Hello Everyone,
I just wanted to let you know I’m visiting London next month and plan to attend
the 11 May Lute Society meeting. I’ve been in touch with several of you for
many years, especially Monica, and if you’ll be there too I’ll finally get a
chance to meet you. I’m looking forward to
I agree with Rob, Monica, thank you for your work. Here in North Carolina it
was a wonderful thing to see first thing in the morning. I enjoyed exploring a
bit of it before getting into the daily grind.
Regards,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music
: Nelson, Jocelyn
Sent: Thursday, July 27, 2017 7:49 AM
To: Ralf Mattes; Martyn Hodgson
Cc: Vihuelalist
Subject: Re: [VIHUELA] Re: Notation software recommendations
âHi Martyn,
This is a great question! Short answer: I say somewhat quicker through
software, and much quicker
506 School of Music
East Carolina University
252-328-1255 Office
252-328-6258 Fax
nels...@ecu.edu
__
From: Martyn Hodgson <hodgsonmar...@cs.dartmouth.edu>
Sent: Wednesday, July 26, 2017 2:34 AM
To: Nelson, Joce
From: Ralf Mattes <r...@mh-freiburg.de>
Sent: Tuesday, July 25, 2017 12:36 PM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: Re: [VIHUELA] Re: Re=3A?=_=5BVIHUELA=5D?=_Re=3A?=
_Re=3D3A=3F=3D=5F=3D5BVIHUELA=3D5D=3F=3D?= Notation software
recommendations=3D3F
From: Ralf Mattes <r...@mh-freiburg.de>
Sent: Monday, July 24, 2017 12:58 PM
To: Ralf Mattes
Cc: Nelson, Jocelyn; Vihuelalist
Subject: Re: [VIHUELA] Re=3A?=_=5BVIHUELA=5D?=_Re=3A?=
_Re=3D3A=3F=3D=5F=3D5BVIHUELA=3D5D=3F=3D?= Notation software
recommendations=3D3F=3F=3D?=
Silly
for Fuenllana's tablature.
Thanks again,
Jocelyn
From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf of Ralf
Mattes <r...@mh-freiburg.de>
Sent: Saturday, July 22, 2017 7:39 AM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: [VI
y, July 20, 2017 3:38 PM
To: Nelson, Jocelyn
Cc: DANIEL SHOSKES; Vihuelalist
Subject: Re: [VIHUELA] Notation software recommendations?
If you are already a Finale user, you might try that program’s tab options.
All my tab scores are done on a Mac using Finale (see one of my Ning pages).
David
Thanks, Danny!
From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf of DANIEL
SHOSKES <dshos...@mac.com>
Sent: Thursday, July 20, 2017 1:25 PM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: [VIHUELA] Re: Notation software rec
__
From: Azalais <azal...@gmail.com>
Sent: Thursday, July 20, 2017 1:09 PM
To: Nelson, Jocelyn
Subject: Re: [VIHUELA] Re: Notation software recommendations?
ps. I just checked the Fandango library and the Fuenllana pieces are
not there... yet.
Does Fronimo work on mac? I used it some years ago on a PC, but I'm using a mac
now.
J
From: Rob MacKillop <robmackil...@gmail.com>
Sent: Thursday, July 20, 2017 12:47 PM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: Re: [VIHUELA] Notation so
Hi Everyone,
Does anyone on the list recommend any particular brand of notation
software for our early guitar purposes? I'm transcribing the Fuenllana
guitar songs for myself (on 4-course) and a singer to perform in
September. So far I'm looking at Guitar
Pro:
Thanks, Stuart.
From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> on behalf of WALSH
STUART <s.wa...@ntlworld.com>
Sent: Sunday, January 8, 2017 4:39 AM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: [VIHUELA] Re: short piece
Another delightful video from youŠ a great break for me in a day filled
with work. Thank you for posting, Stuart!
Are you actually playing a 7-course guitar?
Best,
Jocelyn
On 1/6/17, 11:51 AM, "lute-...@cs.dartmouth.edu on behalf of WALSH STUART"
How sweet. Unless she really was a tourist board plant : D
Thanks for posting this music
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of WALSH
STUART [s.wa...@ntlworld.com]
Sent: Sunday, March 06, 2016 2:26 PM
To: Nelson, Jocelyn
This was so delightful I had to replay it again right away, Stuart : )
What is the story about the pictures?
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of WALSH
STUART [s.wa...@ntlworld.com]
Sent: Friday, March 04,
Thank you, Monica.
