Re: CPU error message
Hey Nickus, This is a Valid question for the list! :) Mike Lockett my self have been seeing this lately have been zeroing in on the possible causes, bugs! and logging it. Avid will get the bug logged when we determine how much VoiceOver can be used to rectify this problem! If you need further clarification by all means contact me at sound picture recording. Talk soon YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Apr 2, 2015, at 10:54 AM, Nickus de Vos wrote: No offence but this has nothing to do with accessibility and you already did research on it, also found answers, so why post it here? Did you try searching for a solution or asking the same question on the DUC? You are more likely to find a answer for this over there, there are 100s of PT users. On 4/2/15, Brian Howerton bshowert...@gmail.com wrote: Hello all, I am working with a project that has 10 tracks, and no plugins on the session. I keep getting the following error message: Pro Tools ran out of CPU power. Try de-activating or removing Native plug-ins. (AAE -9173) text This cannot be possible because I have a mac book pro with a 2.9 I7 quad core processor with 8G of ram. Anybody else getting this error message and is there anything I can do to stop this from happening all the time? I did some research on this, and apparently this is a bug that started in pro tools 11.2. Apparently this has nothing to do with CPU power. I am running pro tools 12.0. Thanks for the help, Brian -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: feedback needed for Pro Tools 12; VCA solution.
Hi André, You can control that group with a VCA VCA track That is if you have a pt system with that track option. Just tell that vca track to use that group you created then you can interact with the vca volume using voiceover and turn it up or down or mute or solo or write automation using that vca, its extremely convenient! :) I use VCA tracks all the time for that purpose. :) YMMV Chuck On Mar 17, 2015, at 10:43 AM, John André Lium-Netland wrote: Hi Slau, Sure, if you create a group containing a number of tracks, you will be able to mute/solo all the tracks by pressing the solo or mute button for one of the tracks, just as you would expect. but if you change the volume or send level by interacting with a fader, the volume or send level will not change for the other tracks in the group. In our previous discussion, you assumed this was due to the fact that VoiceOver interacted with the fader, instead of actualy moving it, like you do when you use a surface. Best, John André -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: feedback needed for Pro Tools 12; VCA solution.
Ahoy Jerry! I guess you didn't read my whole reply??? ;) Here is the key line again just incase you missed it which apparently you did! :) That is if you have a pt system with that track option Is it still chill en up there? Chuck On Mar 17, 2015, at 12:02 PM, Slau Halatyn wrote: Hi John, Chuck forgets that not everybody has an HD system so just keep that in mind. Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: noise reduction plugins
Hi Steve, One word for my self! Waves! Many dollars from these waves noise reduction plugs have been made! :) YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Mar 7, 2015, at 10:12 PM, Steve Sparrow wrote: Hi. any thoughts on a good noise reduction plugin. I also require click and crackle remover to take care of vynal restoration. I have thought about buying sound forge from the app store to do this task if it is accessible. But i know there are also much better plugs out there also. thanks in advance. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: templates
Hi Steve Poppa, What you need to do is to import session data from the file menu. I do this all the time when mixing an album to maintain continuity. In a nut shell, import session data from the mix you have finished into the next mix song your about to start working on and bang you have all the same settings to start with! Give a call if you need me to walk you through it for the first time. :) Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Mar 4, 2015, at 1:15 AM, Poppa Bear wrote: Hello Steve, when you go to your file menu you will find save as template and when you save it you can name it and choose the location that you would like to save it in. At that point when you want to use that template you would just find it, click on it and you would be able to name it and choose the location for the new session with that template. As far as importing tracks into the template, you may have to just import them, then copy each imported track and paste it onto the tracks that you have bussed out already. You may be able to select all of the tracks in the mix window and when you import the new tracks they may populate over the tracks in the session that you have selected. I am not sure if that is an option, but it seems like it would be a common sense approach. Other than that you would have to re rout each track that you import to the bus you want it on, or group them together. Perhaps somebody else has a working recommendation. HTH -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Steve Sparrow Sent: Tuesday, March 03, 2015 8:18 PM To: ptaccess@googlegroups.com Subject: Re: templates actually, i’ve just realised this probably will not work anyway. as i don’t think i can add audio to existing tracks without coppying the audio when i import files. So the question i guess is this. How do i apply the settings from one session to another session. i’ve got all my eq, and compression sitting well in this mix. it’s all bused out nicely. and if i can get the next mix sitting with these settings, i’ll be half way there with the new mix. Steve On 4 Mar 2015, at 2:53 pm, Steve Sparrow i...@sparrowsound.com.au wrote: Hi.just wondering how to load templates. Not sure if i went about this the right way. but i spent a fair amount of time on a mix here.I then really want to use all these settings for the next mix. So i deleted all the audio, and saved it as a template. All good from what i can see. But how do i open a template. i looked in the file menu, and have looked at the new session dialogue.but can’t find a list of templates. What am i missing Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
V-Series | Bundles | Waves I use these plugs in every session! Grab it if you can! :)
Hi List, Had to pass this along! I use these 3 waves plugs in every session! $99 you cant go wrong! The V-Comp is worth it alone! http://www.waves.com/bundles/v-series#v-series-plugins-in-depth-tutorial YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Customer advice.
Hi Chad, If you have the client in the control room Make sure to have them listen to several play back options. That way if they have half of an ear! they will hear that 3 out of the 5 play back options you presented clearly show the vocal is to loud! If that don't work burn a cd or whack it on to an ipad and have them drive to buger king while listening to the mix. BTW tell them to make sure they keep the engine running just like most people do! YMMV Chuck ;) On Feb 26, 2015, at 2:20 PM, Chad Morrison wrote: grate advice as well. On Feb 26, 2015, at 1:13 PM, Chris Smart csma...@cogeco.ca wrote: I would ask your customer what he/she is listening on, and at what volume. If they're listening on headphones, suggest they try speakers, and at a low volume. Even listening very quietly, you want to still be able to hear all elements of the mix, not just the vocal. Also, ask for a reference, a commercially released track in a similar style of music to your mix, something the client really likes, so you have an idea what he has in his head. Beyond that, i'm not sure what else to suggest, other than also rendering mixes with the vocals down a bit, in case your client changes their mind. a mix the client likes, plus one with the vocals up half a dB and one with the vocals down half a dB is pretty common practice. Hope that helps some. Often, we have to just agree to disagree and give the client what they want. Chris At 11:27 AM 2/26/2015, you wrote: Hello all, I realize I might be out of line here, but I did not know where else to go to get this kind of advice. A lot of you guys are mixing for customers on a regular basis and I wanted to get your input. I have a customer who wants me to turn his vocals up. Which, in my opinion would blow the mix. This is because I think some of the vocal tracks he wants turned up are already turned up too loud. In this situation is is a simple case of doing what the customer wants, or would I be out of line by trying to talk him out of it? I am relatively new to mixing for pay. So, I am a little unsure on how to proceed here. I hope I have described the situation adequately. I would love to know what your guises input would be in a situation like this. Meaning, how would you handle it? I appreciate all your help. This list has been a great help to me. Again, sorry if I'm out of line here, But like I said I did not know where else to turn for A question like this. Chad -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: importing files
Hi Steve, Yes it can. :) Pick any drum instrument track in pt even expand program your drum parts then use slates trigger for each drum part and bang you have a slam men drum track! Slates trigger is very easy to use after the preset issue. After your done with the VI drums, just blend or mute the original VI drum tracks leaving your slate triggers. What I've been doing with my Acoustic drums is to burn the trigger audio to several pt tracks for a permanent audio copy. Sonar switcher has the Trigger presets which in a previous post he made available to this pt list. YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 25, 2015, at 10:13 AM, Steve Sparrow wrote: Hey thanks for the run down. It puts me in the picture nicely. I guess the next question for me is, do you have any suggestions as to where i go from here. do you know if drum programming can be done in pt, or is it back to sonar for this stuff. This is possible for me at the moment. But i would be interested to know if it can be done in p t, and what i’d need to do the job. I’d also be interested to know if it cannot be done it p t at the present time, so i know where i am at. Steve On 25 Feb 2015, at 11:25 pm, Scott Chesworth scottcheswo...@gmail.com wrote: Hi Steve, I don't use Addictive in Pro Tools myself, but as I understand it in the PT world, it is doable. There are a full set of presets on protoolswithspeech.com that you'd need to grab. Beyond that, if Addictive behaves the same way in PT as it does in my DAW, you'll have the ability to tweak those presets using the automation parameters, of which there are hundreds... almost too much control. Here's the rub though. All of the above applies to Addictive version 1, which is discontinued. Last time I looked at Addictive 2, it sounded great, but what little accessibility they had in the form of the automation parameters being clearly labeled was gone. The presets would also need to be made all over again, which is no small job. Hth a bit Scott On 2/25/15, Steve Sparrow i...@sparrowsound.com.au wrote: hey poppa. Ok well here's the go. I have to do some drum programming, and was wondering if this can be done in p t. If so, can you tell me how i would do this, . Is there something in p t it self. or are there other applications i need to buy to allow me to do this. or will i need to use sonar for midi work. I thought i read some posts on here saying addictive drums was accessible. or am i getting it confused with something else. Steve On 25 Feb 2015, at 6:24 pm, Poppa Bear heavens4r...@gmail.com wrote: Hello Steve, from what I understand addictive drums do not work as far as accessibility. There may be some work arounds, but none that I know of as yet. I think that PT is stepping up their accessibility on the midi front, but for me, I almost strictly use PT for recording paying clients and my relationship with clients is a strictly engineer based relationship and I do not offer any production services and it works out well so midi is not a bread and butter factor for me. I feel that when I dawn the producers hat the relationship has the potential to go in a lot of unpredictable directions. Well, I am glad that it is working out for you and yes I also found the learning curve steep, but at this point I am glad that I took the plunge and I am glad that so many before me put in all the work that they did to fight the battle to help get PT as accessible as it is. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Steve Sparrow Sent: Tuesday, February 24, 2015 6:01 PM To: ptaccess@googlegroups.com Subject: Re: importing files i must admit, i have not ventured in to the midi world with p t as yet, do you see some issues ahead for me in this area. I am thinking about investing in addictive drums for a start, I am under the impression that it is accessible. are there issues. Steve On 23 Feb 2015, at 7:51 pm, Scott Chesworth scottcheswo...@gmail.com wrote: Wouldn't hold your breath for that just yet Poppa. It'd mean new hardware for them for starters, and that plus the cost of PT is quite a chunk of change for anyone. Plus, I think there's gonna need to either be more accessible softsynths or at least bolt-on solutions made with Keyboard Maestro that equal HSC in terms of reliability before a lot of screen reader users would consider making the switch and using PT in front of paying clients. We can live in hope though eh :) Scott On 2/23/15, Poppa Bear heavens4r...@gmail.com wrote: So Steve, are you feeling like you will stay with PT at this point? I hope that some more people will come over from Sonar, especially people like Chris Bell, Phil
Drum Triggering in pt.
Hi Scott, 90% of the time I'm Playing/recording acoustic drums with real ghost notes and then triggering afterwards. May be Joe can chime in on this one. Although It does work I can't comment on the latency! :) Talk soon Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 25, 2015, at 12:05 PM, Scott Chesworth wrote: Hey Chuck, Cool approach sir! I'd bet it's lower on system resources overall than running the big drum plugs too. I wonder, can you run this way in real-time? Sometimes when I'm programming fills and snare ghost notes it seems like it'd be hard to judge if I were programming on a totally different set of samples. If the Trigger latency is low enough, I'd like to be able to play those samples whilst programming. I'm basically trying to zap a stage into dust before it happens, that being an extra round of inevitable tweaking once I've heard the parts recreated by the Trigger samples. Let me know Scott On 2/25/15, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Steve, Yes it can. :) Pick any drum instrument track in pt even expand program your drum parts then use slates trigger for each drum part and bang you have a slam men drum track! Slates trigger is very easy to use after the preset issue. After your done with the VI drums, just blend or mute the original VI drum tracks leaving your slate triggers. What I've been doing with my Acoustic drums is to burn the trigger audio to several pt tracks for a permanent audio copy. Sonar switcher has the Trigger presets which in a previous post he made available to this pt list. YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 25, 2015, at 10:13 AM, Steve Sparrow wrote: Hey thanks for the run down. It puts me in the picture nicely. I guess the next question for me is, do you have any suggestions as to where i go from here. do you know if drum programming can be done in pt, or is it back to sonar for this stuff. This is possible for me at the moment. But i would be interested to know if it can be done in p t, and what i'd need to do the job. I'd also be interested to know if it cannot be done it p t at the present time, so i know where i am at. Steve On 25 Feb 2015, at 11:25 pm, Scott Chesworth scottcheswo...@gmail.com wrote: Hi Steve, I don't use Addictive in Pro Tools myself, but as I understand it in the PT world, it is doable. There are a full set of presets on protoolswithspeech.com that you'd need to grab. Beyond that, if Addictive behaves the same way in PT as it does in my DAW, you'll have the ability to tweak those presets using the automation parameters, of which there are hundreds... almost too much control. Here's the rub though. All of the above applies to Addictive version 1, which is discontinued. Last time I looked at Addictive 2, it sounded great, but what little accessibility they had in the form of the automation parameters being clearly labeled was gone. The presets would also need to be made all over again, which is no small job. Hth a bit Scott On 2/25/15, Steve Sparrow i...@sparrowsound.com.au wrote: hey poppa. Ok well here's the go. I have to do some drum programming, and was wondering if this can be done in p t. If so, can you tell me how i would do this, . Is there something in p t it self. or are there other applications i need to buy to allow me to do this. or will i need to use sonar for midi work. I thought i read some posts on here saying addictive drums was accessible. or am i getting it confused with something else. Steve On 25 Feb 2015, at 6:24 pm, Poppa Bear heavens4r...@gmail.com wrote: Hello Steve, from what I understand addictive drums do not work as far as accessibility. There may be some work arounds, but none that I know of as yet. I think that PT is stepping up their accessibility on the midi front, but for me, I almost strictly use PT for recording paying clients and my relationship with clients is a strictly engineer based relationship and I do not offer any production services and it works out well so midi is not a bread and butter factor for me. I feel that when I dawn the producers hat the relationship has the potential to go in a lot of unpredictable directions. Well, I am glad that it is working out for you and yes I also found the learning curve steep, but at this point I am glad that I took the plunge and I am glad that so many before me put in all the work that they did to fight the battle to help get PT as accessible as it is. -Original Message- From: ptaccess@googlegroups.com
Re: importing files
Hi Steve, Its the same steps you mentioned. The only reason I suggested the slate drum triggering is because you can get a world class drum sound using those triggers. If you like the VI stuff in pt your good to go! Chuck On Feb 25, 2015, at 2:37 PM, Steve Sparrow wrote: Hey chuck. well it looks like i’ve got a bit of learning to do here. I am not much of a midi man. i’m a guitarist really. So i don’t play much keyboard at all. I really only use it for drum programing, and the odd string pad here and there. I am not really up to speed on this slave triggering. all i’ve done in the past is plugged my u s b midi controller keyboard in, launched sonar, and selected a sofft synth, added my midi tracks, and started playing in my drum tracks that way. then i just quantise if need be afterwards. Can it be done this way in p t, or do i need to re think my approach. Happy to change my work flow if need be. But will have to find out more info i guess. Steve On 26 Feb 2015, at 2:13 am, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Steve, Yes it can. :) Pick any drum instrument track in pt even expand program your drum parts then use slates trigger for each drum part and bang you have a slam men drum track! Slates trigger is very easy to use after the preset issue. After your done with the VI drums, just blend or mute the original VI drum tracks leaving your slate triggers. What I've been doing with my Acoustic drums is to burn the trigger audio to several pt tracks for a permanent audio copy. Sonar switcher has the Trigger presets which in a previous post he made available to this pt list. YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 25, 2015, at 10:13 AM, Steve Sparrow wrote: Hey thanks for the run down. It puts me in the picture nicely. I guess the next question for me is, do you have any suggestions as to where i go from here. do you know if drum programming can be done in pt, or is it back to sonar for this stuff. This is possible for me at the moment. But i would be interested to know if it can be done in p t, and what i’d need to do the job. I’d also be interested to know if it cannot be done it p t at the present time, so i know where i am at. Steve On 25 Feb 2015, at 11:25 pm, Scott Chesworth scottcheswo...@gmail.com wrote: Hi Steve, I don't use Addictive in Pro Tools myself, but as I understand it in the PT world, it is doable. There are a full set of presets on protoolswithspeech.com that you'd need to grab. Beyond that, if Addictive behaves the same way in PT as it does in my DAW, you'll have the ability to tweak those presets using the automation parameters, of which there are hundreds... almost too much control. Here's the rub though. All of the above applies to Addictive version 1, which is discontinued. Last time I looked at Addictive 2, it sounded great, but what little accessibility they had in the form of the automation parameters being clearly labeled was gone. The presets would also need to be made all over again, which is no small job. Hth a bit Scott On 2/25/15, Steve Sparrow i...@sparrowsound.com.au wrote: hey poppa. Ok well here's the go. I have to do some drum programming, and was wondering if this can be done in p t. If so, can you tell me how i would do this, . Is there something in p t it self. or are there other applications i need to buy to allow me to do this. or will i need to use sonar for midi work. I thought i read some posts on here saying addictive drums was accessible. or am i getting it confused with something else. Steve On 25 Feb 2015, at 6:24 pm, Poppa Bear heavens4r...@gmail.com wrote: Hello Steve, from what I understand addictive drums do not work as far as accessibility. There may be some work arounds, but none that I know of as yet. I think that PT is stepping up their accessibility on the midi front, but for me, I almost strictly use PT for recording paying clients and my relationship with clients is a strictly engineer based relationship and I do not offer any production services and it works out well so midi is not a bread and butter factor for me. I feel that when I dawn the producers hat the relationship has the potential to go in a lot of unpredictable directions. Well, I am glad that it is working out for you and yes I also found the learning curve steep, but at this point I am glad that I took the plunge and I am glad that so many before me put in all the work that they did to fight the battle to help get PT as accessible as it is. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Steve Sparrow Sent: Tuesday, February 24, 2015 6:01 PM To: ptaccess
Re: importing files
Hi Poppa, I'm working with Pro tools and clients present in my studio daily. Not sure whats up with the subject. Chuck On Feb 23, 2015, at 12:01 PM, Poppa Bear wrote: I imagine your right Scott. I'm still glad to see more people trickling over here from the midi mag list though. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Scott Chesworth Sent: Monday, February 23, 2015 12:52 AM To: ptaccess@googlegroups.com Subject: Re: importing files Wouldn't hold your breath for that just yet Poppa. It'd mean new hardware for them for starters, and that plus the cost of PT is quite a chunk of change for anyone. Plus, I think there's gonna need to either be more accessible softsynths or at least bolt-on solutions made with Keyboard Maestro that equal HSC in terms of reliability before a lot of screen reader users would consider making the switch and using PT in front of paying clients. We can live in hope though eh :) Scott On 2/23/15, Poppa Bear heavens4r...@gmail.com wrote: So Steve, are you feeling like you will stay with PT at this point? I hope that some more people will come over from Sonar, especially people like Chris Bell, Phil and others who have invested so much time into digging up good work arounds, HSC sets, scripts and other tools on the PC platform. I think that it would be a nice shot in the arm for PT access. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Steve Sparrow Sent: Sunday, February 22, 2015 4:04 PM To: ptaccess@googlegroups.com Subject: Re: importing files it's working fine. No problem at all there. i guess this a dumb question and a big ask of p t. But is there any way of importing all the files from a project in to a session in p t in one operation, or will i need to import them one by one, track by track. I assume the latter would be the case. On 23 Feb 2015, at 9:57 am, Chris Smart csma...@cogeco.ca wrote: yeah you should be able to bounce them all to individual files in bulk, in one operation. At 05:07 PM 2/22/2015, you wrote: Hey slau thanks. iâ EURO (tm)ll have another look. i must admit, i did not select all tracks before consolidating, so maybe this is the issue. Thanks again Steve On 23 Feb 2015, at 7:58 am, Slau Halatyn slauhala...@gmail.com wrote: Steve, I don't use Sonar but, as with any DAW on the market, You'll need to select all of your tracks from the start to the end and consolidate and then export. The other option, if the files are broadcast WAV, is to import to the original time stamp. This is more tedious so I'd go back to Sonar to get it right at the source. Slau On Feb 22, 2015, at 3:53 PM, Steve Sparrow i...@sparrowsound.com.au wrote: just to add. when i exported out of sonar, i bounced clips to track, and used the consolidate audio feature. only way i can see around this is to manually select each file in sonar and mix them down one by one. then iâ EURO (tm)d have a file at the correct length. But what a task. it would take for ever. some of these old projects have 30 or 40 tracks in them. If there are any other suggestions for getting some of these files in to line, iâ EURO (tm)d really appreciate the feed back. Steve On 23 Feb 2015, at 6:29 am, Steve Sparrow i...@sparrowsound.com.au wrote: Hi. hereâ EURO (tm)s an interesting one. Iâ EURO (tm)ve started importing an older sonar project in to p t. Thiissue is, a lot of the files i have i did not start recording at the start of the project. for example, i have an organ track, which does not come in until the middle eight in the track. So when i recorded it in sonar , i just went to the part of the song i needed and started recording. so i have a shorter file that now does not line up when importing. The issue now is a lot of these files are like that. Some times there may be a very small part that needed to be played and we did not have time to site there listening to the whole track just to get there. So my question is this. Is there a way of alining these files up some how. How can i import them and get them all in there proper place. in p t. If this is not doable, then iâ EURO (tm)ll just have to go back to sonar to finish off any old projects. This i can do if need be. Just thought iâ EURO (tm)d ask if something can be done, as i have things set up nicely in p t now. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to
Re: You Gonna Know It by MusicMachine
Hi Ricky, I guess the question is? Did you do the full production in PT? Chuck On Feb 22, 2015, at 6:18 PM, Ricky Prevatte wrote: I am on vocals and drums and producing. Ricky Prevatte LMBT1154 On Feb 22, 2015, at 5:07 PM, Poppa Bear heavens4r...@gmail.com wrote: Any relation to you Ricky? -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Ricky Prevatte Sent: Sunday, February 22, 2015 9:55 AM To: ptaccess@googlegroups.com Subject: You Gonna Know It by MusicMachine Check out this video on YouTube: http://youtu.be/3VfF7jCqKxQ Ricky Prevatte LMBT1154 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: multy tap delay settings not staying.
