Dear Rob et al.,
By rose brass I assume you mean the brass made by Malcolm Rose. I'm
not sure which one you mean, as he appears to have two types: Red brass
(a 90/10 mix of copper and something else, probably mostly zinc) and
English brass (a 70/30 mix of ditto).
I do not carry
Hi all,
Rob MacKillop just sent me a message to repost to this list. As an
owner of the original CD, I highly recommend this music. It is very
generous of him to make the mp3s and score freely available! (The
compositions are about half way down the page.)
AMH
As the record company who
Magic erection is possible!.
[1]http://graphique-com.fr/sites.friend.php?cgoogleId=08kj1
--
References
1. http://graphique-com.fr/sites.friend.php?cgoogleId=08kj1
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[1]http://www.finke-family.de/images/Cister.jpeg
Hello everyone, I am new here - my name is Claudia and I'm from
Germany.
I now have the above citter, which is a handmade instrument only used
for the recording of an album. Does anyone know whether I can use
literature for luths
On 21/06/2011 16:03, Claudia Finke wrote:
[1]http://www.finke-family.de/images/Cister.jpeg
Hello everyone, I am new here - my name is Claudia and I'm from
Germany.
I now have the above citter, which is a handmade instrument only used
for the recording of an album. Does anyone
Dear all,
I am proud to announce that I heard from John H. Robinson today that he
has arranged for the Houghton Library at Harvard to make a digital copy
of the complete Otley Cittern Book [US-CAh Mus.181] and for them to
post it on-line on their website for all to see.
The
Dear friends,
I wish to all Of you all the best for this new year 2011!
Rgds,
Damien Delgrossi
Envoyé de mon iPhone
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I visited this museum in the summer. They have an english guitar by Longman
Broderip (mentioned in the norwegian language info) that looked very much like
the one in this link:
http://www.studia-instrumentorum.de/MUSEUM/ZISTER/0628.htm . The info also
named
Nicolai Benjamin Aall and his
http://www.youtube.com/watch?v=wbRPlJxGbXw
Stuart
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An Allegretto from Merchi's Dodici Suonate (1765) Sonata III for solo
guitar
http://www.youtube.com/watch?v=mFezGHDyvYo
and an Allegro non Tropo [sic] from Noferi's Six Sonatas or Lessons for
the guitar (c1775)
http://www.youtube.com/watch?v=Ojh60MFFAoM
Stuart
To get on or off this
You have a very nice sounding cetra, Stuart.
I suppose you remember that Ford cautions about getting a well-fretted
instrument - the Hintz I used
to have had a very flat 7th fret, certainly not something from any
temperament that I've ever heard.
Eventually, I had it it redone.
It's not
http://www.youtube.com/watch?v=7rEWuClKCD4
A Siciliana by the rather dubiously named Ghillini di Asuni who
published a few books, right up to the late 1780s.
Stuart
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Greetings from the Alps!
I'm going to be in Michigan in January - I have a few gigs between there
and Ontario. If you would like to
have me play, do a workshop, or give a lecture/concert during that time,
please drop me a line and let me
know.
Thanks,
Doc
ro...@cetrapublishing.com wrote:
Nice to hear someone else playing Ritter! I think his music is
interesting, but I also think you're short changing Schumann and
Straube. There is actually quite a bit of writing
that accompanies itself even if, on paper, it doesn't appear so. Have
a play
ro...@cetrapublishing.com wrote:
Nice to hear someone else playing Ritter! I think his music is
interesting, but I also think you're short changing Schumann and Straube.
There is actually quite a bit of
writing
that accompanies itself even if, on paper, it doesn't appear so. Have a
play
ro...@cetrapublishing.com wrote:
Nice to hear someone else playing Ritter! I think his music is
interesting, but I also think you're short changing Schumann and Straube.
There is actually quite a bit of
writing
that accompanies itself even if, on paper, it doesn't appear so. Have a
play
I can suggest two things to look at to resolve intonation issues. First,
have a look at the nut. Do the
strings lay in the grooves properly? It could be that the top of the nut is
curved or that the grooves are
not cut properly, so that some or all of the strings don't lay in the
groove right up
ro...@cetrapublishing.com wrote:
I can suggest two things to look at to resolve intonation issues. First,
have a look at the nut. Do the
strings lay in the grooves properly? It could be that the top of the nut is
curved or that the grooves are
not cut properly, so that some or all of the
A couple of Scottish tunes from Bremner (1758)
http://www.youtube.com/watch?v=7HlQPIP22-s
Stuart
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Apart from a couple of publications for a guittar in A (Marella) and one
or two for a guittar in G, the repertoire for the English guitar/guittar
is in C. And the tutors and instructions all agree on the tuning of the
instrument to a C major chord: c-e-g-c-e-g. Some surviving instruments
even
Read and weep...
