On Tue, 14 Dec 2004, Sébastien Tricaud wrote:
Hi Folks,
Gscore 0.0.8 laetmotive is out.
This release focuses on bug fixing and improved score editing.
Hi,
I read about your Gscore 0.0.8, downloaded it, compiled it, and run it on
my Linux Fedora Core 2 system.
But looking at it, clicking
Martin Tarenskeen wrote:
On Tue, 14 Dec 2004, Sébastien Tricaud wrote:
Gscore 0.0.8 laetmotive is out.
This release focuses on bug fixing and improved score editing.
But looking at it, clicking everywhere, checking out all the menus,
after 2 weeks I still don't have no idea how to create my first
On Thu, 25 Nov 2004, Martin Tarenskeen wrote:
The link to www.quercite.com seems to be dead at this moment, I hope
temporarily.
The links works again.
--
Martin Tarenskeen
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html
On Thu, 2004-12-02 at 22:32 +0100, Remo D. wrote:
Sébastien Tricaud wrote:
Hi folks,
Gscore is a musical score editor.
Looks interesting!
Thanks, and sorry I saw this message quite late :(
I'd like to try it, do you have a precompiled Win version? I promise
I'll install Scons and
Jon Freeman wrote:
OK, I've found it - its a bug. See
http://bugs.sun.com/bugdatabase/view_bug.do;:YfiG?bug_id=4957565
Thanks alot. That's nice to know :-) Now I know where to dirrect my
attention!!!
Maybe there is a later version of Java that fixes it.
I'll try different versions, also earlier
From: Atte André Jensen [EMAIL PROTECTED]
Jon Freeman wrote:
Try alt 124 (hold alt [not alt gr] key and type 124 on number pad before
releasing alt)
Doesn't work
OK, I've found it - its a bug. See
http://bugs.sun.com/bugdatabase/view_bug.do;:YfiG?bug_id=4957565
Maybe there is a later
On Thu, 09 Dec 2004 23:53:45 -0200, [EMAIL PROTECTED] wrote:
My suggestion is:
abcm2ps.exe
http://abcplus.sourceforge.net
runabc.exe (with built-in tcl/tk)
http://ifdo.pugmarks.com/~seymour/runabc/top.html)
GNU GhostScript + GSView:
http://www.cs.wisc.edu/~ghost/index.html
Wil Macaulay wrote:
Atte, when you say 'it's the same in other applications do you mean
that other java applications also will not allow you to enter the | key?
Yes, that's what I mean...
Is there a key on your keyboard that has the | key on it, or do you
normally have to use a composition key
The free programs at:
http://world.std.com/~gdallal/UKE.HTM
can produce the type output you mention. Just run the
option that doesn't produce the ukulele chord diagrams.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Ulf Bro
Sent: Sunday, December 12,
That would be possible, but considering how often we use |
in abc I don't consider that an option...
If there is no | available, perhaps you could use a
substitute character (like a / or \ or ~) and do one search
and replace at the end of your editing so you only have to
worry about the | once?
From: Atte André Jensen [EMAIL PROTECTED]
Wil Macaulay wrote:
Atte, when you say 'it's the same in other applications do you mean
that other java applications also will not allow you to enter the |
key?
Yes, that's what I mean...
Is there a key on your keyboard that has the | key on it,
Jon Freeman wrote:
Try alt 124 (hold alt [not alt gr] key and type 124 on number pad before
releasing alt)
Doesn't work
--
peace, love harmony
Atte
http://www.atte.dk
To subscribe/unsubscribe, point your browser to:
http://www.tullochgorm.com/lists.html
Atte, when you say 'it's the same in other applications do you mean
that other java applications also will not allow you to enter the | key?
Is there a key on your keyboard that has the | key on it, or do you
normally have to use a composition key sequence?
wil
Atte André Jensen wrote:
Hi
I
Phil Taylor wrote:
On 5 Dec 2004, at 19:30, RWW Taylor wrote:
The back-quote character appears on the standard Mac keyboard on the
upper-leftmost key, above the tab very convenient.