Hi Chad, Have you visited the Automation window yet? Hit command 4 and make sure plugin automation is disabled then open a new pt session and repeat the process again. This will rule out automation being written to the plug because you have it turned off before you reinstate the plug. YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 20, 2015, at 3:24 PM, Chad Morrison wrote: I did try this but this also did not have any effect on my problem. i’m at a loss. I even deleted the plug and reinstated it. After doing this I set up the delay by manually changing the delay amounts in milliseconds from the factory default settings, Closed the project and opened again and had the same results. the plug in reverted back to the settings that were in place before I made any changes. Strange! all this after trying to make a preset like you suggested. Weard! Grin Chad On Feb 19, 2015, at 2:34 PM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Chad, Heres what I do in those situations. Set up the plug the way you want it, then save it in to the preset folder. Next time you bring up the session just load that preset that you have saved and bang! Your back in pt business! :) Just about every plug I use has my own folder with my go to plug settings. YMMV Chuck On Feb 19, 2015, at 3:09 PM, Chad Morrison wrote: hello, I’m having some trouble with the AIR multy delay settings. I will start by telling you what I want to do. I’m wanting a 1/4 note delay to follow the tempo of the song. this I can set up just fine. However, when I close and reopen the project the settings have changed. any idea why this is happening? I have tried setting up the delay with tempo sink on and off. both times the settings change after reopening the project. thank you very much for your help, Chad -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: multy tap delay settings not staying.
Hi Chad, Heres what I do in those situations. Set up the plug the way you want it, then save it in to the preset folder. Next time you bring up the session just load that preset that you have saved and bang! Your back in pt business! :) Just about every plug I use has my own folder with my go to plug settings. YMMV Chuck On Feb 19, 2015, at 3:09 PM, Chad Morrison wrote: hello, I’m having some trouble with the AIR multy delay settings. I will start by telling you what I want to do. I’m wanting a 1/4 note delay to follow the tempo of the song. this I can set up just fine. However, when I close and reopen the project the settings have changed. any idea why this is happening? I have tried setting up the delay with tempo sink on and off. both times the settings change after reopening the project. thank you very much for your help, Chad -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: applying pitch correction to selection
Hi chad, Just to ad 1 more thing to try. Command tab over to the desk top turn off VoiceOver several times and this sometimes clears up the Busy PT thing. Then command tab back to pt and find out! :) YMMV Chuck On Feb 11, 2015, at 3:13 PM, chad morrison wrote: I find that sometimes I just have to restart voiceover and it stops giving me the busy message. From Chad's iPhone On Feb 11, 2015, at 11:32 AM, Poppa Bear heavens4r...@gmail.com wrote: When was the last time you restarted your laptop Steve? I find that if I leave my box on for days at a time that things can sometimes get a little shaky, not too often, but there has been a hand full of times when a restart has done the trick. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Steve Sparrow Sent: Wednesday, February 11, 2015 8:27 AM To: ptaccess@googlegroups.com Subject: Re: applying pitch correction to selection the steps i followed were from protools with speech. I followed along with nuts and bolts . Is there anything else i have to configure. How ever. I am pleased to know what the issue is. . This is only a basic lap top. I have a new machine coming soon. How ever, if there are more configurations, please let me know. Steve On 12 Feb 2015, at 3:11 am, Slau Halatyn slauhala...@gmail.com wrote: Something's wrong with your system, possibly in its capabilities or configuration. Did you follow all of the steps recommended for configuring your system for Pro Tools? Slau On Feb 11, 2015, at 11:59 AM, Poppa Bear heavens4r...@gmail.com wrote: Strange Steve. I myself don't go into the play list, I just go to the track view, select the track then select the portion of audio, go to the audio sweet and select the affect and apply, it usually takes about two to three seconds depending on the length of the selection. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Steve Sparrow Sent: Wednesday, February 11, 2015 7:41 AM To: ptaccess@googlegroups.com Subject: applying pitch correction to selection Hi. how does one go about applying effects from plugins to small selections in a track. . I tried this yesterday, and ran in to issues.I wanted to add some pitch correction to a vocal track, i used pitch 2 i think it was called Here is what i did. I selected my track in the track list. I then made a selection on my vocal track. I then went in to the menu and found audio sweet. So i downarrowed till i found pitch 2 i think it was called. I found all my parameters, for my experiment i just raised the pitch 1 semitone, i then hit the apply processing, and from then on my computer just sat there saying protools busy. This is as far as i got and tools just would not go any further. it just kept telling me pro tools busy. I gave it about 5 minutes or more, and had to restart the computer. I tried this method with the waves a p i 2500 and a reverb as well. i got the same thing each time. am i going about this process in the correct way. and if so, is this a glitch in my system. Or is there a better way to get this job done. Thanks again guys. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to
Re: waves tune
Hi Kevin, The parameters don't work in the RTAS version. Like I said in the past with my Control/24 everything is accessible except the button to move the corrected notes to the bad ones! :( It may be a different story in pt 11 but I still haven't moved my work flow completely to pt 11 yet. Heres what all of you can do though? Drop an email to; Yaron Makler yar...@waves.com Waves Tech Support is here for you, please do not hesitate to contact us with any matter. Have a great day Best Regards, Yaron Makler Technical Support Manager www.waves.comhttp://www.waves.com/ And just ask about the current state of VoiceOver accessibility for Waves Products. Thanks to the list in advance for getting involved in the Waves VoiceOver issue! Drop me an email off list after you hear back from Yaron. :) Chuck On Feb 10, 2015, at 6:24 AM, Kevin Reeves wrote: Can it be used as an audio suite plug, or is it just realtime? Sent from my iPhone On Feb 9, 2015, at 6:46 PM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Steve, It blows AT away for sound quality! Not sure about pt 11 but pt 9.03 version has one green button that is invisible to vO. Michael Pearson-Adams from Waves myself spent a couple of hours on it several years ago here at my studio. Thats how I know it wipes up the floor against AT for sound quality Its very transparent! It will be interesting to know if pt 11 has fixed that 1 button to apply the correction change? YMMV chuck On Feb 9, 2015, at 5:36 PM, Steve Sparrow wrote: anyone know about the plugin waves tune. It’s getting some good reviews. it’s on sale at the moment for $99. anyone know if it’s accessible, and secondly if it does the job. Certainly cheaper than autotune if it works. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: waves tune
Hi Steve, It blows AT away for sound quality! Not sure about pt 11 but pt 9.03 version has one green button that is invisible to vO. Michael Pearson-Adams from Waves myself spent a couple of hours on it several years ago here at my studio. Thats how I know it wipes up the floor against AT for sound quality Its very transparent! It will be interesting to know if pt 11 has fixed that 1 button to apply the correction change? YMMV chuck On Feb 9, 2015, at 5:36 PM, Steve Sparrow wrote: anyone know about the plugin waves tune. It’s getting some good reviews. it’s on sale at the moment for $99. anyone know if it’s accessible, and secondly if it does the job. Certainly cheaper than autotune if it works. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Stutter edit. Switching Presets in real time.
Hi Poppa, What about making a new preset folder with the presets you want from the different banks? IE Save as. I always do this with the waves presets, to make it quicker when looking for favorite presets for a session. Not sure it would work with stutter though? Just a thought? :) Chuck On Feb 2, 2015, at 1:51 AM, Poppa Bear wrote: I do not believe so. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Kevin Reeves Sent: Sunday, February 01, 2015 2:23 PM To: ptaccess@googlegroups.com Subject: Re: Stutter edit. Switching Presets in real time. Hi. I'm aware of the different effects on each key, but the program ships with different banks of keys. I was curious if there was a way to switch to these different banks in real time. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: a response from Pace regarding the status of iLok accessibility
Hi Ricky, Just to clarify things a bit! On our bimonthly conference call with Avid yesterday BTW only Mike Vin myself were on the call this time!! ;) the Pace subject came up as it usually does, and Lets just say the some higher ups at Avid were contacted AFTER! the namm show by Pace. Notice the time line! :) With out naming names at this point the torch has been lit under the issue. To coin a phrase Action speaks louder than Progressives CO2! :) If you want full details by all means give me a call! Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jan 31, 2015, at 10:10 AM, Ricky Prevatte wrote: Well this is exactly what I figured. That is why I did not write the company. It is a level head that will prevail and the record shows that. Great work slau I understand everyone's need to have access to the lock.we will just have to wait I believe that the challenge avid sent out can serve us better in the long run.I would never send an email to any third party pertaining to ProTools that I did not include that letter with it.I really believe in a few years we will have major progress on the Mac side with many third-party providers and ProTools as well.I would make a suggestion for us to create ways to bring positive media attention to companies like avid help get them positive public relations a reward for what they are doing. Honey will bring much much more then vinegar.someone get that company in the news and tell how they are the pioneer like Apple and what it can do for the 70% of the blind of America that are out of work and other companies will jump on board. People love to feel good let's do something to help people feel good. And I promise we will gain even more quicklythen any of us could imagine. Ricky Prevatte LMBT1154 On Jan 30, 2015, at 7:24 PM, Slau Halatyn slauhala...@gmail.com wrote: As most of you know, I've kept a dialog going with Pace regarding iLok License Manager accessibility. Some folks at Avid have been involved in these discussions. At times, it's been frustrating to be patient and I've mentioned the importance of maintaining good relations with developers. I personally don't agree with recent calls for complaint against Pace. I believe it serves to antagonize. I won't debate this point so don't bother trying to engage me toward that end. regardless, as per my recent request for an official statement from Allen cronce, president of Pace, I've received the following communication which he encouraged me to share with the list. I've already given him a quick thank you for acknowledgement and will give a proper response first thing on Monday. Hi Slau, Thanks for your email. Sorry for my delayed response. I was tied up at the NAMM show and follow up meetings in southern California earlier this week. I agree that it's taking a long time for PACE to provide accessibility support. I also agree that we have not been communicative regarding our progress. What I don't agree with is the assertion that accessibility support is simple and easy. If it was, we would have rolled it out and been done with it ages ago. The fact of the matter is that there have been tremendous prerequisites in our way before we can complete accessibility support in the iLok License Manager and the Activation Experience. I don't want to bore you with the software development details. Suffice it to say that we've worked through about half of the prerequisites in the past quarter, which included a complete modernization and overhaul of our development tools and build processes. Next up is migrating to Qt 5 (required for modern accessibility support), which in and of itself is no simple matter. The current estimate for migrating to Qt 5 and adding accessibility support is on the order of four man months. Additionally, moving to this modern version of Qt will mean that new versions of the ILM and Experience will not be compatible with 10.6 Snow Leopard. Currently, about 15% of the user base are still using Snow Leopard. It's not possible to support two completely different code bases, so we will have to come up with a strategy to provide legacy OS support for some period while moving forward with Lion and above for all new versions. This adds to the complexity of rolling out accessibility. We currently have internal commitments to delivering our new 2.5 release this year in time for NAB. There are a number of new features in that release that are business critical to PACE and our customers. Unfortunately the engineers who are committed to the 2.5 release are the same people who are needed to implement accessibility. Since we have limited resources, we cannot include accessibility in the 2.5 release
Re: Virtual instrument issue.
Hi Matt, burning a audio track is the way to go. This way in the future you can always count on the audio being there! LOL Heres what I do all the time with slate trigger. from the instrument track choose a send then choose the new track option. next decide mono or aux or audio track. next name it and hit return. the send window comes up make sure to hit pre fader option. next set that fader where you like it, most of the time I vo space on it for 0: next find the new audio track that was created and hit record input monitor. next watch your levels on-the new audio track you created then hit record in PT and print the VI to that new audio track. next your done! :) Call me if you need further walk through I'd be glad to help. :_) YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jan 30, 2015, at 8:52 AM, Matt Diemert wrote: Good morning, even with midi merge set to off the problem persists. The only way that the piano sounds normal, is if the track is armed and I'm holding down the sustain pedal.i've tracked virtual piano several times without this happening though it has happened to me once before and I scrapped the idea. I'm just wondering if there's anyway for me to bounce the midi to an audio track so that at least I have the normal sounding piano.any thoughts would be appreciated. Sent from my iPhone On Jan 29, 2015, at 8:10 PM, Slau Halatyn slauhala...@gmail.com wrote: Hi Matt, This is a known and quite infamous bug that has been in Pro Tools since, wait for it, version 7. Yes, that's right. I truly have no idea why this bug still hasn't been squashed. Anyway, don't hold your breath but here's a work-around: Don't use MIDI Merge. That kind of sucks for those who like to use that mode but, hey, you can always just use regular punch-in recording and you'll pretty much get the same results for piano/keyboard playing. Hope that helps, Slau On Jan 29, 2015, at 6:53 PM, mcdiemert . mcdiem...@gmail.com wrote: Hi all, wondering if anyone has seen this behavior. In both PT 10 and 11, I create a virtual instrument track, and instantiate the mini grand plugin. I arm the track, and record a pass and when I play it back, it was as if I didn't use the sustain pedal. However, if I press play while holding the sustain pedal and continue doing so as the pass plays, the piano sounds fine. I've tested with an m audio 61 USB, as well as an older clavenova with midi out. Any thoughts would be greatly appreciated. -- Warm Regards: Matt Diemert 330-980-0046 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: To Chad. Pasting multiple tracks.
Hi Chad, Heres another way to get it done especially if your mixing an album for a client. Use import session data from the file menu. This will import your template set up to the current pt session Bang you'll have all your plugs stuff ready to go. Now mix the clients first song when you move to the clients song # 2 just import session data from the clients first song you keep the album continuity save MANY hours of time. HTH YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jan 27, 2015, at 10:21 PM, Kevin Reeves wrote: Hey Chad. You can definitely paste multiple tracks. As long as you have the same number of target and destination tracks, everything will be pasted properly. You’ll want to cut rather than copy for obvious reasons. Hope this helps. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Pace Ilok
Hi Mike, Your still firing blanks! :) No text in this message unless I need to decrypt it? ;) Chuck On Jan 24, 2015, at 12:15 PM, Mike Pickett wrote: Sent from my iPhone On Jan 24, 2015, at 10:48 AM, Chris Smart csma...@cogeco.ca wrote: Mike, your reply was blank. At 11:14 AM 1/24/2015, you wrote: Sent from my iPhone On Jan 24, 2015, at 10:02 AM, Chris Smart csma...@cogeco.ca wrote: that is, if I can get the category comboboxes to work with Jaws and either IE or Firefox. So far, no such luck. Where do we complain to the BBB about the BBB itself? LOL At 10:57 AM 1/24/2015, you wrote: good stuff Sent from my iPhone On Jan 24, 2015, at 9:45 AM, Chris Smart csma...@cogeco.ca wrote: ok. I'm filling out my complaint now. By the way, if you check radio buttons to specify that the complaint has to do with descrimination, the next screen tries to send you elsewhere. Leave that stuff unchecked and you may proceed. Chris At 10:43 AM 1/24/2015, you wrote: so this particular thread can stay Ilok specific, let's take one fight at a time... on the other hand Avid has been a where of this situation for over a yearso make of that what you may well I posted the information for those of you that would like to contact them you may Sent from my iPhone On Jan 24, 2015, at 9:28 AM, Ricky Prevatte rickypreva...@gmail.com wrote: Let's proceed with caution but let's proceed. Rememberavid has already put out the challenge to the third-party companies to make everything as accessible as possible for us. I guess the same thing would go for I lock as well as plug in. Ricky Prevatte LMBT1154 On Jan 24, 2015, at 10:01 AM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Mike, EXCELLENT! Your'e correct its time to take action! :) Also if Universal audio doesn't announce their accessibility Breakthroughs for there UAD Products this NAMM show as they have been whispering about, They should be next on the list! If you want it solved you got to get involved! :) Talk soon Chuck On Jan 24, 2015, at 8:26 AM, Mike Lockett wrote: Hey Guys, This Pace issue is becoming a joke. The fact that we purchase products that depends on an Ilok authorization from a company “Pace Antiti-Piracy.i.inc.†who is a where of the accessibility problems and still haven‬™t ¢t solve them is unacceptable… Now Slau has been in contact with Pace, but there are some things we can do to help move the process along… First here’s their phone and fax nx number. . Phone: (408) 377-9774Fax: (408) 377-9775: We should all call that number and rather its Sales or support make them a where of the issue. The next step is to file a complaint at the “B“BBB†/Better Business Bureaus web site, http://www.bbb.org/losangelessiliconvalley/business-reviews/computers-hardware-software-and-services/pace-anti-piracy-in-san-jose-ca-220487/complaints Companies like Pace live and die by these ratings. I’ll give you an example of what haphappens whenhen they receive a complaint through the BBB: “X Complaint Pace AP would not respond to my issue in a timely or communicative fashion. After purchasing a software product that uses the Ilok protection system, I was required to download the new License Manager software to authorize the Use of the software on my computer. Prior to this, the iLok had been working fine using the web browser authorization system and all of my iLok products Were running just fine. After installing the software, I was unable to get any of the software to operate on my computer, including the software that had Previously been authorized. After contacting Pace, they directed me to install the latest version of software which I already had done and offered a few minor steps which took a couple of minutes and did not fix the problem either. They asked for some files from my computer, and they said they were working on a solution. It is now 3 weeks after my first service request and I still do not have my issue resolved. There is no direct support line or email I can write to, so the only way to get help is to respond back to any messages I receive from the company. During this time, the least amount of time between responses has been 1 day, with most responses coming after 3 or 4 days. I have found their support system completely unacceptable and incapable of handling the problems they have created by releasing this software with no way of ensuring that those affected will be able to return to their prior working state. Given that the problem stems from the iLok authorization system, and not with the original company, I have no way of asking for a refund or return on the software. I currently have over $1000 worth of software that I've purchased from other companies unable to be used due to this third-party protection software
Re: Pace Ilok
Hi Chris, The main stumbling block with the Apollo products is that the Console app is not accessible using VoiceOver. The UAD plugs in PT 11 are accessible except the console recall aax plug which lets PT communicate with the console app which feeds the Apollo! I've been going back and forth with UA for the past 6 months including UA Founder Bill Putnam , Jr They have said several times they have all the documentation needed to make there UAD products Accessible with VoiceOver! Like I said before just waiting for that breakthrough UA announcement from NAMM!??? If not its time for ML action! ;) Talk soon Chuck On Jan 24, 2015, at 10:11 AM, Chris Smart wrote: I gather the UA plug-ins are accessible on the Windows side the usual way, exposed VST parameters. I have no idea if it's possible to set up onboard DSP with their Apollo interfaces though. That would be great, say, a vocal chain at the ready for video chat and other such live activities, or a full guitar chain including their amp emulation plugins, all at 2MS latency. At 10:01 AM 1/24/2015, you wrote: Hi Mike, EXCELLENT! Your'e correct its time to take action! :) Also if Universal audio doesn't announce their accessibility Breakthroughs for there UAD Products this NAMM show as they have been whispering about, They should be next on the list! If you want it solved you got to get involved! :) Talk soon Chuck On Jan 24, 2015, at 8:26 AM, Mike Lockett wrote: Hey Guys, This Pace issue is becoming a joke. The fact that we purchase products that depends on an Ilok authorization from a company “Pace Anti-Piracy.inc.†who is a where of the accessibility problems and still haven’t solve them is unacceptable… Now Slau has been in contact with Pace, but there are some things we can do to help move the process along… First here’s their phone and fax number. Phone: (408) 377-9774Fax: (408) 377-9775: We should all call that number and rather its Sales or support make them a where of the issue. The next step is to file a complaint at the “BBB†/Better Business Bureaus web site, http://www.bbb.org/losangelessiliconvalley/business-reviews/computers-hardware-software-and-services/pace-anti-piracy-in-san-jose-ca-220487/complaints Companies like Pace live and die by these ratings. I’ll give you an example of what happens when they receive a complaint through the BBB: “X Complaint Pace AP would not respond to my issue in a timely or communicative fashion. After purchasing a software product that uses the Ilok protection system, I was required to download the new License Manager software to authorize the Use of the software on my computer. Prior to this, the iLok had been working fine using the web browser authorization system and all of my iLok products Were running just fine. After installing the software, I was unable to get any of the software to operate on my computer, including the software that had Previously been authorized. After contacting Pace, they directed me to install the latest version of software which I already had done and offered a few minor steps which took a couple of minutes and did not fix the problem either. They asked for some files from my computer, and they said they were working on a solution. It is now 3 weeks after my first service request and I still do not have my issue resolved. There is no direct support line or email I can write to, so the only way to get help is to respond back to any messages I receive from the company. During this time, the least amount of time between responses has been 1 day, with most responses coming after 3 or 4 days. I have found their support system completely unacceptable and incapable of handling the problems they have created by releasing this software with no way of ensuring that those affected will be able to return to their prior working state. Given that the problem stems from the iLok authorization system, and not with the original company, I have no way of asking for a refund or return on the software. I currently have over $1000 worth of software that I've purchased from other companies unable to be used due to this third-party protection software. I understand that they are busy due to this new system, but their support response has been completely inadequate and I feel my issue is getting overlooked and ignored. Desired Settlement My only settlement for this issue would be to focus on fixing the issue I have with the software to the point where I can use the products I have purchased without the iLok protection system getting in the way. Business' Initial Response First, I'd like to apologize to Mr. *** for the lack of response for several days after he sent us the log files we requested. Up until that point, his support ticket had been handled by our support team, and followup
Re: Pace Ilok
