midi files into a temporary >> folde

Re: tag - midi

oogle.com/u/0/b/116379400376517483499/> 2016-12-02 21:51 GMT+01:00 bart deruyter <bart.deruy...@gmail.com>: > Hi all, > disregard this mail.. it does work.. :-) > What made it work is : save the file first. Apparently frescobaldi > re-renders unsaved work into pdf's, but not midi-files.

Re: tag - midi

identi.ca/bartart3d> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> 2016-12-02 21:44 GMT+01:00 bart deruyter <bart.deruy...@gmail.com>: > Hi all, > > I did some experimentation with the \tag command. It is great for > different editions of printed music o

tag - midi

Hi all, I did some experimentation with the \tag command. It is great for different editions of printed music of course, but I tried it in the midi block without luck. I'm trying to create some music dictation exercises and want to separate the midi file for the student in parts of each 2 bars,

Re: New LilyPond website

Hi, I really like what you did too, but I share the worries I read in this thread as well. I've tried the dutch translation and it is clear that is auto-translated. My main language is Dutch I find it almost unreadable in Dutch. My main issue with the current lilypond website is that it is not

Re: Counterpoint (was: request for programming advice)

would not be trivial (as Urs > says), but I'll talk to one of my colleagues who is a much better > programmer and see what he says. > > On Tue, Nov 8, 2016 at 9:57 AM, Urs Liska <u...@openlilylib.org> wrote: > >> >> >> Am 07.11.2016 um 13:21 schrieb bart

Re: request for programming advice

Hi, I also was about to suggest vexflow, but someone beat me to it :-). I've recently started studying species counterpoint and actually was looking for something which you provide on your website :-) . The applets don't show here though (linux, chrome). I'd appreciate it if you'd let me know

ties in volta / alternatives

Hi all, I've ran in a situation here with a tie in the first alternative of a volta repeat. The tie is on the last note of the first alternative. The second alternative has the same note and lilypond renders the tie to the second alternative, while it should render half a tie, which points to the

Re: vertical spacing of included file

'm still open for suggestions :-) grtz, Bart http://www.bartart3d.be/ On Twitter <https://twitter.com/Bart_Issimo> On Identi.ca <http://identi.ca/bartart3d> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> 2016-10-07 14:45 GMT+02:00 bart deruyter <ba

vertical spacing of included file

Hi all, back to my book of etudes, I've encountered an issue with vertical spacing. The standalone .ly file renders the score perfectly well on one page, without a pagecount setting, I even increased the system-system-spacing in the paper block, to spread it more evenly over the page. The

Re: midifile output name

; > you can try something like > > \book { > \score { > … > \midi { … } > } > \bookOutputName "andante" > } > > for each of the etudes, and one \book{} for all the pdf output. > > HTH, Simon > > > On 29.09.2016 20:19, bart deruyter

midifile output name

Hi all, I've got a collection of etudes for my students here, included in one file, to create one pdf. I've enabled midi, but now I've got a bunch of midi files which all have the name of the lilypond document, like this: The .ly file with the collection is called "Study collection.ly" The midi

Re: Drop tuplet number?

Hi, if I understand your question, this moves the tuplet number: \version "2.19.47" { \omit TupletBracket \voiceOne \partial 4 \override TupletNumber #'Y-offset = #1.4 \tuplet 3/2 { bes'4 a'8 } d''4 } Increase the number to position it higher, decrease it to get it lower. There's

Re: guitar scale diagram - change root

ogle+ <https://plus.google.com/u/0/b/116379400376517483499/> 2016-09-01 21:16 GMT+02:00 David Kastrup <d...@gnu.org>: > bart deruyter <bart.deruy...@gmail.com> writes: > > > #(define-markup-command (scale-diagramm layout props arg1 arg2 start arg3 > > arg4) (list? intege

Re: guitar scale diagram - change root

0/b/116379400376517483499/> 2015-11-22 10:21 GMT+01:00 bart deruyter <bart.deruy...@gmail.com>: > Hey, > > thank you for the idea's. I thought I had to add an argument to the list, > but I'm not that advanced in using lilypond to implement it myself. With >

Re: notation of wind chimes

nu Muzhic <imj-muz...@bluewin.ch>: > Hello Bart, > > From Adler’s book: > > > HTH! > > JM > > Le 29 juil. 2016 à 13:44, bart deruyter <bart.deruy...@gmail.com> a écrit > : > > Hey, > > thanks for the tips, I'll try to find that book of Adler.