Happy New Year to you, too : )
Jocelyn
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
Lute Society of America Board Member, Clerk
506 School of Music
East Carolina University
252-328-1255 Office
252-328-6258 Fax
nels...@ecu.edu
Lovely: very sweet, sparkling tone!
Who is Mrs. Christopher?
Best,
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of WALSH
STUART [s.wa...@ntlworld.com]
Sent: Sunday, August 23, 2015 12:46 PM
To: Vihuelalist
Subject:
, May 15, 2015 8:57 AM
To: Nelson, Jocelyn; Vihuelalist
Subject: [VIHUELA] Re: little waltz from 1846 for machete and guitar
I enjoyed this too, and the picture almost as much as the music; keep them
coming, Stuart! Is Cabral the composer or the player of the accompaniment, or
both?
Thank you
I enjoyed this too, and the picture almost as much as the music; keep them
coming, Stuart! Is Cabral the composer or the player of the accompaniment, or
both?
BTW, I neglected to thank you for your detailed answer to my question some
weeks ago. It was my huge busy time, end of the semester,
Thank you, Monica! Interesting enough for me to grab my copy of the Tyler
Sparks and a pencil and include your information : )
Best,
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] on behalf of Monica
Hall [mjlh...@tiscali.co.uk]
I enjoyed this, too, Stuart! What a sweet tune, and the balance was on the
mark. Did you create the animation of the plucked string players?
Best,
Jocelyn
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
Lute Society of America Board Member, Clerk
506 School of Music
Thank you for posting, Stuart! I enjoyed both the music (sweet tone!) and the
lovely drawings.
Best wishes,
Jocelyn
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
Lute Society of America Board Member, Clerk
506 School of Music
East Carolina University
252-328-1255
Thanks for posting, Stuart. I love the sound of the strums.
Best,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
310 Fletcher Music Center
School of Music
East Carolina University
252.328.1255 office
252.328.6258 fax
nels...@ecu.edu
On 9/1/14, 1:41
Hi Monica,
I'm not familiar with the Guitar Summit list. Perhaps I'm on it if I got your
message?
Best,
J
Jocelyn Nelson, DMA
Teaching Assistant Professor
506 School of Music
East Carolina University
252.328.1255 office
252.328.6258 fax
nels...@ecu.edu
Hi Edward,
I didn't know about this at all. It looks beautiful; thanks for posting
the link.
Best,
Jocelyn
--
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
336 Fletcher Music Center
School of Music
East Carolina University
Hi Stuart and Monica,
Thanks to both of you for this. I enjoyed listening--and watching--this
evening, before having to go back to work after a holiday weekend
(Labor Day over here).
Best,
Jocelyn
--
From: Monica Hall [1]mjlh...@tiscali.co.uk
Date: Sunday, September 2,
21:47, Nelson, Jocelyn [3]nels...@ecu.edu wrote:
Did you notice any rhythmic
or harmonic differences from the original in Coste's arrangements? It
seems
appropriate that you are not using inegale in a 19th century
arrangement,
To me, it feels like 19th century music. I didn't
Your site is wonderful, Monica; thank you for all the valuable work
you've made available to everyone. I signed up to follow your site
(the first time this old-fashioned guitarist has ever done such a
thing).
Shall we make an announcement in the next LSA Quarterly? I'm not sure
I really enjoyed these, Stuart. I'm listening to it for the 3rd time
now; can't help but smile with this music.
Thanks for posting.
Best,
Jocelyn
From: Stuart Walsh [1]s.wa...@ntlworld.com
Date: Sun, 8 Jan 2012 00:06:26 +
To: Vihuelalist [2]vihuela@cs.dartmouth.edu
Ralf makes a great case that we can't assume chitarrino means
guitar (I must try that pasta sometime), but maybe there's a bit of
evidence here in what Lex says that shows the 4-course guitar was still
active in the 17^th century, even in printed music.
Jocelyn
Well, Oliver
The only one I was able to access was number four. It sounded
delicious.
Jocelyn
From: Azalais [1]azal...@gmail.com
Date: Sun, 11 Dec 2011 12:54:37 -0500
Cc: Vihuelalist [2]vihuela@cs.dartmouth.edu
Subject: [VIHUELA] Re: Agazzari guitar [was Re: Capona?]
(Apologies in
Well, the waltz was nasty because people held each other closely while
dancing. There's even a funny quote from 1799 in Grove about people
waltzing in the dark corner of the room.