Hi Mike, EXCELLENT! Your'e correct its time to take action! :) Also if Universal audio doesn't announce their accessibility Breakthroughs for there UAD Products this NAMM show as they have been whispering about, They should be next on the list! If you want it solved you got to get involved! :) Talk soon Chuck On Jan 24, 2015, at 8:26 AM, Mike Lockett wrote: Hey Guys, This Pace issue is becoming a joke. The fact that we purchase products that depends on an Ilok authorization from a company “Pace Anti-Piracy.inc.” who is a where of the accessibility problems and still haven’t solve them is unacceptable… Now Slau has been in contact with Pace, but there are some things we can do to help move the process along… First here’s their phone and fax number. Phone: (408) 377-9774Fax: (408) 377-9775: We should all call that number and rather its Sales or support make them a where of the issue. The next step is to file a complaint at the “BBB”/Better Business Bureaus web site, http://www.bbb.org/losangelessiliconvalley/business-reviews/computers-hardware-software-and-services/pace-anti-piracy-in-san-jose-ca-220487/complaints Companies like Pace live and die by these ratings. I’ll give you an example of what happens when they receive a complaint through the BBB: “X Complaint Pace AP would not respond to my issue in a timely or communicative fashion. After purchasing a software product that uses the Ilok protection system, I was required to download the new License Manager software to authorize the Use of the software on my computer. Prior to this, the iLok had been working fine using the web browser authorization system and all of my iLok products Were running just fine. After installing the software, I was unable to get any of the software to operate on my computer, including the software that had Previously been authorized. After contacting Pace, they directed me to install the latest version of software which I already had done and offered a few minor steps which took a couple of minutes and did not fix the problem either. They asked for some files from my computer, and they said they were working on a solution. It is now 3 weeks after my first service request and I still do not have my issue resolved. There is no direct support line or email I can write to, so the only way to get help is to respond back to any messages I receive from the company. During this time, the least amount of time between responses has been 1 day, with most responses coming after 3 or 4 days. I have found their support system completely unacceptable and incapable of handling the problems they have created by releasing this software with no way of ensuring that those affected will be able to return to their prior working state. Given that the problem stems from the iLok authorization system, and not with the original company, I have no way of asking for a refund or return on the software. I currently have over $1000 worth of software that I've purchased from other companies unable to be used due to this third-party protection software. I understand that they are busy due to this new system, but their support response has been completely inadequate and I feel my issue is getting overlooked and ignored. Desired Settlement My only settlement for this issue would be to focus on fixing the issue I have with the software to the point where I can use the products I have purchased without the iLok protection system getting in the way. Business' Initial Response First, I'd like to apologize to Mr. *** for the lack of response for several days after he sent us the log files we requested. Up until that point, his support ticket had been handled by our support team, and followup emails were going back and forth between Mr. *** and our team. Once we received the technical log files, his case was assigned to our engineering staff. There was a miscommunication on our end as to who would be contacting Mr. *** back. I made sure that a response was sent to Mr. *** today through our support ticketing system. The log he sent was very helpful in identifying a couple of issues to which we have sent followup instructions. I am monitoring his support case and will make sure that there are no delays in completing his case. Consumer's Final Response I was finally directed to an engineer within the company, and he was incredibly helpful in isolating the cause of the problem and finding a fix for it. He was extremely responsive to my information and allowed me to be part of the process for fixing the problem in the software. I could not have been happier With the interaction with the technical department, but I wish it had taken less time for me to be referred to that department. My issue has been completely Resolved and I'm extremely satisfied with the response once I was directed to the right place.” Guys This was
Re: automation question; Mix Attributes
Hi Steve, About the automation question for all tracks. Make a group from the selected tracks you want to automate now when in the groups dialogue choose the Automation Mode option check it. You'll find this option after you select the Attributes tab. The quick way is to build a VO item chooser and type in auto this will limit the time to find it. This will change all tracks in that group when that group is selected to what ever you change any of the tracks in that group. IE If you change one of the group members to latch they all go in to latch. hth Chuck On Jan 23, 2015, at 3:45 PM, Steve Sparrow wrote: Hey slau, thanks. works just fine. Thanks also to mike. i will try that as well. The whole thing would be easier with a control surface, but i think i should be able to get by with all this. i guess the only other interesting question is this. is there any way of selecting all tracks for spiffic tasks like say automation. Normally when i am mixing in sonar, i select all tracks, and turn on automation. is this possible in protools, or do we need to go and physically select each track for automation individually. Sorry about the endless amount of questions. I am almost ready to make the jump from sonar to protools in my studio. i think. just trying to think of things in my work flow that i may need to accomplish when using tools. Steve On 24 Jan 2015, at 1:21 am, Slau Halatyn slauhala...@gmail.com wrote: Hi Steve, As expected, doing this with a control surface is simple but, since you don't have access to one there, you'll need to improvise. I'm used to having the option of writing to an entire selection but that might be an HD feature, I'm not sure, to be honest. However, I think this might work: Select the range for which you want to write new volume automation. When you play back that section, your volume fader will reflect the written volume automation level. Set your track's automation mode to Write. Set your volume fader to the desired volume level. Engage the transport for the duration of the selection. You should have the new automation level written now. Control-Shift-up and down arrow commands are for clip gain, not for automation. HTH, Slau On Jan 23, 2015, at 9:05 AM, Steve Sparrow i...@sparrowsound.com.au wrote: i’ve basically sussed out how to write and delete automation. only thing i can’t seem to work out is how to just an individual phraze that i may have selected i think i wrote a static pass of automation, but maybe i did not do i t correctly. although i’ve been over the instructions a couple of times. i was also under the impression that control shift up and down arrow are key strokes to do this, but i can’t seem to get this to work either. so what i’m getting is this. When i move the fader up and down it will write fine, but if i make a selection, and then move the fader to where i want for that specific point, how do i write the automation for that point only.can this be achieved after you have written automation to a track just to tidy things up. I have to do this without a control surface. I have the mackie universal control surface with an extender which is excellent. but i am working in broadcast as well and can not get my control surface down there, so i’ll have to do the best i can without one. Maybe i can convince them to buy one one day. but that’s a way off. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: automation question; Mix Attributes
Hi Steve, What I do is to select the tracks I want then hit command G to get in to the groups dialogue. I usually select the edit/mix group option which is the pt default. If you haven't been in to the groups dialogue I could walk you through it if you want. I'm on the east coast of the USA if you want to chat by phone. :) Talk soon Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jan 23, 2015, at 5:42 PM, Steve Sparrow wrote: thanks. chuck. how do you make a group from selected tracks. or are you talking about asining them to a bus.i assume not. Thanks Steve On 24 Jan 2015, at 7:43 am, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Steve, About the automation question for all tracks. Make a group from the selected tracks you want to automate now when in the groups dialogue choose the Automation Mode option check it. You'll find this option after you select the Attributes tab. The quick way is to build a VO item chooser and type in auto this will limit the time to find it. This will change all tracks in that group when that group is selected to what ever you change any of the tracks in that group. IE If you change one of the group members to latch they all go in to latch. hth Chuck On Jan 23, 2015, at 3:45 PM, Steve Sparrow wrote: Hey slau, thanks. works just fine. Thanks also to mike. i will try that as well. The whole thing would be easier with a control surface, but i think i should be able to get by with all this. i guess the only other interesting question is this. is there any way of selecting all tracks for spiffic tasks like say automation. Normally when i am mixing in sonar, i select all tracks, and turn on automation. is this possible in protools, or do we need to go and physically select each track for automation individually. Sorry about the endless amount of questions. I am almost ready to make the jump from sonar to protools in my studio. i think. just trying to think of things in my work flow that i may need to accomplish when using tools. Steve On 24 Jan 2015, at 1:21 am, Slau Halatyn slauhala...@gmail.com wrote: Hi Steve, As expected, doing this with a control surface is simple but, since you don't have access to one there, you'll need to improvise. I'm used to having the option of writing to an entire selection but that might be an HD feature, I'm not sure, to be honest. However, I think this might work: Select the range for which you want to write new volume automation. When you play back that section, your volume fader will reflect the written volume automation level. Set your track's automation mode to Write. Set your volume fader to the desired volume level. Engage the transport for the duration of the selection. You should have the new automation level written now. Control-Shift-up and down arrow commands are for clip gain, not for automation. HTH, Slau On Jan 23, 2015, at 9:05 AM, Steve Sparrow i...@sparrowsound.com.au wrote: i’ve basically sussed out how to write and delete automation. only thing i can’t seem to work out is how to just an individual phraze that i may have selected i think i wrote a static pass of automation, but maybe i did not do i t correctly. although i’ve been over the instructions a couple of times. i was also under the impression that control shift up and down arrow are key strokes to do this, but i can’t seem to get this to work either. so what i’m getting is this. When i move the fader up and down it will write fine, but if i make a selection, and then move the fader to where i want for that specific point, how do i write the automation for that point only.can this be achieved after you have written automation to a track just to tidy things up. I have to do this without a control surface. I have the mackie universal control surface with an extender which is excellent. but i am working in broadcast as well and can not get my control surface down there, so i’ll have to do the best i can without one. Maybe i can convince them to buy one one day. but that’s a way off. Steve -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you
good app to convert .ogg audio for pt use?
Hi list, I have some .ogg files that someone sent me for song production ideas. Needless to say My mac mini running mavericks can't play them. Whats a rock solid solution to convert the .ogg audio in to something usable? TIA Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Christmas tune
Great song Matt, The message says it all! :) Yeshua Ha-Mashiach JESUS CHRIST is the only reason to celebrate Christmas! :) Chuck Remember; Behind every creative mix, Theres also the CREATOR! CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Dec 20, 2014, at 12:42 PM, Poppa Bear wrote: Matt, that was very beautiful. If that wasn’t a final mix, and you would like another flavor I wouldn’t mind spending some time on an alternative mix. Just wishful thinking though, I thought it was one of the best peaces you’ve shared and there are just some level area’s and compression parameters I would experiment with, but again, that was really nice. Keep it up brother. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Matt Diemert Sent: Saturday, December 20, 2014 5:06 AM To: ptaccess@googlegroups.com Subject: Re: Christmas tune Slau, that was excellent! The piano was gorgeous. In the spirit of sharing original Christmas songs, here is a song that my wife wrote two weeks ago. https://m.youtube.com/watch?v=f_fnAxENx5s Sent from my iPhone On Dec 19, 2014, at 11:53 PM, Sean A. Cummins seanacumm...@gmail.com wrote: Thanks Slau, I genuinely needed that... Merry Christmas Sean - Original Message - From: Slau Halatyn To: ptaccess@googlegroups.com Sent: Friday, December 19, 2014 2:38 PM Subject: Christmas tune I was just waiting to make sure there was a YouTube version available, lest I was accused of pimping the tune… Here's a song I co-wrote some years ago entitled If Every day Were Christmas. Some will remember the big version I produced back in 2005. This is my own, solo version, as originally intended—mellower and, let's face it, what's a holiday tune without a little schmaltz? https://www.youtube.com/watch?v=cckXxjCkLxUfeature=youtu.be For what it's worth (and that would happen to be around 99 cents), it's available in the iTunes store as well: https://itunes.apple.com/us/album/if-every-day-were-christmas/id946585587?i=946585588 And now, back to our regularly scheduled program. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Strip silence feature
Hi Not yet! But its on the Christmas Fix list! Heres my findings with it. Strip Silence VoiceOver Accessibility. Strip Silence Dialogue is not usable with VoiceOver Example the title Strip Threshold: is Visible to VoiceOver but the -48 dB default value is not changeable using VoiceOver. The same applies for the other Strip Silence Dialogue parameters below; Min Strip Duration: Clip Start Pad: Clip End Pad: The following buttons below are usable with VoiceOver; Rename... button Extract button Separate button Strip button Merry Christmas! Talk soon Chuck On Dec 19, 2014, at 7:05 PM, chad morrison wrote: Hello. Is the strip silence feature accessible in ProTools 11? I was trying to use it today, but was unable to edit the fields. I have tried mouse clicking and tried interacting with the text fields. Is there something else I should be trying? Thank you From Chad's iPhone -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Strip silence feature
Hi chad. What about the PT Noise gate? I am sitting here working on a set of acoustic toms the stock noise gate Expander/Gate Dyn 3 is very good. :) Give it a try. If you want I could walk you through it very quickly. I'm on the east coast of the USA Call if you like! :) Chuck YMMV On Dec 20, 2014, at 1:22 PM, chad morrison wrote: Thank you for responding. I got the same findings.gjust this one time I was hoping I was doing something wrong. Looks like I'll be editing these Tom tracks by hand. LOLMerry Christmas to you too sir. From Chad's iPhone On Dec 20, 2014, at 12:14 PM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Not yet! But its on the Christmas Fix list! Heres my findings with it. Strip Silence VoiceOver Accessibility. Strip Silence Dialogue is not usable with VoiceOver Example the title Strip Threshold: is Visible to VoiceOver but the -48 dB default value is not changeable using VoiceOver. The same applies for the other Strip Silence Dialogue parameters below; Min Strip Duration: Clip Start Pad: Clip End Pad: The following buttons below are usable with VoiceOver; Rename... button Extract button Separate button Strip button Merry Christmas! Talk soon Chuck On Dec 19, 2014, at 7:05 PM, chad morrison wrote: Hello. Is the strip silence feature accessible in ProTools 11? I was trying to use it today, but was unable to edit the fields. I have tried mouse clicking and tried interacting with the text fields. Is there something else I should be trying? Thank you From Chad's iPhone -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: More presets for Matt and others. PT Templates
Hi Poppa, About Templates, When I want to use my out board hardware devices, like my Eventide H3000 Harmonizer, or my STUDIO TECHNOLOGIES ECOPLATE III Reverb plate. http://platereverb.com/ I just import Session data from a pro tools session template I made up that only contains the tracks needed to access the outboard hardware devices already hard wired in to my patch bay. This makes it quicker than pulling up my patch bay chart and configuring the I/o for my outboard gear each time! :) Time is money! ;) Just do the same for the software Plugins, side of it. Talk soon Remember; Behind every creative mix, Theres also the CREATOR! YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Dec 9, 2014, at 11:54 PM, Poppa Bear wrote: Hello Scott, I do use a few templates and they can help to streamline workflow a lot of the time, in my experience though, with something like studder it is an afterthought and not something that I would really shape a project around. All in all, I think that it is a neat tool and in other types of productions, or some other studios I am sure that it gets used plenty, but it is still a novelty to me right now. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Scott Chesworth Sent: Tuesday, December 09, 2014 2:46 PM To: ptaccess@googlegroups.com Subject: Re: More presets for Matt and others Isn't this the type of thing that templates could help with? I've never really gotten into them in PT, but I know a few people on here are big on that school of thought. Maybe someone can chime in... On 12/9/14, Poppa Bear heavens4r...@gmail.com wrote: Hello David, I do know how to set it up, but I am not into the steps it takes to get the results I guess. Call me lazy and plus, on top of that it needs to be used so sparingly in my opinion because it is very easy to over kill with it, but I was just wondering if with the presets it could be used in a different way than routing through the three or four steps. Thanks though. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of David Eagle Sent: Tuesday, December 09, 2014 9:52 AM To: ptaccess@googlegroups.com Subject: Re: More presets for Matt and others Hi, it's easy to get Stutter Edit working with Midi in Protools. Put Stutter edit on an audio track as an insert. Create a new midi track. Set the Input to your midi controler, and the output to Stutter edit. I think you need to arm the midi track so that it is record enabled. YOu can trigger the various jestures and effects with your midi keyboard. The stutters are synced to your project tempo, so you can change the tempo of your project to change the tempo of the stutters. As for Windows: I know that there is a hotspot clicker set for Stutter edit which I know you can use with Sonar, created by someone called Steve Stamer. Probably best to contact the midimag list for more information on that. I'm going to work on developing stutter edit accessibility some more using keyboard maestro. On 9 Dec 2014, at 17:33, Scott Chesworth scottcheswo...@gmail.com wrote: Looking at Nectar 2 over on the dark side, yup, there's a lot of parameters exposed... 150 or so. Well labeled, but not real-world values, so things like the frequencies for each EQ band are a bit of a guessing game. As usual for iZotope, the actual plugin GUI is sort of accessible too, with the biggest hurdle IMO being that the folder names aren't readable in the presets browser. Individual presets are, but keeping track of which folders are open and where the ones you liked lived without folder names can be a bit of a mare. It's a pretty good plugin overall though, plenty of the stock presets have made it in to songs out of the box here. On 12/9/14, Chris Smart mailto:csma...@cogeco.ca csma...@cogeco.ca wrote: Anyone know if the parameters are exposed on the Windows side for that one? At 03:40 AM 12/9/2014, you wrote: Hi there, Anyone happen to have the presets for the Nectar Production suite? Itâ EURO (tm)s Izotopes take on vocal processing. If i could or had access to sighted help, iâ EURO (tm)d try making them myself and contribute but as it stands now, all i can do is ask politely for them. /Krister 9 dec 2014 kl. 02:04 skrev David Eagle mailto:onlineea...@googlemail.comonlineea...@googlemail.com: and -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to mailto:ptaccess+unsubscr...@googlegroups.comptaccess+unsubscr...@googlegroups.com. For more options, visit
Re: Heads-up with plugins
Wow thats a big waves collection! What bundle is that? Chuck YMMV On Dec 4, 2014, at 6:56 PM, David Eagle wrote: Ah, great news Poppa. onlineea...@gmail.com Thanks. On 4 Dec 2014, at 23:20, Poppa Bear heavens4r...@gmail.com wrote: Dave What is your email so I can add to the collection. I have the presets for about 50 or so waves plugins. I hope I can get them to you and beef up the repository. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of David Eagle Sent: Tuesday, December 02, 2014 11:54 AM To: ptaccess@googlegroups.com Subject: Re: Heads-up with plugins OK, try giving these a spin, Christopher and anyone else. In this folder are presets for three waves Plugins: L1 Ultramaximizer, AudioTrack and TrueVerb. I assume that you import them by launching the plugin, then in the plugin window VO Space where it says FXPISettings Command Popup. Then activate the import settings option and select the relevant plugin subfolder, found in the folder I’m attaching to this email. HOPe it works. Let me know. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Blending clips when I paste
Hi David, What I do for back round noise is to keep a track of just background noise and use it be hind the narration. :) HTH Chuck YMMV On Dec 4, 2014, at 8:35 PM, David Eagle wrote: OK, that is very simple. It’s a very different way of working, but it seems to work and I suppose once I get used to it then it should work just as good. Thanks again Slau. I’ll give you the weekend off. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: another question concerning clip list (re: deleting fades)
Hi Michael, Have you tried Move Mouse yet? YMMV Chuck On Dec 5, 2014, at 10:58 AM, Michael Kuhlmann wrote: Hi Slau, thank you very much first. In my next session I will try your idea duplicating tracks and working with different playlists. Unfortunately for this session, the problem starts quite at the beginning: Of course I could have asked my wife to do it for me. But I will have a lot of work with pro tools in the future and wanted to find an accessible workaround first. My clip list is very long and contains about 90 or even 100 clips. Interacting with it lets me audition the first clips by moving the mouse and selecting it without problems. But my original clip is anywhere near the end of the clip list in an invisible area of the screen. Moving the mouse to the clip lets VO speak the correct clip name, but when pressing alt left key for auditioning, Pro Tools loses focus and my VO-Cursor is located on the desktop, the menu-bar or anywhere else. Obviously I can’t move the mouse outside the visible area and so auditioning my original clip either. Do you have any idea in this case? Thanks again and best. Michael -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Heads-up with plugins
Hi David, Slau would probably be more precise on this but heres what I know. You half to make a keyboard short cut for each mouse move, IE move down move up so forth. In system preferences go to keyboard then shortcuts then the services tab. its under the services tab that you put in the short cut key commands. Slau my self are using shift control command in conjunction with the arrows. If I want to move the mouse to the right I hit shift control command right arrow and move mouse confirms the move for each 1/10 of a inch. HTH Chuck On Dec 2, 2014, at 12:09 PM, David Eagle wrote: Thanks Chuck. Forgive my ignorance, but I have ran the four work flow instalation files. When I go into a plugin in ProTools and go into services, and select one of the mouse move options, I get a message saying that there is a shell script error. I’m not really sure how to work Move Mouse. On 2 Dec 2014, at 16:44, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi David, Here ya go. :) The short time I've been using Move Mouse its great once you know where the hidden treasure is located. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. MoveMouseDistribution_1.1.zip -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. MoveMouse_Installation_Instructions_License.rtf Could somebody try it on an older os? Like snow Leopard and ML? TIA Talk soon YMMV Chuck Remember; Behind every creative mix, Theres also the CREATOR! On Dec 2, 2014, at 11:22 AM, David Eagle wrote: I’ve been looking for the MoveMouse file, but to no avail. Could you resend the attachment Chuck. Also, this could be a good application to put on the ProTools with Speech website. On 2 Dec 2014, at 01:56, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Ahoy List? Has anybody tried move Mouse with plugins that are not VoiceOver friendly? I just started using it on pt 11 and so far its getting to uncharted Places so to speak! :) Also has any body installed move mouse on snow leopard? I think it should work but not sure? TIA Chuck Remember; Behind every creative mix, Theres also the CREATOR! CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Dec 1, 2014, at 8:29 PM, Poppa Bear wrote: Hey Ricky, did you ever come across that Trail Guide to the Body? -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Ricky Prevatte Sent: Monday, December 01, 2014 4:24 PM To: ptaccess@googlegroups.com Subject: Re: Heads-up with plugins Does anyone know if that preset list is transferable?if it would be we could get a group together by the presets have someone to load them and use that transferable list. I guess that would be not possible just wishful thinking. Ricky Prevatte LMBT1154 On Dec 1, 2014, at 8:17 PM, Poppa Bear heavens4r...@gmail.com wrote: Hello David, you should be able to go to the parameter that you would like to change and then Simply interact with that parameter by using the interact command which would be VO/Shift/Down arrow and then you could change that particular setting. As far as the waves presets, there are some people on this list who have taken a lot hours to compile many presets to a lot of the waves plugins. Perhaps somebody will care to share them with you along with the instructions to load them up. The second way is to have sighted help. In Waves it has its own preset load button and voice over cannot activate it. A sighted person would have to click on that load button and then make a selection from the lists of presets and then load it. Once the preset is loaded you can go to the settings button in the plugin window and click save and it will be saved in Protools native preset list. HTH -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of David Eagle Sent: Monday, December 01, 2014 3:05 PM To: ptaccess@googlegroups.com Subject: Headsup with plugins Hi friends, I’ve finally got PT11 up and running. I’m a bit confused when it comes to using plugins. I’ve inserted a multi channel plugin on track 1. Depending on the plugin I can see the various presets. Let’s take something that I assume to be accessible like the 3
Re: Virtual Mix Rack Low Introductory Price Extended!