On my G4 PowerBook it's the key to the left of the Z, so I guess it's
not really standardised, even on
Em 6 Dec 2004, Jack Campin escreveu:
The code:
(6abc``def
is (normally) interpreted as 6 notes in the time of 2 notes.
I know. It shouldn't be, that's nothing like normal musical practice.
Really, you are correct.
[snip]
Here are the results of my attempts to get round this. (It's
A little dyslexia can get you in a whole lot trouble ...
something about drugs, bagpipes and fighting in the UK hmm
...awareness about the dangers of GHB and its analogs- gamma
hydroxy butyrate
or maybe those who don't have GHB get into fights and get booked
on GBH after being
You guys are awful *grin*
I thought the entire procedure of learning the Highland Pipes is to make
your fingers do something so unnatural and confusing that you'll never
be able to type properly again!
When I get my UP out and try to play it, it takes me a good ten minutes
to reorganize my
Hello.
The code:
(6abc``def
is (normally) interpreted as 6 notes in the time of 2 notes.
Try use a more precise syntax for tuplets, like:
(6:4abc``def
which stands for 6 notes in the time of 4 notes;
or the complete form:
(6:4:6abc``def
which stands for a proportion of 6 notes in
In message [EMAIL PROTECTED],
[EMAIL PROTECTED] writes
Hello.
The code:
(6abc``def
is (normally) interpreted as 6 notes in the time of 2 notes.
Try use a more precise syntax for tuplets, like:
(6:4abc``def
which stands for 6 notes in the time of 4 notes;
or the complete form:
(6:4:6abc``def
which
Bernard Hill wrote:
But what's the apostrophe for? And what ascii character is it and how
is it produced on keyboards anyway?
It's a back quote (ASCII 96) according the 2.0 draft is to be ignored:
A`B is equivalent to AB.
On Dos/Win platform you can get it with Alt+96 (on the numeric keypad).
The back-quote character appears on the standard Mac keyboard on the
upper-leftmost key, above the tab very convenient. The character does
appear to be just ignored by, say, the abc conversion software at
http://www.concertina.net/tunes_convert.html (unless it appears in
the T: field, in
On 5 Dec 2004, at 16:09, [EMAIL PROTECTED] wrote:
Hello.
The code:
(6abc``def
is (normally) interpreted as 6 notes in the time of 2 notes.
Try use a more precise syntax for tuplets, like:
(6:4abc``def
which stands for 6 notes in the time of 4 notes;
or the complete form:
(6:4:6abc``def
which
On 5 Dec 2004, at 19:30, RWW Taylor wrote:
The back-quote character appears on the standard Mac keyboard on the
upper-leftmost key, above the tab very convenient.
On my G4 PowerBook it's the key to the left of the Z, so I guess it's
not really standardised, even on the same platform.
Phil
In message [EMAIL PROTECTED], Remo D.
[EMAIL PROTECTED] writes
Bernard Hill wrote:
But what's the apostrophe for? And what ascii character is it and how
is it produced on keyboards anyway?
It's a back quote (ASCII 96) according the 2.0 draft is to be
ignored: A`B is equivalent to AB.
Whew. I
The code:
(6abc``def
is (normally) interpreted as 6 notes in the time of 2 notes.
I know. It shouldn't be, that's nothing like normal musical practice.
Try use a more precise syntax for tuplets, like:
(6:4abc``def
which stands for 6 notes in the time of 4 notes;
or the
% display totally messed up, playback wrong, it's not reading (6:4 as
(6:4:6
You need both colons; (6, (6:: and (6:4: are all legal, 6:4 isn't.
Phil Taylor
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html
On Thu, 25 Nov 2004, Martin Tarenskeen wrote:
Anyone here who ever tried Philips Music Writer (pmw) ? I recently
discovered it on http://www.quercite.com/pmw.html and it looks really
powerful. I have built an RPM package from it on my Linux Fedora Core 2
system, and was wondering if anyone is
And if anyone needs it, I've built Windows binaries. Just drop me an
email and I'll send them to whoever is interested.
R.D.
Martin Tarenskeen wrote:
But I have built an RPM package on my Linux Redhat FC2 system. After
installing it, pmw should be ready to use.
