I have a question about how to format page headings. I'm currently
using FinWin2K4.
How do I get the page headings on pages 2 and after to read [Title
Instrument]? Right now it reads [title] as formatted on the document.
I can change simple text easily enough, but ... how to format that
David McKay wrote:
My wife and I are using Finale 2004b. One issue I have is that when I
ask it to print 2 copies on my Samsung laser printer SCX 4521f, it
prints 4 or 6 copies each time. Printer doesn't misbehave with other
software.
Don't know if anyone has an answer for that one.
I Use
dhbailey wrote:
Chuck Israels wrote:
Of course, Shakespeare. (The Louis Armstrong of the English
language! :)
Oh, yeah . . .
And if you have to ask what that means, you'll never know. :)
cd
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Kim Patrick Clow wrote:
Good day:
My editor Brian Clark recently discovered that one of his editions
just appeared on cpdl.org. He's having a hard time though getting any
action because the website seems to be running on automatic (meaning
people can upload files without any moderator approving
Chuck Israels wrote:
Is there a way to load more than one library at a time? Document
Options, Expressions, Articulations etc., in one fell swoop? (Wonder
where that expressions comes from.)
Chuck
I dunno about libraries, but Fell Swoop comes from The bard. More
specifically, from The
Allen Fisher wrote:
This is a bad example. Apple controls all the pieces here, MM cannot
force Tobias to spend time updating the full version of TGTools.
Force? No. Entice? Probably.
cd
On Oct 21, 2009, at 8:48 PM, Eric Dannewitz wrote:
Again, this points to MakeMusic. One of their most
Dean M. Estabrook wrote:
Well, what you said worked until the part where I try to make the
cursor tie all possible notes in the chords. Then, nothing seemed to
occur at all. Hmmm
Are you sure? Sometimes you have to be zoomed in pretty close to tell.
And some notes might have
shirling neueweise wrote:
fireplace?
or manilla envelopes is easy, don't know if they come in a format that
would help you though.you could probably make your own folders out of
thick card stock, you can buy them in large sheets, like 23x36 inches or
something. a bit of string to holf
John Howell wrote:
At 5:46 PM -0700 10/2/09, Carl Dershem wrote:
Read The Gripping Hand by Larry Niven and Jerry Pournelle.
Science fiction with aliens who have 3 hands (one to hold things
steady, 2 for fine manipulation). Not their best work, but appropriate.
And no, they never mentioned
shirling neueweise wrote:
(grumblegrumblegrumblegrumblegrumblegrumble)
new version of TGTools works as expected...
fuu-cryinoutloud. man, i just finished most of the work
i needed it for ARGH!!!
Murphy watches out for us all.
cd
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Mark D Lew wrote:
I've seen some crazy dynamic markings, but pf is a new one to me!
I've run across it in performance, but it's kind of messy!
:o
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dhbailey wrote:
David W. Fenton wrote:
On 2 Oct 2009 at 14:22, dhbailey wrote:
Secondly, ...
And later:
Secondly, ...
Is that like the other left or are you one of those three-handed
folks, one the one hand, on the other hand, on the other hand...
:)
[snip]
Oops.
Read The
I'm working on a big band piece that has a section in 7 flats (C-Flat)
in the middle. Oddly enough, the guitar and bass parts are in 5 sharps (B).
FinWin2k4
Does anyone have any idea why Finale might do that? And if so, why the
guitar and bass, but not the piano? And not the trombones?
Darcy James Argue wrote:
Simplify Key is designed to avoid unwieldy, nonstandard keys (like,
ahem, Cb major, which IMO you *really* ought to reconsider) on
transposing instruments. In the vast majority of cases, this is what you
want. If a piece is in F# major, the clarinets should be written
Darcy James Argue wrote:
Should have been Bb and *Eb* instruments, obviously.
Cheers,
- Darcy
Well, except for the Bari player, who is always a little off anyway. ;
cd
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Klaus Smedegaard Bjerre wrote:
And advanced musicians also will understand that a Db and a C# is the same
during instructions. The number of sharps and flats shall always be kept as low
as possible.
Klaus
I always teach my private students that, for example, Gb should be
played/thought as
Ray Horton wrote:
That's a nice looking unit, Les! I've made a note of that.