Hi Steven, Love to buy it! Does it work with Pro tools 11 while using Apples Screen-reader VoiceOver? Thanks CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Dec 2, 2014, at 2:14 PM, Steven Slate wrote: If you cannot view this email, please click here to view an online version. The $149 Introductory price has been EXTENDED! Dear Audio Professional, It gives me great joy to tell you that the Low Introductory price of $149 for our new flagship plugin, the Virtual Mix Rack has been EXTENDED! We've gotten some amazing feedback and great reviews from not only all the TOP industry pros, but from everyone that has tried the VMR so far. We realize that today being the first of the month, most people haven't yet had a chance to purchase it. For that reason, we have decided to EXTEND our Introductory price for ONE MORE WEEK! Check out some of these great reviews we've received: http://logic-pro-expert.com/logic-pro-blog/2014/11/30/slate-digital-virtual-mixing-rack-review.html http://logic-pro-expert.com/logic-pro-blog/2014/11/30/slate-digital-virtual-mixing-rack-review.html Watch the official VMR and Revival videos: Watch these VMR Tutorials and see the difference these amazing tools will make in your mixes: BUY NOW Virtual Mix Rack - Just $149! The VIRTUAL MIX RACK continues the Slate Digital tradition of providing the absolute most authentically modeled analog sound in a digital audio plugin. The VMR includes four world class mix modules, including two classic equalizers and two versatile mix compressors, with more modules to be developed. The VMR operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in ONE WINDOW. This allows you customize your own channel strip, with signal flow following the modules, in any order you choose. Mix and match filters from different EQs. Chain an EQ before or after your compressor. Moving modules around is easy, fast, and creates no break in audio playback. Audition signal chains faster, easier, and in real time with the Slate VMR . BUY NOW Virtual Mix Rack REVIVAL Module - FREE! Revival is the product of years of research into what makes things sound 'better'. The Slate Digital Team analyzed what it was about classic analog gear that could turn tracks into audio masterpieces, and broke the process down into two knobs. That may sound a bit crazy, but wait till you hear Revival. Revival borrows aspects of tubes, tape, transformers, and world class analog filters to create two processes. Shimmer adds depth, clarity, space, width, and air like you've never heard. Thickness adds warmth, punch, body, and fatness. Revival can be used on individual tracks, such as to create air on a pop vocal or add fatness to drums, but is also amazing in mastering to bring out details in full mixes. And best of all, you can download the Virtual Mix Rack which includes Revival and the Mix Bundle (two analog modeled eqs and compressors), and Revivals license will never expire. That's right, Revival is FREE! DOWNLOAD NOW Click here to unsubscribe your email address from this list. Click here to send this email to a friend. If you received this email from a friend and would like to subscribe to our email list, Click here Our mailing address is: 8331 Lookout Mountain Ave, Los Angeles, CA 90046 Our telephone: 323-656-2050 Copyright © 2014 www.slatedigital.com 2393 Mount Olympus Dr Los Angeles, CA 90046 United States -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Heads-up with plugins
Ahoy List? Has anybody tried move Mouse with plugins that are not VoiceOver friendly? I just started using it on pt 11 and so far its getting to uncharted Places so to speak! :) Also has any body installed move mouse on snow leopard? I think it should work but not sure? TIA Chuck Remember; Behind every creative mix, Theres also the CREATOR! CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Dec 1, 2014, at 8:29 PM, Poppa Bear wrote: Hey Ricky, did you ever come across that Trail Guide to the Body? -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Ricky Prevatte Sent: Monday, December 01, 2014 4:24 PM To: ptaccess@googlegroups.com Subject: Re: Heads-up with plugins Does anyone know if that preset list is transferable?if it would be we could get a group together by the presets have someone to load them and use that transferable list. I guess that would be not possible just wishful thinking. Ricky Prevatte LMBT1154 On Dec 1, 2014, at 8:17 PM, Poppa Bear heavens4r...@gmail.com wrote: Hello David, you should be able to go to the parameter that you would like to change and then Simply interact with that parameter by using the interact command which would be VO/Shift/Down arrow and then you could change that particular setting. As far as the waves presets, there are some people on this list who have taken a lot hours to compile many presets to a lot of the waves plugins. Perhaps somebody will care to share them with you along with the instructions to load them up. The second way is to have sighted help. In Waves it has its own preset load button and voice over cannot activate it. A sighted person would have to click on that load button and then make a selection from the lists of presets and then load it. Once the preset is loaded you can go to the settings button in the plugin window and click save and it will be saved in Protools native preset list. HTH -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of David Eagle Sent: Monday, December 01, 2014 3:05 PM To: ptaccess@googlegroups.com Subject: Headsup with plugins Hi friends, I’ve finally got PT11 up and running. I’m a bit confused when it comes to using plugins. I’ve inserted a multi channel plugin on track 1. Depending on the plugin I can see the various presets. Let’s take something that I assume to be accessible like the 3-7 band EQ that comes pre-installed. I can select a preset absolutely fine, but I don’t seem to be able to work out how to see the automation perimeters. I can activate the plugin automation button and find a list of automatable parameters, but then I can’t change these. How is this achieved please? My second question is to do with those plugins that do not have their presets exposed to VoiceOver. For instance, I can’t choose any presets in the waves plugins. I believe there is a way of saving a preset file with sighted help? Thanks for your help. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Where are we as far as the ILok Manager?
Hi Christopher, By all means! Call the company who makes the software your buying and have them remotely do the Ilok Dance! :) Remember; Behind every creative mix, Theres also the CREATOR! So lets remember today, thanksgiving belongs to the ultimate engineer!!!:) YMMV Chuck On Nov 26, 2014, at 12:36 PM, Christopher-Mark Gilland wrote: The thing is too with that, the last time I tried getting Avid to do this for me, they told me that if it was ProTools itself that I needed licensed, they'd do it, no problem, but since it's a license for another product than their own, they won't touch it. --- Christopher Gilland Phone: 704-594-2225 E-mail: clgillan...@gmail.com Web site: http://www.clgproductions.com Twitter: @gilland_chris Facebook: http://www.facebook.com/chris28210 Skype: chris28210 IMessage/Facetime: cgwaxhawlo...@clgproductions.com Zello: clgproductions and: christablet123 Please kindly, add both, if you don't mind. - Original Message - From: David Eagle onlineea...@googlemail.com To: ptaccess@googlegroups.com Sent: Wednesday, November 26, 2014 7:43 AM Subject: Re: Where are we as far as the ILok Manager? Hi Gordon, when you say someone did it for you remotely, do you mean they remotely controlled your computer, or did they manage to just do it for you without remotely controlling your computer? If the latter, then I may look into that, otherwise I’ll just wait for a friend to help me. Thanks. On 26 Nov 2014, at 07:28, Gordon Kent dbmu...@cybernex.net wrote: Hi: You probably could have someone from avid support do the authorization for you remotely. I had gotten my pt11 from sweetwater and they did it for me in a jiffy. Now that doesn't let ilok off the hook. I have managed to stumble through it on windows with a combination of NVDA and Jaws ocr, but it's really hit or miss and I'm always afraid I'm going to mess something up. Gord -Original Message- From: Chris Smart Sent: Tuesday, November 25, 2014 11:10 AM To: ptaccess@googlegroups.com Subject: Re: Where are we as far as the ILok Manager? they're apparently still working on it *sigh* Luckily for the sighted help, the process is not difficult. In my case, I recently picked up Eiosis Air EQ and some more things from Slate Digital. In both cases, you get a license redeem code. Run the iLok License manager, log in with your iLok account name and password, and I suggest you have someone click the box to remember this in future to speed things up. On the left of the screen are your locations which can accept licenses. Usually this is the name of your computer and any attached iLok's which are detected. On the right-hand side of the screen are all your licenses. Clicking on a destination on the left may simplify the list on the right for your sighted help by only showing which licenses are on that attached iLok. There are four buttons on screen for doing things like redeeming licenses, copying licenses, etc. You only see text which identifies what each button does when you hover over them with the mouse. So don't do what I did and ask your help to look for redeem or activate, because they won't see that until the mouse is on the buttons. Find the redeem button and click it, then paste in the long code you got with your plug-in. Next, a destination dialog pops up and you simply click on the name of your iLok. That's it. It irritates me to no end that we can't do this ourselves, since really, it's nothing more than a copy and paste operation. Chris At 10:33 AM 11/25/2014, you wrote: Is the Ilok Manager still not accessible? I've not had a need to try it in quite some time, but here in the next couple months, there are some plugins that I really highly am considerring either purchasing, or asking for for Christmas. The only thing is, they use ILok. My mom has very very gladly agreed to help me get things transferred if needed, bless her heart, but it really would be nice if I didn't have to rely on her each time I need something done. I know we were working closely with Pace Antipiracy, so was just wonderring how responsive they're being, if any. I'm not saying I've totally lost all hope, as I most certainly haven't. This however said, I really really think we need to continue letting them know how crutially important this is! When PT 11 was first released, I understand that they had a lot of things on their plate at that time, as they needed to be sure that licensing worked in general with the new PT 11, which I'm sure behind the scenes took quite some time and testing. Let's be 100 percent fair. They had bigger things on them at that time than to really worry right then about accessibility issues. I'm not saying that it's an excuse to totally deny accessible access. Please please please! don't misread what I am trying here to say. All I'm saying
Re: Slate Digital Virtual Mix Rack: Accessibility Fail!
Hi Scott, I think both methods should be used. :) Heres Slate head tech Kevin Dresel's contact info. Kevin Dresel ke...@stevenslate.com And heres his phone #! Kevin Dresel, tech phone 323-656-2050 ext 1. Also send this link to him! https://developer.apple.com/library/mac/documentation/Accessibility/Conceptual/AccessibilityMacOSX/OSXAXModel/OSXAXmodel.html Remember to remind him that they are loosing business Starting to get a less then stellar reputation! YMMV Chuck On Nov 25, 2014, at 3:38 PM, Scott Chesworth wrote: Cheers both, all good stuff to know. I'll pop in a ticket soon too. Suspect this is gonna be a hard road to hoe, but I reckon Slates stuff sounds good enough to make it worth expending some effort. I always wonder about the effectiveness of tackling this topic via phone compared to electronically. ON the one hand, a support ticket puts it to them in your own words, let's you submit links to guidelines etc, but I wonder whether the more human contact of phoning someone and having some realtime back and forth discussion would do more in the long run? On 11/25/14, Chris Smart csma...@cogeco.ca wrote: If any of you are submitting tickets and would like to refer to mine, it's #2531. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Move Mouse?
Hi Slau list, I just installed move mouse and straight away after hitting option Y with a instrument track selected that had kick snare ECT, on it, was able to Split out midi notes to there individual instrument tracks. Thanks Slau for making that happen. :) Very cool! Heres the rub! I have a keyboard conflict and was wondering before reinventing the wheel what you guys used for mouse up mouse down move mouse left move right? I would like to use VoiceOver NumPad to execute the shortcut under the Services tab, for the mouse movement. Any suggestions? MMMV! ;) TIA Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Move Mouse?
Thanks Slau, That worked fine. No conflicts in pt 11. :) What i would like to do with move mouse, is use the num pad like i do for moving pt tracks by using 1 key on the num pad to mouse up and another numbed pad key for mouse down to drop the pt track in place. Are you doing this? If so are you using automator Or are you using the num pad Custom Commands submenu choice of Run AppleScript Script …? May be keyboard maestro could do this? Thanks again Chuck On Nov 24, 2014, at 4:59 PM, Slau Halatyn wrote: Glad you're finding it helpful. I'm using Control-Command-shift with the arrow keys without any problems. Slau On Nov 24, 2014, at 4:10 PM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Slau list, I just installed move mouse and straight away after hitting option Y with a instrument track selected that had kick snare ECT, on it, was able to Split out midi notes to there individual instrument tracks. Thanks Slau for making that happen. :) Very cool! Heres the rub! I have a keyboard conflict and was wondering before reinventing the wheel what you guys used for mouse up mouse down move mouse left move right? I would like to use VoiceOver NumPad to execute the shortcut under the Services tab, for the mouse movement. Any suggestions? MMMV! ;) TIA Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: iLok License Manager: Any Progress?
Hi Chris, Hit up Slate with the Team Viewer option. :) Thats how I got Trigger authorized at the same time brings up the accessibility issue while they half to take time to do it! Slates sight is rugged to say the least with Snow Leopard! LOL Heres some contacts at slate for everybody! Alex Siegel in Slate's Purchasing put the trigger transaction through for me and then told slate drums Head tech, Kevin Dresel, tech phone 323-656-2050 ext 1. to get the trigger downloads together, using teem viewer. When I get some free time i'll be calling Slate with the trigger 2 install on the mavericks box, in the mean time my pt work box the mac pro is chugging along banging out great drum tracks with the trigger 1! That Ilok idea sounds interesting though! ;) HTH Chuck Behind every mix Created, theres also the Creator! So Smell the Coffee! :) CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Nov 20, 2014, at 10:34 AM, Chris Smart wrote: Was it Slau who was in touch with the folks at Pace Anti-piracy Inc. regarding the inaccessibility of the iLok License manager? Do you have any news to share on this? Barring that, who may I send a politely worded letter to? I've now missed out on two Slate Digital beta cycles in which I'm supposed to be participating Also I had to pass on the beta cycle for Eiosis Air EQ, thanks to not being able to move licenses around independently. While annoying, this has not yet impacted my work, but it's only a matter of time before it does. Slate have new and improved versions of VCC in the works, including much more efficient CPU usage, not to mention an all new and improved FGX. No, I don't live with computer savvy sightlings who can sort this out. I realize the process simply involves copy and paste, but honestly, the one person I do live with finds this challenging. Have any of you had luck talking to Pace on the phone, and getting them to do this remotely through something like Team Viewer? Perhaps if enough of us made this request, they would see it as advantageous to unburden their front line tech support people from this responsibility. I'm considering getting Slate to do this over the phone, but honestly I don't want to be an annoyance. It's not their fault at all for wanting to keep their intelectual property secure. I for one am glad that their products aren't all over the torrent sites. Chris -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: is the apollo twin solo accessible with VoiceOver
Hi Jørgen list, The ApolloDuoTB - Universal Audio 18x24 FW Int/UAD-2 Duo DSP is some what accessible with PT 11. I don't have a apollo twin but You can at least use the UAD plugs that ship with it being that the parameters are accessible in PT 11. The mic prees sound pretty cool and do show up in pt 11 the rub is you cant adjust the parameters like gain or any of the several options that can be accessed by sighted users using there console app. Any body that wants full use of UAD products join in with myself and send UA a nice letter about VoiceOver Access please. I've been in touch with UA since last April, Including Bill Putnam , Jr! There tech people are very helpful BTW. they said that they are aware of the console app and there console recall aax plugin not being accessible with VoiceOver. But there has been 4 UA software releases since last April but still no joy! :( Heres one of there email addresses that gets to the tech teem. Universal Audio Info i...@uaudio.com BTW the 1176 is worth the price of admission, again it is accessible with VoiceOver in pt 11 its their console app that is holding up the joy! LOL So join in with myself and send a Pleasant letter to UA and just tell them you are ready to use there products and when is VoiceOver accessibility going to be addressed? If you want more info on the UAD stuff call me I'm on the east Coast of the USA! PS send this link along also; https://developer.apple.com/library/mac/documentation/Accessibility/Conceptual/AccessibilityMacOSX/OSXAXModel/OSXAXmodel.html Thanks again Chuck Reichel CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Oct 25, 2014, at 12:47 PM, Jørgen Skov Nielsen wrote: Hi All is the apollo twin solo audio interface accessible with VoiceOver. Thanks in advance Best regards Jørgen -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: System requirements of Pro tools not HD
Hi TheOreoMonster, Where's the Avid info about the issues with fusion drives? Send a link to it if you got it? TIA Chuck On Oct 22, 2014, at 7:39 PM, TheOreoMonster wrote: avoid fusion drives for PT use. Get a iMac with and SSD and a second HD or just and SSD and get a large external USB3 HD. I'd spend more on ramm before processor if you can go for 16GB and an i7, On Oct 21, 2014, at 5:21 PM, ashley cox ashleycox...@googlemail.com wrote: ProTools will run on pretty much any mac you can buy - that said, I'd avoid the bottom end 1.4GHZ iMac and Mac Mini. A general rule of thumb is to buy the best you can afford. The more ram the better - and if you can afford to upgrade the CPU to a quad I7, then do so. Also an SSD is a great choice for super-fast load times. On 21 Oct 2014, at 22:11, Krister Ekstrom kris...@kristersplace.com wrote: Hello folks, I'm about to start thinking of getting a new desktop computer. It would be something in order of an 21 inch IMac with a fusion drive, provided that works with PT. Now i wonder what the dimands are for processor and speed of it and Thanks so much /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Avid VENUE Pro Tools S3 Control Surface info.
Hi List, Looks interesting! Check it out! Heres a small blurb follow by the link for it. It's more than a powerful control surface - the Pro Tools | S3 is equipped with a 4-in/6-out AVB audio interface, allowing you to record and monitor with no additional audio interface required. In fact you can even use the Pro Tools | S3 like a traditional console, using the audio ins and outs strictly as a monitor section with control over volume, dim, cut, and sum to mono. This effectively makes the Pro Tools | S3 equal parts control surface, audio interface, and mixer, creating the perfect solution for producers, mix engineers, and musicians. http://www.sweetwater.com/store/detail/S3CS Talk soon Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Something new from SS called Batch Commander, check it out
Hi Joe byron, For $99 its a steel if voiceOver works with it??? :) Has anybody tried it yet? Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Oct 11, 2014, at 4:56 PM, byron harden wrote: Wooo great On Oct 10, 2014, at 5:22 PM, 'Hi' via Pro Tools Accessibility ptaccess@googlegroups.com wrote: If you do a lot of editing or mixing I think this would be incredible if it were accessible. I haven't tried it yet because I literally just got the link but check out this video which you can hear and imagine what he's talking about. It's like Quick Keys or Keyboard Maestro on steroids and it's just for Pro Tools. http://app.streamsend.com/private/qSti/OJI/zMcEElK/browse/22396759#ss-video_44791 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Sorry for the multiple and conflicting messages, but it turns out the update/upgrade windows are still not working
Hi David, Thats in the works! Stay tuned. :) Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Oct 6, 2014, at 12:12 PM, David Eagle wrote: Sorry, At first I seemed to have made progress getting on to the update window. I managed to navigate using the VO arrow keys, but then when I entered on the view updates link, I then couldn't read the HTML window. The problem seems to be that the HTML window is opening up inside Protools, and Voice Over gets confused and thinks Im on a text element rather than HTML. I've tried upgrading through the PT market place menu, but when I enter on upgrade, I get an unreadable HTML window that Voice Over will not navigate. Sorry for the confusion in this matter. Thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Working with groups in Pro Tools
Hi Slau and all, If you have the option of making a VCA Master this will work. I just tested it in pt 9.3 and marked a hotspot on 2 of the test tracks and when I interacted with the VCA Master fader and moved up or down the tracks in the test group moved also. The rub is you half to have a VCA Master for this to work. YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Oct 4, 2014, at 4:59 PM, Slau Halatyn wrote: Hi Brian, Indeed, I got the same results as you. It appears that the manner in which VoiceOver is interacting with the fader is more of a parameter change rather than a physical moving of the fader itself. In other words, one can drag a fader with a mouse and this changes the value. What VoiceOver seems to be doing is the opposite and that type of interaction is not seen by the other faders as a move of another fader but rather a sudden change in value. At any rate, it looks like one can't control groups via VoiceOver. There's no question that it can be done with a control surface but I realize that doesn't help you right now. Yes, an auxiliary input would essentially achieve the same result so that might be the way to go for now. Best, Slau On Oct 4, 2014, at 12:01 PM, brian kijewski sitedbl...@hotmail.com wrote: Slau, Thanks for looking into this. My Music Production Lab prof really stresses the importance of groups and would be nice if I could get them working correctly. I'm thinking by interacting with a fader on a track, it is adjusting it independently. Is there a way to adjust a fader with VoiceOver without interacting with it? For smaller projects it probably isn't a huge deal, but would still be faster to turn all the drums down slightly in a mix with one fader vs. having to adjust each track on its own. I suppose I could use submixing if all else fails. I plan on getting a control surface sometime soon as I think it will help greatly with editing and perhaps this issue, but would like to figure it out with the keyboard too. Brian On Oct 4, 2014, at 10:21 AM, Slau Halatyn slauhala...@gmail.com wrote: Hi Brian, I'll have to try to recreate a similar setup. For what it's worth, I've never tried to affect a group via VoiceOver. I've always used a control surface. BTW, even when a group is active, it's possible to individually change the volume by modifying the drag of the fader or, with a control surface by simply holding the other faders and repositioning them. Once repositioned, by whichever method, the faders move in tandem if the group is active. Perhaps changing the fader level with Voiceover is tantamount to forcing a fader while the others are restricted. That shouldn't be the case, of course, but I'll try it myself and we'll see if it can be figured out. Slau On Oct 4, 2014, at 1:23 AM, brian kijewski sitedbl...@hotmail.com wrote: Hi Slau, Thanks for the help, but it still doesn't seem to work. I set it as a mix group and made sure that group was active. When I interact with a track in the group and change the volume fader, it does nothing to the other track's faders in that group. Not sure what I'm missing? Brian On Oct 4, 2014, at 12:18 AM, Slau Halatyn slauhala...@gmail.com wrote: Hi Brian, There are three types of groups: edit groups, mix groups and combination edit/mix groups. An edit group will not affect volume changes, only edits. A Mix group will affect volume only and not edits on the grouped tracks. Obviously, combination edit/mix groups do both. Make sure you've defined the group as a mix or edit/mix group and, when you make volume changes to any of the grouped tracks, all faders in that group will follow your fader move. Hope that helps, Slau On Oct 4, 2014, at 12:09 AM, brian kijewski sitedbl...@hotmail.com wrote: Hello all, I have been a member of this group for some time now, but just recently began using Pro Tools. This is due in part to the fact that I just started Music Industry Arts in college. With the help of the Pro Tools with speech podcasts, I am really loving the software and its possibilities. I had a question regarding groups. I am able to select the tracks I want to add (let's say all the drum tracks in a project) and add them to a group. From here, I can't seem to figure out how to change a parameter and have it effect all the tracks in that group. Is there a way with VoiceOver, for example, to change a volume fader and have it turn down all the tracks simultaneously? Any help would be greatly appreciated, Brian -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout
Re: Anywhere to go and read up on Compression and EQ?
