I wish there was a way to have a keyboard toggle or hot key to tell
Finale select partial or full
iKeys
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maybe you can just shift the passage back/forwards a beat?
I WILL NEVER USE PARTIAL MEASURE AGAIN
bob, just double-click to select the entire measure for the
individual staff; triple-click to select the entire measure across
ALL staves.
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lying programming though. in any case, you should send it
to the support people, and if you get back anything other than the
stock phrase "thanks, i have sent this on to our developers. let me
know if there is anything else i can do for you," please let us know
8^)
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shirling &
on.
i'm no jazz expert, but my understanding is that the specificities of
timing the attacks (as a group) - on, slightly before/after the
"real" (notated) metric position - are derived through an
understanding of the "felt" vs. notated measures, and that such
thing
,
jef
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ing", bot there are other
methods for playing this kind of theater.
these would be marionettes, no? although i'm not
sure if the term would be used (in english) in
this context, probably puppet show is the right
term.
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http://www.concertpitchpiano.com/GrandActionModel.html
any other links?
cheers,
jef
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I only know the usual things - harp, strings, hammers, cat ...
how'd *that* get in there?
don't know, but i suggest you close the lid and play some chopin.
maybe start with nocturne Bbmin to get it warmed up...
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does anyone have any links to diagrammes or images of the inside of a
piano? i need something (for reference) which names many of the
components - capo bar, treble bridge, duplex bar, etc.
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i seem to recall them being part of a font set somewhere, sometime,
but can't remember which.
I'm sure this has been covered sometime in the past, but is there an
easy way to find (rather than try to create myself) Schoenberg-style
Haupt- and Nebenstimme symbols?
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tempting to address the
inherently complex and very problematic nature of
the terms...
is my description open, or closed?
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barbara,
Why aren't _all_ expressions that I tweaked orange, only the ones I
Ctrl-clicked?
it depends on where you move them (in score/parts); everything is
explained in the manual, pp 37-5 to 37-7.
it takes some getting used to, needs to be read first.
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ession. read the
linked parts section in the manual, esp. pp. 37-5 to 37-7.
there are a number of options in the control menu, some with keyboard
chortcuts.
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_
I have a polyphonic (piano) staff, where the soprano rests for a
whole measure, while the alto part plays. The piece is in 2/4.
Should that rest be a centered whole measure rest, or a left aligned
half rest?
centred, without question.
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it in awhile (since 2005 i think), so check.
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problems they encountered would
not have occured.
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But when I open them in 2007c, the measure numbers have returned,
although they do not print.
ah, i haven't had any problems restoring defaults in 2007, but
haven't tried in 07c.
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.
if that doesn't work... hm. very peculiar.
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since they are
"normal" notes in this context. if you prefer them at a smaller
percentage (eg. 75%), the heights of the beams will have to be
adjusted accordingly, and you will have to adjust the horizontal
positioning of the first note in the group manually.
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shirling & neue
e are many reasons why the "convention" might not be feasible, as
in the example i posted a little while ago. ferneyhough's writing
would certainly encourage some creative compromises... check out time
and motion study 2 for vc. heh heh. good times.
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n), which isn't the case if you use
several small gliss lines between each pair of notes.
position the line to cut across exactly where the noteheads would be.
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ibed above.
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o-note glisses
that cross each other... cellists love those, write lots of them).
see mm 420/432:
http://www.savefile.com/files/515562
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ote in the score where it occurs.
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it sounds like you selected the wrong (the stem with arrowhead
upwards) special tool; try the one with three stems and noteheads
there is also a TGTools plugin to remove all stems in the selected
region, and optional simultaneous break beams
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a smokin' hot, pounding muthaf of a piece.
une ostie d'bonne tune
en français (de la france) je ne crois pas qu'il
existe une expression avec la même "couleur"
d'expression, par exemple, "putain, mais c'est
bon" fait pas l'affaire pas e
ot;flipped"; use min 12 EVPU
default vertical positioning.
you might even want to define a new artic for use with rests, they
don't centre the same way as for notes.
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the staff is how you do this and if they overlap each other...
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y new complexity time sig.
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t; venues
underestimate the real situation. i'm sure the more public venues
at that time were just as bad as the jazz gigs a friend has told me
about. (eg. some guy with massive cigar right next to him, him
blowing harder to try to get the guy to shut up, the guy talking
louder so he co
hey vern, no worries, it pisses me off too.
cheers,
jef
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Now that is interesting! How did you do that?
shirling & neueweise wrote:
my tinnitus is far less obtrusive than it was in the
past, and some tinnitus sufferers manage to escape it entirely
(after years of care).
a change of working environment did most of it, i used to work on an
L
era is not the only one plagued by
inattentiveness. the reasons are quite different, admittedly, but it
certainly isn't as black and white as you are suggesting.
do you really think the drunk saloon patrons in the late 18th were
more respectful of the musicians' playing than the dr
ve never "finished" a job without insisting on
a thorough proofing by the composer.
