The JW time signature plugin seems to have disappeared from the downloads
section on the Finaletips page. Is there a reason for this?
I found it very useful
Cheers,
Lawrence
--
Lawrenceyates.co.uk
___
Finale mailing list
Finale@shsu.edu
Mine worked ok (WinFin)
On 24 December 2011 10:13, Howey, Henry mus_...@shsu.edu wrote:
The download still hangs up at the font annotation install. Now I will
need to re-install the application.
Antone else experience this?
--
Lawrenceyates.co.uk
Thanks Mark,
Problems now solved. The main problem was my stupidity in taking on a
short notice job and trying to do it in a program I had had for only a
couple of hours.
The job was done on time and, after a few initial frustrations, worked well.
Thanks to all who helped me on that stressful
It seems to be unavailable in Europe
Cheers,
Lawrence
--
Lawrenceyates.co.uk
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Maybe I'm missing something here (I very often do) but when I tried to
create an account and it asked for country, no European countries were
listed as options
Is it possible to download it without creating an account then?
Cheers,
Lawrence
On 18 December 2011 13:44, Peter Lockwood
Forget it - I was missing something - you get it from the appstore, not the
website.
Cheers,
Lawrence
On 18 December 2011 13:51, Lawrence Yates yateslawre...@gmail.com wrote:
Maybe I'm missing something here (I very often do) but when I tried to
create an account and it asked for country
Thanks Ryan,
Tried that - I've checked it, unchecked it, tried all the options in that
box.
Any more ideas? At the moment the percussion lines are unusable.
Cheers,
Lawrence
On 18 December 2011 02:47, Ryan Beard ry.squa...@gmail.com wrote:
Try this
Select staff tool. Click that
Hi Ryan,
No. This is straight out of the box. All the percussion lines are the
same. It's a characteristic of all the percussion staves. It looks like a
font issue or a notehead issue but I can't find a way of changing it to
just normal noteheads (the normal noteheads box doesn't make any
Got it!
It seems it was using Maestro Percussion notehead font. I've changed it
to Maestro and all is well now.
Thanks for your help in guiding me towards this.
Cheers,
Lawrence
On 18 December 2011 15:45, Lawrence Yates yateslawre...@gmail.com wrote:
Hi Ryan,
No. This is straight out
As will be clear, I've only had Fin2012 for a couple of days and am
therefore very much a beginner. Having moved up directly from 2006 there
are some huge differences. I must admit that most of the differences I've
found so far have been vast improvements and I am very impressed.
(Although there
Please can somebody tell me how to get rid of the crazy percussion font
that is being forced upon me when I choose the percussion instruments in
Score Manager.
I can find nothing in the manual which refers to this (apologies if I've
missed it).
I'm on Winfin2012
Thanks,
Lawrence
--
Hi,
I've just bought WinFin2012 after having not upgraded since 2006 and was
keen to try out the percussion possibilities.
The percussion notes seem to use noteheads that I have never seen before,
don't understand and don't want but I can find no way of changing them.
Does anybody know what
Sorry to bother you all again but I am having hellish problems with my new
Winfin2012 and the manual and help facilities seem to delight in taking me
to passages that have nothing to do with the query I've asked.
Extracting parts:
When I exctract parts, the title is printed way over to the right
Hi Jari,
Thanks, but I need to save separate files from which I will both print
parts and save to pdf. I also need to produce three copies of each part
for instruments in C, Bb and Eb.
There are 17 parts for each piece and there are 12 pieces. I am working
through them writing the instrument
thanks Aron,
Just done that but when I try to add in Bb or in C after it, it
disappears and I have to start again.
I must be honest, I'm about to throw the computer at the wall.
I'm going to have one more go, then I'm off back to Finale 2006 which
worked perfectly.
Cheers,
Lawrence
--
the parts.
I hope the people I'm doing this for understand the old rule - good;
quick; cheap - choose any two
Thanks for you suggestions,
Cheers,
Lawrence
On 14 December 2011 23:44, Aaron Sherber aa...@sherber.com wrote:
On 12/14/2011 6:37 PM, Lawrence Yates wrote:
Just done that but when I
Hi Aron,
I've just thought of what it might be - the stuff I'm doing is based on
earlier files made in Fin2006 so it may be something in the conversion
process.
I've just made a simple file in 2012 and extracted the part - perfect!