Hi Krister, Yes Groove 3 has these and they offer a 33$% or better discount if you call in tell them you're only able to hear the product. These 2 tutorials are excellent! :) Compression explained equalization explained. Groove 3 Inc. CALL US: 1-800-460-7509 Groove 3 Inc There in the great USA state of Texas. YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 29, 2014, at 5:46 AM, Krister Ekstrom wrote: Hi, As my very first song in Pro tools approaches the final stages with editing and mixing and that kind of stuff there's one thing i admit as an amateur i can't quite get my head around and that's EQing and compressing, compressing in particular. Does anyone know if there are good tutorials free or paid or better yet if there are good sound samples available that demonstrates compressing? It's probably a matter of taste, but is there some kind of golden rule to all this madness?:-) /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: discovery about nudge value
How about spell check? YMMV On Sep 27, 2014, at 2:24 PM, Juan Pablo wrote: Slau, sorry for my lack of knoledge. But what's the way to drag and drop from the clip list? When I talked about drag and drop, I'm reffering to your second part of your message. Best, Juan. -Original Message- From: Slau Halatyn Sent: Saturday, September 27, 2014 3:19 PM To: ptaccess@googlegroups.com Subject: Re: discovery about nudge value Hi Juan, I'm sorry but I don't agree with you. Drag and drop is just something a blind person cannot do. How would you propose this would work? Cut, copy and paste is perfectly fine in addition to nudging and spotting. What can't you do in the timeline with drag and drop that you can't do with the commands I mentioned? Now, if you're talking about dragging from the Clips list into a timeline, then yes, there needs to be a more elegant solution th an what we currently have. I can see that possibly being implemented in the future but that's a matter of introducing a new way, or at least an alternative way, of performing specific actions. This would take more resources and more supporting arguments. Slau On Sep 27, 2014, at 1:24 PM, Juan Pablo jpcula...@gmail.com wrote: Hi, Slau. Is fact: protools is advancing to a fully accessible soft. but in my opinion, with the time line not accessible, We're lossing at least 50% of this powerful tool. Yes, there are lots of sortcuts that made this tings in a diferent way. but has the hability to drag and dropp, would be a big jump. I hope in pt12 we've good news on this. best, Juan. -Original Message- From: Slau Halatyn Sent: Friday, September 26, 2014 1:27 PM To: ptaccess@googlegroups.com Subject: discovery about nudge value Folks, One of the features for which I've been campaigning on the accessibility with on the Pro Tools front has been the nudge value field. In earlier versions of Pro Tools, it was not specifically accessible but one could at least press the button, type a value, press Return and at least the custom field was entered and one could go about their business with the new nudge value. Now, if you don't know why a custom nudge value is important, never mind for now and trust me when I say that it'll save your ass at some point, guaranteed. well, in Pro Tools 11, the interface changed a bit and now at least we could see the Nudge Controls button which popped up the format selection and default values. Thing is, now we couldn't enter the custom value. I submitted a bug report and nothing seemed to change because other items like the MIDI Event List took precedence, understandably. Well, only yesterday, I stumbled upon what I can only call a discovery, for lack of a better word because it was truly hidden. Unfortunately, a bit of a misnomer was incorporated when one of the programmers worked on the nudge and grid controls. In the edit window, there is a Grid/Nudge cluster. That naming convention was inherited from the initial work of PT accessibility in version 8. When interacting, you find 3 items labeled Show Grid Lines (which is either selected or not), Grid Controls button and Nudge Controls button Clicking on the first button toggles its state of either showing or not showing grid lines in the timeline. Clicking either of the two remaining buttons pops up a list of formats and default values as mentioned earlier. Yesterday, as I was making a macro to double-click on the nudge value field to at least be able to once again enter custom nudge values, I needed to quickly navigate to the Nudge Control button and so I brought up the Item Chooser list and typed n u d g e. Surprisingly, the list contained several items rather than just the one I was expecting. It contained a text field labeled Nudge and a numeric field labeled Nudge value. I had never seen this before and was stunned. To my astonishment, having selected the nudge value field, I purposely stopped interacting with the control to see where it was nested. To my surprise, it was nested in the Nudge Controls button. Well, of course, a VoiceOver user would never think to interact with a button because that's not the function of a button. In fact, upon retrying with another session, simply navigating to the Nudge Controls button and interacting with it simply interacts with the title of the button itself rather than its alleged contents. Bringing up the Item Chooser, however, indeed exposes the hidden controls. Further, once accessed, interacting and exiting interaction with the button seems to traverse the levels repeatedly. Bottom line is, if you need to type a custom nudge value, and I promise you, you will at some point, use the Item Chooser to get to the Nudge Value numeric field, click once and type the custom value, hit Return and be on your way. This is an issue of nomenclature mostly but also the non-standard
Re: selecting audio
Hi TheOreoMonster, Yes it will. But since 2001 when I started using PT I usually follow the rule of only have the track or tracks showing that your working on! This practice keeps you out of the pt soup! :) Ok so you guys would say that slows up the process! No because i use grouping and memory locates to recall tracks that i only want showing at any given time, like a drums group for instance. In the long run its actually faster then guessing did I have the proper tracks selected? :) HTH Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 3, 2014, at 8:06 PM, TheOreoMonster wrote: Won't CMD+A select all audio in the project not just the audio on the selected track? On Sep 3, 2014, at 7:03 PM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi TheOreoMonster, Hit Command a to select the whole audio track. chuck On Sep 3, 2014, at 6:29 PM, TheOreoMonster wrote: but using the slash key requires you to type in the time of the of the start and end points. for example you will press slash type in start time on numpad then slash then end time, then return. Is there not a way to set a start point without having to first know the time in th eproject or length of the selection you want? For example what would be a quick way to select all the audio on a track without first knowing how long that track is or at what time or measure it ends? Thanks, On Sep 3, 2014, at 6:23 PM, Slau Halatyn slauhala...@gmail.com wrote: Hey Steve, Entering with the slash key operates when the transport isn't engaged so that will do the trick. HTH, Slau On Sep 3, 2014, at 6:04 PM, TheOreoMonster monkeypushe...@gmail.com wrote: Hello, I know when selecting audio you can use the slash key to enter the start and end points or length, or during play back use up and down arrows to set start and end points. Is there a way however to set start and end points while audio isn't playing back? THanks, -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: selecting audio
Hi Krister, Yes! You could use just 1 marker even, but save it as a selection and when that location is recalled it will have your selection recalled also. :) I use this all the time for full song start end just recall the memory location that was saved with that selection and your ready to Bounce so to speak! I still use memory location 150 for full song so it drops the location at the bottom of the locates window. 150 is a habit I established when pt only had 200 memory locates! LOL HTH Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 4, 2014, at 9:00 AM, Krister Ekstrom wrote: Ahem, i know i just started with PT but isn't there a way that you can put a memory location at the beginning of a selection and when you have scrubbed to where you want to end the selection you can drop another memory location then you could select to previous marker? Have forgotten the shortcut keys now, but i think you catch the drift. /Krister 4 sep 2014 kl. 14:46 skrev Slau Halatyn slauhala...@gmail.com: Ah, in that case, I simply split the region with Command-e where the portion to be cut begins. Then, after finding the end point, you have a few options: trim to start or, what I prefer, Option-Shift-Tab to select to the previous region boundary and then Delete. the second option allows you to once more audition before making the cut. I use this method all the time when editing. HTH, Slau On Sep 4, 2014, at 8:25 AM, TheOreoMonster monkeypushe...@gmail.com wrote: Hey Slau I under stand that the slash key allows me to type in start and end points when the transport is not engaged, and the up and down arrows work on the fly while transport is engaged. So let me try to elaborate on my question with another example. Say you are editing something like spoken word where there is no tempo or etc. you play and scrub till you get the play cursor at the exact point where you want to start a selection. is there a way to drop a selection start marker at that point in the audio? Then say i press play again and get to the area where i want to end theselection, once again scrubbing till i am on the exact point, Is there a way to drop and end marker there and select between those two points? In the above scenario, If i were to use the slash key i'd have to know the exact time to type in. and if i were to use the up and down arrows it may take a few tries to drop it exactly where i want. What are some ways you guys handle the above scenario? Thanks, On Sep 3, 2014, at 11:24 PM, Slau Halatyn slauhala...@gmail.com wrote: Steve, For whichever track or tracks are selected, hit Return then Shift-Option-Return to select an entire track. A sighted user can triple click on the timeline to select the entire track but, with key commands, you have to use Return then Shift-Option-Return. Also, I'm not sure why you're referring to the transport being engaged to use the start and end field entry. The transport doesn't have to be engaged at all for you to enter values. The up and down arrows will only work to make a selection when the transport is engaged. Hope that helps, Slau On Sep 3, 2014, at 8:11 PM, TheOreoMonster monkeypushe...@gmail.com wrote: alright that covers select an entire track. but still no way of setting start and end markers with out transport being engaged? On Sep 3, 2014, at 7:05 PM, Chris Norman chris.norm...@googlemail.com wrote: Option shift enter for end, shift enter to select to the start. Sent from my iPhone On 3 Sep 2014, at 23:29, TheOreoMonster monkeypushe...@gmail.com wrote: but using the slash key requires you to type in the time of the of the start and end points. for example you will press slash type in start time on numpad then slash then end time, then return. Is there not a way to set a start point without having to first know the time in th eproject or length of the selection you want? For example what would be a quick way to select all the audio on a track without first knowing how long that track is or at what time or measure it ends? Thanks, On Sep 3, 2014, at 6:23 PM, Slau Halatyn slauhala...@gmail.com wrote: Hey Steve, Entering with the slash key operates when the transport isn't engaged so that will do the trick. HTH, Slau On Sep 3, 2014, at 6:04 PM, TheOreoMonster monkeypushe...@gmail.com wrote: Hello, I know when selecting audio you can use the slash key to enter the start and end points or length, or during play back use up and down arrows to set start and end points. Is there a way however to set start and end points while audio isn't playing back? THanks, -- You received this message because you are subscribed
Re: selecting audio
Hi TheOreoMonster, Hit Command a to select the whole audio track. chuck On Sep 3, 2014, at 6:29 PM, TheOreoMonster wrote: but using the slash key requires you to type in the time of the of the start and end points. for example you will press slash type in start time on numpad then slash then end time, then return. Is there not a way to set a start point without having to first know the time in th eproject or length of the selection you want? For example what would be a quick way to select all the audio on a track without first knowing how long that track is or at what time or measure it ends? Thanks, On Sep 3, 2014, at 6:23 PM, Slau Halatyn slauhala...@gmail.com wrote: Hey Steve, Entering with the slash key operates when the transport isn't engaged so that will do the trick. HTH, Slau On Sep 3, 2014, at 6:04 PM, TheOreoMonster monkeypushe...@gmail.com wrote: Hello, I know when selecting audio you can use the slash key to enter the start and end points or length, or during play back use up and down arrows to set start and end points. Is there a way however to set start and end points while audio isn't playing back? THanks, -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Plug ins presets for trade
Hi Nicola, How would you handle the Waves authorizations? :) Chuck On Sep 1, 2014, at 7:57 AM, Nicola Cascino wrote: Hi, is anyone interested in trading .tfx presets? I need the Sound Toys fx bundle except FF1, Decapitator and Echo Boy, offer these 3 + Waves C6 and CLA Classic Compressors. NT -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Another question about plugin presets
Hi, Slate has a skype # I think i remember while on hold that slate gives the skype info. YMMV Chuck On Sep 1, 2014, at 11:02 AM, Scott Chesworth wrote: Yo Krister, When I've needed to call US tech support lines from here in the UK, I've used either Skype credit to get the job done cheaply. Just one way, but it might work for you too. Let us know how you get on with the iZotope chaps, their journey with accessibility is kinda interesting. Scott On 9/1/14, Chris Norman chris.norm...@googlemail.com wrote: Hiya Krister, No worries about the questions, although I think you could possibly answer a lot of your own questions by just getting stuck in. Have fun, On 01/09/2014 09:10, Krister Ekstrom wrote: Hi, Just a smallish problem with calling the nectar or rather Izotope support: I live in Sweden, Izotope as far as i know is in the U.S. It's gonna be a tad expensive to call them for this, since it probably will be quite a longish phone call. I'll see how i can solve the problem though. Thanks all and sorry for me pestering you with stupid questions. /Krister 31 aug 2014 kl. 22:41 skrev CHUCK REICHEL soundpicturerecord...@gmail.com mailto:soundpicturerecord...@gmail.com: Hi Krister, Save your self the guesswork and save them while you have the plugin up in PT. Just make sure to use the same naming of folders presets and then you can share them with other pt users and know with out a doubt! YMMV That they will work on there system. If you half to, contact the Nectar support teem and do a remote teem viewer session and have them or somebody sighted click on the load button and do each one just like most of us have been doing for a while! :) Also take some time and look at the stock pt plugin presets and how they are organized just use that as an example. Thats what I've been doing with waves for the past several years because a good tool should be used! Chuck CHUCK REICHEL soundpicturerecord...@gmail.com mailto:soundpicturerecord...@gmail.com www.SoundPictureRecording.com http://www.soundpicturerecording.com/ 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Aug 31, 2014, at 3:33 PM, Krister Ekstrom wrote: Ok, thanks for that. Wonder if one somehow could use the presets obtained via the Nectar program and save them so they are visible to Protools? Have to investigate. /Krister 31 aug 2014 kl. 21:22 skrev TheOreoMonster monkeypushe...@gmail.com mailto:monkeypushe...@gmail.com: Most plug ins store their preset files ina n XML format. In fact some of te more nerdier among us use in accessible plug ins by opening up those xml files changing values and saving it out as the same name as the default preset for that plug in, so when it loads it will load taht preset. I haven't used Nectar alot in pro tools yet, but i know it doesn't show its presets in the reaper default drop down menu for presets., so i assume its teh same for pro tools. If you navigate around through the Nectar window you should find a place in there where the presets are displayed and you can arrow through them. But yeah, if you try to load the xml files through the default Pro TOols or Reaper presets dialog in the plug in it probably wont reconize the xml file as i believe the DAW's may store them in their own format. On Aug 31, 2014, at 2:33 PM, Krister Ekstrom kris...@kristersplace.com mailto:kris...@kristersplace.com wrote: Hello and sorry for being so frequent with asking questions. What i want to know now is, I have a folder with plugin presets made in .xml format, which Protools apparently can't read. Can i somehow convert those .xml files into a for Protools readable format or would the best way to make presets still be to have someone sighted help me load the presets and then save them in a format readable in the librarian menu of the plugins? /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com mailto:ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com mailto:ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com mailto:ptaccess+unsubscr...@googlegroups.com. For more options, visit https
Re: Plug ins presets for trade
Hi Nicola, Waves always requires authorization un less the plugs are cracked. If cracked! this is the wrong list to be on for dealing with cracked plugs! Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 1, 2014, at 11:25 AM, onlinemixing.co wrote: private no profit trading beetween people with visual impairment like me of course. enywey i mean ONLY the .tfx pt accessible format of tpresets. Il giorno 01/set/2014, alle ore 15:37, CHUCK REICHEL soundpicturerecord...@gmail.com ha scritto: Hi Nicola, How would you handle the Waves authorizations? :) Chuck On Sep 1, 2014, at 7:57 AM, Nicola Cascino wrote: Hi, is anyone interested in trading .tfx presets? I need the Sound Toys fx bundle except FF1, Decapitator and Echo Boy, offer these 3 + Waves C6 and CLA Classic Compressors. NT -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to a topic in the Google Groups Pro Tools Accessibility group. To unsubscribe from this topic, visit https://groups.google.com/d/topic/ptaccess/xnKujzg5B-o/unsubscribe. To unsubscribe from this group and all its topics, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: accessibility of the T C E tool.
Hi Kevin Slau, Heres my notes on how to do TCE. :) Steps for expanding or compressing audio to time line TCE steps below. Step # 1 make sure your audio is selected make start and end selection in the transport window. Step #2 unlink time line and edit selection; found also under the options menu Key command is; Shift / Step # 3 with the time line and edit selection Un linked Set new time selection in transport start end field, Note, if the riff is 1 bar and I want it to be 2 bars change the end field to be longer. Step # 4 to execute the time, Stretch hit Shift Option U. Remember the final step is also located, under the edit menu as TCE Edit to Timeline Selection Shift Option U Note if my new time line is longer than my edit selection it will expand the audio to fit. If the new time line I set is shorter it will compress the time or duration of the audio to fit. Mike lockett discovered this last year and they work great. I have Waves Sound shifter assigned a the default plug to use when using TCE. YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Sep 1, 2014, at 1:37 PM, Slau Halatyn wrote: Hi Kevin, The tool is highly graphic in nature and the shape of the tool plus its function changes depending upon where in relation to the region it is situated. However, the plug-in parameters of the TCE plug-in are, from my recollection, accessible. Slau On Sep 1, 2014, at 12:55 PM, Kevin Reeves reeves...@gmail.com wrote: Hey folks. I was curious if anyone was successful using the Time Compression Expansion tool while editing. To my knowledge, a sighted person would drag regions right or left and the audio would stretch and compress to fill in the space. I've tried to enable the tool and do some editing, but it doesn't appear to work. Would love to hear anyone's thoughts on this. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Digi003 again.
Hi Krister, The hotspots method works good I've been preaching hotspots since 2011. Like Slau said its time consuming but if you document your parameters when you do this you always have a list of parameters to use if you need to recall what the heck does this thing do! LOL Chuck YMMV On Sep 1, 2014, at 2:01 PM, Krister Ekstrom wrote: Hmm, that approach with hotspots etc is worth a try. Has to be looked at. However, that has to be looked at as soon as i understand why when i record and despite having the metronome on, when i do the next track the whole thing seems to drift. I think i'm on the beat of the metronome and yet the song seems to go ahead of the metronome beat. Am i that bad at keeping time?:-) 1 sep 2014 kl. 19:52 skrev Slau Halatyn slauhala...@gmail.com: Hi Krister, Yes, the plug-in parameters appear across the encoder knobs and buttons. The bad news is, since they're on the control surface, it's not accessible to be able to read which knob or button is controlling which parameter but but the good news is that, once you've had sighted assistance to figure out the parameters and take notes, you'll be able to access those parameters in the future. Also, fader flip mode allows you to throw the control down to the faders instead of the knobs and have a tactile sense of the parameter values. I think I've mentioned this before but, I initially read the Pro Tools Reference Guide three times, the first time without understanding everything, the second time while understanding a great deal more and finally, one more time while sitting in front of the control surface with Pro Tools running and trying the various steps outlined in the manual. BTW, here's something to try: with a plug-in opened and with the control surface in plug-in mode, adjust the encoder knobs while monitoring the parameter values in the plug-ins window with a VoiceOver hot spot. That way, you can figure out, without sighted assistance, which encoder controls which parameter. It'll be time-consuming initially but, once you've figured that out, you'll know exactly which encoders to jump to when you want to adjust a compressor's threshold or an EQ shelf. HTH, Slau On Sep 1, 2014, at 1:15 PM, Poppa Bear heavens4r...@gmail.com wrote: Yes, but I don't usually do it with the 003 so I am not sure about the steps. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Krister Ekstrom Sent: Monday, September 01, 2014 1:20 AM To: ptaccess@googlegroups.com Subject: Digi003 again. Hi i have read the manual for the Digi003 now and it was a really interesting read. There's one thing that wasn't mentioned in the manual that i wonder if someone with a 003 may know: Is it possible to change plugin presets from the Digi003? That could help some with the other questions about plugins i had. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Another question about plugin presets
Hi Krister, Save your self the guesswork and save them while you have the plugin up in PT. Just make sure to use the same naming of folders presets and then you can share them with other pt users and know with out a doubt! YMMV That they will work on there system. If you half to, contact the Nectar support teem and do a remote teem viewer session and have them or somebody sighted click on the load button and do each one just like most of us have been doing for a while! :) Also take some time and look at the stock pt plugin presets and how they are organized just use that as an example. Thats what I've been doing with waves for the past several years because a good tool should be used! Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Aug 31, 2014, at 3:33 PM, Krister Ekstrom wrote: Ok, thanks for that. Wonder if one somehow could use the presets obtained via the Nectar program and save them so they are visible to Protools? Have to investigate. /Krister 31 aug 2014 kl. 21:22 skrev TheOreoMonster monkeypushe...@gmail.com: Most plug ins store their preset files ina n XML format. In fact some of te more nerdier among us use in accessible plug ins by opening up those xml files changing values and saving it out as the same name as the default preset for that plug in, so when it loads it will load taht preset. I haven't used Nectar alot in pro tools yet, but i know it doesn't show its presets in the reaper default drop down menu for presets., so i assume its teh same for pro tools. If you navigate around through the Nectar window you should find a place in there where the presets are displayed and you can arrow through them. But yeah, if you try to load the xml files through the default Pro TOols or Reaper presets dialog in the plug in it probably wont reconize the xml file as i believe the DAW's may store them in their own format. On Aug 31, 2014, at 2:33 PM, Krister Ekstrom kris...@kristersplace.com wrote: Hello and sorry for being so frequent with asking questions. What i want to know now is, I have a folder with plugin presets made in .xml format, which Protools apparently can't read. Can i somehow convert those .xml files into a for Protools readable format or would the best way to make presets still be to have someone sighted help me load the presets and then save them in a format readable in the librarian menu of the plugins? /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Waves GTR?
