Re: [MOPO] Problems with Heritage Auction House

2013-06-28 Thread Geraldine Kudaka
Todd, I posted the loss of posters from Grey on MOPO a while back, and for my 
efforts, received a slew of personal attacks from Grey's MOPO friends.

My personal opinion is that you're lucky if you get these back.

Grey Smith claims his inventory system is handled by bonded, insured 
staff. NOT TRUE  Their bonded inventory accounting system is on a 
standard file management system -- which is not up to the security of 
CPA accounting software. You can go in and change the data without 
leaving a trace!!! 

Like you, I have proof that Grey lies about how he keeps track of posters 
submitted for auction in emails which contradict themself. 

Our valuable posters which went missing include a British quad Hildebrandt Star 
Wars, Van Hammersveld Get Carter and Cannes pre-release Conan.

One poster he returned to us -- a ripped Scarface printed on 
standard paper -- was swapped. The Scarface we submitted was a 40 x 60 
hand silkscreened poster on thick stock  Grey thought we 
wouldn't recognize the fact we submitted a rare oversize opening 
silkscreened poster and mailed back a cheap commercial run poster.  

So warning -- check to make sure the poster you get back -- if you do get back 
a poster -- is the one you submitted.

These posters are from the collection of Charles Lippincott, former VP
 MGM, Star Wars Corporation (Lucasfilm) and Dino de Laurentis. The Dino 
Scarface poster was from Dino's office.

For UK Star Wars Celebration, look for interview with Charles Lippincott. 

Also on July 2nd Jimmy Mac of RebelForce Radio will be interviewing Charles 
Lippincott. 








 From: Todd Feiertag toddfeier...@msn.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, June 25, 2013 6:19 PM
Subject: [MOPO] Problems with Heritage Auction House
 


 
You know how Heritage touts that they are THE THIRD LARGEST AUCTION HOUSE IN 
THE WORLD!!

Not that Third Largest is something to brag about in the first place, but 
there's a very good reason why they are third and will NEVER 
be Number 1 or Number 2.  And by the way, they're not even a close third to 
Sotheby's and Christies.

Simply put, they don't know how to treat their consignors.

Heritage has pulled some pretty backhanded stunts over the years and I've 
kept relatively quiet about it
but after the latest one today, I've pretty much had it.

An incredibly rare and valuable poster that I own was being shipped back to me 
last Monday, according to Grey Smith.

I will return to you Monday and this can wait until you care to auction.

That was Monday, June 17th.  Today is the 25th and I still don't have the 
poster back.

When I wrote Grey asking where the poster is(and by the way, this is no $3000 
Breakfast at Tiffany's, this poster is worth SIX FIGURES!!) and what the 
tracking number was, he said the poster was on it's way back to a restorer and 
it was SHIPPED TODAY!!

When I responded saying this is BS, that you clearly stated you were returning 
it TO ME a week ago this past Monday, he then said

I will be happy to see if it has left yet, and if not return to you.

To which I responded

You just said it was shipped back to the restorer today?

Now you say you still have it

WHAT THE F_ _ _ ARE YOU STILL DOING WITH THE POSTER AFTER YOU GAVE ME YOUR WORD 
IT WAS BEING SHIPPED TO ME LAST MONDAY??

Apparently, Grey can't keep his word when he says he's going to do something 
and it seems like he isn't even sure where my poster is.

Now, if this is the way they're treating someone who was has consigned some 
very valuable one-of-a-kind posters in the past and can't keep their word on 
when and to whom something is supposedly shipped or sure of where a six figure 
poster is, that doesn't make be feel too secure and maybe Grey needs a very 
long vacation??

Todd Feiertag

 










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[MOPO] Need concept artist name

2013-05-22 Thread Geraldine Kudaka
We're writing an article and I'm looking for the name of an artist who did a 
lot of stuff for Roger Corman. Of note, he did a futuristic motor bike concept 
poster for the Cannes festival. This was a Corman film in the mid-70's, 
probably 76-77. This film may not have been in any of the trade mags for Cannes 
as Corman's ad budget was limited.  


Bike rider standing over bike wearing a futuristic costume. Bike was probably a 
jet bike... as you look at poster, rider was facing left.  Costume was not like 
Mad Max (dystopian) but cleaner.


Anyone know who I am talking about?


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Re: [MOPO] Need concept artist name

2013-05-22 Thread Geraldine Kudaka
Thanks. Someone sent me a link

http://wrongsideoftheart.com/wp-content/gallery/posters-d/deathsport_poster_01.jpg

The artist was John Solie.





 From: Posteropolis posteropo...@bell.net
To: 'Geraldine Kudaka' gkud...@rocketmail.com; MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, May 22, 2013 10:18 AM
Subject: RE: [MOPO] Need concept artist name
 


 
The movie was Deathsport. Don’t know
the artist.
 
Dave
 


 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Geraldine 
Kudaka
Sent: May-22-13 10:13 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Need concept
artist name
 
We're writing an
article and I'm looking for the name of an artist who did a lot of stuff for
Roger Corman. Of note, he did a futuristic motor bike concept poster for the 
Cannes festival. This was
a Corman film in the mid-70's, probably 76-77. This film may not have been in
any of the trade mags for Cannes 
as Corman's ad budget was limited.  
 
Bike rider standing
over bike wearing a futuristic costume. Bike was probably a jet bike... as you
look at poster, rider was facing left.  Costume was not like Mad Max
(dystopian) but cleaner.
 
Anyone know who I am
talking about?
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Re: [MOPO] Boston Marathon

2013-04-16 Thread Geraldine Kudaka
We live near Boston, so we feel what has happened very much.

It's great the press hasn't jumped to conclusion as to the identity of the 
perpetrator -- or perpetrators, in plural. 

Connecticut is very close to Boston, and what happened there was a single nut 
massacring a school full of kids. Not a terrorist. Just a typical American 
whacko.

Shockwaves from Boston are reverberating to neighboring states.

Lots of stories of real Americans -- like all the people in Boston who came out 
to help others -- abound.  





 From: Toochis Morin fly...@pacbell.net
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, April 16, 2013 5:17 AM
Subject: Re: [MOPO] Boston Marathon
 


A very sad day. 

Sent from my iPhone

On Apr 15, 2013, at 11:55 PM, Adrian Cowdry jboh...@aol.com wrote:


So America hasanother terrorist attack. 

May the instigators be swiftly brought to justice. 
 


 This never happened to the other fella...

Adrian Cowdry

 
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Re: [MOPO] It took me 6 hrs to write this response Heritage/ Grey / Rudy

2013-02-02 Thread Geraldine Kudaka
Thank you for your response. 

internet user groups do not function solely as communication between users. 


MOPO is also used by new members/non-members as a reference source.




 From: Anthony Smith a.f.sm...@att.net
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, February 1, 2013 10:48 AM
Subject: Re: [MOPO] It took me 6 hrs to write this response  Heritage/ Grey / 
Rudy
 

Morning Geraldine,
 
I don't know you nor do I know Grey Smith. My dealings with Heritage have been 
few and far between so I have no opinion one way or the other about them. I 
tell you this to emphasize my neutrality. As we say here in Texas, I have no 
dog in this fight.
 
There comes a point in any endeavor of diminishing returns. That is where you 
are now. 
 
I mean no offense  do not attempt to mitigate your concerns of how you believe 
you were mistreated ... but having made your case many times, by repeating your 
accusations you not only are having little or no positive effect on readers you 
are leavening what sympathy we might have had for you with an increasingly 
weary disregard or active dislike for your continuing, repetitious  now 
stultifying attacks.
 
Unlike Richie, due to my Lutheran upbringing, I prefer not to be so blunt as to 
use the term whining ...but he does have a point. To me, and I assume others, 
it is just white noise. I can't imagine you go to the trouble of writing just 
to be ignored or mocked by your readers.
 
Unless you have new information to impart you would do yourself (and us) a 
favor by letting it go. You've made your case, Heritage has responded, those 
interested have read both sides and made up their minds. Continuing to respond 
to every errant remark puts you in danger of being regarded as fanatical or 
erratic and that reflects on you in ways I do not imagine you wish.
 
Regards,
Anthony


--- On Thu, 1/31/13, Geraldine Kudaka gkud...@rocketmail.com wrote:


From: Geraldine Kudaka gkud...@rocketmail.com
Subject: Re: [MOPO] It took me 6 hrs to write this response Heritage/ Grey / 
Rudy
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Thursday, January 31, 2013, 12:40 PM


Thank you, my sentiments exactly. Pls use delete key in future if you want to 
avoid either Grey or my response. 







 From: Richard Halegua Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, January 30, 2013 12:07 AM
Subject: Re: [MOPO] It took me 6 hrs to write this response Heritage/ Grey / 
Rudy


At 08:51 PM 1/29/2013, Geraldine Kudaka wrote:


End of a 6 hour waste of time. 
I certainly agree with that part

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Re: [MOPO] It took me 6 hrs to write this response Heritage/ Grey / Rudy

2013-02-02 Thread Geraldine Kudaka
No, writing the response ended up getting munged by yahoo software 3X had aad 
to be rewritten. 

I should have written it on a word processing then copied it over to an email 
program.





 From: Richard Halegua Posters + Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, January 31, 2013 2:41 PM
Subject: Re: [MOPO] It took me 6 hrs to write this response  Heritage/ Grey / 
Rudy
 

it took you this long to question?

: - P 


At 11:32 AM 1/31/2013, Phillip W. Ayling wrote:

 
Owning two copies of each Star Wars posters which had been by 20th
Century does not mean we know or care about their value. Ditto for the
stack of  Van Hammersveld's Get Carter, Imagine, etc.
 
I think you care very much about their value (be it real or
inflated) and that causes me to question many of the other things that
you say.
 
- Original Message - 

From: Geraldine
Kudaka 

To: MoPo-L@LISTSERV.AMERICAN.EDU 

Sent: Thursday, January 31, 2013 10:33 AM

Subject: Re: [MOPO] It took me 6 hrs to write this response
Heritage/ Grey / Rudy


Philip, we were in the process of inventorying our posters. That was
the reason I contacted Rudy. I was researching their value. 


We had inventoried our posters stock and was researching the value of
individual posters. I had a couple of old books, but felt we needed to
gain a better, more contemporary view of posters worth so I had started
searching the internet. Rudy offers help of people like us in determining
what our collection is worth. 


We had a group of posters which were an odd size that had an imprint
at the bottom. We could not find information as to what they were, so
googling movie posters, I came upon Rudy's site. I contacted Rudy, and
Charley talked to him. Rudy then urged us to send them to Heritage --
which would save us the time of trying to research out poster
value..


Rudy was the one who told me about MOPO as a place where we could
find information on posters, and that was why we joined the
group.


Being in the movie industry does not mean you know the value of the
posters you have acquired because you worked on the film. That's like
asking a chef at a popular restaurant how the credit card processing
works at his restaurant.


Owning two copies of each Star Wars posters which had been by 20th
Century does not mean we know or care about their value. Ditto for the
stack of  Van Hammersveld's Get Carter, Imagine, etc.


I'm sure it is every dealers dream to meet an heir to a former
theater distributor or movie exec who has a stack of stuff in their attic
which they are willing to sell for a pittance.  




From: Phillip W. Ayling
mro...@earthlink.net

To: Geraldine Kudaka gkud...@rocketmail.com 

Sent: Thursday, January 31, 2013 1:02 PM

Subject: Re: [MOPO] It took me 6 hrs to write this response
Heritage/ Grey / Rudy


 

It answers that question and others I didn't even
ask.
 
- Original Message - 

From: Geraldine
Kudaka 

To: Phillip W. Ayling 

Sent: Thursday, January 31, 2013 9:58 AM

Subject: Re: [MOPO] It took me 6 hrs to write this response
Heritage/ Grey / Rudy


No, you don't have a clue as to what is going on... Does that answer
your question?




From: Phillip W. Ayling
mro...@earthlink.net

To: MoPo-L@LISTSERV.AMERICAN.EDU 

Sent: Wednesday, January 30, 2013 9:16 AM

Subject: Re: [MOPO] It took me 6 hrs to write this response
Heritage/ Grey / Rudy


 

I think I got it. 
 
 

It's the New Year, and in case I forgot from last year
and the year before that, Grey Smith is lying cheating scum and
Heritage's business practices are dishonest across all of their
collecting disciplines. In addition, when Charles Lippincott, Charley
Lippincott, the Lippincott Collection, Mrs. Charles Lippincoot, Geraldine
Kudalka or Ms Kudaka ( and I can call George Lucas to get the preferred
name in the event that I am ever confused) decided to auction part of
their collection - after more experience and contacts in film marketing,
promotion and merchandising - than I could acquire in multiple lifetimes,
they were absolutely clueless about how to do so and were
victimized.
 
 

Oh...and you've hired an attorney and not gotten the
relief you seek. Am I closing in on having a sense of understanding?
 
 

And since it's still January, Happy New Year and
Blessings to All
 
 

 

- Original Message - 

From: Zeev Drach 

To: MoPo-L@LISTSERV.AMERICAN.EDU 

Sent: Wednesday, January 30, 2013 3:24 AM

Subject: Re: [MOPO] It took me 6 hrs to write this response
Heritage/ Grey / Rudy


Now we know who’s to blame when kids need yet another one in this
endless array of toys that pollute every market.

 

From: MoPo List
[mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Geraldine
Kudaka

Sent: January 29, 2013 11:52 PM

To: MoPo-L@LISTSERV.AMERICAN.EDU

Subject: [MOPO] It took me 6 hrs to write this response Heritage/
Grey / Rudy

 

Grey, your past business dealing with other poster dealers

Re: [MOPO] It took me 6 hrs to write this response Heritage/ Grey / Rudy

2013-01-31 Thread Geraldine Kudaka


Personally, I think it is really ridiculous the value of some of these Star 
Wars items. 


We had lumped a bunch of the Star Wars action figures together -- sent by 
Kenner directly to Charley and stored in an unopened box until a few years ago, 
when we started to sell off items -- and listed this 18 figure group on ebay 
for $20K. 


Because this was the start of the recession, in the listing, I said Kenner Star 
Wars toys were a recession proof investment. 


I got a couple of VERY NASTY letters from Star Wars dealers and no bites.

So we packed up the toys and sent them to AFA for grading. 


Then started listing them individually on ebay. The first 5 figures sold within 
30 min of listing at a BIN price which totaled into a sum  overshooting any 
investment one could have made in the period.

Zev, fanaticism of Star Wars fans is one of the reason Charley hates dealing 
with the public. 






 From: Zeev Drach lobb...@rogers.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, January 30, 2013 6:24 AM
Subject: Re: [MOPO] It took me 6 hrs to write this response  Heritage/ Grey / 
Rudy
 

Now we know who’s to blame when kids need yet another one in this endless array 
of toys that pollute every market.
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Geraldine 
Kudaka
Sent: January 29, 2013 11:52 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] It took me 6 hrs to write this response Heritage/ Grey / Rudy
 
Grey, your past business dealing with other poster dealers is not proof you 
dealt with us in a proper, up and above board manner. 
 
We are in a different category of MOPO members -- we are from the group which 
generated this memorabilia you claim to hold so highly. A specific example 
would be John Van Hammersveld's Get Carter poster which Charley commissioned 
John to do while he was working under Mike Kaplan is sought after by MOPOers. 
While we had multiples of this poster (because Charley worked on it), we are 
not MOPOers who you can depend on for return buying, selling or trading. 
 
Who are we?
 
Charley Lippincott is legendary in film marketing because he changed the face 
of film marketing by merchandising Star Wars to kids. His advance marketing 
campaign on STAR WARS changed the way companies marked to kids. Tie-ins and 
merchandizing became de rigeur. Star Wars also became the top grossing, 
evergreen empire it is today. Charley's Star Wars campaign is history. Period. 
From his work archive we have Star Wars material which even Lucasfilm does not 
have in their holdings. And it’s not only Star Wars.-- Charley was Exec VP at 
MGM, Dino De Laurentis and Ridley's Alien. When we moved out of Los Angles, we 
shipped 72,000 pounds, most of which consisted of the Lippincott Collections 
Charley acquired over his lifetime.
 
Several years ago, looking at liquidating some of the collection, I contacted 
Rudy Franchi. As the former curator of film at the San Jose Museum of Art and 
past recipient of NEA film history grants, I knew of Rudy Franchi prior to his 
PBS fame. I contacted Rudy about some strange sized posters, and Charley ended 
up speaking with him. The two knew each other by professional reputation -- 
they were of the same era, had both done publicity, and were interested in 
criticism. Rudy queried us about the collection and convinced us to send 
material to Grey, stating Grey would take care of everything. That was part of 
Heritge's service. As Heritage's web site clearly states their inventory 
procedure by bonded staff, we were reassured by Rudy and Grey, who called us 
several times to make sure we got the posters packed and shipped..
 
I won't go into detail about all the back and forth here. Suffice it to day, I 
was not happy. 
 
On MOPO, I responded to an article someone posted about bad auction houses 
stating some of inventory went missing. Bruce wanted to which house had lost 
part of our inventory. I honestly responded -- Heritage. I got barraged by 
MOPOers -- yes, flamed and nastily accused of bedevilry and evil. Naturally, I 
responded. MOPOers got angry at one of their cherished brethren for being so 
churlishly accused and tossed more fireworks at me, to which I responded.  
 
All through this, I never said Heritage stole our posters. I said our part of 
inventory was missing. 
 
Grey, then you allegedly sent back our inventory. Prior to this, you had stated 
our posters were untouched in their original shipping tubes. But the shipping 
tubes and boxes you sent back to us were not ones we used. Further, a rare, 
hand-lithographed 40x60 Serpico advanced screening poster (which Charley 
personally got from Dino's NY office when he was dating Rafaella De Laurentis) 
had been replaced with a cheap Serpico advance poster that had a taped tear in 
the same area our original lithograph had been taped Gee, if that doesn't 
sound like an outright, pathological theft, I don't know what does.
 
Now if you

Re: [MOPO] It took me 6 hrs to write this response Heritage/ Grey / Rudy

2013-01-31 Thread Geraldine Kudaka
Philip, we were in the process of inventorying our posters. That was the reason 
I contacted Rudy. I was researching their value. 


We had inventoried our posters stock and was researching the value of 
individual posters. I had a couple of old books, but felt we needed to gain a 
better, more contemporary view of posters worth so I had started searching the 
internet. Rudy offers help of people like us in determining what our collection 
is worth. 


We had a group of posters which were an odd size that had an imprint at the 
bottom. We could not find information as to what they were, so googling movie 
posters, I came upon Rudy's site. I contacted Rudy, and Charley talked to him. 
Rudy then urged us to send them to Heritage -- which would save us the time of 
trying to research out poster value..

Rudy was the one who told me about MOPO as a place where we could find 
information on posters, and that was why we joined the group.


Being in the movie industry does not mean you know the value of the posters you 
have acquired because you worked on the film. That's like asking a chef at a 
popular restaurant how the credit card processing works at his restaurant.


Owning two copies of each Star Wars posters which had been by 20th Century does 
not mean we know or care about their value. Ditto for the stack of  Van 
Hammersveld's Get Carter, Imagine, etc.


I'm sure it is every dealers dream to meet an heir to a former theater 
distributor or movie exec who has a stack of stuff in their attic which they 
are willing to sell for a pittance.  





 From: Phillip W. Ayling mro...@earthlink.net
To: Geraldine Kudaka gkud...@rocketmail.com 
Sent: Thursday, January 31, 2013 1:02 PM
Subject: Re: [MOPO] It took me 6 hrs to write this response  Heritage/ Grey / 
Rudy
 

 
It answers that question and others I didn't even 
ask.
- Original Message - 
From: Geraldine  Kudaka 
To: Phillip W. Ayling 
Sent: Thursday, January 31, 2013 9:58  AM
Subject: Re: [MOPO] It took me 6 hrs to  write this response Heritage/ Grey / 
Rudy


No,  you don't have a clue as to what is going on... Does that answer your  
question?







 From: Phillip W. Ayling mro...@earthlink.net
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, January 30,  2013 9:16 AM
Subject: Re:  [MOPO] It took me 6 hrs to write this response Heritage/ Grey /  
Rudy


  
I think I got it. 
 
It's the New Year, and in case I forgot from last  year and the year before 
that, Grey Smith is lying cheating scum and  Heritage's business practices are 
dishonest across all of their collecting  disciplines. In addition, when 
Charles Lippincott, Charley Lippincott, the  Lippincott Collection, Mrs. 
Charles Lippincoot, Geraldine Kudalka or Ms  Kudaka ( and I can call George 
Lucas to get the preferred name in the event  that I am ever confused) decided 
to auction part of their collection  - after more experience and contacts in 
film marketing,  promotion and merchandising - than I could acquire in 
multiple lifetimes, they  were absolutely clueless about how to do so and were 
victimized.
 
Oh...and you've hired an attorney and not gotten  the relief you seek. Am I 
closing in on having a sense of  understanding?
 
And since it's still January, Happy New Year and  Blessings to All
 
 
- Original Message - 
From: Zeev Drach 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, January 30, 2013 3:24  AM
Subject: Re: [MOPO] It took me 6 hrs to  write this response Heritage/ Grey / 
Rudy


Now  we know who’s to blame when kids need yet another one in this endless 
array  of toys that pollute every market.
 
From:MoPo List  [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Geraldine  
Kudaka
Sent: January 29, 2013 11:52 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] It took me 6 hrs to write this response Heritage/ Grey /  Rudy
 
Grey, your past  business dealing with other poster dealers is not proof you 
dealt with us in  a proper, up and above board manner. 
 
We are in a  different category of MOPO members -- we are from the group 
which generated  this memorabilia you claim to hold so highly. A specific 
example would be  John Van Hammersveld's Get Carter poster which Charley 
commissioned John to  do while he was working under Mike Kaplan is sought 
after by MOPOers. While  we had multiples of this poster (because Charley 
worked on it), we are not  MOPOers who you can depend on for return buying, 
selling or trading. 
 
Who are  we?
 
Charley  Lippincott is legendary in film marketing because he changed the 
face of  film marketing by merchandising Star Wars to kids. His advance 
marketing  campaign on STAR WARS changed the way companies marked to kids. 
Tie-ins and  merchandizing became de rigeur. Star Wars also became the top 
grossing,  evergreen empire it is today. Charley's Star Wars campaign is 
history.  Period. From his work archive we have Star Wars material which 
even

Re: [MOPO] COLLECTION DONATED TO THE MARGARET HERRICK LIBRARY

2013-01-31 Thread Geraldine Kudaka
I'd be interested in the link to their collection. We will be going abroad for 
a while and will not have time to do more than take a cursory glance at their 
site... but believe me, I do not want to piecemeal it off.  




 From: dreamfact...@hollywooddreamfactory.com 
dreamfact...@hollywooddreamfactory.com
To: gkud...@rocketmail.com; dreamfact...@hollywooddreamfactory.com 
Sent: Thursday, January 31, 2013 1:20 PM
Subject: Re: [MOPO] COLLECTION DONATED TO THE MARGARET HERRICK LIBRARY
 
hello If you wish to donate I have the perfect library that started
the entire record and popculture collectins in the United States,
Its in BG ohio BG university and I have personally been involved as I
appraised the ongoing donations of people like Jeffery Shore the
producer of- E Hollywood true storys. TV show.. also I donated
various posters and artifacts myself..
Its true that they do trade and sell off dublicates and such..
howevere they have set many  standards for archiving and preserving
items..I personally toured the dept and If they have the space Im
sure they would love the records or could make sure they received 
good homes..
as far as TX write off I thingk they go off a aapraisel as they are
not allowed to set a value.. Howeverbetween myselfand other dealers
we could guestimate a value or If You have a bonifide one we could
uses that as the benchmark..
Let me know and Ill put you intouch with Them or you can Google and
see...  Ray  Brown started the dept and they have been around for
years and are respected.

Kindest regards, Tom 419-474-3065 


 Original Message 
From: gkud...@rocketmail.com
To: dreamfact...@hollywooddreamfactory.com
Subject: Re: [MOPO] COLLECTION DONATED TO THE MARGARET HERRICK
LIBRARY
Date: Thu, 31 Jan 2013 09:55:04 -0800 (PST)

The other problem is that libraries aren't set up to be able to
house collections. 


We looked at donating Charley's 20,000 vinyl record collection of
American jazz to the Library Of Congress  and was turned down. 

Ditto for his alumni, Northwestern. 


The problem with some collections is the cost of housing. Also, we
wanted his jazz collection made available for public use, free of
charge, and to remain intact. 


LOC flat out didn't want it -- it couldn't house more LPS -- and
Northwestern wanted us to increase the donation with cash so they
could house and staff the collection.

For those considering donating to museums or non-profits with the
hopes of keeping the collection intact, the laws regarding donations
have changed. It used to be -- as in the case of the Isabella Stewart
museum -- you could make a stipulation the collection was to remain
intact. But that has been overturned. Museums can now find a way to
sell off items so that they can use the cash generated to keep their
collection current.




 From: Tom Martin dreamfact...@hollywooddreamfactory.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, January 30, 2013 3:21 PM
Subject: Re: [MOPO] COLLECTION DONATED TO THE MARGARET HERRICK
LIBRARY
 
Its great when people donate to Museums , schools, and  non profit
Orgs..
many of the things can be displayed or even sold by the groups as
fundraisers.
As long as its preserved and not thrown away.. with private
collections som are not safe from fire, floods and theft..or even
climate conditions. 
They could get thrown out if the collector passes away and has no
instructions or will, I suggest you either make notes and leave a
guide to relatives what peiece are good or value and also a list of
where to donate. A local friend donated a Huge GWTW collection to
Atlanta library vs selling to public.

The only problem with Huge collections... they can get packed away
in
the librarys and never seen... there are some great collections in
USC and also Eastman house and some others.. like the Sol lessor
camera collection.. that has many historic pieces


Also  as far as what to give,, its all good even simple stuff as it
can be sold to fundraisers and get things the Orgs need.

I think its commendable that people donate.. Good job Dwight.

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Re: [MOPO] It took me 6 hrs to write this response Heritage/ Grey / Rudy

2013-01-31 Thread Geraldine Kudaka
Thank you, my sentiments exactly. Pls use delete key in future if you want to 
avoid either Grey or my response. 





 From: Richard Halegua Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, January 30, 2013 12:07 AM
Subject: Re: [MOPO] It took me 6 hrs to write this response  Heritage/ Grey / 
Rudy
 

At 08:51 PM 1/29/2013, Geraldine Kudaka wrote:


End of a 6 hour waste of time. 
I certainly agree with that part

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Re: [MOPO] COLLECTION DONATED TO THE MARGARET HERRICK LIBRARY

2013-01-29 Thread Geraldine Kudaka
We had thought of donating some of our collection, but since they were stolen 
by one of MOPO's most illustrious dealers -- Heritage -- we are in a far less 
generous mood.

Why donate? Just deal with thieves and your collection becomes lighter


PS Rudy, thanks for setting up the deal with Heritage. We'll never forget the 
favor.




 From: Rudy Franchi r...@posterappraisal.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, January 29, 2013 4:52 PM
Subject: Re: [MOPO] COLLECTION DONATED TO THE MARGARET HERRICK LIBRARY
 
it's about 10% of the entire collection and a very focused 10% at
that. Clever move: clean out the dead brush and get
a lot of publicity for the balance of the collection which has been up
for sale for several years.

On Tue, Jan 29, 2013 at 3:29 PM, Kirby McDaniel ki...@movieart.net wrote:
 We just got a publicity release from The Academy indicating that longtime 
 collector Dwight Cleveland has donated a significant collection of film 
 posters to the Margaret Herrick library.  Over 1000 posters were donated.

 This is a nice acquisition for the library, and a excellent use for these 
 posters.  Dwight is to be commended for making this generous contribution.

 Kirby




 Kirby McDaniel
 MovieArt Original Film Posters
 P.O. Box 4419
 Austin TX 78765-4419
 512 479 6680  www.movieart.net
 mobile 512 589 5112

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[MOPO] It took me 6 hrs to write this response Heritage/ Grey / Rudy

2013-01-29 Thread Geraldine Kudaka
Grey, your past business dealing with other poster dealers
is not proof you dealt with us in a proper, up and above board manner. 
 
We are in a different category of MOPO members -- we are
from the group which generated this memorabilia you claim to hold so highly. A
specific example would be John Van Hammersveld's Get Carter poster which
Charley commissioned John to do while he was working under Mike Kaplan is
sought after by MOPOers. While we had multiples of this poster (because Charley
worked on it), we are not MOPOers who you can depend on for return buying,
selling or trading. 
 
Who are we?
 
Charley Lippincott is legendary in film marketing because he
changed the face of film marketing by merchandising Star Wars to kids. His 
advance
marketing campaign on STAR WARS changed the
way companies marked to kids. Tie-ins and merchandizing became de rigeur. Star
Wars also became the top grossing, evergreen empire it is today. Charley's Star
Wars campaign is history. Period. From his work archive we have Star Wars
material which even Lucasfilm does not have in their holdings. And it’s not
only Star Wars.-- Charley was Exec VP at MGM, Dino De Laurentis and Ridley's
Alien. When we moved out of Los Angles, we shipped 72,000 pounds, most of which
consisted of the Lippincott Collections Charley acquired over his lifetime.
 
Several years ago, looking at liquidating some of the
collection, I contacted Rudy Franchi. As the former curator of film at the San
Jose Museum of Art and past recipient of NEA film history grants, I knew of
Rudy Franchi prior to his PBS fame. I contacted Rudy about some strange sized
posters, and Charley ended up speaking with him. The two knew each other by
professional reputation -- they were of the same era, had both done publicity,
and were interested in criticism. Rudy queried us about the collection and
convinced us to send material to Grey, stating Grey would take care of
everything. That was part of Heritge's service. As Heritage's web site clearly
states their inventory procedure by bonded staff, we were reassured by Rudy and
Grey, who called us several times to make sure we got the posters packed and
shipped..
 
I won't go into detail about all the back and forth here.
Suffice it to day, I was not happy. 
 
On MOPO, I responded to an article someone posted about bad
auction houses stating some of inventory went missing. Bruce wanted to which
house had lost part of our inventory. I honestly responded -- Heritage. I got
barraged by MOPOers -- yes, flamed and nastily accused of bedevilry and evil. 
Naturally,
I responded. MOPOers got angry at one of their cherished brethren for being so
churlishly accused and tossed more fireworks at me, to which I responded.  
 
All through this, I never said Heritage stole our posters. I
said our part of inventory was missing. 
 
Grey, then you allegedly sent back our inventory. Prior to
this, you had stated our posters were untouched in their original shipping
tubes. But the shipping tubes and boxes you sent back to us were not ones we
used. Further, a rare, hand-lithographed 40x60 Serpico advanced
screening poster (which Charley personally got from Dino's NY office when he
was dating Rafaella De Laurentis) had been replaced with a cheap Serpico
advance poster that had a taped tear in the same area our original lithograph
had been taped Gee, if that doesn't sound like an outright, pathological
theft, I don't know what does.
 
Now if you want me to believe that this didn't happen -- or
that Charley didn't date Rafaella, or the posters wasn’t a very rare 
hand-silkscreened
poster -- that's your MOPO prerogative. But this switch and repackaging was 
enough
to get me to take out my checkbook and hire a lawyer.  
 
Our attorney send a letter to Grey. Waited weeks, no answer...
Finally, I queried Grey. He claimed he never received a letter from our
attorney. I paid my attorney to send another copy, and we waited for Grey’s
answer. 
 
Our attorney asked Grey and Heritage to explain their inventory
and accounting procedure. Was their much touted inventory on an unsecured
database which lacked the means to securely prove alteration of data, i.e.,
an Excel type of database we all have on our home computers, one which you can
go in and modify information at any time, without a legally viable way of
proving when the data was entered or altered.  
 
Grey did not answer this question, and the answer he gave to
other questions do not jive with emails we have received from Heritage... Emails
which proved that Grey, with his multi-million dollar resources behind him, did
not bother to even go through our documents and emails to verify what he had
written prior.
 
So here we are in the court of MOPO, where the good ol' boy
system works. Where your personal relationship with Grey colors your judgement.
You like Grey? Fine, then Grey's gotta be a maligned victim of a crazy MOPO
troll... 
 
Is arguing Grey's theft a waste of my precious rapidly-aging
life? 
 

Re: [MOPO] FYI -- Heritage GWTW

2012-11-29 Thread Geraldine Kudaka


Personally, I'd find it more interesting if your grandmother was Spartacus :) 





 From: p...@cinemarts.com p...@cinemarts.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, November 28, 2012 11:57 PM
Subject: Re: [MOPO] FYI --  Heritage  GWTW
 

My grandmother wasn't in GWTW, but I was in SPARTACUS.
In fact, I was Spartacus.


 
-Original Message-
From: Geraldine Kudaka [mailto:gkud...@rocketmail.com]
Sent: Wednesday, November 28, 2012 10:42 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] FYI --  Heritage  GWTW


I had posted this because I'm on an email notice for Heritage at ripoff site. 
Did not read the date, so my apologies... but if you go to the post, I did add 
a note which is far more recent, and pertains
specifically to Rudy Franchi and Grey Smith.






 From: Chris Quarles chrisquar...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, November 28, 2012 7:21 PM
Subject: Re: [MOPO] FYI --  Heritage  GWTW
 

Oooo! As a lawyer, I love the term time barred.

Sent from my
 iPad

On Nov 28, 2012, at 2:49 PM, Phillip W. Ayling mro...@earthlink.net wrote:


 
This story is 5 years old.I don't believe that Doug
Norwine continues to work at Heritage; at least not in the capacity described.
If someone has a real claim, supported by facts then they should have filed
a draft complaint; sued or settled by now. 
I don't know what the time-barred limitations are
in Texas, but whining about this seems endless.
- Original Message - 
From: Jeff Potokar 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, November 28, 2012 9:25 AM
Subject: Re: [MOPO] FYI -- Heritage  GWTW

And what was the name of this person's grandmother? Why would William not 
include this? 


Seems very odd to leave that little bit of information out of the story, as 
anyone could write such a claim, saying that his/her unnamed, anonymous 
grandma or aunt was in GWTW.














On Nov 28, 2012, at 5:35 AM, Richard C Evans wrote:

Couldn't quite get to the end of that, but think I got the drift.
Surely, if someone's sending family heirlooms off to auction, what they 
can't describe them as is totally priceless.

Sent from my
iPhone

On 28 Nov 2012, at 09:44, Geraldine Kudaka gkud...@rocketmail.com wrote:


http://www.ripoffreport.com/liars/heritage-auction-gal/heritage-auction-galleries-m-bjc85.htm


Heritage Auction Galleries / Mr. Doug Norwine / Heritage Galleries And 
Auctioneers A Life Time of Memories are Gone With The Wind, Treasured 
Inheritance vanishes from FedEx box Dallas Texas
Mr. Doug Norwine lied to me and now my inheritance worth $30k to $40k is 
missing!

Heritage Auction Galleries, located in Dallas Texas is
  the subject of this Rip-off report. The Director of Music and
  Entertainment Memorabilia for Heritage Galleries and Auctioneers is Mr.
  Doug Norwine. I will present the evidence that will prove, beyond the
  shadow of a doubt that Mr. Doug Norwine lied to me. It also appears that
  Mr. Norwine was responsible for misrepresentation as it relates to my
  deceased grandmother being in the movie “Gone With The Windâ€.

My
  grandmother was Miss. California in 1935 and then she became a Hollywood
  movie actress. She had a fantastic collection of movie star photographs. I
  had fantastic 11 x 16 and 8 x 11 inch autographed photographs and snap
  shot pictures. I had snap shots of my grandmother with the original Three
  Stooges, Betty Grable and many others. I had a full two page newspaper
  article that was all about my grandmother. This same two page newspaper
  article had a picture of Bing Crosby with his arm around my
  grandmothers’ waist. How cool is that? I sent my only copy to Mr.
  Norwine, it was totally priceless.

I had pictures of my grandmother
  in costume on the movie set for “China Seas†which stared Humphrey
  Bogart. I had snap shots of Carol Lombard on the motion picture back lot.
  I had 11 x 16 inch photographs signed of Jayne Wyman (President Ronald
  Regan’s first wife), Ann Southern, Florence rice, and many many
  more!

I had original “Gone With The Wind†movie stills, my
  grandmothers’ Motion Picture Employee identification card, and many
  original photographs of movie stars from the 1930’s and 1940’s. The
  vast majority of these photographs had a personalized note or wishes in
  addition to the signature of the movie star.

Mr. Doug Norwine
  claims he personally signed for the FedEx box, but that is not the truth.
  I have proof that Mr. Doug Norwine lied to me.

I spoke to Mr. Doug
  Norwine late in the afternoon on 2\16\2006. He said the deadline to have
  my parasol included in their upcoming auction catalog was the very next
  day.

Mr. Doug Norwine asked me to send my photograph and newspaper
  collection with my parasol. He said

[MOPO] FYI -- Heritage GWTW

2012-11-28 Thread Geraldine Kudaka
http://www.ripoffreport.com/liars/heritage-auction-gal/heritage-auction-galleries-m-bjc85.htm

Heritage Auction Galleries / Mr. Doug Norwine / 
Heritage Galleries And Auctioneers A Life Time of Memories are Gone With The 
Wind, Treasured Inheritance vanishes from FedEx box Dallas Texas
Mr. Doug Norwine lied to me and now my inheritance worth $30k to $40k is 
missing!