Right, it sounds like it's the conversion that's at fault.
Ah
Hi,
Yes, I tried making the text block wider and that didn't work either. I've
just made another new file (a little more complicated) in 2012 and it's
perfectly ok, everything works. It's only in the files made in Fin2006
that have the problem.
I think that's where my answer lies.
--
Hi Darcy,
Yes, I know that and I really don't mind being told to RTFM - that's the
advice I would give anyone, but given that I need to get these things done
for tomorrow (it's 1.00am here now) I was hoping that someone could give me
a quick fix on this particular point. As I said, I'm sure that
For what it's worth, I always use parentheses for courtesy accidentals - if
I don't it leads to the time wasting question, Why is there a sharp sign
there - should the previous one be a natural? With the parentheses it's
recognised as a courtesy.
Cheers,
Lawrence
--
Lawrenceyates.co.uk
Hi folks,
Yesterday my laptop went up in smoke (literally) and I've bought a new
one.
Problem number one:
I've installed Finale (2006 - windows) on my new machine but I haven't a
clue how to register it. I've followed the instructions (several times)
and it says it's registered right up until
Hi Justin,
Thank you - I think you've just hit the nail on the head. I'm already
running Finale on my main computer (Windows XP and was running it on my
old, now dead laptop on Windows Vista.
Is there a UK number I can phone to have the old laptop slot cleared please?
Thanks,
Lawrence
On 2
Hi Justin,
Thank you everything worked as you said and Finale now opens normally and
GPO is working too.
Cheers,
Lawrence
On 2 November 2011 19:16, Phillips, Justin jphill...@makemusic.com wrote:
Hi Neil,
This is what you'll need:
That's exactly what I've just done!
On 14 October 2011 16:52, Eric Dannewitz ericd...@jazz-sax.com wrote:
Seriously? One can go buy a 2 terrabyte hard drive for well under $100
(around $60).
--
Lawrenceyates.co.uk
___
Finale mailing list
I once spent almost a whole weekend producing a spreadsheet for someone who
had asked for a spreadsheet. Turned out he didn't know what a spreadsheet
was but thought using the word made him sound clever. Same person had a
virus on his computer the first day he had it. He didn't know what a
Can you not do this with an underscore on the keyboard?
On 27 September 2011 16:45, Peter Taylor pe...@euphonium.plus.com wrote:
| ___ and lead us to _ e | ternal (ternal being in the
next bar).
My client has hand-drawn extension lines on her m/s score before and and
As I have noted before, the tragedy of the bagpipe player and why he walks
lies in the fact that when you stop blowing a bagpipe, the noise continues -
the poor devils do not realise that they are themselves the founder of their
own malady.
Best wishes,
Lawrence
On 16 September 2011 20:26,
This may have been true in the UK many years ago but at the higher level of
brass band playing it is no longer the case. There have been very many
modern works written for the genre and most of the top section bands
include such pieces in their repertoire.
At the small town level, yes, this is
Thanks for all your help with this problem.
Christopher - I did what you suggested and sure enough, several of the fonts
came up as un-loadable. I checked each one individually in control panel
and they were obviously corrupt.
I reinstalled them from my original Finale installation cd and all
Hi Folks,
I am using WinFin 2006
I have awoken one morning to find that in my tempo expressions which
indicate metronome markings, the metronome markings have suddenly become
gibberish. The actual text of the expression is okay, it's just the symbols
that have been corrupted. This affects both
Yes it's about communication - we could all use our own languages and that
would communicate well to those who speak our language but what about those
who don't speak our language?
Maybe we could invent a new language that we could all learn so that we
could all understand all the instructions?
Like interpretation I would treat it as singular - you didn't say rubati
and interpretations did you?
On 24 March 2011 21:32, SN jef chippewa shirl...@newmusicnotation.comwrote:
does this word actually exist?
This gives musicians some freedom for rubati and interpretation.
Doing this in Finale 2006 the tie end does show unless I move the stave and
make bar 2 the leftmost bar, at which point it disappears. The tie is there
both in page and scroll views.
My printer isn't well at the moment so I haven't tried printing it. Have you
printed it?
All the best,
Lawrence
Thanks for your replies.
I remember it being something to do with Internet Explorer too, and the
solution was to change the line resolution, but, as I said, this option
isn't available in Notepad06.