Ray
Mariposa Symphony Orchestra wrote:
Hey, Ray --
My wife surprised me with an ASUS Eee 904AH for Christmas last year:
http://tinyurl.com/lwps9c
Yeah - pretty spiffy. External CD-drive??
cd
--
Noel Stoutenburg wrote:
All in all, though, except for installation, it's really a matter of
semantics. From the specs, provided one has an external DVD drive with
USB interface so that one can actually load the software, it appears to
me that Finale should run reasonably well on the smallest
http://www.zazzle.com/violin+ties
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Dan Tillberg wrote:
All,
I have been explicitely asked by my drummer to try to keep the drum part
down to two pages, which is understandable and should be possible for
parts where there might be long periods of slash notation without any cues
or other tempo/rhythm markings.
Hmmm...
I've been
John Howell wrote:
At 1:43 PM -0700 9/13/09, Carl Dershem wrote:
And of the drummers I work with, none like the play 8 bars style of
drum part. They all consider it a way for lazy copyists and arrangers
to get the point across.
Hmmm. I did that for years when I was hand copying
Blake Richardson wrote:
On 22 Aug 2009 at 12:19, David Fenton wrote:
What you get from New Yorkers is no nonsense, no chitchat, no false
courtesy.
As well as an amazing variety of profanity mixed in for good measure.
Everyone needs a hobby. :)
cd
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Daniel Wolf wrote:
I just found this PDF from 2005 comparing six programs; the Finale
output is embarassingly bad, but — unfortunately — a typical example
of how badly Finale has represented its product:
http://home.earthlink.net/~jfalbano/archive/Six%20Music%20Notation%20Programs.pdf
It
Lawrence Yates wrote:
Ever since I joined this list there have been constant references to
Finale's default output being substandard and needing tweaks.
Would anyone be prepared to list all those necessary tweaks so that
those of us who are less experienced might have a chance of producing
Okay -
I'm doing a chart, and the composer/arranger has put a thing in that
I've occasionally seen before, but never knew a name for, and I'm not
sure how to best mark it.
On the and of 2, there's an eighth note, which falls off, and then rises
again to hit with a hard attack on the 1 of
Chuck Israels wrote:
On Jul 4, 2009, at 2:09 PM, shirling neueweise wrote:
Look up Staff Lists in the manual.
actually i think he need to look up optimization... or the layout tool.
Hi jef,
Maybe so, but I thought he was simply talking about screen space while
working in Finale, not
Blake Richardson wrote:
I'm transcribing John Williams' handwritten score to Jurassic Park and
I've come across something I've never seen before.
One of the cues (originally titled Preparing to Meet the Monster and
titled Eye to Eye on the soundtrack album) has four percussion lines.
Three are
John Spicknall wrote:
I know from [non-jazz] friends on this list there is perhaps info
about entering chord notation here that is conventional jazz
notation--the kind of notation one might find in an Aebersold
play-a-long booklet. My use of Finale is generally limited to jazz
lead sheets,
Eric Dannewitz wrote:
Not necessarily..For example, when I am writing out something, I
frequently go through and block out chords, then go back and do the
duration. And speedy also lets me play or even keep sounding the chord
before and lets me play/mess around with different voicings
Barbara Touburg wrote:
Lee Actor wrote:
Phil Daley wrote:
I have a score that I hid rests in a long time ago and I have forgotten
how to do it.
Can someone help me?
Oh, is it possible to move rests vertically?
Thanks,
Phil
Yes, it's possible to move rests vertically -- click and
drag them
Dan Tillberg wrote:
I have tried to look in the user's manual but haven't found anything about
how Finale can be configured to play back brass muted. I notice that when
I enter the word straight as a text expression, Finale automatically
plays back with a muted trumpet (although it sounds to me
Dan Tillberg wrote:
OK, thanks. So I gathered.
But what about the automagic recognition of the word straight? Is that
documented? Is it configurable? Is it extendable?
/D
Automatic? Whaddya think this is, a computer or something?
Oh.
Nope - it's just a setting you have to configure
Allen Fisher wrote:
Hello List--
Since I have a bit of a different relationship with you all, I figured I
should let you know that I am leaving MakeMusic. Before anyone panics,
it has nothing to do with the health or the direction of the company, I
was presented with an opportunity that I
Eric Dannewitz wrote:
But.butwhat about the T-Shirts??? The last thing I got
from MakeMusic to upgrade featured a sporty Finale
T-Shirtenough to entice anyone right?
