How brilliantly sneaky, Christopher!
--Richard
On May 24, 2007, at 4:17 PM, Christopher Smith wrote:
What I have done sometimes when I have two files open is to drag
and drop a measure containing a certain custom line into the file
that doesn't contain it. Then I clear that measure and the
I root for Sibelius even though I've never used it and can't imagine
using it unless a project client demands it and the project is worth
learning it. Keep the heat on! Breathe down MM's neck! Get better and
better.
In the jungle, strong animals get old or sick. You know what happens
to
Excellent idea. An update with NO new features would demonstrate
MM';s commitment to maintain leadership status and its responsiveness
to its user base. Part of me wonders if the programmers wouldn't
cheer an announcement in staff meeting to the effect, Folks, we're
goin' bug squashing!
Perfectly legit. You seem to want the player to take the note to its
final millisecond, maybe also to wiggle his horn a bit after ceasing
blowing, just to move the infinitesimal last waves of sound to go
hurrying after their predecessors before the first audience member
coughs.
Something
I dearly hope that Apple has not lost sight of (if they ever had it)
the truism that you can learn from your enemies, even the most
unreasonable of them. I don't think the bug finders are enemies, by
the way.
To be presumptively dismissive is the beginning of the kind of
arrogance that
Since several other solutions have been mentioned, I might as well
add that this IS possible using clip files. It would not be elegant,
it would not be a lot of things, but it is possible. You'd end up
with a large, single Finale document and the page numbers, etc. would
be correct. If it
On Jun 27, 2007, at 2:47 PM, Christopher Smith wrote:
...am not really happy about ... limiting my views to 3 sizes that
I have to set myself.
I'm surprised at that viewpoint, esp.have to set myself. What---
once? I suspect this will be a Program preference, not a Document
preference.
Do you mean that, say for a hairpin that covered 4 beats of one
measure you now want it to stretch out to cover 8 beats of two measures?
If you only need to move hairpins to new measures, I think I know a
way. But explain which it is you want to do.
--Richard
On Jul 2, 2007, at 8:16 AM, G
These are measure-attached smart shapes, so I know of no way to do
what you've described automatically. Fastest way I can think of is
click Mass Edit, select Items to Copy, clear everthing then choose
Smart Shapes Assigned to Measures, click a measure where you've
entered only the hairpin
I just watched the Flash movie about 08's new features/improvements.
I am really steaming.
*I* was working on a surprise hit, Four Coins in a Fountain and now
they've ruined it.
--Richard
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Dialog.
Is it such a hard concept to adopt? MM seems to fear it, while
Sibelius seems to grasp that in community both sides benefit. If MM
does not at least monitor this and the Yahoo forum, it is stupid on a
colossal scale. Not to participate is to fail to grasp that even in
admitting
I need some help with creating and successfully loading an instrument
library. Here's the scenario so far:
+ I opened a piece to act as a template to create the library with.
Same number of staves and same-name staves.
+ I opened the Instrument List and created the assignments
(instruments,
Problem has been answered. Operator error!
RH
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On Jul 17, 2007, at 9:43 PM, Dennis Bathory-Kitsz wrote:
...Here's something I'm working on for another composer...
Wow. Comparing this to my abilities in Finale I am reminded of a
great Peanuts cartoon, where Lucy, Linus and Charlie Brown are laying
on a hillside observing clouds. Linus
Thanks for being a voice of reason with authority backing it up. The
grandest tradition of Finale is users helping users. The next-
grandest, perhaps, is these same musician-users getting into spirited
discussions having nothing to do with Finale but everything to do
with the wonderful
Problem: stopping a tie that is at the end of first ending from
appearing at the start of the 2nd ending. I found something that
worked but which is undocumented---using the Check Tie Command. I
tried it and the rogue ties disappeared.
Before I tried this, I removed and re-applied the source
On Aug 16, 2007, at 10:37 PM, Christopher Smith wrote:
Hmm, I just grabbed the right end with the Special Tool tie mover
and dragged it over all these years. I never tried Check Ties, as I
assumed that Finale didn't know how to treat a repeat with a tie.
Redraw screen usually gets rid of
It appears that this command works as described but is limited in its
usefulness to situations where there is NOT a tie on the last note(s)
of the previous measure. If there is such a tie, invoking this
command removes it. I guess I should be happy that the Check Tie
command works, in my
When using an expression to cause a patch change, the new patch will
take on the volume set for that stave in the Instruments window.
Example, writing for organ and starting out with a trumpet on the
treble stave, with that stave starting out set at MIDI volume 81.
Then using an expression
My unconventional approach to this is using truly invisible, non-
printing expressions! Unless it's one you *need* to see, by way of
reminder or some other purpose, or something an editor needs to see,
this is a useful method (in my view).
Go Expressions Create, then type Option-Spacebar.
On Sep 3, 2007, at 7:15 PM, Chuck Israels wrote:
It seems ridiculously picky to notate the value of each note using
voices, or layers, and I may be being overly picky even with this
notation. How is this done in piano music.
No one addressed this part of your question, but as for me--a
Certainly you're right about the possibility of artistic expression
of defined rhythms. We'd be in trouble if not. Even if this guy
figures out how to do what he wants, I wonder what the pianist will
do when he or she gets to that spot. Huh? comes to mind.
