Huge Thanks to Trinity College Music Dept. for such a wonderful New
Year's Gift. And to Andreas for breaking the news :)
Happy New Lute Year To All!
G.
On Wed, Jan 1, 2014 at 7:03 PM, Andreas Schlegel lute.cor...@sunrise.ch wrote:
Happy new year - and have a look at:
Hi Graham
İ wrote them in April, and this is what they responded:
Dear Sir,
we are still waiting for the last pieces from Paul O'Dette; then we
will be able to publish the volume.
I don't know how will do it cost, but I am sure that it will not cost
over 35-40 euros.
Best regards,
Danke Sehr Andreas!
Verdammt for you! But looks like very fine music for 11 course.
Clearly written and not (?) too difficult. I'll have a go :)
G.
PS. Any other nice baroque lute mss. at BSB? Hurra für BSB!
On Mon, Sep 13, 2010 at 8:08 AM, Andreas Schlegel
lute.cor...@sunrise.ch wrote:
Ed, many of those links do not work any more!
On Fri, 2 Nov 2007 18:29:05 +0900
Ed Durbrow wrote:
Here are some URLs to get you started:
http://www9.plala.or.jp/edurbrow/webtab.html
On Nov 1, 2007, at 8:21 PM, Joshua E. Horn wrote:
Scratch that, where is some lute
He definitely has a marker on the 7th fret in this old clip at least!
On Fri, 2 Nov 2007 07:04:37 -0400
Robert Clair wrote:
ha,
did you noticed: PoD has a marker on the 7th bar!
i need one too!
The no marker on the 7th fret is a self-flagellating
lunatic
David,
I take my hat off to you. This was a delight to behold and is by far the
most impressive stuff I've seen on the net so far! Youtube has definitely
got some catching up to do. Congratulations!
B.R.
G.
On Wed, 17 Oct 2007 20:26:44 -0700 David Tayler wrote:
I've been
After some more listening, the following pieces on CD-1 also sound somewhat
Kaspbergian in idiom:
Nrs. 6 - 17 - 22 - 23.
G.
On Wed, 13 Jun 2007 10:57:37 +0200
LGS-Europe wrote:
Track 6 on cd 2 does sound like a duet!
On my cd it's Gagliarde III from the second
Hi,
I tried to order it from Kruitvat, but they don't seem to cater to outside
Pays Bas.
Also searched for it on Amazon.de, without result.
G.
On Fri, 11 May 2007 12:51:04 +0200
Gernot Hilger wrote:
Thank you, David.
I do not know whether Kruitvat ships outside
Dear Wayne and lutelist,
I must say, that I'm very disillusioned by this move to make what has
previously been an open forum, a censored one. It brings forth nasty
memories from the past, as well as orwellian ones. We are all perfectly
capable to decide for ourselves what we wish to read and
Dear Wayne,
as much as I understand your resons for wanting to shut MO out, I think that
if we start to apply censorship to/in this free and open forum, we would
rather be shooting ourselves in the foot!
Best R:s
G=F6ran
On 8/27/05, Wayne Cripps [EMAIL PROTECTED] wrote:
Dear Mr.
[FWD] From Wayne's site:
tab by mail
The most productive professional tab users use tab by mail. They don't
have to worry about setting it up on their machines and always have
the latest version.
You can send tab source to the e-mail server,
[EMAIL PROTECTED] as part of the body of your message
Dear List,
Ariel's pledge for the duets of V. Galilei might stem from the
following paper by Dinko Fabris. (So sad he's not on this list!). The
whole text is available on the net, a.o. in Magnatune's Paul Bier
recording of Michelagnolo's 1620 book.
Born in Florence the 18th of December 1575 (as
PS.
Further research yielded the following from New Grove, so Nr. 3
might just be the one. I'd also love to get my hands on that one. Does
anybody here know of it?
B.R.
G.
WORKS
1. Intavolature de lauto, madrigali e ricercate, libro primo (Rome,
156323); 17 ed. in IMi, iv (1934)
2. Il primo
WELCOME to the forum of the WW LUTE heavy boxing Championships.
