can I ask
MakeMusic to mail me a paper copy? Or, failing that, are there any
third-party reference books published on how to use Finale (preferably
referring to the current version)?
Thank you.
Michael Edwards.
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ably quite elementary questions, and it
would save a lot of posting of fiddly little questions here (which have
probably been posted dozens of times before) if I was able to find out
at least the more basic things on my own.
Michael Edwards.
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Fina
hat the Dutch is also "override", so
this may be a way for Google Translate to draw a blank). But does the
ancillary information given further on the page I saw give you any ideas
that seem right? - here:
https://translate.google.com.au
meone has already point to this, I apologize - it will mean I have got
my information mixed up somehow.)
Thank you.
Michael Edwards.
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mount. But I am willing
to do things a harder way if they will also play back correctly.
Thank you.
Michael Edwards.
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obably let that go unless I later hear seriously good
things about it. I have sort of got the impression (without any real
evidence) that Sibelius is probably not as a good as Finale for some of
the more unusual things I want to do.
Michael Edwards.
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ain things differently to
accommodate more modern musical styles than Beethoven used.
Michael Edwards.
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I'll try that and see if it
helps. I was quite dumb-founded when I discovered how incredibly
difficult it is to put in such a simple thing as a pedal marking, and
wondered if I was missing something, or doing it the wrong way.
Michael Edwards.
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e, with bar-lines that don't join those in
the two main staves, which I don't think is what I want - it seemed
intended for adding a new instrument to the ensemble. Or do I have to
do that, then remove the extra staff somehow from most systems that
don't need it, and
e in the left hand,
not one in the right and the other the left. I think that was when I
mentioned Scriabin's 10 Piano Sonata, which does that near the end. It
may sound confusing to read about, but the score is perfectly clear and
readable, and entirely logical.
Michael Edwards.
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tle I will face when I
finally try to get Finale to do that, because it seems very unorthodox,
and I suppose I will have to use 1st, 2nd, and 3rd endings. But for
just two endings where it's not a conventional repeat, I would very
likely use the "e poi la coda" system.
Michae
y two bars
which are written consecutively but are never played consecutively.
Michael Edwards.
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;t find it very clear.
Would either of these matters already mentioned in the thread help
my problem, as stated above?
Thank you.
Michael, Edwards.
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find this would be helpful.
Thank you.
Michael Edwards.
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fixing it?
Thank you.
Michael Edwards.
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F B G does not continue to sound - everything ceases
together.
I've noticed this kind of thing in others contexts, too, in piano
music. Is the arrangement of notes and voices just too complicated for
playback to render correctly, or is there a way of fixing this?
Thank y
st need to delete the whole bar and do it again from
scratch, and see if it happens again.
Michael Edwards.
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usic, but it sounds like your suggestion
would involve using one or more extra staves, which I don't think are
necessary at least for visually reading the score.
Anyway, I think I will have to put this in the "deal with later
on" category. But thanks all the same for your
t knowing any code it has been
>helpful to me treating the computer like a kid with learning
>disabilities: Cut up the process in its smallest bits and check after
>each step.
Hallo, Klaus. Thanks for your suggestion.
Should have thought of that - maybe would have in time.
't know about?
Thank you.
Michael Edwards.
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hanks.
Michael Edwards.
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bove.
Hope that helps a little.
Michael Edwards.
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[rglan:]
test
Not sure what you're testing (just whether you're using the
correct e-mail address to post?), but I got it.
Michael Edwards.
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t; would look like a
pronunciation guide rather than dialect.
Or, alternatively, "Mrs. -" (the hyphen acting as a syllable
extension and going under the second note). That wouldn't need the
pronunciation guide underneath in parentheses.
Michael Edwards.
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