Ah - but the ne pas ultra version will include a tailored polo shirt
with your name above the Finale logo.
trumpe...@verizon.net wrote:
I'm using Finale 2007 with Windows XP Pro. When I Type into Score
from the chord menu C7(#5b9), it types C7(#5B9), a B, not a flat
even after I hit the spacebar, AND it prints that way. The
fonts are set on Chord Symbol---Jazz Text 22 Plain, Chord
Phil Daley wrote:
At 2/12/2009 05:28 PM, David W. Fenton wrote:
On 12 Feb 2009 at 17:12, dhbailey wrote:
Blake Richardson wrote:
Actually it was original at the Xerox PARC (Palo Alto
Research Center) and Apple stole it from them and then
Microsoft stole it from Apple
No,
dhbailey wrote:
John Howell wrote:
At 12:44 AM +0100 2/11/09, Barbara Touburg wrote:
dhbailey wrote:
At least that's what's happened with other programs I've used which
allow the user to turn off the splash screen -- I just look at the
desktop for longer before the program actually
dhbailey wrote:
Brian Williams wrote:
I see the Play Only on Pass checkbox in the Playback tab of the
Expression
designer, but I don't know what to set in the Type popup. I've tried
setting it to None, changing the channel to an unused one on the pass I
don't want it to play, and setting the
Eric wrote:
Hi all,
I thought I’d
let you know that three new commissioned works for big band (all done in Finale
:) will be
premiered in the span of two weeks (that’s a first for me!) If you’d
like to hear any of the performances, here are the specifics:
Congratulations! It sounds like
Christopher Smith wrote:
On Jan 24, 2009, at 6:38 PM, Howey, Henry wrote:
I was a member of The American Wind Symphony many years ago. One of
the tunes we did was (I thought) the original instrumentation for
Newly's Broadway show, but I am not sure. It was exciting as it was
only winds and
Christopher Smith wrote:
On Jan 23, 2009, at 12:10 AM, Ray Horton wrote:
Regarding the falset notes, which you call Privileged frequencies ...
unstable ... and imply that A very high level of expertise is
needed for them: I teach them to junior high students, so when they
purchase a
I work with a youth band, and we are having a fairly big concert soon as
a fund raiser. One of the several Guest Artists that will be performing
with us is a local celebrity of a sort, and performs regularly with
small combos around town, and has written several tunes that he does
with
Brian Williams wrote:
How do I set an expression or repeat text to make Finale *not* play a
passage on a specific staff the first pass but do play it on the 2nd pass of
a repeat? Does this require some convoluted work-around?
When you define the expression, under the PLAYBACK tab, there is a
Ray Horton wrote:
Christopher Smith wrote:
On Jan 17, 2009, at 7:06 PM, Adam Golding wrote:
Incidentally, if you want an F#m triad with a D added, you would call
it F#m(b6) in the most standard system. This is the second chord in
the James Bond main theme, in case anyone thinks it is too
James Gilbert wrote:
I'll echo the recommendation on the Ricoh AP610N. For the price, it's
not bad. There are better printers out there. I've had it less than a
year, but it does quite fine. It prints 11x17 and similar metric
sizes. I never tried envelopes until now but it is doable via the
Richard Smith wrote:
I have never understood the use of the jazz fonts. When I was a hand
copyist, the goal was to look as much like printed music as possible. I
do find most of the jazz fonts very readable and understand that there
may be some psychological advantage for jazz musicians. I'm
Darcy James Argue wrote:
You should *never* use just M or m for chord symbols, regardless of
the font.
I know Christopher disagrees, but I prefer either the geometric symbols
(? and -), or MA and mi.
I believe Christopher uses Cmaj7 (which is okay, though I *greatly*
prefer CMA7) and Cm7
Dean M. Estabrook wrote:
When I want to assign an expression, say, a rit. to all staves, I
properly get handles on them all. Now, if I want to adjust one or two
of those expressions, is there any way to move them one at a time
rather than when one is selected, all are selected and ergo, all
Dan Tillberg wrote:
Hi folks,
When arranging for big band, there might be for instance three separate
long choruses which essentially repeats in piano and guitar since the rely
on the same chord pattern even though the horns have three totally
different designed choruses. In the score, pi/gui
I recently got a few latin tunes to print parts for, and I;'m wondering
what patches sound best for Timbales and Bongos.