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t the same time, while pissing with the radio... she was surprised
to find out later her kid had ADD.
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I have abandoned Finale 2K7 until I read some positive feedback
about the yet to be released fixes, which allow the software to work
as advertised. (or at least as well as Finale 2K6)
please let makemusic know about this (with or without the weapons).
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!); mensurstriche seems to function fine after all.
noone panic.
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or 19+1/32 or 39+1/64 or...
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normally, but 2007 seems to have weirdness.
again, using your example, the upper staff of a mensu-defined group
for me also has a barline through the staff.
i'll send you an example separately.
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g parts or score!?
wow, that sux.
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(F2007) and the barline on the upper
staff (of 2) still shows, but not on the bottom. do you get the same
thing?
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instruments in each part as simultaneous cues.
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ugh i don't think it
should matter, the fonts are from 1993...
does it work if you copy from word or something, paste the lyrics and
then click-assign?
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_
Yes it's possible, but No, it's not easy.
david, although i was excited to hear your comments, i don't think
this works, i just tried it. i set up the two regions, and when i
opened the part and redefined the regions, the changes were reflected
in the score as well.
none of this is possible. please express your grief over this issue
to finale support, it is an unacceptable oversight and needs to be
corrected. the suggestions i sent to them in december would allow
you to do all you are asking.
At 03:16 +0100 12/15/06, shirling & neueweise w
10.3 but can work with it in 10.4; trying
replacing the fonts with themselves in finale (data check)?
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acing.
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always above.
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sibly to likely guarantees no future
problems, or do it in a way which is sure to avoid problems, fussing
and having to reprint because you will have forgotten this small
detail by then.
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nd as well; except why wouldn't
you assign it to the first beamed note, guaranteeing proper placement
even with positioning adjustments to the grace note(s)?
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non-Unicode).
suggest that your client check out and proofread according to this
chart (the classic chart for IPA):
http://en.wikipedia.org/wiki/Image:IPA_chart_2005.png
most people make many errors using IPA.
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the complexity of the cue,
but i think it is much easier than the other solutions, and doesn't
alter the measure structure of the piece.
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, it was jef
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Finale 2007c is available
Hyphens are fixed apparently.
and, that's all.
nice.
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people I want to contact cannot be found with my attempts at
Googling them; probably because they don't want to be found.
or because they receive 400 other such emails per week and so don't
post their email address.
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27;re called) PI in recent versions of finale can help,
they have some retrograde and inversions and other functions.
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nyone know of a plugin that will rotate pitches around given
note (duration) values?
e.g. in an existing excerpt of music, I want to push all the pitches
2 notes to the right, while maintaining the existing rhythm.
This seems like it would be a doddle for a plugin (hence the question)...
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built-in programmes surpass both well-established
software apps in use by the community it seems to be martketed to.
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s the ball object thingy too (what the hell use are
they except to show off?)
http://www.jazzmutant.com/videos/Multiballs.mov
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google: "musical terms MS MD"
Mano destra M.D.
The right hand
Mano sinistra
M.G. or M.S.
The left hand
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ccordingly; when you punched it, it fell off the stand and
broke.
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come, for sure, but i repeat, nothing new or unexpected,
really.
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technicians with crowbars will be visiting the
colleges in Quebec soon to adjust the pianos by
removing the extraneous notes and moving the
neighbouring notes over to fill in the gaps.
(ok you flushed out the reformist insider on the list... heh heh heh)
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r computer. strangely there was no mention of
its use with photoshop, iTunes, MS word, eudora, outlook, blah, blah,
blah.
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vertically (visually) across the entire
ensemble in the score (in whihc case 8th rest + 8th_q_8). if solo,
or small chamber group however, this should be fine.
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ou. they don't
know how to read modern interpretations of gregorian chant durations,
so don't expect them to "get" this.
8th rest + dotted-q_|_8th
if it only happens once, you might prefer:
8th rest + 8th_q_|_8th
_ = tie
| = barline
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and the publisher suggested (it
seemed to be open to discussion, judging by their wording) a token
payment of $100USD. i never paid them... because i burned the piece.
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c, there was a
brilliant sketch on the decabet, the new 10-letter alphabet -
proposed by tim kazurinsky, early SNL - when the US was set to go
metric.
