Dear Lutenists
Benjamin Narvey this week is presenting a virtual solo recital of lute
music for the Early Music Voices series in Canada. The recital, "The
Calgary Connection", is the first concert of the year, and was recorded
at Benjamin's home in Paris due to the Covid crisis.
Dear lutenists
Just before our list closes, I wonder whether in this difficult
context anyone has the experience of playing duo at distance and with a
third lutenist commentator in a third environment, perhaps all this via
Zoom or similar?
Please feel free to mail me with
I don't use a quill Susan, just a fountain pen with Italic or flex nib,
But it's a pleasure to do, and as I said before, necessary for me
if want to be able to read tablature on a music stand.
I use cream coloured 160g paper that doesn't get blown about.
That said some younger
Dear Martyn and all
There are indeed some beautiful early lute tablatures, manuscript
or engraved, that are a joy to peruse (as appears to be the case for
the Krzeszow manuscript mentioned here recently by JarosÃ
aw Lipski, in
relation to his new Weiss LP or the magnificent
quod potui. Faciant meliora potentes.
> On Dec 16, 2019, at 5:31 AM, Anthony Hind
<[2]agno3ph...@mail.cs.dartmouth.edu> wrote:
>
>  Dear Luthenists
>
>I am looking for a very simple app which will recognise the
> pres
©cembre 16, 2019, 2:57 PM, Martyn Hodgson
a écrit :
I'll very much look forward to your findings about the new unsplit gut
strings - I presume they're for trebles mainly...
rgds
Martyn
On Monday, 16 December 2019, 13:49:57 GMT, Anthony Hind
wrote:
Yes I see what you
I meant « the same pieces with the new unsplit gut. »
[1]Sent from Yahoo Mail for iPhone
Le lundi, décembre 16, 2019, 2:49 PM, Anthony Hind
a écrit :
Yes I see what you mean, Martyn. It would be difficult to do that
with
a machine that's not dedicated entirely
(or
whatever you prefer)
regards
Martyn
On Monday, 16 December 2019, 12:59:35 GMT, Anthony Hind
<[2]agno3ph...@mail.cs.dartmouth.edu> wrote:
Dear Martyn
I was doing something similar to your suggestion by
connecting
my
condenser mic t
excessive 'sound engineering' with, as you say,
things like the added resonances of GarageBand.
[2]https://www.audacityteam.org/
And no, I'm not on commision!
regards
Martyn
On Monday, 16 December 2019, 10:32:09 GMT, Anthony Hind
wrote:
Dear Luthenists
I am looking
Dear Luthenists
I am looking for a very simple app which will recognise the
presence of a mic and preamp such as Focusrite connected to the
lightning connector of my iPad or iPhone, but which will make a single
track mono recording of my lute without the unnecessary
shaped profile . However, what is 'dentist's dentine', some sort of
magic epoxy?
A. John Mardinly, Ph.D., P.E.
On Nov 28, 2019, at 1:32 AM, Anthony Hind
<[1][5][5]agno3ph...@mail.cs.dartmouth.edu> wrote:
Could it perhaps be Leona
.
Regards
Anthony
[1]Sent from Yahoo Mail for iPhone
Le vendredi, novembre 29, 2019, 10:42 AM, Anthony Hind
a écrit :
Just another thought, I think I originally chose Unissons on 5C
because
I thought I might be playing more latish English renaissance pieces
, 2019, 12:06 AM, John Mardinly
a écrit :
Well, the non-silver composites used for fillings today do have
phenomenal properties, but I thought they all needed a special light
to
cure them.
A. John Mardinly, Ph.D., P.E.
On Nov 28, 2019, at 3:12 PM, Anthony Hind
Just another thought, I think I originally chose Unissons on 5C because
I thought I might be playing more latish English renaissance pieces,
Dowland, Holborne etc. I note most speakers here seem to prefer 5C with
octaves whatever the music? I seem to remember Martin Shepherd
'
shaped profile . However, what is 'dentist's dentine', some sort of
magic epoxy?
