David W. Fenton wrote:
No one is a bigger fan of Mozart than I am. But I have always felt
that the Magic Flute is incoherent *as an opera* (or Singspiel,
technically speaking, I guess). If it did not have some of the most
glorious music ever written, it would be a failure. But so far as I
can
David W. Fenton wrote:
I'm not sure where you're getting the sz from -- that is not what
it is at all. If you look at it in German schrift (i.e.,
handwriting), it's quite clear that it's two s's, one the f-like
version followed by a crook to a regular lower-case s.
I am not sure where this
Me too!!
Johannes
Andrew Levin wrote:
Just curious,
Has anyone taken the original Mac JW plugin source code and made them OS
X native? I sure do miss them.
Thanks.
Andrew Levin
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It is true that Fin2k5 is slower than 2k3 on the same box. However, for
me, the much higher stability actually makes up for that. The truth is
that OS X is a much more advanced system, and it needs a faster CPU, and
almost more importantly, vast amounts of memory.
Hopefully we will see some
I may not totally agree, but I don't think I said anything on goverment
funding, did I?
Actually, fact is that opera without some kind of external funding is
simply not possible (at least not Grand Opera of any kind). Whether this
should be the government or not is certainly another question,
The other thing is that I am not convinced that merging the text and the
expression tools is such a good idea. Instead I would prefer to have
some better options for placing text blocks and for handling them in
part extraction. My main requests are:
1) Allow measure attached text blocks to be
Dennis Bathory-Kitsz wrote:
I don't think I'm being clear. These all all interchangeable texts, with
aspects of function assigned. They are only different in Finale because the
program started out making them different. They were once all engraved with
the same tools, and software separated them
On the other hand I am pretty sure the feature set for 2k6 has already
been decided anyway, so we are talking about 2k7, maybe 2k8, so that
really shouldn't be a reason.
Johannes
Kurt Gnos wrote:
At 09:15 23.02.2005, you wrote:
It's a nice list, but I think that getting compact and reliable PS,
Dennis Bathory-Kitsz wrote:
Have a look at this:
http://maltedmedia.com/photos/toolbar.gif
It still escapes me why this kind of thing cannot live happily in two
different tools.
Before the expression tool was improved I could see that there was some
overlap between measure text blocks and measure
David W. Fenton wrote:
Of course, I also seem to remember something about pre-defined
vertical positioning having been added in a recent version of Finale,
so I may be late with the idea.
Indeed. In fact, expression positioning goes far beyond anything
articulation can offer. The two are
Does anyone know how to reprogram a keyboard shortcut for changing
between scroll and page view in iKey? Since there are two menu items for
this I don't know how to do it.
Johannes
--
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http://www.camerata-berolinensis.de
to German keyboards, I believe.
These two problems are the reason I want to reprogram it.
Johannes
Steve Gibons wrote:
The best way to do this would be to program the keystroke
command-option-` rather than a menu command.
steve
On Feb 25, 2005, at 3:07 AM, Johannes Gebauer wrote:
Does anyone know
I think you are counting fly legs now. Tell me, what is it you are
missing in a measure attached context, which cannot be done in the
expression tool?
(I can actually think of one situation, but that, on the other hand, is
so special it is much better done in the text tool.)
Johannes
shirling
Fine by me for the expression tool, but I still don't want my text
blocks in there.
Johannes
shirling neueweise wrote:
From: Johannes Gebauer
There is no reason why I would want my title text blocks appear in the
expression list, it would only convolut it more.
how about a set in-line
It's not that I want to have the last word, but I use the two tools for
entirely different things. When you say alignment of two expressions
assigned with different tools is a problem, I simply don't get why you
have to use two tools in the first place. If it is an expression, why do
you not
shirling neueweise wrote:
From: Johannes Gebauer
When you say alignment of two expressions assigned with different
tools is a problem, I simply don't get why you have to use two tools
in the first place. If it is an expression, why do you not use the
expression tool?
currently because i can't
Custom fields, custom fields, custom fields... I have been asking for
this for years.
Johannes
shirling neueweise wrote:
From: shirling neueweise
dedications could be entered in a new file info entry box.
by the way, any other suggestions for new file info fields?