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_
splayer.cfm?key=j_han&flashEnabled=1
A friend of mine has attended some of the TED conferences, and
mentioned this particularly interesting development. Of course, the
implications for computer software development are fascinating, but
I think in particular for Finale users.
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http://tech.groups.yahoo.com/group/sibelius-list/
send us a postcard.
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problems.
flooding the already inefficient support team with unproven and
perhaps flagrantly erroneous claims about the wrongness of this or
that aspect of the programme's (non-)functioning is only going to
make it more difficult for real problems to be addressed.
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intended to be heard against the pre-established 7/4
(in quarters)? or is it in fact separate measures of 6/8 and 4/4?
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What would the settings with EDUs be which would give the same
effect of 2/dotted-quarter + 4/4 and yet would show 6/8+4/4?
2/1536 + 4/1024
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is faster and clearer to not use EDUs.
i don't really care either way, whatever gets yer clock tickin'.
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d beam grouping.
more choices: use a different time sig for display
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issue is that the time sig does NOT reflect what is beamed.
that's another question though.
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rather manually fix the sixteenth note beams or the
eighth note beams).
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s will have to be done for the
next performance anyways. and i seriously doubt
that the orchestra that played from the parts i
did will do it again; in fact maybe they really
shouldn't be playing new music at all.
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ber i do almost exclusively new music, and the layout
concerns, because of the different nature of a number of aspects of
the notational demands, make excellence in layout sometime a
particular problem in smaller formats.
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oklet form?
i tape so that the sticky bit is inwards, if you open to the middle
of the part, you see the prongs of the staples and the tiny exposed
bit of tape. but i get the impression that you are doing it
differently...?
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mail
b the
part on the binding (to hold it centred) and staple twice in the bind
with one of those long-armed staplers.
simple, effective, flat, lies flat. don't remember exactly but i
think i did 62 parts (~3 pairs of pages avg.) in around 2hrs.
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dll?ViewItem&item=320039477008&ssPageName=MERCOSI_VI_ROSI_PR4_PCN_BIX_Stores&refitem=32548334&itemcount=4&refwidgetloc=closed_view_item&refwidgettype=osi_widget#ebayphotohosting>
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quite sturdy.
it is also WAAAY cheap.
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he subject...
have you considered submitting a complaint through MM support?
(snark snark)
seriously though i did look once, and i don't recall seeing anywhere
for "customer feedback" or something.
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it ever again.
why should you encourage him to make a kludge for something that
works perfectly, that's just twisted. save the kludge solutions for
when they are really needed (it'll come, george, don't worry!)
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acket will not
automatically adjust the way you have it set up (if i uynderstood
correctly); instead the "absolute" vertical positioning relative to
the staff will remain constant.
i'll send you a screenshot separately.
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would have come"... since middle-class establishments
typically paid the composers less than could be expected by the
aristocracy.
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h guess
what... your compliance is directly proportional to your need to pay
the rent.
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t see what the fuss is about, we could probly learn a thang or
two frum each other, i reckon."
"dang, i reckon you're right, pardner. whiskey?"
"why thanks, pardner, mighty kind of you."
"bartender, two doubles, straight-up."
the two cowboys kissed and made am
work. This is what was my original
problem. The piano bracket won't show up and is why I wondered if it
has anything to do with the fact that I'm using guitar staves
instead of piano staves. Any ideas? Is there
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Music Theory, maybe throughout history, is and was always a result
of analizing, ...
Ah, yes. I've always thought this was true.
hey will, don't generalize, i had some really interesting profs over
the years... well, at least one.
(yeh i thought that would go unnoticed too)
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i read that the first concert hall explicitly built for music was
1830 in vienna...
it is possible that this may have been specific to the germanic
lands, i'm not sure.
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of the "true" public concert in
the early-mid 1800s. i read that the first concert hall explicitly
built for music was 1830 in vienna...
[...] And of course those terms would have absolutely nothing to do
with Royalty.
that's what confuses me, and the OED hasn't really shed any
ome link file is all that
is DL'ed. many online radio stations use this.
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piano
brace.
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clarified in context.
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a contract with him. in which case
you act according to your own intentions and needs and plans, and
assume everything will be alright. if you don't have a contract...
well, things get a little muddy there...
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shirling & neueweise ... new music publishers
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shirling & neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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languages?
yeah english is the only language where the
possible connection to the court is apparent in
the word.
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shirling & neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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one month and
begins for most of the United States at:
2 a.m. on the Second Sunday in March
to
2 a.m. on the First Sunday of November.
The new starts and stop dates were set in the Energy Policy Act of 2005.
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shirling & neueweise ... new music publishers
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