A. John Mardinly, Ph.D., P.E.
On Nov 28, 2019, at 1:32 AM, Anthony Hind
<[2]agno3ph...@mail.cs.dartmouth.edu> wrote:
Could it perhaps be Leonard, that the grooves at your nut at 5C was
Could it perhaps be Leonard, that the grooves at your nut at 5C was
set up for your thicker unisson strings. Something similar happened to
me on my 11C lute, when I replaced Venice twine unissons on F4 with
equivalent thinner loaded strings. I heard a definite rattle. I put the
Dear Lutenists
I have been using Venice gut twine (rather than high twist
gut) on my Baroque lute for position C6 and C5 (Meanes) as well as for
most Bass octaves, for their excellent flexibility and so good
harmonicity. I know that some Lutenists similarly use Savarez Kf
Dear Bruno and other Lutenists
Following on from questions raised by Bruno Carneiro and others
about Thomann Canterlla lutes being possible copies of LLD lutes, I see
Braedon Hofmann has posted this video about this question:
[1]https://youtu.be/VcOIeVwCOv0
Regards
Dear Lutenists David and Bruno
I contacted the French company on this issue as to whether there
were any authorised distributors for their lutes and they assured me
that there were none. The factories producing LLD lutes and cases are
under exclusive contracts with LLD. This
Dear lutenists
I made a slip with the name of the tuner app, it is Airyware tuner
and not Airywave tuner (perhaps I felt Airywave was a better name.
Apologies for any time spent searching,
Regards
Anthony
[1]Sent from Yahoo Mail for iPhone
--
References
1.
Dear Lutenists
I wonder whether any other lutenists are using the strobe and
needle Airywave tuner app, preset for various lute types (and numerous
other instruments) with historic temperaments (900 alternative
tunings). The display is so easily readable on my iPad that I
Hello
Victor Vorko, unless I am mistaken, makes superb cases out of
traditional materials, but not I think aluminium. It is Pierre
Rousseau, I believe who makes light metal cases.
Regards
Anthony
[1]Sent from Yahoo Mail for iPhone
Le vendredi, septembre 7, 2018, 7:39
A very good tip, John, as is the idea of pre-wetting the fret material.
I wish I had thought of that these last few years, suffering from
severely slipping frets in similar changing conditions. However, as I
had resorted to a nylgut chanterelle, which quickly frays gut frets, I
At our local lute salon I heard Susan King playing both pieces by
Gallot, and contemporary pieces, which I believe were composed for her
by an Australian composer, or composers.
Personally, I am very interested in sound texture, which draws me as
much to French baroque music,
Dear Luthenists
Having just lost the use of my FiRe recorder App when changing
iPhones, I see this App is no longer supported, as it was bought up by
Rode, who have no upgrade policy for the original App. I would use FiRe
for casual mono track recording of the lute when on
Dear Baroque lutenists,
Benjamin Narvey's new recording "Psyché, The French Weiss", is
now available for preorder.
[1]Psyché
Psyché
(BUTTON)
You can support this recording here:
[indiegogo.png]
(BUTTON)
Best wishes
Anthony
--
References
Dear lutenists,
Benjamin Narvey's new recording "Psyché, The French Weiss", is
now available for preorder.
[1]Psyché
Psyché
You can support this recording here:
[indiegogo.png]
Best wishes
Anthony
--
References
Visible links
1.
o it, if so.
>
> Regards
>
> Anthony
>
> [1]Sent from Yahoo Mail for iPhone
>
> Le samedi, fÃÃà ©vrier 11, 2017, 1:51 PM, Anthony Hind
> <[2]agno3ph...@yahoo.com> a ÃÃà ©crit :
>
>Makes me think of the Sarabande d
Dear Jean Marie
Might this be part of your coming programme for St Jean?
Looking forward to it, if so.