We are still looking for a working solution - there must be one because I
have Notepad on my
A friend is using the Finale Notepad 2006 and has got the dreaded big blue
triangle such that she can't see the music.
Please, please, very urgently - how does she get rid of it?
(Normally one would change the lines setting, but this option isn't
available in Notepad)
Thanks,
Lawrence
--
Alright, i give up!
I want to write out a part for horn in B natural (with no key signature)
No matter what I do, I can't get Finale to do this. What do I need to put
in the transposition box to make it give me a horn in B natural.
Can someone please put me out of my misery..
Thanks,
Hi Ryan,
Thanks very much for that.
Thanks for the offer of the library too, but I'm still on Finale 2006.
Cheers,
Lawrence
On 10 March 2011 21:47, Ryan ry.squa...@gmail.com wrote:
But if you don't want that library, set your transposition to Other,
Interval 8, key alter -5.
On Thu, Mar
message received
On 7 March 2011 17:29, Ryan Beard rw...@sbcglobal.net wrote:
Just a test. I sent a message to the list, but no one answered. It's
happened before so I'm wondering if it's a problem with my emails not
getting through. If it's personal, and no one wants to help me, I guess
I don't want to state the obvious, but the space bar on your computer
keyboard isn't sticking is it? (I had something similar and cleaning a very
grubby keyboard solved a hundred inexplicable problems.
All the best,
Lawrence
On 10 February 2011 18:23, J D Thomas j...@thomastudios.com wrote:
Or maybe bars rest and an indication is needed that one has to play
immediately after the turn-over and that one should turn over quickly? (Not
strictly necessary but sometimes helpful).
Cheers,
Lawrence
But I am still curious as to why Dennis wanted to put a term at the bottom
of the page.
option 2) - always.
Cheers,
Lawrence
On 13 January 2011 20:27, Ryan ry.squa...@gmail.com wrote:
Opinion poll:
What is your preferred method of writing a note that sounds for the
duration
of a 5/4 bar?
1) Using Whole tied to Quarter, regardless of wether the division is 3+2 or
2+3
2)
Offer to the other piece correctly for him (for a fee of course)
Cheers,
Lawrence
On 13 January 2011 22:06, Ryan ry.squa...@gmail.com wrote:
Raymond, I'd LOVE to use Crumb's notation, but there's no quick easy way
to get that into Finale.
Thanks for all your opinions. Seems like I agree
But when I write in a transposed score I can hear the tone quality of the
instruments in that range without having to do a transposition as I write.
On 7 January 2011 20:02, Patrick Sheehan patricksheehanmu...@gmail.comwrote:
Working with a C score is like none other. Transposed scores screw
I have whinged about this in the past - it's a ** nuisance which means I
have to work from a score in C because the sounds Finale plays as I enter
notes in a transposing score put me off. I wish it were fixable. If you
find a way, please, please tell me.
Cheers,
Lawrence
--
Thank you!
Cheers,
Lawrence
On 30 December 2010 08:03, Jari WilliamssonYes, this one should work with
Finale2005a and above.
One limitation, though: Please note that expressions would not be treated
as flexible as in the demo video when you use it on Finale 2006. The old
kind of note
Does this work with earlier version of Finale - I have WinFin2006.
Thank you.
Cheers,
Lawrence
On 29 December 2010 23:01, Jari Williamsson
jari.williams...@mailbox.swipnet.se wrote:
Hello!
A new plug-in called JW Pattern Copy is now available for download from
the Finale tips site:
No matter how appropriate it would seem in these modern times that we should
pray to be delivered from yule, I rather think it's deliver us from evil
Here's an older version (which ends alys us of yfele, not geola)
Fæder ūre, þū þe eart on heofonum;
Sīe þīn nama gehālgod,
tō becume þīn rīce,
Use staff styles. (Sorry in a rush - have to go to work - if no-one else
fills in the details of how to do this I'll write more this evening)
Basically you setup a staff style for the particular transposition and apply
it at changes. I think you need to us an expression (or just text) to
I only have Finale 2006 - this is how I do it:
Select the staff tool
go to staff menu
click on define staff style
in dialogue box select new (button on top right)
in the resultant dialogue box setup the instrument and transposition as you
would set up any other instrument, in this case,
To Write Incipit:
Using speedy entry in speedy dropdown list uncheck jump to next measure
and check for extra notes.