All bets are welcome, at www.lutebash.com
For todays odds, pls. see www.todaysodds.lute.com
Newest arivals:
Mathanya - Turovsky (Odds: 0, to 1)
Mathanya - Arthur (Odds: 0, to 3)
Old combattants:
Thames versus LL
Dear List,
to the presumably few who'd take a peek at ft2 edition of the
Capirola; pls. specify tab format: modern, italian or french w/
ciphers on or above lines. The file is zipped [85 kb] and locked,
allowing page formatting without saving.
B.R.
G.
To get on or off this list see list
Stewart McCoy wrote:
Dante Rosati has suggested that to play dedillo the right-hand thumb
should support the index finger, as if there were a plectrum in
between.
FWD:
From: G.R. Crona [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Subject: Re: Narvaez and 4c technique
Date: 15 February 2002
Dear Bernd,
many thanks for your effort in supplying these texts.
As I don't speak french, I'm unfortunately none the wiser.
This [OT] topic probably only interests less than a dozen people on
this list anyway.
Do you know if it has been debated on the EM-net?
I'd like to join that list. Do
Thanks a lot Arto!
on the same site, I believe this is the actual album I heard.
http://www.amazon.com/exec/obidos/tg/detail/-/B00R2J/ref=pm_dp_ln_m_2/103-5178046-9712631?v=glances=classicalvi=samples
Fascinating!
B.R.
G.
On 6/9/05, Arto Wikla [EMAIL PROTECTED] wrote:
Hi all
I did
I wasn't aware of Codex Chantilly, Solage or Fumeux Fume before
listening to a radio program last Sunday.
Shows how huge holes we have in our knowledge! ;)
FWD:
Date: Wed, 24 Apr 1996 20:48:30 -0500
Reply-To: Early Music List [EMAIL PROTECTED]
Sender: Early Music List [EMAIL
in a waterglass? The music I heard was quite
amazing though, and seemed to fit the drug theory...)
B.R.
G.
Hi all,
On Mon, 6 Jun 2005, G.R. Crona wrote:
surrealistic. The music was definitely what you would today call
avantgardistic, although still (barely) inside the musical idiom or fold
Dear Mathias,
I know that! The text in this vocal piece seemed to leave nothing to
doubt though, with lines like head in the clouds of smoke lost in
the smoke or similar things. Quite extraordinary...
B.R.
G.
On 6/8/05, Mathias Rösel [EMAIL PROTECTED] wrote:
G.R. Crona [EMAIL PROTECTED
Rainer wrote:
from my database:
5609 57/2 The rich Jew copied from 1186, Brookes No. 939, keyboard
1186 100v/2 ye rich Jew. Brookes, No. 939, keyboard
Dd.5.21 12r ???, recorder
Dd.9.33 38r/2 de Jerr a mort, lute
Dd.3.18 48r The Jewes Dawnce. R Nicolson [index:] Jewes Dawnce., lute
Dd.9.33
Hi,
just goofing hindsightedly (469 yrs.), trying to see what Neusidler was
really saying. [My brackets]
Here follows the Jew's dance, and whoever wishes to play it, must tune the
Lute differently. Here is the tuning. First tune the 5th course and the
small strings which lie next to the 5th
Hi,
Now, with a little help and reading through the facsimile, I believe
that this should be a more correct version. As said, tune the 5th and
4th courses to D and leave 3rd 2nd and 1st courses as they are. So
it's to be played on a five course lute... Hmmm... could be quite an
old piece then
Hier volget der Juden Tantz, und wer ihn schlagen will, der muss die Lautten
anders ziehen. Nun volget der Zug/ zieh Erstlich den Mitlern Brumer und die
klein Saitten/ die Newen dem mitl Brumer stet/ der zieffer furn/gleich als da 4.
und den klein Brumer. Muss gleich lautten/wie der mitl Brumer
There are lots of examples, as Kenneth says.
Phalese has 4 (!) in his Livre III 1547 publication, (the one edited
by Teghi) Descendat bassus uno tono (maior neruus)
Berberis 1549
The famous Italiana attributed (mistakenly?) to Galilei, has its
equivalents in some Branles in Besards Thesaurus
Gary Bryan wrote:
In other words, the archives for this list are not closed and
are searchable by Google and other search engines.