Regards
Anthony
[1]Sent from Yahoo Mail for iPhone
Le samedi, février 11, 2017, 1:51 PM, Anthony Hind
<agno3ph...@yahoo.com> a écrit :
Ma
Makes me think of the Sarabande de Gautier de Lyon, which would be
neither a Saraband (Chaconne in A), nor by Gauthier (according to Joel
Dugot)', not at all in his style?
Very much looking forward to hearing your CD of Vieil-ton pieces, when
you finally record it, and hopefully to
g them at the bridge.
Best wishes
Jaroslaw
> On 04 Feb 2017, at 00:20, Anthony Hind <[2]agno3ph...@yahoo.com>
wrote:
>
> Hello Jaroslaw
>I hope things are going well with you.
> When you say of your Venice, "Yes, mine have split ends at the
bridg
Having problems with my messages please ignore
[1]Sent from Yahoo Mail for iPhone
--
References
1. https://yho.com/footer0
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
from the bridge. In general this kind
of problem is characteristic for very stiff strings. Fortunately
Venices due to their rope construction are much more pliable, so there
is no problem with attaching them at the bridge.
Best wishes
Jaroslaw
> On 04 Feb 2017, at 00:20, An
otality of the string is what largely produces the
sound we hear - hence, for example, why loaded gut produces a more
satisfactory bass than plain gut.
regards
Martyn
______
From: Anthony Hind <[2]agno3ph
Hello Jaroslaw
I hope things are going well with you.
When you say of your Venice, "Yes, mine have split ends at the bridge."
Do you mean you have managed to separate the ends of the twine and pass
them separately through the bridge hole?
This is what Charles Besnainou
string out of anything and it would sound the same
if the bridge thinning were identical ..
regards
Martyn
__
From: Martin Shepherd <mar...@luteshop.co.uk>
To: Anthony Hind <agno3ph...@yahoo.com>
l make a string out of anything and it would sound the same
if the bridge thinning were identical ..
regards
Martyn
__
From: Martin Shepherd <mar...@luteshop.co.uk>
To: Anthony Hind <agno3ph...@yahoo.
By thinning them at the bridge, Martin, I suppose this allows the
diapason to be "seen" (as it were) at the bridge as a thinish loaded
string. The effective resonating diameter being that passing through
the hole and the extra diameter beyond the bridge behaving similarly to
Personally I love the singing sustain of the ones I have on my lute
now, but for many lutenists the elasticity is difficult to deal with,
both in terms of how it calls for a change in playing technique, and
also how they tend to stick on the nut. However, I also loved my loaded
Presumably FB was talking of dark diapasons and not bass courses
diapasons with their octaves? Modern wire wounds are very bright and
there is little need for strong octaves. Personally when using Venice
gut loaded that were quite flexible and dark, I moved to higher tension
Venice
Jakob Lindberg's remarks about the wonderful sustain of his old
Rauwolf seems to confirm what you say (sustain, complexity and clarity,
together according to JL). Mersenne would certainly have heard
marvellous old Bologna lutes sought out by French luthenists, no doubt
exactly
Oups, sorry Rob for sending to wrong list AH
Very relevant comparison Rob, and I also notice that on my 11C
lute, the sustain of the new Aquila basses is almost identical to that
of my Venice octaves (which presumably would not be the case with the
Savarez. I imagine they
Very relevant comparison Rob, and I also notice that on my 11C lute,
the sustain of the new Aquila basses is almost identical to that of my
Venice octaves (which presumably would not be the case with the
Savarez. I imagine they would drone on longer if not stopped); but
again if I
I click!
Regards
Peter Van Dessel
Oud-Heverleestraat 35
3001 Leuven
On 16 Mar 2015, at 14:39, Anthony Hind wrote:
Dear lutenists
The following message has been sent to me from
[2]leluthdore.com,
and which may interest fellow lutenists when they consult
Dear lutenists,
For those of you who have had no success in opening links at the
luthdore, apparently documents will be downloadable in various languages on the
31st of March.