Re: notation of wind chimes

osers (and the orchestrators, too). > > Best > Raphael. > > > Am 28.07.2016 um 20:23 schrieb David Wright <lily...@lionunicorn.co.uk>: > > On Thu 28 Jul 2016 at 19:40:44 (+0200), bart deruyter wrote: > > ok, some progress :-) > > I found something with

Re: notation of wind chimes

bartart3d> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> 2016-07-28 20:23 GMT+02:00 David Wright <lily...@lionunicorn.co.uk>: > On Thu 28 Jul 2016 at 19:40:44 (+0200), bart deruyter wrote: > > ok, some progress :-) > > > > I found something wi

Re: notation of wind chimes

n Twitter <https://twitter.com/#%21/Bart_Issimo> On Identi.ca <http://identi.ca/bartart3d> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> 2016-07-28 18:07 GMT+02:00 bart deruyter <bart.deruy...@gmail.com>: > Hi all, > > this is not a lilypo

notation of wind chimes

Hi all, this is not a lilypond-specific question, but I guess I might find something here :-) . I'm writing down some music I first made in Ardour, with orchestral sample libraries. I'm not quite familiar with percussion notation. I make use of wind chimes in the music. it already seems

Re: realtimeMIDI2LilyPond / realtimeMIDI2MusicXML

Hi, frescobaldi does step-recording, I just tried it, works fine here :-) grtz, Bart http://www.bartart3d.be/ On Twitter On Identi.ca On Google+ 2016-07-13 11:44

Re: lilypond - Tex

Hi all, thanks for the suggestions and ideas. I posted this not only for practically using it at the moment, but for triggering some ideas and thoughts for the future. It is obvious that music typesetting is meant for complete scores, but the mix of text and music seems quite frequent too. On

lilypond - Tex

Hi all, the thread "state-of-the-art for algorithmic hooks and Lilypond+(La)TeX" caught my eye because I recently started documenting what I'm studying in music and because I often stumble upon pdf's in imslp, method-books for guitar and piano, which use a lot of text and scores (obviously). In

Re: note names as solmisation printed as markup automagically?

bartart3d> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> 2016-05-30 21:11 GMT+02:00 Anders Eriksson <lilyp...@andis59.se>: > On 2016-05-30 20:50, bart deruyter wrote: > >> Hi, >> >> it would only be for my students. I would alter my guitar c

Re: note names as solmisation printed as markup automagically?

-Anglophones > use "si". > > There are a number of articles on differenct aspects of the topic in > Wikipedia: > https://en.wikipedia.org/wiki/Solf%C3%A8ge > https://en.wikipedia.org/wiki/Tonic_sol-fa > https://en.wikipedia.org/wiki/Solmization > > Regards, > Mart

Re: note names as solmisation printed as markup automagically?

nti.ca <http://identi.ca/bartart3d> On Google+ <https://plus.google.com/u/0/b/116379400376517483499/> 2016-05-30 17:48 GMT+02:00 Anders Eriksson <lilyp...@andis59.se>: > On 2016-05-30 13:45, bart deruyter wrote: > >> >> So I was wondering, would there be a way to

note names as solmisation printed as markup automagically?

Hi all, I've found a pdf on imslp with music of Sagreras. The names of the notes are printed above the notes that are played. Since I teach guitar to people without prior knowledge of music theory, I often use tabulature. Now I have some people who want to learn how to read notes. Here in

Re: score as footnote/footer

hey, maybe a bit late, but I've done this in footnotes in the past. There was one issue though, footnotes are placed on top of each other like: 1. one score here 2. second score here. 3. third score here. What I needed back then was footnotes next to each other like: 1. one score here. 2.

Re: Fonts from the former fonts.openlilylib.org

Hi all, reading this thread, I've been doing some searching, rather 'googling' about fonts and lilypond. Given the current situation, there is a lot of confusion. With this I mean that right now I find everywhere that you can change the font, of course fonts.openlilylib.org is closed, which

Re: guitar scale diagram - change root

> well: > > http://lilypond.1069038.n5.nabble.com/Guitar-Fret-Diagram-scale-degree-below-string-td179664.html#a179739 > > Cheers, > Klaus > > ChangeRoot.ly > <http://lilypond.1069038.n5.nabble.com/file/n183842/ChangeRoot.ly> > > > bart deruyter wrote > &g

guitar scale diagram - change root

Hi all, I'm assembling a list of scales for my students. with scale diagrams. I've successfully implementend : http://lsr.di.unimi.it/LSR/Item?id=790 . But now I stumble on another problem. The snippet for the scale diagram assumes that the lowest sounding note is the root of the scale. What if