Ed Margerum
- Forwarded Message -
From: G Chew
To: musicology-...@jiscmail.ac.uk
Sent: Thu, 14 Jan 2010 19:04:09 + (UTC)
Subject: [MUSICOLOGY-ALL] Fw: Closure of Victoria and Albert musical
instrument collection
Forwarded from the
I'm wondering if anyone knows if there are any depictions of English
guittars -- either woodcuts or engravings -- from contemporary
treatises or music books? I can't recall ever having seen any, but it
doesn't mean they don't exist
I'm looking specifically for line-art -- something that is
Sure. Bremner's 'Instructions' has a drawing of a guittar, curiously
with only three double strings and three single basses. Geminiani also
has this image, but his guittar work was also published by Bremner. By
the way, Bremner's son, also called Robert, studied guittar with
David van Ooijen wrote:
Surfacing on this list once in a while: questions about the Nanki
Music Library in Japan. Now they have put some of their books on line:
http://note.dmc.keio.ac.jp/music-library/nanki/
I don't see the mss available yet, but 500 printed works should keep
us happy for a
Hello all,
just to let you know, I've listed an English Guitar on EBAY, as I don't
think I'm going to get around to restoring it.
christopher
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Hey Stuart,
I had my 7-course guittar built after reading Bland's book years ago.
There is a 7-course Preston in Paris. I use Ritter's tuning for some pieced
as well - it does make a few fingerings a little more logical. Don't forget
that Oswald suggests tuning in G as well, suggesting that
James Tyler wrote:
Hi Stuart,
Highly interesting info about Bland, Marella and Ritter. I looked out my photocopy of the Ritter
Lessons which was taken from the late Bob Spencer's Collection. It is a later edition
published by Longman Broderip (ca. 1770). No mention on the title page of
EnvoyA(c) de mon iPhone
DA(c)but du message transfA(c)rA(c) :
ExpA(c)diteur: eBay [1]e...@ebay.fr
Date: 29 septembre 2009 10:35:19 HAEC
Destinataire: [2]damien.delgro...@orange.fr
Objet: Vous pouvez encore remporter l'objet CITARA - CISTER - CITTERN -
CITHER (260480812480)
Damien Delgrossi wrote:
http://cgi.ebay.fr/ws/eBayISAPI.dll?ViewItemitem=260480812480ssPageName=ADME:B:WNA:FR:1123
Envoyé de mon iPhone
How much did it sell for, Damien?
The photos were quite dark and it was hard to see details. It looked
like a nice instrument but was it a made from a
I've now added modern folk cittern arrangements of my
Twenty-Five 17th-Century Scottish Tunes
to the website: [1]www.RMmusicpublications.com
On that page follow the link for 'more info' and you will find a free
piece from the edition. The full edition will cost you a mere -L-5 (5
Stuart Walsh wrote:
Thomas Thackray (of Skeldergate, York) - 'linen weaver and musician'
(!) published music for the guittar in the 1760s and 1770s. There are
records of him playing with other musicians as far back as 1733 (in
the Assembly Rooms in York) but no record of what instrument he
Hello Stuart,
Beautiful music. that is the first time I listen Thackray's music and I like
it very much. Congratulations for the interpretation, you're really a great
guittar player!
Thanks again,
Damien
- Original Message -
From: Stuart Walsh s.wa...@ntlworld.com
To: cittern
Oups, I wanted to watch it again and youtube said : the use deleted the
video...
- Original Message -
From: Stuart Walsh s.wa...@ntlworld.com
To: cittern list cittern@cs.dartmouth.edu
Sent: Tuesday, September 08, 2009 1:11 AM
Subject: [CITTERN] Thomas Thackray
A little bit is
Damien Delgrossi wrote:
Oups, I wanted to watch it again and youtube said : the use deleted
the video...
Damien
Thanks for your comments. It really was a bit rough - even for me!
(Especially the first tune, the second was OK enough). I'm uploading a
Lesson by Thomas Thackray at the moment.
Thomas Thackray (of Skeldergate, York) - 'linen weaver and musician' (!)
published music for the guittar in the 1760s and 1770s. There are
records of him playing with other musicians as far back as 1733 (in the
Assembly Rooms in York) but no record of what instrument he played.