Ahoy list! Has anybody taken the time to make a text list of the preset names for Waves GTR? I have all the presets already saved out in to PT, but want a text doc with the preset names to make searching for a certain GT amp Pedals faster. I remember Frank Carmickle did this for expand II which makes finding a patch much faster. May be a script to grab all the names of the patches then paste them in to a text doc. Any thoughts? Thanks Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Working with the digi003 and Protools - a silly newbie question or two
Hi Krister, Have you read the manual? Google search for tutorials? Those questions you asked should be covered in the manual? HTH Chuck YMMV On Aug 16, 2014, at 6:45 AM, Krister Ekstrom wrote: Hello, This may sound like a stupid question, which it is, sorry about that but i wanted to ask a couple things about the Digi003 control surface. Those who work with it, do you only record and mix from it and do the editing and that stuff on the computer itself or do you also do the editing from the surface? Do the buttons have multiple functions, like press this button and that will happen and press it again for something totally different to happen? Is the Digi003 easy to work with without spoken feedback from it? I want to make the Digi003 accessible via the Surfacereader application for PC and Mac, but that can take a while and in the mean time i finally want to overcome my fears and start actually working with Pro tools and the Digi003 but i don't know how easy or hard it is. Thanks for any answer. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Protools in Hackintosh
Hi Nick, Professionals in the recording business don't have time to fool around! You get the fastest PT compatible Mac box and load it up with ram, then get back to producing product! Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Aug 16, 2014, at 8:23 PM, Nick Gawronski wrote: Hi, Well I am not saying it would or would not work but support from Avid is a no no but really if you wish to try it for yourself that is of course your choice. I am not saying it won't work as you might get somewhere with it but really after all if you want to spend the money on pro tools and take a chance it won't work that is your choice. My views are the user should have the choice on what hardware they choose but as far as it being legal I don't know about that. I myself got a mac book pro for this very reason. I have total compatibility and know that both Apple and Avid support the system. Again I am not trying to tell you what to do as I am totally open for a user choosing what they choose to do just saying what I think. Nick Gawronski On 8/16/2014 12:55 PM, Black Wizard! wrote: No problem Chris. It's fine. Black -Original Message- From: Chris Smart Sent: Sunday, August 17, 2014 12:34 AM To: ptaccess@googlegroups.com Subject: Re: Protools in Hackintosh oh sorry I thought you were asking about the Mac before. I read more carefully this time. I'm guessing Avid would not recommend ProTools be run on anything but an actual Apple machine, since the hardware is guaranteed to work properly. At 01:31 PM 8/16/2014, you wrote: Can you/ you guys who are using Pro tools in Hackintosh share your PC specification? What spec works best? Any experience about pro tools in Hackintosh is very welcome. Thanks in advance for your sharing. Best, Black, -Original Message- From: Chris Smart Sent: Saturday, August 16, 2014 11:37 PM To: ptaccess@googlegroups.com Subject: Re: Protools in Hackintosh uh, yes. lots. that's kind of why this group exists. At 12:22 PM 8/16/2014, you wrote: Hi all, Has anyone ever tried using Protools in Hackintosh? I would like to know if it is works well there. Best, Black, -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to mailto:ptaccess+unsubscr...@googlegroups.comptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optouthttps://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: compressor question
Hi Brian, Heres one way to do it. step 1 Mark a hot spot on bypass in the plugin. step 2 mark a hotspot on makeup gain or where ever you want to push up the gain. Step 3 use your EARS and go back in forth from hotspot to hotspot, bypassing as you go until you reach the desired output level for your track. This is also a good way to see if your smashing it or not. HTH Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Aug 12, 2014, at 11:14 AM, Brian Howerton wrote: Hello all, Since we do not have access to metering in the compressors in PT, how are you all wrking around this as far as knowing how much gain reduction is occurring when you are compressing. Is the workaround to bypass the compressor, and then go look at the track meter to determine how much gain reduction is happening so you would know how much makeup gain to add back in? Just am curious to see what some of the workarounds are to dealing with no metering in the compressors in PT. Thanks for the help, Brian -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: compressor question
Hi Brian, Your ears are your friend! Meters are guides not god's! Until the meters are fixed in upcoming pt releases just make it sit in the mix where it sounds good. You could run automation or use clip gain but the bottom line is how does it sound! :) Throw a waves l2 or l3 on the last insert of the master and as Slau would say! every things BOB ;) Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Aug 12, 2014, at 2:24 PM, Brian Howerton wrote: Chuck, Thanks for this. So what do you do if you know on a track you only want to give 3 DB's of compression, do you still use your track meters when the plugin is bypassed to see how much compression is occurring on the track? I definitely understand using your ears, but I just meant with that scenario, if you knew you wanted to only give a track 2-3 db's of compression, how would you handle that with no meter access? I guess with compression in pt, your track meters are your friend. Brian From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of CHUCK REICHEL Sent: Tuesday, August 12, 2014 1:12 PM To: ptaccess@googlegroups.com Subject: Re: compressor question Hi Brian, Heres one way to do it. step 1 Mark a hot spot on bypass in the plugin. step 2 mark a hotspot on makeup gain or where ever you want to push up the gain. Step 3 use your EARS and go back in forth from hotspot to hotspot, bypassing as you go until you reach the desired output level for your track. This is also a good way to see if your smashing it or not. HTH Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Aug 12, 2014, at 11:14 AM, Brian Howerton wrote: Hello all, Since we do not have access to metering in the compressors in PT, how are you all wrking around this as far as knowing how much gain reduction is occurring when you are compressing. Is the workaround to bypass the compressor, and then go look at the track meter to determine how much gain reduction is happening so you would know how much makeup gain to add back in? Just am curious to see what some of the workarounds are to dealing with no metering in the compressors in PT. Thanks for the help, Brian -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: compressor question
Hi Keith, Thats as old as the hills! LOL Definitely public domain! ;) Chuck On Aug 12, 2014, at 6:12 PM, Keith Reedy wrote: Chuck I like that, meters are guides not gods, consider that stolen. kr We print the Bible in Braille, http://biblesfortheblind.org Keith Reedy God gives His best to those who leave the choice with Him. J Hudson Taylor. On Aug 12, 2014, at 3:28 PM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi Brian, Your ears are your friend! Meters are guides not god's! Until the meters are fixed in upcoming pt releases just make it sit in the mix where it sounds good. You could run automation or use clip gain but the bottom line is how does it sound! :) Throw a waves l2 or l3 on the last insert of the master and as Slau would say! every things BOB ;) Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Aug 12, 2014, at 2:24 PM, Brian Howerton wrote: Chuck, Thanks for this. So what do you do if you know on a track you only want to give 3 DB's of compression, do you still use your track meters when the plugin is bypassed to see how much compression is occurring on the track? I definitely understand using your ears, but I just meant with that scenario, if you knew you wanted to only give a track 2-3 db's of compression, how would you handle that with no meter access? I guess with compression in pt, your track meters are your friend. Brian From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of CHUCK REICHEL Sent: Tuesday, August 12, 2014 1:12 PM To: ptaccess@googlegroups.com Subject: Re: compressor question Hi Brian, Heres one way to do it. step 1 Mark a hot spot on bypass in the plugin. step 2 mark a hotspot on makeup gain or where ever you want to push up the gain. Step 3 use your EARS and go back in forth from hotspot to hotspot, bypassing as you go until you reach the desired output level for your track. This is also a good way to see if your smashing it or not. HTH Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Aug 12, 2014, at 11:14 AM, Brian Howerton wrote: Hello all, Since we do not have access to metering in the compressors in PT, how are you all wrking around this as far as knowing how much gain reduction is occurring when you are compressing. Is the workaround to bypass the compressor, and then go look at the track meter to determine how much gain reduction is happening so you would know how much makeup gain to add back in? Just am curious to see what some of the workarounds are to dealing with no metering in the compressors in PT. Thanks for the help, Brian -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Plug-in parameters resetting
Hi chad, Only if you had automate Plug-in selected in the Automation window Command 4 and then wrote some automation on the plug. I keep that preference checked personally so I am always ready to record some plug-in automation. . :) What Matt said should work, in fact thats a fast way to get rid of unwanted automation on a plug just delete it and re instantiate it to start clean. BTW when your deleting it pt will ask you if you are sure? if theres auto on that plug. :) Chuck YMMV On Aug 11, 2014, at 1:29 PM, chad morrison wrote: That didn't work either. In my preferences I had plug-in automation set to turn on by default. Do you think that could've had something to do with it? From Chad's iPhone On Aug 10, 2014, at 7:55 AM, mcdiemert . mcdiem...@gmail.com wrote: I've no real reasoning behind why this is happening, but the short and simple fix is to remove the plugin from your insert by choosing no insert, and reinstantiating, this has always worked for me. HTH. Matt Diemert www.protoolswithspeech.com On 8/9/14, Gordon Kent dbmu...@cybernex.net wrote: Not really. If they are audio effects and not soft synths, I can't imagine what the problem is. GOrd -Original Message- From: chad morrison Sent: Saturday, August 9, 2014 10:21 PM To: ptaccess@googlegroups.com Subject: Re: Plug-in parameters resetting I have set the tracks automation two off. I have even turn the automation for plug-ins off in the automation window. I am still having the problem when the playback is restarted. Do you have anymore ideas? Thank you for your help so far. From Chad's iPhone On Aug 8, 2014, at 8:01 PM, Gordon Kent dbmu...@cybernex.net wrote: Do you have automation turned on for the track with the plugin inserted on it? Is the plugin an audio effect or a soft synth? If it is a synth, there may be a midi program change on the track that is resetting it. GOrd -Original Message- From: chad morrison Sent: Friday, August 8, 2014 11:59 AM To: Pt Access Subject: Plug-in parameters resetting I apologize in advance because I think this has been covered before on this list. However, when I press play wile in the plug-in window my parameters keep resetting themselves. Could someone please tell me how to fix this problem? I did not have this problem until now. I have been running ProTools 11 since February. Thank you in advance. From Chad's iPhone -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- Warm Regards: Matt Diemert 330-980-0046 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: OT: further findings about TwistedWave
I half to agree with slau! Why twist your Wave trying to remember what key strokes do what for different apps? Stay with the sledgehammer just hit a little less harder when needed! Besides that will improve your PT chops! BTW What is anut decting? ;) YMMV Chuck On Aug 6, 2014, at 11:00 AM, Monkey Pusher wrote: Well sometimes f for basic wave editing using Pro Tools is like using a sledge hammer to crack anut. Also for things like batch processing, decting and removing silence etc its a useful quick tool. The other reason i looked at it when i saw it on sale is i know plenty of people that just do podcast and stuff like that and just need a wave editor and not a multi tracker. It's nice to have that option to point them to now thats not Garage Band, which has it's perks, but editing can be a bit clunky at times. Just another tool in the tool box so to speak. On 8/6/14, Slau Halatyn slauhala...@gmail.com wrote: I'm just a little confused about something... Presumably, most of the people on the list own Pro Tools which is undoubtedly one of the most powerful audio editors around. Why the interest in this editor? I'm simply curious. Slau -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Why use tools like Twisted Wave?
Hi Kevin, Did you mean shuffle mode? Just curious? Chuck On Aug 6, 2014, at 2:36 PM, Kevin Reeves wrote: If you want to remove the mouth noises and have all the audio shift to the left, just hit f1 to put yourself in slip mode. I too use simple audio editors when just needing to edit a quick wave or mp3. I'm a huge fan of Amadeus pro, but I'll definitely check out Twisted wave. Kevin -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Touching Bases. pt 11? bugs?
Hey Joe! How goeth it out there? Did you get my voicemail? Are you using pt 11 now? If so send me your top 5 bugs i'll get them in the fix! Call when you get a chance. Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Recommend your favorite waves plugins.
Hi Dónal, No but I have and like :) the, waves Kramer Tape Ads a nice touch on Master! Kind a reminds me of my old ampex mm-1100 16 track 2inch tape machine :) Talk soon Chuck YMMV On Jun 30, 2014, at 1:08 PM, Dónal Fitzpatrick wrote: Hi all, Forgive a newbie question, but have any of you used the J37 tape plugin? It looks like something I'd be interested in. Cheers, Dónal On 30 Jun 2014, at 17:58, Poppa Bear heavens4r...@gmail.com wrote: Hello Chuck, I hear what you're saying, In my case, I was thinking about my primary go to plugs, but the linear stuff is a good staple to have in the arsenal as well. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of CHUCK REICHEL Sent: Sunday, June 29, 2014 5:53 PM To: ptaccess@googlegroups.com Subject: Re: Recommend your favorite waves plugins. Hi Poppa, Its a good tool to have in the chain along with waves Linear multi band compressor and waves linear phase eq along with several other plugs. :) Talk soon Chuck YMMV On Jun 29, 2014, at 9:11 PM, Poppa Bear wrote: I am glad that you get some use out of it Chuck. What do I do when I want to have the control that center can offer, I start copying tracks and doing some old school multi band comp/eq on tracks to drop/cut/boost frequencies and pan where needed, along with adding some reverb or delay to create a bigger more spacious sound, then blend them. As far as using for field recordings, I could see it being a good tool for saving time to clean up some stuff. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of CHUCK REICHEL Sent: Sunday, June 29, 2014 2:58 PM To: ptaccess@googlegroups.com Subject: Re: Recommend your favorite waves plugins. Hi, Waves Center is extremely cool! Its my go to for those mastering projects that have a less than stellar mix to work with! :) Its made several $s for me. Check out the preset more punch Highly recommended! YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jun 29, 2014, at 6:39 PM, TheOreoMonster wrote: Actually ws thinking of it for stuff other than mastering, more like tweaking stereo image and or getting bad stuff out of those hand held stereo recordings. What are some other go to tools you would recommend in place of waves center? Was really just considering it and its a tool i didn't have in my arsenal yet as opposed to yet another compressor or EQ. On Jun 29, 2014, at 5:43 PM, Poppa Bear heavens4r...@gmail.com wrote: I have it and yes it is accessible. I have used it half a dozen times over the last year, I have found that it is very easy to over use and I have other methods that get me similar results and give me more control. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of TheOreoMonster Sent: Sunday, June 29, 2014 8:49 AM To: ptaccess@googlegroups.com Subject: Re: Recommend your favorite waves plugins. anyone tried waves center? Know if its accessible? On Jun 26, 2014, at 6:49 PM, Poppa Bear heavens4r...@gmail.com wrote: I have been using waves for quite a few years now and after aqumulating dozens of them, I can give you a short list of the waves I would feel complete with anywhere. As for reasons, if you have a particular question I can give you my opinion or two. I use the API 2500 compressor on almost everything, in second place to that is the V-comp, it seems to have a little mojo of its own that seems to work more like a multi band comp/EQ, but for the most part, The 2500 is all I need. I use the API 550 B EQ to help cut some mud out of things here and there, and in second to that is the V-3 EQ. For delay I use the H delay, and occasionally the Super Tap, but mainly the H delay can be found on most of my projects. The last is the L2, it is kind of a standard bread and butter for my final mixes. I will sometimes use the SSL channel, or the Q 10 EQ, but the first ones I mentioned are kind of a must for me at this point. HTH -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Monkey Pusher Sent: Thursday, June 26, 2014 12:59 PM To: ptaccess@googlegroups.com Subject: Recommend your favorite waves plugins. So waves have dropped a coupon code on me, and they also appear to be having a pretty massive sale for the next day or so. So where should i spend my money? Any recommendations or favorites and why? Thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr
Re: Recommend your favorite waves plugins.
Hi, Waves Center is extremely cool! Its my go to for those mastering projects that have a less than stellar mix to work with! :) Its made several $s for me. Check out the preset more punch Highly recommended! YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jun 29, 2014, at 6:39 PM, TheOreoMonster wrote: Actually ws thinking of it for stuff other than mastering, more like tweaking stereo image and or getting bad stuff out of those hand held stereo recordings. What are some other go to tools you would recommend in place of waves center? Was really just considering it and its a tool i didn't have in my arsenal yet as opposed to yet another compressor or EQ. On Jun 29, 2014, at 5:43 PM, Poppa Bear heavens4r...@gmail.com wrote: I have it and yes it is accessible. I have used it half a dozen times over the last year, I have found that it is very easy to over use and I have other methods that get me similar results and give me more control. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of TheOreoMonster Sent: Sunday, June 29, 2014 8:49 AM To: ptaccess@googlegroups.com Subject: Re: Recommend your favorite waves plugins. anyone tried waves center? Know if its accessible? On Jun 26, 2014, at 6:49 PM, Poppa Bear heavens4r...@gmail.com wrote: I have been using waves for quite a few years now and after aqumulating dozens of them, I can give you a short list of the waves I would feel complete with anywhere. As for reasons, if you have a particular question I can give you my opinion or two. I use the API 2500 compressor on almost everything, in second place to that is the V-comp, it seems to have a little mojo of its own that seems to work more like a multi band comp/EQ, but for the most part, The 2500 is all I need. I use the API 550 B EQ to help cut some mud out of things here and there, and in second to that is the V-3 EQ. For delay I use the H delay, and occasionally the Super Tap, but mainly the H delay can be found on most of my projects. The last is the L2, it is kind of a standard bread and butter for my final mixes. I will sometimes use the SSL channel, or the Q 10 EQ, but the first ones I mentioned are kind of a must for me at this point. HTH -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Monkey Pusher Sent: Thursday, June 26, 2014 12:59 PM To: ptaccess@googlegroups.com Subject: Recommend your favorite waves plugins. So waves have dropped a coupon code on me, and they also appear to be having a pretty massive sale for the next day or so. So where should i spend my money? Any recommendations or favorites and why? Thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Recommend your favorite waves plugins.
