You can realise it:
either if you like the method inserting a blank page, but thereafter
you have to go to Page Layout Redefine pages all pages and delete
the blank page;
or -and that's what I'm doing yet for years- is go to Options Page
Format Score and switch the numbers from right
Andrew Stiller [EMAIL PROTECTED] wrote:
BTW, I was surprised at how big the MP3 files were for the
movements of a piano trio--6 MB each, on the average. I
thought the big advantage of MP3 was its compactness.
I just compared versions of a couple of my compositions.
MP3 is about 1
In addition I have to go deeper:
Finale is considering each first page as being on the right side, even
when you start numbering at #2, 4, and so on. That's why you should
play with the page layout settings.
Furthermore you have to redefine all pages after switching the numbers
in the
Thanks, Horace.
That was I. At least I have access to the brass band score as arraged
by Derek Broadbent. I'm working on getting you a copy.
Horace
On Sat, 3 Feb 2007 07:36:18 -0500, you wrote:
I can't remember who said they had this scoreplease remind me.
Larry
On 6-Feb-07, at 12:56 AM, Carl Dershem wrote:
Be that as it may, I've never had any complaints from drummers, and
when using the standard Finale drum set, the top line gives a round
notehead, not an X.
Actually, it depends on how you enter it.
If you use the default perc map for the
Apple Settles Beatles Lawsuit - Under the agreement, which replaces a 1991
deal, Apple will own all of the trademarks related to the name, and license
some of those to Apple Corps, the companies said.
By Antone Gonsalves InformationWeek Feb 5, 2007 10:21 AM
Apple and the Beatles have
I think I read it is incorporated in the 10.4.8 update. Those of us still
using 10.3.9 may have to do it manually, according to a number of Mac
newsgroups.
Thurletta Brown-Gavins
On Mon, 05 Feb 2007 A-NO-NE Music [EMAIL PROTECTED] wrote:
Subject: Re: [Finale] OT: daylight savings changes
Phil Daley wrote:
[snip]
We love the Beatles, and it has been painful being at odds with them
over these trademarks, Apple chief executive Steve Jobs said. It feels
great to resolve this in a positive manner, and in a way that should
remove the potential of further disagreements in the future.
On 5 Feb 2007 at 19:32, Mark D Lew wrote:
On Feb 5, 2007, at 10:01 AM, Aaron Sherber wrote:
I don't want to get into yet another platform/application war. But
Phil's URL was not wrapped by the listserv, because it showed up
just fine in my Eudora for Windows.
I know that using
On 6 Feb 2007 at 9:34, Ken Moore wrote:
Andrew Stiller [EMAIL PROTECTED] wrote:
BTW, I was surprised at how big the MP3 files were for the
movements of a piano trio--6 MB each, on the average. I
thought the big advantage of MP3 was its compactness.
I just compared versions of a
On 6 Feb 2007 at 0:57, Will Denayer wrote:
We often seem to assume that theory follows practice, because to
argue the reverse seems nonsensical, but perhaps the attitude or
even the worldview which would give rise to theoretical treatises
in the field of music as in many other fields became
On 5 Feb 2007 at 17:56, Carlberg Jones wrote:
At 6:46 PM -0500 2/5/07, David W. Fenton wrote:
[nothing quoted here]
I have my Mac's clock set to automatically sync to Apple's
clock server. When it trips over into DST, so will my computer.
Or at least I think that's what will
Yep. I agree. I've had nothing but headaches with both Media Center and
WinXP HOME. You can't print on a network using HOME and you have to do a
bunch of registry wizardry to get Media Center do do much of anything
useful.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL
yes, but i'm talking about performance royalties. that is
mechanical (distribution) rights. although of course in some
languages royalties means essentially rights without specifications
as to WHAT rights and would have to be clarified in context.
Ah, but your question spoke to late 18th,
i read that the first concert hall explicitly built for music was
1830 in vienna...
it is possible that this may have been specific to the germanic
lands, i'm not sure.
--
shirling neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
Music Theory, maybe throughout history, is and was always a result
of analizing, ...
Ah, yes. I've always thought this was true.
hey will, don't generalize, i had some really interesting profs over
the years... well, at least one.
(yeh i thought that would go unnoticed too)
--
shirling
Chuck!
Greetings from another bassist.
I have been going nuts with Finale 2K7 since I installed it and am now
going back to 2K6. The parts extraction feature nearly killed me! I have a
steady client for whom I do Big Band copying, and it almost doubled the
time to do the part extractions and lay
On Feb 6, 2007, at 7:14 AM, shirling neueweise wrote:
Music Theory, maybe throughout history, is and was always a
result of analizing, ...
