to do what I asked
even if I built the development version.
Thanks,
Paul
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\clef bass
\addlyrics
\bass
\context Lyrics { \basswords }
If this is not enough information I will provide more.
TIA,
Paul Scott
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about who else might be working
on this? I really don't want to build notation note-by-note
in OpenOffice Draw!
How about using GIMP to capture the images and create any efficient
image file you want to insert into your OpenOffice document?
Paul Scott
with Insert/\Graphic fome file. In OpenOffice writer the image can be
rescaled.
Note that I did this quickly and the image is not of top quality.
HTH,
Paul
test.sxw
Description: Binary data
Paul Scott wrote:
Ray Peck wrote:
How about using GIMP to capture the images and create any efficient
image file you want to insert into your OpenOffice document?
Here is an OpenOffice Writer document doing what you described with a
JPEG which I believe is not proprietary
there
are multiple measure rests broken up by these unmusical divisions.
IMNSHO the bar numbers or letters should match the phrases and logical
musical subdivisions.
My three cents worth!
Paul Scott
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David Raleigh Arnold wrote:
On Fri, 13 Dec 2002 01:18:57 Paul Scott wrote:
Heikki Johannes Junes wrote:
Instead, what one typically wants is bar numbering at 1, 5, 9, 13, ...
Even more accurately, at 5, 9, 13, 17, ...
*If* it matches the phrases. I absolutely
will try a complete example.
TIA,
Paul Scott
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will try a complete example.
TIA,
Paul Scott
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for the moment.
There is not a problem because this is open source and I am grateful
what has been done. I hope I can contribute to this project in the future.
Thanks,
Paul
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How does one create a caesura? Or is there another name used in the
documentation?
TIA,
Paul Scott
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).
Only if it tells how to get the correct symbol.
Thanks,
Paul
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a g a }
}
}
TIA,
Paul Scott
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to interscoreline under Vertical spacing.
Thanks again for all the great work.
Paul Scott
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Ferenc Wagner wrote:
Paul Scott [EMAIL PROTECTED] writes:
Can anyone tell me how to get the without using a second editor?
Any of the following may do what you want (got from
info emacs --i quote RET ,)
C-q
(local-unset-key \)
Thank you for the answer and how to find it.
Paul
that no one has needed this common (to me at least) musical
notation.
Thanks,
Paul
Paul Scott wrote:
Mats Bengtsson wrote:
Do you mean something like
http://lilypond.org/stable/Documentation/user/out-www/lilypond/Breath-marks.html
All I see there is a breath mark. A caesura is two parallel diagonal
Graham Percival wrote:
On Sat, 22 Feb 2003 01:05:41 -0700
Paul Scott [EMAIL PROTECTED] wrote:
Mats Bengtsson wrote:
2. This symbol needs to be in the staff. It usually cuts the top two
lines of the staff. I don't know enough about placing markup or other
marks anywhere I want them. This has
enough.
I'd rather have a caesura. :)
Thanks,
Paul
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.
Probably. Unfortuntely, I don't have an example of it handy (most of
the time the conductor just tells us to put it in there, so I make two
angled slashed in the music in my messy handwriting :) , and I'm not
at all familiar with fonts.
Paul, do you have an example you could scan in or something
to do. I
hope to know enough in the near future to be able to help more. I used
to hand copy parts professionally for orchestral works and know most of
that side of things. I also develop software but still don't know
enough about Lily to help more yet.
Paul
Graham Percival wrote:
On Fri, 14 Mar 2003 17:00:18 -0700
Paul Scott [EMAIL PROTECTED] wrote:
Han-Wen Nienhuys wrote:
How about some diagrams showing the relationships between the
various dimensions and what they apply to?
Please make some! :-)
I wish I knew enough about
is that it requires GUILE 1.6, so you will have to install
that by hand.
Guile 1.6 is packaged at Debian unstable. LilyPond 1.6.6-2 in Debian
unstable depends on Guile-1.6 (or Guile-1.4)
How far away is Lily 1.8 for Debian unstable?
Or were you only referring to Cygwin?
Paul Scott
Score.currentBarNumber = #RIGHT NO
to achieve some result.
My workaround that sometimes works is to place \break ans/or \noBreak
commands at experimental measures after the Multi-measure Rest until I
get what I want.
Paul Scott
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to be useful,
One prolific source of variation is Mexican Dance music. They even add
another symbol called the otra to get more variations.
Paul Scot
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signature to alter the note. b -is b
natural and bes is b flat no mater what the key signature.
Paul Scott
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of the slashes in Daniel's example is shorter.