Correct me if I'm wrong, but I believe that what is searchable by
Google are the messages posted in
http://www.mail-archive.com/lute@cs.dartmouth.edu/ , which Wayne
Talking about threads or Verbindungen, they seem to be all over
the place. And the style brise, or broken style, (one of the lutes
many fine techniques, found already in a Marco fantasia (#?), became
the rage (in France/England) from the beginning of the 17th century,
starting with Francisque,
Follow up question:
Does anyone have this article by Beier readily available?
B.R.
G.
On 5/8/05, Nancy Carlin [EMAIL PROTECTED] wrote:
Here is a note from Paul Beier about his divisions.
Nancy Carlin
Thanks for this interesting message. The extra divisions in the Galilei
recording come
Hi Arto,
you are one of the (if not the) oldest contributors to this list, and
have been with it from the beginning. I'm sure that many of your
contributions have been insightful and worthwile for many lutenetters.
Perhaps it even gives you some kind of special rights, to do what
you do every
Dear Ariel,
if you read my mail carefully, you will notice, that I nowhere in it
say that these are my own views about the USA.
I specifically abstained from having any personal views. Thought
that this came across...
On 5/6/05, ariel abramovich [EMAIL PROTECTED] wrote:
Dear G=F6ran,
I
states, would you automatically
start to evaluate me according to your list of
american ills (as listed in your previous contribution
below) as we speak or would you even see me at all?
- bill
G.R. Crona [EMAIL PROTECTED] wrote:
Hi Arto,
you are one of the (if not the) oldest
On 4/30/05, Mathias Rösel [EMAIL PROTECTED] wrote:
No mention of runs with thumb-index which are so common in Gaultier and
Gallot and Mouton, and still occur in Reusner.
Did you look on page 71 Daumenschlag 3: Wechselschlag zwischen Daumen
und Zeigefinger?
Also a few bars in Gavotte page 74 and
On 4/28/05, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
My first tutor was Giesbert's book (only the very first starting exercices)
and then Satoh's book which is usefull if you already have played the
renaissance lute. If one should start lute playing with the baroque lute
Giesbert is still
Grüssdich Mathias!
No, you're right about the un-HIP part. We know more today, 66 yrs after G.
It's still a nice work, both of art and otherwise. And the Bach suite
is the same one as the easiest one of the guitar transcriptions, as it
becomes a-minor for guitar, so many are familiar with it.
On 4/27/05, Martin Shepherd [EMAIL PROTECTED] wrote:
Dear Ed and All,
I wouldn't describe the 9c lute as something of an oddity! There's
probably more music for 9c than for 10c, and it was obviously very much
in evidence in England. Just to name a few sources: Francisque (1600),
Besard
Hi Nancy,
interesting website! As i don't have ADSL broadband I couldn't get it
to work though. Some of us are unfortunately still battling in a
stone-age environment...
Best Regards
Goeran
On 4/19/05, Nancy Carlin [EMAIL PROTECTED] wrote:
I listen to a number of the radio stations on
Very nice Arne, did you compose them yourself? Not strictly podcasting
though in my understanding of the word. It's quite a new format, but I
see a great potential here for all of us interested in the Lute. Just
thought someone had been a poineer already, but I was wrong.
All the best!
Göran
On
David,
I see podcasting more as a way to replicate home-made radio programs
on the net. That means taking up lute issues like in a radio program,
f. ex. incorporating music, but not necesarily. Like discussing tuning
issues with sound examples, comparing versions of pieces, analyzing
lute matters
Hi Gabor,
this is really amazing. What a beautiful monster! And what a threat to
all lutenists. Now any keyboard player can play the canon, no matter
how difficult virtuosicly. And incorporate all harpsicord music as
well. This might be something of a revolution when it comes to lute
music.
Best
But on closer scrutiny, not such a threat after all, as the sound was
not lutenistic at all, it sounded almost like any other harpsichord.
But it looks fantastic.
G.
On 4/18/05, Domjan Gabor [EMAIL PROTECTED] wrote:
Dear all,
A couple of years ago some members of the list helped me when I
No, no, you're getting it all wrong.
I never said you should not pay for downloading magnatune music.
What I'm saying, or rather asking, is:
Is there any podcasting out there on lute related matters? If not, I
believe there should be.