Haxby
A little bit is known about Thomas Thackray and his life as a musician
in Yorkshire in the second half of the 18th century. He published
lessons and airs for the guittar (English guitar). His Forty Four Airs'
have simple duets as well as solos. The duet format for English guitar
with a second
Most of Telemann's cantatas have a BC part for a Gallichon. My view is
that they are for the large continuo instrument in A (string length in
mid 90s) rather than the smaller instrument in D also known as mandora
(some sources use the two names interchangeably) with a string length
Frank Nordberg wrote:
I just stumbled across the Telemann biography at HOASM:
http://www.hoasm.org/XIA/XIATelemann.html
It says:
..
by the age of 10 he had teamed to play the violin, the flute, the
zither, and keyboard instruments.
..
No sources are quoted.
Does anybody know anything about
Frank Nordberg wrote:
A connection between Telemann and the mandora is news to me though.
Martyn?
Stuart
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The Bacheler Consort plays Pacoloni :
[1]http://www.youtube.com/watch?v=OJa0byWuhpU
--
References
1. http://www.youtube.com/watch?v=OJa0byWuhpU
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I've just uploaded my first 'guittar', English Guitar, 18th-century
cittern, cetra video!
[1]http://www.youtube.com/watch?v=WW-KR3yRNjUeurl=http%3A%2F%2Fwww%2E
youtube%2Ecom%2Fuser%2FBalcarresGuyfeature=player_profilepage
The poor instrument had lain unplayed for a few years.
Great playing as always, Rob. I hope this means you'll continue to
play the guittar more often.
Doc
On Aug 24, 2009, at 6:40 PM, Rob MacKillop wrote:
I've just uploaded my first 'guittar', English Guitar, 18th-century
cittern, cetra video!
As we say in my country : Era Ora!!! :-)
Congratulations and thanks for sharing it!
Damien
- Original Message -
From: Rob MacKillop luteplay...@googlemail.com
To: Cittern cittern@cs.dartmouth.edu
Sent: Monday, August 24, 2009 6:40 PM
Subject: [CITTERN] guittar video
I've just
Rob MacKillop wrote:
I've just uploaded my first 'guittar', English Guitar, 18th-century
cittern, cetra video!
[1]http://www.youtube.com/watch?v=WW-KR3yRNjUeurl=http%3A%2F%2Fwww%2E
youtube%2Ecom%2Fuser%2FBalcarresGuyfeature=player_profilepage
The poor instrument had lain
On 24 Aug 2009 18:08, Doc Rossi ro...@cetrapublishing.com wrote:
I hope this means you'll continue to play the guittar more often.
I've no idea. No plans for it. Mainly playing the banjo these
days...hanging out at the ning minstrelbanjo site and the ning
classic-banjo site. I
I've just uploaded my first 'guittar', English Guitar, 18th-century
cittern, cetra video!
[1]http://www.youtube.com/watch?v=WW-KR3yRNjUeurl=http%3A%2F%2Fwww%2E
youtube%2Ecom%2Fuser%2FBalcarresGuyfeature=player_profilepage
The poor instrument had lain unplayed for a few
Bravo! You're a great 18th Century wire-strung guittar player! andy
r
On Mon, Aug 24, 2009 at 12:40 PM, Rob MacKillop
[1]luteplay...@googlemail.com wrote:
I've just uploaded my first 'guittar', English Guitar,
18th-century
cittern, cetra video!
Andrew Rutherford wrote:
Here's the quote from Hintz, from the Public Advertiser, Mar 17, 1766:
that he has, after many Years Study and Application in endeavouring
to bring this favourite Instrument the Guittar (being the first
Inventor) still to a greater perfection in regard to tuning and
Thank you for this and especially for reminding me of the Moravian
church (in particular the missions to North America in the 18thC).
This spurred me to search more about it and I see that it was indeed
originally located in Bohemia and Moravia but that after counter
reformation
Dear Andrew,
Further to this, I see two pages with music are missing:
1. That containing Chorales 32 - 35 (fol 8v?)
2. Containing polonaises 9 - 10 (fol 17?)
I see they're mentioned in the MS description which you also kindly
copied.
Martyn
--- On Tue, 18/8/09,
I'm assuming that the sentence in the intro to Moravian Choralbuch, here:
http://www.cittern.theaterofmusic.com/musicfiles/index.html
The manuscript and its music may not be reproduced or published without
the consent of the Moravian Archives refers to the music notation, not
attempts - puny
Re the cittern and the Moravians, Lanie Graf published something in a
recent Moravian Archives journal all about citterns, Moravians and
Frederick Hintz, the furniture maker turned guittar maker. You can
find the relevent (sp?) info on her ning page.
