Thanks again
Do you have his direct email address I did try sending one but no response
Thanks
Sent from my iPhone
> On 27 Jun 2019, at 12:49, Christopher Smith
> wrote:
>
> Hi Martin,
>
> I’m on Mac. Windows plugins need to go somewhere different than on Mac, so I
> don’t know how for
Hi Martin,
I’m on Mac. Windows plugins need to go somewhere different than on Mac, so I
don’t know how for you. Sorry. Jari should have installation instructions on
his website though.
Christopher
> On Jun 27, 2019, at 7:23 AM, Martin Nickless wrote:
>
> Thanks Chris
> I think your correct
Thanks Chris
I think your correct
I did kind of click then in as it were one at a time
As things change
But if you could help
I’m trying to load up JW changes
Can you please give me a complete dummies guide how to do it
Have down loaded it. It’s on my desktop
And I have also download some
That depends on how they were moved. If they were manually nudged or dragged,
this is easy to clear (so this is the only method I use now). You can go to the
edit menu and choose Change and Chords and the default is Add to default
position, so you press okay and you're done. Or you can drag
Hi can someone help when chord changes are out of line how do you snap them all
back into line
Thanks for any help
I’m using finale 26 on windows 10
Cheers
Martin
Sent from my iPhone
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Hi anyone
Use a midi to play in changes in big band arranging
If so how do you play in complex changes
The finale official way is far to slow
Thanks for any help
Martin
Sent from my iPhone
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Hi there does
Anybody who mainly rights big band scores
Use a midi to playing in the changes
If so how do you get finale to recognise say C7#11b9
Or C13b9
Or any more complex chord
The regular way eg F:136
Is so so slow
Thanks for any help
Martin
Sent from my iPhone
rd is D-9#5, so that’s at least one example of the
>> chord being used in a publication.
>>
>>> On Jul 30, 2016, at 8:52 AM, GERALD BERG <gj.b...@rogers.com> wrote:
>>>
>>> Problem there is a #5 needs a major third (D# in this case) to sound
>>&g
otherwise it just sounds like a perfect 4th. GJB
>>
>> From: Lon Price <lonpr...@att.net>
>> To: finale@shsu.edu
>> Sent: Saturday, July 30, 2016 11:26 AM
>> Subject: Re: [Finale] chord question
>>
>> B-9#5
>>
>>> On Jul
.@rogers.com> wrote:
>
> Problem there is a #5 needs a major third (D# in this case) to sound
> augmented otherwise it just sounds like a perfect 4th. GJB
>
> From: Lon Price <lonpr...@att.net>
> To: finale@shsu.edu
> Sent: Saturday, July 30, 2016 11:26 AM
> Su
e is a #5 needs a major third (D# in this case) to sound
> augmented otherwise it just sounds like a perfect 4th. GJB
>
> From: Lon Price <lonpr...@att.net>
> To: finale@shsu.edu
> Sent: Saturday, July 30, 2016 11:26 AM
> Subject: Re: [Finale] chord question
>
> B-
Problem there is a #5 needs a major third (D# in this case) to sound augmented
otherwise it just sounds like a perfect 4th. GJB
From: Lon Price <lonpr...@att.net>
To: finale@shsu.edu
Sent: Saturday, July 30, 2016 11:26 AM
Subject: Re: [Finale] chord question
B-9#5
>
B-9#5
> On Jul 29, 2016, at 4:39 PM, GERALD BERG wrote:
>
> blockquote, div.yahoo_quoted { margin-left: 0 !important; border-left:1px
> #715FFA solid !important; padding-left:1ex !important; background-color:white
> !important; } I think to call something a flat 6th you
blockquote, div.yahoo_quoted { margin-left: 0 !important; border-left:1px
#715FFA solid !important; padding-left:1ex !important; background-color:white
!important; } I think to call something a flat 6th you need a fifth. You have
a G/D thing happening.
GJB
Sent from Yahoo Mail for iPad
On
It sounds like a G Major chord with added 9th and #11 - no 7th
Harold
On 29/07/2016, at 19:56, martin nickless wrote:
> hi regarding B-9 [b6]
>
> the notes are from bottom up
>
> B A D G Db
>
> thanks
> ___
> Finale mailing list
> Finale@shsu.edu
hi regarding B-9 [b6]
the notes are from bottom up
B A D G Db
thanks
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I might use G69/B, which IS in the Finale suffixes.
Or you might need to create it from zero, as others have suggested. The chord
suffix editor is frustrating as all get out, though. Good luck.