Re: quarter-tone tablatures notation

> but it sure is possible to "bend" open strings using the tuning heads. On electric guitar bending open strings is easily done with the tremolo arm. I've seen it in some transcriptions of guitar-solo's in popular music, but I can't recall where I've seen it. grtz, Bart

Re: idea for fretboard-diagram chords

; > > Am 18.09.2015 um 08:40 schrieb bart deruyter: > >> Hi all, > > [...] > >> For inversions one might choose a number based on the n'th note of a > >> chord, for example 2 as the second note from the root note, which in the > >> case of c:m would

Re: OT: Beauty of programming languages

My turn :-) I'm 40, started using lilypond a couple of years ago, I think in 2012, not sure actually. I play guitar as first instrument and teach it in non-traditional schools, mainly because I don't have the qualifications on paper and now it's too late/expensive/time_consuming to get one. I

idea for fretboard-diagram chords

Hi all, in my study about jazz it became very clear to me that the predefined fretboard diagrams in lilypond are very limited, and why. There just are too many ways to form a chord on the guitar to list them all. I know the user can create their own custom fretboard tables, but in my case, each

Re: showing alternative chordname

/116379400376517483499/ 2015-08-03 11:35 GMT+02:00 Michael Hendry hendry.mich...@gmail.com: On 3 Aug 2015, at 10:16, David Kastrup d...@gnu.org wrote: bart deruyter bart.deruy...@gmail.com writes: Hi all, I got stuck here in a transcription of a folk tune. I'd like to show

showing alternative chordname

Hi all, I got stuck here in a transcription of a folk tune. I'd like to show a possible alternative for a chord e.g.: C(Gm7). It's written like this in the orignal, but I'm not sure if that's the correct way to describe a possible alternative for a chord, or how to achieve it. if anyone has an

Re: (hypothetical) Availability of LilyPond engravers

Hi, I think it's a very interesting question, but I think the answer will always be very vague. Not only is it hard to estimate how many people use lilypond, but it is, even harder to find out what is ment with 'qualified engraver', at least here in Belgium, because I don't even know what a

Re: book parts and page breaks

Francesco, when I started with lilypond it was confusing for me too. You can however have multiple score blocks in one file. Then they don't end up on one system. My workflow on large amounts of exercises is as such: - create a file for each exercise - create a new file, in which you include

Re: switching stem direction within voice to avoid collisions

thanks for the quick solution. I've adapted the example of Pierre, to a score without the use of contexts and omitted assigning a voice to the 'voiceTwo' part. That made it possible for the 'mergeDifferentlyHeadedOn' to show the half-note. Using contexts lilypond threw an error when not assigning

switching stem direction within voice to avoid collisions

Hi all, I'm typesetting something from Heinrich Albert and one exercise has three voices. To avoid collisions, they switch the direction of the stems within one voice and I haven't found how to achieve it. If someone knows where to find this in the documentation or in a snippet... The image

Re: Henle Music font

Thanks indeed,and yes, incredible how fast you get things like this done. I hardly have tried out one of the others and there is another font :-). More things to try out, fun fun fun... http://www.bartart3d.be/ On facebook https://www.facebook.com/pages/BartArt3D/169488999795102 On Twitter

Re: fonts.openlilylib.org is live!

Wow, this is fantastic. I just installed the latest development version, downloaded the font files and set them in the right directories and voilà, done. It simply works :-p . Congratz, Bart http://www.bartart3d.be/ On facebook https://www.facebook.com/pages/BartArt3D/169488999795102 On

rest collisions warning but no collision

Hi all, running this code (also in attachment) results in a warning saying there are too many colliding rests. I don't see where the collision could be though, the warning shouldn't be there in my opinion. I know it renders fine, but still, I prefer results without warnings, it makes me worry that

Re: rest collisions warning but no collision

and lower voices. -- Phil Holmes - Original Message - *From:* bart deruyter bart.deruy...@gmail.com *To:* lilypond-user@gnu.org *Sent:* Friday, September 05, 2014 2:53 PM *Subject:* rest collisions warning but no collision Hi all, running this code (also in attachment) results