By the way, Hintz claimed to
Bravo!
I agree about the order of difficulty business. That came from
somebody's doctoral thesis that briefly mentioned this MS...
andy r
On Tue, Aug 18, 2009 at 1:55 PM, Stuart Walsh [1]s.wa...@ntlworld.com
wrote:
I'm assuming that the sentence in the intro to Moravian
Dear Andrew and Stuart,
Having just now looked at the tablature, I wonder if the the instrument
intended was in fact the mandora rather than the cittern. Altho' most
mid-18thC mandora tunings are similar to the 'spanish' guitar intervals
(except mostly for only a tone between 5th
In the Storm Ms. you will see the 11 or || (two vertical strokes)
in some of the pieces. The #2 Menuet, for example, uses that symbol
in the second section.
-- R
On Aug 17, 2009, at 1:59 PM, Stuart Walsh wrote:
Martyn Hodgson wrote:
Dear Andrew and Stuart,
Having just now looked
Stuart Walsh wrote:
I haven't seen many mandora tablatures but I agree that this Moravian
tablature looks very similar. Couldn't that be just the tablature
style of the time and place - whatever the instrument?
Probably. I can't see any reason why tablature notation style would
differ
Frank Nordberg wrote:
I have kept the post where Andrew R. first brught up the Moravian ms.
He said:
There is a book of chorales in tablature from c.1750 in the Moravian
Archives in Bethlehem PA, that may be for cittern.
In other words, he wasn't at that time absolutely sure what instrument
Stuart Walsh wrote:
I'm not joined up to this ning thing
I can undrstand that. I too prefer the maillist. ;-)
- and so I'm in the position of
anyone searching the Internet for information on citterns - the
information is hidden. Is the instrument in the ning photo (and,
presumably in the
Andrew Hartig wrote:
Dear all,
Some time back Andy Rutherford had told us about a manuscript book
(BMB4) in the Moravian Archives of Bethlehem, PA (USA) for 6-course
cittern, tuned GCEgbe. Andy managed to get over there to take some
photos, and after quite a few emails with the folks at the
I will need to check with Lanie Graf about the rights for performance.
I think it may be a semantic issue of what qualifies as music. I
believe the permission should be sought only for the reproduction of
the tablature (music) of physical manuscript (e.g. you would need to
seek
Dear all,
Some time back Andy Rutherford had told us about a manuscript book
(BMB4) in the Moravian Archives of Bethlehem, PA (USA) for 6-course
cittern, tuned GCEgbe. Andy managed to get over there to take some
photos, and after quite a few emails with the folks at the Moravian
Archives, I
Andrew Hartig wrote:
Dear all,
Some time back Andy Rutherford had told us about a manuscript book
(BMB4) in the Moravian Archives of Bethlehem, PA (USA) for 6-course
cittern, tuned GCEgbe. Andy managed to get over there to take some
photos, and after quite a few emails with the folks at the
Stuart Walsh wrote:
Andrew Hartig wrote:
Dear all,
Some time back Andy Rutherford had told us about a manuscript book
(BMB4) in the Moravian Archives of Bethlehem, PA (USA) for 6-course
cittern, tuned GCEgbe. Andy managed to get over there to take some
photos, and after quite a few emails
Andrew Rutherford wrote:
I'm trying to find out how much music there is for citterns in this
tuning.
There doesn't seem to be much known music for Hamburger Cittrinchen in
any tuning.
James Tyler mentioned on the ning group that he's working on compiling
lists of music for various
Dear Cittern Bunch,
A while back I put up a notice about a tablature Choralbuch in the
Moravian archives in Bethlehem, PA. It's for an instrument tuned
nominally GCEgbe.
I'm trying to find out how much music there is for citterns in this
tuning. All I know of is the Edvard
Andrew Rutherford wrote:
Dear Cittern Bunch,
A while back I put up a notice about a tablature Choralbuch in the
Moravian archives in Bethlehem, PA. It's for an instrument tuned
nominally GCEgbe.
I'm trying to find out how much music there is for citterns in this
tuning. All
It's a simple instrument with a repertoire mainly for amateurs - but
it's definitely an instrument with 'issues'. To me, it seems to
combine two opposites: a mechanical instrument like a music box
...and a badly behaved set of bagpipes.