Christopher
> On Jul 28, 2016, at 3:06 PM, Haroldo Mauro wrote:
>
> I don't
I might use G69/B, which IS in the Finale suffixes.
Or you might need to create it from zero, as others have suggested. The chord
suffix editor is frustrating as all get out, though. Good luck.
Christopher
> On Jul 28, 2016, at 3:06 PM, Haroldo Mauro wrote:
>
> I don't
I don't think any voicing would produce Bm11(b6) You need to type it the way
you want it and then create a chord suffix when asked to. Or create it first.
On 28/07/2016, at 15:34, Martin Nickless wrote:
>
> Hi there does any one know of a voicing on the midi keyboard that will
> produce
Raphael poses a good question as to exactly what notes you’re using.
But, if you absolutely need that chord symbol, you’re going to have to create
the chord suffix yourself. It’s not really a standard chord symbol and it
doesn’t exist in any Finale suffix library.
***
Which notes do you exactly mean? Is the chord with a 7th or is it add11?
> Am 28.07.2016 um 20:34 schrieb Martin Nickless :
>
>
> Hi there does any one know of a voicing on the midi keyboard that will
> produce say B minor 11 b6
> Or alternatively does anyone know how to
Hi there does any one know of a voicing on the midi keyboard that will produce
say B minor 11 b6
Or alternatively does anyone know how to type it in
?
Many thanks
Martin
Sent from my iPhone
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Export the Chord Suffix Library once you have it the way you want. Then import
it to the next file or to your default file.
***
J D Thomas
ThomaStudios
> On Feb 22, 2016, at 1:07 PM, Martin Nickless wrote:
>
>
> Hi there
> I'm currently
Hi there
I'm currently teaching finale changes I order to enter them via my midi
keyboard
My question is how do I ensure I save those chord voicings for future projects?
Eg via a transferable file
Thanks
Martin
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You have to turn off “Simplify Spelling” in the Chord Tool Menu. I am
embarrassed to say it took me over two decades of using Finale before I found
this out.
Interestingly (or perhaps not), you can fool the system: D-triple-flat will
show as C-flat with Simplify Spelling turned on.
David
In the Chord Menu, turn OFF “Simplify Chord Spelling”. Now it will use the
spellings you entered. Done.
This is one of the earliest examples of Finale making decisions for you that
actually change your notation without asking you, rather than giving you an
option. Another example is that
Hello Finale List,
FinMac 2014.5
In the Chord Tool, is there a way to have enharmonic Lead Sheet symbols (apart
from typing in manually with the Text Tool)?
The key is Eb and I want the chord B to show as Cb. In my file the chord is
displayed as Cb but Finale insists that it is B.
I tried
Hello Finale List,
FinMac 2014.5
In the Chord Tool, is there a way to have enharmonic Lead Sheet symbols (apart
from typing in manually with the Text Tool)?
The key is Eb and I want the chord B to show as Cb. In my file the chord is
displayed as Cb but Finale insists that it is B.
I tried
I'm very glad someone is working on it. Thanks!
Harold
On 24/01/2016, at 20:49, Jan Angermüller wrote:
> I am working on a chord changer plug-in for Finale which allows
> switching the font size including correct scaling of the offsets (see
> demo at
Wow! Looks great! I can’t wait!
Christopher
> On Sun Jan 24, at SundayJan 24 5:49 PM, Jan Angermüller
> wrote:
>
> I am working on a chord changer plug-in for Finale which allows
> switching the font size including correct scaling of the offsets (see
> demo at
I am working on a chord changer plug-in for Finale which allows
switching the font size including correct scaling of the offsets (see
demo at https://www.youtube.com/watch?v=MpJa6Lf4HZA ) as well as
changing between different chord fonts. Even symbol clusters as used in
JazzCord, SwingCord or
On 24-1-2016 23:49, Jan Angermüller wrote:
> I am working on a chord changer plug-in for Finale which allows
> switching the font size including correct scaling of the offsets (see
> demo athttps://www.youtube.com/watch?v=MpJa6Lf4HZA ) as well as
> changing between different chord fonts. Even
Is there a plugin, or any other way, to add space among chord symbol suffix
items globally and proportionally, when increasing chord symbols size through
menu Utilities->Change->Chords? These items will collide when increased by a
large percentage, so the idea is that the space among these
No, and this is a HUGE hairy lack in the program right now. Please write tech
support and complain about this. It is supposed to be something that computers
do easily, yet there is no way to do it ever since chords started attaching to
measures instead of items. In the past, you could attach a
Yup, different libraries is the way to go. My first one took me a week, my
second took me most of the day. Huge pain. Plus, there is a long-standing bug
where if you import a Jazz library into a Maestro document, the parentheses end
up being Maestro instead of Jazz, which have a different
Of course! You're right about chord letters being unchangeable.