Enter your incipit.
Select the bar.
Either use JWTimesignature plugin or count up the number of beats in the bar
and set the time signature accordingly for that one bar.
Double
For those of us who play natural horn, parts transposed for horn in F are a
nuisance I did a concert last week where we had to back-transpose bnrcause
orignal parts were not provided.
Even when I play the modern instrument I would never play from transposed
parts - as John said, there is
Write it for trumpet in A
On 30 October 2010 10:17, Stan Lord amus...@me.com wrote:
Trying again,
A few years ago I had to ask the same question and I got the solution.
There was and easy answer which involved changing a number - like 6 to 7 -
which would make the key sig flats instead
Try updating the layout (cntrl U)
On 24 August 2010 09:48, Florence + Michael launay-c...@gmx.net wrote:
Have a look at measure attributes. It could be that Position Notes is set
to Manually (by Dragging). If that's the case, change it to Using
Beat-Chart Spacing.
Michael
On 24 Aug 2010,
I once played a professional muddy field gig. When we came to Pomp and
Stomp (Land of Hope and Glory) the principal horn asked me if I knew the
one note version. I said no. Just listen a while, then join in. The
section played the tune hocket style, one note each, and after a few bars I
was in.
If you are going to write out the repeat sign so that each individual bar is
visible, I would suggest also numbering the bars every so often and
personally, I would appreciate it if somewhere it told me exactly how many
bars were repeated - I usually pencil that on myself when faced with such
I bought Sibelius 6 this year and, like others, have found it incredibly
difficult to use - not the fault of Sibelius, but my fault
I bought Sibelius partly because of the cheap deal they were offering
earlier this year and partly because I was increasingly being offered scores
in Sibelius that I
I once did performance of Fiddler in which bottles and cups frequently fell
into the pit. Nothing was done to address the problem until a large
proportion of the orchestra refused to go into the pit, at which point,
things that were not possible suddenly became achievable.
Of course the most
I actually find the stacked up rests can be useful on occasions, especially
in older music. I've had two examples of this this week when the number
indicating the number of rests was unclear - I very quickly looked at the
stacked rests to work out that the unclear number was an 8, not a 6, and
Hi John,
Okay, if we're going to argue about correctness, yes you can overblow a
crumhorn :-) - as I'm sure you're aware - you just underblow then give it
a diaphragm kick with the breath and makes a horrible high pitched whining
noise which, if you can sustain it, can be quite useful in
Sorry, I should have added, other than Steinkopf - we had Moecks and
Hanchetts (as well as Steinkopfs) - can't remember which ones were best.
Another good way to raise a laugh on cold, rainy, miserable English summer
evenings was to run through an arrangement I had of American Patrol for
And I thought we were the only daft early musicians!
Yours, an envious Lawrence.
John Howell wrote:
Our big band was entirely authentic (or wonderfully IN-authentic, depending
on your point of view): 5 crumhorns (AATTB), 3 cornetti, 3 sackbutts, and a
rhythm section of harpsichord, viola
Giz is in the states - can I ask the same question for the UK.
Cheers,
Lawrence
On 22 April 2010 20:31, Giz Bowe girard...@verizon.net wrote:
Does anybody have any experience with these or have other similar keyboards
to recommend? I'd like to keep it under $100, if that's possible for a
When we used this technique, the players simply blew through the instruments
with the mouthpieces in place. It was audible from the audience.
Cheers,
Lawrence
--
Lawrenceyates.co.uk
___
Finale mailing list
Finale@shsu.edu
Some years ago I added that effect to the start of a piece we were
performing in a concert. The concert was being recorded. The audience
heard the effect, the cloth-eared recording engineer did not and failed to
switch on his equipment until someone pointed out to him that we had
started.
Go into document options - layers - find the layer that has cues (I think
it's 3 but Im not certain) and un-check playback
This is how it works in WinFin2006 - it must be something similar in later
versions?
Cheers,
Lawrence
--
Lawrenceyates.co.uk
I also occasionally get unstoppable playback when I use space-click - it's a
pain!.
Cheers,
Lawrence
On 4 March 2010 18:57, Richard Yates rich...@yatesguitar.com wrote:
-Original Message-
From: finale-boun...@shsu.edu
[mailto:finale-boun...@shsu.edu] On Behalf Of Chuck Israels
I had a problem with someone who would not pay.
