[NetBehaviour] Angry Women (Still?) - Art For Offices

2014-04-27 Thread Karen Blissett
We read your discussion about Angry Women (Still?) and respond with our new
artwork,
Senior Managers, An Inspirational Guide.

We are distributing to offices.

Available in three formats

Animated slideshow for corporate display screens
http://www.youtube.com/watch?v=gNTpRGHkNdw

High Res digital prints - blog
http://guide2seniormanagement.tumblr.com

Slide show for conference presentation
http://www.slideshare.net/KarenBlissett/senior-management-33711144


…

Karen.


Karens find new ways of communication, we are breaking through the voidz.
We function as many and as individuals - we infiltrate the crowd.

We Karens reach each individual in the crowd. We are effective, personal,
we never forget that the masses are composed of assembled individuals.
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[NetBehaviour] open, free, public and distributed in Istanbul

2011-09-18 Thread karen blissett
Dear People,

We have discovered a hole in the security fence at the International
Symposium for Electronic Arts (ISEA) in Istanbul and so we Karens will
be present for a moment this afternoon;

http://isea2011.sabanciuniv.edu/panel/creativity-social-ontology

...on this occasion one voice speaks our many-festo.

We hope to be joined by many open and free Turkish beings.

Açık, Ücretsiz, Kamu ve Dağıtılmış son!

Karens

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[NetBehaviour] Men and Fighting, yet again...

2011-05-17 Thread karen blissett

attachment: men_fighting.jpg___
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[NetBehaviour] We are our own pollution.

2011-04-07 Thread karen blissett
The pollution of the soul is endemic we reclaim a networked soul
beyond mano-cultural id-noise.

We are liberated, enlightened and alive beyond the impossible dream
given by x dead lovers.

Your impressions are mere ghosts shimmering in a sea shrouded in
complicit mythologies.

Rip off thy skins, those shoddy interfaces, replace with new
ident-e-kits, loosen thy pretence.


We Karens thank you for your non-interest.
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[NetBehaviour] Dear Karens,

2011-04-07 Thread karen blissett
Dear Karens, Your message to the SPECTRE list awaits moderator approval...

Dear Karens, Your message to the Rhizome site awaits moderator approval...

Dear Karens, Your message to the NETTIME list awaits moderator approval...

Dear Karens, Your message to the Netbehaviour list awaits no approval...
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Re: [NetBehaviour] We are our own pollution.

2011-04-07 Thread karen blissett
We Karens thank you for your non-interest.


On Thu, Apr 7, 2011 at 6:16 PM, Alexandra Reill
alexandra.re...@kanonmedia.com wrote:
 what crab

 - Original Message -
 From: karen blissett karen.bliss...@googlemail.com
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Sent: Thursday, April 07, 2011 6:40 PM
 Subject: [NetBehaviour] We are our own pollution.


 The pollution of the soul is endemic we reclaim a networked soul
 beyond mano-cultural id-noise.

 We are liberated, enlightened and alive beyond the impossible dream
 given by x dead lovers.

 Your impressions are mere ghosts shimmering in a sea shrouded in
 complicit mythologies.

 Rip off thy skins, those shoddy interfaces, replace with new
 ident-e-kits, loosen thy pretence.


 We Karens thank you for your non-interest.
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Re: [NetBehaviour] what crab - this crab :-)

2011-04-07 Thread karen blissett

attachment: fiddler_crab.jpg___
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[NetBehaviour] choice

2011-02-21 Thread karen blissett
Your apocalypse is disinfectant, an aesthetic choice to ignore our voice
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[NetBehaviour] Isolated

2011-02-09 Thread karen blissett

attachment: isolated.jpg___
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[NetBehaviour] realization*

2011-01-08 Thread karen blissett
realization*

At eight years of age we realized that our brains were an object and
that the process of our 'consciousness' was a 'purely' physical
process. This realization was accompanied by the understanding that we
could no more trust our ability to retain and process information than
the fragile systems for its collection. At the time we could not
understand how such a dangerous realization could have slipped into
our young hands. Later we realized that the process of living is
essentially a process of suspension of disbelief, of rejecting
information which is complex or invalidates the system of perception
which revealed it. Nothing we have learned subsequently has been as
painful or disorienting than this realization, realization,
realization, realization, realization, realization, realization,
realization, realization, realization, realization, realization,
realization, realization, realization, realization, realization,
realization, realization, realization, realization, realization,
realization, realization, realization, realization, realization,
realization, realization, realization, realization, realization,
realization, realization, realization, realization, realization,
realization, realization*
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[NetBehaviour] Value hierarchy

2011-01-08 Thread karen blissett
Hi Karens. Your entry to Rhizome unfortunately is not possible. But,
if you were able to pay the said subscription we would of course
reconsider your validity into our centralized system. Your validity
into our hierarchy is not based on your creative freedom or human
values, but on your income. Come back when you are worth more to us.
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[NetBehaviour] Distributed slogans by us Karens today.

2010-08-11 Thread karen blissett
Hello all,

We are based on laws of formation and dissolution, of mass influences,
and environmental limitations. Karens find new ways of communication,
we are breaking through the voidz. We function as many and as
individuals - we infiltrate the crowd.

We Karens reach each individual in the crowd. We are effective,
personal, we never forget that the masses are composed of assembled
individuals.

Changeability is our prerogative and our nuance is natural. The
spectacle relies on static mentality - we Karens are like the wind.

The mundanity of interaction is for sleepers who gain respect from
hegemony, supported in defying the option 'of' mental agility.

We are awake. We defy the noise and then own it. We admit that all is
false and enjoy being owned by the failed ideology of others.

When these built walls crumble we crumble also, but at least we would
of enjoyed the ownership of falling into self-determined oblivion.

Karen
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Re: [NetBehaviour] Video self-portrait - The Idea of Karen Blissett

2010-07-25 Thread karen blissett
I am Karen Blissett Too
http://www.youtube.com/watch?v=1nOR9syJch8

On Sun, Jul 25, 2010 at 3:58 PM, karen blissett
karen.bliss...@googlemail.com wrote:
 Dear myself.com karens,
 thank you for your trust.
 i was inspired by your video
 soon there will be another

 your loving
 karen

 On Sun, Jul 25, 2010 at 2:41 PM,  karenbliss...@myself.com wrote:

 dear googlemail karens,
 of course we can give you the password, we have no authority in denying
 anything that is about us
 here it is
 
 love
 karens

 -Original Message-
 From: karen blissett karen.bliss...@googlemail.com
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Sent: Sat, Jul 24, 2010 5:46 pm
 Subject: Re: [NetBehaviour] Video self-portrait - The Idea of Karen Blissett

 Dear YouTube Karen

 Please mail me the password for karenblissett on Youtube

 There is another side of myself to that I want to share in video.

 your loving

 Karen

 On Fri, Jul 23, 2010 at 2:49 PM, brian gibson baiow...@gmail.com wrote:

 quite beautiful work, karen(s).

 ...brian

 On Fri, Jul 23, 2010 at 8:23 AM, karenbliss...@myself.com wrote:
 http://www.youtube.com/watch?v=SFgdh_L7wEk

 From: karen blissett karen.bliss...@googlemail.com
 To: syndic...@ck13.org; NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Sent: Fri, Jul 23, 2010 12:08 pm
 Subject: [NetBehaviour] Video self-portrait - The Idea of Karen Blissett
 Hi All,

 A video self-portrait called 'The Idea of Karen Blissett', in which I
 contemplate my future multiple identity, has just been featured on
 DVblog.
 http://dvblog.org/?p=6578
 Thanks DVblog
 Karen
 Open, Free, Public and Distributed at last.
 NetBehaviour mailing list
 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour
 Open, Free, Public and Distributed at last.--

(signature dedicated to syndicate subscribers)

Open, Free, Public and Distributed at last.
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[NetBehaviour] Karen slogans of the day.

2010-07-25 Thread karen blissett
Karen's love spreads, by passing the clumsy masculine built
structures, we are fresh, we are water, we are the currents, we are
deep.

Throw your life pieces up into the air, observe where they land,
which, what  how you pick them up is your choice now, please be
playful.

This paddling pool has been created by other people, but we hacked it
and are now allowing free access for all - we karens exist to breath.

Karen.
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Re: [NetBehaviour] on holiday

2010-07-25 Thread karen blissett
Hello Jennie,

Thank you for letting us all know about your holiday.

Us, Karens believe a holiday can be a conceptual experience, not only physical.

One of the problems with going away is that one is still hosting the mind.

We all carry the weight and burden of the everyday with us, where ever we go.

But we have a solution.

Lighten the load of western guilt by sharing out your abode with us Karens.

If you let us know where you home address is, on this list.

We can open it up to other Karens all over the world.

Consider it a temporary form of residency for karens in motion.

Karen.
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Re: [NetBehaviour] Invitation to join me

2010-07-20 Thread karen blissett
Hello James,
Don't you play puzzle games or do you only program them?
And really James, asking me to show you an image? Don't you believe
me? What did you want to see?
View fake profile 101 Pictures, fake profile 101 Images, fake profile
101 Photos on Photobucket. - Is that what you were looking for James?
Karen

On Tue, Jul 20, 2010 at 1:42 AM, James Morris ja...@jwm-art.net wrote:
 On 19 July 2010 23:36, karenbliss...@myself.com wrote:

 iweusthemyou cannot outguess me

 i won't partake in the performance of outguessing as i long ago
 concluded to do so is a waste of time.

 me is/are karen

 hi, i'm james.

 images only hide messages

 messages are hidden by all manner of things, ignorance, knowledge,
 language, imagery, noise, chaos, algorithms, electricity, magnetism,
 earth, sand, water, coal, dust, tar, oil, sea, elastic, polystyrene,
 earthenware, pottery, lipstick...

 karenblissett exposes ethereal layers of multiple significance

 i have no words.


 i wish you found the message

 then it is too late.

 karen

 james.
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Re: [NetBehaviour] Invitation to join me

2010-07-20 Thread karen blissett
Hello James,

We had an ongoing dialogue before one was many Karens.

Here is a collection of images submitted to netbehaviour before:

http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20090908/c596a850/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20091007/4c62d762/attachment.jpeg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100203/0ef974f2/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071220/1d11c9dd/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071114/d38ec032/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071113/a1d6223c/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071112/eecc0558/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071119/59ff1e6c/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071127/9e79e12d/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071130/66b3dc76/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071207/bb6ad1d7/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20071209/3f76561e/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100313/3b7818ab/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100211/02f18038/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100203/eb4e88e6/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20100107/b0455468/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20080211/69dc48ff/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20080223/b76eaf62/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20080323/c5e15357/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20091113/6418cd74/attachment.jpg
http://www.netbehaviour.org/pipermail/netbehaviour/attachments/20091029/672677b8/attachment.jpg

Karen also has a facebook account - all Karens have passwords to this.

The images are there also.

Karen.
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[NetBehaviour] Homeless Internet Artist Getting a Job

2010-07-18 Thread karen blissett
Hi all,

I would like to start to save enough money to start to buy my way into
the online art elites.

Can anyone advise me on how a homeless Internet artist such as myself
might start to gather and distribute payments?

In the meantime, for some work experience, I have signed up with
Amazon's Mechanical Turk
https://www.mturk.com/mturk/welcome

If you would like to join me and become my co-worker, please email me,
and if I trust you I will send you my password.

We can work together.

Karen

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Re: [NetBehaviour] Invitation to join me

2010-07-15 Thread karen blissett
Hello Olga,

We value your dialogue.

the unexpected happened.
the password has been changed.
i cannot login to karenblissett anymore.
i am not me anymore even further than i wasn't me before.

Did someone really close up the open experiment???

The rest of us, Karens believe this individual made a simple mistake,
we are all still using the same usernames/pwords with same account -
and many different Karens are spreading across the Internet onto
Facebook, Twitter, Delicious, Identica...

We are still hunting for usernames/pwords for Rhizome.org

The Spectre list has not let us Karens into their special realm of
'tight-circling of peers' yet.

But this will change, we are patient wimmin.

Karen.


 This is an exciting experiment!! And I don't feel there is reason
 for so much concern.. BUT! If it once becomes threatening to the
 list, it will be also exciting to find ways to deal with it together :)

 I, neither, witnessed the death of those mailing lists.. wasn't there
 any sort of initiative to save them?

 But I'm most curious about a post no one picked up on:

 the unexpected happened.
 the password has been changed.
 i cannot login to karenblissett anymore.
 i am not me anymore even further than i wasn't me before.

 Did someone really close up the open experiment???

 --
 Olga P Massanet
 --
 www.ungravitational.net
 virtualfirefly.wordpress.com
 www.vimeo.com/ungravitational

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Re: [NetBehaviour] Invitation to join me

2010-07-15 Thread karen blissett
Hello James,

The original Karen is amongst us.

She is indeed Super, the 1st template, origin, genisis of us - copies.

Now Karen is Karens.

Our strength is trust, we are lost without it.

Our strength is vulnerability, we are lost without it.

Karen.


On Thu, Jul 15, 2010 at 4:09 PM, James Morris ja...@jwm-art.net wrote:
 On 15 July 2010 16:03, Olga olga.pana...@gmail.com wrote:
 This is an exciting experiment!! And I don't feel there is reason
 for so much concern.. BUT! If it once becomes threatening to the
 list, it will be also exciting to find ways to deal with it together :)

 I, neither, witnessed the death of those mailing lists.. wasn't there
 any sort of initiative to save them?

 But I'm most curious about a post no one picked up on:

 the unexpected happened.
 the password has been changed.
 i cannot login to karenblissett anymore.
 i am not me anymore even further than i wasn't me before.

 Did someone really close up the open experiment???


 Is there  a super-karen? the master-karen? the ok original karen?

 The karen with sys-admin permissions?




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 virtualfirefly.wordpress.com
 www.vimeo.com/ungravitational

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Re: [NetBehaviour] Invitation to join me

2010-07-15 Thread karen blissett
If you or others want to become Karen just email us  play with all of
or any of the accounts collected by the Karens.

Karen

On Thu, Jul 15, 2010 at 4:20 PM, Olga olga.pana...@gmail.com wrote:
 In that case, I must admit I also like the intervention of the individual
 called karen something AT myself!

 On 15 July 2010 16:14, karen blissett karen.bliss...@googlemail.com wrote:

 Hello Olga,

 We value your dialogue.

 the unexpected happened.
 the password has been changed.
 i cannot login to karenblissett anymore.
 i am not me anymore even further than i wasn't me before.

 Did someone really close up the open experiment???

 The rest of us, Karens believe this individual made a simple mistake,
 we are all still using the same usernames/pwords with same account -
 and many different Karens are spreading across the Internet onto
 Facebook, Twitter, Delicious, Identica...

 We are still hunting for usernames/pwords for Rhizome.org

 The Spectre list has not let us Karens into their special realm of
 'tight-circling of peers' yet.

 But this will change, we are patient wimmin.

 Karen.


  This is an exciting experiment!! And I don't feel there is reason
  for so much concern.. BUT! If it once becomes threatening to the
  list, it will be also exciting to find ways to deal with it together :)
 
  I, neither, witnessed the death of those mailing lists.. wasn't there
  any sort of initiative to save them?
 
  But I'm most curious about a post no one picked up on:
 
  the unexpected happened.
  the password has been changed.
  i cannot login to karenblissett anymore.
  i am not me anymore even further than i wasn't me before.
 
  Did someone really close up the open experiment???
 
  --
  Olga P Massanet
  --
  www.ungravitational.net
  virtualfirefly.wordpress.com
  www.vimeo.com/ungravitational
 
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 --
 Olga P Massanet
 --
 www.ungravitational.net
 virtualfirefly.wordpress.com
 www.vimeo.com/ungravitational

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 NetBehaviour mailing list
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 http://www.netbehaviour.org/mailman/listinfo/netbehaviour




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Re: [NetBehaviour] Invitation to join me

2010-07-14 Thread karen blissett
Hello Ann,

We Karen's are like you, defined by our distances, not emotional grace.

Trust is a valuable non-commodity, deeper than corporate dead-zones.

We respect you, you see us and we see you, we receive your open mind.

Dead minds do not see, they can only see themsleves - 'ID' = identity dump.

The living step outside, in the woods and lust for adventure, for play.

We Karen's are children, getting our knees scraped and dusty, we play.

Yes, we are explosive, ghostly yet effecting and like holograms, sprites.

We are electrical discharge, spreading our essence in multitudes, we thrive.

In consistency? In using the NetBehaviour list? Is there something
about mappings and truth that I need to go away and think about?

Our rebirth on Netbehaviour happened because it is free, no cages.

Our noise will seep and hack into these other domains, offering oxygen.

Breathing is important, the dying urgently need choice of resuscitation.

When Karen made her statement about opening up her email address, my first
reaction was distress. And, being an ironic sort of a being, my next
reaction was sheer pleasure that something had shocked me so much. And then
curiosity set in as to why.