Classic Eeyore commentary. Cheer up,
Seems to have an odd bridge, but it is difficult to see it clearly. Is
it original?
No I don't think it's original, and it's quite high so it would be
difficult to play with the little finger planted on the soundboard. But
I can't play that way, anyway.
Seriously, Stuart, it really
Some attempts at some pieces:
http://www.youtube.com/watch?v=yquqU2Towi0
http://www.youtube.com/watch?v=QwcF8u-LqR0feature=channel_page
http://www.youtube.com/watch?v=EWiSoQTKk0ofeature=channel_page
It's a simple instrument with a repertoire mainly for amateurs - but
it's definitely an
Nice work, Stuart - I especially enjoyed the Noferi.
Doc
On Jul 27, 2009, at 12:27 AM, Stuart Walsh wrote:
Some attempts at some pieces:
http://www.youtube.com/watch?v=yquqU2Towi0
http://www.youtube.com/watch?v=QwcF8u-LqR0feature=channel_page
Replying to Damien's enquiry about citole tuning's, I suspect that the
current answer is that we don't know, and that it probably varied
between musicians.
Christopher Page suggests that d, a, d', g' (Voices and Instruments of
the Middle Ages, 1987) is likely for the citole and other
Hello everybody,
Since cittern ning group has opened, the mailing list is becoming dead, or
zombie! :)
I am going to ressusitate it for a small question :do we know how was tune
the citole? If not, do we have an idea to find a correct tuning?
The citole I have seen are tuned from low to
Thanks Stuart, for the pretty pictures.
Probably everybody knows that drawings are available of the three
citterns shown? On the left, Gasparo da Salo, Brescia, 11 pegs, so
probably five courses 2+2+3+2+2. Unfortunately the fingerboard was
replaced by the Hills and is now in equal
Citterns in the Ashmolean. Lots of other plunder in this museum.
http://www.pluckedturkeys.co.uk/cittern/
Stuart
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On his cittern ning website:
http://cittern.ning.com/profile/TimoPeedu
Timo Peedo has photos of 3 different citoles.
citole 1 (photos 3 and 4): looks like a reconstruction of the British
Museum (Warwick Castle 'gittern') instrument - but simpler. Kate
McWilliams was at the last Early Music
Hi everybody,
I was thinking for a moment to establish a list of english guittar players
and makers.
Musicians :
Doc Rossi
Rob McKillop
Pedro Cabral
James Tyler
Andy Rutherford
Taro Takeuchi
Robin Jeffrey
Stuart Walsh
David Kilpatrick
Robert Mouland
Steve Player
Martin Best (not sure)
Gabe
Hello Peter,
This postcard shows the famous cretan duet Lira-Bulgari or Lira-Laouto,
still popular today. But I agree that the shape of the plucked instrument is
a cittern shape. I don't know if this picture wants to show a cittern, I
don't think so.
But it makes me thinking to a corsican
Dear all,
Two weeks ago I spent some good times with a Cretan group who was on tour in
Corsica. They played many Cretan and Greek flutes, Laouto (Cretan
wire-strung lute similar to italian mandoloncello), Bulgari (built by ning
member Dimitris Rapakousios), Lavta (Constantinople Lute, more or
Hi Damien,
there is a considerable body of literature from venetian Crete, especially
theatre plays but also poems. Most of it got printed in Venice back in the 17th
century and there are modern editions around as these texts are still
appreciated. I can't remember of the top off my head of
Hi Damien,
I hope this works. I attach a photo of a postcard sent me some ten
years ago from Crete by Patrick Delaval. It seems to be evidence that
citterns were at least still a folk-memory, even if not still in use.
Best wishes,
Peter
On 28 Nov 2008, at 20:13, Damien Delgrossi wrote:
To my knowledge, The Dartmouth list does not support attachments... The
Ning site is a good place for them, and I am always willing and happy to
post them via my cittern site if needed.
-A:
Hi Damien,
I hope this works. I attach a photo of a postcard sent me some ten
years ago from Crete
Frank Nordberg wrote:
I got a reply from Britta Peterson at the Stockholm Stadmuseum. The
reason why she was unable to answer right away turned out to be that
the musueum don't actually own the cittern. They have it for a long
time from another museum (the Swedish Historical Museum) and was
(did Rob mentions this instrument sometime?)
I don't think so...which doesn't mean I didn't...can't remember what I
had for breakfast this morning...getting old...
Rob (I think)
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A very interesting thread. Just expressing a few doubts here!