I think the sarabanda and ciacona garnered comments from some shocked
Europeans in the 17th century or
Hi Roman,
I've been listening for a while now and just wanted to say how much I
enjoy your music. Thanks for the download opportunity.
Best,
Jocelyn
--
From: Roman Turovsky [1]r.turov...@verizon.net
Date: Fri, 9 Dec 2011 12:03:04 -0500
To: Vihuelalist
Hi Stuart,
I don't know what capona means, and I don't have the music handy, but I
enjoyed this. I like your tempo.
Best,
Jocelyn
From: Stuart Walsh [1]s.wa...@ntlworld.com
Date: Thu, 8 Dec 2011 20:14:31 +
To: Vihuelalist [2]vihuela@cs.dartmouth.edu
Subject:
Hi Monica and Rocky,
My 5-course, made by James Bump in the 1970s and supposed to be after
a Voboam, has holes for the strings, not slots, in the bridge. There's
not much more I can tell you other than to pass along Dan Larson's
email address if you'd like. I've never been able to
Hi Stuart,
I'm interested to see this, but the link doesn't work.
Not seeing the music, I would think any strumming would be of chords
made up of the notes of the original chansons, if that's what these
are. The rules of 4-part harmony as we know them today weren't in
practice
I enjoyed these performances; thanks, Rocky!
Jocelyn
From: Rockford Mjos [1]rm...@comcast.net
Date: Sun, 6 Nov 2011 23:53:36 -0600
To: [2]vihuela@cs.dartmouth.edu
Subject: [VIHUELA] Murcia recording and videos
Magnatune now has the Figueroa and Ohlsen recording Cifras
Hi Monica,
I don't have this; I might like to find a copy of this myself. World
Cat says only Friborg and Riponne in Switzerland own it, if this is the
same book. No mention of whether pages are missing.
Are you in London? If so I hope you're safe. That goes for any other
I was able to get it; thanks for passing this along, Monica.
My French is poor, but this might help inspire me.
Jocelyn
On 7/3/2011 11:07 AM, Monica Hall mjlh...@tiscali.co.uk wrote:
Well - it took me several attempts to download as it is very big. It
about mostly alfabeto - and is
Thank you, Monica!
JN
On 4/20/2011 1:04 PM, Monica Hall mjlh...@tiscali.co.uk wrote:
Just as a matter of interest I have uploaded a couple of other pictures
of guitars with other instruments.
[1]www.earlyguitar.ning.com
One is of the Spanish Gonzales Coques family showing
m
[6]http://www.ibiblio.org/wm/paint/auth/vermeer/
I assume - being part of iBiblio - this image is in the public domain.
Waling
--- On Sun, 17/4/11, Nelson, Jocelyn [7]nels...@ecu.edu wrote:
From: Nelson, Jocelyn [8]nels...@ecu.edu
Subject: [VIHUELA] Early guitar
Dear List,
Does this look like a 5-course baroque guitar to you? I’m wondering whether to
use this as an illustration of an “early guitar” and perhaps be even more
specific (5-course?), but I wanted to see what list members think.
I need to use a public domain image.
Here’s the link:
Thanks for posting, Chris! I'm tending to prefer the re-entrant tuning,
but I like the bourdons--at least in some passages--more than I thought
I would. Most importantly, it's fun to listen and notice the
differences.
Best wishes,
Jocelyn
On 4/16/2011 11:56 AM, Chris
Hi Martyn and List,
Martyn said:
I think it would have been usual to employ a small chamber organ if
any
realisation was thought necessary rather than the bowed bass trying
to
realise the harmonies.
Remember, though, that the early (17th and early 18th c?) cello
Hi Stuart,
I don't have anything enlightening to say about the publication, but I
wanted to thank you for posting this; I enjoyed the music!
Best,
Jocelyn
On 4/7/2011 3:36 PM, Stuart Walsh s.wa...@ntlworld.com wrote:
Granata's Novi Capricci Armonici Musicali in vari toni per la chitarra
University
252.328.1255 office
252.328.6258 fax
nels...@ecu.edu
On 3/7/2011 5:27 PM, Stuart Walsh [1]s.wa...@ntlworld.com wrote:
On 06/03/2011 23:21, Nelson, Jocelyn wrote:
Hi Stuart,
I enjoyed this (what I could; my internet's a little slow tonight);
thanks
for posting
Thanks so much, Monica!
Best,
Jocelyn
On 3/3/2011 10:56 AM, Monica Hall mjlh...@tiscali.co.uk wrote:
Finally managed to listen. Very interesting and enjoyable. Hope there
will be some more.