Heritage
 Auction Galleries, located in Dallas Texas is the subject of this 
Rip-off report.  The Director of Music and Entertainment Memorabilia for
 Heritage Galleries and Auctioneers is Mr. Doug Norwine.  I will present
 the evidence that will prove, beyond the shadow of a doubt that Mr. 
Doug Norwine lied to me.  It also appears that Mr. Norwine was 
responsible for misrepresentation as it relates to my deceased 
grandmother being in the movie “Gone With The Windâ€.

My 
grandmother was Miss. California in 1935 and then she became a Hollywood
 movie actress.  She had a fantastic collection of movie star 
photographs.  I had fantastic 11 x 16 and 8 x 11 inch autographed 
photographs and snap shot pictures.  I had snap shots of my grandmother 
with the original Three Stooges, Betty Grable and many others.  I had a 
full two page newspaper article that was all about my grandmother.  This
 same two page newspaper article had a picture of Bing Crosby with his 
arm around my grandmothers’ waist.  How cool is that?   I sent my only
 copy to Mr. Norwine, it was totally priceless.

I had pictures of
 my grandmother in costume on the movie set for “China Seas†which 
stared Humphrey Bogart.  I had snap shots of Carol Lombard on the motion
 picture back lot.  I had 11 x 16 inch photographs signed of Jayne Wyman
 (President Ronald Regan’s first wife), Ann Southern, Florence rice, 
and many many more!

I had original “Gone With The Wind†movie
 stills, my grandmothers’ Motion Picture Employee identification card,
 and many original photographs of movie stars from the 1930’s and 
1940’s. The vast majority of these photographs had a personalized note
 or wishes in addition to the signature of the movie star.

Mr. 
Doug Norwine claims he personally signed for the FedEx box, but that is 
not the truth. I have proof that Mr. Doug Norwine lied to me.

I 
spoke to Mr. Doug Norwine late in the afternoon on 2\16\2006.  He said 
the deadline to have my parasol included in their upcoming auction 
catalog was the very next day.

Mr. Doug Norwine asked me to send 
my photograph and newspaper collection with my parasol.  He said that 
these collections would support the authenticity of my parasol being 
used in the movie “Gone With The Windâ€.

The box went FedEx 
overnight from California to Texas.  Mr. Doug Norwine said he signed for
 the box and opened it himself.  He said the photographs and newspaper 
articles were not in the box.

Photograph and newspaper collections do not just selectively vanish from sealed 
FedEx boxes while in transit.

Thank God I took pictures of my photograph collection right before I mailed 
them to Mr. Doug Norwine.

I put the photograph and newspaper article collections in the box. They had to 
be there when the box was opened.

The
 FedEx “Track Shipments Detailed Results†printout that I have shows
 a person with the name of “S.MCCLENNY†signed for the box on Feb. 
17, 2006 at 9:03 AM.  The tracking number is 841186856634.

I 
called FedEx to inquire about the possibility of there being a mistake 
about who signed for my box.  FedEx said there was no mistake.  The 
FedEx customer service person that I spoke to said that a person with 
the name “S.MCCLENNY†signed for the box, not Mr. Doug Norwine.

Someone
 is lying.  Either I lied about putting the photograph and newspaper 
collections in the box with my parasol and continue to do so by virtue 
off writing this rip off report or Mr. Doug Norwine is lying.

I 
am telling the truth. I am not lying.  I will go take a lie detector 
test today and be happy to have anyone that is interested witness it.

I
 personally put my parasol, the photograph and newspaper collections 
into a plain brown box that I found around the duplex my wife and I were
 renting.  I taped the box closed and took the box to the closest FedEx 
office.  I personally witnessed the FedEx employee weigh the box, fill 
out the FedEx USA Airbill, attach it to the box, and then put my box 
with all the other boxes waiting for the next and last pickup for that 
day.

Why did he lie to me?  What did or does he have to hide from
 me?  Not only did he lie to me but, he adding insult to injury, told 
me, half laughing as he spoke his words, to look around my house.  He 
said I might find my photograph and newspaper collection in a drawer.

I
 could not believe the audacity, the cold hearted tone of voice, and 
unprofessional behavior. I was being ripped off, lied to, and insulted 
by a man who I had previously thought must be trustworthy.  How wrong I 
was.  I should have listened to my wife!  

Re: [MOPO] FYI -- Heritage GWTW

2012-11-28 Thread Geraldine Kudaka


I had posted this because I'm on an email notice for Heritage at ripoff site. 
Did not read the date, so my apologies... but if you go to the post, I did add 
a note which is far more recent, and pertains 
specifically to Rudy Franchi and Grey Smith.




 From: Chris Quarles chrisquar...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, November 28, 2012 7:21 PM
Subject: Re: [MOPO] FYI --  Heritage  GWTW
 

Oooo! As a lawyer, I love the term time barred.

Sent from my iPad

On Nov 28, 2012, at 2:49 PM, Phillip W. Ayling mro...@earthlink.net wrote:


 
This story is 5 years old.I don't believe that Doug 
Norwine continues to work at Heritage; at least not in the capacity described. 
If someone has a real claim, supported by facts then they should have filed 
a draft complaint; sued or settled by now. 
I don't know what the time-barred limitations are 
in Texas, but whining about this seems endless.
- Original Message - 
From: Jeff  Potokar 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, November 28, 2012 9:25  AM
Subject: Re: [MOPO] FYI -- Heritage   GWTW

And what was the name of this person's grandmother? Why would  William not 
include this? 


Seems very odd to leave that little bit of information out of the  story, as 
anyone could write such a claim, saying that his/her unnamed,  anonymous 
grandma or aunt was in GWTW.














On Nov 28, 2012, at 5:35 AM, Richard C Evans wrote:

Couldn't quite get to the end of that, but think I got the drift.
Surely, if someone's sending family heirlooms off to auction, what they  
can't describe them as is totally priceless.

Sent from my 
iPhone

On 28 Nov 2012, at 09:44, Geraldine Kudaka gkud...@rocketmail.com  wrote:


http://www.ripoffreport.com/liars/heritage-auction-gal/heritage-auction-galleries-m-bjc85.htm


Heritage Auction Galleries / Mr. Doug Norwine /  Heritage Galleries And 
Auctioneers A Life Time of Memories are Gone With  The Wind, Treasured 
Inheritance vanishes from FedEx box Dallas Texas
Mr. Doug Norwine lied to me and now my inheritance worth $30k to $40k  is 
missing!

Heritage Auction Galleries, located in Dallas Texas is 
  the subject of this Rip-off report. The Director of Music and 
  Entertainment Memorabilia for Heritage Galleries and Auctioneers is Mr. 
  Doug Norwine. I will present the evidence that will prove, beyond the 
  shadow of a doubt that Mr. Doug Norwine lied to me. It also appears that 
  Mr. Norwine was responsible for misrepresentation as it relates to my 
  deceased grandmother being in the movie “Gone With The Windâ€.

My 
  grandmother was Miss. California in 1935 and then she became a Hollywood 
  movie actress. She had a fantastic collection of movie star photographs. 
I 
  had fantastic 11 x 16 and 8 x 11 inch autographed photographs and snap 
  shot pictures. I had snap shots of my grandmother with the original Three 
  Stooges, Betty Grable and many others. I had a full two page newspaper 
  article that was all about my grandmother. This same two page newspaper 
  article had a picture of Bing Crosby with his arm around my 
  grandmothers’ waist. How cool is that? I sent my only copy to Mr. 
  Norwine, it was totally priceless.

I had pictures of my grandmother 
  in costume on the movie set for “China Seas†which stared Humphrey 
  Bogart. I had snap shots of Carol Lombard on the motion picture back lot. 
  I had 11 x 16 inch photographs signed of Jayne Wyman (President Ronald 
  Regan’s first wife), Ann Southern, Florence rice, and many many 
  more!

I had original “Gone With The Wind†movie stills, my 
  grandmothers’ Motion Picture Employee identification card, and many 
  original photographs of movie stars from the 1930’s and 1940’s. The 
  vast majority of these photographs had a personalized note or wishes in 
  addition to the signature of the movie star.

Mr. Doug Norwine 
  claims he personally signed for the FedEx box, but that is not the truth. 
  I have proof that Mr. Doug Norwine lied to me.

I spoke to Mr. Doug 
  Norwine late in the afternoon on 2\16\2006. He said the deadline to have 
  my parasol included in their upcoming auction catalog was the very next 
  day.

Mr. Doug Norwine asked me to send my photograph and newspaper 
  collection with my parasol. He said that these collections would support 
  the authenticity of my parasol being used in the movie “Gone With The 
  Windâ€.

The box went FedEx overnight from California to Texas. Mr. 
  Doug Norwine said he signed for the box and opened it himself. He said 
the 
  photographs and newspaper articles were not in the box.

Photograph 
  and newspaper collections do not just selectively vanish from sealed 
FedEx 
  boxes while in transit.

Thank God I took pictures of my photograph 
  collection right before

Re: [MOPO] OT Packing Shipping LP Albums

2012-11-28 Thread Geraldine Kudaka
My husband, Charley Lippincott, former movie executive (he came up with the 
cross merchandising deals of toys for Star Wars and was also producer of Judge 
Dredd) has a massive record collection which we moved across country. By 
massive, I mean 20,000.

The 20,000 albums cost the equivalent of a house downpayment to pack and move 
from Los Angeles to the East Cost. As we look forward to Seniors assisted 
living, I am adamant they will never be moved again. Only packed and sold. So 
we have looked at how to sell the collection. 


Album boxes are not 12. They are 12 1/4 x 12 1/4. They won't fit in a 
12x12, which is really unfortunate because the larger 12 1/4 boxes cost 2x 
as the standard 12. We bought custom sized record boxes in bulk from Uline 
that were either 6 or 8 deep. Anything bigger, the vinyl weight starts to add 
up and become cumbersome to move.


To sell albums on ebay is very piecemeal. Unless you have high ticket items, be 
warned that it is a labor intensive job, and collectors who buy are very picky 
about condition -- just like poster collectors.  You really have to get a 
system down to photograph them, accurately describe the condition, then ship.

The best shipping mailers are shaped like a cross, and get folded over. 
Depending on how far you are shipping -- i.e., will it go international -- you 
might need to use stiffeners which are just cardboard pieces but out the size 
of the cardboard. some record sellers just cut out cardboard and put tape 
around the edges to hold them together. Or if the albums are really valuable 
collectors items, then luan can be be used. Of course, then you have to cut the 
4'x8' luan sheets down to size, so that's a hassle. 

I would just google record mailers and see the cheapest price. Once you factor 
in quantity and shipping cost, overhead cost can vary a lot. We got our record 
mailers from someplace other than Uline.



  




 From: Lenny 48 len...@aol.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, November 28, 2012 8:06 PM
Subject: [MOPO] OT Packing  Shipping LP Albums
 

Good Evening All,
 
I have a small collection of movie soundtrack LP vinyl albums that I 
am eventually going to try and auction off. In order to send them on their 
way, hopefully if they sell, how would one pack and ship these individually and 
safely? What would I pack them in?
 
Any advice from any of you that may be familiar with this type of 
packing and shipping would be most appreciated.
 
Thank you all very much and have a nice evening or day wherever you may 
be.
 
Kindest Regards,
Lenny
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Re: [MOPO] eBay's changes to Watched Items

2012-11-14 Thread Geraldine Kudaka
Well actually John is wrong.I for one would not leave positive feedback for 
Heritage since i had posters stolen by them.




 From: filip de volder runbuffy...@hotmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, November 14, 2012 12:52 AM
Subject: Re: [MOPO] eBay's changes to Watched Items
 

 

 just wondering , being blocked for disagreeing   with a seller on a topic on a 
forum , how would that be considered ?  over the years quite a bit of 
collectors have found themselves  blocked in Bruce his auctions for that reason 
,  filip



Date: Wed, 14 Nov 2012 07:43:13 +1000
From: johnr...@moviemem.com
Subject: Re: [MOPO] eBay's changes to Watched Items
To: MoPo-L@LISTSERV.AMERICAN.EDU


Being blocked for not leaving feedback is 
ridiculous. Many people don't leave feedback these days mostly because they 
don't see it as a necessary part of the transaction or because they just 
forget. 
After all, when you buy something from Heritage or from Bruce you don't need to 
leave feedback (although I'm sure they both receive many positive 
emails!).
John
 
 

JOHN REID VINTAGE MOVIE MEMORABILIA
Website: www.moviemem.com
Facebook: http://www.facebook.com/moviemem
PO 
Box 92
Elanora
Qld 4221
Australia
- Original Message - 
From: Neil  Jaworski 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, November 14, 2012 2:48  AM
Subject: [MOPO] eBay's changes to Watched  Items


Hallo  MOPO


To  slightly extend the Ebay conversation, what do people think of the current 
 changes to Watching re: (1) the trial of publicly showing the numbers of  
Watchers on each item page and (2) the constant  removal/reinstatement of the 
row of See What Other  People Are Watching items at the bottom of each item 
page?


The See What Other People Are Watching panel has been very useful to  me in 
the past!


My other current bugbear is that I have been blocked  by at least one seller 
for forgetting to leave positive feedback!  I just  didn't get round to it, 
but feel that being blocked was a bit of a harsh  solution.  Other than that, 
the transaction at both ends had gone  smoothly without incident.


Neil


 


 From: JOHN REID Vintage Movie  Memorabilia johnr...@moviemem.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, 13 November  2012, 1:09
Subject: Re:  [MOPO] Remembering eBay's glory days


 
Ah, those were the days. I remember seeing a La  Doce Vita Italian poster on 
eBay back in the early years. I watched it for a  few days and there was one 
high bidder. I waited until a couple of hours  before the auction ended and 
outbid him and won the lot for a low price. The  underbidder sent some crazy, 
abusive emails to me saying he was shocked that I  waited until the last hour 
before placing a bid. He said he would leave  negative feedback for me (you 
could do that in those days). I tried to explain  to him that this was how an 
auction works. If you dont bid enough then you  will lose. He came back with 
even more abuse and said he would not only leave  negative feedback but 
report me to the authorities (whoever they  were).
 
John
 
 

JOHN REID VINTAGE MOVIE MEMORABILIA
Website: www.moviemem.com
Facebook: http://www.facebook.com/moviemem
PO Box 
  92
Elanora
Qld 4221
Australia
- Original Message - 
From: Bruce  Hershenson 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, November 13, 2012 10:44  AM
Subject: [MOPO] Remembering eBay's  glory days

Remember when you could put up the most worthless garbage and  it would 
surely sell, and maybe there would be a bidding  war?

Remember when lots of eBay auctions would have L@@K or W@W  at the end of 
the  title?

Remember when there was just ONE movie poster category  and you could look 
over every single item every day?

Remember when 
any image of a barechested male would have GAY INTEREST in the  auction 
title?

Remember when you could leave feedback for any seller, 
even if you hadn't bought anything from them?

For those of you who  were there at the start, what do you remember?

-- 

Bruce Hershenson and the other 26 members of  the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 
417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions


 
Complete Buyer  Protection - No time limit on our guarantees  NO buyer beware
Hershenson Help  Hotline - Direct line to Bruce (our owner!) for urgent  
problems
Also, please read the following three pages of  in-depthCustomer Reviews of 
our company - Page 1, Page 2, Page 3,  which shows you in our customers' own 
words exactly what makes our  company and our auctions so very different from 
all others!   

Visit the MoPo Mailing List Web Site at www.filmfan.com
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In the 

Re: [MOPO] eBay free listings

2012-09-01 Thread Geraldine Kudaka
Ah, Bruce... but that is because there are so many dishonest sellers out there 
-- both on ebay and off ebay. 


Its unfortunate that good sellers have to get lumped in with the bad, but the 
$$$ which makes everything run -- including ebay -- is the buyer.  So ebay's 
protection of the buyer is what's allowed ebay to maintain it's profits and 
grow. 

As someone who buys a lot off ebay because I live  rural and can't find what I 
want locally, I shop on ebay. I've bought things like new Ugg boots  gotten 2 
left sides -- yes, you read that correctly. Two sides of the same foot!!!To get 
my money back, I have to pay for shipping. Also defective items. So it cost me 
to shop on ebay.


If a buyer is shipped the wrong or defective item, why in the world do we have 
to bear the burden of paying for return shipping? 


If ebay was really pro-buyer, things like defective items returns shipping cost 
or not as described return shipping cost would not come out of the buyer's 
pocket but the sellers. 

That would certainly eliminate a lot of bad sellers.


Whether you sell on an ebay auction or run an off-ebay auction site, there is 
still a lot of dishonesty. In fact, out-right thievery.

We have had more $$$ stolen from us from one of many of your favorite auction 
sites, Heritage, and believe even with ebay's fees, it's far better to sell on 
ebay than risk losing your inventory in Heritage's shady inventory procedures.






From: Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@listserv.american.edu 
Sent: Thursday, August 30, 2012 6:19 PM
Subject: Re: [MOPO] eBay free listings
 

I am waiting for eBay to offer to PAY sellers to list items, and even then I 
would have to think long and hard about listing there.

I know some people love it, but it is not my cup of tea. They have added so 
many anti-seller rules that I would be petrified after every sale, both that I 
might be scammed out of my poster, and that the buying might leave bad feedback 
for me and restrict my account.


On Thu, Aug 30, 2012 at 10:12 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:

EBAY USER ID:  silky_buddha


We got the invite and are selling original movie art  Star Wars items.


We do not sell cheap repro  reprints.  



We sell only original art -- well, we do have copies, but these are copies 
made by the production and are vintage, production used art work.


Our prices are less than what prop store sells art for -- i.e., an original 
pen, ink  marker concept sketch of Judge Hershey (in her Judge's uniform, 
with Lawblaster) sold for $89. That's screen used, original concept art which, 
at commercial movie  prop/memorabilia sites, sells for over $400.


We have Giger signed art. Not up, but to be listed, original art by Chris Foss 
for Flash Gordon... original storyboards  concept art by Alex Tavolouris, the 
first concept artist hired by Lucas for Star Wars...



All original, not cheap repro...


Of course, we had other items, like the British Quad Star Wars which --- got 
STOLEN -- anyone remember this story Missing Quad probably was sold by 
Heritage, but since we got 2 of each poster, our other Quad remains for ebay 
auction...


Plus, a lot of high end items have sold at a BIN auction within 30 minutes of 
listing. Some within 5 minutes of listing.



Of course, the 50K items does not apply to us because we are selling vintage 
items and end up paying UK listing fees anyway. 



There's no free lunch -- or at least, legal free lunches.









 From: John Waldman jhnwald...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, August 30, 2012 8:29 AM
Subject: Re: [MOPO] eBay free listings
 




I got the invite, but not to list 50,000 items.  I haven't sold anything on 
Ebay for over a year.
 
JW



From: JOHN REID Vintage Movie Memorabilia johnr...@moviemem.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, August 29, 2012 5:41 PM
Subject: [MOPO] eBay free listings


Hi MoPoers
eBay currently has a promotion running where many sellers have been offerred 
up to 50,000 free auction listings for about nine days up until Aug 31. This 
has resulted in some sellers flooding the site with cheap repros and reprints. 
The crazy thing is that the offer has been sent by invitation only and it 
seems to have been done at random. Store sellers are not eligible so anyone 
who has a store would be seeing a big drop in sales while this promotion is on.
 
Just curious as to whether any MoPo members received the invitation to list 
50,000 items on auction.
Regards
John

JOHN REID VINTAGE MOVIE MEMORABILIA
Website: http://www.moviemem.com/
Facebook: http://www.facebook.com/moviemem
PO Box 92
Elanora
Qld 4221
Australia
Visit the MoPo Mailing List Web Site at http://www.filmfan.com/
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Re: [MOPO] eBay free listings

2012-09-01 Thread Geraldine Kudaka
I offer to pay return postage if an item is not as described, but there are a 
lot of sellers who run on such small margins that they refuse to pay for return 
shipping.

So I leave negative feedbacks. 


Leaving a seller negative feedback puts you at risk of getting negative buyer 
feedback  -- even when they sell you defective items they pick up at a garage 
sale or thrift store and refuse to pay for return shipping.   

My solution -- my buying and selling account are separate so that on my selling 
account, feedback is 100% positive. 


I leave all buyers positive feedback -- if they pay -- because I believe a 
buyer paying is what keeps the game going.




 From: filip de volder runbuffy...@hotmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Saturday, September 1, 2012 12:29 PM
Subject: Re: [MOPO] eBay free listings
 

 

 hi, i definitely agree that sellers should buy for return shipping when they 
mess up , that's an option when you sell on ebay , all my auctions have the 
option  seller pays return shipping  
 
But then  some days ago i had this buyer who received a vinyl record (NEAR 
MINT) but contacts me to say it has a big scratch and he wants me to refund him 
50% ...  as i know for 100% sure my record was near mint with no scratch it's 
clear that this buyer wants to get his item for half price (with how many 
sellers did he have this work as many sellers don't want negative feedback 
etc...)  i tell him : not happy , return for full refund , i pay your return 
postage too , well , he refused , opened a case with ebay and left me negative 
feedback , pissed off because his scam didn't work with me .  
 
I advise all sellers to beware of these 'not in the  condition as mentioned so 
partial refund  please '  scams , go for a full refund after return so these 
losers calm down on ripping off sellers .  filip , runbuffy on ebay 



Date: Sat, 1 Sep 2012 08:36:46 -0700
From: gkud...@rocketmail.com
Subject: Re: [MOPO] eBay free listings
To: MoPo-L@LISTSERV.AMERICAN.EDU


Ah, Bruce... but that is because there are so many dishonest sellers out there 
-- both on ebay and off ebay. 


Its unfortunate that good sellers have to get lumped in with the bad, but the 
$$$ which makes everything run -- including ebay -- is the buyer.  So ebay's 
protection of the buyer is what's allowed ebay to maintain it's profits and 
grow. 

As someone who buys a lot off ebay because I live  rural and can't find what I 
want locally, I shop on ebay. I've bought things like new Ugg boots  gotten 2 
left sides -- yes, you read that correctly. Two sides of the same foot!!!To get 
my money back, I have to pay for shipping. Also defective items. So it cost me 
to shop on ebay.


If a buyer is shipped the wrong or defective item, why in the world do we have 
to bear the burden of paying for return shipping? 


If ebay was really pro-buyer, things like defective items returns shipping cost 
or not as described return shipping cost would not come out of the buyer's 
pocket but the sellers. 

That would certainly eliminate a lot of bad sellers.


Whether you sell on an ebay auction or run an off-ebay auction site, there is 
still a lot of dishonesty. In fact, out-right thievery.

We have had more $$$ stolen from us from one of many of your favorite auction 
sites, Heritage, and believe even with ebay's fees, it's far better to sell on 
ebay than risk losing your inventory in Heritage's shady inventory procedures.






From: Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@listserv.american.edu 
Sent: Thursday, August 30, 2012 6:19 PM
Subject: Re: [MOPO] eBay free listings
 

I am waiting for eBay to offer to PAY sellers to list items, and even then I 
would have to think long and hard about listing there.

I know some people love it, but it is not my cup of tea. They have added so 
many anti-seller rules that I would be petrified after every sale, both that I 
might be scammed out of my poster, and that
 the buying might leave bad feedback for me and restrict my account.


On Thu, Aug 30, 2012 at 10:12 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:

EBAY USER ID:  silky_buddha


We got the invite and are selling original movie art  Star Wars items.


We do not sell cheap repro  reprints.  



We sell only original art -- well, we do have copies, but these are copies 
made by the production and are vintage, production used art work.


Our prices are less than what prop store sells art for -- i.e., an original 
pen, ink  marker concept sketch of Judge Hershey (in her Judge's uniform, 
with Lawblaster) sold for $89. That's screen used, original concept art which, 
at commercial movie  prop/memorabilia sites, sells for over $400.


We have Giger signed art. Not up, but to be listed, original art by Chris Foss 
for Flash Gordon... original storyboards  concept art by Alex Tavolouris, the 
first concept artist hired

Re: [MOPO] eBay free listings

2012-08-30 Thread Geraldine Kudaka
EBAY USER ID:  silky_buddha

We got the invite and are selling original movie art  Star Wars items.

We do not sell cheap repro  reprints.  


We sell only original art -- well, we do have copies, but these are copies made 
by the production and are vintage, production used art work.

Our prices are less than what prop store sells art for -- i.e., an original 
pen, ink  marker concept sketch of Judge Hershey (in her Judge's uniform, with 
Lawblaster) sold for $89. That's screen used, original concept art which, at 
commercial movie  prop/memorabilia sites, sells for over $400.

We have Giger signed art. Not up, but to be listed, original art by Chris Foss 
for Flash Gordon... original storyboards  concept art by Alex Tavolouris, the 
first concept artist hired by Lucas for Star Wars...


All original, not cheap repro...

Of course, we had other items, like the British Quad Star Wars which --- got 
STOLEN -- anyone remember this story Missing Quad probably was sold by 
Heritage, but since we got 2 of each poster, our other Quad remains for ebay 
auction...

Plus, a lot of high end items have sold at a BIN auction within 30 minutes of 
listing. Some within 5 minutes of listing.


Of course, the 50K items does not apply to us because we are selling vintage 
items and end up paying UK listing fees anyway. 


There's no free lunch -- or at least, legal free lunches.






 From: John Waldman jhnwald...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, August 30, 2012 8:29 AM
Subject: Re: [MOPO] eBay free listings
 



I got the invite, but not to list 50,000 items.  I haven't sold anything on 
Ebay for over a year.
 
JW


From: JOHN REID Vintage Movie Memorabilia johnr...@moviemem.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, August 29, 2012 5:41 PM
Subject: [MOPO] eBay free listings


 
Hi MoPoers
eBay currently has a promotion running where many sellers have been offerred up 
to 50,000 free auction listings for about nine days up until Aug 31. This has 
resulted in some sellers flooding the site with cheap repros and reprints. The 
crazy thing is that the offer has been sent by invitation only and it seems 
to have been done at random. Store sellers are not eligible so anyone who has a 
store would be seeing a big drop in sales while this promotion is on.
 
Just curious as to whether any MoPo members received the invitation to list 
50,000 items on auction.
Regards
John

JOHN REID VINTAGE MOVIE MEMORABILIA
Website: http://www.moviemem.com/
Facebook: http://www.facebook.com/moviemem
PO Box 92
Elanora
Qld 4221
Australia
Visit the MoPo Mailing List Web Site at http://www.filmfan.com/
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[MOPO] DREDD art Heritage

2012-07-08 Thread Geraldine Kudaka
Many of you assume that I have remained quiet about Heritage absconding with 
our inventory because of some character defect on my part, but rest assured, 
this is not the case.

After that loss and the flaming wars it engendered, we have basically given up 
trusting any dealers and will be auctioning our collection on ebay. 

We have 8 complete binders of RARE, unreleased production slides from Alien, 
which we will be gradually releasing.

Besides the Star Wars posters -- of which we started out with multiple int'l, 
US  Chaykins -- we have rare original production copies of unseen ephemera 
(such as cast contracts), original storyboards by Alex Tavoularis, and 1st run 
3 AFA graded 85-90 action figures which even Gus Lopez didn't have in his 
book. 

As the licensing producer who acquired the original movie rights to Dredd, we 
have one of the largest collections of original screen used art which we'll be 
putting up over the next few months. 

CHECK OUT our DREDD auctions.

Judge DREDD Production ART screen used BLASTER   # 290740241210

Judge DREDD -- ORIGINAL CONCEPT ART of Janus Lab CLONING  # 290740249407


If you haven't seen Dredd 3D trailer, it's on you-tube and had 1.5 million hits 
in a week. Premieres in San Diego Comic Con and set for release Sept. 21.


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Re: [MOPO] Rich - Pelham poster

2012-06-25 Thread Geraldine Kudaka
Charley thinks Kaplan is still around. He's younger than Charley, so he's 
around mid-60's. He was trying to live in London, though might be in NYC. He 
did Altman's Nashville  worked with John van Hammersveld on a film that had a 
poster of a bed with some people in it -- title of something like Sleeping in 
LA? ... 


Oh, just read Brandon's prior post.

Great.. Now we know how to get in touch with him.  


The last time Charley saw him (LA screening of Hodge's Croupier) he wanted Van 
Hammersveld Get Carter, which we'll get to him.  




 From: Richard Evans evan...@mac.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 25, 2012 12:44 AM
Subject: Re: [MOPO] Rich - Pelham poster
 

Thanks! That's superb, I'll try him.

Sent from my iPad

On 25 Jun 2012, at 05:41, Brandon Pleake bple...@prodigy.net wrote:


 
Mike Kaplan has a blog on Huffington 
Post.
 
http://www.huffingtonpost.com/mike-kaplan
 
Brandon
- Original Message - 
From: Geraldine  Kudaka 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: June 24, 2012 11:18
Subject: Re: [MOPO] Rich - Pelham  poster


Our Pelham copy wasn't rolled.


Interesting that you are having hard time finding info on  it.


We really didn't know what we had in our collection because we  weren't into 
buying and selling. When we started thinking about selling and  realized the 
first step was going to be identifying what we had, it seemed  like an 
insurmountable task. So I'm surprised at how hard it is for you -- a  
collector -- to find the information. And to what lengths you have to go to  
find the information. Here, I'm assuming you have movie poster guides and  
reference materials on your desk, but not finding what you need in your  
resources -- well that's interesting. And contacting Kubrick's archive --  
that's impressive.



Kinda reminds me of Abel Gance's Napolean. The amount of research  necessary 
to get the info you need -- in Gance's case, it was Kevin Brownlow's life  
long obsession with the film that resulted in its reconstruction. 



http://en.wikipedia.org/wiki/Napol%C3%A9on_%281927_film%29


I don't know if Mike Kaplan is still alive -- he was older than Charley  -- 
but he certainly would know. 



In fact -- if one could find him -- you'd have the info you needed to  know 
and probably from the best source. Filmmakers don't think of the posters  -- 
they think of their films -- and the poster artist generally is thinking of  
their whole artistic career, so Kaplan would really know why the Pelham was  
made and what happened to that campaign.




 From: Richard C Evans  evan...@mac.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Sunday, June 24, 2012 1:41  PM
Subject: Re: [MOPO] Rich -  Pelham poster


Thanks Geraldine.


Very difficult to find info on this, have already made extensive  efforts.


Though I'm reasonably sure the printing (though not the design it's based  
on) originates in the US.


Next step for me is the Kubrick archive, who have told me on the  telephone 
they have nothing relating to this poster, (but they do have Bill  Gold's 
cruxifiction design which Kubrick rejected). They may though have  something 
relating to it in Kubrick's communications with WB. 


Whether it did actually ran or is a print run of a proposed poster, still  no 
clue.


Does seem that these only come to market rolled and via execs, though I  may 
be wrong on that.


Thanks for the info, much appreciated.
Sent from my 
  iPhone

On 24 Jun 2012, at 18:18, Geraldine Kudaka gkud...@rocketmail.com  wrote:


When Charley first worked at MGM, Mike Kaplan was his boss. 2001  had opened 
initially a Hardware campagn, it had a good box office but  shortly after 
opening fell off at the box office. Mike convinced Kubrick  that they should 
replace the Hardware campaign with the Star Child campaign.  The Star Child 
campaign was a massive hit, bringing is a huge resurgence at  the box office. 
It was the BO success of 2001 that convinced 20th  Century/Fox to fund Star 
Wars.



2001 huge success is evidenced by these figures -- in Dec. 75,  the film 
broke even. In March, 1976, Kubrick received his first profit  sharing 
residual check. 



March 1976 was the same month Star Wars started  filming

After conceiving the Star Child campaign for 2001, Mike 
Kaplan left MGM and went to work for Kubrick on Clockwork Orange. When 
Charley was in London working on Star Wars, Mike gave him posters. 

Any other history on the Pelham poster or its availability would be 
best to find by googling UK.





 From: Richard Evans evan...@mac.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@LISTSERV.AMERICAN.EDU  MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Sunday, June 24,  2012 10:53 AM
Subject: Re:  [MOPO] Rich - Pelham poster


Thanks Geraldine, no rush.

Sent from my iPad

On 24 Jun 2012, at 14:15, Geraldine Kudaka gkud...@rocketmail.com  wrote:


It's Sunday

Re: [MOPO] Rich - Pelham poster

2012-06-25 Thread Geraldine Kudaka
Apparently not, since both he and Hodges asked Charley for one... 


From what I remember, Charley met Van Hammersveld and hired him to do the Get 
Carter. He then introduced Van Hammersveld to a lot of people, which is why 
John gave Charley a lot of posters. We probably have one of the largest Van 
Hammersveld collection. We have pieces John borrowed when he had a museum 
exhibit. 


Also, if you move around a lot, it's hard to keep a collection up. Cost of 
shipping  storage get prohibitive. 


If you find Kaplan's address, can you get it to us off-list?  




 From: evan...@mac.com evan...@mac.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@LISTSERV.AMERICAN.EDU MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 25, 2012 1:10 PM
Subject: Re: [MOPO] Rich - Pelham poster
 

The last time Charley saw him (LA screening of Hodge's Croupier) he wanted Van 
Hammersveld Get Carter, which we'll get to him.  
Doesn't he have his own copies, wasn't he Art Director on that poster?


I'll respond about Clockwork Orange later. Long and complicated.
Sent from my iPhone

On 25 Jun 2012, at 18:00, Geraldine Kudaka gkud...@rocketmail.com wrote:


Charley thinks Kaplan is still around. He's younger than Charley, so he's 
around mid-60's. He was trying to live in London, though might be in NYC. He 
did Altman's Nashville  worked with John van Hammersveld on a film that had a 
poster of a bed with some people in it -- title of something like Sleeping in 
LA? ... 



Oh, just read Brandon's prior post.


Great.. Now we know how to get in touch with him.  



The last time Charley saw him (LA screening of Hodge's Croupier) he wanted Van 
Hammersveld Get Carter, which we'll get to him.  





 From: Richard Evans evan...@mac.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 25, 2012 12:44 AM
Subject: Re: [MOPO] Rich - Pelham poster
 

Thanks! That's superb, I'll try him.

Sent from my iPad

On 25 Jun 2012, at 05:41, Brandon Pleake bple...@prodigy.net wrote:


 
Mike Kaplan has a blog on Huffington 
Post.
 
http://www.huffingtonpost.com/mike-kaplan
 
Brandon
- Original Message - 
From: Geraldine  Kudaka 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: June 24, 2012 11:18
Subject: Re: [MOPO] Rich - Pelham  poster


Our Pelham copy wasn't rolled.


Interesting that you are having hard time finding info on  it.


We really didn't know what we had in our collection because we  weren't into 
buying and selling. When we started thinking about selling and  realized the 
first step was going to be identifying what we had, it seemed  like an 
insurmountable task. So I'm surprised at how hard it is for you -- a  
collector -- to find the information. And to what lengths you have to go to  
find the information. Here, I'm assuming you have movie poster guides and  
reference materials on your desk, but not finding what you need in your  
resources -- well that's interesting. And contacting Kubrick's archive --  
that's impressive.



Kinda reminds me of Abel Gance's Napolean. The amount of research  necessary 
to get the info you need -- in Gance's case, it was Kevin Brownlow's life  
long obsession with the film that resulted in its reconstruction. 



http://en.wikipedia.org/wiki/Napol%C3%A9on_%281927_film%29


I don't know if Mike Kaplan is still alive -- he was older than Charley  -- 
but he certainly would know. 



In fact -- if one could find him -- you'd have the info you needed to  know 
and probably from the best source. Filmmakers don't think of the posters  -- 
they think of their films -- and the poster artist generally is thinking of  
their whole artistic career, so Kaplan would really know why the Pelham was  
made and what happened to that campaign.




 From: Richard C Evans  evan...@mac.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Sunday, June 24, 2012 1:41  PM
Subject: Re: [MOPO] Rich -  Pelham poster


Thanks Geraldine.


Very difficult to find info on this, have already made extensive  efforts.


Though I'm reasonably sure the printing (though not the design it's based  
on) originates in the US.


Next step for me is the Kubrick archive, who have told me on the  telephone 
they have nothing relating to this poster, (but they do have Bill  Gold's 
cruxifiction design which Kubrick rejected). They may though have  something 
relating to it in Kubrick's communications with WB. 


Whether it did actually ran or is a print run of a proposed poster, still  
no clue.


Does seem that these only come to market rolled and via execs, though I  may 
be wrong on that.


Thanks for the info, much appreciated.
Sent from my 
  iPhone

On 24 Jun 2012, at 18:18, Geraldine Kudaka gkud...@rocketmail.com  wrote:


When Charley first worked at MGM, Mike Kaplan was his boss. 2001  had opened 
initially a Hardware campagn, it had a good box office but  shortly after 
opening fell off at the box office. Mike convinced Kubrick

Re: [MOPO] Alien - behind the scenes, glory book....

2012-06-24 Thread Geraldine Kudaka
Hi Dave, 


Sorry, I only answered the 1 email I got via my ebay mailbox. My MOPO box  -- 
which is also used for other newsgroups and mail -- is so full I haven't gotten 
around to answering everything.