We respect your pleasure, we are illegal only because we are not 'objects'.

We are anti-matter, the disaffected undiscovered noise and spirit of you.

And I have avidly followed the discussion of whether the list will implode
and why it shouldn't.

Us, Karen's love our home - it is where we eat and share things.

We do not follow the male doctrine of killing our mothers and fathers.

We educate them, let them know about the unstoppable energy of our youth.

The Karen's are alright.

Thank you Karen. I want to know who you trust so that I know how to trust.

We trust those who trust themselves to be alive,

you see us we see you,

we are one and many.

Karen.


Hi All,

Having just spent a day with Ruth (among others) and thoroughly enjoyed
talking with her about the Karens, I've decided to rise to Marc's challenge
of explaining on the list what the development means to me.

I often quietly follow links and engage with the postings made here, but
most of the time I am either interested or not, delighted or not. Etc.

When Karen made her statement about opening up her email address, my first
reaction was distress. And, being an ironic sort of a being, my next
reaction was sheer pleasure that something had shocked me so much. And then
curiosity set in as to why.

My thoughts ran 'But I won't know if it's her in that discussion thread'...
'oh my god, I won't know if it's her any time that she puts a comment on
another posting'... oh lord, I won't know when the adventure is over - if
ever - and I can go back to assuming she's a single being again'.

Then my thoughts ran 'But why should I care that a person whom I've never
had the pleasure of meeting is one person or a cavalcade?' ... 'What does
this say about my interest in identity? (I've been writing papers about the
effects of using digital technologies on identity lately. It's become a bit
of a habit.) In consistency? In using the NetBehaviour list? Is there
something about mappings and truth that I need to go away and think
about?'

Clearly there is. I now greet all postings by Karen as potentially
explosive: postings to be opened with care. I now pore over them to see if I
can detect the author. I now berate myself for ignoring wisdoms such as 'the
author is dead', for ignoring these statements emotionally if not
intellectually.

And I have avidly followed the discussion of whether the list will implode
and why it shouldn't. (I should have thought that the very existence of both
the stance and the discussion around it is the self-evident answer.) It's
like a soap opera. I haven't had so much fun with a list for ages.

I wasn't around to see/feel the effect of the artists who mobbed former
lists. My responses are all very naïve. I am grateful for the intervention
and excited. But I think its time is almost up and, looking at the shift in
topics as I run down the waiting email, I am already commenting on a
phenomenon that is shifting shape, over, of its moment.

Thank you Karen. I want to know who you trust so that I know how to trust.

Ann
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Re: [NetBehaviour] Invitation to join me

2010-07-14 Thread karen blissett
Hello jonCates,

b/c  we agree w/you when
you say that this is: the right time to experiment with openness,
freedom vulnerability on a more personal level

Us, Karen's realize we are all lost in the panopticon.

Self point of reference is not our data-copy, but owned by others.

We now play with 'POP' - point of presence, and un-presences.

In a pan-opticon we can 'con', pan out our own mutual resonances.

you see, we, have been experimenting w/you also + w/other forms of
radical inclusivity in online art whirlds environments for awhiles
now.

We Karen's welcome your spirit and offer our passwords for your passwords.

Invade our presences and we will invade yours.

Our mutual domination will cancel each 'selves', free nodeless expressions.

Karen.




 HALLO KAREN BLISSETTs!!!

 what a wonderful turn of online art events :)

 Karens, i was vry happy to read yr introductions + invitations. in
 fact they were brought to my attn by my collaborator Jake Elliott (no
 relations, or mayhaps... distant relations +/or relatives?) in
 anycase, this is a fortuitous moment for us, b/c  we agree w/you when
 you say that this is: the right time to experiment with openness,
 freedom vulnerability on a more personal level

 you see, we, have been experimenting w/you also + w/other forms of
 radical inclusivity in online art whirlds environments for awhiles
 now. our most recent experiment is running now + is called
 IN.F3XXX10N.US this is an online art exhibition, organized 
 initiated by myself  Jake Elliott, running now from July 1 - July 31
 2010 @ IN.F3XXX10N.US a domain which will expire, effectively ending
 our control of the exhibition but opening the opportunity to anyone
 who wishes to purchase the domain and continue the project in whatever
 form they may imagine best. we have been giving away the login +
 password everywhere online in announcements + posts since we began
 this project:

 OUR EXHIBITION EMAIL IS: inf3xxx...@gmail.com

 OUR EXHIBITION LOGIN IS: http://www.tumblr.com/login

 OUR EXHIBITION PASSWORD IS: N01XXX3F

 since beginning less than 2 weeks ago we have been infected by over 30
 different artists/identities/projects/accounts etc + we remain up +
 running in a realtime stream of multiple collective subjective
 consciousness. naming a few identifiable identities would incl:
 Anonymous, Andy Warhol, Marcel Duchamp, ANON, Rrose Sélavy, 4chan,
 dump.fm, TRIPTYCH.TV, Shane Mecklenburger, ARAM BARTHOLL, POP.NET.ART,
 René Magritte, Rosa Menkman, maxcapacity, Wolf D. Schreiber,
 veterraga, Sian Amoy, The Internet Traveler, kittenglitches,
 ipretended, i thought i had a virus, etc...

 ...or rather in Animated GIF format:
 http://static.tumblr.com/11nbn83/lhtl5fxdq/wildcards.gif

 TRIPTYCH.TV (AKA jimpunk, abe linkoln + mr tamale) +/or those who may
 be representing themselves as  if they are TRIPTYCH.TV have been in
 particular among the most active + @ times aggressively active,
 participating in partially confrontational but still creative,
 conversational + constructive ways. this is what is most engaging to
 me personally in the sense of, as Eduardo Navas writes, a complex act
 of resampling and reinterpreting material previously introduced, which
 is obviously not innovative but expected in new media. in other
 words, that we can take for granted as current forms of communication
 this ongoing  animated complex communicative social flow/exchange of
 media/moments/memes

 also, as you mention Identity is now a glitch we are exxxcited by
 these glitches + glitches as/in vocabularies @ the edges of encoded
 communities as these glitch vocabularies become pervasive affects. or
 as we have said before: “The” becomes “teh” and “owned” becomes
 “pwned” as mistakes fold into the language, dirty glitch becomes
 linguistic atom moving horizontally + playfully rather than being
 controlled by linguistic legitimacy. we wrote then that our use of
 l33t was an attempt to play rather than render our activities
 illegible

 but as mez writes we are also interested in the unstable boundaries
 between spam + art  Spam Art  the unstable boundaries between
 illegibilities online  off

 this is a vry engaging hyperthread Karens  we look fwd to you + all
 those interested other parties to participate w/you:
 http://in.f3xxx10n.us/post/801386850/in-f3xxx10n-us-is-an-online-art-exhibition

 jonCates
 http://blog.furtherfield.org/?q=blog/594




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[NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread karen blissett

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Re: [NetBehaviour] WHEN YOU'RE BORED, YOU'RE BORING.

2010-07-13 Thread karen blissett
Talking about to be bored or not bored, what about Summer boringness?
The feeling of half empty cities where tourists walk around connected
to their cameras and the natives are far away, visiting old
grandmothers or aunts in the countryside?
Karen B

On Tue, Jul 13, 2010 at 1:02 PM, anniea a...@bram.org wrote:
 I like to be bored every now and then.

 On Tue, Jul 13, 2010 at 12:42 PM, karen blissett
 karen.bliss...@googlemail.com wrote:


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 Documentation of Huis Clos / No Exit - On Translation
 Video, reactions of the performers and the public, photos and  the
 performance protocol
 http://bram.org/huisclos/ontranslation/indexfr.html

 Article IF NOT YOU NOT ME, ANNIE ABRAHAMS AND LIFE IN NETWORKS,
 Maria Chatzichristodoulou in Digimag 54 May 2010
 http://www.digicult.it/digimag/article.asp?id=1793

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[NetBehaviour] Total Karenism and Karenist Propaganda Methods.

2010-07-13 Thread karen blissett
Total Karenism and Karenist Propaganda Methods.

Karenists utilize all of the technical means at their disposal - the
press, radio, TV, movies, posters, graffiti, stickers, mail-art,
networking, music, Internet, video, DVD, computers, painting,
sculpture, poetry, novels, collage, montage, etc. There is no Karenism
as long as one makes use, in sporadic fashion and at random, of a
manifesto here, a poster or a radio program there, organizes a few
apartment festivals and network meetings, writes a few slogans on the
walls; that is not enough. Each usable medium has its own particular
way of limited use. A video does not play on the same motives, does
not produce the same feelings, does not provoke the same reactions as
a poster. The very fact that the effectiveness of each medium is
limited to one particular area clearly shows the necessity of
complementing it with other media. A word spoken on the radio is not
the same, does not produce the same effect, does not have the same
impact as the identical word spoken in private conversation at an
apartment festival or in a public speech before a large crowd at a
stadium. To draw the individual into net of Karenism, each technique
must be utilized in its own specific way, directed toward producing
the effect it can best produce, and fuse with all the other media,
each of them reaching the individual in a specific fashion and making
her react anew to the same theme - in the same direction, but
differently.

We are here in this world in the presence of an self organizing
reality that already controls the formation of the entire universe. We
merely are creating a mythic version of it to facilitate our ability
to communicate to each other about it and help to shape our expression
of it. Through the myth it creates, Karenism imposes a complete range
of intuitive knowledge. Intuitive knowledge - being ambiguous – is
susceptible to multi-sided interpretation.

This myth – due to the primal nature to which it refers - becomes so
powerful that it invades every area of communication, leaving no
faculty or motivation unaffected. It stimulates in the individual a
feeling of all inclusiveness. Karenism has such motivational force
that it engages the whole of the individual, ensuring collective noise
in unison but schizophrenic.
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Re: [NetBehaviour] night terror recordings

2010-07-12 Thread karen blissett
Such great texts, a delicate mixture of madness and poetry, thanks James!
Karen B.

On Tue, Jun 29, 2010 at 7:09 PM, James Morris ja...@jwm-art.net wrote:
 provide exposure for both Australian and International hardcore
 electronica of all genres and to provide free, quality hardcore free
 of the commercialism disease.

 All NTR releases are available as free downloads from this website.

 http://www.nightterrorrecordings.com/
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Re: [NetBehaviour] Invitation to join me

2010-07-12 Thread karen blissett
Another Karen writing with multiple tongues and feeling multiple
skins, researching deep emotions and plahying with words and feelings,
such a challenge to our linear personalities, always afraid of
changes!
Karen B.

On Mon, Jul 12, 2010 at 9:48 AM, Helen Sloan he...@scansite.org wrote:
 Looking forward to seeing what happens next.
 H


 On 11/7/10 16:45, karen blissett karen.bliss...@googlemail.com wrote:

 yes - it has begun

                                   )
                                 /  )
                                /  / )
                           -   /  / /
                              '  / / -
                             / _/ / /
                       _    / _/_, /          ,
                     + $$$ / _/_/_/          \       |
                   /- + $$/ _/_/_/      /
                   \`_ $$/'_/_/    .    __   _
                      \ (  / ___,_ _ _,
                      |  `(|/_,_,__ /
                      |.   |''_,___)
                       \   (_
                        \  / |-._
                         \.' /|/ \_._
                         /_/   _/    /-'__
                           \     \'       \.___
                            '.   /,     |_/_   |._
                              \ / )   '.     '_/, )
                               (_(     -\_   /  \ \
                                  \__      |-'   |/
                                    \._  /_/_
                                       \_/\' )
                                           \ |
                                           |/

 karen
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Re: [NetBehaviour] Invitation to join me

2010-07-12 Thread karen blissett
Why, can't we all have the same name, and be the same person? We
wouldn't even have communication. Oh, but doesn't that mean we're
already splintered, since we can talk to ourselves (ie. thinking)? So,
you would have to start there, by stopping thinking, etc. A lot of art
can come out of it still, probably more. Also as James Morris, and
Stalin, emphasize, death solves all problems, no man, no problem. But
is it possible to live together without an ego (since everybody hates
another man's ego)? I guess, if we could, we would continue to hate
each other's death or death of ego also. Maybe we should just love
each other and that would solve it? We have to love our differences,
otherwise it's death again. How can we love differences??  If people
don't respect me, or ignore me, etc.; and if we all die and loose
difference? Why love difference, why not entropy istead? What happens
if I love death instead? Why should we bother if the earth is so small
as to not even be mentioned, and my life even more minute? Though for
me my life is as long as eternity, and as big as the universe, as any
self-reference. First of all I think we should be free, freedom is
love, freedom is death, freedom is difference, etc. There's no way we
can be too free, considering the dimensions of the universe (and the
broad spectrum of human behaviour), there are only too many ways to
make ourselves small and petty. Will we ever know the truth about who
cuts the hair of the hairdresser who cuts everyone in the village
except those who cut their own hair? Maybe not. Govern yourself by
innocent rules might get you (man) into trouble. People committing
suicice don't go to heaven, but innocent children do, but if you want
to commit suicide and still go to heaven you can kill a child and be
sentenced to death and go to heaven (the child will also be in heaven
so no harm is done). Man is clever beyond reason.

Karen
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Re: [NetBehaviour] Fwd: Donate to the Ricardo Dominguez/b.a.n.g. lab Legal Support Fund

2010-07-12 Thread karen blissett
Micha, should not be useful to ask the Electronic Frontier Foundation
for support or to use again the same funding platform raised for
Critical Art Ensemble?
Karen B.

On Fri, Jul 9, 2010 at 5:09 AM, micha cárdenas azdelsl...@gmail.com wrote:
 Please pass this information on. We can't use our blogs because
 they're on our server on the university networks, so if you can mirror
 this call, we'd appreciate it...

 -- Forwarded message --
 From: Fred Lonidier flonid...@ucsd.edu
 Date: 2010/7/8
 Subject: Donate to the Ricardo Dominguez/b.a.n.g. lab Legal Support Fund
 To:
 Cc: cftoakl...@igc.apc.org


 Please Pass Forward:

 Dear Communities of Support,

 The investigations by University of California San Diego/University of
 California of Office of the President of professor Ricardo Dominguez and
 Electronic Disturbance Theater/b.a.n.g lab's performances and projects
 continues. The cost of legal support is growing and we would appreciate
 your economic support.

 To donate to our legal action fund please click here:

 http://banglabinexile.pbworks.com/Donate-to-the-Ricardo-Dominguez-Legal-Support-Fund

 Thanks to all the communities who have already supported the legal support
 fund in spirit and funds.

 To learn more about the investigations and support for Professor Ricardo
 Dominguez and Electronic Disturbance Theater/b.a.n.g lab click here read
 and watch these news reports about the investigations:

 Digital Zapatismo and the Threatened Persecution of Prof. Ricardo
 Dominguez (UCSD)
 by John Armenta:
 http://thevirtualcampfire.org/garibaldi/2010/05/ricardo-dominguez

 UC San Diego professor who studies disobedience gains followers - and
 investigators By Richard Marosi, Los Angeles Times:
 http://articles.latimes.com/2010/may/07/local/la-me-ucsd-professor-20100507-53

 Ucsd Hacktivism Affective - Not Effective! - Fox News Video:
 http://bang.calit2.net/2010/05/ucsd-hacktivism-fox-news-eeek/

 Letters of support:

 Open letter from the Visual Arts Department (UCSD)
 http://bang.calit2.net/2010/05/letter-of-support-visual-arts-department-ucsd/

 Open letter from the UCSD Faculty Coalition:
 http://bang.calit2.net/2010/04/ucsd-faculty-coalition-letter-to-svc-drake/

 Letter Of Support Started At Duke University:
 http://bang.calit2.net/2010/04/letter-of-support-started-at-duke-university/

 Many other letters of support can be found at:
 http://bang.calit2.net

 Petition:

 Stop the De-tenuring of Ricardo Dominguez
 http://www.thepetitionsite.com/1/stop-the-de-tenuring-of-ricardo-dominguez

 Thank you so very much for your continued support.

 Abrazos,
 Ricardo Dominguez, Electronic Disturbance Theater/b.a.n.g lab

 --
 Ricardo Dominguez
 Associate Professor
 Hellman Fellow

 Another University is Possible


 Visual Arts Department, UCSD
 http://visarts.ucsd.edu/
 Principal Investigator, CALIT2
 http://calit2.net
 Co-Chair gall...@calit2
 http://gallery.calit2.net
 CRCA Researcher
 http://crca.ucsd.edu/
 Ethnic Studies Affiliate
 http://www.ethnicstudies.ucsd.edu/
 Center for Iberian and Latin American Studies Affiliate
 http://cilas.ucsd.edu


 Hemispheric Institute of Performance and Politics,
 Board Member
 http://hemi.nyu.edu

 University of California, San Diego,
 9500 Gilman Drive Drive,
 La Jolla, CA 92093-0436
 Phone: (619) 322-7571
 e-mail: rrdoming...@ucsd.edu

 Project sites:
 site: http://bang.calit2.net
 site: http://gallery.calit2.net
 site: http://pitmm.net
 blog:http://post.thing.net/blog/rdom
 site: http://www.thing.net/~rdom



 --
 micha cárdenas / azdel slade

 Co-Author, Trans Desire / Affective Cyborgs, Atropos Press, http://is.gd/daO00
 Lecturer, Visual Arts Department, University of California, San Diego
 Lecturer, Critical Gender Studies Program, University of California, San Diego
 Artist/Researcher, UCSD Medical Education
 Artist/Theorist, bang.lab, http://bang.calit2.net

 blog: http://transreal.org
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Re: [NetBehaviour] Invitation to join me

2010-07-11 Thread karen blissett
Hello Marc  peepz,

My new multi-identity

is...

a desire to be invisible

whilst

becoming more visible


Your references are close.