Monica
- Original Message -
From: Nelson, Jocelyn nels...@ecu.edu
To: Vihuelalist
Carolina University
252.328.1255 office
252.328.6258 fax
nels...@ecu.edu
On 3/3/2011 1:50 PM, Stuart Walsh [1]s.wa...@ntlworld.com wrote:
On 02/03/2011 19:06, Nelson, Jocelyn wrote:
Dear Early Guitar List,
If you click the link below, you^1re on your way to my 16 minute
Hi Stuart,
I enjoyed this (what I could; my internet's a little slow tonight); thanks
for posting.
Grove online has Rush as a guitarist and listed in the works section are
several works for gui which I take to mean as an abbreviation for
guitar. Also Elegant Extracts for Guitar. Ronald R. Kidd
Dear Early Guitar List,
If you click the link below, you¹re on your way to my 16 minute podcast,
which includes commentary and music from my recent CD, Ma Guiterre je te
chante. A transcript of my commentary is available on the site, as well.
This was produced by ECU¹s School of Music. If you
Dear Roman, Stewart, Ralf, and List,
After slaving away at teaching music history students and working in
tandem with my theory/composition colleagues for around a decade, I'd
like to say that all the texts and articles I've used in English (I'm
currently using the
__
From: Nelson, Jocelyn [2]nels...@ecu.edu
To: Chris Despopoulos [3]despopoulos_chr...@yahoo.com; Stuart
Walsh
[4]s.wa...@ntlworld.com
Cc: Vihuelalist [5]vihuela@cs.dartmouth.edu
Sent: Fri, January 14
/2011 01:48, Nelson, Jocelyn wrote:
I really enjoyed this, Stuart. Thanks for posting!
Best,
Jocelyn
Thanks!
I have only one section of the Ulm collection and in that there are 123
pieces for five-course mandore (fingerstyle or mixed plectrum and
fingers) and a small number for four-course
I really enjoyed this, Stuart. Thanks for posting!
Best,
Jocelyn
On 1/10/2011 7:04 AM, Chris Despopoulos despopoulos_chr...@yahoo.com
wrote:
Thanks... My instrument is 30 cm, and actually 5-course, single
strung. I presume it's made according to historical understanding...
I
Dear Early Guitar List,
I would like to announce the following online
early guitar anthology compiled by Chuck Wolzien, who was my professor
when I studied at
CU Boulder:
Early Guitar Anthology I: The Renaissance c. 1540-1580
by Charles Wolzien and Frank Bliven
Early Guitar Anthology I: The
Dear Early Guitar List,
I’m very sad to report that James Tyler has passed away. I don’t know any
details; I have recently corresponded with him, and yesterday morning I
received this heartbreaking email from Joyce Tyler, sent from his own email
address: “It is with deepest regret that I
Hello early guitarists,
I just received a query: “Do you know the earliest publications for lute and/or
guitar in which harmonics were used?”
Any thoughts?
Thanks,
Jocelyn
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks very much, Stuart and Roman.
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] On Behalf Of Roman
Turovsky [r.turov...@verizon.net]
Sent: Saturday, November 20, 2010 6:25 PM
To: Nelson, Jocelyn; Stuart Walsh
Cc: Monica Hall
Dear List,
I’d like to follow up on this to say that this is a wonderful book; my students
and I are thrilled with it. Monica is one of the translators, so of course the
extensive commentary is a great asset.
Jocelyn
Jocelyn Nelson, DMA
Teaching Assistant Professor
506 School of Music
East
Walsh [1]s.wa...@ntlworld.com
Date: Thu, 16 Sep 2010 17:03:57 -0400
To: Nelson, Jocelyn [2]nels...@ecu.edu
Cc: Vihuelalist [3]vihu...@cs.dartmouth.edu
Subject: [VIHUELA] Re: Domingo Prat's Diccionario de Guitarristas
On 16/09/2010 21:54, Nelson, Jocelyn wrote:
Hi Everyone
Hi Everyone,
My music librarian is pondering whether to buy this, after receiving a
gift copy of the index. I haven't worked with this, but it looks like
it would be a good resource.
Do others on this list have an opinion?
Many thanks,
Jocelyn
--
Jocelyn Nelson, DMA
Dear List,
Thank you for the kind words and encouragement for my CD and videos!
Yes, I agree improvised embellishment has to do with the genre and
function of the music, and only makes sense in historically
well-informed contexts.