The whole idea about podcasting is to upload home-made
On 4/17/05, G.R. Crona [EMAIL PROTECTED] wrote:
No, no, you're getting it all wrong.
I never said you should not pay for downloading magnatune music.
What I'm saying, or rather asking, is:
Is there any podcasting out there on lute related matters? If not, I
believe there should
Hi,
does anyone know of links to lute related podcasting?
G.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
and this one does'nt qualify
http://wired-dude.blogspot.com/2005/03/lisa-david-show.html
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Fletcher [EMAIL PROTECTED] wrote:
Sorry, not yet on Broadbean...
-Original Message-
From: G.R. Crona [mailto:[EMAIL PROTECTED]
Sent: 16 April 2005 08:56
To: lute@cs.dartmouth.edu
Subject: Lute related podcasting
Hi,
does anyone know of links to lute related podcasting?
G
Yeah, Chris, please do! Would be very sought after and much appreciated.
Best Regs
G.
On 4/16/05, Christopher Schaub [EMAIL PROTECTED] wrote:
Does anyone know of jazz standards arranged for ren or baroque lute? I looked
in the tab archives and couldn't find much. The holiday tabs in the LSA
I would say, probably FdM. It's not in Galilei's style, and many of
FdM's traits are there. And GOOD music too.
On Apr 11, 2005 1:23 PM, Wolfgang Wiehe [EMAIL PROTECTED] wrote:
hello all,
the six recercars in galileis 1563 print (ness 68 to ness 73) are unica
and seems to me a little bit
I've always been a heretic in lute-matters, but am quite happy playing Weiss
on a guitar tuned to D-minor while octavating the basses. Perfectly viable.
Also, the 11 string guitar is by no means a new invention. The swedish
guitarbuilder Bolin was making his Altguitars already in the 60's.
Of Course,
but you can't deny the availability of accessing Weiss in an easy way, my way ;)
On Apr 7, 2005 7:38 PM, Thomas Schall [EMAIL PROTECTED] wrote:
exactly my point! Thanks for that, Alain!
Thomas
Am Donnerstag, 7. April 2005 19:30 schrieb Alain Veylit:
I have two remarks on the
Two: lute music relies mostly on first positions, whereas the guitar
not only allows for high position fingerings but often sounds best in
the higher positions.
Does lute music mostly rely on first positions??
Come on
To get on or off this list see list information at
Hi Allan,
a quick delight search gave the following:
Bacheler's Delight [Bacheler]
Delight Pavan [Johnson]
Delight Galliard [Johnson]
Griffe's Delight [Robinson]
Mathew's Delight [Mathew]
Mistress Norrish's Delight [Dowland]
Mrs Elisabeth Murcott's Delight [Pilkington]
My Lady Mildmay's Delight
Dear Ron,
Many txs for your hilarious recipe. I tried it out with a twist though,
using Vodka instead of whisky, (better for your liver, although still, one
of the most destructive drugs you can use), and chicken instead of turkey.
But something must have gone terribly wrong, 'cause I found
Yeah, me too ...
- Opprinnelig melding -
Fra: Arto Wikla [EMAIL PROTECTED]
Til: [EMAIL PROTECTED]
Sendt: 13. oktober 2004 08:27
Emne: Re: so quiet around here it's spooky
|
| Dear Ed
|
| Why isn't anyone posting to the lute net recently? What, are you all
| practicing?
|
| I
Fra: Antonio Corona [EMAIL PROTECTED]
A rough definition of the vihuela could run in these
terms: a guitar-shaped (a polemic description, I'm
aware, but also a practical one) instrument used in
15th- and 16th century Spain and areas of Spanish
influence, strung with 5 or 6 courses of strings,
I can vouch for Milan / Spanish tab to be really easy to be able to hear
unplayingly!
G. R.
- Opprinnelig melding -
Fra: [EMAIL PROTECTED]
Til: [EMAIL PROTECTED]
Sendt: 14. september 2004 14:02
Emne: Perhaps of interest
|
| Dear all,
|
| I once more wondered about tablature, and this
and that the majority of them were owned by armatures
They were truly nucular! ;)
Like this piece: Aria del gran Duca, found both in Besard 1603 and this
version (E.M.)