To subscribe/unsubscribe, point
In message [EMAIL PROTECTED],
Christian M. Cepel [EMAIL PROTECTED] writes
Any workaround to Finale's inablity to play GBH music (ornamentations
gracenotes) as they should sound in GBH music?
LOL! I think you mean GHB - Great Highland Bagpipe.
GBH means Grievous Bodily Harm.
On second
On 3 Dec 2004, at 08:52, Bernard Hill wrote:
In message [EMAIL PROTECTED],
Christian M. Cepel [EMAIL PROTECTED] writes
Any workaround to Finale's inablity to play GBH music (ornamentations
gracenotes) as they should sound in GBH music?
LOL! I think you mean GHB - Great Highland Bagpipe.
GBH
Wow you guys are brutal ... get in a fight and you get sent to jail with
bagpipe music (snicker, snicker).
At 03:15 AM 12/3/2004, you wrote:
On 3 Dec 2004, at 08:52, Bernard Hill wrote:
In message [EMAIL PROTECTED],
Christian M. Cepel [EMAIL PROTECTED] writes
Any workaround to Finale's
There are some people (we call them music lovers) who might argue that
the letter switch was quite appropriate :)
sorry, couldn't resist.
Guy
Phil Taylor wrote:
On 3 Dec 2004, at 08:52, Bernard Hill wrote:
In message [EMAIL PROTECTED],
Christian M. Cepel [EMAIL PROTECTED] writes
Any workaround
A little dyslexia can get you in a whole lot
trouble ... something about drugs, bagpipes and fighting in the UK
hmm
...awareness about the dangers of GHB and its analogs- gamma
hydroxy butyrate
or maybe those who don't have GHB get into fights and get booked on GBH
after being exposed to
Sébastien Tricaud wrote:
Hi folks,
Gscore is a musical score editor.
Looks interesting!
I'd like to try it, do you have a precompiled Win version? I promise
I'll install Scons and GTK library to try compile it myself but I'm sure
it won't be in a short time!
R.D
To subscribe/unsubscribe, point
John Chambers writes:
Hmmm ... I see conflicting evidence here. If he's an academic, he
should be completely at home with no-holds-barred discussions. Things
like misattribution of quotes, quoting out of context, and blatant
misrepresentation of others' ideas are the order of the day in
hi there,
i've just subscribed and i would like to ask e couple of questions.
1. how do i
On Dec 2, 2004, at 2:24 PM, John Walsh wrote:
John Chambers writes:
Hmmm ... I see conflicting evidence here. If he's an academic, he
should be completely at home with no-holds-barred discussions. Things
like misattribution of quotes, quoting out of context, and blatant
misrepresentation
Has anyone mentioned Noteworthy Composer?
It's cheap and simple... Sometimes too simple.
On Tue, 30 Nov 2004, Don Parrish-Bell wrote:
Here's what I would hope to have (and working properly without an
argument!):
1. You can pre-set the key signature, time signature and tempo.
2. You can
I got Finale 2004, used it a while and then went back to abc
and several different flavors of abc software depending on
what I need to do.
To subscribe/unsubscribe, point your browser to:
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Gidday,
I do not know about finale but Electric Pipes recognised abc and is easy to
work in for GHB. It is also fairly inexpensive.
Karen
My Inbox is protected by SPAMfighter
3907 spam mails have been blocked so far.
Download free www.spamfighter.com
On Dec 1, 2004, at 11:45 AM, [EMAIL PROTECTED] wrote:
Apart from that, I've spent the last year studying for an MSc in Computing in Archaeology which has kept me fairly busy. For an idea of what I've been up to have a look at -
http://www.bryancreer.com/Castle.html
You're an academic Bryan?
On Tue, 30 Nov 2004, Don Parrish-Bell wrote:
Here's what I would hope to have (and working properly without an argument!):
1. You can pre-set the key signature, time signature and tempo.
2. You can easily setup multiple staffs
3. You can click on a note value from a menu or toolbar and place it
Toby Rider wrote:
|
| Apart from that, I've spent the last year studying for an MSc in
| Computing in Archaeology which has kept me fairly busy. For an idea
| of what I've been up to have a look at -
| http://www.bryancreer.com/Castle.html
|
| You're an academic Bryan? And to think that I
In message [EMAIL PROTECTED], Don
Parrish-Bell [EMAIL PROTECTED] writes
No offense, Bernard, but $170.00 is more than I paid for Sibelius G7. I
do like that you said it never argues with you ... definitely
something in its favor!