For instance, I wouldn't feel comfortable
Dear list,
My university recently posted a series of videos on You Tube. If you
follow this link, you'll see that I have three up there with 4-course
renaissance guitar, including La seraphine.
[1]http://www.youtube.com/user/ECU#g/c/69CB3D225AB4DC20
I'm glad to finally post
...@cs.dartmouth.edu, Nelson, Jocelyn
[4]nels...@ecu.edu
Subject: Re: [VIHUELA] Re: 4-course guitar videos
been a favorite for about two weeks now - brava! wish you hadn't
disabled the comments, however - all set to gush on your behalf. -
bill
[5]http://www.youtube.com/profile?user
Hi Arto,
I don't know offhand, but I think Rebours has done a concordance of de
Visee's works, and perhaps Dunn has written something as well.
These are beautiful pieces. Thanks for posting!
Best,
Jocelyn
___
: ) That is a scary looking picture, but I enjoyed the little bit of
samples that I heard.
Jocelyn
___
From: Stuart Walsh [1]s.wa...@ntlworld.com
Date: Sun, 30 May 2010 12:15:44 -0400
To: Monica Hall
office
252.328.6258 fax
[1]nels...@ecu.edu
___
From: Monica Hall [2]mjlh...@tiscali.co.uk
Date: Mon, 15 Mar 2010 18:27:09 -0400
To: Nelson, Jocelyn [3]nels...@ecu.edu
Cc: Vihuelalist [4]vihu...@cs.dartmouth.edu
Dear Friends,
I'd like to announce my new CD of renaissance guitar music, featuring
soprano Amy Bartram. It's now available through me as well as at CD
Baby: [1]http://www.cdbaby.com/cd/nelsonbartram, and will be available
soon at Amazon, iTunes, and the Lute Society of America. See
Hi David,
I recommend Study of an oral romance tradition, the Conde claros de
montalvan by Judith Leland Seeger (1982 thesis 1990 Garland). I
enjoyed dipping into this book about the conde claros story and its
variations among different cultures around the Mediterranean and even
Monica,
You have the seed here of a good paper! (unless it's already been
done?)
Best,
Jocelyn
___
From: Monica Hall [1]mjlh...@tiscali.co.uk
Date: Tue, 5 Jan 2010 07:39:05 -0500
To: Stuart Walsh
This was good music to wake up to; thanks for posting, Stuart. I think
strumming is perfect for music like this.
Does anyone know what the folk song is about?
Best,
Jocelyn
___
From: Stuart Walsh
I really enjoyed this. Thanks, Stuart for playing posting this, and
thanks to Monica, too, for working with this beautiful music.
Best,
Jocelyn
___
From: Stuart Walsh [1]s.wa...@ntlworld.com
Date: Fri, 4 Dec
Oops; I just saw this message from Ralph, after I sent my last one.
Perhaps Murcia is the one who mentions pedilla, even though my possibly
faulty memory is that pedilla referred to a partial barre of the first
finger.
Jocelyn
Dear early guitar and lute lists,
For anyone near Boston next week, I'd like to announce my 6/10 fringe
concert with soprano Amy Bartram in the Boston Early Music Festival.
Here's the press release, below.
(And speaking of literary references, the title of our concert, which
is
I'm working up to Don Quixote.
Jocelyn
___
From: Monica Hall [mjlh...@tiscali.co.uk]
Sent: Saturday, May 23, 2009 5:34 AM
To: Nelson, Jocelyn
Cc: Vihuelalist
Subject: Re: [VIHUELA] Péñola, early references
That's very brave of you. I started to read
Hi Rob,
Thank you for this fascinating reference. Can you, or someone on the
list, translate the rest of the phrase for me? Babel Fish isn't helping
. . .
Many thanks,
Jocelyn
___
From: Rob MacKillop
Did anyone get my last message in a readable format?
Jocelyn
From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] On Behalf Of Eloy
Cruz [eloyc...@avantel.net]
Sent: Friday, May 22, 2009 7:48 PM
To: Vihuela list
Subject: [VIHUELA] Péñola
Sorry,
Hi Stuart and List,
I think these plus diminuees need to be played up to tempo, even though
it's such a challenge.
When I think about tempo with these plus diminuee movements, I take the
dance aspect seriously. Here are a couple of my favorite quotes from
the author of the 16th
...@ecu.edu
___
From: Martyn Hodgson [3]hodgsonmar...@yahoo.co.uk
Date: Mon, 30 Mar 2009 11:56:36 -0400
To: Stuart Walsh [4]s.wa...@ntlworld.com, Daniel F Heiman
[5]heiman.dan...@juno.com, Nelson, Jocelyn [6]nels
Good luck, Rob, from this side of the ocean!
