using.
If you're getting an 8 x 10 from a 15 megabyte file then you're outputting at
less than 300 ppi.
A 15 megabyte TIFF, output at 300 ppi, will yield a 6 x 9 (approx) print.
At 720 ppi it will yield a 2.5 x 4 (approx) print.
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Isaac Crawford [EMAIL PROTECTED] wrote:
William Robb wrote:
Mark Roberts wrote:
Your digital file *Output Resolution* is measured in PPI
(pixels per inch). This is the value that you *can* set in
Photoshop or whatever software you're using.
If you're getting an 8 x 10 from a 15
, Mark and Jostein.
Much thanks.
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already.
Thanks!
Thank *you*
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favorite lenses are the FA*80-200/2.8 and the FA*24/2.0,
at least from a statistical standpoint. Hmm...
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with something worth buying eventually. (Although I'm going
to let other people buy and test it before I put down any of *my* hard-earned
cash to possibly get ripped of by Kodak again.)
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to be usable
with the 80-200 zoom.
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image.
With second curtain sync, the blurred, ambient light image is formed *before*
the sharp one, you you'd have a blurred trail *leading up* to the runner.
Looks much more natural.
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with conventional darkroom printing helps
a little (and, conversely, experience with digital helps your conventional
darkroom work) but there's no substitute for practice, practice, practice.
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, whatever piece of
equipment hits the market, it does not render the predecessor
useless.
Hey! You're in trouble now: There's a multi-billion-dollar-a-year industry
out there that didn't want you to figure that out!
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considering
how ineffective it's likely to be ;)
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more dominant
in the marketplace.
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by readers of the PDML will go away much sooner. :(
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how it looks. WHen you do it
in the scanner you're stuck with the file that's output.
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last night, along with 3 other new shots:
http://www.robertstech.com/fall_2k1.htm
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in the past: I've heard
they're used in medium format digital backs (several CCDs per back, of course).
We could be seeing more soon if the Contax does reasonably well.
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having to buy any new lenses for it, could look quite
attractive.
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period, film photography will have
changed little.
Absolutely right. And a sobering thought.
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!
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-70/2.6-2.8 and
got some beautiful shots...I think. It was a great day, regardless.
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entire *group* was dissolved. He was one of the lucky
ones who didn't get laid off but he did get moved to another department
and is now working on papers. Inkjet papers.
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by far.
I think one of the consumer or prosumer Sigmas in the 80-200 or 100-300
range goes to 1:2 but I'd not make that kind of compromise myself. Better
go for a really good 80-200/2.8 and get another lens for macro.
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of the transition to digital to win over a bigger
share of the pro market.
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with it. If I can get this
information and the fixes that list member applied I have a chance here
to take the information right to the horse's mouth, so to speak.
I'll keep you all posted.
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that the PC in question is set for 24-bit or 32-bit true
color rather than 16-bit high color. The difference isn't obvious with
a lot of images, but is *very* apparent with others.
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, I imagine it could be a huge time saver.
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Fractals
to print 8 x 10 size, but it still looks better to me than most of my 35mm stuff
printed at that size. I think the better tonal range may have something to do
with it.
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less information there.
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. Weird but true.
Anyway, the bottom line is that there will be an MZ-D but with another
chip
that's probably full frame. Expect it within a year.
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[EMAIL PROTECTED] wrote:
Spotted on eBay: K-mount Tokina 28-70 2.8
Who are these lazy people with no pix?
And what, exactly, is that particular lazy person selling?
Tokina makes a 28-70/2.6-2.8 as well as a 28-80/2.8...
but they don't make a 28-70/2.8
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full frame. Expect it within a year.
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alternative
to Outhouse Express.
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John Glover [EMAIL PROTECTED] wrote:
They do make this lens as I have it in front of me right now
Doh! Never thought they might have made one in the past that isn't in the
current catalog. Felling dumb.
And I do have pictures:)
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publishers and I are that much more sophisticated and worldly
than the conservative management of the GEH ;-)
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Menawhile, I saw Migs with repairs using flattened Coke
cans,
Understand we used Budweiser cans to repair sheet metal damage on F-4s in
Nam.
I guess Nikon released that camera a little earlier over on that side of the
ocean!
;-)
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to demonstrate
scholarly credentials to gain access to the GEH collection. Or is this
something special specifically for the pictures in the book?
Didn't get the details at the time. I'll find out.