I do not sell posters or movie memorabilia for a living. 


i spend 1 hr. in the morning on replying to emails.

My apologies.




 From: David Lieberman dli...@aol.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 22, 2012 4:02 PM
Subject: Re: [MOPO] Alien - behind the scenes, glory book
 

 
Cool!
 
We just bought the blu ray complete set on ebay with all the movies and 
tons of extras. I'll be watching it over the next few weeks. It was half off 
and 
came with a super nerdy statue that lights up.
 
http://www.ebay.com/itm/140763512730


and fwiw, I 
emailed Geraldine 4 times over the past few weeks and she never even bothered 
to 
respond. 
 
Pretty rude, 
but I think I'll live.
 

David A. Lieberman
CineMasterpieces.com|Vintage Original Movie Posters
15721 N. Greenway Hayden Loop, 
Suite 105|Scottsdale, AZ 85260
602 309 
0500| Our 
Facebook Page|Office/Gallery Open By Appt. 
Only.
 
In a message dated 6/22/2012 12:48:42 P.M. US Mountain Standard Time, 
spitfire3...@yahoo.com writes:
Speaking of Alien.  Here is the creation of the creature. A work in progress.


 





--- On Fri, 6/22/12, Geraldine Kudaka gkud...@rocketmail.com wrote:


From: 
  Geraldine Kudaka gkud...@rocketmail.com
Subject: Re: [MOPO] 
  Rare ALIEN Glory book -- less than 30 produced
To: 
  MoPo-L@LISTSERV.AMERICAN.EDU
Date: Friday, June 22, 2012, 6:17 
  AM


These are not off-set printed booklets. 



These are made of individual photographs printed by Stanley  Bielecki's photo 
lab using Bob Penn's negatives. Stanley Bielecki  printed them in his 
darkroom using  Kodak photographic stock  paper... they were then bound using 
one of the folio spiral bindings  you could get at office supplies. If you 
look at the Alien text page  -- the one with white lettering on a black box 
-- you'll see the  copyright was added as an after thought with a typed file 
folder  label. 



It's easy to think the images are on paper, but they're  not. 


Stanley Bielecki was also the same photographer who hand  printed the photos 
that were folio bound into the Star Wars cast and  crew wrap gifts -- the 
Glory Book. 


Please look up the history of Star Wars Glory  books. This item is a known 
collectors item and can be found online at  other places than mrsminiver's 
ebay listing, 390426055170   Lucasfilm and Gus Lopez on swca.com used to have 
it up,  as well as some movie prop collectors sites, but I can't find it 
right  now in a 2 minute search. I'm sure you can find proof of its existence 
 by searching the web.

As the Star Wars Glory Book is known 
  among collectors -- one MOPO dealer even contacted us to buy ours 
  after we started posting about our Heritage problem -- and its 
  provable, limited production is not simply a statement I am making to 
  increase it's rarity, it is Star Wars history.  
 

You are talking about the  manufactured booklets that were offset printed for 
distribution. Not  the same beast. The way to tell is to look at the paper 
stock and  Alien copyright -- was it a file folder label pasted on as an  
afterthought?

Believe me, by the time they get around to 
  sending stuff to theater distributors, the copyright is not an 
  afterthought. 
 

If you want the promo theater  booklet for Star Wars, we have SEALED, 
unopened boxes of the theater  folio, which still have intact the embossed 
Star Wars logo ribbon.  These are SEALED, unopened boxes... 
 


To get an idea of the off-set Star Wars booklet, you can go  here:


http://www.mycomicshop.com/search?TID=11327001


They were originally sent in a white mailer-type of box with a  ribbon 
closure. The folios, without their boxes, are very common. The  folios with 
open boxes sometimes come up on ebay.  



https://dl.dropbox.com/u/86409487/cam1.JPG


https://dl.dropbox.com/u/86409487/Cam9.JPG


The sealed, unopened boxes are rarer... How many people receive a  box and 
don't open it?



You can also ask Rudy Franchi about Charley's marketing of  Star Wars. 



Charley's marketing of Star Wars, especially the advance  merchandising and 
licensing, changed the way movies are marketed.  There were a few films 
released before Star Wars with advance  merchandising and licensing, such as 
Paramount's The Great Gatsby  and 20th Century's Doctor Doolittle but for 
box office results --  but it was Star Wars' Kenner line which changed movie 
marketing. 







 From: Richard Halegua  Posters + Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, June  21, 2012 2:10 PM
Subject: Re: [MOPO] Rare ALIEN  Glory book -- less than 30 produced

I have similar 
  ring binder books for Willow

Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

2012-06-24 Thread Geraldine Kudaka
Thank you, Neil

It is clear from your statement that my allegations will need to be proved as 
you have publicly stated you suspect my credibility and sanity.

Regarding the Goliath's impeccable reputation and behavior  -- here, I'm 
referring to Heritage --I suggest you look up Mongolian Tyrannosaurus bataar 
and Heritage Auctions.

Despite widespread scientific protest and Texas judge issuing a restraining 
order against the May 2012 auction, Heritage sold the fossil claiming it had 
established  provenance and had a right to the sale.

Three days ago, on Thurs., June 21, a federal judge signed a warrant for 
Homeland Security to seize the fossil because it was stolen from Mongolia.

Right, stolen goods. 

Even with the combined weight of the scientific community (paleontologists) and 
Mongolian government protesting against the auction, the fossil was sold by 
Heritage for $1,052,000...




 From: Neil Jaworski neiljawor...@yahoo.co.uk
To: Geraldine Kudaka gkud...@rocketmail.com; MoPo-L@LISTSERV.AMERICAN.EDU 
MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 22, 2012 2:26 PM
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 

No, Geraldine, really don't say any more.

You have completely taken over this forum with your repeated, wearying, 
unsubstantiated claims.

I suspect any sympathy for you has long since evaporated.  Mine certainly has.

If your claims have any basis in fact, it's for the law to decide.

I know that you're hoping to leave a series of allegations in a public forum 
that future possible customers of Heritage will come across.

However, because you've gone on and on ad nauseum and alienated so many 
MOPOers, there are almost as many negative public comments about your own 
motives, reliability and character.  

I won't comment publicly myself on how sane or otherwise I think you are (have 
a wild stab in the dark), but I suspect that your credibility is what the 
casual reader of the forum will consider and weigh when reading this thread, 
more so than Heritage's business practices. 

Sometimes in life it's better to just say your piece and then shut up.

Neil



 From: Geraldine Kudaka gkud...@rocketmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, 22 June 2012, 17:25
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 

Gee, Grey, the Alien teaser  2 fillmore/avalon posters were part of that batch 
we sent.

Need I say more?




 From: Smith, Grey - 1367 gre...@ha.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 22, 2012 12:21 PM
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 

Helmut,
Funny you would mention that poster!
http://movieposters.ha.com/c/item.zx?saleNo=161226lotNo=53008
 
This poster, from the film’s original release, is the only item that does seem 
to get better money.
I have sold it in the past for over $2000. Makes the one running now seem like 
a bargain!
I have also sold the Alien book for close to $2000.
 
 
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Helmut Hamm
Sent: Friday, June 22, 2012 11:12 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 
Jeffrey,



I have yet to see any Alien paper to bring even $500 or more.
 
as long as it's original and in good condition, I'd be happy to pay $500 for an 
advance onesheet on ALIEN.
 
Cheers,
 
Helmut
 
 
http://www.filmposter.net
Visit the MoPo Mailing List Web Site at www.filmfan.com
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[MOPO] Rich - Pelham poster

2012-06-24 Thread Geraldine Kudaka
It's Sunday morning and Charley's still asleep so i can't ask him about the 
Pelham Clockwork Orange.

I'll find out later today and let you know. 

 Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

2012-06-24 Thread Geraldine Kudaka
ebay  -- 290731119615

I know the ebay gallery photos are small. 


Sorry i don't have any other photos uploaded on photobucket for a better link. 


    




 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 22, 2012 1:40 PM
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 

http://www.youtube.com/watch?v=1sONfxPCTU0


On Fri, Jun 22, 2012 at 12:03 PM, Alan Adler m...@charter.net wrote:

Anyone have a link to pix of this Alien Glory Book? - Like to see for myself 
what the heck it looks like.


Alan A




On Jun 22, 2012, at 6:17 AM, Geraldine Kudaka wrote:

These are not off-set printed booklets. 



These are made of individual photographs printed by Stanley Bielecki's photo 
lab using Bob Penn's negatives. Stanley Bielecki printed them in his 
darkroom using  Kodak photographic stock paper... they were then bound 
using one of the folio spiral bindings you could get at office supplies. If you 
look at the Alien text page -- the one with white lettering on a black box -- 
you'll see the copyright was added as an after thought 
with a typed file folder label. 



It's easy to think the images are on paper, but they're not. 


Stanley Bielecki was also the same photographer who hand printed the photos 
that were folio bound into the Star Wars cast and crew wrap gifts -- the Glory 
Book. 


Please look up the history of Star Wars Glory books. This item is a known 
collectors item and can be found online at other places than 
mrsminiver's ebay listing, 390426055170  Lucasfilm and Gus Lopez on swca.com 
used to have it up, as well as some movie prop collectors sites, but I 
can't find it right now in a 2 minute search. I'm sure you can find 
proof of its existence by searching the web.

As the Star Wars 
Glory Book is known among collectors -- one MOPO dealer even contacted 
us to buy ours after we started posting about our Heritage problem -- 
and its provable, limited production is not simply a statement I am 
making to increase it's rarity, it is Star Wars history.  


You are talking about the manufactured booklets that were offset printed 
for distribution. Not the same beast. The way to tell is to look at the 
paper stock and Alien copyright -- was it a file folder label pasted on as an 
afterthought?

Believe me, by the time they get around to sending stuff to theater 
distributors, the copyright is not an afterthought. 
 

If you want the promo theater booklet for Star 
Wars, we have SEALED, unopened boxes of the theater folio, which still 
have intact the embossed Star Wars logo ribbon. These are SEALED, 
unopened boxes... 



To get an idea of the off-set Star Wars booklet, you can go here:


http://www.mycomicshop.com/search?TID=11327001


They were originally sent in a white mailer-type of box with a ribbon 
closure. The folios, without their boxes, are very common. The folios 
with open boxes sometimes come up on ebay.  



https://dl.dropbox.com/u/86409487/cam1.JPG


https://dl.dropbox.com/u/86409487/Cam9.JPG


The sealed, unopened boxes are rarer... How many people receive a box and 
don't open it?



You can also ask Rudy Franchi about Charley's marketing of Star Wars. 



Charley's marketing of Star Wars, especially the advance merchandising and 
licensing, changed the way movies are marketed. There were a few films 
released before Star Wars with advance merchandising and licensing, such as 
Paramount's The Great Gatsby and 20th Century's Doctor Doolittle but for 
box office results -- but it was Star Wars' Kenner line which 
changed movie marketing. 







 From: Richard Halegua Posters + Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, June 21, 2012 2:10 PM
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 
I have similar ring binder books for Willow and for Chariots of Fire. I may 
even have more than one each and I may even have others

it's obvious that some are just photographic prints, while others look like 
they were printed editions


At 10:59 AM 6/21/2012, Freeman Fisher wrote:
 Geraldine,
 Your description of this ALIEN booklet is not accurate.  These booklets 
 were sent out to exhibitor owners and execs.  Back in the 1970's  there 
 still existed numerous blind bid states.  I worked in Texas
  and it was the most extreme example given the sizes of Houston, Dallas, 
Fort Worth, San Antonio and Austin and the money those markets represented
  Blind bidding was when a theatre chain had to commit to a film, sometimes 
a year in advance, with terms outlined (1st two weeks at 70% 2nd two weeks 
at 60% etc.) and frequently putting up at times tens of thousands
 if not all together
 100's of thousands of dollars on the blockbusters  WITHOUT EVER SEEING A SCRAP 
OF FILM.   So these booklets were sent out prior to bidding and came in all 
kinds of formats.some just a couple of fold out pages to nice

Re: [MOPO] Alien - behind the scenes, glory book....

2012-06-24 Thread Geraldine Kudaka
hahaha... I think of you as a superman, Bruce. You must be an extremely fast 
typist because you seem to stay on top of MOPO posts... and that's on top of 
managing all your employees!   




 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Sunday, June 24, 2012 9:40 AM
Subject: Re: [MOPO] Alien - behind the scenes, glory book
 

I DO sell posters or movie memorabilia for a living and I have 25 employees and 
I STILL can't reply to all the email I receive in a timely manner.


On Sun, Jun 24, 2012 at 7:38 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:

Hi Dave, 



Sorry, I only answered the 1 email I got via my ebay mailbox. My MOPO box  -- 
which is also used for other newsgroups and mail -- is so full I haven't 
gotten around to answering everything.


I do not sell posters or movie memorabilia for a living. 



i spend 1 hr. in the morning on replying to emails.


My apologies.




 From: David Lieberman dli...@aol.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 22, 2012 4:02 PM
Subject: Re: [MOPO] Alien - behind the scenes, glory book
 


 
Cool!
 
We just bought the blu ray complete set on ebay with all the movies and 
tons of extras. I'll be watching it over the next few weeks. It was half off 
and 
came with a super nerdy statue that lights up.
 
http://www.ebay.com/itm/140763512730


and fwiw, I 
emailed Geraldine 4 times over the past few weeks and she never even bothered 
to 
respond. 
 
Pretty rude, 
but I think I'll live.
 

David A. Lieberman
CineMasterpieces.com|Vintage Original Movie Posters
15721 N. Greenway Hayden Loop, 
Suite 105|Scottsdale, AZ 85260
602 309 
0500| Our 
Facebook Page|Office/Gallery Open By Appt. 
Only.
 
In a message dated 6/22/2012 12:48:42 P.M. US Mountain Standard Time, 
spitfire3...@yahoo.com writes:
Speaking of Alien.  Here is the creation of the creature. A work in progress.


 





--- On Fri, 6/22/12, Geraldine Kudaka gkud...@rocketmail.com wrote:


From: 
  Geraldine Kudaka gkud...@rocketmail.com
Subject: Re: [MOPO] 
  Rare ALIEN Glory book -- less than 30 produced
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Friday, June 22, 2012, 6:17 
  AM


These are not off-set printed booklets. 



These are made of individual photographs printed by Stanley  Bielecki's 
photo lab using Bob Penn's negatives. Stanley Bielecki  printed them in his 
darkroom using  Kodak photographic stock  paper... they were then bound 
using one of the folio spiral bindings  you could get at office supplies. If 
you look at the Alien text page  -- the one with white lettering on a black 
box -- you'll see the  copyright was added as an after thought with a typed 
file folder  label. 



It's easy to think the images are on paper, but they're  not. 


Stanley Bielecki was also the same photographer who hand  printed the photos 
that were folio bound into the Star Wars cast and  crew wrap gifts -- the 
Glory Book. 


Please look up the history of Star Wars Glory  books. This item is a known 
collectors item and can be found online at  other places than mrsminiver's 
ebay listing, 390426055170   Lucasfilm and Gus Lopez on swca.com used to 
have it up,  as well as some movie prop collectors sites, but I can't find 
it right  now in a 2 minute search. I'm sure you can find proof of its 
existence  by searching the web.

As the Star Wars Glory Book is known 
  among collectors -- one MOPO dealer even contacted us to buy ours 
  after we started posting about our Heritage problem -- and its 
  provable, limited production is not simply a statement I am making to 
  increase it's rarity, it is Star Wars history.  
 

You are talking about the  manufactured booklets that were offset printed 
for distribution. Not  the same beast. The way to tell is to look at the 
paper stock and  Alien copyright -- was it a file folder label pasted on as 
an  afterthought?

Believe me, by the time they get around to 
  sending stuff to theater distributors, the copyright is not an 
  afterthought. 
 

If you want the promo theater  booklet for Star Wars, we have SEALED, 
unopened boxes of the theater  folio, which still have intact the embossed 
Star Wars logo ribbon.  These are SEALED, unopened boxes... 
 


To get an idea of the off-set Star Wars booklet, you can go  here:


http://www.mycomicshop.com/search?TID=11327001


They were originally sent in a white mailer-type of box with a  ribbon 
closure. The folios, without their boxes, are very common. The  folios with 
open boxes sometimes come up on ebay.  



https://dl.dropbox.com/u/86409487/cam1.JPG


https://dl.dropbox.com/u/86409487/Cam9.JPG


The sealed, unopened boxes are rarer... How many people receive a  box and 
don't open it?



You can also ask Rudy Franchi about Charley's marketing of  Star Wars. 



Charley's marketing of Star Wars, especially the advance

Re: [MOPO] Rich - Pelham poster

2012-06-24 Thread Geraldine Kudaka
When Charley first worked at MGM, Mike Kaplan was his boss. 2001 had opened 
initially a Hardware campagn, it had a good box office but shortly after 
opening fell off at the box office. Mike convinced Kubrick that they should 
replace the Hardware campaign with the Star Child campaign. The Star Child 
campaign was a massive hit, bringing is a huge resurgence at the box office. It 
was the BO success of 2001 that convinced 20th Century/Fox to fund Star Wars.


2001 huge success is evidenced by these figures -- in Dec. 75, the film broke 
even. In March, 1976, Kubrick received his first profit sharing residual check. 


March 1976 was the same month Star Wars started filming

After conceiving the Star Child campaign for 2001, Mike Kaplan left MGM and 
went to work for Kubrick on Clockwork Orange. When Charley was in London 
working on Star Wars, Mike gave him posters. 

Any other history on the Pelham poster or its availability would be best to 
find by googling UK.





 From: Richard Evans evan...@mac.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@LISTSERV.AMERICAN.EDU MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Sunday, June 24, 2012 10:53 AM
Subject: Re: [MOPO] Rich - Pelham poster
 

Thanks Geraldine, no rush.

Sent from my iPad

On 24 Jun 2012, at 14:15, Geraldine Kudaka gkud...@rocketmail.com wrote:


It's Sunday morning and Charley's still asleep so i can't ask him about the 
Pelham Clockwork Orange.


I'll find out later today and let you know. 

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Re: [MOPO] Rich - Pelham poster

2012-06-24 Thread Geraldine Kudaka
Our Pelham copy wasn't rolled.

Interesting that you are having hard time finding info on it.

We really didn't know what we had in our collection because we weren't into 
buying and selling. When we started thinking about selling and realized the 
first step was going to be identifying what we had, it seemed like an 
insurmountable task. So I'm surprised at how hard it is for you -- a collector 
-- to find the information. And to what lengths you have to go to find the 
information. Here, I'm assuming you have movie poster guides and reference 
materials on your desk, but not finding what you need in your resources -- well 
that's interesting. And contacting Kubrick's archive -- that's impressive.


Kinda reminds me of Abel Gance's Napolean. The amount of research necessary to 
get the info you need -- in Gance's case, it was Kevin Brownlow's life long 
obsession with the film that resulted in its reconstruction. 


http://en.wikipedia.org/wiki/Napol%C3%A9on_%281927_film%29

I don't know if Mike Kaplan is still alive -- he was older than Charley -- but 
he certainly would know. 


In fact -- if one could find him -- you'd have the info you needed to know and 
probably from the best source. Filmmakers don't think of the posters -- they 
think of their films -- and the poster artist generally is thinking of their 
whole artistic career, so Kaplan would really know why the Pelham was made and 
what happened to that campaign.



 From: Richard C Evans evan...@mac.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Sunday, June 24, 2012 1:41 PM
Subject: Re: [MOPO] Rich - Pelham poster
 

Thanks Geraldine.

Very difficult to find info on this, have already made extensive efforts.

Though I'm reasonably sure the printing (though not the design it's based on) 
originates in the US.

Next step for me is the Kubrick archive, who have told me on the telephone they 
have nothing relating to this poster, (but they do have Bill Gold's 
cruxifiction design which Kubrick rejected). They may though have something 
relating to it in Kubrick's communications with WB. 

Whether it did actually ran or is a print run of a proposed poster, still no 
clue.

Does seem that these only come to market rolled and via execs, though I may be 
wrong on that.

Thanks for the info, much appreciated.
Sent from my iPhone

On 24 Jun 2012, at 18:18, Geraldine Kudaka gkud...@rocketmail.com wrote:


When Charley first worked at MGM, Mike Kaplan was his boss. 2001 had opened 
initially a Hardware campagn, it had a good box office but shortly after 
opening fell off at the box office. Mike convinced Kubrick that they should 
replace the Hardware campaign with the Star Child campaign. The Star Child 
campaign was a massive hit, bringing is a huge resurgence at the box office. It 
was the BO success of 2001 that convinced 20th Century/Fox to fund Star Wars.



2001 huge success is evidenced by these figures -- in Dec. 75, the film broke 
even. In March, 1976, Kubrick received his first profit sharing residual 
check. 



March 1976 was the same month Star Wars started filming

After conceiving the Star Child campaign for
 2001, Mike Kaplan left MGM and went to work for Kubrick on Clockwork Orange. 
When Charley was in London working on Star Wars, Mike gave him posters. 

Any other history on the Pelham poster or its availability would be best to 
find by googling UK.





 From: Richard Evans evan...@mac.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@LISTSERV.AMERICAN.EDU MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Sunday, June 24, 2012 10:53 AM
Subject: Re: [MOPO] Rich - Pelham poster
 

Thanks Geraldine, no rush.

Sent from my iPad

On 24 Jun 2012, at 14:15, Geraldine Kudaka gkud...@rocketmail.com wrote:


It's Sunday morning and Charley's still asleep so i can't ask him about the 
Pelham Clockwork Orange.


I'll find out later today and let you know. 

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Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

2012-06-23 Thread Geraldine Kudaka
Great photo...




 From: Jay Pea spitfire3...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 22, 2012 4:49 PM
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 

And the man inside:









--- On Fri, 6/22/12, John Waldman jhnwald...@yahoo.com wrote:


From: John Waldman jhnwald...@yahoo.com
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Friday, June 22, 2012, 1:12 PM


This is great.
 
JW


From: Jay Pea spitfire3...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 22, 2012 3:47 PM
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

Speaking of Alien. Here is the creation of the creature. A work in progress. 

--- On Fri, 6/22/12, Geraldine Kudaka gkud...@rocketmail.com wrote:


From: Geraldine Kudaka gkud...@rocketmail.com
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
To: MoPo-L@LISTSERV.AMERICAN.EDU
Date: Friday, June 22, 2012, 6:17 AM


These are not off-set printed booklets. 



These are made of individual photographs printed by Stanley Bielecki's photo 
lab using Bob Penn's negatives. Stanley Bielecki printed them in his darkroom 
using  Kodak photographic stock paper... they were then bound using one of 
the folio spiral bindings you could get at office supplies. If you look at 
the Alien text page -- the one with white lettering on a black box -- you'll 
see the copyright was added as an after thought with a typed file folder 
label. 

It's easy to think the images are on paper, but they're not. 


Stanley Bielecki was also the same photographer who hand printed the photos 
that were folio bound into the Star Wars cast and crew wrap gifts -- the 
Glory Book. 
Please look up the history of Star Wars Glory books. This item is a known 
collectors item and can be found online at other places than mrsminiver's 
ebay listing, 390426055170  Lucasfilm and Gus Lopez on swca.com used to have 
it up, as well as some movie prop collectors sites, but I can't find it right 
now in a 2 minute search. I'm sure you can find proof of its existence by 
searching the web.

As the Star Wars Glory Book is known among collectors -- one MOPO dealer even 
contacted us to buy ours after we started posting about our Heritage problem 
-- and its provable, limited production is not simply a statement I am making 
to increase it's rarity, it is Star Wars history.  
 

You are talking about the manufactured booklets that were offset printed for 
distribution. Not the same beast. The way to tell is to look at the paper 
stock and Alien copyright -- was it a file folder label pasted on as an 
afterthought?

Believe me, by the time they get around to sending stuff to theater 
distributors, the copyright is not an afterthought. 
 

If you want the promo theater booklet for Star Wars, we have SEALED, unopened 
boxes of the theater folio, which still have intact the embossed Star Wars 
logo ribbon. These are SEALED, unopened boxes... 
 


To get an idea of the off-set Star Wars booklet, you can go here:


http://www.mycomicshop.com/search?TID=11327001
They were originally sent in a white mailer-type of box with a ribbon 
closure. The folios, without their boxes, are very common. The folios with 
open boxes sometimes come up on ebay.  
https://dl.dropbox.com/u/86409487/cam1.JPG
https://dl.dropbox.com/u/86409487/Cam9.JPG
The sealed, unopened boxes are rarer... How many people receive a box and 
don't open it?


You can also ask Rudy Franchi about Charley's marketing of Star Wars. 



Charley's marketing of Star Wars, especially the advance merchandising and 
licensing, changed the way movies are marketed. There were a few films 
released before Star Wars with advance merchandising and licensing, such as 
Paramount's The Great Gatsby and 20th Century's Doctor Doolittle but for 
box office results -- but it was Star Wars' Kenner line which changed movie 
marketing. 



From: Richard Halegua Posters + Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, June 21, 2012 2:10 PM
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

I have similar ring binder books for Willow and for Chariots of Fire. I may 
even have more than one each and I may even have others it's obvious that some 
are just photographic prints, while others look like they were printed editions 
At 10:59 AM 6/21/2012, Freeman Fisher wrote:  Geraldine,  Your description of 
this ALIEN booklet is not accurate.  These booklets were sent out to exhibitor 
owners and execs.  Back in the 1970's  there still existed numerous blind bid 
states.  I worked in Texas   and it was the most extreme example given the 
sizes of Houston, Dallas, Fort Worth, San Antonio and Austin and the money 
those markets represented   Blind bidding was when a theatre chain had to 
commit to a film, sometimes a year in advance, with terms outlined (1st two 
weeks at 70% 2nd two weeks

Re: [MOPO] David Prowse signature on a Star Wars Birthday Cake poster

2012-06-23 Thread Geraldine Kudaka
From our limited experience selling SW collectibles, for the SW fan base, the 
signatures add value if you can establish authenticity.
A little known fact is that Harrison Ford hated signing autographs. Fox had 
someone on staff who signed for him, and most of Harrison's autographed items 
were done by this Fox employee. To this day, many experts believe the 
employee autograph is Harrison's real signature.


Fakes are rampant in the SW world. On Prowse's web site, he shows a lot fake 
Prowse autographs. He is very angry about fake autographs and doesn't even show 
his signature on his site for fear of providing conmen with a template.


Whether autographs would increase the value of a poster like Happy Birthday, 
the question is how much more the fans would pay for an already expensive 
poster.  I'm saying fans because its not the MOPO collectors who pay top dollar 
for SW. It's the SW fans.


On the down side, having only Prowse's signature becomes a highlight for the 
missing others. 


If you had a vintage signed poster with photographs of you  the various cast 
member, it would certainly be something you, as a fan, could be proud of. 


When you went to sell it, fans -- like you -- are now at an age where they have 
$$ to collect the more expensive items. How much more would one autograph be 
worth?

How much more would you pay for a poster autographed to someone else?






 From: Ari Richards ariricha...@yahoo.com.au
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Saturday, June 23, 2012 5:26 AM
Subject: Re: [MOPO] David Prowse signature on a Star Wars Birthday Cake poster
 

Have to agree,
Average Joe's don't know who he is (for shame) and also he likes to SIGN, so 
its not rare to have his autograph (I had 5 or more quads signed by him a few 
years back - and could have had more).
So as you say an investment decision do as mentioned, take a still and have 
that signed.
But if you love the poster, love him, want to keep it, who cares right?
Ari



 From: Jeff Potokar jpotok...@ca.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Saturday, 23 June 2012 4:37 PM
Subject: Re: [MOPO] David Prowse signature on a Star Wars Birthday Cake poster
 

Jeff

IMO, dont go with the sig on the poster. I would get a still and have him sign 
that. His john hancock will most likely devalue the poster... unless that 
isnt something you are concerned with or worried about in the future.

Jeff


 



On Jun 22, 2012, at 11:40 AM, Jeffrey Meyer wrote:

Input please,
 
I'll be seeing David Prowse in a couple weeks at a convention and I'm kinda 
torn on this, as an investment decision, would it be wise to have David Prowse 
sign his name next to the Darth Vader figure image on the Birthday Cake Star 
Wars poster?  Or leave the poster alone without his signature?
 
Any thoughts would help in making my decision.
 
Thanks,
Jeff



websites: 

http://www.myspace.com/shaunluuhorrorfest 

http://www.myspace.com/jeffrey_meyer
www.myspace.com/35mmbrewandview 
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[MOPO] Andrew Sarris, Village Voice Film Critic, Dies at 83

2012-06-23 Thread Geraldine Kudaka
Speaking of Alien, Andrew Sarris passed away.

RIP


http://www.nytimes.com/2012/06/21/movies/andrew-sarris-film-critic-dies-at-83.html?_r=1pagewanted=all

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Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

2012-06-22 Thread Geraldine Kudaka
 months...that was blind bidding!)
 
 Anyway to say only 30 were made is preposterous.  Just in Texas alone  there 
 had to be at least 25 to 35 theatre chains, each film buyer and marketing guy 
 receiving a copy. In the theatre chain I worked at, we usually would receive 
 four to five and we were only in San Antonio.  Now  multiply those number by 
 triple (or more) to accommodate the personnel at circuits like Plitt, AMC, 
 General Cinema, United Artists, Mann,  and you can see the numbers required 
 approach a 1000 in no time.  Plus certain critics at the major National News 
 agencies received copies on occasion.
 
 Also a little common sense is in order. Once a brochure is on the printing 
 press, or photos being printed and spiral bound,  do you honestly think under 
 30 would be printed?  Because once on the presses it almost as cheap to print 
 several  thousand as it is 20. The $$ are in the set-up.
 
 
 These pieces were not dissimilar to the Studio Release books from the 1930's 
 that pop up frequently.
 
 
 So while it makes for great Ebay copy to limit their numbers to generate a 
 false sense of scarcity.  This is not the case with these marketing tools. 
 Whether they have ever been in an auction or not is irrelevant.
 While you can ask whatever price you like, ($5000)  as a MOPO buddy I just 
 hate to see someone look so foolish..
 
 
 freeman fisher
 
 
 
 
 
 
 
 
 
 
 On Jun 21, 2012, at 7:33 AM, Geraldine Kudaka wrote:
 
  We've decided to put up our own auctions. Will be announcing posters later, 
  but thought the avid Alien collector might be interested in this ebay item.
 
  Based on the successful marketing of Star Wars, Charley Lippincott was 
  hired by Johnny Friedkin / Fox to market Alien.
 
  This ebay auction is for a rare photo booklet made for Fox's studio heads.
 
  ebay listing  290731119615
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Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

2012-06-22 Thread Geraldine Kudaka
1.) The pricing of both Star Wars and Alien movie memorabilia have different 
values, depending on the market.

Two years ago we sold several Chaykin poster on ebay for over $2k, yet received 
on Heritage $850 for that same poster, in the exact same condition. The 
Heritage Signature Auction went up in the same time period as our ebay 
auctions. The Heritage Chaykin went to movie poster collectors, where as our 
ebay poster was marketed to Star Wars collectors.

There are a couple of MOPO dealers who currently have this same Chaykin listed 
on ebay at $2995. 


Is the poster worth $850 or $2995?

2) Some ebay dealers let the market set the price in the hopes that everything 
evens out -- some items sell higher while others sell lower. There's a ballpark 
price and an overall profit margin that averages out by the end of the year.

Other dealers use ebay like a retail store and list retail prices, i.e., the 
Chaykins @ $2995. 


If the dealer sets a Chaykin @ $2995, are they thieves because they've set the 
price high? 


3.) We had not expected to immediately sell the Alien Studio Head Glory Book. 


Like mrsminiver's Star Wars Glory book listed on ebay @ $42,000, we did not 
price this item for an immediate sale. 


We priced it high as a prelude to putting other items on ebay and promoting the 
brand for a the site we are building. 

4.) The fortunate thing about posting on MOPO and getting attacked is we know 
what the nay sayers will say.
On the site we are building where this item will eventually go -- along with 
other items from our collection -- we'll find and include documentation. 

I never thought I'd say this but I guess it's fortunate we moved 72,000 lbs out 
of LA as those boxes included a lot of files and memos from Charley's career.




 From: Walton, Jeffrey jeffrey.wal...@fisglobal.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 22, 2012 10:41 AM
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 
I say let the market speak for itselfstart the book off low...if it is 
truly a unique piece you will usually get near what the market can bear.  Aside 
from props on the Alien movie I don't see a ton of value in the paper.  It was 
a good movie but nowhere as influential as Star Wars, which this movie probably 
would have not been made without it.  Star Wars has some movie paper that can 
bring a few thousand dollars...the birthday cake, the mylars, etc...but I have 
yet to see any Alien paper to bring even $500 or more.  Plus when you say less 
than 30..means there is still a supply (29 is still a lot) out there so the 
price doesn't justify the demand for a few photos.  

-Original Message-
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Freeman 
Fisher
Sent: Friday, June 22, 2012 9:51 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

I tried nicely to explain to you nicely about the impressive bid brochures I 
received in the 70's including exactly the ALIEN book you are selling and also 
sited other examples including OUTLAND, EXCALIBUR and others, printed on 
photographic paper then spiral bound and sent to others outside the studio in 
the industry.  

I am not going to get in a pissing match with you because you're tiresome.    
If you look at my original post I tried to explain that some were photographic, 
others offset/printed depending on the needs.  Indeed they are still scarce
but to claim less than 30 printed is preposterous.  If you knew how many 
execs were at Fox (that doesn't even include producers, licensing etc.) at the 
time you would know even that amount doesn't hold water.  Also we received 
these books well before a single poster was printed or trailer 
created..literally in some cases a year in advance as was the case here.

But good look on your endeavors and pricing.

freeman


On Jun 22, 2012, at 6:17 AM, Geraldine Kudaka wrote:

 These are not off-set printed booklets. 
 
 These are made of individual photographs printed by Stanley Bielecki's photo 
 lab using Bob Penn's negatives. Stanley Bielecki printed them in his darkroom 
 using  Kodak photographic stock paper... they were then bound using one of 
 the folio spiral bindings you could get at office supplies. If you look at 
 the Alien text page -- the one with white lettering on a black box -- you'll 
 see the copyright was added as an after thought with a typed file folder 
 label. 
 
 It's easy to think the images are on paper, but they're not. 
 
 Stanley Bielecki was also the same photographer who hand printed the photos 
 that were folio bound into the Star Wars cast and crew wrap gifts -- the 
 Glory Book. 
 
 Please look up the history of Star Wars Glory books. This item is a known 
 collectors item and can be found online at other places than mrsminiver's 
 ebay listing, 390426055170  Lucasfilm and Gus Lopez on swca.com used to have 
 it up, as well as some

Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced

2012-06-22 Thread Geraldine Kudaka
Gee, Grey, the Alien teaser  2 fillmore/avalon posters were part of that batch 
we sent.

Need I say more?




 From: Smith, Grey - 1367 gre...@ha.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 22, 2012 12:21 PM
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 

Helmut,
Funny you would mention that poster!
http://movieposters.ha.com/c/item.zx?saleNo=161226lotNo=53008
 
This poster, from the film’s original release, is the only item that does seem 
to get better money.
I have sold it in the past for over $2000. Makes the one running now seem like 
a bargain!
I have also sold the Alien book for close to $2000.
 
 
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Helmut Hamm
Sent: Friday, June 22, 2012 11:12 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Rare ALIEN Glory book -- less than 30 produced
 
Jeffrey,



I have yet to see any Alien paper to bring even $500 or more.
 
as long as it's original and in good condition, I'd be happy to pay $500 for an 
advance onesheet on ALIEN.
 
Cheers,
 
Helmut
 
 
http://www.filmposter.net
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[MOPO] Rare ALIEN Glory book -- less than 30 produced

2012-06-21 Thread Geraldine Kudaka
We've decided to put up our own auctions. Will be announcing posters later, but 
thought the avid Alien collector might be interested in this ebay item. 


Based on the successful marketing of Star Wars, Charley Lippincott was hired by 
Johnny Friedkin / Fox to market Alien. 


This ebay auction is for a rare photo booklet made for Fox's studio heads. 

ebay listing  290731119615

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Re: [MOPO] Framing question

2012-06-19 Thread Geraldine Kudaka
I'm assuming you use acid free mounting boards. 


Can you suggest an online store where we can buy oversized boards?  We use Dick 
Blick and can only get sheets in the 32x40 size.




 From: Helmut Hamm texasmu...@web.de
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, June 19, 2012 8:37 AM
Subject: Re: [MOPO] Framing question
 

Richard,

I have been float mounting posters for several years, my frame shop has done 
this very frequently for both myself and for clients. Depending on the poster, 
we have used both white and black backing boards. In any case, the backing 
board should run slightly larger than the actual poster, and you obviously need 
spacers to get the proper 'floating' effect. I guess it takes some experience 
to choose the best depth for the spacers, and especially rolled posters may be 
stopped by the glass, that's unevitable. My frame shop fixes the posters to the 
backing board with acid free paper tape, in as many spots as necessary. It is 
important though, that the poster actually 'hangs' in the frame, as the poster 
will shrink and extend a bit when the climate changes, so do not fix them at 
all four corners, but rather attach them at the top. 