Then I don't know where you got your Sibelius from. The current
On 30 Nov 2004, at 06:52, Don Whitener wrote:
I have been out of touch lately, so I offer my sincere apologies
should I blunder onto any toes. So far as I can tell, Bryan Creer has
not posted to this group since early August 2003... Has he dropped out
for a while?
He does rather tend to drop
Yes, G7 is geared towards guitar and costs around $100.00 here. The
full-blown version of Sibelius is around $600.00 here, I think, but they
offer 50% off for music educators. I am SO thankful I didn't go for the
full-blown version!
Seems ridiculous to charge that much more for something
Have you tried my program HARMONY?
If so, what does it not do, that you need?
Neil Jennings
www.greenhedges.com
Don Parrish-Bell wrote:
I have played a bit with Harmony Assistant and it does indeed look
promising ...
It's author wants $70.00 for it, which is probably not too bad, but I
hate to
Got it installed and gave it a quick go. Here's what I've found so far:
1. Can't seem to specify the key before you start.
2. Transpose seems to cause an error unless there are some notes
placed. Once a few notes were placed, it seemed to ignore the transpose
operation.
3. Note entry is clumsy
Hi,
Yes, there are a few things you can do.
a) Specify 0 bars on the New FIle form, then it doesn't fill with rests.
You can then drag and drop new notes which are added at the end of the
score by default
b) Edit the key using the mouse menu. Maybe I can add this to the new
file form
c) Agreed,
You may have a try with MusiCAD 3.0 beta. It uses abc as its 'second
language' for import/export and adheres (more or less) to the 2.0 draft
spec. see http://www.musicad.com for more info and download.
Arent
To subscribe/unsubscribe, point your browser to:
Phil Taylor writes:
| On 30 Nov 2004, at 06:52, Don Whitener wrote:
| I have been out of touch lately, so I offer my sincere apologies
| should I blunder onto any toes. So far as I can tell, Bryan Creer has
| not posted to this group since early August 2003... Has he dropped out
| for a
At 06:54 PM 11/30/2004, John Chambers wrote:
Phil Taylor writes:
| On 30 Nov 2004, at 06:52, Don Whitener wrote:
| I have been out of touch lately, so I offer my sincere apologies
| should I blunder onto any toes. So far as I can tell, Bryan Creer has
| not posted to this group since early
On Nov 30, 2004, at 7:54 PM, John Chambers wrote:
Phil Taylor writes:
| On 30 Nov 2004, at 06:52, Don Whitener wrote:
| I have been out of touch lately, so I offer my sincere apologies
| should I blunder onto any toes. So far as I can tell, Bryan Creer
has
| not posted to this group since
I have played a bit with Harmony Assistant and it does indeed look
promising ...
It's author wants $70.00 for it, which is probably not too bad, but I hate
to jump into another program without even knowing how its printed output
will look. The eval. version is very wounded can't save,
Isn't xemacs a unix only kind of thing? Not familiar with it, but I
remember the emacs editor from years ago.
Don
At 02:51 AM 11/17/2004, you wrote:
xemacs with abc-mode.el and then e.g. abcm2ps to produce printed output
To subscribe/unsubscribe, point your browser to:
I did have a brief chat with Laurie before his demise. That was quite a
loss to the world. He was very gracious and helpful. It's a shame MUSE
has not been picked up by someone else to support. It's still listed on
Hitsquad and Harmony-Central.
The OP wanted graphical input. Not many abc
No offense, Bernard, but $170.00 is more than I paid for Sibelius G7. I do
like that you said it never argues with you ... definitely something in
its favor!
Any chance you or a representative will be at Winter NAMM in Anaheim this year?
Don
You might want to look at my Music Publisher 5 (for
Do you use MS Windows, isn't it?