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-frame CCD nor the 1.6x focal length magnification
of smaller CCDs. Either of these makes sense to me and the D30 is neither
one nor the other; it's too much of a compromise to work, IMO.
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of the most fun
lenses in my bag, actually.
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now.
Yes, it would be better. But the focal length multiplication of smaller CCDs
will reamin attractive to large numbers of people with specific needs. (Even
though I'm not one of them.)
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telephotos and *especially* when the lens is mounted on a tripod.
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cameras as *well* as full-frame. I'd consider a smaller CCD camera as a
*second* digital body (when prices come down far enough) because of the
advantages you mention. But it'd never be my first choice.
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My picks would be the FA 43 f1.9 Limited and the FA 100 f2.8 macro and the F
1.7x AF-TC. (I'd never use the 43/1.9 with the teleconverter!)
A good normal lens is a must and the 100mm would serve as a short tele as well
as a macro.
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Mark Roberts
www.robertstech.com
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the two CCDs have identical pixel density, which isn't
necessarily the case. Two CCDs can have identical pixel counts and different
size.
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?
I thought he was talking about UPS..
No, no. Digital photography.
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she couldn't get the university to
spring for a Zeiss!)
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was listed in the 35mm section, the medium format category
didn't include the 67! I was shocked! Clearly, the Mike Johnston influence
is sorely missed there ;-) (although I still get more useful information
from that magazine than any of the big, mainstream publications).
--
Mark Roberts
it, though. Could be useful in the
future.
Also, if this is the case, does anyone know how I can get an ME Super SE
screen? (the one with the diagonal split prism)
I buy organ donor cameras on eBay.
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for months to find a K 50/1.4 to go with my K2 but it was worth it.
Not only are they optically superb but the mechanical construction is a wonder
to behold.
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, very sharp and easy
to focus. The manual focus is a little 'lighter/easier/less damped' than
a manual focus lens would be, but it's quite useable.
Yes, the FA50/1.4 is a terrific lens. A real bargain actually.
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of just reducing the price.
Here's their offer:
http://www.kodak.com/global/en/professional/products/scanners/rfs3600/offer.jhtml
Mark Roberts wrote:
snip
It's kind of overpriced in the current market (around $900.00 I think)
because
it doesn't have the digital ICE dust scratch removal
observations
above suits you most. You're going to get a great lens either way!
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it! If that don't unclog the arteries, nothing will!
Oh yeah, bid high, if you really want it, that is...
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have the optical edge over anything being built for the same
purpose in the 1970's.
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paper is going to be my choice
for my most prized personal prints. The stuff is absolutely amazing. Very
heavy, beautifully textured matte finish. Even non-photographers (who usually
go for the most photo looking high gloss paper) are blown away by it.
--
Mark Roberts
www.robertstech.com
Isaac Crawford [EMAIL PROTECTED] wrote:
snip words of wisdom
I've taken a few pictures with the 43mm f1.9 Limited and never seen any sign of
this whirring noise in any of them ;-)
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from the
Noctilux. I suppose it's a trade-off that's worthwhile for some people but I
guess I'm not one of them.
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Joseph Tainter [EMAIL PROTECTED] wrote:
Mark Roberts wrote:
Whoever it was...thank you!
I've just tried the Classic Pearl, which I like quite a bit, the
semi-matte, which I like a whole lot and the Fine Art paper, which
is just beautiful!
I think the semi-matte is going
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and then removed my beautiful working ME from
my beautiful K 50/1.4. I replaced the slightly pitted lens flange on the camera
with one from my junk bin (the mount on the lens itself was perfect, oddly
enough) and slapped a 50/2.0 on the ME and sold it for about $80.00 as I recall.
--
Mark Roberts
of the film is the reference and can of course
only be determined when the camera reaches it or when the film rewind is started.
Wouldn't that mean you couldn't get exposure data imprinting when you only shoot
part of a roll of film?
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Mark Roberts
www.robertstech.com
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shot mate.
Thanks. More to come from my trip last weekend. Got some good stuff.
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Mark Roberts
Photography and writing
www.robertstech.com
and adjust the shutter speed accordingly. It's slow
but you can always get an AF lens for when speed is important.
--
Mark Roberts
Photography and writing
www.robertstech.com
Mark Roberts [EMAIL PROTECTED] wrote:
Simon King [EMAIL PROTECTED] wrote:
From: Mark Roberts [mailto:[EMAIL PROTECTED]
I thought I'd try my hand at one. This is from some stuff I shot last
weekend.
http://www.robertstech.com/temp/7d302915a.jpg
Fantastic shot.