Ah, yes. I've always thought this was true.
hey will, don't generalize, i had some really interesting profs
over the years... well, at least one.
At 09:49 AM 2/6/2007, [EMAIL PROTECTED] wrote:
I have been going nuts with Finale 2K7 since I installed it and am now
going back to 2K6. The parts extraction feature nearly killed me! I have a
steady client for whom I do Big Band copying, and it almost doubled the
time to do the part extractions
On Feb 6, 2007, at 6:49 AM, [EMAIL PROTECTED] wrote:
Chuck!
Greetings from another bassist.
I have been going nuts with Finale 2K7 since I installed it and am now
going back to 2K6. The parts extraction feature nearly killed me! I
have a
steady client for whom I do Big Band copying, and it
[EMAIL PROTECTED] wrote:
Chuck!
Greetings from another bassist.
I have been going nuts with Finale 2K7 since I installed it and am now
going back to 2K6. The parts extraction feature nearly killed me! I have a
steady client for whom I do Big Band copying, and it almost doubled the
time to do
No way. 2007 and linked parts, for Jazz Band, is way faster. Did you
read the manual about how to do the parts correctly? Did you also get
Chucks great emails a couple of months ago about doing it as well? Did
you look at the templates included?
It is a huge time saver once you figure it out.
Networked printer, not attached to a computer.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of dhbailey
Sent: Tuesday, February 06, 2007 9:30 AM
To: finale@shsu.edu
Subject: Re: [Finale] Home Editions Of Windows Vista Won't
Run On MacOr
If that's true, I sure don't understand why Finale Tech Support didn't
tell me that when I asked them for help. So, if I understand correctly,
when I go to extract parts, (assuming I have already defined the setup for
parts), it will create linked parts, which I should choose NOT to use???
What
At 11:43 AM 2/6/2007, Fisher, Allen wrote:
Networked printer, not attached to a computer.
I'm not sure what your setup is, but this works fine for me in XP
Home. I've got an old HP LaserJet6 with a print server dongle that
plugs into the parallel port on the back of the printer and then gets
Music Theory, maybe throughout history, is and was always a result
of analizing, ...
Ah, yes. I've always thought this was true.
hey will, don't generalize, i had some really interesting profs over
the years... well, at least one.
(yeh i thought that would go unnoticed too)
I did not write
[EMAIL PROTECTED] wrote:
If that's true, I sure don't understand why Finale Tech Support didn't
tell me that when I asked them for help. So, if I understand correctly,
when I go to extract parts, (assuming I have already defined the setup for
parts), it will create linked parts, which I should
I was skeptical at first, and downright irate because of the issues
linked parts. I never thought I'd want to use it as it currently
exists. However, I recently did my first score (large orchestral)
using linked parts via a parts score and found it a huge time
saver. True, it's another
I can think of at least one example where practice followed theory, and that's
the case of
modal/Garlandian notation in the Parisian Organum repertory. The fact
is that the theorists wrote about the rhythmic modes and invented
mode 2 (short long) to balance mode 1 (long short), but at the
At 11:59 AM 2/6/2007, [EMAIL PROTECTED] wrote:
If that's true, I sure don't understand why Finale Tech Support didn't
tell me that when I asked them for help.
I have an answer for that, but it's unprintable. g
So, if I understand correctly,
when I go to extract parts, (assuming I have already
On Feb 5, 2007, at 6:46 PM, David W. Fenton wrote:
Timer servers have to supply time-zone agnostic
time signals, which means they can't include settings for daylight
savings and the like, because different regions in different time
zones have different rules for when (and if) they enter DST. It
On Feb 5, 2007, at 5:21 PM, Christopher Smith wrote:
On 5-Feb-07, at 4:56 PM, Andrew Stiller wrote:
OK, I downloaded Audacity and read the manual. But when I go to open
one of my MP3 files, the program tells me both that it can't read the
file type *and* that the file doesn't exist!
I agree with you concerning the right bracket but, it's a must in this case
since the customer wants it that way. I'd rather let it go and do it his
way.
Thanks for your help,
George
- Original Message -
From: shirling neueweise [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Monday,
Hi David,
Can't get what you suggested to work. This is what was my original
problem. The piano bracket won't show up and is why I wondered if it has
anything to do with the fact that I'm using guitar staves instead of piano
staves. Any ideas? Is there something I checked or didn't check on
You should try the Smartmusic support
dhbailey wrote:
Finale Tech Support aren't the brightest bulbs in the chandelier, if
you get my drift. They don't seem to take the time to actually read
what you've sent them, or to think through what it is you're asking
them about. They give
I have XP home and our household prints to a networked printer (using a
linksys wireless print server). It wasn't pretty, as the printer is
technically a USB printer, so initial config was painful (long story,
more about stupidity and ignorance), but once I figured out, it works
just fine. I
Sorry. My bad, I may have quoted the original wrong, but Will didn't put
that silly remark.