- dedication
- composition
Doesn't surprise me at all. But competition is good. I actually hope the
hall of fame is going to be extended (and thanks Jari for the kind words
about my work, I may extend the examples page with examples of my custom
music font - not for sale, just to make that clear).
Perhaps we will soon
Maybe I am on my own here, but quite honestly I couldn't care less about
the look of the Finale palettes. I still use the Traditional set, simply
because it is the smallest. I hope MM is going to repair all the other
bugs before they start yet again to change the look of palettes and
spend all
I just thought, is Tobias going to do JWTimeSig, too? Because, if he is,
it may be worth getting the bugs out, first. Back in OS 9 days when I
last used this plugin it didn#t handle situations with different t/s for
display correctly. I have no way to test this anymore, but I know there
were
Perhaps this is an Early Music thing, but I have played in orchestras,
where the 2nds (on the right side) chose to have the principal on the
inside. But it's not common practice.
Johannes
John Howell wrote:
At 6:17 PM + 3/2/05, Robert Patterson wrote:
From the inside/outside terminology, I
David W. Fenton wrote:
I also think that staff optimization should not be something that you
have to remove and then re-apply. If you insert new measures, or
insert data in previously empty measures (or you clear/hide
previously populated measures), if you've got optimization turned on,
it
staves have been manually
hidden/shown and leave those untouched when doing an automatic
optimization update.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 03 Mar 2005, at 2:44 AM, Johannes Gebauer wrote:
David W. Fenton wrote:
I also think that staff optimization should not be something that you
Although I can see that it may be useful to some, it wouldn't be useful
to me, so I am not interested (but I don't object).
However, something I'd much rather see is automatic vertical staff
spacing. ;-)
Johannes
David W. Fenton wrote:
On 3 Mar 2005 at 11:40, Johannes Gebauer wrote:
I am
True, but...
Patterson beams is actually much more flexible than any beam option in
Finale could ever be.
Johannes
Chuck Israels wrote:
On Mar 3, 2005, at 2:54 PM, Mark D Lew wrote:
(And wouldn't the world be a better place if everyone ran Patterson
Beams on everything?)
I'd like to be
On the other hand, I think I am not wrong in assuming that a good
proportion of those conductors with older versions of Finale actually do
not own the program at all, and just have illegal copies on their computers.
Johannes
Rafael Ornes wrote:
RSimon Troup écrit:
Still, considering the work
I originally didn't like to give away my Finale files, but have changed
my policy completely, and any client who wants it can have the originaly
Finale file. A lot of the time it's no use to them anyway, because I use
a number of fonts which I simply cannot give away for copyright reasons.
This is actually all configurable, and you could, theoretically,
configure the major enharmonic table to do whatever you want in a minor
context. However, I have never seen any disadvantage to using the minor
key sigs, and until I will I will keep using them. It does give me two
separate
David W. Fenton wrote:
My point is that simple optimization (i.e., removing blank staves
from a systen) should happen automatically if you have optimization
turned on for the passage of music represented on a system (while I
understand that Johannes has a use for optimization being stored in
options became part of staff styles.
Unlikely to say the least.
Personally I think the plugin approach has advantages which I would not
like to give up.
Johannes
David W. Fenton wrote:
On 4 Mar 2005 at 0:24, Johannes Gebauer wrote:
Patterson beams is actually much more flexible than any beam option
David,
Optimization in Finale allows to remove blank staves _and_ makes the
vertical spacing of each system independent from the global setting. It
has *all* to do with the vertical spacing.
You can optimize without removing empty staves.
Unless I am missing something here it is you who hasn't
away the plugin -- you could still run the
Patterson Beams plugins on selected measures as required. But I really
think Finale's default beam placement ought to be improved.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 04 Mar 2005, at 3:54 AM, Johannes Gebauer wrote:
1) If you do not see
David W. Fenton wrote:
In my case this has nothing to do with parts at all. The reason I need
to optimize out parts which have got music in them has to do with
doubling parts. For instance, in some situations the first and second
violins play identical parts, and for space reasons I just want to
John Howell wrote:
Yeah, that's unnecessarily ugly. But even worse, and for no obvious
reason, is the failure of stems for 16th notes and faster to extend to
the bottom beam. Very amateurish, but apparently done on purpose, and I
would guess this is built into the software.