Hi Poppa, Its a good tool to have in the chain along with waves Linear multi band compressor and waves linear phase eq along with several other plugs. :) Talk soon Chuck YMMV On Jun 29, 2014, at 9:11 PM, Poppa Bear wrote: I am glad that you get some use out of it Chuck. What do I do when I want to have the control that center can offer, I start copying tracks and doing some old school multi band comp/eq on tracks to drop/cut/boost frequencies and pan where needed, along with adding some reverb or delay to create a bigger more spacious sound, then blend them. As far as using for field recordings, I could see it being a good tool for saving time to clean up some stuff. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of CHUCK REICHEL Sent: Sunday, June 29, 2014 2:58 PM To: ptaccess@googlegroups.com Subject: Re: Recommend your favorite waves plugins. Hi, Waves Center is extremely cool! Its my go to for those mastering projects that have a less than stellar mix to work with! :) Its made several $s for me. Check out the preset more punch Highly recommended! YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jun 29, 2014, at 6:39 PM, TheOreoMonster wrote: Actually ws thinking of it for stuff other than mastering, more like tweaking stereo image and or getting bad stuff out of those hand held stereo recordings. What are some other go to tools you would recommend in place of waves center? Was really just considering it and its a tool i didn't have in my arsenal yet as opposed to yet another compressor or EQ. On Jun 29, 2014, at 5:43 PM, Poppa Bear heavens4r...@gmail.com wrote: I have it and yes it is accessible. I have used it half a dozen times over the last year, I have found that it is very easy to over use and I have other methods that get me similar results and give me more control. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of TheOreoMonster Sent: Sunday, June 29, 2014 8:49 AM To: ptaccess@googlegroups.com Subject: Re: Recommend your favorite waves plugins. anyone tried waves center? Know if its accessible? On Jun 26, 2014, at 6:49 PM, Poppa Bear heavens4r...@gmail.com wrote: I have been using waves for quite a few years now and after aqumulating dozens of them, I can give you a short list of the waves I would feel complete with anywhere. As for reasons, if you have a particular question I can give you my opinion or two. I use the API 2500 compressor on almost everything, in second place to that is the V-comp, it seems to have a little mojo of its own that seems to work more like a multi band comp/EQ, but for the most part, The 2500 is all I need. I use the API 550 B EQ to help cut some mud out of things here and there, and in second to that is the V-3 EQ. For delay I use the H delay, and occasionally the Super Tap, but mainly the H delay can be found on most of my projects. The last is the L2, it is kind of a standard bread and butter for my final mixes. I will sometimes use the SSL channel, or the Q 10 EQ, but the first ones I mentioned are kind of a must for me at this point. HTH -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Monkey Pusher Sent: Thursday, June 26, 2014 12:59 PM To: ptaccess@googlegroups.com Subject: Recommend your favorite waves plugins. So waves have dropped a coupon code on me, and they also appear to be having a pretty massive sale for the next day or so. So where should i spend my money? Any recommendations or favorites and why? Thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess
Re: pureMix eNews June
Hi Chris, May be I'm missing something here? :) Is this some new Key commands? ;) Just a bunch of spamm O... hieroglyphics here? Chuck On Jun 26, 2014, at 11:26 AM, Chris Smart wrote: DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed; d=hpjcc.com; s=default; t=1403795192; bh=fvl2dklejTWK3aiW78dIKR6HV2W8Ayo3MabpPR/K3Mg=; h=From:Reply-To:To:Subject:List-Unsubscribe:Date; b=dsh30frKgToNyqvBfz6mgHZc0TRRZKtJPI/5nsj2ne16Ihs1CpkiQPZ1pMFuB8tkp EA+kH5xEX3hb34IdWLESdYAmC00nfhby0B63fO6w/s2WSn3D2NNL7w96LLytkzptkX lqFQEGpTtZzOgFdFXKtRc/p5JGH2AqJyEA1Y8T1A= Date: Thu, 26 Jun 2014 11:06:32 -0400 (EDT) From: pureMix nore...@puremix.net Subject: pureMix eNews June Sender: noreply=puremix@hpjcc.com To: csma...@cogeco.ca Reply-to: pureMix nore...@puremix.net X-Mailer: HPJ Communication Center X-IronPort-Anti-Spam-Filtered: true X-IronPort-Anti-Spam-Result: AhkDAMg4rFPP/fCNnGdsb2JhbABXA4JGWz6DSKshjF2BVQGDZoMGgWAWDwEBAQEBCAsJCRQohA0gChMBAQQIAioGBwMXAxUICwEGAwICGxYVHwsVBAEDBIghBQikQXeBTIM2AQWBd5ZhBgSBPoEehmqCFAGCPxEBYQeCJQ8yEoE6kHkah1GBeYFGhWGQJiEvgQQHFw X-IronPort-AV: E=Sophos;i=5.01,553,140004; d=scan'208,217;a=670287521 X-SBRS: 5.6 X-Message-ID: b7ae1f6311fbcd266e203e1ce6880268.n7jpa10u415ejeyhklrhcrbf.xlsojadbv226nfxjbhxn8...@hpjcc.com X-Report-Abuse: Signaler les abus de cette campagne ici : http://s1.hpjcc.com/fr/campaign/reportspam/n/n7jPa10u415ejeYhKlRHcrbF/c/xlsOjaDbv226NfxJBHxn84Jh List-Unsubscribe: mailto:unsubscr...@hpjcc.com?subject=List-Unsubscribe:b7ae1f6311fbcd266e203e1ce6880268.n7jpa10u415ejeyhklrhcrbf.xlsojadbv226nfxjbhxn8...@hpjcc.com, http://s1.hpjcc.com/fr/campaign/unsubscribe/ct/xlsOjaDbv226NfxJBHxn84Jh/n/n7jPa10u415ejeYhKlRHcrbF Original-recipient: rfc822;csma...@cogeco.ca Summer Sales on pureMix Subscriptions. New Pro Tools 11 Mixing Videos http://s1.hpjcc.com/static/n/n7jPa10u415ejeYhKlRHcrbFWeb version | http://s1.hpjcc.com/en/contact/profile/n/n7jPa10u415ejeYhKlRHcrbF/c/xlsOjaDbv226NfxJBHxn84JhEdit your email preferences http://s1.hpjcc.com/stats/tracker/t/t3l8cVcw30L5BdfWsyyQE0Mu/c/xlsOjaDbv226NfxJBHxn84Jh pureMix Logo For uninterrupted pureMix news, please add nore...@puremix.net to your whitelist. pureMix eNews June 2014 Good morning children, [] The time is upon us. Again. Summer is here. You have two choices: Option A: You can go to the beach and join the hordes of bikini clad and speedo wearing non-musicians and non-engineers. Option B: Or you can stay inside, by yourself without interruption, with proper air conditioning and work on that mix some more. Congratulations on your tremendous option B choice. Please find below appropriate prizes to reward your excellent discernment. You super-indoors-ey pureMix.net team. pureMix Subscriptions Summer Sales http://s1.hpjcc.com/stats/tracker/t/tmGkwICOS1On4DY4UHJTk1b/c/xlsOjaDbv226NfxJBHxn84Jh puremix subscriptions sales up to 40% off We told you you'd better stay inside, where life is cool and speedo free, otherwise you may have missed this fantastic pureMix.net summer subscription sale. Get your subscription up to 40% off! Until July 5th only! http://s1.hpjcc.com/stats/tracker/t/tmGkwICOS1On4DY4UHJTk1b/c/xlsOjaDbv226NfxJBHxn84JhClick Here New Mixing Video http://s1.hpjcc.com/stats/tracker/t/t81cgcyp5wArElwlpkMxtt3e/c/xlsOjaDbv226NfxJBHxn84Jh Mixing Howlin in Pro Tools 11 http://s1.hpjcc.com/stats/tracker/t/t81cgcyp5wArElwlpkMxtt3e/c/xlsOjaDbv226NfxJBHxn84JhMixing Howlin in Pro Tools 11 In this one hour and forty five minute video Ben Lindell mixes Amber Skye's 'Howlin', in the box using Avid Pro Tools 11. Using his unique approach to routing and a hybrid workflow he demonstrates and discusses the importance of working on both the details and the big picture of a mix simultaneously.Ben primarily uses plugins by Universal Audio, Sonnox, Softube, Flux and Soundtoys, showing every move and explaining every decision as he builds the mix around Amber's vocal. Using some of the new features in Pro Tools 11 along with Ben's favorite digital and analog mix-bus processing chain, the song quickly blossoms from a great rough to a final mix before your eyes. New FREE Pro Tools Video http://s1.hpjcc.com/stats/tracker/t/tvAXgUq2DRCjpbRgspJIFLaW/c/xlsOjaDbv226NfxJBHxn84Jh How to use Elastic Audio in Pro Tools http://s1.hpjcc.com/stats/tracker/t/tvAXgUq2DRCjpbRgspJIFLaW/c/xlsOjaDbv226NfxJBHxn84JhHow to use Elastic Audio In this video Ben Lindell takes a concise look at Elastic Audio in Pro Tools. It is very useful to master these techniques to allow for adjusting tempo of files or even full songs or even adjust the timing of players.  Ben shows the process thoroughly  including warp markers tips and tricks you probably did not know about. Useful. And free too. You're welcome. New Feature: Mix Analysis Most of the game in music production and mixing is to know a lot of music
Re: Eventide Audio channel plugin
Hi John, Parameters are accessible but the presets aren't. :( It does sound great and reminds me of my h3000 still in use in my rack! :) I'm already getting ready to email the appropriate people about the presets stuff! ps you don't need the ilok just a ilok account for everybody who wants it. YMMV Chuck On Jun 22, 2014, at 11:46 PM, John Gunn wrote: Hello All, For those of you who remember the Eventide Harmonizer hardware from the late 70s-80s here is the plugin which is free until midnight July 28 014. One downside is you need the Pace iLok. When you get the email and click on the link and interacting on HTML you'll hear empty content. Just do option-command-l which will bring you to downloads. I will paste in the web address and access code. Just put in the code, iLok user name, first and last names, check the I agree then you'll be emailed the download link. http://eventideplugins.elasticbeanstalk.com/ultrachannel.jsp 0F736710 I don't know how accessible it is with VoiceOver but according to the web site, the retail price is $249.00 Take care and good luck, John That's July 8. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Meladyne?
Hi Poppa, waves tune is not accessible yet. If everybody keeps emailing waves may be we can get that last button that needs to bee seen! I have it from the waves teem Higher ups, Can't name names here... that waves CEO Gilad Keren reads the email from comme...@waves.com So start emailing please. :) Its a shame I've heard the waves do the same section of a vocal then AT and its night day in quality! As for Melodyne I've been back and forth with them for several years and just gave up on them! YMMV Chuck On Jun 17, 2014, at 11:20 AM, Poppa Bear wrote: I think that many use either waves tune, or Auto Tune. Some of my clients are becoming more familiar with Melodyne so that is why I asked about that particular one. -Original Message- From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Chris Smart Sent: Tuesday, June 17, 2014 6:07 AM To: ptaccess@googlegroups.com Subject: RE: Meladyne? Just curious - what are folks using in PT for pitch correction? Believe me, I'd prefer to never use the stuff, but sometimes I just have to... especially with the public expecting it and being more pitch conscious because of it. Anyway, on the Windows side, Autotune is still our one accessible option. At 02:30 AM 6/17/2014, you wrote: Sorry about the miss spell, thanks for the quick answer. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of Stefan Albertshauser Sent: Monday, June 16, 2014 9:55 PM To: ptaccess@googlegroups.com Subject: Re: Meladyne? Hi, First of all, itâ EURO (tm)s called â EURO oemelodyneâ EURO and secondly, It isnâ EURO (tm)t accessible. Best Stefan From: mailto:heavens4r...@gmail.comPoppa Bear Sent: Tuesday, June 17, 2014 7:32 AM To: mailto:ptaccess@googlegroups.comptaccess@googlegroups.com Subject: Meladyne? Hey gang, is meladyne accessible back in PT 8? Thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to mailto:ptaccess+unsubscr...@googlegroups.comptaccess+unsubscribe@googlegr oups.com. For more options, visit https://groups.google.com/d/optouthttps://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to mailto:ptaccess+unsubscr...@googlegroups.comptaccess+unsubscribe@googlegr oups.com. For more options, visit https://groups.google.com/d/optouthttps://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to mailto:ptaccess+unsubscr...@googlegroups.comptaccess+unsubscribe@googlegr oups.com. For more options, visit https://groups.google.com/d/optouthttps://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Guitar amp Modellers
Hi André, I'm using the Waves GTR Amp, The rub is you need a controller to access the parameters. Its the best I've heard so far though! :) YMMV Chuck On Jun 17, 2014, at 1:16 PM, John André Lium-Netland wrote: Hi, I have played with ReCabinet and Guitar Rig Pro in PT11. They are not very accessible, but both are possible to use by doing some Mouse Keys navigation and get access to the preset settings. but that's pretty much all you can do. If someone is interested, I can post the details. Best, John André On 17 Jun 2014, at 18:54, Chris Smart csma...@cogeco.ca wrote: I'm a fan of Studio Devil's products. What are other people using for guitar amp modelling plug-ins? I still prefer hardware, i.e. an actual amp with a mic in front of it, but that isn't always practical or possible. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: what is the difference between the ilok 1 and 2?
Hi trevor, ilok 2 is much smaller then the ilok 1. I have both of them. ilok # 2 only works with the newer pt. HTH YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On May 28, 2014, at 5:29 AM, trevor wrote: Thanks Scott, I've got it working now Trevor -Original Message- From: Scott Chesworth Sent: Wednesday, May 28, 2014 9:30 AM To: ptaccess@googlegroups.com Subject: Re: what is the difference between the ilok 1 and 2? So far as I know, PT 11 requires an iLok 2. If it's working, that's probably what you've got. Scott On 5/28/14, trevor trevor.sco...@btopenworld.com wrote: When I asked Avid they said the colour was different but since I can't see then I'm still none the wiser. I believe I have got the ilok 2 key but I would just like to check. Cheers, Trevor -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: A thanks to Slau and others; Pro tools Levels.
Hi Poppa, What you noticed from that vocal session is where I basically keep my levels, for the last 13 years using PT. I've gotten very good results keeping it up there. I will admit you half to be very diligent while running levels up there! Heres some further clarification of the level discussion from my design Engineer friend. From tom Graefe My ANALOG console has a dynamic range greater than any Protools system. The -20 dB standard by Sony I set for the SDDS system I designed. The -20 dB is a reference for a nominal sound pressure level when mixing motion pictures. It allows 20 dB of headroom for the loud passages and a nominal sound pressure level to be the same in all Theaters. If you gave this guy some real test equipment and show him how to run it he would be surprised how foolish he really is. I have a $20,000.00 Audio Precision test set. If you run an IMD (intermodulation Distortion, a 4 to one mix of 60Hz and 7KHz) at -1dBFS and then do the same at -18 dBFS the IMD can be up to an order of magnitude higher. Your Buddy has no idea about how Digital audio or A/D converters work. Later Tom http://GraefeDesigns.com/ End of reply; So in conclusion! You can record at any level you want, that will determine the LEVEL of quality you get! I always refer back to the Creator for the real story! Your Signal to noise ratio mileage will definitely vary! :) Chuck On May 9, 2014, at 2:34 PM, Poppa Bear wrote: Thanks for sharing this Chuck, I am a bit on the fence about this still. I do understand that many plugs such as the waves are calibrated for about minus 18 DB or so, but at the same time there are controls to adjust many aspects of levels as well as the way plugs respond to signals and such. I had a friend who recorded a session in my studio yesterday with a client and when I checked his session after they left the vocals were sitting at only minus 4DB on the track and minus 10DB on the vocal bus and it sounded really good. Given he doesn't use many plugs and he recorded with compression from a Universal audio peace and as I said, it sounded pretty good with only a touch of reverb. I also notice that I have some clients who are so dynamic that I need to go even lower and some who really know how to project their selves in a consistent way into the mic and I can be less conservative on signal levels. From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of CHUCK REICHEL Sent: Thursday, May 08, 2014 11:57 AM To: ptaccess@googlegroups.com Subject: Re: A thanks to Slau and others Hi Poppa, Just a couple of clarifications for you from my life time Friend tom Graefe who was on the Sony Oxford console design teem. :) Heres a couple of quick pointers to remember when tracking. First 24 bit is the resolution of the A/D converter. Yes theoretically the Dynamic range of 24 bits is 144 dB. The reality of usable range is substantially less. That 140+dB has nothing to do with volume or sound pressure level. You should always record to maximum level before clipping to get the maximum signal to noise ratio when recording individual tracks. As you get further away from 0dBFS you start showing up more of the non linearities of the A/D process. This is especially noticeable at very low levels. There is no need for headroom when recording Digital. This is not tape. The A/D is most linear and least artifacts just before 0 dBFS. When designing a system you measure the IMD, Signal to Noise etc. of an A/D at -1 dBFS. Sometimes at -0.5 dBFS. Check out Tom's latest designs here; http://GraefeDesigns.com/ HTH Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On May 8, 2014, at 11:11 AM, Poppa Bear wrote: I missed the talk, but in general I record vocals and instruments at about minus 9 to minus 12DB. I do still get projects to mix from clients where vocals are pushed to 0DB and the instrument track is often clipping so your not alone in your experience. - Original Message - From: Slau Halatyn To: ptaccess@googlegroups.com Sent: Thursday, May 08, 2014 4:33 AM Subject: Re: A thanks to Slau and others Common mistake. People think they need to record as hot as possible and that's not the case. Back when DAWs recorded in 16 bits, it was common practice but with 24 bits, it's absolutely unnecessary. Glad it helped. Slau On May 8, 2014, at 7:05 AM, Christopher-Mark Gilland clgillan...@gmail.com wrote: Just wanted to thank everyone for their help yesterday with my issue regarding clipping and how to better set levels. Slau, I used the techniques that you outlined. I'll admit, it's a bit out of my comfort zone. I'm not use to recording initially at such a low impedance, but man! I did a track that way, then I raised the volume through
Making DAW Software Accessible for Blind Audio Engineers and Musicians
Good job Slau. This article will go a long way towards putting a face on the accessibility issue with Pro Tools and VoiceOver. :) Talk soon Chuck http://www.avidblogs.com/music-daw-software-for-blind-and-visually-impaired-audio-professionals/ CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Apogee Big Ben Master digital clock for sale!
Ahoy List! I thought I'd put this up on the list before I drop it on ebay! I got the Apogee Big Ben Master digital clock with my PT HD 3 rig but literally never used it because my lynx was sufficient enough. Contact me off list if your interested? Below is a link for more info and some more stuff on it. http://www.sweetwater.com/store/detail/BigBen/?utm_source=MSNutm_medium=PPCutm_campaign=recordingutm_term=apogee_big_ben Apogee Big Ben Master digital clock Turn Your Clock Over to Big Ben! Big Ben sets a new standard for clocking! For years audio professionals have been asking when Apogee was going to make their legendary clocking technology available as a standalone master clock. Introducing Big Ben by Apogee, a radical new studio timepiece that will set the pace for master clocks for a long time! For nearly 150 years a tower named Big Ben has accurately kept time in London - now you can have that kind of accuracy in your studio with Apogee's Big Ben! Accurate, jitter-free clock with digital phase lock loop Added flexibility with format conversion capability Automatic termination sensing for complex audio chains A Cure for the Jitters - Apogee's new C777 Clock At the heart of any word clock regeneration is a phase lock loop (PLL). Most common applications use a combination of analog and digital elements without the ability to dynamically adapt to the nature of external clocks. That's where Big Ben's new C777 clock comes in. Big Ben utilizes an entirely digital process that Apogee has developed, using the most advanced Direct Digital Synthesis (DDS) technology available along with DSP based digital filtering. The result? Big Ben has the most aggressive jitter reduction ever. With a stable, crystal based digital PLL ticking away as its heart, Big Ben is able to intelligently manipulate incoming signals and adapt to them accordingly. Added Flexibility with Format Conversion Big Ben also does something that you wouldn't expect a master clock. Big Ben gives you the option of real-time format conversion. Use Big Ben's intuitive digital display to go from S/PDIF to AES, AES to ADAT, ADAT to S/PDIF and more. Termination Issues... A Thing of the Past Got a complex multi-unit digital audio chain? Apogee helps you stop watching the clock with Big Ben's termination sensing ability. Very often in an elaborate audio chain word clock signals are improperly terminated. Big Ben will chime in with a visual indication of over or under termination on its digital display for each word clock output, allowing you to troubleshoot more quickly and get back to business. Call if you want I'am on the east coast of thee USA CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: A thanks to Slau and others
Hi Poppa, Just a couple of clarifications for you from my life time Friend tom Graefe who was on the Sony Oxford console design teem. :) Heres a couple of quick pointers to remember when tracking. First 24 bit is the resolution of the A/D converter. Yes theoretically the Dynamic range of 24 bits is 144 dB. The reality of usable range is substantially less. That 140+dB has nothing to do with volume or sound pressure level. You should always record to maximum level before clipping to get the maximum signal to noise ratio when recording individual tracks. As you get further away from 0dBFS you start showing up more of the non linearities of the A/D process. This is especially noticeable at very low levels. There is no need for headroom when recording Digital. This is not tape. The A/D is most linear and least artifacts just before 0 dBFS. When designing a system you measure the IMD, Signal to Noise etc. of an A/D at -1 dBFS. Sometimes at -0.5 dBFS. Check out Tom's latest designs here; http://GraefeDesigns.com/ HTH Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On May 8, 2014, at 11:11 AM, Poppa Bear wrote: I missed the talk, but in general I record vocals and instruments at about minus 9 to minus 12DB. I do still get projects to mix from clients where vocals are pushed to 0DB and the instrument track is often clipping so your not alone in your experience. - Original Message - From: Slau Halatyn To: ptaccess@googlegroups.com Sent: Thursday, May 08, 2014 4:33 AM Subject: Re: A thanks to Slau and others Common mistake. People think they need to record as hot as possible and that's not the case. Back when DAWs recorded in 16 bits, it was common practice but with 24 bits, it's absolutely unnecessary. Glad it helped. Slau On May 8, 2014, at 7:05 AM, Christopher-Mark Gilland clgillan...@gmail.com wrote: Just wanted to thank everyone for their help yesterday with my issue regarding clipping and how to better set levels. Slau, I used the techniques that you outlined. I'll admit, it's a bit out of my comfort zone. I'm not use to recording initially at such a low impedance, but man! I did a track that way, then I raised the volume through a master fader, plus a very very slight bit of compression, and man! god almighty! what! a difference! I mean literally! Night! and day! I've never! heard myself sound so clean! and so crisp! I think guys that was a huge bit where I wasn't getting that crispness I've been looking for all these years when I kept saying even dating back to midi mag, about how it was just real muddy. Well, yeah, duh! Of corse it's gonna be! I mean, when you set yourself up to master and mix at the same time? Judice! Priest! No frickin wonder! I sounded all muddy! I mean, I think I was starting my levels on the input gain right at! 0DB. So yeah... W'w'w'w'w'w'w'wayyy! too hot! Man, I cranked that thing back, and boy! did that smoothen things out! I don't know why! I thought it was so necessary to run things so hot! How could I a been so stupid! It's a wonder! I didn't fry my equipment putting so much juice through it! Is it normal, guys? that most people make this mistake when they first get started? I hope I'm not alone, otherwise, I'm gonna be pretty imbarrassed. LOL! Chris. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: A few more advanced ProTools Questions
Ahoy There! :) This is not advanced ProTools Questions this is basic PT questions just to clarify the Traffic about this! I'm holding a seminar soon about setting pre roll and post roll in PT, if any body wants to join me contact me off list!? ;) YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On May 2, 2014, at 11:07 AM, Chris Smart wrote: Yeah, I'm not sure where the confusion is coming from. Five seconds is five seconds of time! At 07:43 AM 5/2/2014, you wrote: Chris, As you said, in bars and beats, it represents bars and beats so, following that logic, in minutes and seconds, it represents minutes and seconds. Figure out how much time you need in whichever format your session is in and go for it. Slau On May 2, 2014, at 1:29 AM, Christopher-Mark Gilland clgillan...@gmail.com wrote: Shruggs, That's not what I meant. I meant what does the numerical values represent? In beats/bars it obviously represents bars. In hour minute seconds, what is it representing?... Seconds? Minutes? or what? Chris. - Original Message - From: Chris Smart csma...@cogeco.ca To: ptaccess@googlegroups.com Sent: Friday, May 02, 2014 12:46 AM Subject: Re: A few more advanced ProTools Questions well, how long do you need to get ready to play? If you want to convert between bars/beats and minutes/seconds, that obviously depends on the tempo of your tune. At 12:43 AM 5/2/2014, you wrote: Slau, So, you said with the pre-roll how many bars? How do I calculate if I'm doing hours minutes seconds frames, instead of bars, beats, ticks? Chris. - Original Message - From: mailto:slauhala...@gmail.comSlau Halatyn To: mailto:ptaccess@googlegroups.comptaccess@googlegroups.com Sent: Friday, May 02, 2014 12:06 AM Subject: Re: A few more advanced ProTools Questions OK, since your keyboard is across the room, you're going to need enough pre roll to be able to press record, walk over to your mic, put on headphones and get ready to sing. How many bars do you think that'll be? 8? 10? Whatever you think it should be, type that number into the Pre roll field. The Post roll value doesn't matter as much because who cares how long the song continues playing after you've finished the record pass. If the pre roll value is 0, you'll have no pre roll and you'll be recording as soon as you press Command-space bar. The purpose of the pre roll is to get a running start, figuratively and, in your case, literally. On May 1, 2014, at 11:49 PM, Christopher-Mark Gilland mailto:clgillan...@gmail.comclgillan...@gmail.com wrote: So, I'm confused. What do the pre and post roll values do/indicate, if not 0, how do I determine what they should be set to, or does it really not honest matter. Just pick a random number so's long as it isn't 0. Chris. - Original Message - From: mailto:slauhala...@gmail.comSlau Halatyn To: mailto:ptaccess@googlegroups.comptaccess@googlegroups.com Sent: Thursday, May 01, 2014 11:42 PM Subject: Re: A few more advanced ProTools Questions Chris, You specifically asked for step-by-step instructions and, when you request something like that, it's going to sound complicated. It's not. 1. Select a range within which you wish to record. 2.Enable Pre/Post roll with Command-k and make sure that the pre and post roll values in the Transport window are set to something other than zero. 3. Record. It's rather simple. Another alternative is to buy a USB extension cable and keep your keyboard close. Punch in by simply pressing Command-Space bar where you wish to record. Hit space bar to stop. You don't even have to be in Pre/Post roll to do that. Slau On May 1, 2014, at 9:48 PM, Christopher-Mark Gilland mailto:clgillan...@gmail.comclgillan...@gmail.com wrote: Slau, This isn't you at all, you did an excellent job explaining, but I must admit, you went way over my head! I know you do audio stuff for a living, so it's not gonna be quick, but I'm in no hurry. Would you be willing to make me an audio demonstration of how this works? I'm sorry, but via text, this just isn't making sense at all. It's not your falt, It's just that it seems this is a very hard concept to grasp via text. I thought it would be more easy than this, like select the portion of audio you want to record, then toggle on punch in, arm the track, hit record, and you're done. It seem like there is way more to it than that though. Wasn't there something like, num pad 4, or was it 6 to turn on punch in, or is this about the easiest way to do it. Chris. - Original Message - From: mailto:slauhala...@gmail.comSlau Halatyn To: mailto:ptaccess@googlegroups.comptaccess@googlegroups.com Sent: Thursday, May 01, 2014 8:36 PM
Re: Taming VoiceOver's dodgy mouse tracking and changing playlists on multiple tracks
Hi Scott, What mac OS? If your talking about the tracks table make sure to resize it 30% to the right in the mix window if your working in there. You need sighted assistance to do this at least in my snow leopard with pt 9.03. Also hitting page up occasionally clears things up, along with closing the window and reopening it. As for the applying things to multiple tracks just make an edit / mix group and make sure the group is selected and go for it.:) While in the groups dialogue czech out all the options that attributes has to offer. especially the insert controls. Just make an item chooser list and go shopping! :) Talk soon YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Apr 18, 2014, at 9:19 AM, Scott Chesworth wrote: Hi all, Working in PT 10 on a different Mac today, and I've come up against something strange. VO+CMD+F5 which usually does a fairly consistent job of moving the mouse pointer onto things appears to be playing all sorts of silly buggers, so a lot of my usual workflows involving clicking with modifiers aren't working. Does anybody have tips on things I should try to get more consistent mouse placement? Also, any tips on applying things to multiple tracks, in particular changing playlists? Thanks in advance for any help.Scott -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Where am i?