I like linenbacking and restoration for posters that have severe defects, or 
damages that heavily distract from the overall appearance (like, old tape, 
uuurgh...)

When a poster has no or only light defects, I've had great results with float 
mounting, rather than hiding the folds or any defects, the float frame rather 
brings them out, it makes a poster look more like a piece of fine art. By 
clearly bringing out all defects, it also emphasizes on the fact that an old 
poster has a history, and another life, before it became a 'collectible'...

For me, and a fair number of my clients, float mounting is the way to go.

Helmut

http://www.filmposter.net



Much as I've enjoyed the recent Mopo madness, here's something relatively dull.

Like many I've now shied away from automatically linen backing posters, and 
want to get the next lot float mounted.
Like this:
http://img.photobucket.com/albums/v516/evansrc/6069946_4a0340d948_o-2.jpg

Needed to find a decent, yet not exorbitant framer in London, which I've done 
(thanks to an esteemed MOPO member), but they're cautious about float mounting.

Even allowing for the rolled posters spending a time flattening out, they're 
reticent because of the low tack nature of acid free tape.

I'd still prefer my posters framed this way, does anyone have any experience?

Thanks,
Richard
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Re: [MOPO] Why do so few women participate on MoPo?

2012-06-13 Thread Geraldine Kudaka
Have you noticed a delete key on your keyboard?

You could try using it if you don't like people on a user group.




 From: Rix Posterz rixpost...@aol.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, June 12, 2012 9:07 PM
Subject: Re: [MOPO] Why do so few women participate on MoPo?
 

Please...I implore everyone.  Don't give this woman any ammunition for 
her volleys against the righteous heralds of movie poster-dom.  Let her go 
away..far away...like a troublesome toothache or an annoying canker 
sore.  And keep telling yourselves: All will be well...eventually all will 
be well...
 
In a message dated 6/12/2012 5:57:20 P.M. Pacific Daylight Time, 
fdav...@verizon.net writes:
You  should consider writing a blog. FRANC
-Original Message-
From: MoPo List  [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Geraldine 
 Kudaka
Sent: Tuesday, June 12, 2012 8:10 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Why do so few  women participate on MoPo?


The odd thing is that women love movies. 


I don't know how many of my women friends belong  to movie groups. They meet 
up to have a bite and see a flick together. They  share videos and pass along 
DVDs to each other. But poster collectors? I  hadn't really thought about the 
number of women collectors vs the number of  male collectors so I did a quick 
google search. 

From bankrate.com   From birth, American women and men are raised to view  
and spend money quite differently. Our socialization, a trained behavior, is  
primarily modeled after our same-sex parent. While experts agree these  
generalizations are breaking down, the money paradigm most of us have been  
dealt is similar... 

 

 
Women, trained to nurture and seek  acceptance, view money as a means to 
create a lifestyle. Women spend  on things that enhance day-to-day living. 
Theirs is a now-money  orientation. 

Men, trained to fix and provide, view 
  money as a means to capture and accumulate value. Men don't spend, 
  they invest. Men don't want something, they need it. Theirs is a 
  future-money orientation...

The article goes on the elaborate 
  what each of the sexes accumulates or collects.. Women like to shop 
  whereas men get trophies...

Men will say, 'I need a new  computer.' No, you want a new computer because 
it's faster, it  has more bells and whistles, says Hayden. Men move those 
things they  want into an investment category, 'This is a good investment.' 
And  then they can't even enjoy it, they can't go, 'Oh, this is so much  
fun!' Everything is a serious need and everything is an investment.  What men 
need to do is kind of ease up a little bit and enjoy what  they're actually 
able to provide for themselves...snip...  Women spend their money gradually 
over time, and men spend it on a  number of big things. They spend really 
big to show off because  there's a lot of ego risk on men today to do better 
than the next  guy, she says..

As far as bankrate.com is concerned, women 
  would rather spend hundreds buying a new pair of shoes or outfit, 
then 
  go out to dinner and the movies where as guys will take that $$$ and 
  invest in movie memorabilia. Guys will then join and post on MOPO to 
  follow their investment. 
 


 




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Re: [MOPO] Kudaka and Lippincott

2012-06-13 Thread Geraldine Kudaka
Thank you for posting your view. 




 From: S Yafet sya...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, June 12, 2012 10:43 PM
Subject: Re: [MOPO] Kudaka and Lippincott
 

MOPO has usually been one of the first places where I read about new and 
different and weird movie paper related stuff.  It seems to offer many things 
to all sorts of collectors.  Good.  

But it is also a very public forum that can have repercussions well beyond this 
group.

Grey Smith is one of the most considerate, thoughtful and ethical people that I 
have come across in this hobby so these accusations, thoroughly discussed and 
detailed here on MOPO really do sound strange.

His thorough, professional, reasonable and detailed response speaks for itself.

Nathalie




On Mon, Jun 11, 2012 at 4:01 PM, Smith, Grey - 1367 gre...@ha.com wrote:

I feel I must now respond to Ms. Kudaka’s bizarre accusations of “missing or 
stolen” posters, and the ongoing discussions about her accusations on MOPO.  
 
Many of your know me personally, and know how hard I work to maintain my 
credibility and reputation. I have taken thousands of consignments in my 
eleven years with Heritage Auctions, and have sold well over $50 million in 
movie posters. In all that time, I cannot recall anyone ever accusing me or 
Heritage of stealing their movie posters before this! In fact most of our 
consignments come from repeat sellers and their friends, and I believe our 
consignor satisfaction ratings compare favorably with those of any of the 
world’s auction houses. 
 
Here is a link to all of the documents we just sent to Ms. Kudaka’s attorney, 
including a letter from Heritage’s attorney, in answer to her inquiry as to 
how her husband and her posters were handled while with Heritage: 
http://movieposters.ha.com/images/Lippincott-060512.pdf
 
Ms. Kudaka’s accusation that items were lost or stolen are contradicted by the 
evidence. Other than Rudy Franchi’s referral, all of my initial dealings were 
directly with Mr. Lippincott via telephone and  emails. Prior to receiving her 
complaints I had no contact whatsoever with Ms. Kudaka, who, it seems, remains 
very confused concerning the business her husband did with Heritage. 
 
For example, she states that from their first consignment we did not inform 
them that a Clockwork Orange poster would be sold at a later date than their 
other posters.  In fact, a schedule was made at almost the very same time as 
her other posters were inventoried and both of those were mailed to them, as 
seen in the documents within the link. In a phone discussion with Mr. 
Lippincott, soon after the first consignment arrived, I informed him that 
Heritage had just sold a slightly better condition R-Rated revamp campaign 
poster for Clockwork in the previous November of 2009 auction 
http://movieposters.ha.com/c/item.zx?saleNo=7014lotNo=89585 and therefore I 
thought it best to wait until July of 2010 to sell the one he had sent me.  I 
explained that running one right after the other may not be the best way to 
get a better price. He told me he was happy to do that and indeed that is what 
we did: In July of 2010, a few months after we’d auctioned the
 rest of their material (in March of 2010), we auctioned the Clockwork poster 
http://movieposters.ha.com/c/item.zx?saleNo=7025lotNo=83150 for a very solid 
price. Now if that is not looking out for a consignor, tell me what is? 
 
Ms. Kudaka now claims they did not sign an agreement to sell that poster. 
Again, she is confused, as Mr. Lippincott signed a Master agreement which 
covered the sale of any of their material for one year (among the documents 
linked to, above). 
 
She then claims that she and Mr. Lippincott mailed us material from which 
several posters went missing. However, as you can also see in the linked 
attachment documents, several days after mailing us an unsolicited 
consignment, Mr. Lippincott emailed me a list of what was mailed. The 
spreadsheet, again in the linked documents, shows exactly what was mailed from 
Mr. Lippincott to us, and on that spreadsheet there is no Get Carter one sheet 
nor a John and Yoko one sheet that Ms. Kudaka now claims were sent. She is 
simply wrong, as easily seen by the spreadsheet.
 
In fact, after realizing that the two posters she later claimed were sent to 
us had not arrived, I asked in an email to her why she thought those had been 
sent. In response, she emailed back, “Charley jots the list down on a legal 
pad of what is going out.” 
 
Ms. Kudaka still apparently didn’t (and perhaps still doesn’t) realize that 
Mr. Lippincott had already sent me the spreadsheet, and they were not jotted 
down there.
 
Very soon after I received Mr. Lippincott’s unsolicited, second consignment, I 
phoned him and explained that the posters he mailed were not of enough value 
for a Signature auction then asked whether he would care to sell in a weekly 
auction or would he rather I just mail 

Re: [MOPO] Kudaka and Lippincott

2012-06-12 Thread Geraldine Kudaka
Grey has written a very long email...

While many of you have complained that I have carried this conversation on, 
Grey's posting will require a response that I cannot make without taking a long 
time on the computer composing a response. I cannot do this this week as I have 
other things i had planned, i.e., shipping off a few things which sold and a 
meeting with our attorney. 


We had planned on meeting with out attorney after receiving a pdf of Heritage's 
response to our letter this past weekend.

So be forewarned -- we will make a response and it will be after the 
conversation has died down. By this, I mean the immediate responses you make 
to Grey's allegations will have posted, and not been answered. You may think it 
is because Grey's allegations are correct, but the truth is we are gathering 
together our facts so that whatever we post is correct. 

We do keep copies of emails, and have copies of emails prior to the last year.  
It will take time to go though the backup drives and other computers we used to 
search emails from 2009-2010, but if Grey wants to post his legal proof here, 
not a problem. 

The
 proof which Heritage and Rudy used of our culpability is an email we 
sent to Rudy including an inventory Grey implies I created. I did not create 
this list. The inventory list came from a database 
software report copied and pasted onto an email. If you look at the structure 
of the list, you will see it is from Heritage. The inventory is Heritage's 
format, layout and information structure. 


What is the likelihood that we, non-collectors and dealers who did not even 
know the value of our posters, out of the sky blue, used Heritage's format? 


Heritage's proof of Rudy's email is faulty for two reason -- One, the above 
origin of the inventory list. Here, let me interject I, a Paradox database 
user,do not have a database which can readily create this report format because 
I haven't bothered to learn any other database. This is not something I can 
prove to those of you who want to side with Heritage, so if you do not want to 
recognize Heritage's report structure -- let me make my second point. 


Per my attorney, one of the problems of using emails in court is courts may not 
accept emails as proof because emails can be forged. 

Am I stating that Heritage or Rudy forged an email? 


No. I am stating that short of finding our emails from the period, I cannot 
confirm Rudy's email, as posted, was sent from my computer. 


I can also say that rather than our attorney emailing Heritage, we chose to 
enter snail mail because it is legally viable. Our first letter was sent to 
heritage on May 5, and when Grey claimed he did not receive it, was resent 
about two weeks later.


In that letter, our attorney specifically 
requested from Grey the names of the bonded person who received our 
posters and the two bonded persons who double checked Heritage's 
inventory. Heritage's attorney has skirted this issue and the only name 
included in the one page letter with copies of paperwork is his name -- Grey 
Smith.

Does this mean. as per Heritage's claim on their site, they did not have two 
bonded, insured persons double-checking the inventory?. 


Last -- I cannot disclose the names of others who emailed me off list -- but I 
am not the only one to complain about Heritage.





 From: Smith, Grey - 1367 gre...@ha.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 11, 2012 4:01 PM
Subject: [MOPO] Kudaka and Lippincott
 

I feel I must now respond to Ms. Kudaka’s bizarre accusations of “missing or 
stolen” posters, and the ongoing discussions about her accusations on MOPO.  
 
Many of your know me personally, and know how hard I work to maintain my 
credibility and reputation. I have taken thousands of consignments in my eleven 
years with Heritage Auctions, and have sold well over $50 million in movie 
posters. In all that time, I cannot recall anyone ever accusing me or Heritage 
of stealing their movie posters before this! In fact most of our consignments 
come from repeat sellers and their friends, and I believe our consignor 
satisfaction ratings compare favorably with those of any of the world’s auction 
houses. 
 
Here is a link to all of the documents we just sent to Ms. Kudaka’s attorney, 
including a letter from Heritage’s attorney, in answer to her inquiry as to how 
her husband and her posters were handled while with Heritage: 
http://movieposters.ha.com/images/Lippincott-060512.pdf
 
Ms. Kudaka’s accusation that items were lost or stolen are contradicted by the 
evidence. Other than Rudy Franchi’s referral, all of my initial dealings were 
directly with Mr. Lippincott via telephone and  emails. Prior to receiving her 
complaints I had no contact whatsoever with Ms. Kudaka, who, it seems, remains 
very confused concerning the business her husband did with Heritage. 
 
For example, she states that from their first consignment we did not inform 

Re: [MOPO] Kudaka and Lippincott

2012-06-12 Thread Geraldine Kudaka
This does not even warrant taking the time to reply.




 From: Richard Halegua Posters + Comic Art sa...@comic-art.com
To: Geraldine Kudaka gkud...@rocketmail.com; MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, June 12, 2012 3:41 PM
Subject: Re: [MOPO] Kudaka and Lippincott
 
At 06:13 AM 6/12/2012, Geraldine Kudaka wrote:


 Last -- I cannot disclose the names of others who emailed me off list -- but 
 I am not the only one to complain about Heritage.

once again, the anony-mouse people who won't reveal themselves are the foil for 
someone else

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Re: [MOPO] My Consignment to Bruce.. and what I didn't like about it

2012-06-12 Thread Geraldine Kudaka
 done an inventory check when the stills were returned, 
because I 100% trust Bruce, I couldn't tell you if I got everything back or 
not, or if I was properly paid. I trust Bruce took care of my correctly.

Anyway, and Bruce should recall this well, the description in the still listing 
had noted that this still was from a longtime collector who had personally 
gotten this selection of stills Bruce had listed and personally had each star 
autograph them back in the 1950s and 1960s. Well I knew this still, and I knew 
that was incorrect, so I let Bruce know that I believed the consignor was lying 
to him, because Bruce had gotten this still in my consignment, and presumably 
had sold it and so the consignor could not have had the still signed in the 
1950s. I didn't realize what Bruce was going to tell me after he did his 
research.

what did Bruce find out?
He found out that this still was from my consignment. He had neither sold it 
nor returned it to me, and it was incorrectly placed in this other guy's 
consignment. He thanked me for pointing it out. He correctly apologized to me 
for screwing up, changed the description and a month or so later, I got my 
check.

Did any of you ever hear me tell this story before?? I know the answer... NO
What would have been the purpose to do so? I was not then and I am not now 
trying to embarrass my friend. The story is only being told now because after 
everything that has gone in, not just concerning Bruce v Heritage over the last 
few years, but particularly with Geraldine's story within which Bruce has very 
clearly aligned himself with Geraldine indicating that Heritage makes lots of 
mistakes, I have to point out that with just this one consignment, Bruce made 
numerous mistakes, including misplacing part of my consignment with someone 
else's By the way.. I did not gripe to Bruce about it. Not one bit.

Simply said, my consignment of stills was handled poorly at every juncture, but 
I have only once even alluded to it publicly, which was here on MoPo in a 
single email in a single statement. I do not as a matter of course try to 
damage my competitors. I have never felt it was necessary. If my competitor 
does a poor job, they will go out of business all on their own and then I will 
benefit maybe. But I get no benefit by continually beating on my competitor's 
reputation and I wouldn't do that to Bruce anyway, just as I would never do it 
to Heritage.

One of my best friends got into a very heated argument with me on what he 
considered me taking it easy on Heritage. Hey, Im not taking it easy on 
anyone. I deal with facts and in Geraldine's case, I don't jhave enough FACT to 
say Heritage got posters they say they did not. I didn't believe my parents 
when they would say you have to believe me because I say so and I'm 
certaionly not going to agree with Geraldine under the same circumstances. I'll 
make up my own mind thank you.

No one I know is perfect. Not Grey Smith, not Geraldine Kudaka, not Bruce and 
certainly not myself.

This overly long post is only to add some reflection and pragmatism to that 
idea.

and now that that is done, I hope MoPo can stop being a battlefield between us 
and we can all live together peacefully, as we should, without people attacking 
each other. Geraldine has an issue with Heritage. I suggest Geraldine you let 
your attorney handle it with Heritage's attorney, so we can stop listening to 
it, and alot of other stuff..

Rich

PS: I think everyone should consign posters to Bruce when appropriate, to Grey 
Smith when appropriate, to Sean when appropriate and to myself as well. They 
are all honest (including myself) and I'm positive that none of the people 
mentioned wold intentially hurt anyone

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Re: [MOPO] Kudaka and Lippincott

2012-06-12 Thread Geraldine Kudaka
Rich, as is evidenced by my continuing presence, I can take the heat...

I read my emails from current to past, as that is how it comes into my box. 

After my last reply to your My Consignment to Bruce.. and what I didn't like 
about it post, I opened Dave's post which was written prior to the post I had 
replied. Dave -- who has a great way of looking at things -- viewed your 
postings on the subject with far more skepticism than I. This lead me to wonder 
if I made a mistake replying to your post with an open mind. 

And this post?


Using words like lob flaming bags of dog poop or challenging my age or 
maturity? 


Really, do we have to get into personal, flaming wars?




 From: Richard Halegua Comic Art sa...@comic-art.com
To: Geraldine Kudaka gkud...@rocketmail.com; MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, June 12, 2012 6:38 PM
Subject: Re: [MOPO] Kudaka and Lippincott
 

Well Geraldine, you did reply, so I'm going to reply back

do you want to know what I have to say

IF YOU CAN'T STAND THE HEAT, GET OUT OF THE KITCHEN

you wish to lob flaming bags of dog poop at someone and then you have the
nerve to post I cannot disclose the names of others who emailed me
off list -- but I am not the only one to complain about
Heritage

anony-mouse people who don't wish to post should not be used as a foil
for someone like yourself to taint people you have a disagreement with. 

You may be 79 years old, but you act like you are 11

Rich I'm not anony-mouse


At 03:25 PM 6/12/2012, Geraldine Kudaka wrote:

This does not even warrant
taking the time to reply.


From: Richard Halegua Posters + Comic Art
sa...@comic-art.com
To: Geraldine Kudaka gkud...@rocketmail.com;
MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, June 12, 2012 3:41 PM
Subject: Re: [MOPO] Kudaka and Lippincott

At 06:13 AM 6/12/2012, Geraldine Kudaka wrote:


 Last -- I cannot disclose the names of others who emailed me off
list -- but I am not the only one to complain about Heritage.

once again, the anony-mouse people who won't reveal themselves are the
foil for someone else




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Re: [MOPO] Kudaka and Lippincott

2012-06-12 Thread Geraldine Kudaka


As an outsider, I'm puzzled by these personal attacks. 


What does Rich have against you, Bruce? 


It's so confusing to understand the allegiances between one dealer and another, 
or to figure out why one hates the other... 


Bruce, I hope I didn't offend you when I thanked Rich for posting his story -- 
especially since Rich was writing about lobbing dog poop and my age while I 
was writing that post...

Sigh had I known...   




 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 11, 2012 10:05 PM
Subject: Re: [MOPO] Kudaka and Lippincott
 

I can't promise how I will feel. I have never posted against you in any way 
until now, and even now it was solely because of your relentless attacks on me. 

I don't see why you feel anything here is your battle. I am weary of the entire 
endless bickering, but will not allow attacks to go unanswered, so if you want 
all this to end, then let it end.


On Mon, Jun 11, 2012 at 8:55 PM, Richard Halegua Comic Art 
sa...@comic-art.com wrote:

Bruce

I think I've had enough of this silliness
in the last hour, you accused me of smearing you on APF.
You may be my friend, but at some point, I just can't take it
anymore.

I want your assurance, before I post a Bruce isn't perfect
story I do know, that you will not get angry at my
post.

I am not disturbed at you as my friend, but I'm getting disturbed at you
as La Bruce and I'm not wanting to antagonize you, But I think it's time
for some leveling of the playing field

Rich



At 06:13 PM 6/11/2012, Bruce Hershenson wrote:

Was this addressed? Is there no
chance the person who opened the package did not enter all the
contents?

If it was, then that really completely closes the matter, down to an
unsolvable puzzle.

If it was addressed, I certainly apologize.

On Mon, Jun 11, 2012 at 8:06 PM, Franc
fdav...@verizon.net
wrote:

I can't believe Bruce that you're actually
doing one more pass on this. You have a great operation. I've bought many
things from you over the years and I was always very happy with your
service. But so does Grey. Constantly criticizing his operation, doesn't
make yours any better. It just makes you seem unprofessional. FRANC
 
-Original Message-

From: MoPo List
[mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Bruce
Hershenson

Sent: Monday, June 11, 2012 8:15 PM

To: MoPo-L@LISTSERV.AMERICAN.EDU

Subject: Re: [MOPO] Kudaka and Lippincott


Grey


That was a great detailed reply. I just have one question (and
forgive me if this has been addressed in some way, because there has been
so much posted about this that I can't wrap my head around it
all.


My question is, were you personally there when either or both
packages were opened? If not, how can you know that an employee did not
remove the more valuable posters that are now supposedly missing? It
seems that this is a loose end that I have not seen addressed.


In my operation, I have one person who opens absolutely EVERY
package (Clark) and he has been with me 10 years and I trust him
implicitly. I want him to open every single package so that the day a
dispute like this would arise (and it never has) then the ONLY two
possible answers would be that the person who sent the package
misremembered (or lied) or that Clark stole the items.


Do you either personally witness each package being opened, or do you
have a single employee who does this (as I do) or do you have cameras
recording the opening?


I do think your addressing this earlier would have been better,
because the combination of your remaining silent (and the offer to
settle) creates an appearance of negligence or guilt on your part. Now
you have certainly placed the ball back in Geraldine's court, forcing her
to refute your statements, or come up with additional evidence.


Bruce


On Mon, Jun 11, 2012 at 6:54 PM, David Kusumoto
davidmkusum...@hotmail.com wrote:

Grey - 


* As one of the few who defended Geraldine's right to post - and who
knew the tactical reasons why you/Heritage remained silent - and who also
wrote and spoke to you personally about this train wreck - I'm glad you
finally felt unleashed to strongly defend yourself here.  Your
response is clear, easy to follow and portrays your role as a
non-aggressor - whose every effort to resolve this dispute was
rebuffed.  I wonder if the only outcome that would have been
satisfactory to Geraldine was a full retail cash settlement and an
admission of guilt.  


* What bothered me was the small amounts in dispute in relation to
the big-dollar picture of Heritage's operations.  When any person
takes his or her grievances public, it's almost always the court of last
resort, as most disagreements broil beneath the surface for many weeks or
months before exploding in public.  The elapsed time between the
start of this dispute to today - was far too long, with the MoPo
portion of this dispute stretching more than two months.  I
never like 

Re: [MOPO] Perhaps mildly germane...

2012-06-12 Thread Geraldine Kudaka
NO NO NO... we need more posts like this




 From: David Kusumoto davidmkusum...@hotmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 11, 2012 8:29 PM
Subject: [MOPO] Perhaps mildly germane...
 

 


 
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Re: [MOPO] Why do so few women participate on MoPo?

2012-06-12 Thread Geraldine Kudaka
The odd thing is that women love movies. 

I don't know how many of my women friends belong to movie groups. They meet up 
to have a bite and see a flick together. They share videos and pass along DVDs 
to each other. But poster collectors? I hadn't really thought about the number 
of women collectors vs the number of male collectors so I did a quick google 
search. 

From bankrate.com   From birth, American women and men are raised to view 
  and spend money quite differently. Our socialization, 
  a trained behavior, is primarily modeled after our 
same-sex 
  parent. While experts agree these generalizations are 
  breaking down, the money paradigm most of us have 
been 
  dealt is similar...

 
 
Women, trained to nurture and 
seek acceptance, view money as a means to create a lifestyle. Women 
spend on things that enhance day-to-day living. Theirs is a now-money 
orientation. 

Men, trained to fix and provide,
 view money as a means to capture and accumulate value. Men don't spend,
 they invest. Men don't want something, they need it. Theirs is a 
future-money orientation...

The article goes on the elaborate what each of the sexes accumulates or 
collects.. Women like to shop whereas men get trophies...

Men will say, 'I need a new computer.'  No, you want a new computer because 
it's faster, it has more  bells and whistles, says Hayden. Men move those 
things  they want into an investment category, 'This is a good investment.'  
And then they can't even enjoy it, they can't go, 'Oh, this is so  much fun!' 
Everything is a serious need and everything is an investment.  What men need to 
do is kind of ease up a little bit and enjoy what  they're actually able to 
provide for themselves...snip... Women spend their money gradually over time, 
and men  spend it on a number of big things. They spend really big  to show 
off because there's a lot of ego risk on men today to do  better than the next 
guy, she says..

As far as bankrate.com is concerned, women would rather spend hundreds buying a 
new pair of shoes or outfit, then go out to dinner and the movies where as guys 
will take that $$$ and invest in movie memorabilia. Guys will then join and 
post on MOPO to follow their investment.

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Re: [MOPO] HIGHLY OFFENSIVE: Seriously?

2012-06-10 Thread Geraldine Kudaka
Diana, I hope you don't leave the list because some guys made a statement which 
offended you -- as it would most women.




 From: Diana and/or Morris Everett Jr dianademail-las...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Saturday, June 9, 2012 6:54 PM
Subject: Re: [MOPO] HIGHLY OFFENSIVE: Seriously?
 

Seriously, Kirby?  
All I did was enter into this online community of people I know and enjoy 
seeing a time or two a year, to ask an honest question and have what turned out 
to be a little fun.  Any then you write this?  Disgusting. You need to get a 
life.  You owe this woman, wife, mother, and grandmother of two young girls an 
apology.  Nevermind. I won't be coming back to look for one.
Diana Everett




 From: Kirby McDaniel ki...@movieart.net
To: Diana and/or Morris Everett Jr dianademail-las...@yahoo.com 
Cc: MoPo-L@LISTSERV.AMERICAN.EDU MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Saturday, June 9, 2012 11:57 AM
Subject: HIGHLY OFFENSIVE:  Re: [MOPO] Off topic:  but oh boy would I love a 
favor.
 

The greatest moment in the history of country music was when Johnny Cash's 
stepdaughter, Carlene Carter, said that she was going to put the cunt back in 
country.*  It's
been all downhill after that.




*In 1979, during a concert at New York's Bottom Line, Carlene Carter 
introduced a song about mate-swapping called Swap-Meat Rag by stating, If 
this song don't put the cunt back in country, I don't know what will.


Yours sincerely,
Pat Boone




On Jun 9, 2012, at 9:27 AM, Diana and/or Morris Everett Jr wrote:

We are indeed!  And the boots I would be scootin' in are custom made Paul 
Bonds with my initials inlaid front and back! We're serious about this stuff, 
by golly!  You should have seen the show tonight.  Blake Shelton and Jake Owen 
made me swoon,  Carrie Underwood who is sheer perfection in every way 
certainly had Mo's attention,  and the National Anthem was sung to perfection 
by The Oak Ridge Boys.  That's what I'm talking' about:  Yee Haw!



As for the porn you sent Morrie, Kirby you nut,  those were some great 
shots of movie poster stuff from back in the day.  Mo is hanging his head for 
not getting back to you the moment he watched it.  I really enjoyed seeing Mo 
bidding in that auction.  He says THANK YOU!!


Okay, so I have no input as to how to get great  - or even good-  tickets to 
next year's CMA event.  Bummer, dudes. 


'Night- By the way, here is my favorite, hands down, no question about it, 
FOREVER AND EVER favorite country music video. Mo loves it too. We both wish 
we could have participated!!  Watch it standing up and HAVE A GOOD TIME!!!
http://www.youtube.com/watch?v=PSROm-vgVRk




 From: Kirby McDaniel ki...@movieart.net
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 8, 2012 2:33 PM
Subject: Re: [MOPO] Off topic:  but oh boy would I love a favor.
 

They're boot-scooters! They should move to Texas.  Like Stephen McNally and 
the Indians in APACHE DRUMS, we are
surrounded by those people.  Yee hah.


K.

On Jun 8, 2012, at 12:11 PM, Richard Halegua Posters + Comic Art wrote:

At 07:03 AM 6/8/2012, Diana and/or Morris Everett Jr
wrote:


I am a huge ( okay,  bigger
than huge) country music fan, and Mo has been a willing convert. 

Poor Morrie





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Re: [MOPO] Bruce vs Heritage inventory auciton services

2012-06-09 Thread Geraldine Kudaka
It's important to keep a sense of humor about all this... urinating on someone 
laying on a bed of nails??? Hahaha... Where do these ideas come from?




 From: Richard Halegua Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 8, 2012 10:33 PM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 

It wouldn't be that pleasurable until you got a sex change

and even then, it's kinda doubtful

: - ) 

At 07:20 PM 6/8/2012, Rix Posterz wrote:

Geraldine,
 
Personally, I send all of my high-end pieces to Bruce H., but, man. all
this constant negative B.S. about Heritage Auctions is in my estimation
truly getting old. Even if Grey Smith was the Devil incarnate, I'd
be growing weary of your constant diatribes  I have no doubt that most members 
of Mopo feel the same way. but are too polite to say
what they think it to you. If I'm wrong, Mopo. please lie me on a bed of
nails and let Rich find great pleasure in urinating on me!
 For all of us,
Geraldine, please silence yourself about all this worn-out bullshit,

Sincerely,
  
Rick Ryan
  
rixposterz
   
 
In a message dated 6/8/2012 6:49:55 P.M. Pacific Daylight Time,
gkud...@rocketmail.com writes:
 
Seems to me the director of a professional auction company would not
say, Don't worry, we have your posters tagged and
inventoried  unless they did have them tagged.


Seems to me, a professional auction company doing what is close to a
billion dollars worth of annual sales would have a very good
double-ledger type of accounting software tied to a database which could
help staff evaluate poster's worth and track it's movement through their
system. That same software would not allow an employee to simply remove
it's existence from their inventory.


Seems to me if a professional auction company has high end Signature
auctions and weekly low-end auctions, posters going in the low-end
auction would be in the same database.


Seems to me, if a company like Bruce's which does a high volume of
annual sales is capable of keeping track of their customer's inventory, a
company like Heritage, which specialized in high end Signature auctions,
should be able to keep track of inventory


The question is, does a high end company like Heritage depend on
their customer's inventory to evaluate a poster's worth or a shipment?
Doubt it. 



From: John Waldman jhnwald...@yahoo.com

To: MoPo-L@LISTSERV.AMERICAN.EDU 

Sent: Thursday, June 7, 2012 10:55 AM

Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton
services


Seems to me a professional auction company would tell the customer to
do a inventory.   Not everyone knows what to do when they are
selling something at auction.   It's not an everyday occurrence
after all.

A little customer service goes a long way.

JW


From: Geraldine Kudaka gkud...@rocketmail.com

To: MoPo-L@LISTSERV.AMERICAN.EDU 

Sent: Wednesday, June 6, 2012 9:40 PM

Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton
services


These conversations move very rapidly, especially when one gets loopy
after a lot of hours writing emails. My apologies...


I don't know if you've been following the discussion about our
submissions to Heritage and our stock -- which we had been told by Grey
were tagged and inventoried -- disappearing. We were never
paid for them and they weren't returned. 


After Heritage only listed a portion of our posters on their
inventory, Rudy Franchi told us Heritage didn't want the common posters
-- like the Judge Dredd double sided transparency posters used in light
box marquees we had sent in our first consignment batch -- and suggested
we consign the higher valued posters to Heritage, and common posters like
the aforementioned Dredd to Bruce.


I posted my submission to Bruce on MOPO because there was a lot of
talk about my responsibility for sending an un-inventoried lot to
Heritage. In fact, some MOPOers said I was to blame for their
disappearance at Heritage because I hadn't inventoried them
or pursued Grey about their status.


Well, at the same time we sent our 2nd batch of posters to Heritage,
we sent an equal sized consignment batch to Bruce. Like the Heritage
consignment, this consignment to Bruce was not inventoried. 


I haven't been posting Bruce illegally appropriated my goods because
there wasn't a problem with payments or returns.


The deal was straight ahead and worked without any effort on my
part.


And if Bruce wears a kilt or has good legs... well, I couldn't say. 



From: Rix Posterz rixpost...@aol.com

To: MoPo-L@LISTSERV.AMERICAN.EDU 

Sent: Wednesday, June 6, 2012 8:55 PM

Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton
services


Wait...maybe I missed something.  Does Bruce wear a kilt? Is
that what

[MOPO] Boring subjects beaten to death

2012-06-09 Thread Geraldine Kudaka
I am all in favor of newsgroups maintaining control over bandwidth so that 
user's mailboxes aren't filled with spam or garbage. 


I also think it is only common courtesy to reply to emails addressed to you. If 
I sit down to respond to someone's posts, I like to get an acknowledgement of 
my post.


Now if we could get everybody on the same page to respond to the same subject 
at the same time, we wouldn't be beating as subject to death because everyone 
would posts on the same subject simultaneously.

Oh, if only life were that orderly.

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Re: [MOPO] Ray Bradbury, A Remembrance

2012-06-08 Thread Geraldine Kudaka
Great story. Sad to see the passing of such a wonderful writer. For a man with 
such a brilliant mind, the stroke must have been incredibly frustrating and at 
91, he lived to a ripe old age.





 From: Rix Posterz rixpost...@aol.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, June 7, 2012 12:46 PM
Subject: [MOPO] Ray Bradbury, A Remembrance
 

 
  In the min-1970's, I was a young, aspiring writer living in L.A., 
working on a Sci-Fi project with a friend named Tim Bruckner (who is now a 
well-known sculptor of super hero and fantasy figures).  The story was 
about a dream-eating deity called The Enicol.  To make a long story 
short, both Tim and I were quite excited about the strange tale we'd come up 
with and decided to try to contact as many well-known writers in the Sci-Fi 
genre as we could.  Believe it or not, back in 1974 Harlan Ellison's home 
phone number was listed in the San Fernando Valley white pages, so...after 
staring at it for a day or two, I dialed the number and Harlan Ellison did 
indeed answer my call.  I got as far as saying something to the effect of 
Hello, Mr. Ellison, my name's Rick Ryan and I've always been a huge admirer of 
your work...  That's as far as I got before Harlan seemed to gototally 
berserk, angrily screaming at me about bothering him with my 
call, demanding that I promise never, EVER to call him 
again!  Of course, I quietly did as he asked and immediately hung 
up the phone.
  Within the following month or so, someone had told me that Ray 
Bradbury had an office in Beverly Hills (I'm pretty sure that's where it 
was---if not, it was very close to Beverly Hills).  Anyway, early one 
afternoon, I entered the building where Mr. Bradbury's office was supposed to 
be 
and. lo and behold, on the second floor at the end of the hallway was a door 
that had Ray Bradbury on it in some fashion or another.  Unfortunately, 
the door also had a very large sign on it saying something like:  
WARNING! Please Do Not Disturb!  I Am a Working Author and WILL 
NOT RESPOND! If you wish to contact me for any reason, call: 555-6238  (Of 
course the wording on the sign and 
the telephone number were different, but you get the idea...).  So. for the 
next 2 or 3 days I called and called that number and no one ever 
answered.
Back then, they didn't have answering machines and Ray Bradbury wasn't the 
kind of guy to have one anyway---hey, he never drove a car, so why would he 
want 
an annoying answering machine.  Anyway, 
after dialing that number for what seemed like 100 times, on the 101st 
attempt, a voice answered on the other end of the line.  It was Ray 
Bradbury. In contrast to Mr. Ellison, Mr. Bradbury talked to me for at 
least a half an hour about everything from the craft of writing to his 
experience working with John Huston on the set
while they were filming Moby Dick (for which he wrote the 
screenplay).  After all this time, I don't remember all the incidentals of 
the conversation.  What I do remember is what a kind, warm and welcoming 
gentleman the legendary literary giant Ray Bradbury was when he talked on the 
phone to some young, naive 
kid who was callling him with some crazy Sci-Fi idea.  I 
also remember his closing words in our conversation were God bless you, 
son. What a wonderful human being.  It's one of the great honors of 
my life to have had that experience over 35 years ago
    
Rick Ryan
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Re: [MOPO] Bruce vs Heritage inventory auciton services

2012-06-08 Thread Geraldine Kudaka
I only wish it was fiction instead of a boring accounting of an event which 
actually transpired.




 From: Zeev Drach lobb...@rogers.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 11:29 PM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 

Wow Geraldine, this is a very interesting story.  That’s the first I hear of it.
 
Zeev
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Geraldine 
Kudaka
Sent: June 6, 2012 9:41 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 
These conversations move very rapidly, especially when one gets loopy after a 
lot of hours writing emails. My apologies...
 
I don't know if you've been following the discussion about our submissions to 
Heritage and our stock -- which we had been told by Grey were tagged and 
inventoried -- disappearing. We were never paid for them and they weren't 
returned.
 
After Heritage only listed a portion of our posters on their inventory, Rudy 
Franchi told us Heritage didn't want the common posters -- like the Judge Dredd 
double sided transparency posters used in light box marquees we had sent in our 
first consignment batch -- and suggested we consign the higher valued posters 
to Heritage, and common posters like the aforementioned Dredd to Bruce.
 