Using WinFin 2K4.
cd
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dc wrote:
Johannes Gebauer écrit:
I want to clean up some facsimile copies I have of old music prints.
Ideally I'd like to scan them into Acrobat, then apply some filters,
and edit them slightly with an eraser. Ideally everything should be
done in the PDF format, to keep small file sizes and
Giz Bowe wrote:
At 11:14 AM 8/25/2008, you wrote:
I encourage any comments you have, but especially appreciate a
description of your most negative experiences with the Finale help
resources and perhaps any ideas regarding its improvement.
I don't like having to use Internet Explorer to
My brother just bought a new PC with Windows Vista on it, and wonders
how to transfer his Outlook address book and bookmarks to it. Do any of
you with less obsolete technical skills than I have any hints?
TIA
Carl
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Chris Bell wrote:
On Aug 10, 2008, at 9:57 PM, Darcy James Argue wrote:
In fact, I think anyone would be hard-pressed to complain about the
instrument selection for JABB -- it is amazingly comprehensive. They
actually have MORE instruments than they list on the product page:
. . . . I
Darcy James Argue wrote:
Hi Craig,
The range is realistic -- jazz tenor trombone players almost never have
an F attachment. I am sure the players they sampled for the JABB
trombones did not have an F attachment on their horn.
Hm. About half of the ones I work with (and have worked with in
Andrew Stiller wrote:
On Aug 2, 2008, at 3:45 PM, John Howell wrote:
BST ... debuted in November '67, reformed in their best-known
configuration with David Clayton-Thomas in '69, and have bumbled along
to the present day like so many other bands, with constant changes in
personnel and
John Howell wrote:
The two bands I'm thinking of were, of course, Blood, Sweat and Tears
and the original Chicago Transit Authority.
Well, those bands are actually products of the late 60's, but I see
where you're coming from.
That said, I look at doubles as obstructions to clarity. Yeah,
Ray Horton wrote:
Christopher Smith wrote:
Thanks, man!
I took the survey. Anything to save the cost of upgrading yet again.
One of the questions asked, Where do you go for technical support?
One of the possible answers was the user manual (snicker), but
notably missing was The Finale
Kim Richmond wrote:
Dear Listers,
This is to let you know about the Memorial Tribute concert to
celebrate the life of the late composer/pianist Bob Florence.
WHAT: Bob Florence Tribute Memorial concert
WHEN: Sunday, June 15 (Fathers' Day), 2008, 1 PM to 5 PM.
WHERE: CATALINAS Bar Grill,
John Blane wrote:
Sorry to pass this on but I'm sure many of you would want to know.
Begin forwarded message:
From: ALEX ILES [EMAIL PROTECTED]
Date: May 15, 2008 6:51:24 PM CDT
Subject: [Trombone-l] Bob Florence
I am very sad to report the passing of pianist, composer, arranger
and
Andrew Stiller wrote:
This is to let everybody know I'm back on the list. I had a
heart transplant on 11/14/07, and recovery has been long and difficult.
Welcome back, and I hope you're feeling at least somewhat better, and
continue to improve!
cd
--
Adam Golding wrote:
I've never written music for solo percussionist before--do you guys do
percussion diagrams in Finale? is there a resource i can look to for advice
on how to do this?
Step 1: Talk to a good percussionist.
cd
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John Howell wrote:
OK, to ask something seriously, did you have any trouble learning to
adjust your slide positions when you had to pull your F slide to E?
To E?? I've played on horns that allowed you to switch it to G, but ...
what possible benefit would you getb from tuning to E?
cd
--
Robert Florence wrote:
For jazz writers,
I have a 300 bar score for 5 trumpets, 5 trombones, 6 woodwinds and
piano, bass, guitar and drums. Much of the piano is written out.
How long would it take you to complete this task? This is only for a
score. I'll get into part hell later.
Thanks,
Christopher Smith wrote:
On Feb 3, 2008, at 12:23 AM, Carl Dershem wrote:
I've been working with a youth band for a coupe of years now, and have
come up with a few expressions that, if they don't necessarily exist
in print yet, probably should.
Of course, expressions are usually in Italian
I've been working with a youth band for a coupe of years now, and have
come up with a few expressions that, if they don't necessarily exist in
print yet, probably should.
Of course, expressions are usually in Italian. Perhaps some of you have
others of your own you could add to the list:
Pierre Bailleul wrote:
Hi all,
Do you think it's easy and practical to use a tablet pen with finale?