On 23/01/2016, at 16:19, Christopher Smith wrote:
> Yup, different libraries is the way to go. My first one took me a week, my
> second took me most of the day. Huge pain. Plus, there is a long-standing bug
> where if you import
Thanks for replying. I agree it is a huge lack. I will mention it to tech
support. The plugin would be a solution for me, since what I usually need is to
resize changes for the whole document/instruments. To resize one or two chords
once in a while would be easy just to edit the chord itself or
Asking for some help as I am not very familiar with this:
I live about a mile from a rail line. Each engine has its own particular horn
sound... some major, some 7th, some minor, diminished, etc..
But one in particular intrigues me: would describe it as being a G signature,
but one of the E
Wowee! Not a standard chord, but yes, Virginia, we CAN come up with a name for
it. Em(#11) would do it.
Where do you live? All the trains around me sound the same.
Christopher
On Mon Jul 20, at MondayJul 20 11:00 AM, timothy price wrote:
Asking for some help as I am not very familiar with
E minor with a fake blue note :-)
You might also consider it an inverted upper part of a chord (B—E—G—A#),
enharmonically spelled, as in C#7(#9,#11,13), no root, third or fifth:
From botton to top: [C#-E#] B—E—G—A#
Harold
On 20/07/2015, at 12:00, timothy price wrote:
Asking for some help as
Great. Thanks, Christopher.
I live on the boarder between Vermont and New Hampshire in Fairlee, VT.
Yes, each locomotive has its unique horn. They change over time. Wonder who
comes up with them.
tim
On Jul 20, 2015, at 11:04 AM, Christopher Smith wrote:
Wowee! Not a standard chord, but
Heh, heh, that's cool about the individual train whistles!
I was doing some more thinking about the chord, and for some people, saying #11
necessarily implies that a 7th is present. Maybe Em(#4) would cause the least
confusion among musicians of all stripes (which is usually my goal, rather
Christopher, your #4 was what I was thinking would be most accurately
reproduced.
thanks again,
tim
On Jul 20, 2015, at 11:20 AM, Christopher Smith wrote:
I was doing some more thinking about the chord, and for some people, saying
#11 necessarily implies that a 7th is present. Maybe
On Mon, July 20, 2015 11:04 am, Christopher Smith wrote:
Wowee! Not a standard chord, but yes, Virginia, we CAN come up with a name for
it. Em(#11) would do it.
I wonder if it's a combined Doppler echo. I don't know any trains with this
pattern (and I'm probably on the same line as Timothy).
This in fact clarified the whole aspect, Christopher. Do those horns play
simultaneously or melodically? Is the A# a #4th or a #11th higher than the E
horn? I’m not going yo mention, at this point, how the trains’ horns sound over
here.
Giovanni
On 20 Jul 2015, at 17:20, Christopher Smith
All train whistles are a chord here in North America. I JUST discovered that
Canadian ones are all the same, while US trains are all different, but they are
all chords. Funny the things you take for granted!
What the octave separation is, or for that matter, what the voicing is at all,
is not
Hi everyone,
I’m trying to change chord font and I can’t change the suffix, while there’s no
problem with symbol.
I’m running Finale 2014 on Mac with Yosemite
any suggestion?
tnx a lot!
--
Gippo Mercoli
www.clubgippo.com
www.ga-music.com
You have to edit the suffixes independently, one at a time. Or load a different
suffix library from among the ones supplied and use them instead. Once you have
entered a certain set of suffixes in the score, the process for exchanging them
is rather complex. You delete the unwanted suffixes one
If you don't use the current chord suffix font, at that particular size,
anywhere else, you can change the font globally to your new font. You'll
still have a lot of cleaning up to do.
JR
On 1/12/15 9:36 AM, Christopher Smith wrote:
You have to edit the suffixes independently, one at a
On 20.09.2014 10:08, trumpe...@verizon.net wrote:
Hello all. I'm having a problem with writing chord symbols in piano
or
guitar parts with rhythmic notation. For example, if I'm writing
in bass
clef and write the rhythms on the third line D, when it plays
back, I keep
hearing a
And you can turn down the volume of the offending notes to zero, with the MIDI
tool.