The Moravian Archives in Betlehem, PA. They have a c. 1750 book with
chorales in tablature for that tuning and also a lute-cittern from the
same time period. Andrew Rutherford posted a message about it on this
group about a
Stuart Walsh wrote:
A very interesting thread. Just expressing a few doubts here!
Indeed. Hope everybody agrees, cause this may go on for a while. ;-)
It would be really interesting to see some scans of the chorales form
the Moravian Archives.
Me too. That would be really helpful.
Secondly, you guys are a tough audience! !
My apologies for that comment -- I must have been feeling vulnerable
the day I wrote it.
I have appreciated the feedback, ideas, debate, and suggestions made
both on- and off-list.
-- Rocky
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Mjos Larson wrote:
Secondly, you guys are a tough audience!
My apologies for that comment -- I must have been feeling vulnerable
the day I wrote it.
No need to apologise to me.
If anything I should apologise to you. I got Fichte's triad
(thesis+antithesis=synthesis) so well drummed
Frank Nordberg wrote:
Starting yet another thread on this topic... ;-)
I've had a closer look at Bellman's cittern and also re-read Michel's
article on the Hamburger citrinchen and here is what I've found so far:
1. Tuning
The Moravian GCEGBE tuning Andrew Rutherford asked about, is
I've been hunting through 19^th-century Scottish newspapers, and found
the following interesting snippet:
LONDON TUESDAY, MAY 15, 1849
The Prussian Minister and Madame Bunsen entertained last Friday at
dinner the Duchess of Sutherland, the Duke and Duchess of Argyle, the
Stuart Walsh wrote:
I wonder if the instrument was some kind of metal-strung waldzither or a
gut-strung something like this:
It's hard to say for sure but the latter seems marginally more likely.
Frank Nordberg
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Frank,
First of all, thank you for sharing the Ms pages and writing posting
the background information on instruments and suggestiion that the
Ms. could be viewed as part of the Danish or German tradition.
Secondly, you guys are a tough audience! !
I started this post a few days ago so I
Thanks for posting the sound file, Stuart. Nicely played!
I thought the first section has some similarities to Van Eyck's Wat
zalmen op den avond doen.
Ruth van Braak Griffioen list a number of cognates, including German
versions (Was wölln wir auf den Abend thun). Lute versions in German
About posting the same message to two lists ... well
I try to make that difficult for several reasons. One
is the feeling that it negates point of multiple lists.
The other is technical. You see, the list robot can
only direct a posting to one list. If you have
two list addresses on the To:
I've been hunting through 19^th-century Scottish newspapers, and found
the following interesting snippet:
LONDON TUESDAY, MAY 15, 1849
The Prussian Minister and Madame Bunsen entertained last Friday at
dinner the Duchess of Sutherland, the Duke and Duchess of Argyle, the
Stuart Walsh wrote:
Frank, it did appear on the vihuela list.
Good. Apparently neither your original post nor my reply appeared on the
cittern list though, so I suppose everybody here are a bit confused what
it's all about right now. ;-)
Quick summary: After I mentioned the Storm ms. here
Hello,
I don't find any video featuring cittern music.
Damien
- Original Message -
From: Eleanor Smith [EMAIL PROTECTED]
To: cittern list cittern@cs.dartmouth.edu
Sent: Wednesday, October 22, 2008 10:54 PM
Subject: [CITTERN] Further from Ferries ...
Another three videos up of
Martyn Hodgson wrote:
Could anyone kindly let me have copies of contemporary arrangements (ie c 1772)
for 'English' guitar of music from 'The Brickdust Man' by Charles Dibdin (1745
- 1814). Preferably facsimile but anything welcome!
Martyn Hodgson
A quick glance at the BL's online
Could anyone kindly let me have copies of contemporary arrangements (ie c 1772)
for 'English' guitar of music from 'The Brickdust Man' by Charles Dibdin (1745
- 1814). Preferably facsimile but anything welcome!
Martyn Hodgson
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Many thanks Stuart,
I had already searched the BL catalogue but thank you. I do have the score and
I can of course make my own arrangement for the 'English' guitar but wanted to
see the contemporary arrangement which was published and, I believe, extant if
not catalogued, to compare with
I think the tuning is similar to one of Kremberg's, near the turn of
the century. I have to check. No doubt Martina will have some info.
doc
On Sep 27, 2008, at 12:40 AM, Andrew Rutherford wrote:
Hello citternophiles,
There is a book of chorales in tablature from c.1750 in the
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