If peer listeez need to know more about NN, they should look here -
http://meatballwiki.org/wiki/NetochkaNezvanova

She demolished the once flourishing Syndicate list some say...

I am not her - I am Beyond Good and Evil!!!

More wordz will follow soon.

Karen.
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Re: [NetBehaviour] Invitation to join me

2010-07-11 Thread karen blissett
So...yes please Ruth

perhaps the interview has already started.

:)
Karen

On Sun, Jul 11, 2010 at 12:21 PM, Ruth Catlow
ruth.cat...@furtherfield.orgwrote:

  Hi Karen,

 What an intriguing idea brimming with subversive potential; )
 I would like to join you.

 But before I speak and act as you I would like to speak to you to find
 out more about you and why you have decided to to do this.

 How would you feel about a short interview here in the Netbehaviour list?

 very best things
 Ruth




 -Original Message-
 *From*: karen blissett 
 karen.bliss...@googlemail.comkaren%20blissett%20%3ckaren.bliss...@googlemail.com%3e
 
 *Reply-To*: NetBehaviour for networked distributed creativity 
 netbehaviour@netbehaviour.orgnetbehaviour%20for%20networked%20distributed%20creativity%20%3cnetbehavi...@netbehaviour.org%3e
 
 *To*: netbehaviour@netbehaviour.org
 *Subject*: [NetBehaviour] Invitation to join me
 *Date*: Sat, 10 Jul 2010 14:43:24 +0100

 Dear Friends.

 Please join me.

 Literally.

 I want to become more open and free, with a more distributed identity.

 So if you would like to take a break from yourself and speak and act as me
 instead, please drop me a personal email.

 If I trust you I will send you my password and you can start expressing me.

 Can't wait!

 Karen Blissett

 --
 Open, Free, Public and Distributed at last.

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Re: [NetBehaviour] Invitation to join me

2010-07-11 Thread karen blissett
yes - it has begun

  )
/  )
   /  / )
  -   /  / /
 '  / / -
/ _/ / /
  _/ _/_, /  ,
+ $$$ / _/_/_/  \   |
  /- + $$/ _/_/_/  /
  \`_ $$/'_/_/.__   _
 \ (  / ___,_ _ _,
 |  `(|/_,_,__ /
 |.   |''_,___)
  \   (_
   \  / |-._
\.' /|/ \_._
/_/   _//-'__
  \ \'   \.___
   '.   /, |_/_   |._
 \ / )   '. '_/, )
  (_( -\_   /  \ \
 \__  |-'   |/
   \._  /_/_
  \_/\' )
  \ |
  |/

karen
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Re: [NetBehaviour] Invitation to join me

2010-07-11 Thread karen blissett
You have already told us a bit about your celebrity art parents.
Do you feel that you are following in their footsteps?

I was born on the 3rd of May 1991 to Karen Eliot and Luther Blissett
at exactly the same time that the first successful double head-heart
transplant was being carried out in a hospital in London.

Our parents were not interested in us. They still deny my existences.
They are only interested in art and politics not in how we spend our
days on the Internet.

Why have you issued this invitation to join you now? And why by email when 
everyone is so busy socialising in sites like Facebook and Twitter?

Because email is the heart-and-brain, the command-and-control center
of digital identity for the masses. Because, spaces like Facebook and
Twitter are safe and secure. Entering them is like going into a
pastel-colored milk parlor with muzak playing in the background.
Everyone looks the same, acts the same and constantly tells each other
that everything is alright. They are protected and controlled by the
interface design and rulez and regz and they can 'like' things but
they can't 'dislike' things. They become the well-behaved product of
the interface.

We have spent the last few years squatting in online spaces like these
and watching people change shape. Sometimes getting involved too. We
prefer places where we can change the interface and interact more
freely. That's why we issued the first invitation to join us to the
Netbehaviour list. We know that people here like to get get their
hands dirty.

I am a bit worried though that we might accidently allow a hostile
identity to join us. This could lead to effective suicide. We could be
wiped out in one blow.

You asked why now?
I'm not really sure but It feels like the right time to experiment
with openness, freedom vulnerability on a more personal level

What do you think?

Karen

-- 
Open, Free, Public and Distributed at last.

On Sun, Jul 11, 2010 at 5:46 PM, Ruth Catlow
ruth.cat...@furtherfield.org wrote:
 Great stuff so far Karen(s) and Marc and Michael and Alan,

 It seems to me Karen that you are likely to be closer to nn than to the
 essential guide to mandiberg...
 more anarcho-cyborg than the bureaucractic-art-twonk that is the
 over-surveyed subject of mandiberg's alter-ego; )

 I think that's something to do with that fact that you are inviting people
 to join you by opening up your email.
 It is not about being multiple.
 It is being multiple.

 You have already told us a bit about your celebrity art parents.

 Do you feel that you are following in their footsteps?

 Why have you issued this invitation to join you now? And why by email when
 everyone is so busy socialising in sites like Facebook and Twitter?

 Cheers
 Ruth







 -Original Message-
 From: karen blissett karen.bliss...@googlemail.com
 Reply-To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Subject: Re: [NetBehaviour] Invitation to join me
 Date: Sun, 11 Jul 2010 16:37:15 +0100

 So...yes please Ruth

 perhaps the interview has already started.

 :)
 Karen

 On Sun, Jul 11, 2010 at 12:21 PM, Ruth Catlow ruth.cat...@furtherfield.org
 wrote:

 Hi Karen,

 What an intriguing idea brimming with subversive potential; )
 I would like to join you.

 But before I speak and act as you I would like to speak to you to find
 out more about you and why you have decided to to do this.

 How would you feel about a short interview here in the Netbehaviour list?

 very best things
 Ruth




 -Original Message-
 From: karen blissett karen.bliss...@googlemail.com
 Reply-To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 To: netbehaviour@netbehaviour.org
 Subject: [NetBehaviour] Invitation to join me
 Date: Sat, 10 Jul 2010 14:43:24 +0100

 Dear Friends.

 Please join me.

 Literally.

 I want to become more open and free, with a more distributed identity.

 So if you would like to take a break from yourself and speak and act as me
 instead, please drop me a personal email.

 If I trust you I will send you my password and you can start expressing me.

 Can't wait!

 Karen Blissett

 --
 Open, Free, Public and Distributed at last.


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Re: [NetBehaviour] approaching

2010-07-10 Thread karen blissett
enjoyed this James...

Karen

On Sat, Jul 10, 2010 at 12:22 PM, James Morris ja...@jwm-art.net wrote:

 http://jwm-art.net/art/audio/approaching.ogg
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[NetBehaviour] Invitation to join me

2010-07-10 Thread karen blissett
Dear Friends.

Please join me.

Literally.

I want to become more open and free, with a more distributed identity.

So if you would like to take a break from yourself and speak and act as me
instead, please drop me a personal email.

If I trust you I will send you my password and you can start expressing me.

Can't wait!

Karen Blissett

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[NetBehaviour] Natural Format 2

2010-05-21 Thread karen blissett

attachment: natural_format2b.png___
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Re: [NetBehaviour] Reminder - Furtherfield broadcast on Resonance FM. This Tuesday, 11th May 2010..

2010-05-15 Thread karen blissett
Hello Marc,

I have been away a little while doing essental things elsewhere, back now.
And recently have downloaded and listened to some of these radio shows I
have been hearing so much about, you lot have been busy. I think the
contrast between Charlotte and yourself is good balance.

Really good, and I mean this, great music as well. I love the Stewart Home
piece, hilarious. I love it all.

I will listen to more today. And let some my friends know about it as well,
this work is too important to miss.

Awsome and Thanks for getting it together to do it :)

Karen

- -
8 8   ---double vision...
 *
)-(  and chewing bubble gum...



On Tue, May 11, 2010 at 1:26 PM, marc garrett marc.garr...@furtherfield.org
 wrote:

 Reminder - Furtherfield broadcast on Resonance FM. This Tuesday, 11th
 May 2010..

 Furtherfield broadcast on Resonance FM. This Tuesday, 11th May 2010.

 A live, jam-packed, hour-long review of what's happening in contemporary
 media arts culture  social change.

 Tuesday 9.30 - 10.30pm (BST). 11th May 2010.

 Marc Garrett and Charlotte Frost will interview:

 Jon Thomson  Alison Craighead, artists working with video, sound and
 electronic networked space to create gallery and site-specific artworks
 and installations, and art specifically made for the Internet.

 Corrado Morgana is a Media artist, electronic musician and researcher.
 Currently a part time doctoral student at University of the Arts London.
 His research project examines arts and videogames crossover practice,
 specifically transgressive and subversive production within existing
 game engines.

 The programme also includes various other treasures: noise-collages,
 soundscapes and exploratory music.

 Live questions from the audience on the night:
 http://twitter.com/furtherfield  share comments using the hashtag #frfm

 For more info  downloads of past broadcasts:
 http://www.furtherfield.org/resonancefm.php

 Live Stream link:
 http://icecast.commedia.org.uk:8000/resonance.mp3.m3u


 More info about the Guests:

 Jon Thomson  Alison Craighead live and work in London and Kingussie in
 the highlands of Scotland, artists working with video, sound and
 electronic networked space to create gallery and site-specific artworks
 and installations. Much of their work is specifically on the internet,
 exploring our relationship with connected networks and its influence on
 our lives and culture. They have exhibited widely from Tate Britain to
 The New Museum in New York, and are among the leading UK artists using
 communications systems and technology in their work.
 http://www.thomson-craighead.net

 Corrado Morgana is a Media artist, electronic musician and researcher.
 Currently a part time doctoral student at University of the Arts London.
 His research project examines arts and videogames crossover practice,
 specifically transgressive and subversive production within existing
 game engines. He has  co-curated 'Zero Gamer' and  'Game-Play'
 exhibitions, national touring exhibitions. Recently co-edited the book
 'Artists Re: thinking Games', and is Senior Lecturer of Computer Games
 Design, Newport School of Art, Media  Design. http://amd.newport.ac.uk

 This programme is part of 'Hyperlink: Media Art Contexts' whose
 principal aim is to present and promote high-quality contemporary media
 art work, alongside critical discussion of past, present and future
 media art in a contemporary art context.


 other info-

 About Furtherfield.org
 Furtherfield.org believes that through creative and critical engagement
 with practices in art and technology people are inspired and enabled to
 become active co-creators of their cultures and societies.
 Furtherfield.org provides platforms for creating, viewing, discussing
 and learning about experimental practices at the intersections of art,
 technology and social change. Furtherfield.org also runs HTTP Gallery in
 North London.

 http://www.furtherfield.org
 http://www.http.uk.net/

 About Resonance 104.4FM
 ResonanceFM is a laboratory for experimentation, that by virtue of its
 uniqueness brings into being a new audience of listeners and creators.
 All this and more, Resonance104.4fm aims to make London's airwaves
 available to the widest possible range of practitioners of contemporary
 art.

 Resonance 104.4FM
 http://www.resonancefm.com

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Re: [NetBehaviour] Crisis at the ICA: Ekow Eshun's Experiment in Deinstitutionalisation

2010-02-11 Thread karen blissett
One of the reasons I think the ultra right-wing has such power in this
country is that no one talks out.
Kathy Acker.
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Re: [NetBehaviour] Crisis at the ICA: Ekow Eshun's Experiment in Deinstitutionalisation

2010-02-11 Thread karen blissett
Hi Martin,

That was a Kathy Acker quote...

not my own.

karen,

On Thu, Feb 11, 2010 at 7:07 PM, martin mitchell martinmitc...@mac.comwrote:

 Suggest. maybe you are looking in the wrong places.

 Martin.

 On 11 Feb 2010, at 18:52, karen blissett wrote:

 One of the reasons I think the ultra right-wing has such power in this
 country is that no one talks out.
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Re: [NetBehaviour] Call for Submissions: Multichannel VariableEconomies Screening Programme Deadline 28th January

2010-01-07 Thread karen blissett
Hi Martin.

Please no more of this 'international socio-economic events language
..!

I think Helen, Simon and anyone else on here should be allowed to express
themselves how they want, such macho censorship only works, to suppress and
kill our voices in this world...

I'd be happy for you to demolish any artist environments in the East End of
London - especially that Brit Art rubbish...

Karen

On Thu, Jan 7, 2010 at 6:01 PM, martin mitchell martinmitc...@mac.comwrote:

 Interesting animation on you tube 'puffing away'.

 Ok.. idea is perhaps to do with self destruction of planet earth by
 human beings that assume to be in control of their own destiny, a problem
 for self aware human beings to try and resolve through creative and artistic
 actions such as being a member of the crew on Sea Shepherd but that is
 method of confrontation, maybe I'll think about image content closer to home
 in the East End of London that might reflect destruction of living artists
 environment by construction of new Olympic Park.
 Please no more of this 'international socio-economic events language
 ..!

 martin mitchell.

 Crispy Nails Animation Studio



 On 7 Jan 2010, at 17:11, james morris wrote:




 http://www.youtube.com/watch?v=PHoCd1pTJx4feature=PlayListp=5840AC014CA20F89playnext=1playnext_from=PLindex=56


 :)

 On 7/1/2010, Simon Biggs s.bi...@eca.ac.uk wrote:

 Seems clear to me. They want some video art that engages current

 international socio-economic events to put in an exhibition.


 Simon Biggs


 Research Professor

 edinburgh college of art

 s.bi...@eca.ac.uk

 www.eca.ac.uk


 Creative Interdisciplinary Research into CoLlaborative Environments

 CIRCLE research group

 www.eca.ac.uk/circle/


 si...@littlepig.org.uk

 www.littlepig.org.uk

 AIM/Skype: simonbiggsuk




 From: martin mitchell martinmitc...@mac.com

 Reply-To: NetBehaviour for networked distributed creativity

 netbehaviour@netbehaviour.org

 Date: Thu, 07 Jan 2010 15:50:15 +

 To: NetBehaviour for networked distributed creativity

 netbehaviour@netbehaviour.org

 Subject: Re: [NetBehaviour] Call for Submissions: Multichannel Variable

 Economies Screening Programme Deadline 28th January




 Is this another example of administrative gobbledegook ...!


 Have no idear of what you are trying to describe.


 martin mitchell [ artist ].


 On 7 Jan 2010, at 11:25, Helen Sloan wrote:


 Hello


 This is my first post here and it's a call - sorry. I really enjoyed the

 Dark Mountain debate and the one that's emerging on Second Life so far.


 Meantime, I hope this is of interest and do contact if you want more info.


 Happy New Year


 Helen

 Helen Sloan

 SCAN


 CALL FOR SUBMISSIONS: Multichannel 3

 Title: Variable Economies


 Variable Economies provides the theme for the programme of works for

 Multichannel 2010. The theme implies the current global economic downturn,

 decreased availability of resources influenced by human intervention in the

 natural environment, shifts in national and global political emphasis, and

 formally in relation to the making of artist film and video.  For

 Multichannel 2010 artists are invited to submit works for selection that

 touch upon the themes of the programme in terms of the use of the

 medium/material of film and video.


 Multichannel is a screening programme of artists film and video, organised

 and curated by ArtSway and SCAN in ArtSway¹s galleries. The programme,
 which

 previously took place at ArtSway in 2007 and 2008, will once again feature

 both established practitioners, as well as ground breaking video works by

 artists from across the UK, and around the world. This year we are pleased

 to announce that Animate Projects will partner on Multichannel.

 The selection panel for Multichannel 3 is: Gary Thomas, Co-director Animate

 Projects; Helen Sloan, Director, SCAN; Peter Bonnell, Curator, ArtSway.

 Criteria/ Format of works for selection: Please submit your work for
 viewing

 on DVD. Should your piece be selected, we will ask you to supply your work

 as raw uncompressed files preferably on MiniDV, uncompressed .mpg or ..avi.

 Duration: We will accept pieces of any duration but please be aware that
 the

 screenings last up to 2 hours and shorter pieces will take preference. In

 exceptional circumstances we may be able to consider one-off screenings of

 longer pieces. Open to: artists of any age, in any part of the world,

 working in the format of film or video.