Actually, I would have loved to have a good theory prof, but alas I was
not a music major and my knowledge is from friends, books, and this list.
I was just remarking on the spelling error. :-)
it sounds like maybe you are doing it in scroll view but have already
optimized (page view) the score... or in scroll view but in a staff
set in an unoptimized score...
you can assign any bracket to any group of staves, no matter what
kind of staff.
Can't get what you suggested to work.
hey will, no condescension was intended, it was meant entirely in
fun, but yes i did in fact mean hey bruce, don't generalize in
response to bruce's response to your response. (sorry for confusion
in attribution)
nothing nasty meant at all, just picking up the subtle and mostly
unnoticed
I agree with you concerning the right bracket but, it's a must in
this case since the customer wants it that way. I'd rather let it go
and do it his way.
george, clients don't always know enough about notation to best make
these decisions... of course a portion of the ones that know the
Yeahespecially since I do a lot of work for him.
George
- Original Message -
From: shirling neueweise [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Tuesday, February 06, 2007 10:22 AM
Subject: Re: [Finale] Piano Bracket
I agree with you concerning the right bracket
Rich Caldwell wrote:
[snip]
I'm nervous hearing of rare bugs, however, which cause weird things to
happen in the parts. Hopefully MM will fix them within years.
[snip]
You can count on MM to fix it within years. Just remember that a
century isn't anything more than a collection of
in most cases in this transition period (and later to some extent)
the payments to the composer (the more significant ones anyways)
would have come directly from the extended royalty
i meant the more significant payments, not the more significant
composers, would have come... since
Eric Dannewitz wrote:
You should try the Smartmusic support
dhbailey wrote:
Finale Tech Support aren't the brightest bulbs in the chandelier, if
you get my drift. They don't seem to take the time to actually read
what you've sent them, or to think through what it is you're asking
Tried it again with 'optimized' and 'unoptimized' in page view to no avail.
I usually always enter in page view because of habit. I'd hate to have to
create a piano bracket just for this when there must be an easy way to
merely hit a button.
George
- Original Message -
From: shirling
David W. Fenton [EMAIL PROTECTED] wrote:
What bit-rate is that for the MP3 files? My experience is
that size can vary quite a bit depending on bit-rate and
the musical content.
I was using MusicMatch (provided by HP on my desktop) at 128 kbit/s. for those
figures. I just tried again at
Fisher, Allen [EMAIL PROTECTED] wrote:
[...]I've had nothing but headaches with both Media
Center and WinXP HOME. You can't print on a network
using HOME and you have to do a bunch of registry
wizardry to get Media Center do do much of anything
useful.
I don't like Windows XP and I don't
Hey-anybody out there know anything about MusicPress (from the software
company in Vermont)?
hey will, no condescension was intended, it was meant entirely in
fun, but yes i did in fact mean hey bruce, don't generalize in
response to bruce's response to your response. (sorry for confusion
in
On Feb 6, 2007, at 9:00 AM, Rich Caldwell wrote:
I was skeptical at first, and downright irate because of the issues
linked parts. I never thought I'd want to use it as it currently
exists. However, I recently did my first score (large orchestral)
using linked parts via a parts score and
Friends,
Where Hans Swinnen wrote, in part:
I'm sure Finale doesn't regognize page numbers…!
This is not consistent with my experience, which is that Finale is set
so that the first page in a file defaults to a right hand side page 1.
ns
___
Finale
I've had a few issues with the page numbers myself, for example, my
editor wanted the first violin part of a sinfonia to have the first
movement which fit on two pages as a spread. Meaning pages 2, and 3.
Inserting a blank page at the beginning and using a page range just
didn't work. I tried
At 01:41 PM 2/6/2007 -0500, [EMAIL PROTECTED] wrote:
anybody out there know anything about MusicPress (from the software
company in Vermont)?
Formerly available. I have it. I wrote the last documentation for it, as
far as it got.
It is very different from Finale. The last version is fully
I'm working on a slow blues that has a double time swing figure, and
I can't seem to get Finale to interpret it correctly on playback.
Does anyone know if this is possible in Finale?
Lon Price, Los Angeles
[EMAIL PROTECTED]
Hey-anybody out there know anything about MusicPress (from the software
company in Vermont)?
try www.graphire.com and see for yourself. When does the last update appear to
be?Also seems to have migrated to the left coast.
___
Finale mailing list
When we Mac users set up our computer, we are asked what time zone we
are in, and what is the closest city to us on a list. This gives
enough info to find the offset.