It's actually
John Howell wrote:
Once again, terminology can be a trap. Corelli's church sonatas--at
least some of the published ones, I believe--specify violone OR organ,
if memory serves. I believe he distinguished carefully between 8' and
16' instruments, but I also believe that he would have worked
I doubt that. The problem was only apparent when the measure in question
was in a particular layout situation. Moving measures arround from
system to system would make the problem go away, while the beat chart
shouldn't change. The problem only shows in page view.
For what it's worth I
Aaron,
If you have a file where this is reproducable, you could send it to me
and I'll check whether it still happens in 2k5 (I haven't seen the
problem for a while, but I don't have a bug file of it at hand).
Johannes
Aaron Sherber wrote:
Hi all,
Every now and then I come upon a measure that
Only an idea, but perhaps the fonts aren't installed?
Johannes
Bonnie Harris wrote:
Help! I just completed archive and install of Mac OS 10.3.2 and my new
blank document in Finale has completely unrecognizable fonts,
expressions, etc. I think the preference files must have been
trashed? I
Hi,
after a lot of frustration with iKey I have decided to testdrive
Quickeys (and buy it if I like it).
I have run into my first problem: I am programming a shortcut to go one
page forward. This works with a button click, but I want to make the
mouse cursor go back to where it was before, and
I think there is some serious confusion going on here.
Finale fonts should definitely not be in the Finale folder. However,
before you start moving things around please make sure you know what you
are doing. That also applies to other things.
Fonts should be inside the fonts folders, which are
commands for page forward/back - I missed that until today! But I
still would like to know how to restore the mouse location in QK after
accessing a button.)
Johannes
Fiskum, Steve wrote:
*From:* [EMAIL PROTECTED] on behalf of Johannes Gebauer
*Sent:* Monday, March 7, 2005 3:05 PM
I think I am going to give up on Quickeys. There are so many problems...
1) When I try to record a complex macro in Finale, Quickeys regularly
crashes.
2) I am trying to get a Macro to select a popup menu item in the Frame
Attributes Dialog. I am trying to change a textblock from Single Page to
In the recording tab in the preferences, do you have Do exhaustive...
checked or unchecked?
Johannes
Simon Troup wrote:
1) When I try to record a complex macro in Finale, Quickeys regularly
crashes.
Doesn't happen to me, I have it do all manner of things and it has never, never
crashed, even
Nothing I have seen on OS X even comes close to what OneClick could
do in OS 9.
I don't know OneClick very well but I don't think it had logic and
variables. QK3 is very powerful and so there is a bit of a learning
curve (just like Finale). As in Finale, QK3 allows you to do the same
thing in many
Steve Gibons wrote:
Johannes, Why were you using iKey 2? It has almost no added
functionality over iKey 1. If you don't need a macro program that can
test for the states of menu items, as in checked or unchecked, or for
variables iKey 1 will work for you, and costs a fraction of Quickeys.
The
I am trying to set up a complicated repeat:
First Section with 1./2.time bar. Second section. Dal Segno into first
section. Fine in the 1. time bar. Jump to next movement.
I can't get the Fine to work, it just continues repeating the section,
playing the second section, goes back into first,
I worked it out.
Johannes
Johannes Gebauer schrieb:
I am trying to set up a complicated repeat:
First Section with 1./2.time bar. Second section. Dal Segno into first
section. Fine in the 1. time bar. Jump to next movement.
I can't get the Fine to work, it just continues repeating the section
I have never really used playback much, but now I have the need to do it
properly.
1) Is there a way to Save only part of a score as Audiofile?
2) Is there a way to make HP stop between movements? It already does
this for Finale bars, at least briefly, but it doesn't do it for repeat
bar ends,
Jari Williamsson schrieb:
Darcy James Argue wrote:
IIRC (and I may not be), when the registration scheme for Finale 2004
was announced, I believe Coda -- or at least, some people at Coda --
were actually sympathetic to Dennis's ideas. I seem to recall someone
saying something about at least
Christopher Smith schrieb:
I meant call up your files. I should have written ...enough time to
open, edit, and print... The software works for 30 days without any
contact with MakeMusic. When the thirty days are up, delete it and
reinstall for another 30 days, if you need to.
I am pretty sure
if
anyone.