Regards
Anthony
On 16 mars 2015, at 14:41, Anthony Hind agno3ph...@cs.dartmouth.edu wrote:
Dear lutenists
Webpage : [2]www.leluthdore.com
Best regards to all
Anthony Hind
--
References
1. https://www.facebook.com/leluthdore
2. http://www.leluthdore.com/
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear lutenists
The following message has been sent to me from leluthdore.com,
and which may interest fellow lutenists when they consult the luthdore
website
A Worldwide Lute Revival is Underway! Find out more on Tuesday, March
31 2015!
Facebook :
Dear lutenists
The following message has been sent to me from leluthdore.com,
and which may interest fellow lutenists when they consult the luthdore
website
A Worldwide Lute Revival is Underway! Find out more on Tuesday, March
31 2015!
Facebook :
at the Luth Dore site, but I get no reaction no
matter what language I click!
Regards
Peter Van Dessel
Oud-Heverleestraat 35
3001 Leuven
On 16 Mar 2015, at 14:39, Anthony Hind wrote:
Dear lutenists
The following message has been sent to me from
[2]leluthdore.com
Thanks Bob, probably I will download it, but unfortunately, I'd have to remove
another app, as I have so little space left on my iphone.
In fact my question was as much for others as myself. At home I generally use
the Sonic Research turbo tuner, but also have the Korg OT-12. On my phone, when
Bob, it sounds as though it combines the best of the expensive Peterson strobe
and the temperaments of cleartune, but might it be a little cluttered? Has
anyone done a comparison? Does it have the same pitch calibration possibilities
as the Cleartune?
Regards
Anthony
On 5 mars 2015, at 15:31,
Dear lutenists
A copy of Miguel Yisrael's latest recording les rois de
versailles, signed by the lutenist, can now be ordered directly on his
web site at
[1]http://www.miguelyisrael.com/index.php/works/discography
It focusses on the lute music of two French composers,
Dear lutenists
A copy of Miguel Yisrael's latest recording les rois de
versailles, signed by the lutenist, can now be ordered directly on his
web site at
[1]http://www.miguelyisrael.com/index.php/works/discography
It focusses on the lute music of two French composers,
Dear Bruno
Looking at the instruments of the Cité de la Musique seems to show that ivory
or bone on the bridge goes together with the same decorations on the
fingerboard and elsewhere,
http://tinyurl.com/nlvpy32
Thus unlikely to be acoustic in intention.
Regards
Anthony
Sent from my iPhone
Magnificent instrument and impressive playing, thank you Benjamin for posting
this! I hadn't seen it.
Regards
Anthony
On 16 mai 2014, at 22:39, BENJAMIN NARVEY luthi...@gmail.com wrote:
http://mediatheque.cite-musique.fr/masc/?INSTANCE=CITEMUSIQUEURL=/M
Victor Vorko here in Paris makes excellent cases which include back
straps, and I was thinking of having similar back straps fitted to my
MTM baroque lute case, but this back axe solution does look very good.