***
-t
-f
{Praeludium}
b
2fda a
3d
xc
xa
x d
x c
x a
x d
x b
x a
x c
x a
x b
x d
x b
b
x a
x b
x d
x a
x b
x
Hi Lutepeople,
I've recently been gently pushed into the 1600 to 1640 frame, by a.o. James,
and found this passage in Mertel's introduction from Mathias' translation:
For although we Germans are not used to the so called French tablature,
exercise and practise will easily overcome what is
Peter,
This tab was made from a midi file, found on the net. You might have
to move a note or two to a lower string, when playing in the upper
positions, but otherwise it looks ok.
As it's a nice piece, others might wish to try it also, I therefore post it
on the net as well.
Best regards
these in *.tab.
Besard 1603
2 in 40032
Schele
Königsberg/Vilnius
Bacheler
Adriaenssen 1584
M. Newsidler 1574
Jobin 1572/3
Danish koral book version, thanks Arne!
Any other good versions?
Best regards
Göran
- Opprinnelig melding -
Fra: Ed Durbrow [EMAIL PROTECTED]
Til: G.R. Crona [EMAIL PROTECTED
Dear Ed,
could you pls. substantiate why it should be Hove and not Dowland? Is the
Hove version identic or similar to the one in Poulton's book? Does that
prove anything?
B.R.
G.
- Opprinnelig melding -
Fra: Ed Durbrow [EMAIL PROTECTED]
Til: G.R. Crona [EMAIL PROTECTED]; lute list
Right, Ed, I recall that now. What triggered my interest now, was finding
the Bacheler version on the net.
Best regards
Göran
- Opprinnelig melding -
Fra: Ed Durbrow [EMAIL PROTECTED]
Til: G.R. Crona [EMAIL PROTECTED]; lute list [EMAIL PROTECTED]
Sendt: 16. juni 2004 02:14
Emne: Re
Dear List
I'm trying to put together a program of the famous continental tune Une
Jeune Fillette, known in England as The Queens Almaine (by a.o. Byrd; is
there a lute version of Byrd?), in Italy as La Monica, and in Germany as the
chorale Von Gott will ich nicht lassen.
So far I managed to find
- Opprinnelig melding -
Fra: bill [EMAIL PROTECTED]
Til: G.R. Crona [EMAIL PROTECTED]
Kopi: lute [EMAIL PROTECTED]
Sendt: 15. juni 2004 14:37
Emne: Re: a rose by any other name
dear göran -
your charango with the synthetic back sounds interesting - fashioned
after an ovation guitar
Hi bill,
vihuela of the conquistadores, to me would imply that, as they had to
travel, (often arditiously) this would be a kind of early travelling
instrument, therefore smaller in size than the normal vihuela. Interesting
implications for the organologists! (like f.ex. today's Martin Backpacker
Hi gang,
I'm playing some golden age and Milano at the moment, and suddenly
realize, that (for me) much of the music actually gains in stature by not
being played too fast (cf. La compagna). Of course a piece like f. ex.
Dlugoraj's Finale is meant to be played fast, but have others had similar
Elää valehtele!
- Opprinnelig melding -
Fra: Arto Wikla [EMAIL PROTECTED]
Til: [EMAIL PROTECTED]
Sendt: 24. mai 2004 00:45
Emne: Goodbye!
Hi bill
if we are going to award gold stars, I would also like to include Jacob
Heringman, for his newest CD on the Siena Lute Book. Finally this
fantastic music is made available to a wider public!
Best regards
Göran
- Opprinnelig melding -
Fra: bill [EMAIL PROTECTED]
Til: lute society
Dear List,
while fully aware, that new editions of lute music take time, are nowadays
rare and far in between, I would still like to make a small inventory of
works that I know of are in the making, and would much appreciate if any of
you have more info about the current state of progress
Hola Manolo
Hay un luthier en Romania que se llama György Lörinczi, pero su pagina que
antes era http://home.swipnet.se/lute/lorinczi/ ya no parece existir y
tampoco le encontré en Google
Saludos
G.
(There's supposed to be a luthier called György Lörinczi in Rumania, but his
old homepage is
For those who don't have the vihuela-CD yet, here it is albeit without red
cifers.