Look at:
http://www.xemacs.org/
http://www.xemacs.org/Download/index.html
(for XEmacs)
and
http://www.gnu.org/software/emacs/windows/ntemacs.html
(GNU Emacs).
Also get and read the emacs tutorials. The keystrokes are very different
from MS-Windows
Luis == Luis Pablo Gasparotto [EMAIL PROTECTED] writes:
Luis Is there anybody working on a Lilypond to ABC converter?
Why would you want to go that way? Just write it in ABC in the first
place. Then use the abc to lilypond converter if you want to add some
of the information that
Laura,
I have a few tunes I typed in Lilypond and I would like to convert them
to ABC because is more readable.
Regards,
Luis Pablo
Laura Conrad wrote:
"Luis" == Luis Pablo Gasparotto [EMAIL PROTECTED] writes:
xemacs with abc-mode.el and then e.g. abcm2ps to produce printed output
--On Friday, November 12, 2004 13:07:06 -0800 Don Parrish-Bell [EMAIL
PROTECTED] wrote:
This is probably off-topic, but I think the people on this list would be most
qualified to help me!
I have given up on Sibelius G7 as
On 17 Nov 2004, at 10:51, Iain (Jethro) Anderson wrote:
xemacs with abc-mode.el and then e.g. abcm2ps to produce printed
output
The OP wanted graphical input. Not many abc programs will do that -
offhand I can
only think of MUSE, which is very out of date and whose author is now
sadly
From: Phil Taylor [EMAIL PROTECTED]
The OP wanted graphical input. Not many abc programs will do that -
offhand I can only think of MUSE, which is very out of date and
whose author is now sadly deceased.
Harmony Assistant would be worth a try as a program to match his
requirements.
--On Friday, November 12, 2004 13:07:06 -0800 Don Parrish-Bell
[EMAIL PROTECTED] wrote:
This is probably off-topic, but I think the people on this list would
be most qualified to help me!
I have given up on Sibelius G7 as being tolerable as a notation entry
tool! It fights everything you
Have you looked at my program HARMONY?
It can do a lot of what you want, including points 1,2,3,5,6,8,and 9,
and can write the result in abc format
I am currently updating the notation entry by adding drag and drop from
toolbars - some of this is already in place.
Don Parrish-Bell wrote:
This
I'd be glad to check it out, Neil. Where do I download it from?
Don
At 12:26 PM 11/17/2004, you wrote:
Have you looked at my program HARMONY?
It can do a lot of what you want, including points 1,2,3,5,6,8,and 9, and
can write the result in abc format
I am currently updating the notation entry
On Fri, 12 Nov 2004 20:40:43 -0200, Hudson Lacerda [EMAIL PROTECTED]
wrote:
I didn't see in abcm2ps-4.8.0 documentation an explicit limit for the
number of temporary voices, or the difference between and .
[snip]
Yes, there are many lacks in the abcm2ps documentation!
There is no
I am currently working on an XML export capability for my program
HARMONY, but no promises when it will be ready!
Richard Robinson wrote:
On Wed, Oct 27, 2004 at 09:33:25PM +0200, Kristian Nrgaard wrote:
Does anyone know if abc2xml is a work in progress?
I myself miss support
John Walsh said:
For instance, the 2.0 standard says that one should start
the overlay at a barline. However, this might force one to
extend the segment further than absolutely necessary,
particularly if the barlines are sparse. The longer the segment,
the harder the proofreading.
On 12 Nov 2004, at 02:16, Richard Robinson wrote:
On Thu, Nov 11, 2004 at 11:23:59PM +, Phil Taylor wrote:
On 11 Nov 2004, at 20:32, Atte André Jensen wrote:
Hi
I'm wondering how standard the overlay operator is? Which programs
supports the following for instance:
L:1/8
| G3G- G2FG [C8D8] |
On Fri, Nov 12, 2004 at 10:35:11AM +, Phil Taylor wrote:
On 12 Nov 2004, at 02:16, Richard Robinson wrote:
On Thu, Nov 11, 2004 at 11:23:59PM +, Phil Taylor wrote:
On 11 Nov 2004, at 20:32, Atte André Jensen wrote:
Hi
I'm wondering how standard the overlay operator is? Which
The mirror cited here works fine for me, at least at the moment. Glad to have this resource functioning again.