Johannes
d. collins schrieb:
Johannes Gebauer écrit:
(I am not really taking sides though, personally I was annoyed by the
copyprotection, but on the other hand I do find it a little silly to
claim that you could loose everything tomorrow. Yes, MM could be out
of business tomorrow
With this approach I really don't see your problem: If all you want is
to be sure that Finale will always run on your existing machinery, then
you have that already. When you authorize Finale you get send an
authorization code. This code will work should you ever need to
reauthorize your copy
Noone will ever guarantee you that software x will run on a new
machine in x years.
We're also talking about the same machine, after a HD crash, for instance.
That is already no problem, at least on the Mac. I know because I had
that problem (well not a crash, but I changed my HD, and the same
Phil Daley schrieb:
Does FinaleV3 run on any current MacOS?
I haven't tried it, but I am pretty sure it will run just fine under
Classic. MIDI won't work, but that probably doesn't work under XP
either, does it?
The real problem would be to get it installed, since it came on
Floppies, and no
Robert Patterson schrieb:
By contrast, I still
have a few MacOS binaries I purchased in the 1980s that still work just
fine in Panther OSX. In particular MS Word 5.1 and MS Works 3.
And to take this point one step further, these programs are likely to
keep functioning as long as Apple keeps
Just to make you feel less bad, I hadn't noticed this option before, it
was turned off in my installation, and I am pretty sure it is new. I am
not sure though, whether this option is really what you want, because it
only adjusts the space at the beginning and end of a measure, and not
the
Apparently in OS X fonts are always included.
Because of the PS problems with Reader 5 and Finale I now use PStill to
correct these files, that seems to work well.
Johannes
Robert Patterson schrieb:
While we are on the topic of OSX PDF files, is there a way to determine
if fonts are being
I don't think it was fixed, and according to MacSupport it is a bug in
Adobe Reader 5.
Johannes
Darcy James Argue schrieb:
I believe this was a font problem, and it was fixed in Fin2004b (and
also with a standalone Mac OS X font update).
I have a PostScript printer, I always print to PDF
that with Acrobat Reader 5.1 and the Finale 2005 Maestro
Font Default. I had no problem with whole rests. My printer is the
Ricoh AP2610, which is a PostScript printer.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 14 Mar 2005, at 2:32 AM, Johannes Gebauer wrote:
Well, try printing a file
I don't think there is a solution for this. You can change piano braces,
but not group brackets, they are hard coded.
Johannes
Marius Schebella schrieb:
Hi,
I am sure there is a solution for this, but I could not find it yet...
How can I change the thickness of the group brackets?
Thank you!
Not that I know anyhting about GPO, but perhaps you are on an earlier
System version (that is, Mac OS X version, not GPO version) than GPO
supports?
VST plugins have standard folders in the library folders of the system.
If they don't exist this seems to indicate that you are using a System
I don't think I ever tried it, but you can define keyboard shortcuts for
any app under Panther.
Alternatively get a Macro utility and define a keyboard shortcut.
Johannes
Christopher Smith schrieb:
On Mar 17, 2005, at 7:14 AM, Carlberg Jones wrote:
At 7:07 AM -0500 3/17/05, Christopher Smith
I am not entirely sure, whether you are about to purchase a new Mac, or
just install OS X on your existing Mac.
Here is the basics:
Old Mac, New System:
Anything connected by Local Talk will not work anymore or require a
LocalTalk bridge. This concerns typically postscript laser printers, but
I have noticed such cases, specifically yesterday, where cross-layer
accidental spacing didn't work properly.
Can you send me an example measure, or does it happen completely randomly?
Johannes
David Horne schrieb:
I notice that Finale will not always space individual measures
correctly-
Well, I am glad I am not the only one who completely gave up on Quickeys
after struggling with it for a week.
Unfortunately the choices are not that great. I am currently back on
iKey 2. Given the choice now I would have stayed with iKey 1, but since
once I converted all my macros to the new
Brad Beyenhof schrieb:
Well, we Mackers ...
Oh dear, I never thought I would consider myself a Macker, which in
German means something in between having a screw loose and being an a$%hole.
Oh well.