Anthony
Sent from my iPhone
On 6 mars 2014, at 00:12, Leah Baranov
: booked out
3) Recital in Philadelphia, March 7 of 2014 at 8 pm :
[2]http://tinyurl.com/pzfgbwn
Sent from my iPhone
On 31 janv. 2014, at 22:51, Anthony Hind [3]agno3ph...@yahoo.com
wrote:
A problem still seems to occur, the Rowan university link, should have
this last number
: booked out
3) Recital in Philadelphia, March 7 of 2014 at 8 pm :
[2]http://tinyurl.com/pzfgbwn
Sent from my iPhone
On 31 janv. 2014, at 22:52, Anthony Hind [3]agno3ph...@yahoo.com
wrote:
A problem still seems to occur, the Rowan university link, should have
this last number
/
Anthony
__
From: Anthony Hind agno3ph...@yahoo.com;
To: baroque-lute@cs.dartmouth.edu baroque-lute@cs.dartmouth.edu;
Subject: [BAROQUE-LUTE] Concerts of French Baroque lute music
Sent: Wed, Jan 29, 2014 10:16:38 PM
/
On 29 janv. 2014, at 23:15, Anthony Hind [3]agno3ph...@yahoo.com
wrote:
Dear lutenists
For those who may be interested these concerts of French baroque lute
music are announced:
Miguel Yisrael's USA Official Tour 2014 - A The Lute of The Sun
King
A
Concert 1
) Recital in Philadelphia, [6]March 7 of 2014 [7]at 8
pm:[8]http://www.pcmsconcerts.org/concerts/miguel-yisrael-lute/
On 31 janv. 2014, at 10:57, Anthony Hind [9]agno3ph...@yahoo.com
wrote:
Further information on the French baroque lute concerts :
1) Recital at Rowan University
An Italian lutenist told me it was the equivalent of de-orba, to de orb
thus to blind, the initial, 'd' would frequently be devoiced, giving teorba,
but it is notoriously difficult to prove the etymology of a single word, and
the explanation while amusing seems un peu tirée par les cheveux as
A problem still seems to occur, the Rowan university link, should have this
last number : 628216
But it has been transformed to b28216.
You would need to copy the link and make the correction by hand, strange!
Regards
Anthony
On 31 janv. 2014, at 19:30, Anthony Hind agno3ph...@yahoo.com wrote
Dear lutenists
For those who may be interested these concerts of French baroque lute
music are announced:
Miguel Yisrael's USA Official Tour 2014 - A The Lute of The Sun King
A
Concert 1 - Miguel Yisrael, baroque lute recital - Rowan University,
New jersey, USA
Monday,
Dear lutenists
Here is a link to a baroque lute and flute duet, recorded by
Didier Jarny and put on line by Pascale Bocquet and the SFL of a
Baroque concert held on the 14th of April 2013 at l'Arcades Institue de
Tours, the De Visee, Suite in G major with Anna Besson :
Dear lutenists
Here is a link to a baroque lute and flute duet, recorded by
Didier Jarny and put on line by Pascale Bocquet and the SFL of a
Baroque concert held on the 14th of April 2013 at l'Arcades Institue de
Tours, the De Visee, Suite in G major with Anna Besson :
Superb recording and performance, Ed;
wonderful to hear such sensitive playing of twin lutes strung in the same way
in gut by the same string and lute maker and recorded with such sympathy.
Please transmit my congratulations to the whole team involved in this
enterprise.
Regards
Anthony
Sent
I suppose, Leonard, if any effect, it would be more like loading, so possibly
more damping than brightening. Although, it would probably be too thin to make
an audible difference.
Just my intuition.
Regards
Anthony
Sent from my iPhone
On 23 juin 2013, at 01:13, Leonard Williams
to. It
is in
fact like traveling to another planet, and we can not do justice to
this
kind of sources without making some necessary adjustments.
It was a pleasure to talk to you again Anthony.
Best regards
Jaroslaw
- Original Message - From: Anthony Hind
[3]agno3ph...@yahoo.com
. Meanwhile you'll
probably write more too, no?
All the best
Jaroslaw
- Original Message - From: Anthony Hind
[1]agno3ph...@yahoo.com
To: howard posner [2]howardpos...@ca.rr.com; howard posner
[3]howardpos...@ca.rr.com; Martyn Hodgson
[4]hodgsonmar...@yahoo.co.uk
Cc: [5
adjustments.
It was a pleasure to talk to you again Anthony.
Best regards
Jaroslaw
- Original Message - From: Anthony Hind agno3ph...@yahoo.com
To: Jarosław Lipski jaroslawlip...@wp.pl
Cc: lute@cs.dartmouth.edu
Sent: Saturday, October 20, 2012 1:19 PM
Subject: [LUTE
Dear Jaroslaw
Unfortunately I don't have time just now to reply in any detail about all
these interesting questions you raise, but I will nevertheless do so, as soon
as I have enough time to do your analysis justice.