***
-t
-f
{Ave_Maria/Valderrabano}
b
wb
b
0 b
x d
b
1b
xa
xb
xd
b
xf g
xd
xgd
x g
b
x d
x g
xf e
x d
b
0 de
xd g
b
xfgdd
xf d
b
1fg d
xd
xf
2d
x g
b
0 fg d
x g
b
1dfg d
x g
xd
xf
b
b
0gdea g
x a
b
1gde
Stewart wrote:
it's virtually impossible to find them if the title doesn't give a clue to
the content of the thread.
No, it's not.
If you've downloaded the archives, (which I suppose every sensible
nuteletter has done :) you just make a simple word search from Explorer.
Tools - Find - Files or
Jason,
I just received the CD-rom. WOW!!! This is indeed good news for us vihuela
buffs!
Just a suggestion to your problem with accessing the pages consecutively.
Simple.
Access them from the imagenes folder, using another graphics program like
ACDSee32. You can then shift pages just by hitting
Craig,
you're right of course. Let's just shut off all those musicians coming from
other instruments taking up an interest for the lute. Let's quench their
quest for info or commeraderie, however interested, irritating, airbags,
advanced in age or whatever they should happen to be. Has someone
Let me say that I appreciate that you have taken up a new instrument in the
lute and I appreciate your interest in it. However, you have come in here
hell bent for leather and made many posts spouting off as if you had all the
knowledge of the instrument, the music and the period in the world and
Michael,
I think, putting gutfrets on an Oud would (in spite of its narrow neck) make
it a superb melody instrument, with or without plectrum.
B.R.
Göran
The music is less melodic than it is percussive. The
'oud players show some real virtuosity in these
pieces. I was never to find
Dear Thomas,
TXS for forwarding an interesting read!
Not least, because Boethius (although mainly a christian philosopher) STHB
so influential way into the late Renaissance. Both Santa Maria and Galilei
mention him repeatedly in their treatises.
FWIW, EB has a few entries about his musical
Hi guys,
strange, how there is never any lute related material on the box, and then
all of a sudden several in a row.
1st, a movie with Marilyn Monroe Laurence Olivier, where a Swedish Theorbo
features prominently. Monroe even strikes it a couple of times!
2nd, Al Pacinos -96 docu-drama about
I suppose this is what in Lutenet-parlance is called a Panzer? Looks good
though. The album also sounds fine. Suppose I should go back and read those
Panzer-postings. As I recall, they were mostly negative.
Regards
Göran
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Monica,
you should know that there are many examples of on line French tablature,
(perhaps most?) some of them the earliest, like Attaingnant, (who used
capital letters) Besard, Phalese etc. I wonder what's the earliest between
line French tablature. I suppose it's all a question of printing
Dear Stefan,
I was glad to read your mail, as it reverberated many of my own thoughts on
this issue. If what you say is right, then, I suppose we have no issue at
all. So, those flame-wars were actually only in vain. :) Happy if they were!
Best Regards
Göran
- Original Message -
From:
James,
I agree that letters can get messy in the upper registers. Numbers slightly
less so, (but look at Melchior Newsidler, who loves the upper register.
Noone seems to have recorded him yet!)
Your suggestion of modern notation in a different pitch wouldn't help me
much, for exactly the same
Some kind of baroque guitar with a funny body?
What time frame is it from?
- Original Message -
From: Thomas Schall [EMAIL PROTECTED]
To: Lautenliste [EMAIL PROTECTED]
Sent: 15. desember 2003 21:41
Subject: interesting picture (ad vihuela discussion)
| In the web I found a interesting
for
| different systems. I would be interested to know
| what you and others
| think.
|
| Best wishes,
|
| Stewart.
|
|
| - Original Message -
| From: G.R. Crona [EMAIL PROTECTED]
| To: [EMAIL PROTECTED]
| Sent: Sunday, December 14, 2003 10:54 AM
| Subject: Re: Names of composers
Very eloquently spoken, Leonard,
a thought-provoking posting in the Christmas spirit indeed.
A happy X-mas to you and your's!
Göran
- Original Message -
From: Leonard Williams [EMAIL PROTECTED]
To: LuteNet [EMAIL PROTECTED]
Sent: 14. desember 2003 04:16
Subject: Reflections on our
common type of tablature in use today, alas not by lutenists.