I posted my submission to Bruce on MOPO because there was a lot of talk about 
my responsibility for sending an un-inventoried lot to Heritage. In fact, some 
MOPOers said I was to blame for their disappearance at Heritage because I 
hadn't inventoried them or pursued Grey about their status.
 
Well, at the same time we sent our 2nd batch of posters to Heritage, we sent an 
equal sized consignment batch to Bruce. Like the Heritage consignment, this 
consignment to Bruce was not inventoried. 
 
I haven't been posting Bruce illegally appropriated my goods because there 
wasn't a problem with payments or returns.
 
The deal was straight ahead and worked without any effort on my part.
 
And if Bruce wears a kilt or has good legs... well, I couldn't say. 
 
 



From:Rix Posterz rixpost...@aol.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 8:55 PM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 
Wait...maybe I missed something.  Does Bruce wear a kilt? Is that what you're 
saying?
 
In a message dated 6/6/2012 5:44:47 P.M. Pacific Daylight Time, 
gkud...@rocketmail.com writes:
I did forget to mention you, Bruce... Sorry.. Mistake as you were the 
inspiration for my disgruntled attitude... Your regular payments to our Paypal 
account was what kept Heritage's lack of payments in the forefront of my mind.
 
Even though your company has done phenomenally well -- an inspiration for any 
ebay seller that yes, there is life after ebay -- Heritage gets more press 
because of their huge glossy catalog and high dollar items...
 
But you've proven that reliability is more important than big glossies.
 
Reminds me of a producer I knew who accidentally started investing in coin 
operated laundromats. He loved it. Said all those quarters were the easiest 
way to rake in the money, and he didn't have to deal with whining actors and 
residuals. All it took was a part time handyman to keep those machines running.

Quarters add up faster than big checks that never clear.
 
 



From:Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@listserv.american.edu 
Sent: Wednesday, June 6, 2012 7:45 AM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 
Thanks much! That is the huge advantage of having 26 people working here, 
compared to just a handful (or just two) at many other places. And of course 
it is not just your consignment, but all the ones we receive (which can be 
very daunting, since we receive thousands of items per week, of all sizes, 
from all countries, and from all years). This past Sunday we even added TOYS 
to our Sunday lineup!

Our job is to make it EASY for collectors to dispose of unwanted items, and to 
help them get more than they could if they sold them to a dealer. If they need 
to have notarized lists of what they sent (complete with videos of them 
placing the items into packages and taking them to the Post Office!) then we 
no longer serve that function, and our consignors will go elsewhere.

Bruce
On Wed, Jun 6, 2012 at 12:12 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:
One point, which Sean inspired me to put into my email rebuttal -- is actually 
a very important point which I didn't bring up earlier because it wasn't 
relevant.

The same day we shipped out this 2nd batch of 30-40 un-inventoried posters to 
Heritage, we also shipped a batch of the same 30-40 batch size to Bruce.

We packed them at the same time, and took them both to be shipped, insured... 
of course. 

Bruce

[MOPO] Speaking of Bradbury

2012-06-08 Thread Geraldine Kudaka
Its a pavlov reaction -- my brain always connects the Bradbury building to the 
name Bradbury. 

Though the Bradbury building has no connection to Ray Bradbury, it truly is a 
wonderful building which was used in one of my favorite author's adaptation -- 

Phillip K. Dicks - Do Androids Dream of Electric Sheep

otherwise known as Bladerunner.

The shots of Harrison Ford and Rutgar Hauer running through Sebastian's 
apartment is one of the all-time classics. Killer ending. 


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Re: [MOPO] Bruce vs Heritage inventory auciton services

2012-06-08 Thread Geraldine Kudaka
Seems to me the director of a professional auction company would not say, 
Don't worry, we have your posters tagged and inventoried  unless they did 
have them tagged.

Seems to me, a professional auction company doing what is close to a billion 
dollars worth of annual sales would have a very good double-ledger type of 
accounting software tied to a database which could help staff evaluate poster's 
worth and track it's movement through their system. That same software would 
not allow an employee to simply remove it's existence from their inventory.

Seems to me if a professional auction company has high end Signature auctions 
and weekly low-end auctions, posters going in the low-end auction would be in 
the same database.

Seems to me, if a company like Bruce's which does a high volume of annual sales 
is capable of keeping track of their customer's inventory, a company like 
Heritage, which specialized in high end Signature auctions, should be able to 
keep track of inventory

The question is, does a high end company like Heritage depend on their 
customer's inventory to evaluate a poster's worth or a shipment? Doubt it. 




 From: John Waldman jhnwald...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, June 7, 2012 10:55 AM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 

Seems to me a professional auction company would tell the customer to do a 
inventory.   Not everyone knows what to do when they are selling something at 
auction.   It's not an everyday occurrence after all.
A little customer service goes a long way.
JW

From: Geraldine Kudaka gkud...@rocketmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 9:40 PM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services


These conversations move very rapidly, especially when one gets loopy after a 
lot of hours writing emails. My apologies...
I don't know if you've been following the discussion about our submissions to 
Heritage and our stock -- which we had been told by Grey were tagged and 
inventoried -- disappearing. We were never paid for them and they weren't 
returned. 

After Heritage only listed a portion of our posters on their inventory, Rudy 
Franchi told us Heritage didn't want the common posters -- like the Judge Dredd 
double sided transparency posters used in light box marquees we had sent in our 
first consignment batch -- and suggested we consign the higher valued posters 
to Heritage, and common posters like the aforementioned Dredd to Bruce.

I posted my submission to Bruce on MOPO because there was a lot of talk about 
my responsibility for sending an un-inventoried lot to Heritage. In fact, some 
MOPOers said I was to blame for their disappearance at Heritage because I 
hadn't inventoried them or pursued Grey about their status.


Well, at the same time we sent our 2nd batch of posters to Heritage, we sent an 
equal sized consignment batch to Bruce. Like the Heritage consignment, this 
consignment to Bruce was not inventoried. 


I haven't been posting Bruce illegally appropriated my goods because there 
wasn't a problem with payments or returns.

The deal was straight ahead and worked without any effort on my part.


And if Bruce wears a kilt or has good legs... well, I couldn't say. 



From: Rix Posterz rixpost...@aol.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 8:55 PM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services


Wait...maybe I missed something.  Does Bruce wear a kilt? Is that what you're 
saying?
 
In a message dated 6/6/2012 5:44:47 P.M. Pacific Daylight Time, 
gkud...@rocketmail.com writes:
I did forget to mention you, Bruce... Sorry.. Mistake as you were the 
inspiration for my disgruntled attitude... Your regular payments to our Paypal 
account was what kept Heritage's lack of payments in the forefront of my mind.



Even though your company has done phenomenallywell -- an inspiration for any 
ebay seller that yes, there is life after ebay -- Heritage gets more press 
because of their huge glossy catalog and high dollar items...


But you've proven that reliability is more important than big glossies.


Reminds me of a producer I knew who accidentally started investing in coin 
operated laundromats. He loved it. Said all those quarters were the easiest 
way to rake in the money, and he didn't have to deal with whining actors and 
residuals. All it took was a part time handyman to keep those machines running.
Quarters add up faster than big checks that never clear.
 




From: Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@listserv.american.edu 
Sent: Wednesday, June 6, 2012 7:45 AM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services


Thanks much! That is the huge advantage of having 26 people working here, 
compared to just a handful (or just two) at many other places. And of course 
it is not just your

Re: [MOPO] Bruce vs Heritage inventory auciton services

2012-06-06 Thread Geraldine Kudaka
One point, which Sean inspired me to put into my email rebuttal -- is actually 
a very important point which I didn't bring up earlier because it wasn't 
relevant.

The same day we shipped out this 2nd batch of 30-40 un-inventoried posters to 
Heritage, we also shipped a batch of the same 30-40 batch size to Bruce.

We packed them at the same time, and took them both to be shipped, insured... 
of course. 

Bruce immediately responded by email, and we started getting sales reports  
payments to our Paypal account.

In fact, it was Bruce's regular payments that caused us to start questioning 
why we hadn't heard from Heritage.

So here's to Bruce, for handling out 30-40 un-inventoried posters in a 
responsible, professional way.

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Re: [MOPO] Open Question to Grey Smith / Heritage

2012-06-06 Thread Geraldine Kudaka
Grey told us Heritage only listed on the inventory posters they are putting up 
for the next Signature auction. 
We do not realize there is something wrong here. We ask Heritage about 
what is not on the list and are told Heritage has a secure inventory and 
tagging process.


We are happy with the sales and think Heritage earned their 
commission. We think they are doing a good job and after this 2nd check 
clears, decide to send them more product. 

We are not aware of 
missing posters because in our conversations with Heritage, we are asked
 whether we want to sell these in Heritage's weekly auction. As our Star
 Wars sales are very good on ebay, we decline. We are told our posters 
are safely held as they are tagged and inventoried.

At the same time we send Heritage this 2nd batch, we also send another dealer a 
batch of 30-40 posters -- Bruce.

It is only after Bruce starts sending us payments that we start to wonder why 
Heritage isn't moving out posters.





 From: s...@platinumposters.com s...@platinumposters.com
To: Geraldine Kudaka gkud...@rocketmail.com; MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012 8:31 PM
Subject: Re: [MOPO] Open Question to Grey Smith / Heritage
 

 This part is interesting Geraldine:


Once removed from their packages, your items are double-checked against your 
inventory to ensure that the consignment is complete, and then clearly tagged 
with a unique consignor number, identifying it as yours. If you haven't 
prepared an inventory, we will make one which is verified by a second staff 
member. 

So in a case like yours where you DIDN'T prepare an inventory, and they 
prepared one for you (where you felt items were missing),
why in the world would you send a second package to them WITHOUT preparing an 
inventory list that time?
(why would you send one period if you felt they didn't report everything they 
had receieved?)
There are some holes in your story.

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Re: [MOPO] Rudy Franchi, Heritage, no Inventory

2012-06-06 Thread Geraldine Kudaka
 angst??

Don't get me wrong.. I'm not attempting to disparage or attack you. I 
understand you have a dispute, it was not to date settled in your favor and 
that makes you angry.

But some thing that you wrote puzzles me. Your own lack of an inventory 
specifically.

2 weeks ago, I consigned a large collection of my own to Profiles in History 
for their July auction. I have a book collection or hardcover Photoplay 
editions in dust jackets dating from 1913 to the 1940s with additional items up 
to the 1990s.

I have known Joe Maddalena for a reasonably long time and we have done deals on 
both a personal level and via his auction house. However, regardless of my 
relationship with Joe, when I consigned this collection to them of 800 books 
and related items, there is no way I would have let these items leave my 
possession without an inventory.

For 2 weeks prior to them leaving my warehouse, I photographed each and every 
item in this collection. Yes it was done in part so I could have file images of 
these items for my image archive, but it was also done so that in case of any 
disputes, I could prove to Profiles what I gave them. This is not for the 
protection of myself and for the protection of Profiles. How could I dispute 
any issues without having such an inventory in my hands??

Did I do this time consuming job for my own pleasure??
No Ma'am
I had plenty of other work to do, and such a task only added to my weekly work 
schedule right at a time when I was actually busier than I had been in months, 
and anyone who knows me knows that my work schedule is always completely full 
and that I haven't been having lots of playtime in my wonderful city of Las 
Vegas. It actually left me with just one day to get ready for Cinevent, and 
that one day wasn't nearly enough.

Joe may be my good friend and I trust him 100%, but I do not leave it up to 
other people to protect my own interests, as much as I would like to when I 
don't have any time. If I leave it up to someone else to protect my interests, 
I really don't feel I can blame the other party no matter how many assurances I 
have that I can. Furthermore, if such a situation were to land me in a lawsuit 
attempting to claim some sort of duress, what portion of such duress is my own 
fault for not protecting myself??

I do remember the days when a handshake deal was a bond, but I have also felt 
the betrayal of a handshake deal not being honored, making me wish I had done 
what was necessary to protect myself before any issues arose. Not completing 
such an action is no one's fault but my own.

So the question becomes, IF your claims are true, what responsibility do you 
think you have in not having done what was necessary to protect yourself? Do 
you think this was a failure on your behalf, or do you think that you have any 
responsibility at all?

If you were to sue Heritage, what proof would you use to prove your case? 
Admittedly, you made no inventory, Charlie is 82 and you are also at an age 
where things become less clear to the mind - through no fault of your own.. It 
just happens as people get older. It will happen to me as well probably.

I have thought at times that something is missing and believed I had given it 
to someone, only to later find said item in my inventory, generally somewhere 
that it doesn't belong, at which point I was forced to apologize to that person 
who I thought screwed me.

You did not do what was necessary to protect yourself, how can that be the 
fault of Heritage?

Rich


At 06:15 AM 6/4/2012, Geraldine Kudaka wrote:
Rudy, this list is not just for dealers.

There are a lot of people who lurk here who are interested in movie posters. 
They are not professional dealers in the business. Some may be non-poster 
business people interested in selling off collections acquired from either a 
lifetime of working in the industry, or inherited them from dad, who passed on.

This is also a public list which non-subscribers go to for archived information 
on how to sell their posters..

As a noted movie poster expert, these uninformed sellers need to know that you 
will encourage them to send their collections post vite to Heritage. 

You will not tell them that they need to protect themselves by doing a 
photographic inventory and log of their posters before sending to Heritage. 

You will not warn them that Heritage's inventory process is suspect and their 
software probably some home-user Access-like database program. (Here, I'm 
referring to security differences between programs like Quicken and true 
business accounting software which do not allow you to change entries without 
leaving a trail.)

You will not tell them that heritage will not return posters they do not sell.
 
You will simply funnel them to Heritage  -- for your commission.  

For this reason - among others - an esteemed seller on this list posted a wish 
that you were dead... 

Need I remind you I defended you? This was before I sat down and went though

Re: [MOPO] Rudy Franchi, Heritage, no Inventory

2012-06-06 Thread Geraldine Kudaka
Heritage has a pattern of offering to donate the value of contested good to 
charity.

It reduces a corporations tax by making a charitable contribution... assuming 
the contribution goes through.

Here are some links to show other instances where Heritage made offers... i.e.: 
I spoke to Steve Ivy one of the owners of the company. Steve said that he 
would reduce the seller's fee on the consigned items as long as I did not bad 
mouth his company. I told him that my interest was simply to point out that one 
of his employees made a mistake and that his company should be held liable. 
Steve then reneged on his committment to reduce the seller's fee.

See for yourself.


http://forums.collectors.com/messageview.cfm?catid=26threadid=803513

http://www.complaintsboard.com/complaints/heritage-auctions-arkansas-c310316.html

http://www.ripoffreport.com/liars/heritage-auction-gal/heritage-auction-galleries-m-bjc85.htm

http://www.ripoffreport.com/sports-cards-memorabilia/heritage-auction/heritage-auction-beware-of-th-e76fc.htm

http://www.bbb.org/dallas/business-reviews/auctioneers/heritage-auctions-in-dallas-tx-23003944/complaints




 From: Richard Halegua Posters + Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, June 5, 2012 3:00 PM
Subject: Re: [MOPO] Rudy Franchi, Heritage, no Inventory
 

If you are a
scammer and the only beneficiary of your scam was the Red Cross, you are
less inclined to try the same thing again. 

very well put Phillip


ps: I do not believe that Geraldine is doing this. I believe she is angry
 lashing out at her apparent source of anger

pps: I also think that Geraldine isn't looking at the issue objectively..
i.e. - Geraldine is not accepting any responsibility on her own for
whatever mistakes she may have made in not preparing her own
inventory
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Re: [MOPO] Libel or slander

2012-06-06 Thread Geraldine Kudaka
If Heritage would like to sue me for libel, they must prove I have knowingly 
slandered them and attempted to defame them instead of simply stating facts on 
the internet.

There is a line between saying Prince Charles wears drag -- which would be 
defamatory -- and saying, Hey, guys, I think such and such a company may be 
ripping me off. Whaddya think? 

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[MOPO] Intentions

2012-06-06 Thread Geraldine Kudaka
All this public speculations about my intentions...

I have stated several times Charley and I are not regular buyers or sellers. We 
simply own posters. We own posters because we love movies and worked in the 
film industry for 50 years. During this period, we acquired lots of 
movie-related goods.

We're at an age where we are downsizing. 


We ended up ebaying some stuff, donating other stuff to charity, and using 
Bruce  Heritage to auction off some posters.  


Our experiences with Heritage were anything but pleasant. 


So why do I post? What is my intention?


We believe that newsgroups like MOPO usually are dominated by people doing 
business, mostly selling, but there are a lot of lurkers who are simply 
interested. These lurkers may be minor collectors, or people who are too busy 
or unwilling to spend the time it takes to actively post.


As a long-time MOPO lurker, I've learned a lot about the business from reading 
postings. Even stuff like dirt on fleabay or international shipping I've 
copied onto my clipboard.


Why do I post?  


Why? Because I wish that I had read posts about how to submit posters to 
auction before sending my posters off...

In reality, I don't know if it would make much difference because the bottom 
line is -- If there's a will, there's a way...  Dale Ditts also said in any 
consignment there's a risk of being ripped off, whether or not an inventory was 
made.

To conclude, I've received emails from people off-list who have had similar bad 
experiences. These are people who are on the peripheral edges of the hobby who 
weren't interested in challenging the Goliaths and simply let it go because it 
was just too much hassle. 

I wish I could have benefited from the experiences of these people who emailed 
me in the last week a couple of years ago. I sure would have done things 
differently.

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Re: [MOPO] Libel or slander

2012-06-06 Thread Geraldine Kudaka
Whoops -- Prince Charles does wear skirts!!! 


Scottish kilts... and he's got great legs...




 From: John Waldman jhnwald...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 8:54 AM
Subject: Re: [MOPO] Libel or slander
 

I think you're going to hear from Prince Charles lawyer.
JW

From: Geraldine Kudaka gkud...@rocketmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 1:54 AM
Subject: Re: [MOPO] Libel or slander


If Heritage would like to sue me for libel, they must prove I have knowingly 
slandered them and attempted to defame them instead of simply stating facts on 
the internet.

There is a line between saying Prince Charles wears drag -- which would be 
defamatory -- and saying, Hey, guys, I think such and such a company may be 
ripping me off. Whaddya think? 









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Re: [MOPO] Bruce vs Heritage inventory auciton services

2012-06-06 Thread Geraldine Kudaka
I did forget to mention you, Bruce... Sorry.. Mistake as you were the 
inspiration for my disgruntled attitude... Your regular payments to our Paypal 
account was what kept Heritage's lack of payments in the forefront of my mind.


Even though your company has done phenomenallywell -- an inspiration for any 
ebay seller that yes, there is life after ebay -- Heritage gets more press 
because of their huge glossy catalog and high dollar items...

But you've proven that reliability is more important than big glossies.

Reminds me of a producer I knew who accidentally started investing in coin 
operated laundromats. He loved it. Said all those quarters were the easiest way 
to rake in the money, and he didn't have to deal with whining actors and 
residuals. All it took was a part time handyman to keep those machines running.
Quarters add up faster than big checks that never clear.






 From: Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@listserv.american.edu 
Sent: Wednesday, June 6, 2012 7:45 AM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 

Thanks much! That is the huge advantage of having 26 people working here, 
compared to just a handful (or just two) at many other places. And of course it 
is not just your consignment, but all the ones we receive (which can be very 
daunting, since we receive thousands of items per week, of all sizes, from all 
countries, and from all years). This past Sunday we even added TOYS to our 
Sunday lineup!

Our job is to make it EASY for collectors to dispose of unwanted items, and to 
help them get more than they could if they sold them to a dealer. If they need 
to have notarized lists of what they sent (complete with videos of them placing 
the items into packages and taking them to the Post Office!) then we no longer 
serve that function, and our consignors will go elsewhere.

Bruce


On Wed, Jun 6, 2012 at 12:12 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:

One point, which Sean inspired me to put into my email rebuttal -- is actually 
a very important point which I didn't bring up earlier because it wasn't 
relevant.

The same day we shipped out this 2nd batch of 30-40 un-inventoried posters to 
Heritage, we also shipped a batch of the same 30-40 batch size to Bruce.

We packed them at the same time, and took them both to be shipped, insured... 
of course. 

Bruce immediately responded by email, and we started getting sales reports  
payments to our Paypal account.

In fact, it was Bruce's regular payments that caused us to start questioning 
why we hadn't heard from Heritage.

So here's to Bruce, for handling out 30-40 un-inventoried posters in a 
responsible, professional way.

 



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-- 
Bruce Hershenson and the other 26 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions

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Re: [MOPO] Libel or slander

2012-06-06 Thread Geraldine Kudaka
I think there's a problem with Charles getting crowned because he married a 
divorcee... 


Charley and I are a bit bemused by the Brit's view of their Queen Mum. 


Young people -- people I wouldn't expect to be Royalist - love the Queen 
because she is their mother.


Nothing  comparable in US.




 From: Simon Oram fab5fre...@btinternet.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 12:12 PM
Subject: Re: [MOPO] Libel or slander
 

It’s always been a good argument, just how much does the Royal Family bring 
in, £44 billion (in this article, The Telegraph can be a bit bias) is allot but 
what if the Royal Family were booted out of office?
 
All those out of bounds palaces and castles would be opened up to the 
public and all the parties and engagements would cease and the upkeep of the 
establishments would be self sufficient. The history of the Royal Family would 
be opened up even more to the public and could bring even more money in , just 
being able to walk around Buckingham Palace would be a major draw. Things like 
Changing of the Guard could still be enacted for tourism along with many other 
traditional ceremonies if they were of enough interest. Just because there is 
no 
Royal Family doesn’t mean that the money stops flowing, however I don’t see it 
lasting much longer once the Queen has gone no matter how much the young Royals 
try to reinvent it, it’s still the same people pulling the stings from above, 
in 
fact the Royals at the boat pageant did remind me a bit of marionettes.
 
 
Simon 
From: Neil Jaworski 
Sent: Wednesday, June 06, 2012 3:46 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: Re: [MOPO] Libel or slander
  
http://www.telegraph.co.uk/news/uknews/the_queens_diamond_jubilee/9292607/The-Queen-gets-a-44bn-valuation-for-family-Firm.html 
 


 From: Simon Oram 
fab5fre...@btinternet.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, 6 June 2012, 
15:32
Subject: Re: [MOPO] Libel 
or slander

 
It attracts boat loads of American tourists apparently.
 
Simon 
From: John Waldman 
Sent: Wednesday, June 06, 2012 3:20 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: Re: [MOPO] Libel or slander
  What does your royalty do 
anyway?  Other than cost a boat load of money.
 
JW
 
From: Simon Oram 
fab5fre...@btinternet.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 
10:11 AM
Subject: Re: [MOPO] Libel or 
slander

Public opinion polls show it's in favour of the son but I 
think there has 
been a warming to Charles of late. Personally I wouldn't 
mind a public 
beheading and the expulsion of all royals to Devils Island, we 
then get on 
with becoming a Republic and then have the return of Tony Blair 
as 
President.


Simon

-Original Message- 
From: 
Bruce Hershenson
Sent: Wednesday, June 06, 2012 3:00 
PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: 
Re: [MOPO] Libel 
or slander

Would English subjects prefer Charles or his son to be King (I 
realize
they don't get to vote, but I assume there are polls)?

On 
6/6/12, Neil Jaworski neiljawor...@yahoo.co.uk 
wrote:
 Hi Bruce, yes absolutely.  In the same way that Elizabeth 
will never
 abdicate, Charles will never pass up the opportunity to be 
King after
 waiting so very, very long.

 Charles 
predicament is not unlike Edward VII who was 60 when he ascended 
 
the
 throne upon the death of Queen Victoria in 1901.

 
Victoria's reign of 63 years is currently the longest on record.
  
However, if Elizabeth matches the longevity of the Queen Mother - who 
 
lived
 to be 101 - and rules for 77 years, Charles would be 80+ before 
his
 coronation.

 The furious, impatient Prince Regent in 
Alan Bennett's The Madness Of King
 George puts it well:  To be 
Prince of Wales is not a position, it is a
 predicament!

 MOPO's Royal 
Correspondent

 Neil J


 

  From: Bruce Hershenson brucehershen...@gmail.com
 
To: MoPo-L@LISTSERV.AMERICAN.EDU
 
Sent: Wednesday, 6 June 2012, 14:16
 Subject: Re: [MOPO] Libel or 
slander


 Slightly off subject, but do you British 
subjects think Prince Charles 
 will
 ever get to be 
King?

 Bruce


 On Wed, Jun 6, 2012 at 8:02 
AM, Neil Jaworski neiljawor...@yahoo.co.uk
 
wrote:

 Prince Charles only wears drag whilst he's talking to his favourite plants
 about his scheme to murder the 
Queen.




Oops!




 
From: John Waldman jhnwald...@yahoo.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: 
Wednesday, 6 June 2012, 13:54

Subject: Re: [MOPO] Libel or 
slander



I think you're going to 
hear from Prince Charles lawyer.
JW


From: 
Geraldine Kudaka gkud...@rocketmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: 
Wednesday, June 6, 2012 1:54 AM
Subject: Re: [MOPO] Libel or 
slander


If Heritage would like to sue me for 
libel, they must prove I have
 knowingly slandered them and attempted 
to defame them instead of simply
 stating facts on the internet

Re: [MOPO] Bruce vs Heritage inventory auciton services

2012-06-06 Thread Geraldine Kudaka
Oh, Bruce... believe me, its painful when you lose posters like Van 
Hammersvelt's Get Carter... 


It would have been far better had we sold then for far less because we wouldn't 
have ended up paying money to a lawyer. 




 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 9:02 PM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 

I agree. You'll notice that the competition for expensive posters is beyond 
fierce. EVERY auction wants them badly, and EVERY dealer insists they have 
unlimited money to buy them with.

But NO ONE other than us wants anything to do with inexpensive items, unless 
they can buy them for a few pennies on the dollar, and often not even then.

So we have no competition, and that works out well. ALL the major dealers (with 
the exception of a tiny handful) have consigned to us, and I bet it is just a 
matter of time before those last holdouts approach us, because they HAVE to be 
tired of watching that inventory just sit and sit and sit...

One of these days we won't want that cheap stuff either, and then I guarantee 
you a ton of people will say, Why didn't I send my cheap stuff to Bruce when I 
had the chance?.

Look at it this way. There was a time (1999 to 2003) when selling on eBay was 
like printing money (especially for cheap junk) and some people sold a lot 
then, but many others didn't get around to it until it was too late. Now there 
is a second chance to get rid of that cheap junk, and this time you don't have 
to do any work at all.

And when we don't take that cheap stuff (sub $20) what are your options? 
Dealers who pay a few pennies on the dollar or auction houses who can't keep 
track of what you send? Not much of a choice in my book.

Bruce



On Wed, Jun 6, 2012 at 7:44 PM, Geraldine Kudaka gkud...@rocketmail.com wrote:

I did forget to mention you, Bruce... Sorry.. Mistake as you were the 
inspiration for my disgruntled attitude... Your regular payments to our Paypal 
account was what kept Heritage's lack of payments in the forefront of my mind.



Even though your company has done phenomenallywell -- an inspiration for any 
ebay seller that yes, there is life after ebay -- Heritage gets more press 
because of their huge glossy catalog and high dollar items...


But you've proven that reliability is more important than big glossies.


Reminds me of a producer I knew who accidentally started investing in coin 
operated laundromats. He loved it. Said all those quarters were the easiest 
way to rake in the money, and he didn't have to deal with whining actors and 
residuals. All it took was a part time handyman to keep those machines running.
Quarters add up faster than big checks that never clear.







 From: Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Cc: MoPo-L@listserv.american.edu 
Sent: Wednesday, June 6, 2012 7:45 AM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 


Thanks much! That is the huge advantage of having 26 people working here, 
compared to just a handful (or just two) at many other places. And of course 
it is not just your consignment, but all the ones we receive (which can be 
very daunting, since we receive thousands of items per week, of all sizes, 
from all countries, and from all years). This past Sunday we even added TOYS 
to our Sunday lineup!

Our job is to make it EASY for collectors to dispose of unwanted items, and to 
help them get more than they could if they sold them to a dealer. If they need 
to have notarized lists of what they sent (complete with videos of them 
placing the items into packages and taking them to the Post Office!) then we 
no longer serve that function, and our consignors will go elsewhere.

Bruce


On Wed, Jun 6, 2012 at 12:12 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:

One point, which Sean inspired me to put into my email rebuttal -- is actually 
a very important point which I didn't bring up earlier because it wasn't 
relevant.

The same day we shipped out this 2nd batch of 30-40 un-inventoried posters to 
Heritage, we also shipped a batch of the same 30-40 batch size to Bruce.

We packed them at the same time, and took them both to be shipped, insured... 
of course. 

Bruce immediately responded by email, and we started getting sales reports  
payments to our Paypal account.

In fact, it was Bruce's regular payments that caused us to start questioning 
why we hadn't heard from Heritage.

So here's to Bruce, for handling out 30-40 un-inventoried posters in a 
responsible, professional way.

 



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Re: [MOPO] Bruce vs Heritage inventory auciton services

2012-06-06 Thread Geraldine Kudaka
These conversations move very rapidly, especially when one gets loopy after a 
lot of hours writing emails. My apologies...
I don't know if you've been following the discussion about our submissions to 
Heritage and our stock -- which we had been told by Grey were tagged and 
inventoried -- disappearing. We were never paid for them and they weren't 
returned.

After Heritage only listed a portion of our posters on their inventory, Rudy 
Franchi told us Heritage didn't want the common posters -- like the Judge Dredd 
double sided transparency posters used in light box marquees we had sent in our 
first consignment batch -- and suggested we consign the higher valued posters 
to Heritage, and common posters like the aforementioned Dredd to Bruce.

I posted my submission to Bruce on MOPO because there was a lot of talk about 
my responsibility for sending an un-inventoried lot to Heritage. In fact, some 
MOPOers said I was to blame for their disappearance at Heritage because I 
hadn't inventoried them or pursued Grey about their status.


Well, at the same time we sent our 2nd batch of posters to Heritage, we sent an 
equal sized consignment batch to Bruce. Like the Heritage consignment, this 
consignment to Bruce was not inventoried. 


I haven't been posting Bruce illegally appropriated my goods because there 
wasn't a problem with payments or returns.

The deal was straight ahead and worked without any effort on my part.


And if Bruce wears a kilt or has good legs... well, I couldn't say. 





 From: Rix Posterz rixpost...@aol.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, June 6, 2012 8:55 PM
Subject: Re: [MOPO] Bruce vs Heritage inventory  auciton services
 

Wait...maybe I missed something.  Does Bruce wear a kilt? Is that what 
you're saying?
 
In a message dated 6/6/2012 5:44:47 P.M. Pacific Daylight Time, 
gkud...@rocketmail.com writes:
I did forget to mention you, Bruce... Sorry.. Mistake as you were  the 
inspiration for my disgruntled attitude... Your regular payments to our  Paypal 
account was what kept Heritage's lack of payments in the forefront of  my mind.



Even though your company has done phenomenallywell -- an inspiration for any 
ebay seller that yes, there is life after ebay  -- Heritage gets more press 
because of their huge glossy catalog and high  dollar items...


But you've proven that reliability is more important than big  glossies.


Reminds me of a producer I knew who accidentally started investing  in coin 
operated laundromats. He loved it. Said all those quarters were the  easiest 
way to rake in the money, and he didn't have to deal with whining  actors and 
residuals. All it took was a part time handyman to keep those  machines 
running.
Quarters add up faster than big checks 
  that never clear.
 






 From: Bruce Hershenson  brucehershen...@gmail.com
To: Geraldine Kudaka  gkud...@rocketmail.com 
Cc: MoPo-L@listserv.american.edu 
Sent: Wednesday, June 6,  2012 7:45 AM
Subject: Re:  [MOPO] Bruce vs Heritage inventory  auciton services


Thanks much! That is the huge advantage of having 26  people working here, 
compared to just a handful (or just two) at many other  places. And of course 
it is not just your consignment, but all the ones we  receive (which can be 
very daunting, since we receive thousands of items per  week, of all sizes, 
from all countries, and from all years). This past Sunday  we even added TOYS 
to our Sunday lineup!

Our job is to make it EASY for collectors to dispose of unwanted items, and to 
help them get  more than they could if they sold them to a dealer. If they 
need to have  notarized lists of what they sent (complete with videos of them 
placing the  items into packages and taking them to the Post Office!) then we 
no longer  serve that function, and our consignors will go 
elsewhere.

Bruce


On Wed, Jun 6, 2012 at 12:12 AM, Geraldine  Kudaka gkud...@rocketmail.com 
wrote:

One  point, which Sean inspired me to put into my email rebuttal -- is 
actually a  very important point which I didn't bring up earlier because it 
wasn't  relevant.

The same day we shipped out this 2nd batch of 30-40 
un-inventoried posters to Heritage, we also shipped a batch of the same 
30-40 batch size to Bruce.

We packed them at the same time, and took 
them both to be shipped, insured... of course. 

Bruce immediately 
responded by email, and we started getting sales reports  payments to 
our Paypal account.

In fact, it was Bruce's regular payments that 
caused us to start questioning why we hadn't heard from Heritage.

So 
here's to Bruce, for handling out 30-40 un-inventoried posters in a 
responsible, professional way.

 



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Re: [MOPO] Rudy Franchi

2012-06-05 Thread Geraldine Kudaka
Whoops -- addendum to item 4...

We not only send 30-40 posters to heritage, we send the same uninventoried 
number to Bruce.


Addendum to number 5

We start getting emails from Bruce regarding out inventory selling  payments 
deposited into our account.




 From: Geraldine Kudaka gkud...@rocketmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012 8:53 PM
Subject: Re: [MOPO] Rudy Franchi
 



1. Rudy suckers you into sending posters to Heritage

Suckers? I wouldn't have used that word. He was eager to make some money off a 
commission. 


2. Heritage gets the posters, send you an inventory list and you think stuff is 
missing

Correction, Heritage lists only posters they are putting up for the next 
auction. We do not realize there is something wrong here. We ask Heritage about 
what is not on the list and are told Heritage has a secure inventory and 
tagging process.

3.
 Heritage sells posters that aren't on the inventory list, sends you a 
check for $11K for at least one of them, and then doesn't sell other 
items that are on the list.

Correction, Heritage then sells another poster -- which we didn't know was or 
wasn't on an inventory.

4. You are so mad about the 
missing items you decide to pack up another box of posters to send to 
Heritage without telling them and without making an inventory

Correction - We are happy with the sales and think Heritage earned their 
commission. We think they are doing a good job and after this 2nd check clears, 
decide to send them more product. 

We are not aware of missing posters because in our conversations with Heritage, 
we are asked whether we want to sell these in Heritage's weekly auction. As our 
Star Wars sales are very good on ebay, we decline. We are told our posters are 
safely held as they are tagged and inventoried.

5. Several months later you are mad because they didn't tell you about the 
package you never told them was coming.

Correction. After sending the 2nd batch, I call them to see when they are going 
to auction the new material we sent. Christ doesn't know what I am talking 
about promises to look into it. In our subsequent conversation, he states our 
posters have little value so they won't list
 them in the signature auction. To which, I ask, what about the Get Carter and 
Lennon poster knowing full well these two sold in the Feb. 2010 auction.


6. You argue about #2 and #5 for a while7. Heritage says they sent you back 
everything they have. 
8. You say they didn't.

Correction, see the following revised 6,7, 8  9. 

6. We argue, I complain, Grey threatens me with a law suit for slander and 
libel.

7. It takes a couple of months to hire the right lawyer to protect us from 
slander and libel. I then air my grievances publicly.

8.  Heritage offers to sell our future consignments without a commission, which 
we decline. Heritage then offers to donate the value of the Get Carter  Lennon 
to charity, which we also decline. 

9. Grey then sends back the inventory of ours he has -- and yes, that is when I 
get really mad. Upon opening the packages and seeing what was in it, I was 
furious. Of course, I immediately knew something was amiss because the shipping 
tubes were not the ones we had bought from Uline and shipped off our posters to 
Heritage in. In other words, our posters were unpacked and repacked.

It was then I sat down and went through the Heritage file with a fine
 tooth comb. 

Am I raving mad right now? 

No, I'd say the work it takes to challenge a well-loved dealer whom most of you 
do business with regularly takes the uumph out of any anger. 

If anything, I am calmly rational now, knowing that we learned a good lesson 
which others can learn from also.






 From: Sean Linkenback s...@platinumposters.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012 7:51 PM
Subject: Re: [MOPO] Rudy Franchi
 

So to get the timeline correct:




 
-Original Message-
From: Geraldine Kudaka [mailto:gkud...@rocketmail.com]
Sent: Monday, June 4, 2012 09:15 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Rudy Franchi


Rudy, this list is not just for dealers.

There are a lot of people who lurk here who are interested in movie posters. 
They are not professional dealers in the business. Some may be non-poster 
business people interested in selling off collections acquired from either a 
lifetime of working in the industry, or inherited them from dad, who passed on.


This is also a public list which non-subscribers go to for archived information 
on how to sell their posters..

As a noted movie poster expert, these uninformed sellers need to know that you 
will encourage them to send their collections post vite to Heritage. 


You will not tell them that they need to protect themselves by doing a 
photographic inventory and log of their posters before sending to Heritage. 