Details? Format/Lens/Exposure
Rob Studdert [EMAIL PROTECTED] wrote:
On 6 Oct 2003 at 18:26, Mark Roberts wrote:
Y'know, if some people put as much effort into working with the
limitations of the *ist-D as they do into whining, they'd be able to
take a lot of great photos - even with K and M lenses.
Pentax has just
[EMAIL PROTECTED] wrote:
KEH.com is knee-deep in M lenses.
But they can't keep later lenses in stock. This should tell us
something.
--
Mark Roberts
Photography and writing
www.robertstech.com
right in your post about this awhile back. I do
wonder why the sensor is not wired permanently to the computer.
Interesting.
The tech had no idea, she is just a button pusher.
McXRay.
Would you like MRI's with that?
--
Mark Roberts
Photography and writing
www.robertstech.com
Sylwester Pietrzyk [EMAIL PROTECTED] wrote:
on 07.10.03 0:24, Mark Roberts at [EMAIL PROTECTED] wrote:
Or some new HP printers, which can use cartridges with 3 shades of gray
inks. And ink have claimed durability of 73 years :-)
I heard about those. Sound very interesting. Got a model
[EMAIL PROTECTED] wrote:
On Tue, 7 Oct 2003, Mark Roberts wrote:
[EMAIL PROTECTED] wrote:
KEH.com is knee-deep in M lenses.
But they can't keep later lenses in stock. This should tell us
something.
OK, here's a question for those of you with broader experience of pentax
lenses (I've
lighter (slightly)
Autofocus
Takes smaller (less expensive) filters
--
Mark Roberts
Photography and writing
www.robertstech.com
given the nature of much of the complaining!)
--
Mark Roberts
Photography and writing
www.robertstech.com
george de fockert [EMAIL PROTECTED] wrote:
I have yet to find a M-lens which (optical) outperforms the K lens it
replaced.
Try the M300/4.0 and M50/1.7
--
Mark Roberts
Photography and writing
www.robertstech.com
-1p is an incredibly versatile camera. Still, based mostly
on the intangible pleasurable to use factor, it's the MZ-S that gets
into my camera bag most often.
--
Mark Roberts
Photography and writing
www.robertstech.com
[EMAIL PROTECTED] wrote:
On Wed, 8 Oct 2003, Mark Roberts wrote:
george de fockert [EMAIL PROTECTED] wrote:
I have yet to find a M-lens which (optical) outperforms the K lens it
replaced.
Try the M300/4.0 and M50/1.7
The M50/1.7 didn't exactly replace any particular K lens, did
Circular Polarizer can bounce three times
during a decent down a cliff before the glass shatters.
Ouch! What does one of those cost? (Don't tell me.)
--
Mark Roberts
Photography and writing
www.robertstech.com
of question may not seem as unreasonable.
What do you think?
I don't think there's any reason to be concerned. The strip of film
with sprocket holes motif is very widespread.
--
Mark Roberts
Photography and writing
www.robertstech.com
Exploded, by
Simon Winchester (author of The Professor and the Madman and The Map
that Changed the World).
--
Mark Roberts
Photography and writing
www.robertstech.com
consider myself to be doing well if I get
two shots on a roll that I think are worth making into prints.
--
Mark Roberts
Photography and writing
www.robertstech.com
Cesar Matamoros II [EMAIL PROTECTED] wrote:
Bracketing can be nullified in print film by thedeveloper.
You can more easily see the bracketing differences with slide film.
Yep. This one of the big reasons why I shoot slide film.
--
Mark Roberts
Photography and writing
www.robertstech.com
and extension tubes and such...
Two words:
Instant review.
And a third word: Histogram.
--
Mark Roberts
Photography and writing
www.robertstech.com
is a magnificent beast.
Fabulous mechanical construction and legendary optics but you all knew
that.
$250.00 for everything including the original camera strap ;-)
(Oh yes, and the camera *is* fully compatible with K and M lenses!)
--
Mark Roberts
Photography and writing
www.robertstech.com
in
host-66-81-68-233.rev.o1.com should scan its system.
66.81.68.233 is 01.com (DNS through forward.net) and looks like it's a
local dialup block in Chicago. Anyone in that area would be well advised
to run a virus scan.