One of the notes to the update for Mac OS X 10.4.6 noted that the
update Makes Mac OS X aware of United States Daylight
Noel Stoutenburg wrote:
Friends,
Where Hans Swinnen wrote, in part:
I'm sure Finale doesn't regognize page numbers…!
This is not consistent with my experience, which is that Finale is set
so that the first page in a file defaults to a right hand side page 1.
I think what Hans was saying
George Ports wrote:
Tried it again with 'optimized' and 'unoptimized' in page view to no
avail. I usually always enter in page view because of habit. I'd hate to
have to create a piano bracket just for this when there must be an easy
way to merely hit a button.
George
So you've defined the
[EMAIL PROTECTED] wrote:
Hey-anybody out there know anything about MusicPress (from the software
company in Vermont)?
[snip]
Graphire Music Press is/was a terrific engraving program which had very
elegant output, but they had an unfortunate pricing scheme which made
many of the
On 6-Feb-07, at 2:35 PM, Lon Price wrote:
I'm working on a slow blues that has a double time swing figure,
and I can't seem to get Finale to interpret it correctly on
playback. Does anyone know if this is possible in Finale?
Well, that depends on your definition of possible and
On Feb 6, 2007, at 11:35 AM, Lon Price wrote:
I'm working on a slow blues that has a double time swing figure,
and I can't seem to get Finale to interpret it correctly on
playback. Does anyone know if this is possible in Finale?
I don't suppose you could use 12/8 ?
Dick H
Friends,
I've so far kept my oar out of this puddle, because I'm not sure I have
enough information to make a meaningful contribution. For example, when
George Ports wrote:
Is there a way to put a piano bracket connecting two guitar (single staves)?
These are not piano staveswill
On 6 Feb 2007 at 12:43, Andrew Stiller wrote:
On Feb 5, 2007, at 6:46 PM, David W. Fenton wrote:
Timer servers have to supply time-zone agnostic
time signals, which means they can't include settings for daylight
savings and the like, because different regions in different time
zones have
On 6 Feb 2007 at 15:11, Stephen Ellis wrote:
When we Mac users set up our computer, we are asked what time zone we
are in, and what is the closest city to us on a list. This gives
enough info to find the offset.
Similar to Windows, though Microsoft, in their infinite wisdom,
decided to
Andrew,
I just downloaded Audacity (Mac OS X) and had no trouble importing an
MP3 and exporting it as a WAV. I have LAME installed. I'm guessing that
Christopher is right and you need the LAME framework installed.
Are you sure that the MP3 file is valid? Will the Quicktime Player play it?
At 4:11 PM +0100 2/6/07, shirling neueweise wrote:
yes, but i'm talking about performance royalties. that is
mechanical (distribution) rights. although of course in some
languages royalties means essentially rights without
specifications as to WHAT rights and would have to be clarified in
At 6:11 PM -0500 2/6/07, David W. Fenton wrote:
I believe Indiana's legislature voted to stop their strange situation
(they are so close to Central Time that they didn't go to DST, so,
basically the result was that they stayed on the same Eastern Time
clock, which means as a result flipped back
Stephen Ellis / 2007/02/06 / 03:11 PM wrote:
One of the notes to the update for Mac OS X 10.4.6 noted that the
update Makes Mac OS X aware of United States Daylight Savings Time
(DST) changes enacted by the Energy Policy Act of 2005. A similar
update was part of OS X 10.4.5.
And if you
On Feb 6, 2007, at 3:11 PM, David W. Fenton wrote:
[answering Andrew Stiller]
Apparently the only exceptions now are 1) Hawaii and 2) the Navaho
nation.
I believe Indiana's legislature voted to stop their strange situation
(they are so close to Central Time that they didn't go to DST, so,
On Feb 6, 2007, at 6:11 PM, David W. Fenton wrote:
but according to
the article on this topic in the Philadelphia Inquirer a few days ago,
devices that rely on time-servers *will* in fact be automatically
adjusted to accomodate the new DST regime. The main problem will be
with older computers
On Feb 6, 2007, at 12:50 PM, Christopher Smith wrote:
On 6-Feb-07, at 2:35 PM, Lon Price wrote:
I'm working on a slow blues that has a double time swing figure,
and I can't seem to get Finale to interpret it correctly on
playback. Does anyone know if this is possible in Finale?
Mark D Lew wrote:
Most (but not all) of Indiana used to behave like that as well, but,
as David notes, last year the state legislature voted to abandon
that plan and go back to observing DST. The state is now once again
split between Central and Eastern time zones, with each part
observing
Hello to all,
does anybody know how to change
the thickness of a tuplet-slur?
I know how to change the thickness
of the tuplet-bracket but...
Thank you
Raimund Lintzen
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