Hi Matt, I agree. Thats one of the first things I do depending on the session. Hit command 1 on the num pad to get to transport. YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Apr 16, 2014, at 10:01 PM, Matt Diemert wrote: Hello, the best way to do this, is to use voiceovers hotspot features. I would put a hot spot at start, end, and length Sent from my iPhone On Apr 16, 2014, at 9:34 PM, Poppa Bear heavens4r...@gmail.com wrote: I am not in front of my mac right now, but it is in the edit screen under one of your clusters, I just can't remember the name. If I turn PT on here soon I will let you know the name of the cluster that you need to interact with, it is related to the currser. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Selecting to end of song for editing
HI Poppa, Use shuffle mode for the cut delete not slip. :) YMMV Chuck On Apr 11, 2014, at 12:49 PM, Poppa Bear wrote: I got you Chuck. One other after thought, on bounce down all of that cut material will not leava blank space I assume. I have had that happen once or twice, but I think it was because I left just a hair of audio at the end of a large bar count. - Original Message - From: CHUCK REICHEL To: ptaccess@googlegroups.com Sent: Friday, April 11, 2014 8:36 AM Subject: Re: Selecting to end of song for editing Hi mcdiemert, Shift option return only selects the section. You half to cut copy or paste after that key command, just to clarify. Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Apr 11, 2014, at 12:19 PM, mcdiemert . wrote: shift option return will delete to end of session. On 4/11/14, Poppa Bear heavens4r...@gmail.com wrote: Ok, if shift and return selects from the incertian point to the beginning of the song, what command will select from the incercian point to the end of the song? I have clients who bring in instrumentals that are maybe 70 bars long, but they only lay down material for half of that sometimes and I need to select and delete the unused audio. Thanks for any tips -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- Warm Regards: Matt Diemert 330-980-0046 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Selecting to end of song for editing
Hi mcdiemert, Shift option return only selects the section. You half to cut copy or paste after that key command, just to clarify. Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Apr 11, 2014, at 12:19 PM, mcdiemert . wrote: shift option return will delete to end of session. On 4/11/14, Poppa Bear heavens4r...@gmail.com wrote: Ok, if shift and return selects from the incertian point to the beginning of the song, what command will select from the incercian point to the end of the song? I have clients who bring in instrumentals that are maybe 70 bars long, but they only lay down material for half of that sometimes and I need to select and delete the unused audio. Thanks for any tips -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- Warm Regards: Matt Diemert 330-980-0046 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Universal Audio Apollo Twin SOLO
Hi Gord, Have you used it with a Mac? I'm looking to capture some live stuff with my mac mini need some good quality with portability. :) TIA Chuck On Apr 4, 2014, at 3:05 AM, Gordon Kent wrote: Oh yeah, at least a duo, if not a quad. I have one of each in my windows machine and that is sweet. they even make an 8 core one now. Some of the plugs, like the analog tape simulators, eat up a lot of processing if you put a bunch of instances into a project. But I got by fine with the duo and really only hit the wall a few times. Gord On Apr 3, 2014, at 5:42 PM, mcdiemert . mcdiem...@gmail.com wrote: I have used the solo, and like it! My only recommendation is consider the duo. When using the UAD plugs the solo ran out very quickly! I plan on buying one of these very soon probably on the zzounds flex pay, but I'll deffinitly grabb the duo. On 4/3/14, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Ahoy List! Is anybody using the Universal Audio Apollo Twin SOLO? If so Hows the VoiceOver Accessibility? I'm looking at this for a portable recording solution. What about this option on the unit? Optical input lets you add up to eight more inputs via ADAT. Who has the most cost effective price on it?, I saw $699.00 so far! TIA Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- Warm Regards: Matt Diemert 330-980-0046 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Universal Audio Apollo Twin SOLO
Ahoy List! Is anybody using the Universal Audio Apollo Twin SOLO? If so Hows the VoiceOver Accessibility? I'm looking at this for a portable recording solution. What about this option on the unit? Optical input lets you add up to eight more inputs via ADAT. Who has the most cost effective price on it?, I saw $699.00 so far! TIA Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Universal Audio Apollo Twin SOLO
Hi mcdiemert, Thanks for the response. :) Were the aax presets and parameters for the Universal Audio Apollo Twin SOLO, usable with VoiceOver? Also was your experience based on PT 11.1? Did the unit have the Optical inputs in use. How was it to set up in Pt? TIA Chuck On Apr 3, 2014, at 5:42 PM, mcdiemert . wrote: I have used the solo, and like it! My only recommendation is consider the duo. When using the UAD plugs the solo ran out very quickly! I plan on buying one of these very soon probably on the zzounds flex pay, but I'll deffinitly grabb the duo. On 4/3/14, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Ahoy List! Is anybody using the Universal Audio Apollo Twin SOLO? If so Hows the VoiceOver Accessibility? I'm looking at this for a portable recording solution. What about this option on the unit? Optical input lets you add up to eight more inputs via ADAT. Who has the most cost effective price on it?, I saw $699.00 so far! TIA Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- Warm Regards: Matt Diemert 330-980-0046 -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Help! What are these error messages i see in session note dialog?
Agreed Slau, I use that session notes text doc all the time when I bring in a session that has a Billion plugs in it that have been made inactive. Then I can go to the tracks in question and remedy the inactive plug thing. :) Talk soon Chuck YMMV On Mar 22, 2014, at 3:30 PM, Slau Halatyn wrote: That's actually a good idea which I neglected to point out. Looking at the session notes report to determine specifically what the problem is (like unavailable outputs or busses, etc.) helps in planning a course of action in the I/O Setup dialog. Cool, Slau On Mar 22, 2014, at 12:54 PM, Krister Ekstrom kris...@kristersplace.com wrote: Ok, thanks so much. I think i actually managed to get rid of at least some messages by deleting some bus paths and then clicked default, maybe i shouldn't have done that, but i don't see the bus paths that annoyed the program. BTW i went to my session notes text file and read the report there and then tried to act according to what the report suggested. Thanks a lot. /Krister 22 mar 2014 kl. 17:47 skrev Slau Halatyn slauhala...@gmail.com: Hi Krister, By what you're describing, it sounds to me like you're opening a session that was previously (at some point) either created or modified on a Pro Tools system with a different I/O setup. Thus, the input and output paths were different. One way to fix the problem would be to go to the I/O setup dialog and perform the following actions for both the input and output tabs. Command-1 on the numbers row for input, Command-2 for output, etc. You might want to do the same for busses unless there's complex routing that you don't wish to have to recreate. Also, if there's automation, you'll lose it by performing these actions. With one of the tabs selected, press Command-a to select all of the paths. Find the Delete Path button and press it. Confirm the delete. Find the Default button and press it. Again, repeat the above steps for relevant tabs in the dialog and press OK. This should eliminate the session notes coming up unless it has to do with unavailable plug-ins, in which case, you either live with it if you don't wish to eliminate the plug-ins from the session or just remove the plug-ins from the tracks where the plug-ins are unavailable. Hope that makes sense. Slau On Mar 21, 2014, at 8:08 AM, Krister Ekstrom kris...@kristersplace.com wrote: Hi, Here comes a couple of stupid newbie questions to brighten up your friday: So, i'm in this session notes dialog that pops up everytime i open Pro tools 11. There's a text grid view list that says something to the effect that some plugins have been disabled because they couldn't be found in the path, and that's quite ok because i haven't installed them as of yet, but then comes another message saying that some bus paths were unassigned because they couldn't be found or something to that effect and then it says to go to the i/o settings to get more information, but me dumb as i am don't even know what to look for let alone what to change to get the program satisfied. How do i know what to change? /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.
Re: Solo and mute problems
Hi Poppa, When down arrow or up arrow does not work for making a selection its usually because quick nav is on. :) Just hit left and right arrows together, to find out what state its in. YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Mar 4, 2014, at 10:33 AM, Poppa Bear wrote: If I am in the individual channel and click the mute or solo button it works fine. Also, when I use my arrow down and up to select a peace of audio to select for edet, to cut or coppy it does nothing either. The problem is that I have a friend who's studio is down and he was payed to mix and master an album before his studio closed so I have been letting him come over and use my set up to work and some times I get back to my set up and have problems like this. - Original Message - From: Slau Halatyn To: ptaccess@googlegroups.com Sent: Tuesday, March 04, 2014 4:22 AM Subject: Re: Solo and mute problems It should work fine for any selected tracks. Do solo and mute work correctly when you click on either button using VoiceOver? In other words, have you confirmed that it's just the shortcut functionality that isn't working or whether the functions themselves aren't working? Solo functionality can sometimes seem not to work if the All Group is inadvertently enabled since all tracks would follow. So, if you solo one track, all tracks become soloed and it sounds like everything is audible and nothing is soloed. With mute, however, with the All Group enabled, muting one track would mute everything so it's much more obvious. At any rate, I'd be curious to know whether the solo and mute functionality is not working, regardless of shortcuts. Slau On Mar 3, 2014, at 8:00 PM, Poppa Bear heavens4r...@gmail.com wrote: Does anyone know why my Shift plus S for solo and Shift plus M for mute functions would be acting up? Any thoughts would be great. PS. Of corse, I am selecting the track in the track list and still no go. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: vocoder plugins
Hi chad,, This is the coolest one I've heard! Waves - Morphoder Talk soon YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 23, 2014, at 5:09 AM, chad baker wrote: Hi does anyone know of any vocoder plugins out there? thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: vocoder plugins
Hi Gordon, Yes and its sounds extremely cool! :) But the same old stuff with waves at least on pt 9.03, get the presets saved out to the pt side and use an external keyboard to control it. Mike lockett told me that waves can be used in pt 11 now though. YMMV Chuck On Feb 23, 2014, at 6:06 PM, Gordon Kent wrote: Chuck, have you gotten it to work? I got the demo but when I had one of the waves techs move the authorization to a usb drive for me it didn't work. Probably the drive was bad. Is it accessible? I would get it if it works. GOrd On Feb 23, 2014, at 2:02 PM, CHUCK REICHEL soundpicturerecord...@gmail.com wrote: Hi chad,, This is the coolest one I've heard! Waves - Morphoder Talk soon YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 23, 2014, at 5:09 AM, chad baker wrote: Hi does anyone know of any vocoder plugins out there? thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: CD burner?
Hi Poppa I use WaveBurner which shipped with logic pro. Just about every aspect of WaveBurner is very easy to use. You can insert mastering plugs if you want. Talk soon YMMV Chuck On Feb 17, 2014, at 4:58 PM, Poppa Bear wrote: Does anybody on the list use CD burning programs outside of Itunes that are accessible on the Mac? I have tried to infasize to my clients that they should be trying to bring thumb drives, but so many still don't. I end up shuffling back and forth between my PC and the mac to burn CD's. Does anybody have suggestions on how to make burning CD's easier than I seem to find on Itunes? Thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Making presets visible in Pro tools 11.1?
Hi Krister, Just to ad to Poppa's suggestion. Use the Voiceover command to copy last spoken text after you get the load menu open, and just before you VO space on the name of the preset to load it. VO shift c Now when you go to save the preset just paste the clip board then you have the exact name of the preset in your custom presets you make up. YMMV Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Feb 12, 2014, at 12:44 PM, Krister Ekstrom wrote: Ah alright i see. Anyone happen to have a list of presets for Strike 2 handy? /Krister 12 feb 2014 kl. 18:41 skrev Poppa Bear heavens4r...@gmail.com: For the most part, you will need to have somebody who is sighted click on the load button for that plug and if the preset name is big thunder, then after they load it you would go to the Protool settings, click save as and right Big Thunder and then it would be accessable as a PT preset in the drop down menue. The other way is if somebody already has the list of presets that they took the time to go through, then they can email them to you and you can import them. This is how I deal with the preset issues most of the time , HTH. - Original Message - From: Krister Ekstrom kris...@kristersplace.com To: ptaccess@googlegroups.com Sent: Wednesday, February 12, 2014 5:49 AM Subject: Making presets visible in Pro tools 11.1? Hi, I asked this a couple days ago but haven't got an answer yet so i'll try asking again. How do i make presets visible in the menu where it says factory defaults in several plugins such as Strike and Arturia CS-80v? It's possible that you can't do it in the latter plugin, but i know it was possible under PT 9 and 10 to see the preset sounds in Strike, but this is no longer possible. Is it like that or is there a way to make styles, kits and mixes visible in some way at all? If not, i'll have to hunt for a new and more accessible drum track generator. /Krister -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Complete accessible plugs on Protools
Hi Poppa, Are you talking about autotune live? Whats your steps for autotune? Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Feb 10, 2014, at 1:50 PM, Poppa Bear wrote: FYI, I recently instaled the UR compressors and EQ bundles and they are all accessible on PT version 8 on Lion. I also instaled the Waves one knob bundle which is accessible via control serfase. I got the Sound Toys bundle which is accessible with a combonation of keyboard commands and control surfase faders. Last, I finalised the IZotope T-pain vocal plugin and the registration was easy and the plug is accessible with keyboard commands. I have a client who has to have autotune and this stripped down version is very easy to use and fully accessible from what I can tell. Will continue to update the list about plugins on PT since it can be hard to find relevant plugin information at times. HTH -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: Where can I address the following issue?
Hi Stefan, Jason Dasent at Jason Dasent overdriverecord...@gmail.com Has conquered the clips issue. May be he can chime in and share how to execute the clips work flow??? Talk soon Chuck YMMV CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 GUFFAWING :) In GOD I Trust On Feb 2, 2014, at 8:57 AM, Stefan Albertshauser wrote: Hi all, I'd like to address the following issue: While the mouse pointer in Pro Tools 10 can be controlled to a clip in the clip list with VO + Command + F5, in Pro tools 11 the case is not. I think, that's, why the operations in the clip list don't work in Pro tools 11. Do you have any idea, where to address this issue at Avid or Apple? Thanks for help Stefan -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: accessible software instrument plugins
Hi chad, May be Jason can help you. He has all of the structure presets already saved. Try him at Jason Dasent overdriverecord...@gmail.com Talk soon Chuck On Jan 31, 2014, at 2:56 PM, chad baker wrote: hi does anyone know of any other accessible software instrument plugins i have structure but i know its not accessible for us yet i called sweet water support they said there was no way to save the presets as protools presets it would take too long they said there's way too many patches thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: accessible software instrument plugins
Hi Poppa, Not at this point. Perhaps somebody else on the list can chime in? You do know that you can get anybody with sight to click on the load menu and save them in to the pro tools side of things? Once that load menu is open its all accessible! :) Where did you get the Massi from? Chuck CHUCK REICHEL soundpicturerecord...@gmail.com www.SoundPictureRecording.com 954-742-0019 Isaiah 26 : 3 Thou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee. In GOD I Trust On Jan 31, 2014, at 4:16 PM, Poppa Bear wrote: Hey Chuck, do you know anybody who has the SSL/ API/ S 1 Imiger, CLA's Massi, or JJP waves presets? I also have the C6 series of plugs that I am wondering about. Thanks for your help in the past with presets, they have been a great help. Thanks - Original Message - From: CHUCK REICHEL soundpicturerecord...@gmail.com To: ptaccess@googlegroups.com Sent: Friday, January 31, 2014 11:21 AM Subject: Re: accessible software instrument plugins Hi chad, May be Jason can help you. He has all of the structure presets already saved. Try him at Jason Dasent overdriverecord...@gmail.com Talk soon Chuck On Jan 31, 2014, at 2:56 PM, chad baker wrote: hi does anyone know of any other accessible software instrument plugins i have structure but i know its not accessible for us yet i called sweet water support they said there was no way to save the presets as protools presets it would take too long they said there's way too many patches thanks -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
Re: elastic audio
Hi chad, Heres a excerpt from my post last year. Elastic audio is usable! :) Long explanation Read the PT manual! ;) Short story! Import a drum loop in to PT. Click on the Elastic Audio Plug-in selector button in the edit window. Select ✓ Rhythmic from the list, because it's a Drum loop. Next click on the Timebase selector and choose (ticks) allowing the audio to dynamically change along with the tempo as if it were midi. OK thats it! :) Now the fun!!! Go to Regions menu and select Conform to Tempo and bang the drum loop is now playing back in time with your pt session tempo! If you want to transpose say a melodic elastic audio loop just go to transpose window and bang it up or down to taste! Also quantization of the elastic audio is available if you want. Just a note I accomplished this using a PT HD3 system running pt 9.3.. Chuck's USA proverb! Never Listen to People that say it can't be done LOL That's it for now have fun. GUFFAWING :) :) :) YMMV! CHUCK REICHEL 954-742-0019 www.SoundPictureRecording.com In GOD I Trust On Jan 19, 2014, at 3:48 AM, chad baker wrote: hi i like to remix and trying to beat match a loop its a 2 bar loop i took from a song trying to match the tempo when ever i change tempo the loop don’t change tempo it stays at the same bpm i do dance stuff i want it at 130 bpm and the loop is 111 i changed samples to tics no luck i went to the counters and selected the portion -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out. -- You received this message because you are subscribed to the Google Groups Pro Tools Accessibility group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/groups/opt_out.