JN
Jocelyn Nelson, DMA
Teaching Assistant Professor
Early Guitar, Music History
506 School of Music
East Carolina University
252.328.1255 office
252.328.6258 fax
nels...@ecu.edu
From: Rob MacKillop
Hi David,
As a 4course guitar player, I love standing with all my music, both
solo and with singer. I completely agree that it blends better. And
then movement comes naturally. For me it's such a relief, after all
those years trapped in a triangle position as a classical guitarist!
Hi Rob,
I haven't been on ning for a while, but when I went on to check just
now it looks like anything I try to do outside of my home page is
under construction. I don't see an MP3 player, but I'm not sure where
to look.
Best,
Jocelyn
Thanks, Monica,
I really enjoyed these!
Best,
Jocelyn
__
From: Monica Hall [mailto:[EMAIL PROTECTED]
Sent: Sun 10/26/2008 4:00 PM
To: Vihuelalist
Subject: [VIHUELA] Some nice You-tubes
My friend
Dear UK list members,
I'd love to know what they covered for the early part, if anyone has
time to mention it. I checked their website and their video is only
available in the UK.
Thanks,
Jocelyn
__
From:
Thanks so much for your work, Monica.
Best,
Jocelyn
___
From: Monica Hall [mailto:[EMAIL PROTECTED]
Sent: Sat 10/4/2008 3:56 PM
To: Vihuelalist
Subject: [VIHUELA] Bartolotti
Dear Collective Wisdom
I now
School of Music
252.328.1255 Office
252.328.6258 Fax
[EMAIL PROTECTED]
__
From: Martyn Hodgson [mailto:[EMAIL PROTECTED]
Sent: Fri 9/26/2008 3:44 AM
To: Monica Hall; Joshua Horn; Fred; Nelson, Jocelyn
Cc
Hi Monica and List,
About that unusual Scheidler tuning: I believe it was considered the
usual guitar tuning in that area of Germany at the time, according to
Koch. Sorry I can't tell you the page number:
Koch, Heinrich Christoph. Musicalisches Lexicon. Frankfurt: Hermann
Bill,
I always enjoy your postings, but I like this even better than the Frost songs.
Jocelyn
From: bill kilpatrick [mailto:[EMAIL PROTECTED]
Sent: Fri 1/18/2008 9:34 AM
To: vihuela@cs.dartmouth.edu
Subject: [VIHUELA] jazzy little number
i know this ain't the
John,
Is the Portuguese guitar you mention the 4-course like the Renaissance guitar
and the uke?
Jocelyn
From: John Griffiths [mailto:[EMAIL PROTECTED]
Sent: Tue 10/30/2007 8:41 PM
To: vihuela@cs.dartmouth.edu
Subject: [VIHUELA] Re: dedillo
My
Monica,
Amen! Ornamentation, strum patterns and rhythm . . . there's lots more to
explore in guitar repertoire besides stringing.
Dear List:
I would like to announce the November 3rd debut of my new early music group,
Chitarrina in a concert of 16th century French and Italian music
: Fri 6/1/2007 2:56 PM
To: Nelson, Jocelyn; 'Vihuelalist Vihuelalist'
Subject: RE: [VIHUELA] 4c tuning
Thank you, Jocelyn, for your kind remarks about my article.
I believe that James Tyler first advocated placing the high string of the
4th course on the outside. I don't know if he still believes
Amen!
Best,
Jocelyn
From: Michael Fink [mailto:[EMAIL PROTECTED]
Sent: Sat 6/2/2007 2:03 PM
To: Nelson, Jocelyn; 'Vihuelalist Vihuelalist'
Subject: RE: [VIHUELA] Re: 4c tuning
Hi, Jocelyn,
Notes below.
Michael
-Original Message-
From: Nelson
Everyone,
Once I finally had a chance to read everything, Michael's article on 4 course
tuning and the comments made by others were very helpful to me, and to my
student as well. I really appreciate Michael's gathering of sources, including
the iconography.
Since I'm working on some of the
Dear List,
Has anyone seen the most current issue of Early Music (Oxford U Press, vol XXXV
no 1)? Black guitar-players and early African-Iberian music in Portugal and
Brazil by Rogerio Budasz is the cover article. I haven't had time to read much
yet since I found it in the mail yesterday, but
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