Are we both talking about the symbol that occurs at the end of bars 22
and 38?
Another issue I see is that apparently Caesura has another meaning of
which I was not aware. I'm not sure where in Lily doc's I saw it but it
has to do with early music.
Paul
solution works
for me.
Regards,
Paul Scott
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address book.
Have fun,
Paul
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#scripts-trill \raise #0.8 {
\musicglyph #accidentals--1 } }
Cheers,
Alex.
HTH,
Paul Scott
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Mats Bengtsson wrote:
Notice that Lilypond considers the grace notes to have zero duration.
Did you mean for playback or in terms of print spacing? Is that related
to why there are problems with grace notes and bar lines, etc.?
Paul Scott
common and are essential for
printing music. A basic of my music studies.
Paul Scott
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With 1.7.20 if a first ending goes to the next line the ending number is
repeated. I have never seen this in printed music and I believe it
makes the music harder to read. For someone who often is in a sight
reading situation I find this an unnecessary distraction.
Thanks,
Paul Scott
\paper
With 1.7.20 the tab is not working in emacs here. The error message is
Symbol's function definition is void; Lilypond-beginning-of-containing-sexp
Any ideas or help?
TIA,
Paul Scott
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like maybe to repeat a phrase with another instrument.
Paul Scott
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unstable install lilypond
otherwise you will getting the version for stable or testing.
Paul Scott
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I get this error message when I use the tab key in lilypond-mode:
save-excursion: Symbol's function definition is void:
LilyPond-beginning-of-containing-sexp
Does anyone recognize this or can anyone tell me I can diagnose this?
TIA,
Paul Scott
to not have automatic
alignment in emacs for Lilypond. Does anyone recognize this or can
anyone tell me I can diagnose this?
TIA,
Paul Scott
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software long enough it doesn't
even occur to you that Lily would do it differently.
Paul Scott .
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is already the newest version.
lilypond-doc is already the newest version.
Paul Scott
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Pedro Kroger wrote:
Paul Scott ([EMAIL PROTECTED]) wrote:
I have 1.8.1 installed from unstable. Adding your line to my
sources.list with apt-get install lilypond lilypond-doc I get:
lilypond is already the newest version.
lilypond-doc is already the newest version.
Have you run apt
Pedro Kroger wrote:
how about apt-get install lilypond=1.9.5-1 ?
That's working.
Thanks,
Paul
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Paul Scott wrote:
Pedro Kroger wrote:
how about apt-get install lilypond=1.9.5-1 ?
When I run your version ly2dvi reports that I am running 1.7.20. When I
install from unstable it reports 1.8.1.
I have partially tracked this down. I have both:
-rwxr-xr-x1 root root25850
that Pedro's deb's install an incorrect
lilypond-mode.el and startup?
Paul
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are doing,
Paul
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Paul Scott wrote:
With 1.8.1 on Debian unstable when I place a cue part simultaneous
with 'r1' for the instrument resting the whole rest is placed at the
beginning of the measure.
Duh! That's what r1 does. R1 works much better. Please ignore this
thread.
Paul
typesetter available
anywhere.
I second that.
Paul Scott
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know there is now a Debian branch called experimental that
might be perfect for this?
1.9.6 didn't solve my emacs problem but there may be another reason.
More later.
Paul Scott
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unstable emacs works correctly.
Paul Scott
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Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
Did you know there is now a Debian branch called experimental that
might be perfect for this?
No, I didn't. Where can I find info about it?
I saw it discussed on Debian User list. I have deleted most messages.
You could
Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
GNU Emacs 21.3.1 (i386-pc-linux-gnu, X toolkit) of 2003-09-13 on raven,
modified by Debian
I discovered what is wrong. Actually it's kind of my fault :( There is
a python script now that generates the lilypond.words file
of attaching text to multi-measure rests now?
Is there a better way?
The answer should be R1*2^\markup{ Allegro } but the markup hides the
measure count. I am waiting for a comment on that problem.
Paul Scott
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a following MM rest.
Paul
\score {
\property Score.skipBars = ##t
\context Staff = clarinet
{
\notes {
\time 3/4 \mark 72
s1^\markup{ Largo } R4*3*11
\mark 73 R4*3*11 \mark 74 R4*3*2
Paul Scott wrote:
(Lily 1.8.1 on Debian unstable)
This makes the multimeasure excessively wide and actually steals space
from a following MM rest.
Paul
\score {
\property Score.skipBars = ##t
\context Staff
! Thanks,
Paul
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lilypond-mode with Pedro's deb's?