- Instead of a mouse?
- or with a mouse?
Thanks for your responses.
Pierre.
(Wacom intuos or another one?)
I have a Wacom tablet, but really don't find it any more convenient to
use than my
Horace Brock wrote:
I'm working in Fin2k8 for Windows. How do I put in the scoop up to the
first note of A String of Pearls (as performed by the Glenn Miller
Orchestra, music by Jerry Gray)?
It's an articulation. In the Jazz preset, #68 works well for me.
cd
--
Dean M. Estabrook wrote:
How does the Flash Drive stack up as an option for backing up files?
Dean
I got a 4GB flash drive for christmas last year and backup all of my
essential data on it. So far there's been no degradation.
cd
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Chuck Israels wrote:
Collective wise ones:
What is the best way to create a page of performance notes that includes
text instructions and small (one measure) musical excerpts?
Can a word processing document (formatted with musical inserts) be
dropped into a Finale page in toto? I have not
Leigh Daniels wrote:
Just curious: do the dotted versions scan better than the tied
versions? I get requests from players to replace dots with ties.
**Leigh
Depends on what you're used to, and how much practice you have at
both/either. I prefer dots myself, but some people don't see them
dhbailey wrote:
Ray Horton wrote:
Here is a puff piece in the Louisville rag. Don't believe everything
you read:
http://www.courier-journal.com/apps/pbcs.dll/article?AID=/2007/COLUMNISTS06/70506
Nice piece, Ray! I don't believe everything I read in the newspapers,
but that
Leigh Daniels wrote:
Because it's the National Post, I'll bet the producer of the note is
well-known Canadian trumpeter Guido Basso.
**Leigh
On Fri, Nov 9, 2007, Margaret whitby [EMAIL PROTECTED] wrote:
Twice in recent weeks one of the clues in The National Post (Canada)
crossword puzzle
I was talking to a guy at a rehearsal tonight, and he was asking about
*affordable* notation programs.
What would you recommend for a good, but not wealthy, musician who was
not intending to be an arranger or engraver?
TIA,
Carl
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Eric Dannewitz wrote:
Oh wow. Give Bob our wishes for a speedy recovery.
Kim Richmond wrote:
Bob Florence is badly laid up with a back condition (4 operations, and
now a cracked rib), and not reading e-mail at present. If you want his
e-mail address, please contact me personally. He does
Dean M. Estabrook wrote:
My posts to Finale do not seem to be making it to the list anymore ...
is anyone out there?
Dean
Not me. I'm not anywhere any more.
cd
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Ray Horton wrote:
Since I got my computer running again, I'm not getting much mail on the
three lists with which I keep up. Has mail here been particularly light?
Raymond Horton
Yeah, pretty much.
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Andrew Stiller wrote:
Hi, My husband, Andrew Stiller, is in the Hospital of the University of
Pennsylvania again with heart trouble. So many hospitalizations this
year that I can't quite remember, 3 or 4. He wants me to temporarily
suspend his Finale E mail. I thought I remembered his
dc wrote:
Barbara Touburg écrit:
Is there a place on the net where I can find the correct tempi for
various dances? I'm working on a berceuse right now and I would like
it to play back at the proper tempo.
Well, a berceuse isn't a dance but a lullaby...
There may be some overlap. I've
Guy Hayden wrote:
I have found that trumpeters who do not play cornet will insist that there
is no difference between the two instruments. OTH, cornetists will insist
that a marked difference exists. As both a band and orchestra conductor I
do recognize a difference in the sound. Mind you, I
Chuck Israels wrote:
I had the pleasure of knowing Max. We met sometime around 1957 when his
quintet with Clifford Brown played at the Teenage Jazz Club at
Storyville in Boston (I was a teenager), then again at the Lenox School
of Jazz in 1960. I was with Max in Sandpoint, Idaho on the day
[EMAIL PROTECTED] wrote:
It looks like my current monitor is coming to the end of its life, so
I have been considering what to get as a replacement. LCD TFT
screens seem to be the only option now, but what opinions does the
group have on wide-screen versus 4:3 or similar square formats? Does
Leigh Daniels wrote:
What Carolyn said!