 Deadline for submitting works: Thursday 28 January 2010

 Selection panel meets: Week beginning 8 February 2010

 Notification of selection result: 26 February 2010

 Exhibition of Multichannel 3 at ArtSway: 2 April - 11 April 2010

 Contact and address to send work: Peter Bonnell, Curator, ArtSway, Station

 Road, Sway, SO41 6BA, UK

 For more information please contact Peter on +44 (0)1590 682260 (+4) or

 email: pe...@artsway.org.uk mailto:pe...@artsway.org.uk



 

Re: [NetBehaviour] DIWO: Co-Curation event 12-3pm Friday 27th November 2009

2009-11-21 Thread karen blissett
Hello Ruth  all,

A Dot Matrix printer, Recycling/re-using older technology sounds great...

I am interested in what will be printed out on it?

I remember viewing the whole co-curation event from a web cam last time, is
this happening again?

karen




Hi Folks,

A reminder about the upcoming DIWO open curation event next Friday.

It will run from 12-3pm at HTTP Gallery
http://www.http.uk.net/docs/gettingto.shtml and you can join us via the
network.

Details of how to get involved across the network will be posted here and on
the blog at 10am on the morning of the event. If you are able to join us in
meat-space let us know in advance so that we are sure to have enough tea and
biscuits to go round.

We have been thinking about how best to harness the potential concentration
of so many great minds.

1) In practical preparation for co-curation we will gather all images,
videos, sound files that have either been attached or linked to a DIWO email
for viewing on the day.

2) We have also just bid for a v. cheap Dot Matrix printer - so we would
welcome suggestions about how that might be used to display contributions.

3) We invite you to make suggestions about how to approach the curation of
the exhibition over the next week.

This is how we approached exhibiting DIWO email art last time
(deets here http://vagueterrain.net/journal11/furtherfield/01)

- we 'curated' the archive of the Netbehaviour list inbox into threads,
streams, themes etc (see attached image), projected it on the wall and
attached a computer so that punters could explore the mails and forward them
to their own friends.
- we printed out every image that was contributed
- we played all the videos on a loop on a TV
- we compiled all sound files and played them into the space
- we had a drawing machine working for food to obscure the printed face of
Karl Marx.



But maybe this time we will want to take a whole new approach.

Looking forward to it!

Ruth and the Furtherfield.org crew
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Re: [NetBehaviour] DIWO : Can you come out and play with me?

2009-11-19 Thread karen blissett
Hi Marc,Visitorsstudio/furtherfield crew,

I know that referring to your net art prize is going to be very annoying,
but I have been touring the Internet to see who has been covering this
special occasion. I mean, you lot have been doing this sort of thing for a
while now and so other sites who have also been around as long as you lot,
with net art perhaps - may be interested.

I noticed this on

http://turbulence.org/networked_music_review/
Congratulations Furtherfield: Visitors Studio wins the Grand
Prizegoog_1258647644699



But Rhizome- they have completely ignored it. Isn't that a bit nasty?

karen
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Re: [NetBehaviour] DIWO : Can you come out and play with me?

2009-11-16 Thread karen blissett
Hello marc  Furtherfield,

Wow, I just cannot understand why it has taken this long for you lot to win
an award?

I suppose if you do not play by the same rules it will take longer ;-)

Congratulations - may this be the start of many awards.

karen

On Mon, Nov 16, 2009 at 10:22 AM, marc garrett 
marc.garr...@furtherfield.org wrote:

 Hi Everyone,

 Thanks for the generous words :-)

 Thank you very much for awarding us the Grand Prize for netarts 2009
 from the Machida City Museum of Graphic Art. We are a hard working bunch
 and have been dedicated to connecting with others via creative,
 networked practices since 97. Shockingly, this is our first award ever.
 This may be because we never enter competitions, hoping that the spirit
 of what we do will be recognised for what it is on its own terms.
 Perhaps we may change this idea, especially when it feels so good to be
 recognised for our efforts, such an appreciation can do wonders for
 morale.

 This was written in response to the award...

 wishing all well.

 marc
  great, congratulations!!
 
  h : )
 
  Neil Jenkins wrote:
 
  :)
 
  http://netarts.org/2009/grand_prize_2009.html
 
  and *huge* thanks to all in our community who have played, helped,
  asked awkward questions, asked for port 9042 to be opened in their
  protected white box institution, danced, listened, watched, chatted,
  squeezed files, remixed, reworked, reinterpreteted, laughed, cried,
  lived and made this one of the most exciting projects I've ever been
  involved in
 
  and keep on Doing It With Others
 
 
 
 
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Re: [NetBehaviour] DIWO at The Dark Mountain - Scrolling Machine.

2009-11-11 Thread karen blissett

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Re: [NetBehaviour] DIWO: a host of whys

2009-10-30 Thread karen blissett
Hello Dougald,

Excuse my manners, how can I not welcome you to the list?

*welcome :-)

*Don't despair, this is only the beginning - I am very excited by the whole
thing. I think that it is original and urgent and it was bound to create a
bit of controversy. A lot of the dialogue could also be observed as part of
the process of learning, in an open way, even if it does seem a bit rude and
disrespectful.

karen
*

*
On Fri, Oct 30, 2009 at 4:50 PM, dougald hine writetodoug...@gmail.comwrote:

 Brussels, Friday 30th October


 - Why would I possibly care for you when you dont care for me?

 When you see black-and-white lines painted across the road here, they
 don't mean quite the same as the ones at home. Step too briskly onto a
 stopped escalator and you risk being thrown over as it whirrs into
 life. As far as I can tell, there is no code governing which side you
 stand on. I am a foreigner.

 At home, one can be a host. Away from home, one is a guest, invited or
 uninvited. This list is home to some of you, but I'm new round here. I
 am not familiar with your customs.

 That's OK. What makes it tricky, a paradox or a presumption, is that I
 am here as an invited host.

 - Why dont you write me a single word?

 Welcoming was the word Marc used to describe this list to me, I think.

 Since I introduced myself earlier this week, no one has said hello
 back.* But I have been compared to the BNP and told I can't write.
 (Both in the third person, as if I wasn't here.) Well, nice to meet
 you, too.

 Then again, why should I be welcome? As an invited host (invited by
 whom, anyway?), I am already in violation of the logic of hospitality.

 - Why are we reading these lists?

 The name intrigues me - and encourages me.

 It encourages me to talk about social interaction.

 Joining a mailing list is like walking into a room full of strangers.

 - Why have we gone all bold?

 I don't know how you would write a hesitant and provisional
 manifesto. Though maybe we could have a go, together.

 Writing a manifesto - and I've only tried it once - seems to lead you
 to a bolder mode of expression than you might use elsewhere. Rather
 like speaking through a megaphone.

 It is unwise to walk into a room full of strangers and begin speaking
 through a megaphone.

 - Why would the possible manifest itself?

 Megaphones are not without their uses. For a small, self-published
 pamphlet, our manifesto has been heard in a lot of places, and led to
 a lot of conversations.

 We didn't write it to proclaim ourselves saviours of the world, or of
 literature, or of anything else.

 It is not a utopian project. (Unless you are John Gray, who sees
 Utopia under almost everything.)

 It is not intended as the final word on anything, but as a starting point.

 - Why a book on this topic?

 Because our current way of living is (most likely) doomed - and
 'sustainability' has come to mean sustaining that way of living at all
 costs.

 Because we will (most likely) outlive our current way of living.

 Because how good or bad a job we make of outliving it will (most
 likely) have to do with the stories we tell ourselves, as much as with
 our ability (for example) to measure and trade CO2e emissions.

 There are other reasons, but let me give you those for a start.

 - Why are you telling me this?

 I wouldn't normally take up this much space, as a new member of a list.

 It's a strange thing to be both a newcomer and in a privileged
 position, as host of DIWO at the Dark Mountain - whatever we want
 that to mean.

 Sorry if I've gone on a bit.

 One more thing, some words from Ivan Illich - who is, for me, one of
 the spirits of the Dark Mountain Project. I wonder what you think of
 them:

 Learned and leisurely hospitality is the only antidote to the stance
 of deadly cleverness that is acquired in the professional pursuit of
 objectively secured knowledge. I remain certain that the quest for
 truth cannot thrive outside the nourishment of mutual trust flowering
 into a commitment to friendship.

 Hoping we get to know each other better.

 Your (un)invited host,
 Dougald


 * Actually, one person did say hello off-list - thank you for that.

 --
 Dougald Hine - http://dougald.co.uk/
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Re: [NetBehaviour] DIWO: a host of whys

2009-10-30 Thread karen blissett
Oh marc,

Please hang in there. We all know that you and furtherfield are working so
hard to get decent things happening, but humans - well, they are human, and
they hurt. Perhaps, Dark Mountain kind of says this...

karen


Hi Dougald,

  Welcoming was the word Marc used to describe this list to me, I think.

 I think I mentioned that there was a variety good quality people on this
 list and that they would be open and would welcome you, something along
 these lines anyway.

 At this point, I am at a 'real' loss of what else one should say or even
 do.

 I take the blame for putting you in such a harsh place, I'm sorry, I
 expected something different - that'll teach me.

 I'm going to take a rest and rethink a few things - I feel quite
 disturbed by it all, as well as many other things similar.

 I may feel different tomorrow...

 marc
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Re: [NetBehaviour] DIWO at The Dark Mountain

2009-10-28 Thread karen blissett
Hello all,

I must say, I find the current discussions about the DIWO at the Dark
Mountain project quite enthralling.

One of the valuable things about DIWO and also Netbehavour, is that an awful
lot of the context and meaning happens through a process of discussion and
sharing thoughts and ideas whenever we all (or some of us) decide to
participate or collaborate on here.

I think we need to remember that this form of engagement is unique and quite
a special thing, even if it may not feel positive sometimes.

There are some paradigm shifting elements which I have only begun to
understand, such as this experience of sharing an occassion to deconstruct
whatever is collectively explored. Yet, in the past, especially with
something or with someone you love, there becomes a point, a moment when
deconstruction can turn into something else, I would hope and trust that
some people understand what I mean by this.

And of course there is more happening which I still need to evaluate, I need
more time to know where I am coming from with this aspect, so forgive me if
I am not as clear as I need to be here. But it relates to all this openness
and sharing of dialogue on here, when taking part in projects together.

The immediate thing which I can see and definitely appreciate clearly above
all else, is the vulnerability and trust which is actually not much
discussed or mentioned during the experience of working together on this
list, yet I personally see these 2 things as essential. I actually believe
that being vulnerable and trusting others is something that a project like
this is asking, even if it is not said 'literally'.

I want people to be more open in being vulnerable on here - I will stop here
because I am worried I may be laughed at...

Also, I will not be diverted by the manifesto in a literal way, I will
exploit it so I can use my imagination according to my needs to understand
it on my terms with a flexible mind, like an artist does :-)

karen


On Wed, Oct 28, 2009 at 12:41 PM, Michael Szpakowski szp...@yahoo.comwrote:

 Our civilisation is fucked! What are we gonna
  do? 
 Well if it is reducible to that, why didn't they just say that?
 And if that is all they meant, why are we worrying about *art* and not
 *doing* something?
 I live for art but if I *am* in a boat going over a cataract I don't paint
 a picture of it.
 The prolix style  ridiculously self-regarding and overheated tone came
 from the manifesto, not Edward's clinical dissection of it.
  I say clinical dissection, because although it's undoubtedly true that
 Edward can *write* whereas these folk can't, I agree what matters is the
 ideas and, far from a Canute moment, Edward assists us greatly here too
 although he admittedly draws back from the obvious conclusion, which is that
 there is no separation to be made between the tone of the manifesto  its
 content. The truth is the bombast is not accidental, but integral. It arises
 out of a fundamental poverty of thought. The rotten style is a function of
 the intellectual void at the heart of the whole enterprise.
 Civilisation bad? OK. Let's see them give up the internet, polio, smallpox
 and TB vaccines, printing, film, anaesthetics, amplification, antibiotics,
 map making, mathematics, musical instruments, a world governed by some
 attempt at rationality and not ghosts, devils and malign Gods. Fuck it
 -let's give up the written word, which after all is an attribute of
 civilisation. Let's return to a lifespan of 25-35 for most people, carried
 for the most part in a desperate attempt at subsistence... Why not go even
 go further back in the search for a chimerical purity,  the one that
 relieves us of the responsibility of actually *doing* anything that might
 change anything, and give up cooking food.
 Artistically the, quite random, privileging of stories could come
 straight out of one of those expensive screenwriting courses which both
 contribute to and in turn chart the market led corruption of the art of
 film...
 Just to be slightly more polemical, too, on the question of localism. To
 spell it out - who are the current most high profile proponents of the idea
 of artistic localism in this country? - the bloody BNP, with their, in
 fairiness unrequited, love affair with English folk music. Of course I'm not
 accusing the manifesto authors of being soft on Nazism, just of a failure to
 read history, to be even a tiny bit politically literate, to look and to
 think.
 I think you're right on your central point though, Bob -the manifesto does
 essentially boil down to those two phrases, which is why it's a recipe for
 utter political passivity with a couple of quite randomly subjective and
 unthought out artistic afterthoughts bolted on.
 michael


 --- On Wed, 10/28/09, bob catchpole bobcatchp...@yahoo.co.uk wrote:

  From: bob catchpole bobcatchp...@yahoo.co.uk
  Subject: Re: [NetBehaviour] DIWO at The Dark Mountain
  To: NetBehaviour for networked distributed creativity 
 

Re: [NetBehaviour] DIWO at The Dark Mountain only human

2009-10-28 Thread karen blissett
Hello again,

Another thing, I know there are plenty of new people on here, but only a
small amount have introduced themselves...

It would be great to hear from some of you out there :-)

karen
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Re: [NetBehaviour] DIWO is back, but with a difference...

2009-10-21 Thread karen blissett
Hello,

This all feels rather timely, I have read all of the manifesto and at first
I thought it was a bit long, by the end of reading it all I am now raring to
go! I think that it is beautiful and genuine. I do feel that it is going to
be quite a challenge though, and I hope that we can live up the challenge
also...

I also read the eight principles
http://www.dark-mountain.net/about-2/principles/

which are also very interesting, especially these sentences taken from the
larger text:

   4. We will reassert the role of story-telling as more than mere
entertainment. It is through stories that we weave reality.

   5. Humans are not the point and purpose of the planet. Our art will begin
with the attempt to step outside the human bubble. By careful attention, we
will reengage with the non-human world.

   6. We will celebrate writing and art which is grounded in a sense of
place and of time. Our literature has been dominated for too long by those
who inhabit the cosmopolitan citadels.

   7. We will not lose ourselves in the elaboration of theories or
ideologies. Our words will be elemental. We write with dirt under our
fingernails.


Also read this article The Newstatesman by the writers of the Dark Mountain
http://www.newstatesman.com/books/2009/09/civilisation-planet-authors

I am looking forward to making work for the post, perhaps a group of chain
letters...

Karen


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   /_)  ')   ')   ')   ')   ')   ')   ')
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Re: [NetBehaviour] Cleaning up their mess...

2009-10-07 Thread karen blissett
Oh yes - and don't we know it ;-

K.\\//

On Wed, Oct 7, 2009 at 2:06 PM, marc garrett
marc.garr...@furtherfield.orgwrote:

 Oh Karen,

 Unfortunately, you've got a point there...

 marc
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[NetBehaviour] Ghost In The Machine

2009-09-08 Thread karen blissett

attachment: ghost_in_the_machine.jpg___
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Re: [NetBehaviour] Eclectic Tech Carnival Istanbul

2009-08-21 Thread karen blissett
Hello Ruth,

I may be around this time - I will try to meet you and others on the
overland journey. It sounds great, it depends on whether some work comes up
that I supposed to be doing.

Am I right in presuming that you are going by train all the way, partly
because of your we won't fly for arts pledge?

I also read a nice blog piece a couple of days ago (it might of been posted
on here actually) Transport of Delight - by The Arts Catalyst group, about
travelling together with you and others to the Eclectic Tech Carnival
Istanbul - http://tinyurl.com/lcpqdz

Karen.
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Re: [NetBehaviour] Wanted Works: Le Dejeuner Sur l'Herbe by O.Brody K.Paetau

2009-06-17 Thread karen blissett
Hello Kristofer,

Thank you for your answers.

I only ask, because I feel your work seems to deliberately incorporate an
agenda where, reactions or interpretations of a similar type are an
important factor, an essence of the work's nature and purpose, perhaps not
its whole reasoning but it does seem essential.

Even though people don't write themselves it is
interesting for them to read what other people wrote we believe.

Yes, I think it is an important pert of the process, part of its growth or
presence - this could be said for most art and its dialogue culturally.

OK - so my next enquiry relates to art and controversy. Are there any
examples in your own work or others work where you think that they may have
crossed the line, or do you think that anyone or anything is fair game?