On 19/09/2014, at 21:35, dershem wrote:
On 9/19/2014 5:27 PM, Don Hart wrote:
You can also mute things in the instrument list.
On Fri, Sep 19, 2014 at 7:08 PM, trumpe...@verizon.net wrote:
Yes, but
Hello all. I'm having a problem with writing chord symbols in piano or
guitar parts with rhythmic notation. For example, if I'm writing in bass
clef and write the rhythms on the third line D, when it plays back, I keep
hearing a D even though I've applied staff styles to rhythmic
The easiest way around this is to simply make sure that the note you
enter is the chord root. The pitch makes no difference whatsoever to
the rhythmic notation. If you are okay with the crappy voicings
Finale chooses, then the addition of a root (say, in the bass
register) shouldn't change
Sent from my iPhone
On Sep 19, 2014, at 5:18 PM, Christopher Smith
christopher.sm...@videotron.ca wrote:
The easiest way around this is to simply make sure that the note you
enter is the chord root. The pitch makes no difference whatsoever to
the rhythmic notation. If you are okay
You can also mute things in the instrument list.
On Fri, Sep 19, 2014 at 7:08 PM, trumpe...@verizon.net wrote:
Hello all. I'm having a problem with writing chord symbols in piano or
guitar parts with rhythmic notation. For example, if I'm writing in bass
clef and write the rhythms
On 9/19/2014 5:27 PM, Don Hart wrote:
You can also mute things in the instrument list.
On Fri, Sep 19, 2014 at 7:08 PM, trumpe...@verizon.net wrote:
Yes, but that's for the entire playback. It would be very helpful to be
able to define a style (like rhythmic notation) to be muted.
Craig,
There are two ways into the Chord Suffix Selection dialog box. If you go the
way you did, you only get the Cancel and Select buttons. Do this instead.
Create a chord on your score. Click the handle and hit Return (you used to be
able to double click, but that doesn't work now for a
Okay, a couple of basics.
When you type a chord, you are typing three things, according to Finale. You
are typing the root, the alteration to the root if there is one (C or C#, for
example), and finally the suffix. When you type a suffix, you are only typing
the characters in the suffix. If
I explained how to get to the Chord Suffix selection box in the way that you
can delete these. You can export all your chord suffixes at once as a library,
or you can copy a measure containing only one (or several) chords to a new
document and they will be immediately entered into the suffix
If I use the Scoremanager to specify I am using tablature, ukulele and then
insert a C chord into the score, it rightly displays C, but puts a diagram of
an F chord underneath the C. Same same with all other uke chords, they're a
fourth/fifth out.
?
Graeme
On 22 Jun 2014, at 5:26 pm,
On 6/22/2014 4:25 AM, Graeme Gerrard wrote:
If I use the Scoremanager to specify I am using tablature, ukulele
and then insert a C chord into the score, it rightly displays C,
but puts a diagram of an F chord underneath the C. Same same with
all other uke chords, they're a fourth/fifth out. ?
On 6/22/2014 4:25 AM, Graeme Gerrard wrote:
If I use the Scoremanager to specify I am using tablature, ukulele and then
insert a C chord into the score, it rightly displays C, but puts a diagram
of an F chord underneath the C. Same same with all other uke chords, they're
a fourth/fifth
I did:
1. Clicked the Instrument, Blank Staff drop down menu and clicked Tablature,
not Plucked Strings, and scrolled down to the bottom choice Ukulele.
2. I inserted the C chord.
3. Select Show Fretboards under the Chord menu
4. It inserts a C chord for guitar, not ukulele
5. Click on the
I tried that. If I just make a chord with the 4th (G), 3rd (C) and 2nd (A)
strings open. It sounds right. If I add the C on the A string the note that
should be open E gets changed to G, though it looks like a regular C chord!
... I cleared all the notes from the chord definition and made
Thanks. Those sound like some good suggestions. I did screen shots of
the select suffix page and made a big card of everything, but that's
really unwieldy, and has a lot of redundant entries covering different
nomenclature systems (but not the system I see most often (CM7, Cm7, etc).
It
This is all very discouraging. I appreciate the solution to being able
to delete chord (the version of the selection dialog that includes the
documented buttons. It is hard to imagine how they could make this part
of their software any less usable without simply crashing -- oh wait, I
did
Yet more bugs / annoyances / bad ideas. I was able to get to the dialog
as you suggested. Just for fun, I selected all my suffixes and clicked
delete. This would make sense on a document that had no chords, to
prepare to import a new suffix library.