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
Brad Beyenhof schrieb:
Interesting... the LEO English-German dictionary translates Macker
only as bloke, fellow, or guy: http://tinyurl.com/7xb8l
That's a pretty mild way of translating it, considering the root of the
word is Macke, and someone who has a Macke literally has a screw
loose. In
Andrew Stiller schrieb:
RE German Macker--cf, perhaps, British wanker?
Can't think of an appropriate Americanism...
No, a wanker is definitely worse.
A common usage is this: Das ist ihr Macker, that's her (a girl's)
Macker, for the guy she sleeps with, who is a bit of an idiot.
Johannes
--
I am afraid I don't quite agree with you. What you are asking for is a
site license. Go and talk to them about it. It will cost you something
extra, no doubt.
Quite honestly I don't see how 4 installs can be justified with one
license, even if you own all four computers.
Johannes
A-NO-NE
. collins schrieb:
Johannes Gebauer écrit:
Transferable authorization? Ask a Sibelius user how well that works,
the last I heard people weren't exactly impressed. Plus, in Hiro's
case I rather doubt this would be the answer, as the process of
de-authorising and re-authorising would be far too
A-NO-NE Music schrieb:
Look,
One of my student's FinMac2004 stopped starting up, saying its demo has
expired. I called support right away, and I was told _their_ database of
her auth seems to be corrupted, and they will reset it.
You know what this means? They must be checking your MAC address.
David W. Fenton schrieb:
For practical and security reasons we use an OSX app called little
snitch that intercepts outgoing internet connections from
applications - they have to be granted permission to have access.
Finale doesn't ever attempt to communicate over the internet except
during online
David W. Fenton schrieb:
If it's blocking outgoing ports, it's acting as a firewall.
It's pretty simple.
Exactly. But it's not blocking outgoing ports. It's blocking
applications. That's the difference I was trying to explain.
Johannes
--
http://www.musikmanufaktur.com
I am wondering whether someone on this list can help me with this:
I am desperately looking for either parts or score or both of the
Boccherini String Quintet in D Fandango, G 341. I am not looking for
the Guitar quintet version, only for the version scored for
2 Violins, Viola, 2 Celli.
It
I haven't tried it, but I assume you could just type a hard space on the
next syllable, couldn't you?
Johannes
Michael Cook schrieb:
You can keep the smart extensions turned on. In the Lyrics menu choose
Edit Word Extensions. Choose the handle of the offending extension and
delete it. You can
Raymond Horton schrieb:
OK, if you approve, not only of David's disagreeing with Brahms (nothing
wrong with that) but of the less-than-civil tone of his disagreement,
(which takes it to a different level) than I will ask you to provide an
example of a truly great composer that is an atheist.
Thanks to all who replied to this thread. I have just heard back from
King's music in England, who have a reprint of the Cotelle edition.
That's by far the best solution I could have hoped for, and I will order
from them immediately.
Thanks again for all the great tips I have been given, they
the point, but Brahms himself may have been a
spritual person, but he wasn't exactly the model of a good Christian. Or
else perhaps Schumann would have written some more music. But that's
another point.
BTW, I love Brahms's music.
Johannes
Raymond Horton schrieb:
Johannes Gebauer wrote:
Raymond
Well, perhaps this is a good opportunity to ask whether it would be
possible for all Finale listers to use plain text meassages on this
list? That's actually including you, Lawrence, your messages also come
through as html. On the other hand I know that it is difficult for aol
users to do
Well, at least I can report success: your message came through as very
beautiful and standard plain text.
So if anyone knows how to make this option sticky for AOL users, a lot
of listers would be very happy!
Johannes
[EMAIL PROTECTED] schrieb:
In a message dated 13/04/2005 10:24:01 GMT
A-NO-NE Music schrieb:
Come to think of it, I have always thought they should be dynamically
linked. Is there any scenario that I don't know when you want Page Setup
set to one way while Page Layout set to the other?
Yes, many. The most obvious being booklet printing.
Johannes
--
Apparently screen rotation is going to be a feature of Tiger.
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Well, the list is not exactly particularly active, it seems, but there
are messages, I am counting 3 on Thu and 8 yesterday.