--
Mark Roberts
Photography and writing
www.robertstech.com
, because the
aperture lever is holding the lens diaphragm open. (With stop-down
lenses like the 28mm shift, it's the aperture to which the lens is
actually set.)
--
Mark Roberts
Photography and writing
www.robertstech.com
they were making one for Pentax in AF.
What did you pay for this one?
Am I right assuming that it isn't to be sold anymore?
I have the current Sigma EX300 f/2.8 APO and it's superb. Costs around
$2200.00 U.S.
Email me if you need to know more.
--
Mark Roberts
Photography and writing
when i shoot,getting the best shot.vbg
But you still beat them if you get the best shot!
--
Mark Roberts
Photography and writing
www.robertstech.com
Mike [EMAIL PROTECTED] wrote:
Does this list cover all things Pentax, including the old K1000?
Oh my goodness, yes!
If so, I'll get my questions ready.
Go ahead. We need some diversion from aLl the DSLR griping!
--
Mark Roberts
Photography and writing
www.robertstech.com
$deity, I hope, hope, hope, hope that Pentax is sending the *ist-D
out to reviewers with good lenses (preferably at least one Limited),
rather than just the cheapo zooms.
--
Mark Roberts
Photography and writing
www.robertstech.com
jmb [EMAIL PROTECTED] wrote:
Where do you all get your film processed and prints made?
Wal*Mart, drug store, or photo store or at home?
Why LX users, in particular?
--
Mark Roberts
Photography and writing
www.robertstech.com
something to look at :-P
Better yet, do a screen-grab of a histogram display from Photoshop and
print it out and tape it to the back of the camera. ;-)
--
Mark Roberts
Photography and writing
www.robertstech.com
.
--
Mark Roberts
Photography and writing
www.robertstech.com
the full frame chipped camera would make
the present DSLR obsolete, but if it would make the APS sized format
obsolete?
A full-frame DSLR wouldn't make the APS-sized DSLR obsolete any more
than medium format made 35mm film obsolete. Different tools for
different jobs.
--
Mark Roberts
Photography
properly) but it's
heartbreaking to see some of the unsavable slides and imagine what they
could have looked like...
Here's a sample of the damage:
http://www.robertstech.com/temp/7d303015.jpg
Here's one I saved:
http://www.robertstech.com/temp/7d303014.jpg
--
Mark Roberts
Photography and writing
did
the processing for myself on a Jobo processor (rotation).
Well, I picked up the slides a week ago, so ASAP probably won't cut
it. And since the slides are cut and mounted it would probably be a bit
impractical anyway...
--
Mark Roberts
Photography and writing
www.robertstech.com
thought!
Actually, if you think about it long enough, you'll discover the
underlying evil intent would make a pretty good .sig, too!
--
Mark Roberts
Photography and writing
www.robertstech.com
William Robb [EMAIL PROTECTED] wrote:
From: Mark Roberts
Here's a sample of the damage:
http://www.robertstech.com/temp/7d303015.jpg
That looks like it got Sabbatiered. I bet the lid of the processor got
opened while your film was transiting from developer to bleach.
Well whatever they did
[EMAIL PROTECTED] wrote:
Ah, the joyand the pain. I am in the middle of preparation for a trial and
have had no chance to actually play with the camera in any meaningful way.
Sorry to hear that. What have you been charged with? :-P
--
Mark Roberts
Photography and writing
down, we'll see.
Dr. Lisa will definitely be coming down to NC but I don't know if I will
be able to coax her out to GFM. (She'll probably be doing a 100 mile
bike ride or some such event that weekend, if I know her.)
--
Mark Roberts
Photography and writing
www.robertstech.com
[EMAIL PROTECTED] wrote:
I'm playing around with unsharp mask and wondering what people are using as
a starting point. It's a little hard to see the effects on the photos I've
tried so far.
First question: What size (in pixels) image are you working with?
--
Mark Roberts
Photography
: Picture
Window Pro (http://www.dl-c.com/) There's a review of it at
http://luminous-landscape.com/reviews/chromatic.shtml (though the
before and after photos are swapped at one point!)
--
Mark Roberts
Photography and writing
www.robertstech.com
if there is some other entity to blame.
I don't know about the CCD being used in the *ist and D100, but the
6-megapixel *full-frame* CCD used in the Contax (and the abandoned MZ-S
Digital) was $1000 in quantity. I doubt the APS-sized CCD is half that.
--
Mark Roberts
Photography and writing
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