Thanks,
Paul Scott
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Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
Any changes in the emacs code after my last feedback?
Is anyone else having problems using emacs lilypond-mode with
Pedro's deb's?
I think/hope it's working. At least is in my system. Could you,
please, give a try?
Well
Paul Scott wrote:
Pedro Kroger wrote:
* Paul Scott ([EMAIL PROTECTED]) wrote:
Any changes in the emacs code after my last feedback?
Is anyone else having problems using emacs lilypond-mode with
Pedro's deb's?
I think/hope it's working. At least is in my system. Could you,
please, give
if there is a binary still
floating around?
I'll try that right away.
Thanks,
Paul
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. Could they be
different from yours?
Paul
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This worked in 1.8.1 but not in 2.0.0. If this is not enough
information I will include a complete failing ly file. I thought this
might be enough information.
TIA,
Paul Scott
:
\score {
\context StaffGroup
\globalcastello
\property Score.skipBars = ##t
\context
Paul Scott wrote:
Should convert-ly convert .. to .. when necessary? I just
tried one example and it didn't.
1.8.1 to 2.0.0 Debian unstable with Ferenc Wagner's woody deb's.
A larger example worked fine.
Paul
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Graham Percival wrote:
\paper {
linewidth = 6.\cm
\translator { \RemoveEmptyStaffContext }
Thanks much,
Paul
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shortly, but it does not cause me great grief at the
moment!
I didn't realize my last post on this hadn't been sent to the list. I
don't think the spacing problem is fixed in 2.0.0.
Paul Scott
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Is there any progress on the space taken up by grace notes and extra
barlines generated by their presence? Or am I doing something silly here?
Thanks,
Paul Scott
global = { \time 2/4 \skip 2 \bar || \skip 2*2 \bar |. }
parti = \notes {
\key c \major a2 \key f \major
\grace{ c'16( [ d
.
Then that (those) line(s) is(are) removed. \mark's are the only thing
left but no rests.
Thanks,
Paul
Paul Scott wrote:
Would it not be fairly easy to create a variation of
\RemoveEmptyStaffContext so that lines consisting only of rests would
be reduced at least to one line of multimeasure
David Raleigh Arnold wrote:
On Saturday 04 October 2003 03:13 am, Paul Scott wrote:
currently use 'piece = ...' to get section or movement names but I
would like them centered instead of on the left. Is there a way to
get a centered section or movement titles for an
orchestral/instrumental part
Paul Scott wrote:
piece = \\center Title
With this one \\center is ignored.
piece = {\\center{Title}}
This one and variations all produce parsing errors from lilypond.
Lilypond 2.0.0
Paul
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Graham Percival wrote:
On Sat, 04 Oct 2003 11:36:15 -0700
Paul Scott [EMAIL PROTECTED] wrote:
ow can I either raise \mark or move bar numbers so they don't conflict
as they do when they are left alone and the rehearsal mark falls at the
beginning of the line?
\translator{ \ScoreContext
also means that it's not included in the documentation).
Thank you,
Paul
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Paul Scott wrote:
Pedro Kroger wrote:
Debian Sid packages (binary and sources) of Lilypond 2.0.1 are
available from my website:
http://www.pedrokroeger.net/lilypond/
They're also apt-gettable adding the following line to sources.list:
Hi Pedro,
I've been using Feri's 2.0.0 for woody quite
Bernard Meylan wrote:
What is the steps to do, to can use Emacs for the Lilypond code (I use
XEmacs21).
What platform? With Debian GNU/Linux just install the LilyPond package
and open a .ly file.
Paul Scott
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[EMAIL
to the new
\markup Attached is a version of your file with most of the remaining
errors converted to \markup. I left you two things to correct.
HTH,
Paul Scott
#(ly:set-option 'old-relative)
#(set! point-and-click line-location)
\version 1.9.8
\header{
title = Study in Tango
subtitle
composers do about these structure and efficiency situations? Am I
missing some basic LilyPond techniques?
No criticism intended here just possible ideas. I think Lily is great!
Thanks,
Paul Scott
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Ferenc Wagner wrote:
Available at
deb http://afavant.elte.hu/~wferi/debian woody main
Thank you so much. It looks like the multimeasure rest spacing is
either fixed or drastically improved. I will gladly have to retune a
part for a rehearsal tomorrow.
Thanks, Han-Wen, Jan and Feri!
Paul
and not to be published. I'm glad to
know that opus also works.
I know I also need to use lilybook but haven't taken the time yet.
Maybe your example will help.