I'm also using an Apple 30 Cinema HD display (wide-screen) and it's
unbelievably great running at a resolution of 2560 x 1600 (!) on my quad
G5. A flat screen this size has been a 30-year dream for me! It's plenty
bright, too. I run it at about 60%
Bruce Clausen wrote:
I've been pondering whether to get the Finale 08 or Sib5. After seeing
the remarks of the past few days I believe I will invest in the Sib and
see how it goes. I've always used Simple Entry, with mouse and computer
keyboard, so the learning curve may not be as steep. I,
Robert Patterson wrote:
Here is another sentence (not with prepositions) that is completely
grammatically correct:
Buffalo buffalo Buffalo buffalo buffalo buffalo Buffalo buffalo.
There is a wikipedia article with a sentence diagram here:
http://en.wikipedia.org/wiki/Buffalo_buffalo
The short
Aaron Rabushka wrote:
Can we take the Buffalo gals instead?
Not sure. But at least we can ask if they can come out tonight.
Robert Patterson wrote:
Here is another sentence (not with prepositions) that is completely
grammatically correct:
Buffalo buffalo Buffalo buffalo buffalo buffalo
Dean M. Estabrook wrote:
Well, Buffalo is generally meant to imply running one by some one;
putting one over on; confounding one ... etc. Actually, my dictionary
offers:
verb ( -loes, -loed) [ trans. ] (often be buffaloed) informal
overawe or intimidate (someone) : she didn't like being
Andrew Stiller wrote:
Use your graphics editor to resize the picture to, say, 1/8th its
present size (i.e., 1/2 your screen size). This is done through a
process of resampling that will not reduce the quality of the image.
No joy. I reduced the image to 12% of original size (208 Kb), but it
[EMAIL PROTECTED] wrote:
I can get the notes in both staves, but I can't find anything on showing
them with their stems connected between the staves.
Thanks,
Frank
Look up Cross-staff beams
cd
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Williams, Jim wrote:
Now they're back...HEPPP!
Are you using Outlook? It formats messages that way.
cd
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Rob Deemer wrote:
The request for new topics plus the fact that there's a Mythbusters
marathon
going on got me thinking about confirming or busting a notation myth. I've
heard many composers state that composing/arranging on paper with pencil is
not only preferable but artistically better than
Christopher Smith wrote:
On 20.06.2007 Bob Florence wrote:
Do you all know the term underscore as used on a computer keyboard.
I do. However, a friend told me he always had trouble using this one.
It's shift dash_. I want to use this in my e mail address.
Heh, heh, I think I know why he
Christopher Smith wrote:
On Jun 20, 2007, at 8:59 PM, Carl Dershem wrote:
Christopher Smith wrote:
On 20.06.2007 Bob Florence wrote:
Do you all know the term underscore as used on a computer
keyboard.
I do. However, a friend told me he always had trouble using this one.
It's shift dash_
Bob Florence wrote:
test
Bob Florence
Multiple-guess, essay, or fill-in-the-blank?
cd
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Aaron Rabushka wrote:
Janacek's bass trumpets in the Sinfonietta, anyone? of the e-flat bass
trumpet in the Rite of Spring?
Did the Janacek a few years ago, and we used valve trombones for bass
trumpets. For the ROS ... Peck-horns, anyone? :)
cd
--
Bob Shuster wrote:
I've been trying to no avail to print a score to large (tabloid - 11x17)
paper from Finale. I've tried adjusting the page setup, tried all sorts
of stuff in the print dialog, tried all sorts of settings with my
printer - all to no avail.
Setup is MacPro (Intel) running OS
Raymond Horton wrote:
I'll be here all week, folks. Don't forget to tip your waiters.
How many degrees, and in what direction?
cd
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Henry E. Howey wrote:
I wonder how much of the language fear is sheer ignorance. I learned
Spanish at age 11. As a result, several other languages were later not
such a problem. I tend to feel guilty when I'm in a country with a
minority language that I don't know it.
I dunno, but I can
Christopher Smith wrote:
Hi, this message didn't seem to make it through the first time I sent it
(at least, I didn't get it back from the list!)
C.
The non-unicode ½ symbol is Alt-0189
cd
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Dennis Bathory-Kitsz wrote:
Hi all,
I'm sending this again. My requests about graphics here seem to vanish.
There must be *somebody* who works with graphics in Finale! :)
The first one didn't vanish, but:
A) I don't use a Mac
B) I've never embedded a graphic
so I have no useful
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