Best Regards
Göran
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
To: G.R. Crona [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: 14. desember 2003 16:32
Subject: Re: Names of composers (Was: Vihuela)
| Dear Goran
as the last:
L. Gasser: Luis Milan on Sixteenth-Century Performance Practice
(Bloomington, IN, 1996)
Best wishes
Göran
- Original Message -
From: Monica Hall [EMAIL PROTECTED]
To: G.R. Crona [EMAIL PROTECTED]
Cc: lutenet [EMAIL PROTECTED]
Sent: 14. desember 2003 16:04
Subject: Re: Names
Stefan,
Phuu... I finally managed to get through the last 2 week's 600 lute mails in
the inbox. What a prolific gang. And the pathos! But what happened to common
decensy?
To answer your question partly, here is what I had to sign before being
issued a microfilm, when ordering a little known
Stefan,
as you dig up this old message and re-post it for all and sundry, I feel
compelled to clarify the following:
I did not personally post the piece in question, and had nothing to do with
it landing on the www. (I'm usually trying to be careful about what little I
post on the net, and that
Dear Leonard,
this all seems very encouraging. The tab you converted from (I gather) an
old tab file found on Wayne's page, is very readable, and nice touch with
the flags (dotted and all:), although IMO numbers also work well. The
bar-lengths look a little strange, not being even (comparing with
continue on that duet using your vacuum-cleaner in
lieu of a proper Didgeridoo, it actually works!
With all due respect
Humorously idiosyncratically
Göran
PS. It must be the time of year...;)
- Original Message -
From: Jon Murphy [EMAIL PROTECTED]
To: G.R. Crona [EMAIL PROTECTED]; Michael
Wayne,
This sounds great!
What I'd like to know is: Can a normal mortal, without a Ph.D. in computer
programming do it? Words like build and redirect are Chinese to me. But
I hope, that between guys like Tony, Leonard and yourself, after some time,
it gets sorted out and we might get the option
Thomas,
I really don't hope that this will catch on!
There must be alternatives to ivory in our advanced world.
PLS. think about the few remaining elephants!
Best Regards
Göran
- Original Message -
From: Thomas Schall [EMAIL PROTECTED]
To: Howard Posner [EMAIL PROTECTED]
Cc: Lautenliste
Göran
- Original Message -
From: Michael Stitt
To: G.R. Crona
Sent: 24. november 2003 23:00
Subject: Re: Instrument Archaeology [was: fretted ud ?]
Göran
It is generally accepted by anthropologists that the Australian Aborigines
settled in Australia on about 2,500 years ago and came for SE
Martin,
Couldn't you collect those pieces of the month that you've posted. They are
of excellent quality, and I feel that they should be available to the
lute-community for more than just a month.
Best Regards
Göran
- Original Message -
From: Martin Shepherd [EMAIL PROTECTED]
To:
Dear Jon,
you're wondering into deep OT-land here, bringing up the Didgeridoo. (If the
Aborigenes of Australia are indeed (like I like to theorize) the last
surviving descendants of the Neanderthaalers, their instruments might be the
oldest ones we have.
The musical bow, is the simplest of
No, D., they don't seem to be published yet. Why, I don't know... As I
understand it, the work is in progress in Italy, so there are still hopes.
But one duet, from the UK Lute society (ed. Gregory) is available.
Göran
- Original Message -
From: D. Franco [EMAIL PROTECTED]
To: [EMAIL
Hi Ed,
| Speaking of which, I couldn't figure out how to download McFeely's
| pictures in one swoop. Everything else is in PDF.
I thought you could find her collection in a folder of JPGs, but haven't
looked lately.
| I'm so glad you mentioned this. I just bought a WONDERFUL John
| Rollins alto
Dear List,
after posting my little version of the Rosetta stone, it struck me, that it
probably wouldn't be very difficult for one of the computer wizards of this
list, to write a simple program which could convert TAB to the text-file
which seems to be prefered by this forum. I don't have such
TAB input. His program writes guitar
tab, his preference as a guitarist. It's very readable. Perhaps he could
help?
|
| Regards all,
| Leonard Williams
|
|
| From: G.R. Crona [EMAIL PROTECTED]
| Date: 2003/11/22 Sat AM 04:57:31 EST
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