Thanks,
Paul Scott
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= clarinet { \glissup }
}
TIA,
Paul Scott
glissup = \notes {
\time 2/2
{ bes'2 s2 }
{ \once \property Voice.Stem \set #'transparent = ##t
\once \property Voice.NoteHead \set #'transparent = ##t
bes2\glissando ges'4-^ r4 }
}
\score {
\property
suppose I could have a second voice with some hidden/skipped notes
and attach the dynamics to that, but if there's an easier way, I'd
like to know about it.
I think that's it right now. Something like:
{ a1 } { s2..\ s8\! }
You just have to adjust the s values to get what you need.
Paul Scott
Paul Scott wrote:
1. The key change seems to be the problem here. Something about it
makes the spacing for that last quarter note bad. Simply removing the
key change and tweaking as in 2. solves the over the bar line
problem. The spacing of the quarter note is still not as good as it
could
the final answer. I guess you are looking for
something more recent.
Paul Scott
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3)
Can someone help me finish the syntax?
TIA,
Paul Scott
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the subject of the thread?
Paul
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Nicolas Sceaux wrote:
Sun, 30 Nov 2003 11:24:53 -0700, Paul a dit :
I am trying to solve the same problem. I have gotten this far:
#(define textPad( lambda( pad ) \property Score.TextScript \override
#'padding = pad ))
with several guessed variations of
(textPad 3)
Thank you very
just tried it again in 2.1.0 and it
does nothing.
Paul Scott
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accidentals in text.
Not a complaint just a warning to others.
Paul Scott
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,
Paul Scott
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Will Oram wrote:
I didn't mention it explicitly in my last e-mail, but I am already
using one .ly file for each part.
Then what's not working? Can you post one of those files that doesn't work?
Paul
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: round filled box vertical extent smaller than blot; decreasing blot
(Continuing; cross thumbs)
and a short stem on each slash.
Any ideas?
TIA,
Paul Scott
sl = {
\property Voice.NoteHead \override #'style = #'slash
\property Voice.Stem \override #'length = #-1
}
nsl
Paul Scott wrote:
I see the attachment changed as result of a test before the e-mail was sent.
sl = {
\property Voice.NoteHead \override #'style = #'slash
This line:
\property Voice.Stem \override #'length = #-1
should read
\property Voice.Stem \override #'length = #0
an interesting
feature (bug?) where specifying 3- gives a seemingly redundant m super
(flat 3).
Thanks for any help,
Paul Scott
\include english.ly
jzchords = \property ChordNames.ChordName \override #'style = #'jazz
sl = {
\property Voice.NoteHead \override #'style = #'slash
\property
Ferenc Wagner wrote:
Paul Scott [EMAIL PROTECTED] writes:
n the docs chord names seem to be somewhat connected with
the notes in the music. I don't want to have any
automagic connection between the music and the chord
symbols.
They are not connected to notes you entered separately
about that. I will talk to the (young) composer about that.
Thanks again,
Paul
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, etc. So far I
have only found the header poet that will put these in the correct
spot. Is there a more proper way to do this?
With \markup. See Notation Manual/Tuning Output/Text Markup in the manual.
music = \notes{ bf4^\markup{ Allegro } ... }
Paul Scott
p.s.: If you are subscribed
.
There is:
\property ChordNames.ChordName \override #'style = #'jazz
but it doesn't give what you want.
To customize chord name printing see:
Regression Tests/|chord-name-exceptions.ly|
cid:[EMAIL PROTECTED]
and follow the example carefully.
Paul Scott
/
% music references
both b and a
\score{
...
\nusic
...
}
The same thing can be done with chords or lyrics or whatever.
HTH
Paul Scott
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}
It looks like you are answering your own questions but:
How about
interTwo = \notes\relative c' {
r8 r16 fis fis4 r gis
ais4 r8 ais gis4 ais
}
instead?
Paul Scott
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Aaron wrote:
Thanks you so kindly,
Maybe some other VIM users would like to see the answer also. :)
Paul Scott
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case you would have:
\include viola.ly
\include oboe.ly
\include timp.ly
at the beginning of aaronscore.ly and one each of the notes files at
the beginning of violapart.ly, oboepart.ly, and timppart.ly
HTH,
Paul Scott
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the individual parts.
Paul
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Aaron wrote:
Mats Bengtsson wrote:
Just say
c4:16
Hi,
could you point to where it says that in the docs??
Notation Manual/Repeats/Tremolo subdivisions
Paul Scott
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filenames,
since there is nothing to distinguish them in a flattened directory
structure (e.g., a search panel).
As I do when I copy the pdf's to another machine to be printed.
It's still a good suggestion, though.
Paul
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