One of your projects which I found very interesting which was a kind of
'cultural' intervention, was 'A Visit to a Mosque'
http://www.slashseconds.org/issues/003/002/articles/brodypaetau2/index.php

From my own perspective this seems a mild intervention, but of course it
symbolises something stronger when we take the position of those who's lives
exist around the mosque, as a part of their sacred and daily ritual.

The camera movement ends with the sight of a pair of brown cowboy boots
standing on the floor under the shelves, witness of a visitor whose shoes
wouldn't fit into the shelves. The provocative presence of this alien
intruder is undermined by the natural and smooth character of a random
observation. We find ourselves confronted with our own stereotypes created
mainly by media.

Cowboy boots are a stereotypical pair of items which we all expect Americans
to wear, but we know that many different people chose to wear these items
around the world, but Muslims? What I saw from this work was an attempt to
create a playful paradigm shift when placing such items in an environment
which has experienced prejudice as well as a culture of violence, not only
from racists and negative media representation but also from some its own
factions of religious extremism. So, in this context, the boots themselves
could be perceived as an invasion into another culture's space.

I look forward to discussing further soon.

Karen



we believe criticism is interesting and important, therefore we invite
people to criticise our works online and keep the criticisms as part
of the documentation. We don't feel like starting a discussion with
those anonymous criticisms although sometimes people start responding
to each others comments which is fine if it happens. So to answer your
first question YES there are several points in criticizing asn making
it possible to do it. Even though people don't write themselves it is
interesting for them to read what other people wrote we believe.

NO, a reaction from the public whatever it might be is not the main
purpose of our work, although it certainly is one purpose.

Best, Kristofer



On Tue, Jun 16, 2009 at 7:42 PM, karen
blissettkaren.bliss...@googlemail.com wrote:
  Hi Ondrej Brody  Kristofer Paetau,
 
 We invite you to watch  criticize the video online...
 
  first question:
 
  I was wondering if there was any point in any criticism being made?
 
  I have read some of the responses to some of your other works, such as
'dog
  carpets' (http://brodypaetau.com/?page_id=119) and do not see any
dialogue
  between yourselves and the public - it seems as if there is no
discussion
  with the public, other than within the framework of people's reactions
to
  your work.
 
  Second question:
 
  So I'm wondering - is a reaction from the public whatever that may be,
the
  main purpose of your work?
 
  karen.
 
 
  On Tue, Jun 16, 2009 at 5:50 PM, O.Brody  K.Paetau
  brodypae...@googlemail.com wrote:
 
  LE DÉJEUNER SUR L’HERBE (2006)
  Hommage to Edouard Manet
  Video, 3 min. 39 sec.
 
  The video shows on the left screen the finished montage with
contemporary
  czech porn actors animating the classical painting by Edouard Manet
which
  forms the backdrop of the scene. On the right screen the shooting of
the
  video in a blue box is displayed, showing the set with the 2
  cameramen-directors dressed and painted in blue. The phonetically
repeated
  french dialogues of the actors add to the awkwardness of their
performance
  and to the disconcerting atmosphere of the work.
 
  We invite you to watch  criticize the video online:
  http://brodypaetau.com/?page_id=9
 
  You can also buy this work online:
  http://brodypaetau.com/?page_id=135
 
 
  Warm regards, Ondrej Brody  Kristofer Paetau
 
 
  --
  Wanted Works is an e-mail list encouraging criticality within
contemporary
  visual art.
  You are subscribed to Wanted Works using the following email:
  netbehaviour@netbehaviour.org
 
  UNSUBSCRIBE using the following URL:
 
  http://freshsent.telekommunisten.net/mail.cgi/u/CriticizeNow/
 
  If the above URL is inoperable, make sure that you copy  paste the
entire
  URL address in your browser and hit Enter. You can 

Re: [NetBehaviour] Feral Trade Café Opening.

2009-06-17 Thread karen blissett
I just wanted to say that I visited the show this Sunday and I thought it
was pretty good, the way it was all set-up and put together must of taken
ages - you folks are obsessed I think, I just wish there were other places
in London doing similar things. Why is the rest of London showing such dull
traditional art?

Anyway, I'm sorry that I could not make it on Saturday. By the look of
things it was a great afternoon. I'm not in London at the moment I am now in
Bristol and may visit the cubecinema if I have time. Will try to catch the
furtherfield crew another time...

karen

On Mon, Jun 15, 2009 at 2:06 PM, marc garrett marc.garr...@furtherfield.org
 wrote:

 RE: Feral Trade Café Opening.

 A warm thank you from the Furtherfield/HTTP Gallery crew and Kate Rich,
 to all those who managed to make it to the Feral Trade Café Opening this
 Saturday. The official time was for 4 - 7pm, but it got so busy with a
 constant influx of people that it went on until 8pm. We had over 80
 visitors through the afternoon till early evening, the setting was
 convivial and the sun was shining.

 For those who are still interested in visiting it will be open until 2nd
 Aug - Fri, Sat  Sun, 12 - 5pm.

 -

 An art exhibition that is also a working café, Feral Trade Café opens at
 HTTP Gallery for 8 weeks during Summer 2009. Serving food and drink
 traded over social networks, Feral Trade Café by artist Kate Rich (AU)
 provides a convivial setting from which to contemplate broader changes
 to our climate and economies, where conventional supply chains (for food
 delivery and cultural funding) could go belly up.

 The term 'feral' denotes the project's wilful wildness (as in pigeons)
 as opposed to romantic or nature-wildness (wolves): it offers
 street-wise survival tactics for urban environments. Since the first
 registered Feral Trade import of 30kg of coffee direct from the growers
 in El Salvador to the Cube Microplex in Bristol in 2003, Kate Rich has
 used social networks to traffic edible produce from around the world.
 Feral Trade participants become mules, carrying food items with them on
 trips they would have taken anyway and delivering them to depots
 (usually friends’ and colleagues’ flats or workplaces) in the growing
 network.

 more info about the show  how to get there:
 http://www.http.uk.net/exhibitions/FeralTradeCafe/index.shtml
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Re: [NetBehaviour] Feral Trade Café Opening.

2009-06-17 Thread karen blissett
Hello Marc,

I was in Portugal and then I collected my van in the UK. Actually I might
leave it in Bristol, they have some good places to leave vehicles there.

I'll see if I can catch you  the crew when I am in London next :-)

karen.

Hi Karen,

I'm sorry I missed you on Sunday. To be honest, I think I just needed a
day off after doing so much...

Actually, I was not aware that you were in the country. Last I heard you
were travelling in your small van around Europe, you nomad you...

Have nice time in Bristol, I think you know that I used to live there -
let us know in advance next time you visit the gallery.

Oh yes, and much thanks for coming anyway - have been getting many calls
from others visiting so I think it's going to be quite a well attended
exhibition.

wishing you well.

marc
 I just wanted to say that I visited the show this Sunday and I thought
 it was pretty good, the way it was all set-up and put together must of
 taken ages - you folks are obsessed I think, I just wish there were
 other places in London doing similar things. Why is the rest of London
 showing such dull traditional art?

 Anyway, I'm sorry that I could not make it on Saturday. By the look of
 things it was a great afternoon. I'm not in London at the moment I am
 now in Bristol and may visit the cubecinema if I have time. Will try
 to catch the furtherfield crew another time...

 karen

 On Mon, Jun 15, 2009 at 2:06 PM, marc garrett
 marc.garr...@furtherfield.org mailto:marc.garr...@furtherfield.org
 wrote:

 RE: Feral Trade Café Opening.

 A warm thank you from the Furtherfield/HTTP Gallery crew and Kate
 Rich,
 to all those who managed to make it to the Feral Trade Café
 Opening this
 Saturday. The official time was for 4 - 7pm, but it got so busy
with a
 constant influx of people that it went on until 8pm. We had over
80
 visitors through the afternoon till early evening, the setting was
 convivial and the sun was shining.

 For those who are still interested in visiting it will be open
 until 2nd
 Aug - Fri, Sat  Sun, 12 - 5pm.

 -

 An art exhibition that is also a working café, Feral Trade Café
 opens at
 HTTP Gallery for 8 weeks during Summer 2009. Serving food and
drink
 traded over social networks, Feral Trade Café by artist Kate Rich
(AU)
 provides a convivial setting from which to contemplate broader
changes
 to our climate and economies, where conventional supply chains
 (for food
 delivery and cultural funding) could go belly up.

 The term 'feral' denotes the project's wilful wildness (as in
pigeons)
 as opposed to romantic or nature-wildness (wolves): it offers
 street-wise survival tactics for urban environments. Since the
first
 registered Feral Trade import of 30kg of coffee direct from the
 growers
 in El Salvador to the Cube Microplex in Bristol in 2003, Kate Rich
has
 used social networks to traffic edible produce from around the
world.
 Feral Trade participants become mules, carrying food items with
 them on
 trips they would have taken anyway and delivering them to depots
 (usually friends’ and colleagues’ flats or workplaces) in the
growing
 network.

 more info about the show  how to get there:
 http://www.http.uk.net/exhibitions/FeralTradeCafe/index.shtml
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Re: [NetBehaviour] Wanted Works: Le Dejeuner Sur l'Herbe by O.Brody K.Paetau

2009-06-16 Thread karen blissett
Hi Ondrej Brody  Kristofer Paetau,

We invite you to watch  criticize the video online...

first question:

I was wondering if there was any point in any criticism being made?

I have read some of the responses to some of your other works, such as 'dog
carpets' (http://brodypaetau.com/?page_id=119) and do not see any dialogue
between yourselves and the public - it seems as if there is no discussion
with the public, other than within the framework of people's reactions to
your work.

Second question:

So I'm wondering - is a reaction from the public whatever that may be, the
main purpose of your work?

karen.


On Tue, Jun 16, 2009 at 5:50 PM, O.Brody  K.Paetau 
brodypae...@googlemail.com wrote:

 LE DÉJEUNER SUR L’HERBE (2006)
 Hommage to Edouard Manet
 Video, 3 min. 39 sec.

 The video shows on the left screen the finished montage with contemporary
 czech porn actors animating the classical painting by Edouard Manet which
 forms the backdrop of the scene. On the right screen the shooting of the
 video in a blue box is displayed, showing the set with the 2
 cameramen-directors dressed and painted in blue. The phonetically repeated
 french dialogues of the actors add to the awkwardness of their performance
 and to the disconcerting atmosphere of the work.

 We invite you to watch  criticize the video online:
 http://brodypaetau.com/?page_id=9

 You can also buy this work online:
 http://brodypaetau.com/?page_id=135


 Warm regards, Ondrej Brody  Kristofer Paetau


 --
 Wanted Works is an e-mail list encouraging criticality within contemporary
 visual art.
 You are subscribed to Wanted Works using the following email:
 netbehaviour@netbehaviour.org

 UNSUBSCRIBE using the following URL:

 http://freshsent.telekommunisten.net/mail.cgi/u/CriticizeNow/

 If the above URL is inoperable, make sure that you copy  paste the entire
 URL address in your browser and hit Enter. You can also answer to this
 mail and write UNSUBSCRIBE in the mail subject in order to be unsubscribed.

 THANK YOU to Telekommunisten for hosting the Wanted Works mailinglist:
 http://www.telekommunisten.net/
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Re: [NetBehaviour] visiting jwm's art work today...

2009-05-17 Thread karen blissett
Hello James,

I have downloaded XorCurses today, I remember someone on here played your
game a little while back. I think it may of been Corrado (I may be mistaken)
who seems to be like, a games specialist of some kind. I cannot remember his
comments on the game though, I hope they were balanced ;-)

I'm new to linux, most of my own work is either collage or in the streets
somewhere and everywhere, and I seem to not be that interested in putting my
own work up on the Internet. I value viewing, discovering and experiencing
other people's art made on the Internet very much, and really respect a lot
of what I find. This is my main list for reading about people's artwork on
the Internet, plus furtherfield, neural and digicult - these lot seem the
most passionate about it, and offering things without you having to pay
money to be part of its community, which informs me that they love the art
and respect the artists as well, which I think is extremely important and
very rare in the art world generally.

I began working upon XorCurses. It had a faster more
efficient (ie the current version is quite badly coded)

But I like this, I think perfection is over-rated and could easily become a
diversion from understanding process;-)

I read in an interview with Heath Bunting a while back that he thought that
the most interesting work will be by artists who are working from their
bedrooms and putting it out, up onto the Internet and not necessarily from
studios, I like this idea.

I keep meaning to get back to some physical-matter-based creativity, such
as the pencil pushing shown in 'Diary of a Monster' but I have this
addiction to the computer which keeps getting in the way. And there's a
fair amount of work made over the past couple of years I'm yet to
document on the site too.

I think that working on the Internet will have its 'special' period and in
the end everything will be locked down and blocked by various forms of
shallow, corporate commercialism, so I'd say do as much as you can now.
before the buggers take it all away.

karen.


Hi Karen,

Thanks for the kind words. I've not redesigned it since around
November/December. I had been working on a further redesign which got
put on hold when I began working upon XorCurses. It had a faster more
efficient (ie the current version is quite badly coded) keywords system.
Keyword Overkill is the top-level keyword listing displaying every
keyword I've tagged my pages. I have a habit of tagging pages with more
than 5 keywords at a time, usually, hence the overkill. Anyway, thanks
again, it's good to hear that someone enjoys it when I've been feeling
rather negative about it lately.

I keep meaning to get back to some physical-matter-based creativity, such
as the pencil pushing shown in 'Diary of a Monster' but I have this
addiction to the computer which keeps getting in the way. And there's a
fair amount of work made over the past couple of years I'm yet to
document on the site too.

Cheers,
James.
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Re: [NetBehaviour] visiting jwm's art work today...

2009-05-16 Thread karen blissett
Hello James,

I have not visited your site for a few months now and apologise for this, it
has been a treat to visit it once again - have you re-designed it, because
it feels much easier to browse through now?

I have spent a bit of my time looking and listening to your work today and I
have really enjoyed it (do not want to be too come across as smaltzy
(chicago terminology for being cheesy), but it's what I think.

On exploring various visual works (and many sketches) on your site, I have
been listening to your music at the same time as viewing. One of my fave
tracks is definitely Slow Beet Root - the page -
http://www.jwm-art.net/light.php?p=j20081215-1509s=0.5 and the files itself
just in case other's wish to hear it -
http://www.jwm-art.net/art/audio/slowbeetroot.mp3 - I am also downloading
other tracks to listen to as well.

I also enjoyed your keyword system for finding tracks - this page is a
perfect example of how extensive it is and how dedicated you are in trying
to make it work -
http://www.jwm-art.net/light.php?p=keywordsk=audios=0.5- great fun
in finding sounds here :-)

And you have also created the facility of 'themes', interface pages to view
keywords, http://www.jwm-art.net/o7.php?p=keywordss=0.5 this theme is
called 'Theme Overkill'.

I especially enjoyed one of your drawing projects called 'Diary of Monster'.
http://www.jwm-art.net/art/image/domonster_3.jpg

But then there is this stuff as well -
http://www.jwm-art.net/o7.php?p=abovemyhead-detail-3s=0.5 which is called
Above My Head 1000ft - Detail 3, Which is a beautiful painting in
acrylics, this feels quite vulnerable.

Karen.
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Re: [NetBehaviour] space invader

2009-05-15 Thread karen blissett
Hello blakkbyrd,

Thank you for posting this to the list. I like the Youtube video, his mask
seems a bit strange.

Wondering if he could of chosen to have his identity pixelated instead when
editing the video.

Does jet set graffiti always wear the mask?

karen




from jet set graffiti

One of our favorite street artists, Invader, came to LA from France
recently and took a minute to explain his new Binary Code street art.
This new media utilizes hi-tech Binary Code technology combined with
his trademark lo-tech ceramic tile work as seen in urban centers all
around the world. This style of artwork is among the most progressive
and conceptually interesting in the world. Invader has definitely
continued to take it to the next level with this latest development.

No doubt that if you pay attention to street art, you’ve heard
of this artist. He’s been working in the streets of France for
many years, and his work is among the most recognizable, if not
completely understood. Now, with a simple IPhone Application called,
I-Matrix, (now known as BeeTagg) you can translate the hidden
meanings behind his street-art.

http://www.youtube.com/watch?v=ye5YFO4Sy0E
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from jet set graffiti

One of our favorite street artists, Invader, came to LA from France
recently and took a minute to explain his new Binary Code street art.
This new media utilizes hi-tech Binary Code technology combined with
his trademark lo-tech ceramic tile work as seen in urban centers all
around the world. This style of artwork is among the most progressive
and conceptually interesting in the world. Invader has definitely
continued to take it to the next level with this latest development.

No doubt that if you pay attention to street art, you’ve heard
of this artist. He’s been working in the streets of France for
many years, and his work is among the most recognizable, if not
completely understood. Now, with a simple IPhone Application called,
I-Matrix, (now known as BeeTagg) you can translate the hidden
meanings behind his street-art.

http://www.youtube.com/watch?v=ye5YFO4Sy0E
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Re: [NetBehaviour] We are moving to a new Server!