As it happens, I had entered one chord in
It seems there really is no practical way to use chord suffixes in
Finale, for all but the simplest of chords, without actually knowing the
suffix number and entering the chord using the colon syntax. And in
turn, that means you practically need a reference card to know what
those suffixes
I have found the the whole chord thing unbelievably tedious for as long
as I have used Finale -- over 10 releases I'm sure.
I decided to take some time to really try to learn how to make the
system work tonight. This has been a miserable failure.
My ideal would be to be able to enter chords
Further information on the chord suffixes. I stumbled onto a video that
exposed the (not very well documented) trick of entering chords like
A:0. The :0 causes a dialog to pop up with a list of available chord
suffixes. The one I need in this case is #65 on my system and has the
suffix name
According to
http://www.finalemusic.com/UserManuals/Finale2014Win/Finale.htm#Finale/Chord_Suffix_Selection.htm
The Chord Suffix Selection dialog box ... allows you to select, delete,
or edit any of the suffixes; it also provides an entrance to the Chord
Suffix Editor,
None of this seems to be
I use chord symbols on almost every project I do, and Finale drives me
nuts every time. For me, the spacing is the least of my problems
(although I agree spacing is not great). To me, it is a lot more
basic. Every chord I want to enter, Finale doesn't seem to recognize,
and it doesn't seem
Part of the problem is that there ISN'T a standardised way of writing chord
symbols. For instance, CM7, depending on where you live, could mean major or
minor 7, while C+7 could mean dom7(#5) or major 7. While Finale DOES have a
couple of more-or-less consistent libraries included in some
What Christopher suggests is (pretty much as always), the best way I have found
to do things. It does require taking the time to create a suffix library, but
once it's done - it's done. I use Bill Duncan's chord symbol and chord suffix
fonts and find them attractive and flexible enough, and
I'm finding that when I add a chord suffix to an altered chord, eg F#7,
the suffix is too close to the # sign. It's fine with a plain chord
letter name. Is there a way to add some space after the accidental? I
suppose I could create a whole duplicate set of symbols with a little
extra space
Hi John
I've often suggested offsets for such scenarios but never, until you've
mentioned this, found anyone else who was bothered by Finale's lack of
precision in this respect. My suffix libraries include a duplicate set of
suffixes which start about 5 EVPU further to the right for those I use
I'm bugged by it. In fact the thing that bugs me most is that if you open up a
bit of space to allow for the sharp, then a root WITHOUT an alteration seems to
have too BIG of a gap.
I created a whole set of custom suffixes, but of course Finale being what it
is, they took me a very long time
I think all that's required is an Horizontal offset for chords with
alterations setting.
--
Simon Troup | BA Hons (Mus)
http://www.digitalmusicart.com
Partners: Simon Troup Jennie Troup
VAT Registration: 982 4230 17
*If you can twang it, we can engrave it. Seriously, we can. No... really!*
Thank you both for the input. I've usually used lyrics for chord
symbols, using one of the Metronome fonts which mixes music symbols with
texts and has a nice set of superscript numbers, but I was getting a
random bug in Fin2012 where lyrics would suddenly get out of sync with
their
Once you get a nice library set up (with that tiny little un-resizeable edit
window where the nudge buttons don't work!) it is pretty painless. I have many,
many issues with the chord tool, though.
Christopher
On Thu May 15, at ThursdayMay 15 5:23 PM, John Roberts wrote:
Thank you both for
Lol, Christopher, yes, the Window Of Shame.
--
Simon Troup | BA Hons (Mus)
http://www.digitalmusicart.com
Partners: Simon Troup Jennie Troup
VAT Registration: 982 4230 17
*If you can twang it, we can engrave it. Seriously, we can. No... really!*
*This email is a private communication
Ha ha! Yes, Darcy nailed it. Cmaj7, the Canadian variant. I saw it here in
Montreal, too, and had to deal with musicians mis-reading it as Cdim7, among
other things. Like the crumhorn, the serpent, and the ophecleide, the circled
7th chord has died a deserved death, only employed by dead people
Bill Evans used to use a European 7, the one with a slash through it used to
distinguish it from the European 1 that looks a lot like our 7. I got used to
that as a shorthand Maj7 symbol. It worked especially well for min/Maj7 chords.
Anything's good, as long as there's concensus. I'd use
I'm doing a chart, and the composer has some chords as C (7) but
instead of parentheses, the 7 is in a circle. I have never run across
that variant before.