Re: Lilypond and eBooks

Calibre can be used to create new e-books from scratch since sigil development is taken over by the developers of calibre and it already has been integrated. You do might have to use the newer versions of calibre of course. It works pretty good, automatic arranging of content into directories,

Re: Lilypond and eBooks

One important tip: keep it simple, though that can become complicated. I've just converted my guitarbook to an epub, manually with calibre. Sigil is integrated with calibre. With simple I mean, no indents and for each line of score a seperate image. That way the reader can scale to the width of

stem length in polyphony

Hi all, I'm looking for a decent solution for, what seems to me as a tricky situation :-) I've attached an image and a .ly example. I've tried overriding the beamed lengths of the 16th notes, but it does not seem to work with e.g. \override Stem.details.beamed-lengths = #'(0.5) . This override

Re: stem length in polyphony

://plus.google.com/u/0/b/116379400376517483499/ 2014-07-13 10:52 GMT+02:00 bart deruyter bart.deruy...@gmail.com: Hi all, I'm looking for a decent solution for, what seems to me as a tricky situation :-) I've attached an image and a .ly example. I've tried overriding the beamed lengths of the 16th

Re: stem length in polyphony

bart deruyter bart.deruy...@gmail.com: I've attached an image and a .ly example. Here's what I'd do : \version 2.18.2 global = { \key e \minor \time 2/4 } upper = \relative e' { \global s2 | \bar |. } lower = \relative e { \global e4 dis8 dis | } centerup

rest collisions

Hi all, I've got an issue here with rests. I have three voice score with rests in the second voice . There simply is not enough space for the rest between the highest and the lowest note, so I tried to move the rest to the left using: \once \override Rest #'extra-offset = #'(-1 . 0) Is there a

Re: rest collisions

/Bart_Issimo On Identi.ca http://identi.ca/bartart3d On Google+ https://plus.google.com/u/0/b/116379400376517483499/ 2014-07-01 21:24 GMT+02:00 Simon Albrecht simon.albre...@mail.de: Am 01.07.2014 20:50, schrieb bart deruyter: Hi all, I've got an issue here with rests. I have three voice score

Re: rest collisions

/ 2014-07-01 22:41 GMT+02:00 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com: Hi, In those type of cases, when not enough room for offsets, I also use : { %\once\set fontSize = #-2 %or \once\teeny a'4\rest } Cheers, Pierre 2014-07-01 21:34 GMT+02:00 bart deruyter

glissando in fingering notation

Hi all, got another thing here for which I don't find the place in the manual, two places to look for it I think, didn't find it, glissando can be found in expressive marks of course, but this implementation might be found in fingering instructions too, but I didn't find it, or I missed it

Re: glissando in fingering notation

/116379400376517483499/ 2014-02-26 10:50 GMT+01:00 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com: 2014-02-26 9:57 GMT+01:00 bart deruyter bart.deruy...@gmail.com: Hi all, Hi Bart, How can I achieve it with lilypond? See http://comments.gmane.org

Re: glissando in fingering notation

On Twitter https://twitter.com/#%21/Bart_Issimo On Identi.ca http://identi.ca/bartart3d On Google+ https://plus.google.com/u/0/b/116379400376517483499/ 2014-02-26 14:00 GMT+01:00 bart deruyter bart.deruy...@gmail.com: Hey, thank you very much, I'll look into it, indeed exactly what I need :-) seems

Re: piece title

hi all, thanks for the suggestions. Repeats are not an option, in the small example I only showed one note, to illustrate the piece title issue, the rest of the music differs in the full score as you can see in my far from minimal example. There you can see the context. The piece title is

piece title

into the lower regions. I can adjust it using markup, and \raise, but is there a more general way to fix it, for example by telling lilypond somehow to align the piece title to the clef instead of to the notes? thanks in advance, Bart Deruyter http://www.bartart3d.be/ On facebook https://www.facebook.com

Re: piece title

Holmes - Original Message - *From:* bart deruyter bart.deruy...@gmail.com *To:* lilypond-user@gnu.org *Sent:* Friday, February 21, 2014 1:55 PM *Subject:* piece title Hi all, in my project here, I use lot's of small parts of music, and they're numbered using piece in each

Re: piece title

/ 2014-02-21 15:35 GMT+01:00 Phil Holmes m...@philholmes.net: Version? Code to produce these? -- Phil Holmes - Original Message - *From:* bart deruyter bart.deruy...@gmail.com *To:* Phil Holmes m...@philholmes.net *Cc:* lilypond-user@gnu.org *Sent:* Friday, February 21, 2014 2:11