Just on this issue of the meaning of rottenness. I find that Martyn did have
Very interesting Ed,
I have been using beef gut. I cannot tell the difference in sound
and feel from sheep gut, Ed
There has been discussion from time to time suggesting that beef gut
might sound brighter.
Can you confirm that even for trebles there is little or no difference?
)
on a gimped string might be greater than a beef/sheep difference?
Best regards
Anthony
__
De : Edward Martin e...@gamutstrings.com
A : Anthony Hind agno3ph...@yahoo.com; Edward Martin
e...@gamutstrings.com
Dear All
I went down to the Louvres to have a new look at the basses on
de Troy Charles Mouton painting, and learnt that most of the 17th
century French painting section is closed for the construction of a
safety exit. The works look very important, and no idea when it will
De : Martyn Hodgson hodgsonmar...@yahoo.co.uk
À : Anthony Hind agno3ph...@yahoo.com
Cc : lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Envoyé le : Samedi 20 octobre 2012 15h14
Objet : [LUTE] Re: Are Pistoys prone to rot according to Mace?
Dear Anthony,
You write
Dear Martyn
Oups, sorry for the name slip, I was not thinking you were Martin
Regards, and thanks for your remarks
Anthony
- Mail original -
De : Anthony Hind agno3ph...@yahoo.com
À : Martyn Hodgson hodgsonmar...@yahoo.co.uk
Cc : lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Envoyé
Dear Benjamin, Bruno and All
I generally use gut, but when testing synthetic top strings, I
have been very surprised by the long wind up time of synthetic top
strings before they come to tune. I would not like to have a synthetics
treble break during a concert, and to have
Just yesterday, I saw the maginificient book, The Viennese guitar of the 19th
century, on which Hoffer collaborated.
Some of the guitars for sale, appear in this beautiful work:
stauffer-and-co.com/Stuco_flyer_E_web.pdf
Anthony
De : Valery SAUVAGE
Oh well, I suppose I'll wait till I drop my present one before ordering this
new version.
Thanks for letting me know.
Best
Anthony
- Mail original -
De : Sam Chapman manchap...@gmail.com
À : Anthony Hind agno3ph...@yahoo.com
Cc : Francesco Tribioli tribi...@arcetri.astro.it; lute
Loading, to a certain extent does protect against humidity changes.
Perhaps there may have been other treatments that we don't know about.
Anthony
__
De : Sam Chapman manchap...@gmail.com
A : alexander
I think there may be a sensual texture versus perfect intonation
perference that may draw some, while others shy away. However, that was
not the issue raised by Benjamin, but relative rather than absolute
pitch (I think).
Regards
Anthony
best
Jaroslaw
WiadomoAAAe/= napisana przez Anthony Hind w dniu 6 paAA-o 2012, o
godz. 21:12:
Loading, to a certain extent does protect against humidity changes.
Perhaps there may have been other treatments that we don't know
about.
Anthony
.
Regards
Anthony
__
De : Bernd Haegemann b...@symbol4.de
A : Anthony Hind agno3ph...@yahoo.com
Cc : Roman Turovsky r.turov...@gmail.com; lute@cs.dartmouth.edu
lute@cs.dartmouth.edu
Envoye le : Samedi 6 octobre
__
De : Roman Turovsky r.turov...@gmail.com
A : Anthony Hind agno3ph...@yahoo.com
Cc : lute@cs.dartmouth.edu lute@cs.dartmouth.edu
Envoye le : Samedi 6 octobre 2012 22h27
Objet : Re: [LUTE] Re: What is the point of synthetics?
I find
Dear Sam and All
This is a belated message on the topic of this tuner. I agree
entirely with Sam's message below. The two tuners, the Sonic Research
and the Korg orchestra are sort of complementary. I have both, but for
keeping the lute in tune, the turbo tuner is much much
to the new one.