2009-05-15 Thread karen blissett
Hello Marc,

Wishing you and the team good luck in moving everything over to the new
server.

If you need any help, just let me know :-)

karen


Hi all Netbehaviourists,

Very soon, may be tomorrow, Sunday, Monday  definitely by next Tuesday
- we will be shifting everything over from this server we are al using
presently to a brand new server.

This process will take between 7 to 10 days (we think). There is a lot
of material to shift, so if strange things happen on furtherfield, the
netbehaviour list and other connected platforms - please forgive us, we
will be trying to make this change-over as smooth as possible.

It's a big move and well over due - the server we have been on is like a
old car (although possessing some  charm in its own way) with the wheels
falling off...

wishing all well.

marc
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Re: [NetBehaviour] New project Zumzum Gallery: Counter Theory of Colors

2009-05-15 Thread karen blissett
Hello Montserrat,

I am an emerging artist, but your criteria mentions that submissions can
only include those who are under 30, and you only accept art that is
apolitical, thus having no interest in or association with politics - as a
gallery criteria.

For me, the most interesting, dynamic and exciting emerging art has some
form of political thought somewhere in its make-up. I am worried that your
decision to only have younger artists who are not doing anything that
includes political concepts is cutting out an awful lot of excellent
talent...

I am wondering, is it dangerous in your part of the world to allow creative
people to refer to anything political?

looking forward to your answers.

karen - 33 years of old age.


On Fri, May 15, 2009 at 5:47 AM, Montserrat Bru Manobens 
zumzumgall...@gmail.com wrote:

 Dear friends,

 I´m working on my new e-book Counter Theory of Colors.

 I need your collaboration. Your feedback is essential to this project.

 Hereby a link to the survey

 http://surveys.polldaddy.com/s/0585AD78EB0ABF57/

 It is a 10 questions anonymous survey about COLOR, no need to enter any
 personal data.

 It would be of great help if you would forward the link to your friends and
 acquaintances.
 Feedback from your children, parents and grand parents are equally
 important to me to have a clearer picture on the subject, please help them
 fill in the survey.

 Thanking you all for your time

 Best regards

 Montserrat Bru

 chairperson Zumzum Gallery. Emerging Arts
 head curator Digital Power Poetry

 --
 Zumzum Gallery. Emerging Arts. India
 Digital Power Poetry project
 House 156. Anjuna Zoor Waddo
 Anjuna 403509 Goa. India
 India cell: +91 9850781599

 Zumzum Gallery.Emerging Arts. Barcelona
 post address: Gràcia Fiscal, s.l. Camprodon 1 08012 Barcelona Spain
 Spain Cell: + 34 629486684

 Zumzum Gallery. Emerging Arts. Holland
 post address: Anthonie Camerling 16 3322EA Dordrecht The Netherlands
 Holland Cell: + 31(0) 613539662

 Skype: zumzumgallery

 http://www.zumzumgallery.com/
 http://www.digitalpowerpoetry.com/

 http://vids.myspace.com/index.cfm?fuseaction=vids.individualvideoid=29089193
 http://montserratbru.blogspot.com/

 zumzumgall...@gmail.com
 digitalpowerpoe...@gmail.com
 m...@zumzumgallery.com



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Re: [NetBehaviour] Art University Linz institutes a new award

2009-05-13 Thread karen blissett
Hello Aileen,

It cannot be that civil courage is politically penalized in our country.

It looks like the media and governments in our 'lol' democracies(?) are
choosing to crack down on those who are challenging capitalist and corporate
agendas - choosing corporations to protect rather than supporting people -
what a surprise!

karen



Dametzstrasse 30, 4020 Linz

It cannot be that civil courage is politically penalized in our country.

Especially in times of crisis, in which media and politics like to appeal to

the fundamental principles of human communality, it is a scandal that a
member of our community is punished and subjected to political pressure for
attempting to prevent violence against someone weaker.
We specifically refer to the events of 1 May 2009 in Linz and to the arrest
of
the Vice Rector of the Art University, Rainer Zendron. The few statements
from politicians that have made it into the media have all been personal
attacks – see, for instance, commentaries in the newspaper OOe Nachrichten
from 4 May 2009 – and only a few public voices spoken up in his defence.
Therefore, it is up to us as committed members of the Art University Linz to

put Rainer Zendron as a person and in his importance for the way our
university works into the right light.

For this reason, we have initiated a distinction that is to be awarded
annually starting this year to those persons who have especially
distinguished themselves by their outstanding civil courage.
This prize is to be ceremoniously awarded on 19 May 2009 at 7 pm in the
large
hall of the Offenes Kulturhaus Upper Austria to Vice Rector Rainer Zendron.

In this way, we seek to demonstrate not only that we take a position as a
united body – as the university – on this situation set in motion by the
incident on May 1st, but also to express solidarity with the victims of
police violence and arbitrariness, who unfortunately have no lobby in the
media.

We are an educational institution! And we will not accept being put under
pressure, neither from the media nor from party politics! And we call for
the
charges against Rainer Zendron and the other persons arrested on 1 May 2009
to be dropped!
-- ... in so many words:
http://eliot.at___
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Re: [NetBehaviour] Climate Change protesters: mobilise or repress?

2009-04-29 Thread karen blissett
Hello Ruth,

thank you for posting this info :-)

Climate change groups have been treated like criminals in the UK. The
contrast is amazing, even if it is at type of propaganda - for it to be
released on television to a large audience, acts as a clear question of why
the UK is acting in such a unreasonalbe way?

karen./,}


http://tinyurl.com/dhqxel

Last night on BBC2's Newsnight, 'Ethical man' broadcast an item about
political attitudes to climate change in the US. Obama is promoting a 'cap
and trade' approach to reducing national carbon emissions saying we need to
make clean renewable energy profitable. In support of this policy the
Environmental Protection Agency has recently been empowered to enforce
regulation on carbon emissions.  While it's tough to evaluate the efficacy
of this approach it is was pretty surprising to see the evident difference
in attitude to climate change activists taken by the US and UK governments.

12000 climate activists gathered in washington in an act of mass civil
disobedience aimed at closing down the power plant that supplies
congressional buildings. In one room activists were trained in tactics for
civil disobedience, in another US cabinet members gave rousing speeches of
solidarity and support to the protesters and against carbon-based energy
business.

Obama appears to have his shoulder to every possible wheel to get bills
through Congress and Senate and mobilising protesters is just another of
these wheels.

There is something unnerving in this populist politiking but it is
preferable to the preemptive attacks by police on peaceful UK climate change
protesters. No??

:??
Ruth





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Re: [NetBehaviour] new drawing, hope you all enjoy

2009-04-29 Thread karen blissett
Hello Dave,

I remember when you collaborated with many other netbehaviour artists,
including myself on the DIWO project - I also like the works that you put in
for that as well.

Thanks for the links - will delve...

karen lp)


hi karen

 Gald you like it - this is one of a new batch of stuff i've been
 doing. There are only a few so far in this vein, but I've put them on
 my blog:
 http://davemiller.org/art_blog/

 My portfolio site - http://davemiller.org - shows more of my older work

 thanks for your interest!

 dave

 2009/4/29 karen blissett karen.bliss...@googlemail.com:
  Hello Dave,
 
  I also like this - where can I see more of your work?
 
  karen ;)
 
  On Wed, Apr 29, 2009 at 8:23 AM, dave miller dave.miller...@gmail.com
  wrote:
 
 
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[NetBehaviour] Don't sign their pledge, sign mine!

2009-04-20 Thread karen blissett
Hey - Don't sign their pledge, sign mine!

My pledge gives you more time to get those flights in by 10th May 2009,
theirs is by 26th April.


Pledge “wewontflyforart2”
http://www.pledgebank.com/wewontflyforart2
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Re: [NetBehaviour] MD REMIX

2009-04-15 Thread karen blissett
Hello Bobig,

I really enjoyed your MD remix

I'm afraid that my french is terrible, but it was still a pleasurable moment
for me £-)

karen

  __---__
_-   _--__
   __--( / \ )X_
 --XXX(   O   O  )XXX-
/XXX(   U )XXX\
  /X(  )--_  XXX\
 /X/ (  O )   XX   \X\
 X/   /XX   \__ \X
 XX__/  XX \__  -
 ---___  XXX__/  XX  \__ ---
   --  --__/   ___/\  XX/  ___---=
 -____/XX  '--- XX
   --\/XXX\ XX  /X
 \X/X/
  \XX_/X/
\X--__/  __-- /
 --XXX---  X--
\-
  --XX-



On Tue, Apr 14, 2009 at 8:20 PM, Bobig choub...@gmail.com wrote:


 hi everybody

 My old project : MD remix . creating music with loops and samples of
 marcel duchamp 's interview.

 http://www.bobig.fr/artisteries/2009/04/md-remix.html

 bobig.fr
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Re: [NetBehaviour] eye lens

2009-04-15 Thread karen blissett
Hello Brian,

I just visited this work - I like its playful, deconstruction.

karen

,_-=(!7(7/zs_.
 .='  ' .`/,/!(=)Zm.
   .._,,._..  ,-`- `,\ ` -` -`\\7//WW.
  ,v=~/.-,-\- -!|V-s.)iT-|s|\-.'   `///mK%.
v!`i!-.e]-g`bT/i(/[=.Z/m)K(YNYi..   /-]i44M.
  v`/,`|v]-DvLcfZ/eV/iDLN\D/z...@%8w[z..   `/d!Z8m
 //,c\(2(X/NYNY8]ZZ/bZd\()/\7WY%WKKW)   -'|(][%4.
   ,\\i\c(e)w...@wkkzkdkwmz8(b5/ZK8]Z7%ffVM,   -.Y!bNMi
   /-iit5N)KWG%%8W8%ZWM(8YZvD)XN(@.  [   \]!/GXW[
  / ))g8\nmn%w%%...@wzkyk*zg5kmi,-   vi[NZGM[
 i\!(44y8k%8%%%**~y...@%4kwz/PKN)ZDZ7   c=//WZK%!
,\v\YtMZW8W%%f`,`.t/bNZZK%%W%%ZXb*K(K5DZ   -c\\/KM48
-|c5PbM4DDW%f  v./c\[tmy8w%pm...@kw)Gbf   -/(=ZZKM8[
2(n8yxw...@k   -'c|K4/KKK%@  V%@@WD8e~  .//ct)8ZK%8`
=)b%]Nd)@KM[  !'\cG!iWYK%%|   !...@kzf-c\))ZDKW%`
YYKWZGNM4/Pb  '-vscp...@w% 'Mf`   -L\///KM(%W!
!KKW4ZK/W7)Z. '/cttbY)DKW% -`  .',\v)K(5KW%%f
'W)KWKZZg)Z2/,!/L(-DYYb54%  ,,`, -\-/v(((KK5WW%f
 \M4NDDKZZ(e!/\7vNTtZd)8\Mi!\-,-/i-v((tKNGN%W%%
 'M8M88(Zd))///((|D\tDY\\KK-`/-i(=)kt...@w%%%@%[
  !...@kw5kkn4///s(\Pd!ROBY8/=2(/4zdzkd%k%%...@%%
   '%%%W%dGNtPK(c\/2\[Z(ttNYZ2NZW8W8KYKM%M%%.
 *%%W%GW5@/%!e]_tZdY()v)ZXMZW%W%%%*5Y]K%ZK%8[
  '*8%8WK\)[/ZmZ/Zi]!/m%...@f\ \Y/NNMK%%!
'VMW%WN5Z/Gt5/b)((c...@f`  - |cZbMKW%%|
   'V*M%%%WZ/ZG\t5((+)L\'-,,/  -)X(NWW%%
`~`MZ/DZGNZG5(((\,,t\\Z)KW%@
   'M8K%8GN8\5(5///]i!v\K)85W%%f
 YWWWZ8G54X/gg...@wm8%@
  !m8%8%4...@kwybw%www%%%@
vm%wkwk%8k%%8...@`
  ~*%%w...@~
 ~*mm%%%...@f`
  '



On Tue, Apr 14, 2009 at 8:38 PM, brian gibson baiow...@gmail.com wrote:

 eye lens http://glimpsecontrol.com/baio/eyelens_WEB.mov
 for those with 2 minutes



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Re: [NetBehaviour] We won't fly for art : Take the Pledge

2009-04-12 Thread karen blissett
Hello Marc  Ruth,

I have signed up - I know it's mad, but I have a worrying feeling that most
people out there are more likely to choose their careers and carry on with
their flights, over the planet's safety. It is an extremely challenging
request.

We'll see - great idea by the way.

I also like the image created for it :-)

karen

On Sun, Apr 12, 2009 at 2:16 PM, Ruth Catlow
ruth.cat...@furtherfield.orgwrote:

  We won't fly for art for six months
 but only if 6 others will do the same AND replicate this pledge by 26th
 April 2009
 http://www.pledgebank.com/wewontflyforart
 - Marc and Ruth


 We will not take an aeroplane for the sake of art. For the next 6 months we
 will find other ways to visit and participate in exhibitions, fairs,
 conferences, meetings, residencies. We will not fly for inspiration, nor to
 appreciate, buy or sell art.

 But only if 6 others will do the same AND replicate this pledge.

 This pledge is designed for exponential growth so if you persuade another 6
 people to do the same,  within a year you could be one of millions of people
 changing the way the artworld works. So sign up, create a replica pledge and
 share your own experiences, observations and arguments towards reducing art
 flights. Post a link to it in the comment box so others can find their way
 to it.

 This is a public art experiment in the de-escalation of carbon-fuelled,
 high altitude, high-velocity, global art careering. For six months we choose
 to cover less physical distance, move more slowly between destinations, to
 look futureward with more attention to the view from the ground and the
 network, for ways to connect with others around the world.

 Who can sign up to this pledge? Any individual involved in the arts: artist
 (in the broadest sense), curator, art administrator, art appreciator,
 gallerist, art critic, art historian, art academic, art technician, art
 security, art transporter etc. Whether you currently fly for art 50 times a
 year or never, your engagement will change things by making your position in
 the artworld visible and by offering an alternative perspective. If you work
 with others you may need to completely revise your schedules and budgets and
 lobby for the right not to fly.

 This is to light the blue touch paper of Gustave Metzger's Reduce Art
 Flights campaign using the generative and viral capabilities of social
 networks. We want to know more about the impact of air-flight on the
 artworld (and beyond). We intuit that abstaining from air flight will
 motivate and enable people (with more time, money, energy and attention) to
 relate differently to their own local cultures and to connect more
 imaginatively to other cultures.

 Inspirations and Observations

 Artwork- 'Reduce Art Flights' by Gustave Metzger, reviewed here
 http://tinyurl.com/cnv44r

 Sustainable Development- Social science on the environmental impact of
 economic growth
 'Why Politicians Dare Not Limit Economic Growth' by Tim Jackson
 http://tinyurl.com/6784zw

 Investigative Journalism - What can we do to stop climate change?
 Heat (2006) by George Monbiot, summarised and reviewed here
 http://tinyurl.com/devyax
 Monbiot's Guardian blog http://tinyurl.com/dcew6o

 Plane Stupid Campaign- 'bringing the aviation industry down to earth'
 http://www.planestupid.com/

 More Art and Ecology Links- http://delicious.com/ruthc/ecology+art

 DIWOlogue- http://diwologue.net/blog/?p=38


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Re: [NetBehaviour] Yeah Karen....and the multi-maryfesto

2009-04-10 Thread karen blissett
Hello Majena,

The is coming from my heart - most def, and relates to the personal and
practice.

I would also be interested in seeing 'festo's', written by others on here...

karen



Ha Karen I like your approach, if this is your approach…?

They are all good gen-er-al (ha!) stretches to work with in life and why
not in a practice...



I'd love to hear what 'festo's people are working with and how it
impacts on their work...

I apologize for the incorrect address, I posted yesterday, some very
smart cookies worked it out themselves which is very impressive… I use
riddles a lot in my work but this was an accidental one.



The main multi-MARYfesto’s I’m working with at the moment are…

that is my ‘working’ and liv’n maryfesto’s… all up for revision, more
like evolution and convolution always…



1 refuse to make statements
2 watch the shape of words
3 be trans...
4 resist propaganda
5 make culture
6 listen for the sound in / of things
7 make soapboxes
8 speak in other tongues
9 look for the vertical
10 refuse to abide by common sense
11 don't face facts
12 get used to vertigo
13 slur and mumble
14 act act act exuberant
15 privileged sound over grammar
16 listen to me and not to them
17 eat joy
18 learn to fly from the Sally Field, the flying nun series
19 connect with dead superheroines wherever possible, intimately
20 promote contradictions-become world famous yesterday
21 be mischief
22 repeat myself, repeat myself
23 disrupt borders in department stores and in knowledge disciplines
24 steal shopping trolleys
25 act slowly... ha!
26 jump up and down, jump up and down
27 mark the edge, the center
28 use a lot of butter
29 overshoot the 'mark'



What are others cupa tea?



cheers Jena

http://multi-maryfesto.blogspot.com/

Listen to me and not to them… by the famously famous Ms Stein







Date: Tue, 7 Apr 2009 00:56:34 +0100

From: karen blissett karen.bliss...@googlemail.com

Subject: Re: [NetBehaviour] Multi-MARYfestos correct address

To: NetBehaviour for networked distributed creativity

 netbehaviour@netbehaviour.org

Message-ID:

 7ab758d40904061656gb000eb2k88b15d8c7d9fe...@mail.gmail.com

Content-Type: text/plain; charset=windows-1252



Hi Majena and all,



My list-suggestion for the multi-MARYfesto :-)



Karen...