When I phoned him, he was very friendly and promised the earth but nothing
ever came.
Eventually I spoke to a solicitor friend who, before offering me
professional services, advised me on the wording of a letter which, being in
suitably legal
Were transpositions actually assigned or was it just that the
transposition box was ticked? I have noticed that often non-transposing
instruments have the box ticked but the assigned transpostion when you open
the dialogue box is none.
Cheers,
Lawrence
--
Lawrenceyates.co.uk
Can you do this by entering your expression (which has no effect), then
entering a normal crescendo hairpin and making it hidden?
Cheers,
Lawrence
On 8 February 2010 14:11, Marcello Noia marcellon...@gmail.com wrote:
I'm making a Finale file out of Weeping song by Shostakovitch to sort out
a
Has anyone actually taken advantage of the recent Sibelius crossgrade
offer? It seems to be listed as something separate from the normal edition,
possibly for billing/processing purposes.
Could someone confirm that this is actually the same full product as the
standard Sibelius 6.
Thanks,
You don't have to be a trombone player - I'm a horn player and I understand
it (but I did conduct a wind band for a while)
Cheers,
Lawrence
--Haroldo Mauro Jr. wrote:
No, and it is not intended to for score writing. Its purpose is to insert
music symbols into a regular text document, as
Did a gig last year and the soloist did just that.
Cheers,
Lawrence
2010/1/27 Dean M. Estabrook d.e...@comcast.net
I've wondered the same thing myself. I say it won't be long before an
ensemble will be playing with E books in front of them instead of paper
music ...
--
Hi David,
Thanks for your patience - I really needed leading by the hand in this - I'm
in very unknown country here. If you didn't mention a stage which seems
obvious to you then I didn't do it (like using png or actually having to
convert to greyscale)
I've done everything you said now and
Hi David,
My intelligence (or lack of it) is very difficult to insult!
Cheers,
Lawrence
2010/1/25 David W. Fenton lists.fin...@dfenton.com
On 25 Jan 2010 at 8:42, Lawrence Yates wrote:
When giving instructions on something like this I start with the
assumption that someone knows as much
I've just tried to import a pdf into smartscore - it won't let me. It says
that it can't import colour documents, even though the pdf is black an white
(by that I mean that it has been printed to pdf as a black and white
document, not just that there was no colour). It doesn't give me any options
Thanks Dennis,
Maybe I'm misunderstanding what David wrote:
I've had really great results importing PDFs downloaded from IMSLP using
the
SmartScore Lite that came with Finale 2003 (so, very outdated). Yes,
it makes many layout and accidental mistakes, but not enough that
it's worth it to
Right - thanks, it's the conversion to TIFF bit I was missing - I thought
you saying that I could just import my pdf's from IMSLP directly into
Smartscore.
I've just spent most of the afternoon on this and got absolutely nowhere.
The time would have been better spent typing the part into Finale
Are there any specific ones you want?
I was booked to play a few anthems at a ceremony last year and had to
arrange everything for brass trio (trpt, horn; trombone)
Cheers,
Lawrence
2010/1/22 SN jef chippewa shirl...@newmusicnotation.com
i came across this source...
euh, this one:
Interval 6
Key Alter -2
Cheers,
Lawrence
2010/1/15 RL raimund.lint...@t-online.de
Dear listers,
I am working on a handwritten score from 1840.
What do I have to set up for a Horn in D transposition in Finales db 'Staff
Transposition'?
Interval: ??
Key Alter: ??
Thank you.
Best
If anyone does this, could you please let us know how the crossgrade works -
what are the implications?
Cheers,
Lawrence
--
Lawrenceyates.co.uk
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
I'm very happy with Finale but I am increasingly being given Sibelius files
to work with and so am seriously considering buying Sibelius as well. This
offer, if, as someone has suggested, applies to older versions of Finale,
sounds very attractive but I don't want to give up my current Finale.
I can't find any mention of the need to be a student to qualify either.
Cheers,
Lawrence
--
Lawrenceyates.co.uk
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
I'm sure this has been covered before but it wasn't important to me then,
so apologies, but is there a way I can import Sibelius files into Finale? A
colleague has sent me a score in Sibelius which I could do to access fairly
quickly.
I'm on WinFin2006
Cheers,
Lawrence
--
Lawrenceyates.co.uk
Select time signature tool, double click the first bar of the section you
want in 2/2.