Re: piece title

ok, first: it is not about not being bothered it is about knowing how and what. So here it is: I minimized it to what I think is quite minimal. I think you can see the difference of location between the piece title above the clef, it is adjusted to the position of the note, which is good for

Re: page-count

: 2014/1/30 Federico Bruni fedel...@gmail.com Il 30/gen/2014 15:57 bart deruyter bart.deruy...@gmail.com ha scritto: Is there a way to have a one-page count on each separate child-file, while leaving that out in the master-file? Or what would be 'best-practice' to achieve this? I would

Re: page-count

://www.bartart3d.be/ On facebook https://www.facebook.com/pages/BartArt3D/169488999795102 On Twitter https://twitter.com/#%21/Bart_Issimo On Identi.ca http://identi.ca/bartart3d On Google+ https://plus.google.com/u/0/b/116379400376517483499/ 2014-02-01 Federico Bruni fedel...@gmail.com: 2014/2/1 bart

page-count

Hi all, I have a project here, consisting of several exercises for guitar. There are a lot of technical exercises, all having several scores with one staff of length. I now work with several .ly files, and I include them in one 'master' document. Now I try to get 10 scores of one staff on one

Re: What should be the default B7 chord?

my vote: second. http://www.bartart3d.be/ On facebook https://www.facebook.com/pages/BartArt3D/169488999795102 On Twitter https://twitter.com/#%21/Bart_Issimo On Identi.ca http://identi.ca/bartart3d On Google+ https://plus.google.com/u/0/b/116379400376517483499/ 2014/1/12 David Kastrup

footnotes, next instead of underneath each other

Hi all, here I am again. I just read in the manual that it isn't possible (hopefully yet) to stack footnotes horizontally. With some music in the footnote it would be very much appreciated if it were possible, to save space on the page for the actual score. Anyway, is there an alternative to

Re: footnotes, next instead of underneath each other

://www.bartart3d.be/ On facebook https://www.facebook.com/pages/BartArt3D/169488999795102 On Twitter https://twitter.com/#%21/Bart_Issimo On Identi.ca http://identi.ca/bartart3d On Google+ https://plus.google.com/u/0/b/116379400376517483499/ 2013/12/29 David Kastrup d...@gnu.org bart deruyter bart.deruy

music in footnote

Hi all, I'd like describe in my score how to play certain ornametns by adding the way to play it in a piece of music, shown as a footnote. I find some explanation about how to create footnotes, but in the manual I've found only explanations with text as footnote. I've tried this for example:

Re: music in footnote

On Google+ https://plus.google.com/u/0/b/116379400376517483499/ 2013/12/28 Nick Payne nick.pa...@internode.on.net On 29/12/13 08:23, bart deruyter wrote: Hi all, I'd like describe in my score how to play certain ornametns by adding the way to play it in a piece of music, shown as a footnote

Re: guitar position indication

Bailey si...@bailey.at On Wed, Dec 18, 2013 at 5:12 PM, bart deruyter bart.deruy...@gmail.comwrote: Thanks for the tips, Simon's solution seems to be the best. Thank you very much :-D . you're welcome. i'll be needing this function in the next month or so, so it didn't hurt that you asked

Re: guitar position indication

+ https://plus.google.com/u/0/b/116379400376517483499/ 2013/12/23 Federico Bruni fedel...@gmail.com 2013/12/23 bart deruyter bart.deruy...@gmail.com according to the lilypond output the error occurs in: /usr/local/lib/python2.7/dist-packages/frescobaldi_app/preview_mode/display-control

Re: guitar position indication

://twitter.com/#%21/Bart_Issimo On Identi.ca http://identi.ca/bartart3d On Google+ https://plus.google.com/u/0/b/116379400376517483499/ 2013/12/23 Urs Liska u...@openlilylib.org Am 23.12.2013 15:18, schrieb Federico Bruni: 2013/12/23 bart deruyter bart.deruy...@gmail.com Federico, thanks for the info

Re: guitar position indication

://www.facebook.com/pages/BartArt3D/169488999795102 On Twitter https://twitter.com/#%21/Bart_Issimo On Identi.ca http://identi.ca/bartart3d On Google+ https://plus.google.com/u/0/b/116379400376517483499/ 2013/12/23 Thomas Morley thomasmorle...@gmail.com Hi Bart, 2013/12/23 bart deruyter bart.deruy

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