You will not warn them that Heritage's inventory process

Re: [MOPO] Rudy Franchi

2012-06-04 Thread Geraldine Kudaka
Rudy, this list is not just for dealers.

There are a lot of people who lurk here who are interested in movie posters. 
They are not professional dealers in the business. Some may be non-poster 
business people interested in selling off collections acquired from either a 
lifetime of working in the industry, or inherited them from dad, who passed on.


This is also a public list which non-subscribers go to for archived information 
on how to sell their posters..

As a noted movie poster expert, these uninformed sellers need to know that you 
will encourage them to send their collections post vite to Heritage. 


You will not tell them that they need to protect themselves by doing a 
photographic inventory and log of their posters before sending to Heritage. 


You will not warn them that Heritage's inventory process is suspect and their 
software probably some home-user Access-like database program. (Here, I'm 
referring to security differences between programs like Quicken and true 
business accounting software which do not allow you to change entries without 
leaving a trail.)

You will not tell them that heritage will not return posters they do not sell.

 
You will simply funnel them to Heritage  -- for your commission.  


For this reason - among others - an esteemed seller on this list posted a wish 
that you were dead... 


Need I remind you I defended you? This was before I sat down and went though 
our Heritage file and discovered what was really going on. This was before I 
went online and found that Heritage has been accused by others for stealing 
items submitted for consignment.


Last -- if you think you have spent a huge amount of time on this issue, get 
real. Suggesting we comply with Heritage's offer of selling without commission 
fees is certainly not an email that takes a lot of time to write. After Grey 
threatened us with legal action, wehave spent far more money on attorney's fees 
than you have... That's a hard financial cost on top of the value of posters 
sent to Heritage.

While I appreciate your suggestion we go bankrupt sueing everybody involved, 
I will decline your advice.


In the start, I said this list is not just for dealers. My emails are for the 
lurking public, now and in the future. 

   




 From: rudy franchi r...@nostalgia.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 1, 2012 10:41 AM
Subject: [MOPO] Reply To Geraldine
 
It seems that I can't post to MOPO without Geraldine popping out like
a cuckoo bird on a spring. This has gone beyond rational discussion.
I've spent a huge amount of time on this problem and Grey has
spent the equivalent of days in hour after hour of trying to reach a
satisfactory conclusion.  Perhaps Geraldine should just sue everyone
involved. After she loses, she can appeal it all the way to the
Supreme Court where it will go down in judicial history as When I've Got A
Hammer  vs. Everything's A Nail.  Meanwhile, I will continue to
occasionally post here and just put up with the tirades. On some of
the stock market discussion boards I visit, one can put a particularly
annoying person on ignore so that their posts won't show up in your
message box. Would that we could do that here.

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Re: [MOPO] Star Wars, was Article On Busted Collectibles Mention Movie Posters

2012-06-04 Thread Geraldine Kudaka
The Star Wars posters are an exception because of the Star Wars fan base. We've 
found that unlike a lot of other movie posters, we've gotten good prices on 
ebay, but have not fared well at auction.

An example is the Chaykin poster, which was produced before Star Wars was 
released and sold at fan conventions for $1.75. 

In our first 2010 Heritage auction, Heritage sold this poster for $850. We sold 
several of these posters on ebay for $2000.





 From: MICHAEL ARCHIBALD kap...@rogers.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 1, 2012 8:17 AM
Subject: Re: [MOPO] Article On Busted Collectibles Mention Movie Posters
 

I read an article a few months basically saying the same thing.  Posters from 
the 70s or 80s aren't comamanding high dollar amounts (exceptions Star Wars, 
Lucky Stripes, Dirty Harry) but they are maintaining/increasing in value.  
 
One of the things I think about now that I'm buying is - should I need to sell 
down the road - will there be a market?
 
For example, take films like Boomerang! or Kiss of Death.  Most (if not 
all) of my social circle have never heard of them.  Everyone knows the big 
names like lawrence of Arabia or Butch Cassidy  The Sundance Kid...but how 
many people aged 20-40 have seen Les Doulos, Ride the High Country, or even 
Laura?  For that generation their movies will be Inception, Dark Knight, 
The Terminator, etc.
 
Similary, I may know Modern Times, the General, or Only ANgels have Wings 
but often pass on films from the early days of Hollywood which are relevant to 
some of you long time collectors.
 
Each generation will define its own nostalgia and their worth.
 
Mike

From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 1, 2012 7:04:20 AM
Subject: Re: [MOPO] Article On Busted Collectibles Mention Movie Posters
 

Of course, everyone is entitled to their opinion, but I completely disagree 
that 1980s posters are a huge waste of money.

The best of the 1980s (along with the best of the 1970s on) are actually some 
of the HOTTEST posters there are! While many of the older posters from the 
early 20th century are lucky to sell for the same prices they sold for 20 
years ago, many of the modern posters keep setting records.

But what do I know? I only auction 110,000 movie posters a year.

Bruce


On Fri, Jun 1, 2012 at 3:17 AM, Toochis Morin fly...@pacbell.net wrote:

Great article, Rudy!  Do you think my original Fleischer GULLIVER'S TRAVELS 
animation cel is junk?  I'd love to know.

Cheers,

Toochis





From: rudy franchi r...@nostalgia.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Fri, June 1, 2012 12:24:34 AM
Subject: [MOPO] Article On Busted Collectibles Mention Movie Posters


I gave an interview to Business Insider on collectible trends and movie posters
were covered:

http://tinyurl.com/7q3p988

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-- 
Bruce Hershenson and the other 26 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions




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Re: [MOPO] Rudy Franchi, Heritage, no Inventory

2012-06-04 Thread Geraldine Kudaka
 somewhere 
that it doesn't belong, at which point I was forced to apologize to that person 
who I thought screwed
 me.

You did not do what was necessary to protect yourself, how can that be the 
fault of Heritage?

Rich


At 06:15 AM 6/4/2012, Geraldine Kudaka wrote:


Rudy, this list is not just for dealers.

There are a lot of people who lurk here who are interested in movie posters. 
They are not professional dealers in the business. Some may be non-poster 
business people interested in selling off collections acquired from either a 
lifetime of working in the industry,
 or inherited them from dad, who passed on.

This is also a public list which non-subscribers go to for archived information 
on how to sell their posters..

As a noted movie poster expert, these uninformed sellers need to know that you 
will encourage them to send their collections post vite to Heritage. 

You will not tell them that they need to protect themselves by doing a 
photographic inventory and log of their posters before sending to Heritage. 

You will not warn them that Heritage's inventory process is suspect and their 
software probably some home-user Access-like database program. (Here, I'm 
referring to security differences between programs like Quicken and true 
business accounting software which
 do not allow you to change entries without leaving a trail.)

You will not tell them that heritage will not return posters they do not sell.
 
You will simply funnel them to Heritage  -- for your commission.  

For this reason - among others - an esteemed seller on this list posted a wish 
that you were dead... 

Need I remind you I defended you? This was before I sat down and went though 
our Heritage file and discovered what was really going on. This was before I 
went online and found that Heritage has been accused by others for stealing 
items submitted for consignment.

Last -- if you think you have spent a huge amount of time on this issue, get 
real. Suggesting we comply with Heritage's offer of selling without commission 
fees is certainly not an email that takes a lot of time to write. After Grey 
threatened us with legal
 action, we have spent far more money on attorney's fees than you have... 
That's a hard financial cost on top of the value of posters sent to Heritage.

While I appreciate your suggestion we go bankrupt sueing everybody involved, 
I will decline your advice. 

In the start, I said this list is not just for dealers. My emails are for the 
lurking public, now and in the future. 
   


From:rudy franchi r...@nostalgia.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 1, 2012 10:41 AM
Subject: [MOPO] Reply To Geraldine

It seems that I can't post to MOPO without Geraldine popping out like
a cuckoo bird on a spring. This has gone beyond rational discussion.
I've spent a huge amount of time on this problem and Grey has
spent the equivalent of days in hour after hour of trying to reach a
satisfactory conclusion.  Perhaps Geraldine should just sue everyone
involved. After she loses, she can appeal it all the way to the
Supreme Court where it will go down in judicial history as When I've Got A
Hammer  vs. Everything's A Nail.  Meanwhile, I will continue to
occasionally post here and just put up with the tirades. On some of
the stock market discussion boards I visit, one can put a particularly
annoying person on ignore so that their posts won't show up in your
message box. Would that we could do that here.

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[MOPO] Open Question to Grey Smith / Heritage

2012-06-04 Thread Geraldine Kudaka
On your website  
http://www.ha.com/c/ref/consignment-process.zxyou describe  process of 
Security is Paramount in Dallas and Processing Your Consignment 

Is this true or merely a web marketing scheme?


Security Is Paramount In Dallas
Most auction consignments arrive at Heritage's Dallas office by either Federal 
Express or U.S. Registered Mail, where a bonded representative of our Shipping 
staff signs for them. Each package is delivered to the Auction receiving area 
and, specifically, to a member of the Processing staff. Once removed from their 
packages, your items are double-checked against your inventory to ensure that 
the consignment is complete, and then clearly tagged with a unique consignor 
number, identifying it as yours. If you haven't prepared an inventory, we will 
make one which is verified by a second staff member. All paperwork that 
accompanied your items to Dallas and all e-mails sent by your Consignment 
Director, are forwarded to Consignment Services, where complete copies of the 
documentation are made: one for your Consignment Director; one for our 
Cataloging Department; and one for your personal Consignor Folder. This folder 
serves as the central bank of information
 for your consignment, and Heritage staff members will refer to it at every 
stage of the consignment process. Your Consignor Folder also includes the 
completed Auction Agreement, as well as images of every item in your 
consignment.


Processing Your Consignment

After fully imaging your consigned items (both for security and for eventual 
use on the Internet), the Processing staff ensures that your items are sealed 
in our Auction vaults every evening, regardless of their current status in the 
consignment process. At this point, your Consignment Director may contact you 
if you wish to participate in strategy decisions for marketing your collection 
through our auctions, or perhaps to discuss one of our generous advances. The 
strengths of our Family of Auctions are weighed against one another to help us 
determine the proper auction venue for your collection. Our goal is the same as 
yours: to realize the highest prices realized on each and every item in your 
consignment.

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Re: [MOPO] Rudy Franchi

2012-06-04 Thread Geraldine Kudaka


1. Rudy suckers you into sending posters to Heritage

Suckers? I wouldn't have used that word. He was eager to make some money off a 
commission. 


2. Heritage gets the posters, send you an inventory list and you think stuff is 
missing

Correction, Heritage lists only posters they are putting up for the next 
auction. We do not realize there is something wrong here. We ask Heritage about 
what is not on the list and are told Heritage has a secure inventory and 
tagging process.

3.
 Heritage sells posters that aren't on the inventory list, sends you a 
check for $11K for at least one of them, and then doesn't sell other 
items that are on the list.

Correction, Heritage then sells another poster -- which we didn't know was or 
wasn't on an inventory.

4. You are so mad about the 
missing items you decide to pack up another box of posters to send to 
Heritage without telling them and without making an inventory

Correction - We are happy with the sales and think Heritage earned their 
commission. We think they are doing a good job and after this 2nd check clears, 
decide to send them more product. 

We are not aware of missing posters because in our conversations with Heritage, 
we are asked whether we want to sell these in Heritage's weekly auction. As our 
Star Wars sales are very good on ebay, we decline. We are told our posters are 
safely held as they are tagged and inventoried.

5. Several months later you are mad because they didn't tell you about the 
package you never told them was coming.

Correction. After sending the 2nd batch, I call them to see when they are going 
to auction the new material we sent. Christ doesn't know what I am talking 
about promises to look into it. In our subsequent conversation, he states our 
posters have little value so they won't list them in the signature auction. To 
which, I ask, what about the Get Carter and Lennon poster knowing full well 
these two sold in the Feb. 2010 auction.


6. You argue about #2 and #5 for a while7. Heritage says they sent you back 
everything they have.
8. You say they didn't.

Correction, see the following revised 6,7, 8  9. 

6. We argue, I complain, Grey threatens me with a law suit for slander and 
libel.

7. It takes a couple of months to hire the right lawyer to protect us from 
slander and libel. I then air my grievances publicly.

8.  Heritage offers to sell our future consignments without a commission, which 
we decline. Heritage then offers to donate the value of the Get Carter  Lennon 
to charity, which we also decline. 

9. Grey then sends back the inventory of ours he has -- and yes, that is when I 
get really mad. Upon opening the packages and seeing what was in it, I was 
furious. Of course, I immediately knew something was amiss because the shipping 
tubes were not the ones we had bought from Uline and shipped off our posters to 
Heritage in. In other words, our posters were unpacked and repacked.

It was then I sat down and went through the Heritage file with a fine tooth 
comb. 

Am I raving mad right now? 

No, I'd say the work it takes to challenge a well-loved dealer whom most of you 
do business with regularly takes the uumph out of any anger. 

If anything, I am calmly rational now, knowing that we learned a good lesson 
which others can learn from also.






 From: Sean Linkenback s...@platinumposters.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012 7:51 PM
Subject: Re: [MOPO] Rudy Franchi
 

So to get the timeline correct:




 
-Original Message-
From: Geraldine Kudaka [mailto:gkud...@rocketmail.com]
Sent: Monday, June 4, 2012 09:15 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Rudy Franchi


Rudy, this list is not just for dealers.

There are a lot of people who lurk here who are interested in movie posters. 
They are not professional dealers in the business. Some may be non-poster 
business people interested in selling off collections acquired from either a 
lifetime of working in the industry, or inherited them from dad, who passed on.


This is also a public list which non-subscribers go to for archived information 
on how to sell their posters..

As a noted movie poster expert, these uninformed sellers need to know that you 
will encourage them to send their collections post vite to Heritage. 


You will not tell them that they need to protect themselves by doing a 
photographic inventory and log of their posters before sending to Heritage. 


You will not warn them that Heritage's inventory process is suspect and their 
software probably some home-user Access-like database program. (Here, I'm 
referring to security differences between programs like Quicken and true 
business accounting software which do not allow you to change entries without 
leaving a trail.)

You will not tell them that heritage will not return posters they do not sell.

 
You will simply funnel them to Heritage  -- for your commission.  


For this reason - among

Re: [MOPO] Rudy Franchi, Heritage, no Inventory

2012-06-04 Thread Geraldine Kudaka
No, no, no Luke it always the hero





 From: Kirby McDaniel ki...@movieart.net
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012 8:39 PM
Subject: Re: [MOPO] Rudy Franchi, Heritage, no Inventory
 

Luke Skywalker?


On Jun 4, 2012, at 7:11 PM, Geraldine Kudaka wrote:

But who killed John Kennedy?




 From: Richard Halegua Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012 7:35 PM
Subject: Re: [MOPO] Rudy Franchi, Heritage, no Inventory
 

Geraldine

the United States did land man on the Moon in 1969

anything else is a silly conspiracy theory

Rich


At 04:16 PM 6/4/2012, Geraldine Kudaka wrote:

Ahh... but here's the kicker I
didn't add before

Heritge claims they have sent back all our posters.

On our consignment sheet from Feb 2010, there's unsold poster which
wasn't returned this past month.

Black and white, on Heritage paper, it states it wasn't sold.

Now have you ever had Heritage claim they returned everything, yet you
have PROOF not everything was returned.








From: Walton, Jeffrey
jeffrey.wal...@fisglobal.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012 3:51 PM
Subject: Re: [MOPO] Rudy Franchi, Heritage, no Inventory

I concur wholeheartedly….you just can’t ship a bunch of posters and
claim fooul when no inventory on your part was done no matter if you
trust that identity or not.  When shipping a bunch of poster I
always make an inventory and send along a copy of the inventory as
well.  So when Grey or Bruce compares the list and there is a
discrepancy there is at least a record.  What would have happened if
the parcel was lost in the mail, then try to stake a claim with the
insurance?
 
The X-files said it best –  ˜Trust no one.â€�
 
 
 
From: MoPo List
[mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Richard
Halegua Posters + Comic Art
Sent: Monday, June 04, 2012 3:31 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Rudy Franchi, Heritage, no Inventory
 
Geraldine

reading your posts as a outsider makes me wonder about some of the things
you mention in your emails.
Are you trying to get a resolution, or are you just trying to disparage
Rudy Franchi and Heritage?
Also, do you or do you not think that your own actions are a partial
contributor to your angst??

Don't get me wrong.. I'm not attempting to disparage or attack you. I
understand you have a dispute, it was not to date settled in your favor
and that makes you angry.

But some thing that you wrote puzzles me. Your own lack of an inventory
specifically.

2 weeks ago, I consigned a large collection of my own to Profiles in
History for their July auction. I have a book collection or hardcover
Photoplay editions in dust jackets dating from 1913 to the 1940s with
additional items up to the 1990s.

I have known Joe Maddalena for a reasonably long time and we have done
deals on both a personal level and via his auction house. However,
regardless of my relationship with Joe, when I consigned this collection
to them of 800 books and related items, there is no way I would have let
these items leave my possession without an inventory.

For 2 weeks prior to them leaving my warehouse, I photographed each and
every item in this collection. Yes it was done in part so I could have
file images of these items for my image archive, but it was also done so
that in case of any disputes, I could prove to Profiles what I gave them.
This is not for the protection of myself and for the protection of
Profiles. How could I dispute any issues without having such an inventory
in my hands??

Did I do this time consuming job for my own pleasure??
No Ma'am
I had plenty of other work to do, and such a task only added to my weekly
work schedule right at a time when I was actually busier than I had been
in months, and anyone who knows me knows that my work schedule is always
completely full and that I haven't been having lots of playtime in my
wonderful city of Las Vegas. It actually left me with just one day to get
ready for Cinevent, and that one day wasn't nearly enough.

Joe may be my good friend and I trust him 100%, but I do not leave it up
to other people to protect my own interests, as much as I would like to
when I don't have any time. If I leave it up to someone else to protect
my interests, I really don't feel I can blame the other party no matter
how many assurances I have that I can. Furthermore, if such a situation
were to land me in a lawsuit attempting to claim some sort of duress,
what portion of such duress is my own fault for not protecting
myself??

I do remember the days when a handshake deal was a bond, but I have also
felt the betrayal of a handshake deal not being honored, making me wish I
had done what was necessary to protect myself before any issues arose.
Not completing such an action is no one's fault but my own.

So the question becomes, IF your claims are true, what

Re: [MOPO] Rudy Franchi, Heritage, no Inventory

2012-06-04 Thread Geraldine Kudaka
And they're known for the death penalty...





 From: Phillip W. Ayling mro...@earthlink.net
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012 8:36 PM
Subject: Re: [MOPO] Rudy Franchi, Heritage, no Inventory
 

  
But who killed John Kennedy?
 
Perhaps that was the first terrible sign that things go missing in 
Dallas
- Original Message - 
From: Geraldine  Kudaka 
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 04, 2012 5:11 PM
Subject: Re: [MOPO] Rudy Franchi,  Heritage, no Inventory


But who killed John Kennedy?




 From: Richard Halegua Comic Art  sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012  7:35 PM
Subject: Re: [MOPO]  Rudy Franchi, Heritage, no Inventory


Geraldine

the United States did land man on the Moon in 
  1969

anything else is a silly conspiracy 
  theory

Rich


At 04:16 PM 6/4/2012, Geraldine Kudaka 
wrote:

Ahh... but here's  the kicker I didn't add before

Heritge claims they have sent back 
all our posters.

On our consignment sheet from Feb 2010, there's 
unsold poster which wasn't returned this past month.

Black and white, 
on Heritage paper, it states it wasn't sold.

Now have you ever had 
Heritage claim they returned everything, yet you have PROOF not everything 
was returned.








From: Walton, Jeffrey jeffrey.wal...@fisglobal.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Monday, June 4, 2012 3:51  PM
Subject: Re: [MOPO] Rudy Franchi, Heritage, no  Inventory

I concur wholeheartedly….you just can’t ship a 
bunch of posters and claim fooul when no inventory on your part was done no 
matter if you trust that identity or not.  When shipping a bunch of 
poster I always make an inventory and send along a copy of the inventory as 
well.  So when Grey or Bruce compares the list and there is a 
discrepancy there is at least a record.  What would have happened if 
the parcel was lost in the mail, then try to stake a claim with the 
insurance?
 
The X-files said it best –  ˜Trust no 
one.�
 
 
 
From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Richard 
Halegua  Posters + Comic Art
Sent: Monday, June 04, 2012 3:31  PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO]  Rudy Franchi, Heritage, no Inventory
 
Geraldine

reading 
your posts as a outsider makes me wonder about some of the things you 
mention in your emails.
Are you trying to get a resolution, or are you 
just trying to disparage Rudy Franchi and Heritage?
Also, do you or do 
you not think that your own actions are a partial contributor to your 
angst??

Don't get me wrong.. I'm not attempting to disparage or 
attack you. I understand you have a dispute, it was not to date settled in 
your favor and that makes you angry.

But some thing that you wrote 
puzzles me. Your own lack of an inventory specifically.

2 weeks ago, 
I consigned a large collection of my own to Profiles in History for their 
July auction. I have a book collection or hardcover Photoplay editions in 
dust jackets dating from 1913 to the 1940s with additional items up to the 
1990s.

I have known Joe Maddalena for a reasonably long time and we 
have done deals on both a personal level and via his auction house. 
However, 
regardless of my relationship with Joe, when I consigned this collection to 
them of 800 books and related items, there is no way I would have let these 
items leave my possession without an inventory.

For 2 weeks prior to 
them leaving my warehouse, I photographed each and every item in this 
collection. Yes it was done in part so I could have file images of these 
items for my image archive, but it was also done so that in case of any 
disputes, I could prove to Profiles what I gave them. This is not for the 
protection of myself and for the protection of Profiles. How could I 
dispute 
any issues without having such an inventory in my hands??

Did I do 
this time consuming job for my own pleasure??
No Ma'am
I had plenty of 
other work to do, and such a task only added to my weekly work schedule 
right at a time when I was actually busier than I had been in months, and 
anyone who knows me knows that my work schedule is always completely full 
and that I haven't been having lots of playtime in my wonderful city of Las 
Vegas. It actually left me with just one day to get ready for Cinevent, and 
that one day wasn't nearly enough.

Joe may be my good friend and I 
trust him 100%, but I do not leave it up to other people to protect my own 
interests, as much as I would like to when I don't have any time. If I 
leave 
it up to someone else to protect my interests, I really don't feel I can 
blame the other party no matter how many assurances I have that I can. 
Furthermore, if such a situation were

Re: [MOPO] Article On Busted Collectibles Mention Movie Posters

2012-06-02 Thread Geraldine Kudaka
I am not sure what month the Clockwork Orange poster went up for sale. All I 
know is that we have a consignor sales slip and those dates are on Heritage's 
paperwork. 

I will repeat what I have said before -- we are not in the movie poster buying 
/ selling business. 


We do not look at Heritage sales catalogues -- though Paul Miller from 
starwarsmoveposter.com did email me with a link to Heritage's Deko poster and I 
can't help but wonder whether this poster is ours, I  won't be following the 
auction --

Nor do we check up on poster prices on ebay or other auctions.

For us, movie posters are not a hobby or business but remnants of a life. 


We are retired from the movie business and have a room filled with posters, 
press books, scripts and other movie memorabilia, including original 
storyboards and artwork for Star Wars, Judge Dredd and Alien. We had 
merchandising prototypes for Star Wars, which we successfully sold on ebay, but 
it was a tremendous amount of work and effort. I could work full-time for 10 
years straight selling off the collection, and it still would not be gone. (But 
that's not what I want to do with the remainder of my life... My time... )


We are not alone. There are others like us who retired with large collections. 
Most of us don't have the time or inclination to join MOPO and find out what is 
happening in the poster world. 


We don't look at a poster as it's value is X, Y or Z, or it could be sold for 
such and such. 


We think about the grandkids... or about golfing... vacationing... clearing the 
driveway of snow... or, in my case, selling the Star Wars prototypes and 
building a house for a sick relative...We don't think about the price of 
posters...


I think of it as banking... I put my money in a bank and its suppose to be 
safe.I send my collectibles to a legitimate auction house... If I have to worry 
about my money in the bank, my money's in the wrong place. If I have to worry 
about the auction house ripping us off, we shouldn't be doing business with 
them.


So I apologize for not keeping track of when the auction was, but I do expect 
bonded professionals to act like professionals. 






 From: Richard C Evans evan...@mac.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 1, 2012 2:00 PM
Subject: Re: [MOPO] Article On Busted Collectibles Mention Movie Posters
 

Likewise here.
Particularly confused about the Clockwork Orange poster.
At the value stated it was presumably the David Pelham style, and I thought 
what Geraldine was saying was that though it wasn't listed in the inventory by 
Heritage it was put in the October 2010 auction.
But I don't believe that style Clockwork Orange or anything for that title of 
that kind of value appeared at Heritage in October 2010
Sent from my iPhone

On 1 Jun 2012, at 18:32, Bruce Hershenson brucehershen...@gmail.com wrote:


I am unclear about something. Is this an ongoing legal matter, or has it come 
to a resolution? 

Is the crux of the matter that you sent items without receiving an inventory 
list of what was sent and now they dispute that you ever sent some number of 
the items.

There are just so many details in the below that I have difficulty distilling 
it down to its essence.

Thanks.

Bruce


On Fri, Jun 1, 2012 at 9:02 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:


Based on your recommendation and reputation, we sent a batch of 30-40+ 
posters to Heritage. They sent back an inventory which was a partial list 
including 10 posters of the 30-40+ posters we shipped. We called Grey and he 
said these were the posters they were going to put up for their March 2010 
signature auction, but that the posters which weren't going up be listed in 
their print auction would be safe in their vault. A contract was sent for 
these 10 posters.  The balance was not sent in an inventory to us.

We had gotten in touch with Paul Miller of 
http://www.starwarsmovieposter.com/ . Paul is the expert on SW posters. He 
identified a batch of posters we had as the Deko posters. Of the 30-40+ 
posters we had sent to heritage, we had included 3 sections of the Deko 17 
section posters. for his help in
 identifying and organizing our SW posters, we had promised to give Paul 1 of 
our 2 sets of mint, uncirculated Deko posters. Of course,we didn't have 2 full 
sets as we had mistakenly sent 3 of  a set to Heritage. I called Heritage to 
inquire about getting back our posters. Heritage pitched us on auction in their 
weekly the remaining balance of uninventoried posters.

You, Rudy, got involved and tried to convince us the weekly posters would net 
us enough that we should just go with Heritage. In the midst of this 
conversation, we also found out a poster we had sent to Heritage -- which was 
not on the signed inventory consignment contact -- was valuable -- a 1971 
Clockwork Orange.

We contacted Heritage and was told the inventoried contract only included 
posters which would

Re: [MOPO] Article On Busted Collectibles Mention Movie Posters

2012-06-02 Thread Geraldine Kudaka
No, the issue is that the items shipped to Heritage in 2010 
which were not sold in were never returned, and Heritage claims they 
don't have them because they're not on the inventory list. Ditto for the items 
sent in the 2nd batch, which included Get Carter, Lennon 
 other posters. We are missing multiple posters, including 3 sections of the 
Deko poster

Heritage thumbs their nose up at us and says, Prove it...


Issue is that you on MOPO may be treated professional and if the deal is not 
made, get your stuff back regardless of whether Heritage inventoried 
them for auction or not. 


For us -- and I bet for a lot of other newbie, non-dealers -- that is not the 
case. 


Look at it hypothetically -- if you receive a batch of posters, but only 
have to pay for posters you decide to list on an inventory you have 
created -- isn't that a great way of acquiring product to sell? The 
Clockwork Orange wasn't on the list Doesn't it make you wonder what 
other posters Heritage chose not to list?

And isn't it great if you can take the position of saying to your 
consignors -- prove it. Prove that you sent us these posters and they 
were really of that value.

For the consignors, it means what? Having photographic proof of what you 
sent, plus shipping... Then who is to say what was actually in the 
shipping carton? How does the average non-collector prove they put such 
and such poster in a box and shipped it. A shipping label? A shipping label 
proves a package was shipped, not the contents 
of the box. 


To alleviate consumer worry and prove their honesty, Heritage proclaims that 
they have a bonded staff person who receives 
the items, and two bonded staff people who check and inventory contents. The 
contents are then safely held in an insured warehouse -- which, in 
our case, per Grey, was his office. 


If Heritage's system worked, we wouldn't be screaming and wasting our time 
trying to get back our posters. 


If Heritage system worked, I wouldn't have had to ask multiple times for our 
posters back, and received a fraction of what we sent. I wouldn't 
have had to email Grey 6 times asking is he had returned all our posters -- to 
which he replied Yes.

This leaves us where? In a position of having to prove we sent posters which 
were not included on Heritage's inventory list.

We hired a lawyer to find out who at Heritage was the bonded representative who 
received and inventoried our poster.  



 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 1, 2012 1:32 PM
Subject: Re: [MOPO] Article On Busted Collectibles Mention Movie Posters
 

I am unclear about something. Is this an ongoing legal matter, or has it come 
to a resolution? 

Is the crux of the matter that you sent items without receiving an inventory 
list of what was sent and now they dispute that you ever sent some number of 
the items.

There are just so many details in the below that I have difficulty distilling 
it down to its essence.

Thanks.

Bruce


On Fri, Jun 1, 2012 at 9:02 AM, Geraldine Kudaka gkud...@rocketmail.com wrote:


Based on your recommendation and reputation, we sent a batch of 30-40+ posters 
to Heritage. They sent back an inventory which was a partial list including 10 
posters of the 30-40+ posters we shipped. We called Grey and he said these 
were the posters they were going to put up for their March 2010 signature 
auction, but that the posters which weren't going up be listed in their print 
auction would be safe in their vault. A contract was sent for these 10 
posters.  The balance was not sent in an inventory to us.

We had gotten in touch with Paul Miller of http://www.starwarsmovieposter.com/ 
. Paul is the expert on SW posters. He identified a batch of posters we had as 
the Deko posters. Of the 30-40+ posters we had sent to heritage, we had 
included 3 sections of the Deko 17 section posters. for his help in
 identifying and organizing our SW posters, we had promised to give Paul 1 of 
our 2 sets of mint, uncirculated Deko posters. Of course,we didn't have 2 full 
sets as we had mistakenly sent 3 of  a set to Heritage. I called Heritage to 
inquire about getting back our posters. Heritage pitched us on auction in their 
weekly the remaining balance of uninventoried posters.

You, Rudy, got involved and tried to convince us the weekly posters would net 
us enough that we should just go with Heritage. In the midst of this 
conversation, we also found out a poster we had sent to Heritage -- which was 
not on the signed inventory consignment contact -- was valuable -- a 1971 
Clockwork Orange.

We contacted Heritage and was told the inventoried contract only included 
posters which would be listed in the March 2010 auction.

Being the naive, trusting souls we are, we waited. After the Oct 2010 
signature auction of Clockwork, we received a check for
 $11,050 as you and Heritage received $1,950 commission on the sale

Re: [MOPO] Article On Busted Collectibles Mention Movie Posters

2012-06-02 Thread Geraldine Kudaka
Regarding Heritage's inventory, please see my prior post.

Regarding contracts and ways of doing business:

1. Please note that we are not in the business of buying and selling movie 
posters. We are retired from the movie business and have posters from the years 
of being in the business.  


2. The movie business is so small that back then, before the MBA's took 
over, it was a handshake and verbal agreement. The Star Wars deal for 
the Kenner toys was made verbally, and the contracts were typed in 
carbon.  

If you go to Cannes today, a lot of distribution deals are made verbally 
between people who trust each 
other. The paperwork doesn't get hammered out until everyone is aback at the 
office. 


3. Living in New Hampshire today, a lot of deals are still made verbally or 
with a handshake. Fifteen years ago, when we 
lived in Los Angeles, we knew people who had legal contracts with their 
nanny's and gardeners, but there are lots of places throughout the 
United States where John Deere and an honest handshake still reigns..


Regarding the value of the posters -- we are not in the poster business and did 
not want to spend a lot of time educating ourselves on their value or 
the best way of selling them. Despite that, we are probably better 
informed than a lot of people who consigned to Heritage -- especially 
seniors. When I researched our items disappearing at Heritage, I googled and 
found we are not alone. 


If you read 
my original post to Rudy, you will see that Rudy solicited us to consign 
posters to Heritage, and we consigned with Heritage solely based on the 
professional esteem Charley had of Rudy. We did not do a cold 
submission. We had contacted Rudy trying to identify some posters we 
had, and he was the one who pitched us on submitting to Heritage. He 
called back several times to make sure we had indeed sent a shipment.  
 

Regarding time line, Grey Smith took weeks to reply to my query about whether 
he 
had sent everything back to us. I had to send him multiple emails to get him to 
even reply claiming he had returned all our submissions.


While I can understand you wanting to lay the blame on our unprofessional 
behavior, let me remind you that we are not in the movie poster 
buying/selling business. We have a collection because we were in the 
movie business, and like a lot of people -- including our friends and 
colleagues who also retired  from the industry -- we were simply looking for a 
way to liquidate the collection. 





 From: Sean Linkenback s...@platinumposters.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 1, 2012 1:55 PM
Subject: Re: [MOPO] Article On Busted Collectibles Mention Movie Posters
 

I am with you Bruce.

Are they mad because they received a $10K+ check from Heritage for a poster 
that Heritage didn't even initially inventory?
(There is no October 2010 Signature sale, so I am guessing maybe she means the 
July 2010 sale of Clockwork Orange.)

Why did you send Heritage more posters if you believed they weren't giving a 
full accounting of your first shipment?
Why did you wait several months after sending the second batch to see if 
Heritage even got them?
Did you send these unsolicited? 
I can't imagine a scenario where I would send several thousand dollars worth of 
material to someone a second time if I was not pleased with how they were 
handling the first shipment and then wait several months before contacting them 
about the second.

This latest message raises a lot more questions on your part than it does on 
Heritage.

Sean


 
-Original Message-
From: Bruce Hershenson [mailto:brucehershen...@gmail.com]
Sent: Friday, June 1, 2012 01:32 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Article On Busted Collectibles Mention Movie Posters

I am unclear about something. Is this an ongoing legal matter, or has it come 
to a resolution? 

Is the crux of the matter that you sent items without receiving an inventory 
list of what was sent and now they dispute that you ever sent some number of 
the items.

There are just so many details in the below that I have difficulty distilling 
it down to its essence.

Thanks.

Bruce


On Fri, Jun 1, 2012 at 9:02 AM, Geraldine Kudaka gkud...@rocketmail.com wrote:


Based on your recommendation and reputation, we sent a batch of 30-40+ posters 
to Heritage. They sent back an inventory which was a partial list including 10 
posters of the 30-40+ posters we shipped. We called Grey and he said these 
were the posters they were going to put up for their March 2010 signature 
auction, but that the posters which weren't going up be listed in their print 
auction would be safe in their vault. A contract was sent for these 10 
posters.  The balance was not sent in an inventory to us.

We had gotten in touch with Paul Miller of http://www.starwarsmovieposter.com/ 
. Paul is the expert on SW posters. He identified a batch of posters we had as 
the Deko posters

Re: [MOPO] Article On Busted Collectibles Mention Movie Posters

2012-06-02 Thread Geraldine Kudaka
Thank you, Sean, I had meant to post to whole group...

We sent the 2nd shipment shortly after receiving a check for Clockwork Orange. 
As Grey had told Charley that it takes them quite a while to schedule their 
auctions, we waited to hear from them. I think it was like 2-3 months before I 
emailed. Didn't hear back. another email... then finally called them.

Chris told me the posters we sent had no value, to which I replied, what about 
the Lennon and Get Carter. Off the top of my head, I knew they were of value 
because they had been on the first batch Signature sales slip. He said, Oh, 
I'll have to get back to you.

Didn't hear back from them. Emails. Grey then called Charley and asked him to 
email an inventory, and Charley emailed him a list he had made up... Months go 
by.  I emailed. No reply. More emails, no reply. Finally wrote a nastier email 
and got a reply, basically saying they didn't have the Get Carter and Lennon...

Mind you these weren't the only posters in the 2nd batch of 30-40+ items, 
including a serigraphed 40x60 opening day poster stock for Serpico. We 
included 2 vintage rock posters also because Heritage has their rock section, 
but off the top of my head, I immediately said Get Carter and Lennon because 
they were posters which had sold at a Signature auction..

After Bruce posted a news article on a UK auction houses cheating their 
consigners, I replied with a posting that an auction house had lost some of 
our posters. 

Grey sent an email threatening legal action. 

We consulted and paid for legal advice on our liability for slander and libel.

Safe, I make another posting on MOPO a few months later re: the missing posters.

Grey emails an offer to handle future consignments without a commission fee. 
Rudy also emails us saying this is a good deal, we should continue consigning 
as the fees can add up. We refuse. Grey then offers to donate the value of Get 
Carter and Lennon to charity. We refuse. 

This past month, he finally ships our posters back. It took a lot of emails 
before Grey categorically stated the posters he shipped were our total 
inventory at Heritage. 

Our problem is that the returned posters do not represent our total inventory. 

Now if we had agreed to consign further, we certainly could be accused of being 
a no-brainer.

Yes, we would certainly be ready for the nursing home. 