Regards
Anthony
__
De : Francesco Tribioli tribi...@arcetri.astro.it
A : 'Anthony Hind' agno3ph...@yahoo.com
Envoye le : Vendredi 5 octobre 2012 10h52
Objet : RE: [LUTE] Re: Tuner
Hello Anthony
Welcome to France, Martin, I hope we will now see (and perhaps hear)
you more often at the SFL meetings.
Best wishes
Anthony
__
De : Martin Shepherd mar...@luteshop.co.uk
A : lute@cs.dartmouth.edu
Envoye le
That said, I've seen some lovely 7c instruments and they sound better
for resisting the extra course. Ed Martin's, for example, as well as
Jacob Herringman's 7c Gerle. The latter is interesting in that it
retains the earlier parabolic neck which, I think, would not support 8
courses. If that
Dear Lutenists
Those interested can purchase Miguel Yisrael's new CD of Baroque lute music,
Austria 1676, here :
http://www.miguelyisrael.com/index.php/works/discography
For any questions please contact Miguel
Miguel Yisrael miguelyisr...@me.com
To get on or off this list see list
to be
set up once. dt
_
_
From: Ed Durbrow [4]edurb...@sea.plala.or.jp
To: Anthony Hind [5]agno3ph...@yahoo.com; LuteNet list
[6]lute@cs.dartmouth.edu
Sent: Wed, April 11, 2012 3:48
Of course I failed to say that it was at the recent SFL meeting
Anthony
__
De : Anthony Hind agno3ph...@yahoo.com
A : baroque-lute@cs.dartmouth.edu baroque-lute@cs.dartmouth.edu
Envoye le : Mercredi 4 avril 2012
Dear Lutenists
Here is a link to a recording made by the SFL, at the recent
SFL meeting, of Benjamin Narvey playing Weiss and de Visee on a 70cm
Warwick 13c rider Warwick Frei with all gut stringing : loaded Venice
basses and Nick Baldock octaves, Meanes (except for 5c which
De : Martyn Hodgson hodgsonmar...@yahoo.co.uk
À : Anthony Hind agno3ph...@yahoo.com
Cc : baroque-lute@cs.dartmouth.edu baroque-lute@cs.dartmouth.edu
Envoyé le : Mardi 20 mars 2012 15h06
Objet : Re: [BAROQUE-LUTE] Re: Pre-judgement (or wishful thinking) was Re: Ne
Anthony
-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von Arto Wikla
Gesendet: Samstag, 17. März 2012 19:15
An: Anthony Hind
Cc: Mathias Rösel; baroque-lute@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] Re: Ne Anthony Bailes CD
Dear Anthony, Mathias and the List
Some
ways of achieving a similar, but
hopefully slightly different, musical result, catering for personal
choices and taste.
Best regards
Anthony
__
De : Edward Martin e...@gamutstrings.com
AEUR : Anthony Hind
__
De : Edward Martin e...@gamutstrings.com
A : Anthony Hind agno3ph...@yahoo.com;
baroque-lute@cs.dartmouth.edu baroque-lute@cs.dartmouth.edu
Envoye le : Samedi 17 mars 2012 1h08
Objet : Re: [BAROQUE-LUTE] Re: Ne Anthony Bailes CD
Dear Anthony and all,
I
Dear Mathias
Thanks for your explanations, yes I do understand your
feelings. I have a number of friends here in Paris, who prefer to play
Weiss (or similar) rather than French music, more or less for the
reasons you state.
Only the bare-bones seem to be encoded in the
Dear All
Anthony Bailes LP recording of 'Pieces de luth'; EMI REFLEXE;
IC 06330938, was my introduction to French baroque lute music.
After that I was hooked.
I have enjoyed his recent CDs (although I had not yet heard this, his
most recent one), but regret that the
close vicinity to Dan gives
you all the advice and experimental facility that you need.
__
De : Edward Martin e...@gamutstrings.com
AEUR : Anthony Hind agno3ph...@yahoo.com; Martin Shepherd
mar...@luteshop.co.uk
Cc
1 - 100 of 989 matches
Mail list logo