When the dialogue box opens, click on options
Select Use a different time signature to display
Select 2 beats in Number of beats and 2 in note duration which will give
you the cut time symbol,
Then un-check
Sorry, I missed out the obvious stage of initially selecting 2/2 before
going into the options box.
Cheers,
Lawrence
--
Lawrenceyates.co.uk
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
I don't know where you could get this - I would probably resort to simply
scanning it in (or is that in itself a copyright/no copying issue?)
Cheers
Lawrence
2009/10/23 dc den...@free.fr
Does anyone know where I could find a (free) font or a simply a graphic
file with the sign prohibiting
In Speedy, place the cursor on the chord - but not on a note of the chord
(eg on a c major triad place the cursor on an F) and press =
All the notes of the chord will tie over - just tried it.
Apologies if I've missed something and this isn't what you mean.
cheers,
Lawrence
--
Glad to hear it's sorted.
By the way, it's:
O frabjous day! Callooh! Callay!
but I understand the sentiment!
Cheers,
Lawrence
2009/10/19 Dean M. Estabrook d.e...@comcast.net
Ah Ha O Glorious Day, Calucaly .. for some reason, I just tried it
again, and it worked. Thanks for all the
Ask a technical question and there will be no shortage of people rushing to
help you.
During quiet periods when no-one is asking questions, people chat (and in
doing so, share information that may not arise from a question).
Cheers,
Lawrence
2009/10/16 Dan Tillberg d...@tillberg.org
As one of David's bad musicians I would welcome the subito to warn me of a
sudden change. I don't know what dynamic the winds are playing - what they
call forte in one passage may not be the same in another. Anything which
makes it clearer (and therefore saves expensive rehearsal time) is worth
I hate to throw cold water on this, and what I am saying does not detract
from anything previously said in this thread - composers should be paid for
their work obviously.
(And apologies if I have misunderstood the situation.)
But imagine this scenario.
A player comes to me with a request to
I think that was the point I was trying to make right at the start of this
discussion. (I need to learn to express myself more clearly!)
:-)
Cheers,
Lawrence
2009/8/23 Rod McDonald r...@iinet.net.au
and most players won't mind reading it as it is, because if you forget
about
the clef and
2009/8/21 John Howell john.how...@vt.edu
At 11:19 AM -0400 8/21/09, Kim Patrick Clow wrote:
Is there any sure proof way to figure what horns were used in the
music of this period?
Sure. You compare the written notes with the notes that were available on
the natural horns. Although it
In his orchestral music Mozart wrote very few notes that were not not
available naturally without much hand work, it was onlly in the concerti
that he included stopped notes. in his orchestral music these were limited
mainly to the top line F and Eb
Cheers,
Lawrence
2009/8/21 John Howell
If I've got this right, alto clef with 2 sharps looks like horn in D
(without the two sharps)
If it's for a modern horn player, write it out in treble!
Cheers,
Lawrence
2009/8/19 Martin Banner mban...@hvc.rr.com
Are there any 18th Century horn specialists on this list?
I have an autograph
Ever since I joined this list there have been constant references to
Finale's default output being substandard and needing tweaks.
Would anyone be prepared to list all those necessary tweaks so that those of
us who are less experienced might have a chance of producing output which
will not be
How do you select a passage in order to export it as a graphic - I can find
no way of doing this with the graphic tool open, if I select using the
select function, the selection disappears when I click on the graphic
function in tools.
I'm on WinFin2006
Cheers
--
Lawrenceyates.co.uk
Thanks - I had read the manual but had somehow managed to miss (three times)
what is now glaringly obvious.
I've just tried it, exported a selection and inserted it into MSWord with no
problems at all (that's presuming that it will print as it is on screen)
thanks again.
Lawrence
--
Thanks!
2009/6/16 dc den...@free.fr
Just received this. Not sure there are any real deals here, but someone
was asking recently about availability of upgrades in Europe.
Dennis
Finale 2010 Retail(due end of June)
€399
Finale 2010 Academic (due end of
Dear List,
I'm using WinFin2006.
Why is that when I use the lock four measures per system facility when
extracting parts, it does exactly that - except for the final system where
it puts three bars on one line then a bar by itself. Have I got some
setting somewhere which is causing this to
201 - 300 of 334 matches
Mail list logo