 From: s...@platinumposters.com s...@platinumposters.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Sent: Saturday, June 2, 2012 8:13 PM
Subject: Re:  [MOPO] Article On Busted Collectibles Mention Movie Posters
 

Thank you for your reply Geraldine (though not sure if you meant it as a 
private message to me, or if you would like the whole group to see it).

My concern is not with your initial submission, which i understand Rudy helped 
you decide to send them to Heritage.
My question was about your second shipment.
You were already having problems with them at that point, so why in the world 
would you send them a second shipment, and then wait several months to even ask 
if they got it?
Best,

Sean


 
-Original Message-
From: Geraldine Kudaka [mailto:gkud...@rocketmail.com]
Sent: Saturday, June 2, 2012 07:32 PM
To: s...@platinumposters.com
Subject: Re: [MOPO] Article On Busted Collectibles Mention Movie Posters


Regarding Heritage's inventory, please see my prior post.

Regarding contracts and ways of doing business:

1. Please note that we are not in the business of buying and selling movie 
posters. We are retired from the movie business and have posters from the years 
of being in the business.  


2. The movie business is so small that back then, before the MBA's took over, 
it was a handshake and verbal agreement. The Star Wars deal for the Kenner toys 
was made verbally, and the contracts were typed in carbon.  

If you go to Cannes today, a lot of distribution deals are made verbally 
between people who trust each other. The paperwork doesn't get hammered out 
until everyone is aback at the office. 


3. Living in New Hampshire today, a lot of deals are still made verbally or 
with a handshake. Fifteen years ago, when we lived in Los Angeles, we knew 
people who had legal contracts with their nanny's and gardeners, but there are 
lots of places throughout the United States where John Deere and an honest 
handshake still reigns..


Regarding the value of the posters -- we are not in the poster business and did 
not want to spend a lot of time educating ourselves on their value or the best 
way of selling them. Despite that, we are probably better informed than a lot 
of people who consigned to Heritage -- especially seniors. When I researched 
our items disappearing at Heritage, I googled and found we are not alone. 


If you read my original post to Rudy, you will see that Rudy solicited us to 
consign posters to Heritage, and we consigned with Heritage solely based on the 
professional esteem Charley had of Rudy. We did

Re: [MOPO] Article On Busted Collectibles Mention Movie Posters

2012-06-01 Thread Geraldine Kudaka

Based on your recommendation and reputation, we sent a batch of 30-40+ posters 
to Heritage. They sent back an inventory which was a partial list including 10 
posters of the 30-40+ posters we shipped. We called Grey and he said these were 
the posters they were going to put up for their March 2010 signature auction, 
but that the posters which weren't going up be listed in their print auction 
would be safe in their vault. A contract was sent for these 10 posters.  The 
balance was not sent in an inventory to us.

We had gotten in touch with Paul Miller of http://www.starwarsmovieposter.com/ 
. Paul is the expert on SW posters. He identified a batch of posters we had as 
the Deko posters. Of the 30-40+ posters we had sent to heritage, we had 
included 3 sections of the Deko 17 section posters. for his help in identifying 
and organizing our SW posters, we had promised to give Paul 1 of our 2 sets of 
mint, uncirculated Deko posters. Of course,we didn't have 2 full sets as we had 
mistakenly sent 3 of  a set to Heritage. I called Heritage to inquire about 
getting back our posters. Heritage pitched us on auction in their weekly the 
remaining balance of uninventoried posters.

You, Rudy, got involved and tried to convince us the weekly posters would net 
us enough that we should just go with Heritage. In the midst of this 
conversation, we also found out a poster we had sent to Heritage -- which was 
not on the signed inventory consignment contact -- was valuable -- a 1971 
Clockwork Orange.

We contacted Heritage and was told the inventoried contract only included 
posters which would be listed in the March 2010 auction.

Being the naive, trusting souls we are, we waited. After the Oct 2010 signature 
auction of Clockwork, we received a check for $11,050 as you and Heritage 
received $1,950 commission on the sale.

This Clockwork Orange poster was never included in the Feb 2010 inventory -- 
just like the Deko posters and 30 other posters. There is not signed contract 
we have with Heritage for consigning of selling this poster as Heritage never 
inventoried it or as far as we known, its never been inventoried, nor have 
we signed a consignor agreement for the $13,000 poster.

Nevertheless, pleased at the sale and believing our unsold lots were safe, we 
sent another 30-40+ posters, including a 2nd John Lennon  Get Carter. Charley 
and I packed them together. It took the two of us to roll them and secure them 
into a shipping tube. Charley then mailed then.

At 72, Charley is not the same man as he was when he contracted with Kenner to 
produce Star Wars toys. He's older, and like a lot of us, has more problems 
doing things which came easily to him when he was in his 20-30's. He has memory 
issues, and it takes him longer to type.

Several months after shipping the second batch, I emailed Heritage. To make a 
long story short, they claim that the only posters they received were  24 
posters they received in an inventory they had gotten from Charley -- which 
does not include the Lennon  Get Carter posters..

After publicly denoucing Heritage, Grey offered to sell our posters without a 
commission. You contacted us and said this was a good deal, we should go with 
it. We refused. Grey sent a batch of posters back. It took a lot of emails but 
Grey then stated he had returned all of our posters to us. 

All? Based on an inventory procedure which did not include Clockwork Orange and 
the Deko posters? 





 From: rudy franchi r...@nostalgia.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, June 1, 2012 1:08 AM
Subject: [MOPO] Article On Busted Collectibles Mention Movie Posters
 
I gave an interview to Business Insider on collectible trends and movie posters
were covered:

http://tinyurl.com/7q3p988

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Re: [MOPO] Missing posters

2012-05-23 Thread Geraldine Kudaka
I am glad to see Robert Rogovin and James Greshin found their missing posters.

I wish I could say the same.

After posting here (March 31  Apr 3, 2012) that Charlie Lippincott and I were 
missing posters from Heritage, Grey offered to handle our auctions without a 
commission. No longer thrilled with our relationship with Heritage, we refused. 

Next, Grey Smith offered to donate their estimated value to charity -- which we 
also refused. 

Grey then sent back a batch of posters.

Upon receipt, I emailed asking if these posters returned were all the posters 
held by Heritge. No reply. 

On May 7 our attorney sent Grey Smith and Heritage a letter requesting the 
names of the bonded staff member who had received our poster shipments and the 
names of both staff members who double checked the inventory. 

I repeated my emails to Grey requesting to know whether he had shipped back 
everything we had sent to heritage. No reply. 

Finally, on May 8, I sent an email with the heading 5TH REQUEST. 

Grey Smith replied the next day, but did not affirm the return represented ALL 
our inventory. It took two more emails before he said everything had been 
returned.

As of May 18, Grey Smith claims they have not received a letter from our 
attorney.




 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, May 22, 2012 7:27 PM
Subject: Re: [MOPO] Missing posters
 

Over the years a ton of people have contacted us that one or more items were 
missing from their package (so many that we have a stock reply telling them 
to carefully check EVERYTHING again). Time after time people contact us all 
embarrassed to say they found it.

I can only recall a couple of times over a 20 year period where people were 
adamant the missing items weren't there, and I refunded them.

99.9% of poster collectors are among the most honest people on earth. That 
,1%... well...!

Bruce 

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Re: [MOPO] Totally Unrelated To Missing Posters. Rita Hayworth STAYING ALIVE

2012-05-23 Thread Geraldine Kudaka


Gawddd!!! That was fabulous. Thanks for sharing




 From: David Kusumoto davidmkusum...@hotmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, May 23, 2012 3:17 PM
Subject: Re: [MOPO] Totally Unrelated To Missing Posters.  Rita Hayworth 
STAYING ALIVE
 

 
Fabulous!  This is super and I plan to share on my FB wall.  Thanks! -d.



 Date: Wed, 23 May 2012 13:13:00 -0400
 From: lobb...@rogers.com
 Subject: Re: Totally Unrelated To Missing Posters.  Rita Hayworth STAYING 
 ALIVE
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 
 FANTASTIC!!  Loved it!!
 
 
 -Original Message-
 From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Freeman
 Fisher
 Sent: May 23, 2012 11:54 AM
 To: MoPo-L@LISTSERV.AMERICAN.EDU
 Subject: [MOPO] Totally Unrelated To Missing Posters. Rita Hayworth STAYING
 ALIVE
 
 This is great fun, the synching to the music almost all the way through is
 amazing.
 Plus,  Rita has been very good to all of us here. 
 She will forever remain top drawer for me.
 
 http://www.youtube.com/watch?v=mz3CPzdCDws
 


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Re: [MOPO] Missing posters

2012-05-23 Thread Geraldine Kudaka
Now Neil, I had to laugh at this... 


Personally, I think it's a healthy attitude to have and wish I'd had more of 
that attitude when we started liquidating the collection. 


But it's not good for a hobby to be viewed that way. Not for a hobby to grow.




 From: Neil Maciejewski neilmaciejew...@yahoo.com
To: Geraldine Kudaka gkud...@rocketmail.com; MoPo-L@LISTSERV.AMERICAN.EDU 
MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, May 23, 2012 11:22 AM
Subject: Re: [MOPO] Missing posters
 

You're all crooks!



 From: Geraldine Kudaka gkud...@rocketmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, May 22, 2012 9:09 PM
Subject: Re: [MOPO] Missing posters
 

I am glad to see Robert Rogovin and James Greshin found their missing posters.

I wish I could say the same.

After posting here (March 31  Apr 3, 2012) that Charlie Lippincott and I were 
missing posters from Heritage, Grey offered to handle our auctions without a 
commission. No longer thrilled with our relationship with Heritage, we refused. 

Next, Grey Smith offered to donate their estimated value to charity -- which we 
also refused. 

Grey then sent back a batch of posters.

Upon receipt, I emailed asking if these posters returned were all the posters 
held by Heritge. No reply. 

On May 7 our attorney sent Grey Smith and Heritage a letter requesting the 
names of the bonded staff member who had received our poster shipments and the 
names of both staff
 members who double
 checked the inventory. 

I repeated my emails to Grey requesting to know whether he had shipped back 
everything we had sent to heritage. No reply. 

Finally, on May 8, I sent an email with the heading 5TH REQUEST. 

Grey Smith replied the next day, but did not affirm the return represented ALL 
our inventory. It took two more emails before he said everything had been 
returned.

As of May 18, Grey Smith claims they have not received a letter from our 
attorney.



 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, May 22, 2012 7:27 PM
Subject: Re: [MOPO] Missing posters
 

Over the years a ton of people have contacted us that one or more items were 
missing from their package (so many that we have a stock reply telling them 
to carefully check EVERYTHING again). Time after time people contact us all 
embarrassed to say they found it.

I can only recall a couple of times over a 20 year period where people were 
adamant the missing items weren't there, and I refunded them.

99.9% of poster collectors are among the most honest people on earth. That 
,1%... well...!

Bruce 



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Re: [MOPO] Missing posters

2012-05-23 Thread Geraldine Kudaka
You may not need to read emails about someone you view as a colleague, whom you 
like... but there are other people in the hobby and other people who have been 
enamored of movies but haven't had enough money to get into the hobby who do 
need to hear it.

I say this for a very specific reason -- you probably have a relationship with 
Heritage and Grey because they are -- let's face it -- so large. You've 
probably bought and sold posters from him. You may feel that though you may 
have had differences, over the years, you've worked them out and have developed 
a professional respect for one another. You know that you can contact Grey and 
X, Y or Z will happen because there is professional respect -- or at least, a 
professional relationship.  (I'm giving everyone the benefit of the doubt and 
assume Grey respects you, but let's face it -- in business, there are some you 
respect and others you tolerate).


Still, because you are in the business and not a newbie or a fly-by-night, Grey 
and Heritage have responded to you in a professional manner. 


This was not true in my case. Our posters were not properly inventoried, and I 
can prove it. I can and will prove it. I mean --  I couldn't even get an email 
reply saying this was all the posters we had of yours.

After our posters went missing, I started looking into complaints 
against Heritage. Given the sales numbers that Heritage does, the 
complaints admittedly are small in numbers. What I noticed was that the 
majority seemed to be from the weak -- seniors like ourselves, or, in 
another case, a guy with Parkinson's. The complaints weren't from their 
professional colleagues but average Joes who felt taken. 


You're saying it doesn't matter to you -- which is fine -- but there are others 
to whom it would matter. Others who will come to this list looking for a way to 
sell their parent's collection. These average Joes and Janes won't be in the 
industry.  They'll be the fly-by-nights. They will be the one shot 
consignment who will contact an expert and be funneled into an auction house, 
not knowing what posters they have or their true value. They won't know how to 
photograph their posters to document what they have, nor will they even now 
what a one sheet is. 


My emails and posts are for these folks who -- through the  power of the 
internet -- will come here looking for what to do with their posters..












 From: peter contarino pcontar...@triad.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, May 23, 2012 10:08 AM
Subject: Re: [MOPO] Missing posters
 

Agreed. Inappropriate..
 
Peter 
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of James Gresham
Sent: Wednesday, May 23, 2012 9:58 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Missing posters
 
Helmut, I agree completely.  I am sure there are two sides to every story and 
we dont need to hear additional details.  Besides, I am way more apt to trust 
Grey.  No way they are going to keep someones posters.  No offense to you 
Geraldine, but Heritage is not keeping your posters.
On Wed, May 23, 2012 at 9:24 AM, Helmut Hamm texasmu...@web.de wrote:
Geraldine,
 
since you're already employing an attorney, why don't you let him handle the 
conversation regarding this matter?
 
As far as I'm concerned, this is between you and Heritage (or between your 
attorney and Heritage at this point) and I do not need any more of this on 
Mopo. 
 
Helmut Hamm
 
http://www.filmposter.net
 



 
On Wed, May 23, 2012 at 12:09 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:
I am glad to see Robert Rogovin and James Greshin found their missing posters.

I wish I could say the same.

After posting here (March 31  Apr 3, 2012) that Charlie Lippincott and I were 
missing posters from Heritage, Grey offered to handle our auctions without a 
commission. No longer thrilled with our relationship with Heritage, we refused. 

Next, Grey Smith offered to donate their estimated value to charity -- which we 
also refused. 

Grey then sent back a batch of posters.

Upon receipt, I emailed asking if these posters returned were all the posters 
held by Heritge. No reply. 

On May 7 our attorney sent Grey Smith and Heritage a letter requesting the 
names of the bonded staff member who had received our poster shipments and the 
names of both staff members who double checked the inventory. 

I repeated my emails to Grey requesting to know whether he had shipped back 
everything we had sent to heritage. No reply. 

Finally, on May 8, I sent an email with the heading 5TH REQUEST. 

Grey Smith replied the next day, but did not affirm the return represented ALL 
our inventory. It took two more emails before he said everything had been 
returned.

As of May 18, Grey Smith claims they have not received a letter from our 
attorney.
 



From:Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent

[MOPO] The One That Got Away

2012-05-23 Thread Geraldine Kudaka
Of all the movie posters I've had in my life, the ones I miss the most are some 
Japanese fabric banners used to line buildings and streets advertising a film. 


I got these in the early 70's. 3 were of no-name B movies, but the 4th was for 
Akira Kurasawa's Dodeskaden

It wasn't their value so much as they were great looking rectangular flags -- I 
think they were 2'x6', maybe longer.

What poster do you regret not having anymore?

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Re: [MOPO] Movie Posters At Cannes

2012-05-18 Thread Geraldine Kudaka
Rudy, when Charley Lippincott and I talked to you in Jan. 2010, you advised us 
to submit Charley's posters for auctioning at Heritage.

Your words were that there was no need to even put together an inventory as 
heritage would do that for us.

You assured us that our posters would be safe with Heritage, that though there 
had been scandals within the poster world, you had done business with Heritage 
and they were very honest and reputable.

We sent Heritage advance posters from Cannes which were never inventoried or 
returned.

Did you have any part in our posters never getting inventoried at Heritage?

Geraldine  Charley Lippincott




 From: rudy franchi r...@nostalgia.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, May 18, 2012 3:45 PM
Subject: [MOPO] Movie Posters At Cannes
 
Never mind the horrible movieswhat about the really horrible posters..

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Re: [MOPO] Potential Conflict of Interest? Is Gavel-Snipe owned by Heritage?

2012-04-18 Thread Geraldine Kudaka
Despite the collecting business being mostly owned by Mom  Pops or small, 
independent dealers, I don't see why in the world it would come as a shock that 
a few of the larger megasharks would see the market as anything other than a 
feeding trough.

It stands to reason a large corporation would look at the market and try to 
find every avenue possible to make a buck.


The participation of  these corporate entities (be it Sotheby's or Heritage) in 
manipulating auctions, or even maintaining a friendly face in users groups like 
this -- is just good business practice.


Why in the world wold an MBA look at the $$$ generated from poster auctions any 
different than a GM dealership?

Why in the world would this same MBA not see the profit potential in feeder 
strings from poster auctions?

The money you pay or receive for movie memorabilia is no different than the 
money made by a used car dealer... Just a bit more glamorous. 

This is all to say that Heritage owning Gavelsnipe is the same as the small 
ebay dealer using auctiva. It gives Heritage one more edge to keep their 
profits up... which the Mom  Pops don't have. On a corporate level, you can 
bet your booty that there is information sharing... after all, what else is the 
purpose of owning feeder string businesses?    





 From: Simon Oram fab5fre...@btinternet.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Wednesday, April 18, 2012 5:26 AM
Subject: Re: [MOPO] Potential Conflict of Interest?  Is Gavel-Snipe owned by 
Heritage?
 

 
Well put it this way, I won’t be registering with Gavelsnipe , can’t see 
myself taking part in MoviePosterExchange either after hearing this news. I 
wonder why they didn’t use an independent snipe program? Why align themselves 
with a snipe program owned by Heritage? Transparency is the key here and lack 
of 
it I feel will be damaging.
 
Thanks David for this interesting news.
 
Simon   
From: David Kusumoto 
Sent: Wednesday, April 18, 2012 10:13 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: [MOPO] Potential Conflict of Interest? Is Gavel-Snipe owned 
by Heritage?
 * With the impending launch of Peter Contarino's, Sean Linkenback's and Ken 
Schacter's auctions (vs. fixed 
price sales which are there now), I've been visiting their 
MoviePosterExchange.com site.  It's easy to navigate and very 
user-friendly.  (BTW, where in the heck did the highly-touted $850,000 
Metropolis 3-sheet go?  I can't find it!  Did it sell?)  At any 
rate, while visiting the site's FAQs, I read that it has partnered with 
GavelSnipe, the sniping program service, which will be available to bidders for 
timed auctions.  That's good news.  
 
 
 

* But what's interesting - and this 
has nothing to do with MoviePosterExchange.com - is GavelSnipe appears to be 
owned by Heritage.  If I'm wrong, please correct me - and a thousand 
apologies if I am.  I'm less concerned 
about potential abuses like shilling and what not with Heritage's auctions - 
than I am about transparency.  GavelSnipe's murky origins are 
troubling.  I couldn't find much info about who owns or runs it.  This 
is NOT a criticism of Grey - who I consider a pal.  The issue of 
GavelSnipe's ownership - if indeed Heritage is its owner - is out of his 
hands.  It's bigger than him because it's available to bidders in 
Heritage's other departments.

* If true, this is NOT like PayPal being owned by 
eBay.  It's more like GavelSnipe being owned by Sotheby's or Christie's, 
e.g., a conflict of interest where potential abuses could occur - despite 
assurances that a sniping subsidiary of Sotheby's or Christie's - can operate 
independently - with an iron-clad ability to preserve the confidentiality of 
all 
scheduled snipe bids submitted online.  Do you trust this, given what 
you've read in the news about Sotheby's, Christie's, price fixing, Wall Street 
buddies in bed with politicians 
trading stocks with confidential info, etc.?  

* By using ANY sniping program, you are imparting the 
same trust you already give to auction sites when submitting absentee bids 
for 
live showroom sales.  The difference is you can't be run-up while using 
a sniping program, or so you think, because your bids are placed in the last 
few 
seconds of a timed sale.  But what if the wall protecting sniped bids is 
breached by another department in the SAME building?  Here's what I know:  
GavelSnipe is based in Dallas and uses SSL encryption (so 
that) your passwords are secured and not VIEWABLE by GavelSnipe 
personnel.  I have no reason to distrust this.  But what about actual 
snipe bid amounts before a sale closes?  In the effort to make sniping 
available for clients like 
myself who've clamored for it - I hope Heritage hasn't errantly opened a can of 
worms by OWNING GavelSnipe - instead of PARTNERING with an independently-run 
third party company - such as JustSnipe or others like it.

* Before most of you scoff and dismiss what I'm 
saying as manufactured paranoia or 

Re: [MOPO] We left eBay on 4/17/08, exactly 4 years ago today!

2012-04-17 Thread Geraldine Kudaka
Congrats Bruce. Over the years, you have built a great business. I don't think 
it's possible for many other dealers to accomplish what you've done.




 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Tuesday, April 17, 2012 7:42 AM
Subject: [MOPO] We left eBay on 4/17/08, exactly 4 years ago today!
 

 Since 1989, I, Bruce 
Hershenson, organized 18 major movie poster auctions (10 for Christie's auction 
house, 3 for Howard 
Lowery auction house, and 5 mega-auctions held on eBay in 2001-2004) with total 
sales of over 10 
million dollars! Between 1989 and 1999 I sold over 30,000 vintage movie posters 
and lobby cards 
through sales catalogs with sales of over 4 million dollars. In 2000, after 
some trial sales in late 
1999, I opened eMoviePoster.com on eBay, which over the next 8 years sold over 
17 million dollars on 
that site, in over 330,000 transactions.
 But by 2008 I was completely fed up with eBay! I could see that they were 
treating all small sellers terribly, endlessly raising fees and micro-managing 
every aspect of the 
auctions. Since I was auctioning over two million dollars a year there, and I 
was getting treated no 
better than any tiny seller, I correctly surmised that their master plan was to 
change eBay into a 
clearing house for a few hundred mega-sellers, and to slowly eliminate ALL the 
small sellers, 
so that they could fire a huge percentage of their employees and simply host 
the auctions for those 
mega-sellers, and perhaps make more money than ever.
 So in early 2008 I announced that after over 300,000 eBay auctions I would 
be leaving there forever, and I gave the above reasons. Quite a few sellers 
there told me I was 
right, but a much larger group told me I was completely wrong (I am sad to 
report that many of my 
predictions proved to be squarely on the mark and a lot of those sellers who 
remained in 2008 have 
long since left eBay themselves.
 I contracted with an auction host to hold my own auctions on my own site, 
which had been running for many years. But I planned keeping some eBay auctions 
running while I made 
the transition. Our first auction on our own site  Ended Thursday, Apr 17th, 
2008. 
It was a special charity auction (for the benefit of a sick child) and it 
contained just 19 signed 
items. When that auction went completely smoothly, we knew we had a winner 
and we first switched 
our Thursday weekly auctions to our own site, to give us a chance to find and 
identify any problems.
 Once we felt certain everything was perfect, we moved our Tuesday auctions 
as well, and our very last set of eBay auctions  Ended Tuesday, Jun 3rd, 
2008(it 
contained 559 rolled non-U.S. posters).
 It is hard to believe how far we have come since then!  As of this 
writing, we've auctioned 357,401 items on our own site (if you are 
reading this on Sunday the 15th after 4 PM, then it is 357,855 total 
items auctioned!), which means we have 
now auctioned 52% of every single item we've ever sold through our 
auctions on our own website.
 That means we've 
auctioned more movie posters on eMoviePoster.com than on eBay, through sales 
lists, with Christie's, 
and with Howard Lowery COMBINED! And in 2004 to 2007 we averaged sales of 
$2,550,000 per year 
(and never auctioned three million dollars worth in any year, but in 2008 to 
2011 we averaged sales 
of $3,325,000 per year (and auctioned three million dollars worth in EVERY one 
of those years)!  Obviously being tied to eBay was greatly holding us back!
-- 
Bruce Hershenson and the other 24 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions



Visit the MoPo Mailing List Web Site at www.filmfan.com
___
How to UNSUBSCRIBE from the MoPo Mailing List
Send a message addressed to: lists...@listserv.american.edu
In the BODY of your message type: SIGNOFF MOPO-L
The author of this message is solely responsible for its content.

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In the BODY of your message type: SIGNOFF MOPO-L

The author of this message is solely responsible for its content.


Re: [MOPO] An auction house to avoid

2012-04-09 Thread Geraldine Kudaka




Date: Sat, 7 Apr 2012 07:29:40 -0700
From: gkud...@rocketmail.com
Subject: Fw: [MOPO] An auction house to avoid
To: MoPo-L@LISTSERV.AMERICAN.EDU


- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: David Kusumoto davidmkusum...@hotmail.com 
Sent: Saturday, April 7, 2012 9:23 AM
Subject: Re: [MOPO] An auction house to avoid
 

Very interesting. I'll have to google your name to see what this David vs. 
Goliath case against Sotheby's was.


I had intended to post to the whole group initially and did not realize I had 
merely replied to Bruce. But the time gap was accidentally fortuitous. 


Between my initial response to Bruce privately and my group posting, I retained 
legal counsel. 

The cost of consigning my posters with Heritage has gone up.

- Forwarded Message -

From: Geraldine Kudaka gkud...@rocketmail.com
To: David Kusumoto davidmkusum...@hotmail.com 
Sent: Saturday, April 7, 2012 9:04 AM
Subject: Re: [MOPO] An auction house to avoid
 

Thank you David. I had not intended this issue to become a newsworthy story 
on par with the tylenol poisonings or The Komen/Planned Parenthood 
issue. I would find it amusing if it did... it would indicate not much 
is going on in the world... really, little conflicts within niche groups do not 
make it to to the big screen. 


Rather than an attack on Heritage, my intention is to warn newbie sellers not 
to be tempted by the big $$$ signs some auction houses offer. If the 
cost to collect your money ends up being a lot of hassle, or having to 
prove you did send in X,Y  Z, is it really worth it? 


If you sell, as the sellers at the West Berkshire auction did, can you collect 
your money?  




 Fom: David Kusumoto davidmkusum...@hotmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, April 6, 2012 7:10 PM
Subject: Re: [MOPO] An auction house to avoid
 

 
* That's true.  If Geraldine posts again, we'll know more.  But even if we 
presume her e-mail program has a predictive text function - there's a big jump 
between the B in Bruce and the M in MoPo List.  Her note to the group seems 
- on the surface at least - intentional to me.  One other thing I forgot to 
mention.  Having once worked at a Fortune 500 company, I know the following as 
FACTS.  Big corporations are rarely fearful of litigation.  That's what their 
lawyers are for.  One strategy is to drain a plaintiff's or a defendant's pool 
of funds covering legal fees.  And once the lawyers are involved, they almost 
ALWAYS counsel NO response to further public attacks, e.g., putting up a stone 
wall of silence to preserve their positions in potential litigation.  

* However, these same corporations are almost ALWAYS WAY MORE FEARFUL of bad 
press.  They can't control the press - and the bad stories ultimately reaches 
stakeholders/customers whose reactions - can have an adverse effect on a 
corporation's revenues and industry reputation.  Public opinion, not fear of 
lawsuits, are responsible for the 180s we see in the most prominent case 
histories, e.g., Bank of America and the Komen Foundation.  BTW, this is the 
way environmental groups, for example, operate.  Lacking budgetary resources to 
fight lawsuits, they are very creative in their efforts to garner media 
attention, feeding into the conflict-driven agendas of newsrooms.  When I was a 
reporter, I was always told to test the demonstrators by seeing if they 
marched and shouted ONLY when the media was present.  If they stopped when the 
cameras left, it was a stunt.  I was told to report the demonstration - but 
to report it accurately as being staged
 for media consumption.  PETA operates on a similar principle, but its 
over-the-top actions, while GUARANTEEING coverage, results in an extremely 
divided view of that group's reputation.  Heritage is a large company that has 
been down the road of adverse (and positive) press before.  The risk is losing 
control of a dispute whereby third parties (the media) - can sway public 
opinion in an adverse way that disrupts operations.  

* When I took on FedEx and Sotheby's during the 1990s, it was the controlled, 
managed use of potentially adverse press relations that resulted in resolving 
my disputes with them.  The lawyers came out with their knives intending to 
bleed my bank accounts dry.  But knowing how to spin David vs. Goliath 
stories in a way that reflects a trend of errors affecting others like me - 
spreads the number of potential victims out so that my woes served as a 
poster child or a proxy - or a tip of the iceberg illustration - of 
greater problems impacting consumers.  This forces the responsibility out of 
the hands of lawyers and goes all the way up the executive ladder.  For most 
big companies facing potentially bad press, it isn't worth battling in public 
if small change is involved.  If they're smart, they settle quietly and the 
problem goes away quickly.  But once it hits the press, it's impossible to reel

[MOPO] Fw: [MOPO] Fw: [MOPO] An auction house to avoid

2012-04-07 Thread Geraldine Kudaka



- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Richard Evans evan...@mac.com 
Sent: Saturday, April 7, 2012 12:10 AM
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 

Yes, but Charley doesn't want split up VanHammersfeld collections. When we were 
in LA several yeas ago, and saw John, we discussed the disposition question as 
we're all getting older. .Though was finding the right kind of museum to donate 
his work to.





 From: Richard Evans evan...@mac.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Sent: Friday, April 6, 2012 6:27 AM
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 

Hi Geraldine,

Sorry to hear about your trouble with Heritage.

Wonder whether you have any of John Van Hamersveld's work for The Rolling 
Stones' Exile On Main Street you want to sell?

Cheers,
Richard



Sent from my iPad

On 6 Apr 2012, at 04:10, Geraldine Kudaka gkud...@rocketmail.com wrote:




- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Bruce Hershenson brucehershen...@gmail.com 
Sent: Tuesday, April 3, 2012 11:45 AM
Subject: Re: [MOPO] An auction house to avoid
 

Your favorite auction house, Bruce -- Heritage. 



My husband, Charley, was a Hollywood executive. When we first did a Heritage 
consignment through Rudy Franchi, everything went fine. So fine, we sent a 2nd 
batch using my UPS account  return label which had my name on it. I use my 
maiden name, so I guess Heritage thought it was a cold submission from nobody. 



Thought we'd hear from them -- nada. We are pretty busy here and knew from our 
first consignment that Heritage plans their auction schedule months in 
advance. When I finally called Heritage to see when the posters were going to 
be auctioned. Carter told they had received the posters, and wanted to know if 
we wanted to put them in the weekly auction as there was nothing of value in 
the lot. I said, What? What about the Get Carter and Lennon posters? Or the 
Fillmore posters? Heritage claimed they had not received these posters in the 
lot we sent. 



I had mentioned this event on this newsgroup before. You responded with a 
derogatory comment about Rudy,  then Grey threatened us with lawyers and I 
posted a comment here batting for Rudy.  



At that time this was going on, I did not want to deal with Heritage because 
we were building a house and had a high weekly payroll to meet. The headache 
of dealing with this Heritage problem was small potatoes compared to being the 
General Contractor on a house. 



After Grey threatened me with lawyers and I batted for Rudy,  Rudy contacted 
me. He had spoken with Grey and the upshot was we were offered a deal for 
future submissions..


That was months ago. 



I've come to the conclusion I don't want to do future business with Heritage. 
It's one thing to have a consignment set up by Rudy for my husband, Charley 
Lippincott, who had hired John Van Hammersveld to do the Get Carter poster and 
has the largest, most complete collection of John's work -- even more than 
John --  and another thing when little wifey using her UPS business account 
sends the 2nd consignment batch. As nobody me, if posters disappeared from my 
lot, who is to say that this doesn't happen to other people? On principle, I 
don't want to do business with Heritage.


Life is too short, Charley's collection too huge, and it's just not worth my 
time.    



If Grey wants to have his lawyers come after me, fine.   





 From: Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Sent: Saturday, March 31, 2012 6:21 PM
Subject: Re: [MOPO] An auction house to avoid
 

Which auction was it?


On Sat, Mar 31, 2012 at 8:54 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:

I sent things to a US auction house who, 6 months later, claimed they never 
got the high value posters and threatened me with a lawyer.





 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, March 30, 2012 10:45 PM
Subject: [MOPO] An auction house to avoid
 

http://www.newburytoday.co.uk/2012/west-berkshire-auction-house-cameo-refutes-customers-payment-claims

Customers claim West Berkshire auction house owes them cash
-- 
Bruce Hershenson and the other 24 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions



Visit the MoPo Mailing List Web Site at www.filmfan.com
___
How to UNSUBSCRIBE from the MoPo Mailing List
Send a message addressed to: lists...@listserv.american.edu
In the BODY of your message type: SIGNOFF MOPO-L
The author of this message is solely responsible for its content.




-- 
Bruce Hershenson and the other 24 members

[MOPO] Fw: [MOPO] Fw: [MOPO] An auction house to avoid

2012-04-07 Thread Geraldine Kudaka



- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: peter contarino pcontar...@triad.rr.com 
Sent: Saturday, April 7, 2012 8:37 AM
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 

Yes, I replied to Bruce thinking it was to the whole list, then realizing it 
was not -- because I'm sure I'd hear other responses from other dealers or 
collectors -- looked at my reply. Realizing my error, reposted the email.  




 From: peter contarino pcontar...@triad.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, April 6, 2012 5:44 PM
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 

 
Was wondering that myself.
 
Peter 
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of lovenoir2
Sent: Friday, April 06, 2012 2:00 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 
An interesting read. 

Was this meant to go to the entire MOPO list?





On Thu, Apr 5, 2012 at 8:10 PM, Geraldine Kudaka gkud...@rocketmail.com wrote:
 
- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Bruce Hershenson brucehershen...@gmail.com 
Sent: Tuesday, April 3, 2012 11:45 AM
Subject: Re: [MOPO] An auction house to avoid
 
Your favorite auction house, Bruce -- Heritage. 
 
My husband, Charley, was a Hollywood executive. When we first did a Heritage 
consignment through Rudy Franchi, everything went fine. So fine, we sent a 2nd 
batch using my UPS account  return label which had my name on it. I use my 
maiden name, so I guess Heritage thought it was a cold submission from nobody. 
 
Thought we'd hear from them -- nada. We are pretty busy here and knew from our 
first consignment that Heritage plans their auction schedule months in advance. 
When I finally called Heritage to see when the posters were going to be 
auctioned. Carter told they had received the posters, and wanted to know if we 
wanted to put them in the weekly auction as there was nothing of value in the 
lot. I said, What? What about the Get Carter and Lennon posters? Or the 
Fillmore posters? Heritage claimed they had not received these posters in the 
lot we sent. 
 
I had mentioned this event on this newsgroup before. You responded with a 
derogatory comment about Rudy,  then Grey threatened us with lawyers and I 
posted a comment here batting for Rudy.  
 
At that time this was going on, I did not want to deal with Heritage because we 
were building a house and had a high weekly payroll to meet. The headache of 
dealing with this Heritage problem was small potatoes compared to being the 
General Contractor on a house. 
 
After Grey threatened me with lawyers and I batted for Rudy,  Rudy contacted 
me. He had spoken with Grey and the upshot was we were offered a deal for 
future submissions..
 
That was months ago. 
 
I've come to the conclusion I don't want to do future business with Heritage. 
It's one thing to have a consignment set up by Rudy for my husband, Charley 
Lippincott, who had hired John Van Hammersveld to do the Get Carter poster and 
has the largest, most complete collection of John's work -- even more than John 
--  and another thing when little wifey using her UPS business account sends 
the 2nd consignment batch. As nobody me, if posters disappeared from my lot, 
who is to say that this doesn't happen to other people? On principle, I don't 
want to do business with Heritage.
 
Life is too short, Charley's collection too huge, and it's just not worth my 
time.    
 
If Grey wants to have his lawyers come after me, fine.   
 



From:Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Sent: Saturday, March 31, 2012 6:21 PM
Subject: Re: [MOPO] An auction house to avoid
 
Which auction was it?
On Sat, Mar 31, 2012 at 8:54 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:
I sent things to a US auction house who, 6 months later, claimed they never got 
the high value posters and threatened me with a lawyer.
 



From:Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, March 30, 2012 10:45 PM
Subject: [MOPO] An auction house to avoid
 
http://www.newburytoday.co.uk/2012/west-berkshire-auction-house-cameo-refutes-customers-payment-claims
Customers claim West Berkshire auction house owes them cash
-- 
Bruce Hershenson and the other 24 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions

 
Visit the MoPo Mailing List Web Site at www.filmfan.com
___
How to UNSUBSCRIBE from the MoPo Mailing List
Send a message addressed to: lists...@listserv.american.edu
In the BODY of your message type: SIGNOFF MOPO-L
The author of this message is solely responsible for its content

[MOPO] Fw: [MOPO] Fw: [MOPO] An auction house to avoid

2012-04-07 Thread Geraldine Kudaka



- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: st...@walkerinvest.com st...@walkerinvest.com 
Sent: Saturday, April 7, 2012 8:35 AM
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 

Before I consigned with Grey I had heard that someone had had a problem with a 
valuable poster which had disappeared from Heritage's vault, but after they got 
lawyers and everything, the poster suddenly reappeared. 


One always hears things bad things about large houses, so I took it with a 
grain of salt. 

What you're talking about also happened to us with AFA - the grading group who 
wants to expand into the poster and lobby card business.