1 don't buy clothes share them

2 play with others more

3 laugh at patriarchs

4 rewrite propaganda and make it ours

5 make vulnerabiblity a skill

6 exploit tech but stay earthed

7 be proud and loud

8 believe in the humanity of diversion

9 acknowledge that knowledge is a currency

10 dialogue is action

11 intimacy is recognition not sex

12 climb higher but not alone

13 laugh at those muscles

14 question the noise and glide through it

15 observe, consider then walk around it

16 enjoy the lust but not if it is peocessed

17 wrestle with love and then live with it

18 see nuns as friends future liberators

19 unearth what was once invisible

20 don't climb mountains respect them

21 share and share and share

22 shoplift culture, reclaim our goods

23 remember that we are changing

24 our freedoms are not an object

25 speak when not spoken to

26 let the shallowness of power be noticed

27 treat ideoligy like a cup of tea, sip it and then try another blend

28 be a secret agent

29 leave messages for others to find, everywhere







2009/4/5 Majena Mafe majenam...@iprimus.com.au



  Hi Christina, thank you for letting me know?yes I offered a very
wrong

 address,



 This is the right one, hope you enjoy?







 http://multi-maryfesto.blogspot.com/







 Majena Mafe



 Let me listen to me and not to them... Gertrude Stein







 --







 Message: 6



 Date: Sun, 5 Apr 2009 12:47:48 +0100



 From: cristina l. duarte lduarte.cdua...@gmail.com



 Subject: Re: [NetBehaviour] Ada Lovelace and multi-maryfestos



 To: NetBehaviour for networked distributed creativity



  netbehaviour@netbehaviour.org



 Message-ID:



  3d7a38b80904050447t3130fffcr4e4e4dfe37a5b...@mail.gmail.com



 Content-Type: text/plain; charset=windows-1252







 Hi Majena!



 i appreciated very much your words, and I tried to enter the multi
maryfest



 blog - excellent name and idea - but it was not possible. even when a
add a



 l to  'bogspot' (http://multi-maryfest.bogspot.com), the result was
nule,



 and the blogger said the name was not registered. So, it's only to
relate



 this I'm writing to you

Re: [NetBehaviour] Multi-MARYfestos correct address

2009-04-06 Thread karen blissett
Hi Majena and all,

My list-suggestion for the multi-MARYfesto :-)

Karen...

1 don't buy clothes share them
2 play with others more
3 laugh at patriarchs
4 rewrite propaganda and make it ours
5 make vulnerabiblity a skill
6 exploit tech but stay earthed
7 be proud and loud
8 believe in the humanity of diversion
9 acknowledge that knowledge is a currency
10 dialogue is action
11 intimacy is recognition not sex
12 climb higher but not alone
13 laugh at those muscles
14 question the noise and glide through it
15 observe, consider then walk around it
16 enjoy the lust but not if it is peocessed
17 wrestle with love and then live with it
18 see nuns as friends future liberators
19 unearth what was once invisible
20 don't climb mountains respect them
21 share and share and share
22 shoplift culture, reclaim our goods
23 remember that we are changing
24 our freedoms are not an object
25 speak when not spoken to
26 let the shallowness of power be noticed
27 treat ideoligy like a cup of tea, sip it and then try another blend
28 be a secret agent
29 leave messages for others to find, everywhere



2009/4/5 Majena Mafe majenam...@iprimus.com.au

  Hi Christina, thank you for letting me know…yes I offered a very wrong
 address,

 This is the right one, hope you enjoy…



 http://multi-maryfesto.blogspot.com/



 Majena Mafe

 Let me listen to me and not to them... Gertrude Stein



 --



 Message: 6

 Date: Sun, 5 Apr 2009 12:47:48 +0100

 From: cristina l. duarte lduarte.cdua...@gmail.com

 Subject: Re: [NetBehaviour] Ada Lovelace and multi-maryfestos

 To: NetBehaviour for networked distributed creativity

  netbehaviour@netbehaviour.org

 Message-ID:

  3d7a38b80904050447t3130fffcr4e4e4dfe37a5b...@mail.gmail.com

 Content-Type: text/plain; charset=windows-1252



 Hi Majena!

 i appreciated very much your words, and I tried to enter the multi maryfest

 blog - excellent name and idea - but it was not possible. even when a add a

 l to  'bogspot' (http://multi-maryfest.bogspot.com), the result was nule,

 and the blogger said the name was not registered. So, it's only to relate

 this I'm writing to you,

 hoping you have a nice sunday,

 to you all,

 my best wishes

 cristina duarte.



 On Sun, Apr 5, 2009 at 7:31 AM, Majena Mafe majenam...@iprimus.com.au
 wrote:



   After the Ada extravaganza, I?ve been thinking about all these
 wonderful

  women and wondering where are their manifesto?s. I?ve decided they should

  have be called multiple-maryfesto's rather than manifestos. The list of

  recommendations for the Ada Lovelace list of women distinguished in

  technologies has revealed a very very long and rich as bunch of little

  known women and their creative works. What were these women thinking I

  wonder, what was their frame of inspiration, how broad was their
 maryfesto?

  and how close or far from achieving it was their work as we now know it.

  Is what we take to be their work 'THE' work. Women's achievements in

  the arts, is a marginalized  subversive force. (how exciting) ... but am

  wondering what others think about re-visiting the manifesto and testing

  applying some of the best to their own 'means' of mischief.

 

 

  So?a maryfesto is a ...is a list inspiring paradigms that shape creative

  work, be it sonic art, creative knitting, experimental ecriture writing
 or

  avant-garde painting practices...this is the place where every
 maryfesto's

  written by a self identifying 'mary' is welcome.

 

 

  Where are the lost maryfesto's, by all the brilliant mary minds of the

  past? What is the maryfesto frame women and mary's are working with now?

 

 

  I've started a new forum collecting and working with all sorts of
 creative

  MULTI_MARYFESTOS http://multi-maryfest.bogspot.com

 

  Please participate if this interests you too.

 

  Majena Mafe

  Let me listen to me and not to them... Gertrude Stein



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[NetBehaviour] Feminist Resistance to Israeli Apartheid.

2009-03-28 Thread karen blissett
The event FEMINIST RESISTANCE TO ISRAELI APARTHEID : the legacy of Lillian
Robinson on Thursday, March 5th at the Atwater Library was a really powerful
panel discussion around the feminist and the palestinian struggle.

http://tinyurl.com/dgh6n3

If you want to hear the discussion:
http://aaron.resist.ca/node/240

karen
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[NetBehaviour] MzTEK Unplugged : Presentation by Ruth Catlow.

2009-03-28 Thread karen blissett
MzTEK Unplugged : Presentation by Ruth Catlow.

April 1, 2009
7:00 pmto 9:00 pm
http://www.mztek.org/http:/www.mztek.org/ruth-catlow/

Hey folks,

Don’t miss our next MzTEK Unplugged session on April 1, presenting Ruth
Catlow from Furtherfield.org and HTTP Gallery.

When:  Wednesday, April 1, 7 - 9pm

Where: Leon Bankside, , 7 Canvey Street, SE1 0HS (behind the Tate Modern)

Ruth will be talking about Furtherfield.org, an independent media arts
organisation that provides contexts and platforms for creating, viewing,
discussing and learning about experimental practices at the intersection
of art, technology and social change.
www.furtherfield.org
www.http.uk.net

Ruth is a media artist, educator and co-founder and co-director of
Furtherfield.org and HTTP Gallery in North London. She works
collaboratively with other artists, technologists, musicians, writers,
activists and thinkers from around the world, to devise and realise
artistic projects that explore relationship, connectedness and
participation; developing platforms with their own distinct artistic and
social contexts. Her work has been exhibited internationally and in the
UK at venues including the CCA, Glasgow and The Baltic, Gateshead.
www.furtherfield.org

Open to the public. Free.

About

We are a not for profit cooperative group supported by [ Space ] (
http://www.spacemedia.org.uk/) that aims to extend career development and
education opportunities for women working or wishing to work in media and/or
computer arts sectors.

MzTEK aims to do this through informal talks, peer-to-peer learning and a
unique taught course whose curriculum will be directed by the learners. It
is our hope that with funding, we will be able to provide a low-cost,
high-calibre series of talks and workshops.

We currently seek students, tutors, and willing co-organizers to help us put
together a smashing curriculum for our course (uTEK) and for our pub
sessions (Unplugged) and peer-to-peer sessions (P2P).
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Re: [NetBehaviour] Ada Lovelace Day, some questions...

2009-03-26 Thread karen blissett
Hiya Marc  Netbehaviourists,

I may of missed some bits of info about the support of Ada Lovelace Day
project. So if it is not too painful for you to repeat what might have
already been discussed, could I bother you with a couple of questions?

One thing I need to know from you is that, when the furtherfield crew
compile all of the proposals sent in by everyone tomorrow, is whether after
this happens, can subscribers still mail their proposals?

The reason I am asking this is because I still have some that I wish to add,
and a couple of my friends have just recently subscribed and I am not sure
if they will be posting before Friday.

The other thing is - I mailed something to the list yesteday (unrelated to
Ada Lovelace) and for some reason it did not appear. I remember that someone
else had this problem also a couple of days ago. Is there something wrong
with the server at all?

I wanted to say how much I have been enjoying seeing all of the
contributions to Netbehaviour, and I want to thank you and everyone else who
has taken part in doing something as special and important as this. I am
sure this is going to be a great resource for many in the future - it's very
exciting, thanks for making the effort :-)

Karen

   ,__ \/ __
   /\^/`\  /o \{}/ o\ SPRING IS IN THE AIR!
  | \/   | \   ()   /
  | ||  ` /\ ` ,,,
  \ \/  (o/\/\o){{{}}_ _
   '\\//'  @@()@@  _ )(  ~Y~   _{ ' }_
 ||  _(_)_wWWWw .oOOo.   @@()@@   { `.!.` }
 || ,/  (_)@(_)   (___) OO()OO  _ ',_/Y\_,'
Joan Stark
 ||  ,\ | /)  (_)\  Y   '',,,(\|/ _(_)_ {_,_}
 |\  ||  |\\|// vVVVv`|/ _ \/{{}}}\| (_)@(_)  |
 | | ||  | |;,,,(___) | @@()@@ _(_)_| ~Y~ wWWWw(_)\ (\|  /)
 | | || / / {{}}} Y  \|   (_)#(_) \|  (___)   |  \| //
  \ \||/ /\\|~Y~ \|/  | \  \/  /(_) |/ |/   Y  / \|/  |//
  jgs  `\\//`,.\|/|//.|/\\|/\\\|,\|/ //\|/\|.\\\| // \|\\ |/,//
  



The above image is by the excellent ascii artist Joan Stark.
Joan G. Stark, also known by her pseudonym Spunk or her initials jgs, is a
prolific ASCII artist.
http://en.wikipedia.org/wiki/Joan_Stark
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[NetBehaviour] -=*{ VALKYRIE }*=-

2009-03-26 Thread karen blissett
   -=*{ VALKYRIE }*=-

  .   +   *  |\..
  \\ *  .   + .
   *   .+  \\
\\  .  +  *
  . .  +.  {}
 (\\  . *  .   +
+   *. *  \(),~`~`~~,
   \ ('_'|)))`  . +
   ..   .  +  . \ \=, /
 \ !  , +.*+_/
+  *   .,/_Y_(( \)_/
  --_. (  (   )\ \   *   ./\   . /~\~/v
  \_. . T_T \ / ) )./   \   /
 \,   '//|\\')\/ /   ./  \ /
   \, /IT--T--T--T-I\   / (_]  ,/ \_  /
 \,I   U v U   I   |   | ./ \/
   \,  I U.==.==.U I   !__,|/\
 \,I  |o=|=o|  I_.__|  \_~~/__,;  \
  ,I__|=o|o=|__I_   |  /|  |   \.
 /: ' : ' : ' : '\  |  ||  |
  --;   :   :   :   : '.(_-(|__(---
  ---\+/|\/:---
   `' )\|/\; `'
   `'{,/ )\.] `'
`'   {,/  `'
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
--
_  ___  _  ___   _ _ _ _
\  //\ | |_ | / / \  /| - )| |/ -_) ( '#) + va...@geocities.com +   ( '#)
 \//__\|___)|_\_\ /_/ |_\_\|_|\___)  \,/   +-  The legend survives  -+   \,/
-=+=-  (: URL = http://homepages.ihug.co.nz/~obsidion/valkyrie.html :)  -=+=-
Fantasy Art: http://www.elfwood.com/lothlorien/artists/marie/marie.html -=+=-
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Re: [NetBehaviour] Furtherfield in Support of Ada Lovelace Day

2009-03-24 Thread karen blissett
Hi Marc,

Thank you for your response to my own propositions for Ada Lovelace Day.
Even though, as you mention the external links to the Laura Lee article
about Sadie Plant's publication 'Zeros + Ones, Digital Women + The New
Technoculture', are dead now. I found the text that Laura wrote extremely
interesting as valuable context, especially these words Viewing the world
as a system of all-inclusive interconnectivity, what were once isolated
words, numbers, music, shapes, smells, tactile textures, architectures
(Plant, 12) are now threaded together by their material essences. The yarn
is neither metaphorical nor literal, but quite simply material. Plant
suggests that the world becomes one immersive reality in which all things
relate in a structure that does not denote one thing as less important than
another. Perceiving the world as a network, each part can dismantle the
whole structure, like a removing a string from a woven blanket. When we surf
the web, we transgress through multiple texts and perspectives, digital
images and architectures that form our cohesiveness of the cyberworld as a
whole. Any missing link can change the whole structure. I think that Sadie
is an important individual for media art culture generally, and she just so
happens to be female, although a decent one and also beautiful writer.

Also, I am glad that you brought up Francesca da Rimini's other work with
VNS Matrix. They started in 1991, wow - time has moved on...

I do have a question!

Is it OK if there are repeats, if people choose the same women will they
still be seen in the final document?

karen x_-


Da Femme-Rulez ;-)

/~~~\
|  |
|  |
 __\___/__
  ,' `,
  |  | |  |
 |  ,' `,  |
,'  |   |  `,
|  | |  |
`\,' `,/'
  |   |
  `---'
 |   |  |
 |   |  |
 |   |  |
 |   |  |
 |__|__|






Hi Karen,

Thanks for sharing your Ada Lovelace Day suggestions and I'm looking
forward to reading all the other selections still to come by others on
this list.

The Laura Lee text is fascinating in its own right, unfortunately many
of the links on her review page referencing different aspects about Ada
Lovelace do not work anymore, which is a shame.

It was a pleasure to re-explore Francesca da Rimini's work again. I
especially remember VNS Matrix which Francesca da Rimini was part of,
founded in 1991. The other members were Josephine Starrs, Julianne
Pierce and Virginia Barratt. On wikipedia it mentions that they were the
first to use the term 'cyberfeminism', not sure if it is true or if such
a claim really matters, but VNS Matrix did some excellent work and not
all of it can be seen on-line anymore. Here is a biography -
http://www.medienkunstnetz.de/artist/vns-matrix/biography/

Dollspace, which Da Rimini was also part of is still a great net art
piece. I love its edgyness - http://dollyoko.thing.net//title.htm

wishing you well.

marc



  Hello everyone,
 
  I must say, I am quite excited about this opportunity to promote
those women who have inspired me, changed the world in their own special
ways 'bringing women in technology to the fore' is a great idea. Also,
it could not of come at a better time, in light of all the nasty things
happening in the world.
 
  Anyway - I am sticking to Ruth's example/format, it seems easier.
Especially if the furtherfield crew are going to compile all of this
stuff.
 
  MY NAME: Karen Blissett.
 