/RWWT
On Friday, November 12, 2004, at 11:02 AM, [EMAIL PROTECTED] wrote:
Does anyone know of a mirror for JC's Tune Finder (and other scripts) at
On 12 Nov 2004, at 14:07, Richard Robinson wrote:
From usrguide.tex :-
the character is carried straight through to the TeX output and the
characters produce a \enotes\notes pair. Thus the input
DEFG ABcd A4 e2 c2| produces
[2 staves]
To explain this to those unfamiliar with MusicTeX, the
This is probably off-topic, but I think the people on this list would be
most qualified to help me!
I have given up on Sibelius G7 as being tolerable as a notation entry
tool! It fights everything you try to do!
I was wondering if anyone on the list has a recommendation for a program
that
Richard Robinson writes:
abc2mtex did something with it, didn't it ? But I forget the
details.
Yes, as a matter of fact, it did. I was just thinking
that what goes around, comes around, since this is now appearing
once again. (By the way, there's no worry about backward
compatibility
John Walsh wrote:
[snip]
A couple of questions.
If I read the abcm2ps documentation correctly, it's
possible to have two implicitly-defined voices on each staff
(making three voices in all) one gotten with and the other
with . (The limitation seems to come from the need to
On Fri, Nov 12, 2004 at 05:53:21PM +, Phil Taylor wrote:
On 12 Nov 2004, at 14:07, Richard Robinson wrote:
the character is carried straight through to the TeX output and the
characters produce a \enotes\notes pair. Thus the input
DEFG ABcd A4 e2 c2| produces
[2 staves]
To explain
Hi/
I recently signed up to this list, and to the digest. Could someone possibly point me to info on accessing the latter, so that I could catch up on current issues? Is there A FAQ, maybe? Thanks.
/RWWT
On Wednesday, November 10, 2004, at 01:34 AM, Remo D. wrote:
I realized that the overlay
http://www.mail-archive.com/abcusers%40argyll.wisemagic.com/
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
RWW Taylor
Sent: Thursday, November 11, 2004 7:33 AM
To: [EMAIL PROTECTED]
Cc: RWW Taylor
Subject: Re: [abcusers] Overlay operator [New]
Hi/
I
On 11 Nov 2004, at 20:32, Atte André Jensen wrote:
Hi
I'm wondering how standard the overlay operator is? Which programs
supports the following for instance:
L:1/8
| G3G- G2FG [C8D8] |
AFAIK only abcm2ps supports it at the moment. I intend to support it
in BarFly in due course.
Phil Taylor
On Thu, Nov 11, 2004 at 11:23:59PM +, Phil Taylor wrote:
On 11 Nov 2004, at 20:32, Atte André Jensen wrote:
Hi
I'm wondering how standard the overlay operator is? Which programs
supports the following for instance:
L:1/8
| G3G- G2FG [C8D8] |
AFAIK only abcm2ps supports it at
On 10 Nov 2004, at 06:34, Remo D. wrote:
I realized that the overlay operator is the only one that moves the
time backward.
I think the 2.0 standard is not very clear on this operator, I'll try
to summarize how it will implemented in ABCp, of course everything is
subject to discussions and
Phil Taylor wrote:
On 10 Nov 2004, at 06:34, Remo D. wrote:
3) overaly may occur on multiple measures
G(A | bc d | F)g -- d = A, F = b, g = c
No, I think the operator sets the time back to the bar line, so this
should be A=G d=b (bar doesn't add up) and g=F.
Or have I got the wrong end of
We use the ( ) construct all the time. We use
ABC to capture vocal music for doing rehearsal tapes.
There are many places in vocal music where a single part
(such as the Bass part) splits into two voices (Baritone
and Bass) for a short time (such as two four bar phrases).
Without the (
Ok, I'll try to implement both and ( ... ... ) . Hudson is right,
the latter only appears in the abcm2ps docs but Tom gave a good
example of how useful it could be.