 From: steve olson st...@walkerinvest.com
To: 'Geraldine Kudaka' gkud...@rocketmail.com 
Cc: 'Bruce Hershenson' brucehershen...@gmail.com 
Sent: Friday, April 6, 2012 12:52 PM
Subject: RE: [MOPO] Fw: [MOPO] An auction house to avoid
 

Geraldine,
 
I also had a running battle w/ Heritage and Grey when I was first collecting 
and they shorted me on some of my orders. Since they thought I was a little guy 
they ignored me or switched me around to new people who did nothing. Finally I 
stopped paying for my winning bids and it still it took them a year to solve 
the problem. They then had the nerve to try to get me to discount what they 
owed me. They think through greed and have no sense of fairness or duty or 
honor. 
Since then I have amassed a notable collection but refuse Grey when he wants me 
to consign. The one time I consigned to Heritage it was not done correctly and 
Grey wouldn’t respond to my questions. 
Bruce Hershenson (emovieposter.com) is the opposite- everything is organized, 
above board, and he protects his reputation by doing the right thing instead of 
threatening w/ attorneys.
 
Regards,
Steve Olson
909-730-3300
202 Memphis Ave.
Huntington Beach, Ca. 92648
 
BTW- I am an avid buyer and live in Orange County if you want to sell anything. 
My tastes are (unfortunately?) very broad so you likely have many items I would 
find interesting.
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Geraldine 
Kudaka
Sent: Thursday, April 05, 2012 8:10 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Fw: [MOPO] An auction house to avoid
 
 
- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Bruce Hershenson brucehershen...@gmail.com 
Sent: Tuesday, April 3, 2012 11:45 AM
Subject: Re: [MOPO] An auction house to avoid
 
Your favorite auction house, Bruce -- Heritage. 
 
My husband, Charley, was a Hollywood executive. When we first did a Heritage 
consignment through Rudy Franchi, everything went fine. So fine, we sent a 2nd 
batch using my UPS account  return label which had my name on it. I use my 
maiden name, so I guess Heritage thought it was a cold submission from nobody. 
 
Thought we'd hear from them -- nada. We are pretty busy here and knew from our 
first consignment that Heritage plans their auction schedule months in advance. 
When I finally called Heritage to see when the posters were going to be 
auctioned. Carter told they had received the posters, and wanted to know if we 
wanted to put them in the weekly auction as there was nothing of value in the 
lot. I said, What? What about the Get Carter and Lennon posters? Or the 
Fillmore posters? Heritage claimed they had not received these posters in the 
lot we sent. 
 
I had mentioned this event on this newsgroup before. You responded with a 
derogatory comment about Rudy,  then Grey threatened us with lawyers and I 
posted a comment here batting for Rudy.  
 
At that time this was going on, I did not want to deal with Heritage because we 
were building a house and had a high weekly payroll to meet. The headache of 
dealing with this Heritage problem was small potatoes compared to being the 
General Contractor on a house. 
 
After Grey threatened me with lawyers and I batted for Rudy,  Rudy contacted 
me. He had spoken with Grey and the upshot was we were offered a deal for 
future submissions..
 
That was months ago. 
 
I've come to the conclusion I don't want to do future business with Heritage. 
It's one thing to have a consignment set up by Rudy for my husband, Charley 
Lippincott, who had hired John Van Hammersveld to do the Get Carter poster and 
has the largest, most complete collection of John's work -- even more than John 
--  and another thing when little wifey using her UPS business account sends 
the 2nd consignment batch. As nobody me, if posters disappeared from my lot, 
who is to say that this doesn't happen to other people? On principle, I don't 
want to do business with Heritage.
 
Life is too short, Charley's collection too huge, and it's just not worth my 
time.    
 
If Grey wants to have his lawyers come after me, fine.   
 



From:Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Sent: Saturday, March

[MOPO] Fw: [MOPO] An auction house to avoid

2012-04-07 Thread Geraldine Kudaka



- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: David Kusumoto davidmkusum...@hotmail.com 
Sent: Saturday, April 7, 2012 9:04 AM
Subject: Re: [MOPO] An auction house to avoid
 

Thank you David. I had not intended this issue to become a newsworthy story on 
par with the tylenol poisonings or The Komen/Planned Parenthood issue. I would 
find it amusing if it did... it would indicate not much is going on in the 
world... really, little conflicts within niche groups do not make it to to the 
big screen. 


Rather than an attack on Heritage, my intention is to warn newbie sellers not 
to be tempted by the big $$$ signs some auction houses offer. If the cost to 
collect your money ends up being a lot of hassle, or having to prove you did 
send in X,Y  Z, is it really worth it? 


If you sell, as the sellers at the West Berkshire auction did, can you collect 
your money?  




 From: David Kusumoto davidmkusum...@hotmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, April 6, 2012 6:19 PM
Subject: Re: [MOPO] An auction house to avoid
 

 
My goodness, of course it was meant for the entire list.  Just look at the time 
stamps.  There's a two-day spread between the original note Geraldine Kudaka 
sent to Bruce - and when the note was FORWARDED to the entire MoPo group from 
Geraldine herself.  She is obviously a MoPo member.  There is no other way an 
e-mail like that could be posted to the group without first enrolling as a 
member.  Unfairly or not, I interpreted the note as an attack on Heritage, an 
attempt to force a public or private response from group members - or from Grey 
himself.  In PR and news, there's a rule we follow:  In the business world, 
there is no such thing as a true surprise.  Most disputes broil beneath the 
surface for weeks or months - before they finally explode into the public eye.  
They are usually the penultimate step before the course of last resort, e.g., 
taking grievances to the media for widespread dissemination to audiences 
outside the core group
 most interested in the outcome.  It is at that point that a client is at risk 
losing control of a story and is forever put on defense until a counterattack 
or well-understood response is mapped out and executed.  Successful response 
case histories:  Tylenol poisonings, beef percentages questioned in Taco Bell 
products, antenna issues with the iPhone.  Unsuccessful or too late response 
case histories:  Pink slime, Bank of America's $5 debit fee proposal, and the 
Komen Foundation's 180 with Planned Parenthood. -d.




Date: Fri, 6 Apr 2012 17:44:25 -0400
From: pcontar...@triad.rr.com
Subject: Re: Fw: [MOPO] An auction house to avoid
To: MoPo-L@LISTSERV.AMERICAN.EDU


 
Was wondering that myself.
 
Peter 
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of lovenoir2
Sent: Friday, April 06, 2012 2:00 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 
An interesting read. 

Was this meant to go to the entire MOPO list?





On Thu, Apr 5, 2012 at 8:10 PM, Geraldine Kudaka gkud...@rocketmail.com wrote:
 
- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Bruce Hershenson brucehershen...@gmail.com 
Sent: Tuesday, April 3, 2012 11:45 AM
Subject: Re: [MOPO] An auction house to avoid
 
Your favorite auction house, Bruce -- Heritage. 
 
My husband, Charley, was a Hollywood executive. When we first did a Heritage 
consignment through Rudy Franchi, everything went fine. So fine, we sent a 2nd 
batch using my UPS account  return label which had my name on it. I use my 
maiden name, so I guess Heritage thought it was a cold submission from nobody. 
 
Thought we'd hear from them -- nada. We are pretty busy here and knew from our 
first consignment that Heritage plans their auction schedule months in advance. 
When I finally called Heritage to see when the posters were going to be 
auctioned. Carter told they had received the posters, and wanted to know if we 
wanted to put them in the weekly auction as there was nothing of value in the 
lot. I said, What? What about the Get Carter and Lennon posters? Or the 
Fillmore posters? Heritage claimed they had not received these posters in the 
lot we sent. 
 
I had mentioned this event on this newsgroup before. You responded with a 
derogatory comment about Rudy,  then Grey threatened us with lawyers and I 
posted a comment here batting for Rudy.  
 
At that time this was going on, I did not want to deal with Heritage because we 
were building a house and had a high weekly payroll to meet. The headache of 
dealing with this Heritage problem was small potatoes compared to being the 
General Contractor on a house. 
 
After Grey threatened me with lawyers and I batted for Rudy,  Rudy contacted 
me. He had spoken with Grey and the upshot was we were offered a deal for 
future submissions..
 
That was months ago

[MOPO] Fw: [MOPO] An auction house to avoid

2012-04-07 Thread Geraldine Kudaka



- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: David Kusumoto davidmkusum...@hotmail.com 
Sent: Saturday, April 7, 2012 9:23 AM
Subject: Re: [MOPO] An auction house to avoid
 

Very interesting. I'll have to google your name to see what this David vs. 
Goliath case against Sotheby's was.


I had intended to post to the whole group initially and did not realize I had 
merely replied to Bruce. But the time gap was accidentally fortuitous. 


Between my initial response to Bruce privately and my group posting, I retained 
legal counsel. 

The cost of consigning my posters with Heritage has gone up.



 Fom: David Kusumoto davidmkusum...@hotmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, April 6, 2012 7:10 PM
Subject: Re: [MOPO] An auction house to avoid
 

 
* That's true.  If Geraldine posts again, we'll know more.  But even if we 
presume her e-mail program has a predictive text function - there's a big jump 
between the B in Bruce and the M in MoPo List.  Her note to the group seems 
- on the surface at least - intentional to me.  One other thing I forgot to 
mention.  Having once worked at a Fortune 500 company, I know the following as 
FACTS.  Big corporations are rarely fearful of litigation.  That's what their 
lawyers are for.  One strategy is to drain a plaintiff's or a defendant's pool 
of funds covering legal fees.  And once the lawyers are involved, they almost 
ALWAYS counsel NO response to further public attacks, e.g., putting up a stone 
wall of silence to preserve their positions in potential litigation.  

* However, these same corporations are almost ALWAYS WAY MORE FEARFUL of bad 
press.  They can't control the press - and the bad stories ultimately reaches 
stakeholders/customers whose reactions - can have an adverse effect on a 
corporation's revenues and industry reputation.  Public opinion, not fear of 
lawsuits, are responsible for the 180s we see in the most prominent case 
histories, e.g., Bank of America and the Komen Foundation.  BTW, this is the 
way environmental groups, for example, operate.  Lacking budgetary resources to 
fight lawsuits, they are very creative in their efforts to garner media 
attention, feeding into the conflict-driven agendas of newsrooms.  When I was a 
reporter, I was always told to test the demonstrators by seeing if they 
marched and shouted ONLY when the media was present.  If they stopped when the 
cameras left, it was a stunt.  I was told to report the demonstration - but 
to report it accurately as being staged
 for media consumption.  PETA operates on a similar principle, but its 
over-the-top actions, while GUARANTEEING coverage, results in an extremely 
divided view of that group's reputation.  Heritage is a large company that has 
been down the road of adverse (and positive) press before.  The risk is losing 
control of a dispute whereby third parties (the media) - can sway public 
opinion in an adverse way that disrupts operations.  

* When I took on FedEx and Sotheby's during the 1990s, it was the controlled, 
managed use of potentially adverse press relations that resulted in resolving 
my disputes with them.  The lawyers came out with their knives intending to 
bleed my bank accounts dry.  But knowing how to spin David vs. Goliath 
stories in a way that reflects a trend of errors affecting others like me - 
spreads the number of potential victims out so that my woes served as a 
poster child or a proxy - or a tip of the iceberg illustration - of 
greater problems impacting consumers.  This forces the responsibility out of 
the hands of lawyers and goes all the way up the executive ladder.  For most 
big companies facing potentially bad press, it isn't worth battling in public 
if small change is involved.  If they're smart, they settle quietly and the 
problem goes away quickly.  But once it hits the press, it's impossible to reel 
everything back in and it becomes a
 nightmare.  I've made my living working both sides of the fence and it's an 
ugly business.  I am so glad that my experience in the news media has equipped 
me well enough to battle - or to re-direct reporters when my clients are 
attacked, whether they are corporations or a little guy trying to influence 
public opinion.  In sum, I'm not Heritage, but if I was handling its P.R., I 
would do everything in my power to make this problem go away - or to keep it 
confined within the borders of a small group.  It's not worth fighting a 
volatile situation that can be solved - that risks turning into an issue that 
becomes everybody's problem, including present and prospective consumers who 
would not otherwise care absent third party involvement.  -d.




Date: Fri, 6 Apr 2012 17:25:18 -0500
From: brucehershen...@gmail.com
Subject: Re: An auction house to avoid
To: MoPo-L@LISTSERV.AMERICAN.EDU

David is certainly correct, but there is still the possibility that she did

[MOPO] Fw: [MOPO] Fw: [MOPO] An auction house to avoid

2012-04-07 Thread Geraldine Kudaka



- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: MOPO mopo-l@listserv.american.edu 
Sent: Saturday, April 7, 2012 10:28 AM
Subject: Fw: [MOPO] Fw: [MOPO] An auction house to avoid
 



- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Richard Evans evan...@mac.com 
Sent: Saturday, April 7, 2012 12:10 AM
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 

Yes, but Charley doesn't want split up VanHammersfeld collections. When we were 
in LA several yeas ago, and saw John, we discussed the disposition question as 
we're all getting older. .Though was finding the right kind of museum to donate 
his work to.





 From: Richard Evans evan...@mac.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Sent: Friday, April 6, 2012 6:27 AM
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 

Hi Geraldine,

Sorry to hear about your trouble with Heritage.

Wonder whether you have any of John Van Hamersveld's work for The Rolling 
Stones' Exile On Main Street you want to sell?

Cheers,
Richard



Sent from my iPad

On 6 Apr 2012, at 04:10, Geraldine Kudaka gkud...@rocketmail.com wrote:




- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Bruce Hershenson brucehershen...@gmail.com 
Sent: Tuesday, April 3, 2012 11:45 AM
Subject: Re: [MOPO] An auction house to avoid
 

Your favorite auction house, Bruce -- Heritage. 



My husband, Charley, was a Hollywood executive. When we first did a Heritage 
consignment through Rudy Franchi, everything went fine. So fine, we sent a 2nd 
batch using my UPS account  return label which had my name on it. I use my 
maiden name, so I guess Heritage thought it was a cold submission from nobody. 



Thought we'd hear from them -- nada. We are pretty busy here and knew from our 
first consignment that Heritage plans their auction schedule months in 
advance. When I finally called Heritage to see when the posters were going to 
be auctioned. Carter told they had received the posters, and wanted to know if 
we wanted to put them in the weekly auction as there was nothing of value in 
the lot. I said, What? What about the Get Carter and Lennon posters? Or the 
Fillmore posters? Heritage claimed they had not received these posters in the 
lot we sent. 



I had mentioned this event on this newsgroup before. You responded with a 
derogatory comment about Rudy,  then Grey threatened us with lawyers and I 
posted a comment here batting for Rudy.  



At that time this was going on, I did not want to deal with Heritage because 
we were building a house and had a high weekly payroll to meet. The headache 
of dealing with this Heritage problem was small potatoes compared to being the 
General Contractor on a house. 



After Grey threatened me with lawyers and I batted for Rudy,  Rudy contacted 
me. He had spoken with Grey and the upshot was we were offered a deal for 
future submissions..


That was months ago. 



I've come to the conclusion I don't want to do future business with Heritage. 
It's one thing to have a consignment set up by Rudy for my husband, Charley 
Lippincott, who had hired John Van Hammersveld to do the Get Carter poster and 
has the largest, most complete collection of John's work -- even more than 
John --  and another thing when little wifey using her UPS business account 
sends the 2nd consignment batch. As nobody me, if posters disappeared from my 
lot, who is to say that this doesn't happen to other people? On principle, I 
don't want to do business with Heritage.


Life is too short, Charley's collection too huge, and it's just not worth my 
time.    



If Grey wants to have his lawyers come after me, fine.   





 From: Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Sent: Saturday, March 31, 2012 6:21 PM
Subject: Re: [MOPO] An auction house to avoid
 

Which auction was it?


On Sat, Mar 31, 2012 at 8:54 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:

I sent things to a US auction house who, 6 months later, claimed they never 
got the high value posters and threatened me with a lawyer.





 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, March 30, 2012 10:45 PM
Subject: [MOPO] An auction house to avoid
 

http://www.newburytoday.co.uk/2012/west-berkshire-auction-house-cameo-refutes-customers-payment-claims

Customers claim West Berkshire auction house owes them cash
-- 
Bruce Hershenson and the other 24 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions



Visit the MoPo Mailing List Web Site at www.filmfan.com
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How to UNSUBSCRIBE from the MoPo Mailing List
Send a message addressed

[MOPO] Fw: [MOPO] An auction house to avoid

2012-04-07 Thread Geraldine Kudaka



- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Bruce Hershenson brucehershen...@gmail.com 
Sent: Saturday, April 7, 2012 9:12 AM
Subject: Re: [MOPO] An auction house to avoid
 

The sound of silencethe taste in my mouth...

http://www.youtube.com/watch?v=cCeZjvyoMTI




 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, April 6, 2012 6:25 PM
Subject: Re: [MOPO] An auction house to avoid
 

David is certainly correct, but there is still the possibility that she did not 
mean to post it to the list. Perhaps she thought of something she had forgotten 
two days earlier and planned to send me that info, but instead accidentally 
forwarded it to the list.

We will only know if and when she chooses to post again.

As for getting a response, I suspect this is what we will find:
http://www.youtube.com/watch?v=4zLfCnGVeL4feature=fvst

Bruce


On Fri, Apr 6, 2012 at 5:19 PM, David Kusumoto davidmkusum...@hotmail.com 
wrote:

My goodness, of course it was meant for the entire list.  Just look at the time 
stamps.  There's a two-day spread between the original note Geraldine Kudaka 
sent to Bruce - and when the note was FORWARDED to the entire MoPo group from 
Geraldine herself.  She is obviously a MoPo member.  There is no other way an 
e-mail like that could be posted to the group without first enrolling as a 
member.  Unfairly or not, I interpreted the note as an attack on Heritage, an 
attempt to force a public or private response from group members - or from Grey 
himself.  In PR and news, there's a rule we follow:  In the business world, 
there is no such thing as a true surprise.  Most disputes broil beneath the 
surface for weeks or months - before they finally explode into the public eye.  
They are usually the penultimate step before the course of last resort, e.g., 
taking grievances to the media for widespread dissemination to audiences 
outside the core group
 most interested in the outcome.  It is at that point that a client is at risk 
losing control of a story and is forever put on defense until a counterattack 
or well-understood response is mapped out and executed.  Successful response 
case histories:  Tylenol poisonings, beef percentages questioned in Taco Bell 
products, antenna issues with the iPhone.  Unsuccessful or too late response 
case histories:  Pink slime, Bank of America's $5 debit fee proposal, and the 
Komen Foundation's 180 with Planned Parenthood. -d.




Date: Fri, 6 Apr 2012 17:44:25 -0400
From: pcontar...@triad.rr.com
Subject: Re: Fw: [MOPO] An auction house to avoid
To: MoPo-L@LISTSERV.AMERICAN.EDU



 
Was wondering that myself.
 
Peter 
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of lovenoir2
Sent: Friday, April 06, 2012 2:00 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Fw: [MOPO] An auction house to avoid
 
An interesting read. 

Was this meant to go to the entire MOPO list?





On Thu, Apr 5, 2012 at 8:10 PM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:
 
- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Bruce Hershenson brucehershen...@gmail.com 
Sent: Tuesday, April 3, 2012 11:45 AM
Subject: Re: [MOPO] An auction house to avoid
 
Your favorite auction house, Bruce -- Heritage. 
 
My husband, Charley, was a Hollywood executive. When we first did a Heritage 
consignment through Rudy Franchi, everything went fine. So fine, we sent a 2nd 
batch using my UPS account  return label which had my name on it. I use my 
maiden name, so I guess Heritage thought it was a cold submission from nobody. 
 
Thought we'd hear from them -- nada. We are pretty busy here and knew from our 
first consignment that Heritage plans their auction schedule months in 
advance. When I finally called Heritage to see when the posters were going to 
be auctioned. Carter told they had received the posters, and wanted to know if 
we wanted to put them in the weekly auction as there was nothing of value in 
the lot. I said, What? What about the Get Carter and Lennon posters? Or the 
Fillmore posters? Heritage claimed they had not received these posters in the 
lot we sent. 
 
I had mentioned this event on this newsgroup before. You responded with a 
derogatory comment about Rudy,  then Grey threatened us with lawyers and I 
posted a comment here batting for Rudy.  
 
At that time this was going on, I did not want to deal with Heritage because 
we were building a house and had a high weekly payroll to meet. The headache 
of dealing with this Heritage problem was small potatoes compared to being the 
General Contractor on a house. 
 
After Grey threatened me with lawyers and I batted for Rudy,  Rudy contacted 
me. He had spoken with Grey and the upshot was we were offered a deal for 
future submissions..
 
That was months ago. 
 
I've come to the conclusion I don't want to do future business

[MOPO] Fw: [MOPO] An auction house to avoid

2012-04-05 Thread Geraldine Kudaka



- Forwarded Message -
From: Geraldine Kudaka gkud...@rocketmail.com
To: Bruce Hershenson brucehershen...@gmail.com 
Sent: Tuesday, April 3, 2012 11:45 AM
Subject: Re: [MOPO] An auction house to avoid
 

Your favorite auction house, Bruce -- Heritage. 


My husband, Charley, was a Hollywood executive. When we first did a Heritage 
consignment through Rudy Franchi, everything went fine. So fine, we sent a 2nd 
batch using my UPS account  return label which had my name on it. I use my 
maiden name, so I guess Heritage thought it was a cold submission from nobody. 


Thought we'd hear from them -- nada. We are pretty busy here and knew from our 
first consignment that Heritage plans their auction schedule months in advance. 
When I finally called Heritage to see when the posters were going to be 
auctioned. Carter told they had received the posters, and wanted to know if we 
wanted to put them in the weekly auction as there was nothing of value in the 
lot. I said, What? What about the Get Carter and Lennon posters? Or the 
Fillmore posters? Heritage claimed they had not received these posters in the 
lot we sent. 


I had mentioned this event on this newsgroup before. You responded with a 
derogatory comment about Rudy,  then Grey threatened us with lawyers and I 
posted a comment here batting for Rudy.  


At that time this was going on, I did not want to deal with Heritage because we 
were building a house and had a high weekly payroll to meet. The headache of 
dealing with this Heritage problem was small potatoes compared to being the 
General Contractor on a house. 


After Grey threatened me with lawyers and I batted for Rudy,  Rudy contacted 
me. He had spoken with Grey and the upshot was we were offered a deal for 
future submissions..

That was months ago. 


I've come to the conclusion I don't want to do future business with Heritage. 
It's one thing to have a consignment set up by Rudy for my husband, Charley 
Lippincott, who had hired John Van Hammersveld to do the Get Carter poster and 
has the largest, most complete collection of John's work -- even more than John 
--  and another thing when little wifey using her UPS business account sends 
the 2nd consignment batch. As nobody me, if posters disappeared from my lot, 
who is to say that this doesn't happen to other people? On principle, I don't 
want to do business with Heritage.

Life is too short, Charley's collection too huge, and it's just not worth my 
time.    


If Grey wants to have his lawyers come after me, fine.   




 From: Bruce Hershenson brucehershen...@gmail.com
To: Geraldine Kudaka gkud...@rocketmail.com 
Sent: Saturday, March 31, 2012 6:21 PM
Subject: Re: [MOPO] An auction house to avoid
 

Which auction was it?


On Sat, Mar 31, 2012 at 8:54 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:

I sent things to a US auction house who, 6 months later, claimed they never got 
the high value posters and threatened me with a lawyer.





 From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Friday, March 30, 2012 10:45 PM
Subject: [MOPO] An auction house to avoid
 

http://www.newburytoday.co.uk/2012/west-berkshire-auction-house-cameo-refutes-customers-payment-claims

Customers claim West Berkshire auction house owes them cash
-- 
Bruce Hershenson and the other 24 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions



Visit the MoPo Mailing List Web Site at www.filmfan.com
___
How to UNSUBSCRIBE from the MoPo Mailing List
Send a message addressed to: lists...@listserv.american.edu
In the BODY of your message type: SIGNOFF MOPO-L
The author of this message is solely responsible for its content.




-- 
Bruce Hershenson and the other 24 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions

 Visit the MoPo Mailing List Web Site at www.filmfan.com
   ___
  How to UNSUBSCRIBE from the MoPo Mailing List

   Send a message addressed to: lists...@listserv.american.edu
In the BODY of your message type: SIGNOFF MOPO-L

The author of this message is solely responsible for its content.


Re: [MOPO] Lame return reasons

2011-10-28 Thread Geraldine Kudaka
Sorry, Peter, as a buyer on ebay I have to say I lean towards your buyer. There 
are so many scams on ebay -- many of which are reported here on MOPO -- that 
its no wonder she's paranoid. The slightest whiff of being scammed sends a 
buyer into conniptions. 


The problem (in this case) is not the buyer but the thieving sellers who are 
scamming buyers. 


Its easy to blame the buyer, but look at it... what makes ebay run? Its the 
buyer. If the buyers didn't buy, sellers wouldn't have the money to pay their 
ebay fees. What makes buyers run? Bad sellers.


While its understandable being angry over the buyer's chargeback, you know she 
can retract the chargeback -- which she won't do if you take a hostile attitude 
towards her.  


If you have to suck it up in order to make nice with her, its because of bad 
sellers. You made a small, honest mistake and she over-reacted.




From: peter contarino pcontar...@triad.rr.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, October 27, 2011 6:56 PM
Subject: Re: [MOPO] Lame return reasons


I have a good one from today actually. A woman bought an Empire Strikes Back 
style “A” one sheet from me on ebay. I have several copies and instead of 
pulling the copy I photographed for the listing, I mistakenly pulled one marked 
International on the bottom. She received and alerted me to this. I told her no 
worries, send back and I will send the correct one and refund shipping. I 
received a nasty email today telling me that she wanted her money back and 
threatened negative feedback because I wasn’t home yesterday when they tried to 
deliver it. I told her fine, sorry for not canceling my entire schedule for the 
week while awaiting her poster. I told her I would refund her entire costs 
including the two shipping charges she incurred. I then went to paypal and she 
had already filed a dispute so now the transaction and money are frozen while 
they look into it. I wrote her and told her the situation and pointed out that 
it is unreasonable buyers like
 her that have caused a lot of good dealers to forego selling on ebay. I see a 
negative blemish on my perfect feedback score on the horizon…
 
Peter 
 
From:MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Steven Hill
Sent: Thursday, October 27, 2011 12:44 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: [MOPO] Lame return reasons
 
I'm curious to hear some stories from poster dealers regarding the reasons some 
people come up with when they want to return an item they have bought. For 
example, do people return an Australian daybill saying I thought it was an 
insert? And I'm sure you've all had I thought I was buying a DVD. :) Tell 
some stories!
 
--
Steven Warren Hill shil...@sbcglobal.net shil...@yahoo.com
 
Visit the MoPo Mailing List Web Site at www.filmfan.com
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Re: [MOPO] Grading

2011-10-14 Thread Geraldine Kudaka
Hollywood is a small world, and since Rudy's name was already mentioned, I'll 
just say that my husband and he knew of each other 45-46 years ago. Rudy truly 
loves movies, and back when doing obscure things like promoting French New Wave 
meant nothing to most, Rudy was doing it. He certainly wasn't making money off 
promoting  these critical film ideas. So if Rudy has found a way -- in his 70's 
-- to make money off his love, more power to him. He's paid his dues.   


I understand your frustration because you work hard but its a bit unfair -- and 
harsh -- to look forward to anyone's passing. I'm going to assume it was just 
another weird blurting out and not a true sentiment.


Regarding our second Heritage submission, the conversation was left with us 
trying to produce the list we had compiled for shipping. The Lennon/Yoko and 
Get Carter were films Charley had worked on, so we have multiples. (Charley 
even commissioned van Hamersveld to do the Get Carter poster.) The first batch 
we sent, which included, among others, Lennon/Yoko  Get Carter, did so well we 
sent a 2nd batch. Its been left at our coming up with our list because they 
have no record.   


Mind you, we're pretty busy around here, what with winter approaching, I don't 
have a lot of time. Here's a good example -- I have to get our taxes done and 
in the mail by Monday.   




From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, October 13, 2011 1:25 PM
Subject: Re: [MOPO] Grading


I see I made a weird error above, I wrote I have refused some excellent 
consignments from people. but that should have read I have received some 
excellent consignments from people (I assume people got my intended wording 
from the context).

On the owner of the site O referenced, I (and everyone else) likes him. But he 
is the leading curmudgeon of the movie poster hobby, and he apparently sees 
nothing wrong with these tactics. When he and a few others pass on, it will 
mark the end of a P.T. Barnum type method of poster dealing (buying, selling, 
and auctioning, where anything goes) and I feel that this will be great for the 
hobby when it does end, for it is this sort of hucksterism and devious tactics 
that have kept our hobby so small. Every time someone is sold a $5 poster for 
$100, that is one less poster collector, and every time someone from outside 
the hobby sells a $100 poster to someone for $5 (because they are told that is 
a fair price) that is one more person who goes around bad mouthing the hobby.

As to the use of the word ruse I was sent copies of e-mails between a visitor 
to that site and its owner, and after reading them, no one could feel the use 
of that word is too harsh.

And Geraldine, you wrote but 2nd batch -- well, at least two posters went 
missing -- 
including a Lenon/Yoko film and the 2nd a van Hamersveld Get Carter. How does 
the auction house respond to you when you try to get back your posters (or get 
reimbursed for their true value)?

Bruce




On Thu, Oct 13, 2011 at 12:03 PM, lovenoir2 loveno...@gmail.com wrote:

I hope that that Rudy Franchi, who owns the site-- his name is on his
site, so no secret is being divulged here-- (and who is a MOPO member
as well) responds to some of these comments.

Some remarks suggest actions that are less than above board. To call
his service a ruse is rather harsh. He has been doing this work for
a long time, and long before he worked and consulted for Heritage, as
his bio page discusses.

-KL







On Thu, Oct 13, 2011 at 5:13 AM, Bruce Hershenson
brucehershen...@gmail.com wrote:
 It's worse than that in movie posters. There is a site called
 http://www.posterappraisal.com/ where you are told that Nothing is bought
 or sold on this site and that I do not make offers for the material you
 inquire about nor do I get involved in its eventual disposition, when
 actually the owner of that site is a paid employee of a leading auction
 house and gets a finder's fee for any items that go to that auction (not
 disclosed on the site).

 So people THINK they are getting an honest impartial opinion, when all they
 are getting is led to that website! Legitimate networking?

 Many people quickly see through this ruse, and I have refused some excellent
 consignments from people who started at the above site and were shocked and
 outraged when they learned the truth. But I am sure there have been others
 who were bamboozled by this deception, and that is sad.

 Bruce

 On Thu, Oct 13, 2011 at 6:09 AM, Geraldine Kudaka gkud...@rocketmail.com
 wrote:

 Its a bit unrealistic to expect a company who makes their money from
 grading not to take the opportunity to make more money every which way they
 can.
 Also that people working for that grading company realizing they could
 supplement their income by going into business for themselves.

 While AFA/CGA may not have direct links to selling collectibles they
 grade, they do

Re: [MOPO] Grading

2011-10-13 Thread Geraldine Kudaka


Its a bit unrealistic to expect a company who makes their money from grading 
not to take the opportunity to make more money every which way they can.

Also that people working for that grading company realizing they could 
supplement their income by going into business for themselves. 


While AFA/CGA may not have direct links to selling collectibles they grade, 
they do employ people who have their own collectible business, and AFA fields 
calls so that their colleague. Say someone inherits a collection and is looking 
for a way to liquidate it. Grading companies like AFA do field these calls to 
colleagues with their own business. I speak from experience because this is 
what happened to me. Its not a story I heard. This happened to me when I called 
AFA.

I suppose this is called networking and for dealers who are left out of the 
loop, ethically challenged behavior. But if your hand is getting buttered, then 
you'd call this legitimate networking.








From: Richard Halegua Posters + Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wednesday, October 12, 2011 3:23 PM
Subject: Re: [MOPO] Grading


At 01:43 AM 10/12/2011, Adrian Cowdry wrote:

Personally, if we have to go the
way of grading then finebut the cost of grading a Rodan or a
Frankenstein 1931 should remain the same not a percentage of the value of
the card...which seems to be the case with Comics.
I agree

I think getting a % of an Action #1 makes them want to grade a book
higher than it should be graded.
whether they realize it or not
-

From: Sean Linkenback slinkenb...@comcast.net
snip
 
Of course it is essential that the grading company stay away from the business 
of actually selling posters themselves to avoid the appearance of any conflict 
of interest. 

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Re: [MOPO] Grading

2011-10-13 Thread Geraldine Kudaka
Very interesting I used that site and did get sent to an auction site... 
1st batch of posters I set to the leading auction house worked out fine, but 
2nd batch -- well, at least two posters went missing -- including a Lenon/Yoko 
film and the 2nd a van Hamersveld Get Carter.




From: Bruce Hershenson brucehershen...@gmail.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Thursday, October 13, 2011 8:13 AM
Subject: Re: [MOPO] Grading


It's worse than that in movie posters. There is a site called 
http://www.posterappraisal.com/ where you are told that Nothing is bought or 
sold on this site and that I do not make offers for the material you inquire 
about nor do I get involved in its eventual disposition, when actually the 
owner of that site is a paid employee of a leading auction house and gets a 
finder's fee for any items that go to that auction (not disclosed on the site).

So people THINK they are getting an honest impartial opinion, when all they are 
getting is led to that website! Legitimate networking?

Many people quickly see through this ruse, and I have refused some excellent 
consignments from people who started at the above site and were shocked and 
outraged when they learned the truth. But I am sure there have been others who 
were bamboozled by this deception, and that is sad.

Bruce


On Thu, Oct 13, 2011 at 6:09 AM, Geraldine Kudaka gkud...@rocketmail.com 
wrote:



Its a bit unrealistic to expect a company who makes their money from grading 
not to take the opportunity to make more money every which way they can.


Also that people working for that grading company realizing they could 
supplement their income by going into business for themselves. 



While AFA/CGA may not have direct links to selling collectibles they grade, 
they do employ people who have their own collectible business, and AFA fields 
calls so that their colleague. Say someone inherits a collection and is 
looking for a way to liquidate it. Grading companies like AFA do field these 
calls to colleagues with their own business. I speak from experience because 
this is what happened to me. Its not a story I heard. This happened to me when 
I called AFA.


I suppose this is called networking and for dealers who are left out of the 
loop, ethically challenged behavior. But if your hand is getting buttered, 
then you'd call this legitimate networking.














From: Richard Halegua Posters + Comic Art sa...@comic-art.com
To: MoPo-L@LISTSERV.AMERICAN.EDU
Sent: Wednesday, October 12, 2011 3:23 PM
Subject: Re: [MOPO] Grading


At 01:43 AM 10/12/2011, Adrian Cowdry wrote:

Personally, if we have to go the
way of grading then finebut the cost of grading a Rodan or a
Frankenstein 1931 should remain the same not a percentage of the value of
the card...which seems to be the case with Comics.
I agree

I think getting a % of an Action #1 makes them want to grade a book
higher than it should be graded.
whether they realize it or not
-

From: Sean Linkenback slinkenb...@comcast.net
snip

 
Of course it is essential that the grading company stay away from the business 
of actually selling posters themselves to avoid the appearance of any conflict 
of interest. 

Visit the MoPo Mailing List Web Site at www.filmfan.com
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-- 
Bruce Hershenson and the other 25 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
lunch)
our site
our auctions

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[MOPO] Grading

2011-10-11 Thread Geraldine Kudaka
The action toy world uses grading from AFA which is an off shoot of CGA to 
determine a criteria for grading toys to establishes their value.

This past year, on MOPO, there has been talk of grading posters and lobby cards.

I'd like to put my 2 cents in about this subject. 


I went through grading a lot of Star Wars collectibles at AFA. I called them 
for information, and they referred me to someone who works with them, who is 
also a toy seller and dealer. This AFA representative offered to personally 
handle our items, cleaning them up so they could get their best grades, and 
giving us the best price because my husband was a Star Wars executive.  The 
best price was paying in advance for grading and paying for a Silver 
membership..  


He promised whatever we didn't use we could get refunded at any time.

Well, guess what. We've been trying to get our money refunded. First, AFA 
couldn't find our account. Then, there was a question about the totals and we 
were suppose to be sent invoices. That didn't happened, we got busy and now 
that I'm asking again for my hard earned cash, its been like pulling teeth out 
of a screaming baby. 

All of this is to say I hope the poster world does not go the direction of 
grading toys. 


First, I find it highly unethical that calling AFA, they would refer me to 
someone who is a dealer who offer to help me get the best grade. Makes me 
wonder what kind of grades he gets for the items he's selling.


Second, I do not believe AFA has an objective standard. Several of our Star 
Wars action figures received a 90 -- which is the highest you can get for a 
vintage SW figure -- yet others, which were seemed to be in as good a 
condition, received an 80 or 85. These are still good numbers, but I really 
wonder about CGA/AFA's objectivity.  When I questioned them, they said it kinda 
depended on who was grading that day. I have also found out that sometimes 
people will send their toys in to be regraded, just to try and get a  higher 
point.


Last, I'm really irritated at how difficult it has been getting my money 
back.If a business offers you a refund, a refund it should be.  





figures are 


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