Johannes
themark schrieb:
-Messaggio Originale- Da: Stan Lord [EMAIL PROTECTED]
A: Finale@shsu.edu
Data invio: sabato 23 aprile 2005 12.41
Oggetto: [Finale]
Not that I really know anything about this, but I was under the
impression that a Zugtrompete is in fact a trumpet, with a sliding
device. I have seen such instruments played.
I am happy to be enlightened otherwise.
Johannes
[EMAIL PROTECTED] schrieb:
J.S. Bachs Instrumentarium
ed. by Ulrich
Not sure I understand correctly. It is possible to center expressions
between barlines and to make their allignment point center. However, it
is not possible to create multi-line expressions where the lines are
centered in relation. Is this what you want to do?
Johannes
Robert Patterson
Christopher Smith schrieb:
On Apr 24, 2005, at 12:38 PM, Robert Patterson wrote:
Right, I want to center-justify multiline text expressions. (As
opposed center-aligning them in some external context, which is easy
to see how to do.)
This is not supported, apparently, in measure expressions the
Could it be that it is Quickkeys which has stability problems with
Tiger? That wouldn't suprise me at all (for what it's worth it had
stability problems with Panther when I tried it out, far too unstable
when _recording_ macros to be of much use).
Johannes
Randolph Peters schrieb:
I've had a
I agree with Robert that you are asking the wrong list, however, why
don't you just see for yourself? Go download the Fin2k5 demo and check
whether it is too slow for your needs.
Once you find problematic areas in 2k5, you may want to ask MakeMusic
whether they can give you any information on
Here is what you do:
First set up your first and second ending. The trick will only work in a
second ending, so this has to be set up first.
Then, select the Speedy tool, and option-click on the second ending
measure. In the dialog which then appears select the check box Tie End
(near the
What are the don'ts with the File overwrite bug (2k5b, Mac). I don't
often work with several files open at once, and have avoided it when the
bug was made known, but now I want to edit some parts and could save
some time if they were open at the same time, is this risky?
Johannes
--
I just want to make sure that I haven't missed a vital piece of
information: Can I generally assume that a treble clef in 18th century
cello parts means an octave down, or are there exceptions from the rule
which are more than simple misprints or forgotten 8va?
Johannes
--
it
is always read an octave down. I just want to make sure this is the case.
d. collins schrieb:
Johannes Gebauer écrit:
I just want to make sure that I haven't missed a vital piece of
information: Can I generally assume that a treble clef in 18th century
cello parts means an octave down
Here is an opinion: Forget Hyperscribe.
(Nonetheless a small keyboard will work well for Speedy.)
Johannes
[EMAIL PROTECTED] schrieb:
Please accept my apology up front if this has been discussed
recently. I searched the archives but didn't see anything that
looked close enough to the subject.
I
Christopher Smith schrieb:
It is SO easy in Finale to have separate parts for all instruments
(except perc,, chorus, and string section divisions) that I would do
that. You can format the flute 1 part, then copy the flute 2 music into
it and save under the new name to preserve the same
David W. Fenton schrieb:
On 2 May 2005 at 16:22, Johannes Gebauer wrote:
To be honest, I have rarely seen tenor clefs in late 18th century
cello parts, and there is no special reason for using treble clefs, it
is just a very normal way of notating high cello passages in
classical/early romantic
There are several little shareware applications which can make booklets
out of single page pdfs, one is called CocoaBooklet. Look for them at
versiontracker.
Otherwise create a printer driver which prints to a PS file and use
Finale script to make your booklet.
Johannes
Andrew Stiller
Karen Guthery schrieb:
I actually reboot nearly as often as I shower. I shower more often only
because traffic on the 405 here in LA is such that you get to know your
lane neighbor pretty well and the stinky police are out in force heading
into the summer.
This small rule (both in showering
Is there a way to search (but not replace) certain articulations in a score?
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Well, that's definitely not the case here, even with the most delicate
clicks it will jump at times. MM as acknowledged the problem as far as I
know.
Johannes
Robert Patterson schrieb:
I have noticed it. For awhile I cussed it until I realized that it is
actually there by design and useful.
Use TGTools Beambreaker instead.
Johannes
Christopher Smith schrieb:
Ok, I'm getting frustrated with this now.
FinMac 2K5b
I have a long passage of sixteenth note triplets in 6/8. I have broken
the secondary beams between each third note so that I don't have double
beams for nine consecutive
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