What is he trying to specify?
Carl
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I would assume G7, but can you ask composer?
On Nov 14, 2013 11:10 AM, dershem ders...@cox.net wrote:
I'm doing a chart, and the composer has some chords as C (7) but
instead of parentheses, the 7 is in a circle. I have never run across
that variant before.
What is he trying to specify?
On 11/13/2013 8:14 PM, Raymond Horton wrote:
I would assume G7, but can you ask composer?
On Nov 14, 2013 11:10 AM, dershem ders...@cox.net wrote:
Lost my ouija board - alas, the composer is dead. And Canadian. Don't
know if that makes a difference or not. It's an old Rob McConnell chart
What are the instruments playing under that symbol?
Or do you just have a lead sheet?
In such cases of odd chord symbols, I've always relied on the notes under the
symbol to tell me what the odd symbol *really* means.
Sent from my iPhone, so please pardon all the typos.
On Nov 13, 2013, at
Dead. And Canadian... Hah!
The old MTV quiz show had a category called Dead or Canadian - name a
celebrity, contestant would guess which: William Shatner? (Canadian),
'William Frawley?. (Dead).
On Nov 14, 2013 11:20 AM, dershem ders...@cox.net wrote:
On 11/13/2013 8:14 PM, Raymond Horton wrote:
The old MTV quiz show Remote Control. Gave the world Adam Sandler
On Nov 14, 2013 11:28 AM, Raymond Horton horton.raym...@gmail.com wrote:
Dead. And Canadian... Hah!
The old MTV quiz show had a category called Dead or Canadian - name a
celebrity, contestant would guess which: William Shatner?
On 11/13/2013 8:21 PM, Williams, Jim wrote:
What are the instruments playing under that symbol?
Or do you just have a lead sheet?
In such cases of odd chord symbols, I've always relied on the notes under the
symbol to tell me what the odd symbol *really* means.
I start with the rhythm
If it's not too disruptive to your workflow, i'd save the chords on this
particular chart until last if possible.
Sent from my iPhone, so please pardon all the typos.
On Nov 13, 2013, at 11:36 PM, dershem ders...@cox.net wrote:
On 11/13/2013 8:21 PM, Williams, Jim wrote:
What are the
CMA7.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Nov 13, 2013, at 11:09 PM, dershem ders...@cox.net wrote:
I'm doing a chart, and the composer has some chords as C (7) but
instead of parentheses, the 7 is in a circle. I have never run across
that variant before.
What
I seem to recall occasionally seeing that mean maj7, but I can't remember for
sure. Might that make sense in context?
Doug
On Nov 13, 2013, at 8:09 PM, dershem ders...@cox.net wrote:
I'm doing a chart, and the composer has some chords as C (7) but
instead of parentheses, the 7 is in a
(It's an idiosyncratic shorthand for major seventh that only ever took hold
in Toronto.)
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Nov 13, 2013, at 11:09 PM, dershem ders...@cox.net wrote:
I'm doing a chart, and the composer has some chords as C (7) but
instead of
On 11/13/2013 8:42 PM, Darcy James Argue wrote:
CMA7.
Cheers,
- DJA
Thanks, Darcy.
cd
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On 11/13/2013 8:42 PM, Doug Walter wrote:
I seem to recall occasionally seeing that mean maj7, but I can't remember for
sure. Might that make sense in context?
Doug
It might. [looking...] I see other Maj chords but no Maj7, so, yeah,
it's likely.
cd
On Nov 13, 2013, at 8:09 PM, dershem
On 11/13/2013 8:43 PM, Darcy James Argue wrote:
(It's an idiosyncratic shorthand for major seventh that only ever took hold
in Toronto.)
Cheers,
- DJA
Yeah, that makes as much sense as any of Rob's eccentricities. :)
cd
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Something else I noticed -
I had a lead sheet with chords attached to the melody line.
I tried to transpose it without changing the melody, from C major to F major,
so I used other and specified hold pitches modally in the key signature
menu.
To my utter amazement, it transposed the chords ! !
Now that chords can be attached without notation I'm wondering how others
go about spacing measures that only have the staff style slash notation
in them. If nothing else occurs in the measure stack, and with the minimum
meas. width set to zero, these measures are very squashed-looking. Bars
Is there any specific reason why you don't include chords in the music
spacing options?
I think your solution of putting rests for spacing purposes is an
excellent solution. That gives you the ability to control the width and
chord placement quite well. If you need more space in some part of
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