I noticed that Tom used instead of , should I consider and as
synonyms?
I'll take Phil's suggestion of emetting an error
Very good sample!
It's noted that the source formatation (vertical alignment of the
corresponding measures) is crucial for reading.
Hudson
Tom Satter wrote:
We use the ( ) construct all the time. We use
ABC to capture vocal music for doing rehearsal tapes.
There are many places in vocal
Wil Macaulay wrote:
Yes, I do have a suggestion: if you really want to implement a
'generic parser', start by choosing a standard to implement. If you
want to suggest changes to the standard, do so as an independent
process. Otherwise you'll end up with a parser that only parses
non-standard
On Wed, Oct 27, 2004 at 09:33:25PM +0200, Kristian Nørgaard wrote:
Does anyone know if abc2xml is a work in progress?
I myself miss support for lyrics, and according to
http://home.austin.rr.com/johner/abc2xml/abc2xml.htm#features
there are a lot of other limitations.
I don't know for sure,
Yes, I do have a suggestion: if you really want to implement a 'generic
parser', start by choosing a standard to implement. If you want to
suggest changes to the standard, do so as an independent process.
Otherwise you'll end up with a parser that only parses non-standard abc...
having said
Neil Jennings wrote:
I still think my suggestion is more general, as it allows the internal
part name (one letter) to be totally independent of the displayed text
(Part description).
Remo's proposal would only allow one word (part name) to start with
each letter. Therefore if there was a part
My program would reject (ignore) any part specification longer than one
letter.
Your proposal could lead to ambiguous part specifications, if one name
matched part of another name.
I can see the need for the part specification to have two 'parts', one
the single letter identifier to be used in
On Mon, Oct 25, 2004 at 10:00:20AM -0700, Toby Rider wrote:
I'll communicate with the folks at mail-archive and let them know how to
get a feed from the list again, now that I've tightened up security and
squashed the spam problem (for now).
Thanks for doing that, it was getting to be a
Neil Jennings wrote (about Remo proposal):
My program would reject (ignore) any part specification longer than
one letter.
Your proposal could lead to ambiguous part specifications, if one name
matched part of another name.
Remo proposal (below) avoids ambiguity by distinguishing between
Em 25 Oct 2004, [EMAIL PROTECTED] escreveu:
My program would reject (ignore) any part specification longer than one
letter.
Your proposal could lead to ambiguous part specifications, if one name
matched part of another name.
Remo's proposal avoids the ambiguity by distinguishing the
I'll communicate with the folks at mail-archive and let them know how to
get a feed from the list again, now that I've tightened up security and
squashed the spam problem (for now).
Toby
On Thu, 14 Oct 2004, Remo D. wrote:
I'm happy to see that the list is back again.
The only problem I see
Oh, well, it seems it has already been fixed!
BTW. Thanks for having restored the list Toby!
R.D
Toby Rider wrote:
I'll communicate with the folks at mail-archive and let them know how to
get a feed from the list again, now that I've tightened up security and
squashed the spam problem (for now).
Thanks. I'll take as a sinonym for +slide+ then!
R.D.
John Chambers wrote:
Remo D. asks:
| I still have to fix parts and continuations with the latest suggestion
| but there's something else that I can do very quickly: can anyone tell
| me what the decoration J is?
In abc2ps, it produces the short
Because the P: text appears above the staff, people have mis-used it to add
comments which have nothing to do with parts.
In the tune header, it can have a formula such as (AB)2(AC)3
In the body, it must be just a single letter
HARMONY can play tunes according to the formula, including nested
Neil Jennings wrote:
Because the P: text appears above the staff, people have mis-used it to add
comments which have nothing to do with parts.
In the tune header, it can have a formula such as (AB)2(AC)3
In the body, it must be just a single letter
HARMONY can play tunes according to the formula,
Hudson Lacerda wrote:
It seems that you coded a line continuation similar to those of bash or C
That's what I did. Continuation gets reported (a T_CONTINUE event) and
the scanner stays in the same state.
[V:1] abcde \
[V:2] ABCDE \
[V:1] cdedc
[V:2] CDEDC
is equivalent to:
[V:1] abcde cdedc
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