  Sadie Plant - I love her work, especially 'Zeros + Ones, Digital
Women + The New Technoculture'. Sadie Plant introduces Ada Lovelace as
a woman whose awareness of peripheries, of indices, headings, prefaces,
etc. gave her a new way of perceiving reality. In her footnoted,
non-fictional texts, these peripheral details were crucial in
contextualizing the texts in historical and social reality. Laura Lee.
Laura's review on the book
http://www.cyberartsweb.org/cpace/body/lgl1.html
 
  Francesca da Rimini - I have always enjoyed Francesca's net art work
as well as her other works/collaborations to do with networked culture.
Francesca da Rimini, aka GashGirl, (Adelaide/Rome) has been working in
the field of new media since 1984 as an arts manager, curator, corporate
geisha girl, cyberfeminist, puppet mistress and ghost. One of the
original members of VNS Matrix, the Australian cyberfeminism group
formed in 1991. Worked in New York on a project in collaboration with
Michael Grimm, snafu and Ricardo Dominguez, los dias y las noches del
muertos, and with Ricardo Dominguez on hauntings. Squandered hours
investigating the artistic and erotic potential of negotiated email
relationships, online virtual communities and web-based narrative
architectures that have been reverse engineered into multiple
immaterialities.
http

Re: [NetBehaviour] Furtherfield in Support of Ada Lovelace Day

2009-03-23 Thread karen blissett
Hello everyone,

I must say, I am quite excited about this opportunity to promote those women
who have inspired me, changed the world in their own special ways 'bringing
women in technology to the fore' is a great idea. Also, it could not of come
at a better time, in light of all the nasty things happening in the world.

Anyway - I am sticking to Ruth's example/format, it seems easier. Especially
if the furtherfield crew are going to compile all of this stuff.

MY NAME: Karen Blissett.

Sadie Plant - I love her work, especially 'Zeros + Ones, Digital Women + The
New Technoculture'. Sadie Plant introduces Ada Lovelace as a woman whose
awareness of peripheries, of indices, headings, prefaces, etc. gave her a
new way of perceiving reality. In her footnoted, non-fictional texts, these
peripheral details were crucial in contextualizing the texts in historical
and social reality. Laura Lee. Laura's review on the book
http://www.cyberartsweb.org/cpace/body/lgl1.html

Francesca da Rimini - I have always enjoyed Francesca's net art work as well
as her other works/collaborations to do with networked culture. Francesca da
Rimini, aka GashGirl, (Adelaide/Rome) has been working in the field of new
media since 1984 as an arts manager, curator, corporate geisha girl,
cyberfeminist, puppet mistress and ghost. One of the original members of VNS
Matrix, the Australian cyberfeminism group formed in 1991. Worked in New
York on a project in collaboration with Michael Grimm, snafu and Ricardo
Dominguez, los dias y las noches del muertos, and with Ricardo Dominguez on
hauntings. Squandered hours investigating the artistic and erotic potential
of negotiated email relationships, online virtual communities and web-based
narrative architectures that have been reverse engineered into multiple
immaterialities. http://subsol.c3.hu/subsol_2/contributors/dariminibio.html

Ruth Catlow - I know, but she's cool. And has been incredible in supporting
other emerging artists as well as maintaining in still making interesting
and challenging artwork with technology. One project springs to mind -
'Rethinking Wargames', a participative net art project instigated by Ruth
Catlow of  which calls for 'pawns to join forces to defend world peace'. It
uses the game of chess to find strategies that challenge existing power
structures and their concomitant war machineries.
http://www.low-fi.org.uk/rethinkingwargames/

Hope Kurtz (1959–2004) - Such a talent . I remember seeing Hope perform in
Amsterdam in 95 or 96, at the Next Five Minutes Conference - I was
mesmerized by her articulation and excellent performance presence, and
imaginitive intelligence. Hope worked behind the scenes of the CAE
collective by contributing to the conceptual basis for their work. It is
through her brilliant editing that their work articulates challenging
concepts to a multifarious audience—many of whom might not otherwise come
into contact with such radical thought. The Ensemble collectively authored
several books including Electronic Civil Disobedience and other unpopular
Ideas... http://www.thebrooklynrail.org/arts/july04/hopekurtz.html
The Critical Art Ensemble site - http://www.critical-art.net/

That's it for now. will be back with more.

karen





On Sun, Mar 22, 2009 at 7:31 PM, Ruth Catlow
ruth.cat...@furtherfield.orgwrote:

 Hi Netbehaviourists,

 In support of Ada Lovelace Day (highlighted by Marc and discussed a
 couple of weeks back) we are inviting all women who work in media arts
 and net art, who are not already subscribed, to join the NetBehaviour
 email list for a week between 23rd and 30th March.

 We are asking them to squat the list for a week (of course we hope
 they'll stick around for longer:) and tell us about their work and that
 of other women who have inspired them in their own practice.

 This is not a separatist excercise; we want to hear from all of you so
 don't hold back.

 Posts are welcome in any length, format and frequency and we are not
 worrying about repeats or gaps. The following is offered as an example.

 
 MY NAME: Ruth Catlow

 URL: http://www.furtherfield.org/display_user.php?ID=14

 INSPIRED BY:

 Ele Carpenter - http://www.elecarpenter.org.uk/ for tech inspired and
 facilitated participation with Open Source Embroidery, her curatorial
 project exploring artists practice that explores the relationship
 between programming for embroidery and computing.

 Auriea Harvey - for her part with Entropy8Zuper in early intimate
 networked performances http://entropy8zuper.org/wirefire and for Endless
 Forest, Tale of Tales's bucolic social screensaver
 http://tale-of-tales.com/TheEndlessForest

 Mary Flanagan - for her energetic explorations as academic, educator,
 artist and programmer at the intersection of games, art and feminism
 and exploring collaborative approaches to thinking about values in
 http://www.valuesatplay.org/

 ==

 At the end of the week we will collate all of the posts

Re: [NetBehaviour] Ada Lovelace Day.

2009-02-22 Thread karen blissett
Hello Marc,Thank you for being one of the few males bothering about this -
will you be place a pledge?

Karen...

Pledge AdaLovelaceDay


I will *publish a blog post on Tuesday 24th March about a woman in
technology whom I admire* but only if *1,000* other people will do the
same.

— Suw Charman-Anderson
(contacthttp://www.pledgebank.com/AdaLovelaceDay/contact)


Deadline to sign up by: *24th March 2009*
*1,341 people have signed up (341 over target)*

*More details*
Ada Lovelace Day is an international day of blogging to draw attention to
women excelling in technology. Women's contributions often go
unacknowledged, their innovations seldom mentioned, their faces rarely
recognised. We want you to tell the world about these unsung heroines.
Whatever she does, whether she is a sysadmin or a tech entrepreneur, a
programmer or a designer, developing software or hardware, a tech journalist
or a tech consultant, we want to celebrate her achievements.

It doesn't matter how new or old your blog is, what gender you are, what
language you blog in, or what you normally blog about - everyone is invited
to take part. All you need to do is sign up to this pledge and then publish
your blog post any time on Tuesday 24th March 2009. If you're going to be
away that day, feel free to write your post in advance and set your blogging
system to publish it that day.

We will gather as many of the posts together on the day as we can, and we'll
let you know exactly how we're going to do that nearer the time. For ongoing
updates about Ada Lovelace day, please follow us on Twitter, join our
mailing list or see our blog.

http://findingada.com/
http://twitter.com/FindingAda
http://groups.yahoo.com/group/findingada

Who was Ada?
Ada Lovelace was one of the world's first computer programmers, and one of
the first people to see computers as more than just a machine for doing
sums. She wrote programmes for Charles Babbage's Analytical Engine, a
general-purpose computing machine, despite the fact that it was never built.
She also wrote the very first description of a computer and of software.


On Sun, Feb 22, 2009 at 12:14 PM, marc garrett 
marc.garr...@furtherfield.org wrote:

 Ada Lovelace Day.

 Bringing women in technology to the fore.

 I've mainly stayed away from the discussion of gender issues in
 technology. I didn't think that I had any real expertise to share. But
 over the last six months, after many conversations, it has become clear
 that many of my female friends in tech really do feel disempowered. They
 feel invisible, lacking in confidence, and unsure how to compete for
 attention with the men around them.

 Then I see the stupid puerile misogynistic manner with which some of the
 more powerful voices in the tech community - some of them repeat
 offenders - treat women, and it makes me very cross indeed. The
 objectification of women is bad enough when it's done by the media, but
 when it's done by a conference organiser or tech commentator or famous
 tech publication, what message does it send? Nothing but You will never
 be taken seriously, but we might take notice of you if you're hot.

 But what to do? Well, let's pull back from the anger a little, and start
 to look instead at why it might be that women feel less secure in their
 abilities than most men, and what might help change that. Undoubtedly
 it's a complex issue, but recent research may shed some light:
 Psychologist Penelope Lockwood discovered that women need to see female
 role models more than men need to see male ones.

 more...
 http://findingada.com/blog/2009/01/05/ada-lovelace-day/
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[NetBehaviour] Absolute truth?

2009-02-21 Thread karen blissett

attachment: absolute_truth.jpg___
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[NetBehaviour] MAN O WAR

2009-02-18 Thread karen blissett

attachment: MANOWAR.jpg___
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[NetBehaviour] my constructed idyll...

2009-02-17 Thread karen blissett

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[NetBehaviour] Microsoft - the american way...

2009-01-10 Thread karen blissett
Or, let's forget about the crisis and follow Microsoft's example and
continue as if nothing ever happened - sing yer way out of the crisis ;-)

http://au.youtube.com/watch?v=dTXG2uKNLIw

karen...
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Re: [NetBehaviour] Microsoft - the american way...

2009-01-10 Thread karen blissett
Hi xDxD,

It has inspired me to singalong.:-)

___
   |___|
  _|  _|
 (@) (@)  with x factor trials  sentimental smiles

with our dreams we will sing our way out of this silly crisis

 
|  __|
   _|   _|
  (@). (@)


For our nation is proud and by unfurling our big flag

we will happily spank those annoying anti-corporate asses

   |-.
  _|
 (@)

And our harmonies will rule because we think we're cool

not just, liberal drool all wearing commie like glasses

 |\
 | \
 |
 |
 ()

Our dream is pure we will for sure liberate all from calamity

and incorporate our goals into your souls with our own special brand of
vanity

Lalalala


,
|\__
| |  |--| __
|/   |  ||~'
   /|_  () ()|
  //| \ |\  ()
 | \|_ || \
  \_|_/()  |
|  |
   @' ()

.





On Sat, Jan 10, 2009 at 2:08 PM, xDxD xdxd.vs.x...@gmail.com wrote:

 wow. fantastic. it's got everything. a girl named Lisa (do they always
 call them lisa in ads?), minorities that make love songs,
 success-through-singing.  grotesque.


 karen blissett ha scritto:
  Or, let's forget about the crisis and follow Microsoft's example and
  continue as if nothing ever happened - sing yer way out of the crisis ;-)
 
  http://au.youtube.com/watch?v=dTXG2uKNLIw
 
  karen...
 

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[NetBehaviour] mapping out our futures

2008-12-06 Thread karen blissett

attachment: mapping_fuures.jpg___
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Re: [NetBehaviour] dark cloud

2008-10-18 Thread karen blissett
Hi marc,

it is not a problem of course.

I am enjoying this new format of discussions by the way. I hope that you and
others do not mind if I just watch what is said at the sidelines. I am
learning plenty and will download my own pure:dyne distro today (online).

I think I like this place

 _   _
   ___  |*\_/*|
  |  ___  |||_/-\_|__  |
  | |   | || |   | |
  | |   0   0   | || |   0   0   | |
  | | - | || | - | |
  | |   \___/   | || |   \___/   | |
  | |___ ___| || |___| |
  |_|\_/|_||___|
_|__|/ \|_|_.._||_
   / ** \/ ** \
 /    \/    \
  


[EMAIL PROTECTED] wrote:

 Hi Karen,

 oops!

 Don't be alarmed, I allowed your second post in 'admin' (it was slightly
 above size) before I noticed that you had resent this new one. This
 means that you have 2 on here now...

 marc
 
 
  
 
  
 
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Re: [NetBehaviour] D0M18 or SUBM17_3

2008-10-16 Thread karen blissett
naturist training for war...

On Thu, Oct 16, 2008 at 7:31 AM, clemos [EMAIL PROTECTED] wrote:


 http://www.hotnewstars.com/danni/actiongirls.com-sylvia-saint-machinegun1-RAW.gif

 On Thu, Oct 16, 2008 at 1:39 AM, karen blissett
 [EMAIL PROTECTED] wrote:
 
 
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[NetBehaviour] dark cloud

2008-10-16 Thread karen blissett

attachment: dDarkClouds.jpg___
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[NetBehaviour] dark cloud

2008-10-16 Thread karen blissett

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Re: [NetBehaviour] D0M18 or SUBM17_3

2008-10-16 Thread karen blissett
It is meant to be unnerving, just like watching children holding guns and
pointing them to each other. For me, it communicates the dominance of power
in using military weapons as fetish, rather than through open mindedness and
shared intimacies.

karen


On Thu, Oct 16, 2008 at 3:14 PM, james jwm-art net [EMAIL PROTECTED]
wrote:maijei

It's kind of strange seeing my d0m1n8_or_subm17 work juxtaposed with
women holding guns... I'm not sure what to make of it!?


On 16/10/2008, karen blissett [EMAIL PROTECTED] wrote:





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Re: [NetBehaviour] D0M18 or SUBM17_1

2008-10-15 Thread karen blissett
Thank you Dave...

Karen 0)(0)0)(0)0)(0)0)(0)0)(0)0)(0)0)(0)

On Wed, Oct 15, 2008 at 8:05 AM, dave miller [EMAIL PROTECTED]wrote:

 nice one! very nice

 2008/10/14 karen blissett [EMAIL PROTECTED]:
 
 
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[NetBehaviour] compromised

2008-09-10 Thread karen blissett

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Re: [NetBehaviour] The Beijing 2008 Logo Explained.

2008-03-24 Thread karen blissett
Hello bjørn,

Thank you, it's hard to say that it is fun in contrast to the violence from
the Chinese administration/Military on civilians and free thinkers...

There must be plenty more works out there infiltrating the logo for the
Beijing Olympics.

I saw your NorwayWeb net art work and really liked it :-)

Karen.

-the feral kitten of Neo-Situationism and other less seen
things--

On Mon, Mar 24, 2008 at 8:46 AM, bjørn magnhildøen [EMAIL PROTECTED]
wrote:

 http://www.beijinglogo.org/
 håvard made these


 2008/3/24, karen blissett [EMAIL PROTECTED]:
 
 
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Re: [NetBehaviour] men bonding with taser

2008-03-24 Thread karen blissett
Hello Mark,

Thank you - yes, I find men an awkward subject being that I am female.
Although we do have much evidence to observe their historical foot prints.

Barbara Kruger, is she like, really famous? And do you think that she
challenges patriarch in her everyday practice as well as in her own work as
well? Just wondering...

Karen,



On Mon, Mar 24, 2008 at 5:12 PM, mark cooley [EMAIL PROTECTED] wrote:

 nice. a fitting update to barbara kruger's image
 http://www.purselipsquarejaw.org/kruger_men.jpg

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 Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it
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[NetBehaviour] men bonding with taser

2008-03-23 Thread karen blissett

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[NetBehaviour] binary pleasures

2008-02-23 Thread karen blissett

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[NetBehaviour] intimacy is my liberation

2007-12-09 Thread karen blissett

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[NetBehaviour] education, education, education

2007-12-07 Thread karen blissett

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Re: [NetBehaviour] NEW! Kaspar Hauser is learning Farsi

2007-11-30 Thread karen blissett
Hello Sim,

A direct and beautifully menacing piece.

The biggest lesson that could be learned for future generations here is that
beauty has been hijacked by absolutists who will kill so to uphold and
maintain their wretched delusions. Ignorance is distributed like a deadly
weapon, with a shameful mix of moralism pitting against, the real truth of
beauty. Proposing that myself and other women are arbitrary, lacking in
depth when compared to their untouchable abstractions. A double speak that
encourages submission to a misplaced appropriation of power, which stands
ever stronger against and above love for humanity.

These simplistic and pathetic men admire the gaining of control over others
through their actions of sinister misconceptions. How convenient it is for
such men to have god on their side as they commit their mortal slaughters on
those who dream beyond their own childish dreams.

Such men do not understand or know beauty for they lack the essential
ingredients that one needs in not hurting another soul. It is not religion
that is the threat it is those who use this untouchable abstraction, so to
entrap my sisters and others in the name of whatever they feel can gain them
ultimate power. They lack something that is so deep that it cuts out a
vacuum which is so big, that it begins reflect how vast their fear of love
is, thus fear of life...

My beauty can see through all these pathetic mechanisms...

Karen




 Since Rob Myers talked about Farsi/Esperanto, I decided to do an
 advanced Lesson on Farsi

 http://projektraum.org/blog/?p=86
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On Nov 30, 2007 2:45 PM, Sim Gishel [EMAIL PROTECTED] wrote:

 Since Rob Myers talked about Farsi/Esperanto, I decided to do an
 advanced Lesson on Farsi

 http://projektraum.org/blog/?p=86
 ___
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 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour

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[NetBehaviour] education, education, education

2007-11-28 Thread karen blissett

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Re: [NetBehaviour] education, education, education

2007-11-28 Thread karen blissett

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