Maybe if I could see it...hint
.
As for the roll, since I don't play the type literature where this
device is, as one put it, ubiquitous, I'll silence my chimes,
though remaining curious.
--Richard
On Sep 5, 2007, at 8:59 AM, Christopher Smith wrote:
On Sep 5, 2007, at 12:32 AM, Richard Huggins wrote:
Even if this guy
I was sent an 08 file that I need to edit. I only have FinMac07 and
there doesn't appear to be a Notepad 08. Would one of you 08'ers put
this into XML for me?
--Richard Huggins
[EMAIL PROTECTED]
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If someone who knows would settle this for me, I'd appreciate it.
In, for example, the key of Eb and writing a gliss starting on Bb and
ending on Bb (essentially a Bb7 scale gliss), and where written
descriptions are being used alongside harp diagrams (client's
wishes), would the proper
On 29 Oct 2007, at 4:23 PM, Richard Huggins wrote:
If someone who knows would settle this for me, I'd appreciate it.
In, for example, the key of Eb and writing a gliss starting on Bb
and ending on Bb (essentially a Bb7 scale gliss), and where
written descriptions are being used alongside harp
What am I not thinking of?
Solo, Sop, Alto, Ten, Bass staves, part of a grouping. There are 6
bars of rest, then only the men sing for awhile. So there are plenty
of empty staves. Nothing I've tried will cause them to optimize.
* made sure all whole rests were default
* checked the group
On Oct 29, 2007, at 8:04 PM, Darcy James Argue wrote:
Richard said it was a scale gliss, and also that his client wanted
a verbal description. I think his client is being a bit of an idiot
-- if you want to be extra-clear, the way to go is to put in the
first seven notes of the gliss as
Thanks to all for the helpful tips. The one below worked. Not seeing
the results of optimization onscreen, I wouldn't have thought there
was any sense in using Remove Optimization. I realize now that
optimization can be in effect, just not be being allowed by an
overiding attribute.
RH
Very sensical points. In retrospect, a highly intuitive person
*might* have made the following observation in my experience, that
the fact that the setting returned itself to the Allow Optimization
Only If All Staves Are Empty setting, after it clearly had been
changed to Allow
Couldn't you use stemless noteheads? If you have TG Tools select
Modify... select Remove... select Stems and Rests..and you won't have
to mess with stems at all. Put your notes in, remove the stems, then
ente your bass sstuff.
R.
On Nov 1, 2007, at 5:03 PM, dc wrote:
I enter figured bass
:37 AM, dc wrote:
Richard Huggins écrit:
Couldn't you use stemless noteheads? If you have TG Tools select
Modify... select Remove... select Stems and Rests..and you won't have
to mess with stems at all. Put your notes in, remove the stems, then
ente your bass sstuff.
I don't think I was clear
Would anyone else like to have the ability to create a customized,
single, all-inclusive tool palette? By all-inclusive I mean any tool
(s) from any palette could go on it, resulting in not only less
visual clutter and less space absorbed, but greater efficiency. I'd
also want to be able to
I did a transposition from E minor to Eb minor. Finale converted all
the C chords to B. Is there a way to globally change them to Cb?
Richard
FINMAC 07
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I have a doc where the top system (two staves of vocal parts) will
not play when HP is on. I have tried Standard and Custom and have
looked for any obvious reason why. If I turn HP off (None) or if I
use Spacebar-Click, they play fine.
I've tried changing MIDI channels, changing patches,
but this, then
added in the other blank systems I would need.
The systems that DID play back had notes in them created by me. It
seems obvious there is a relationship in effect but I'd like to
better understand it.
Richard
On Feb 29, 2008, at 9:49 AM, Richard Huggins wrote:
I have a doc where
I'm working with FINMAC 07 on Mac OS 10.5. I'm interested in using
FinaleScript for some editing chores. I've created some with success
but one that I could really use I don't seem to be able to get to work.
Supposedly I can import Document Options from one document to another.
If I
After I wrote this I discovered there was a separate FS forum on MM,
and it so happened that a script was given in an answer to someone
else. Worked great---too cool!
I didn't actually need but two sections of options. The script follows.
process open docs
don't process current doc
import
I am engraving some piano works where also I've been given quite a bit of
latitude as regards editing-type decisions. In some situations of
arpeggiated LH passages the composer sometimes has, for example, used 6
notes beamed togather (12/8 meter) or other times 3 and 3. There's no
material
I have a certain 5-measure choral section that involves the choir singing
from one stave one time and another stave on the repeat. Because there is a
1st and 2nd ending, that means some measures have nothing in them.
Here's diagram, which I hope retains the line breaks:
| ms1 |ms2 |
in question on the web at this link:
http://richardhuggins.com/finaleex/elijah.htm I have left the rests in the
unused measures, as seems to be the opinion so far. I hope the graphic
clears up what I was talking about. Thanks.
Richard Huggins
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From: Christopher BJ Smith [EMAIL PROTECTED]
BTW, on another unsolicited topic, you can force Finale to space bar
44, tenor staff, correctly. ..
You method you went on to explain works great. Kewl...thanks much! Left of
stack...where WAS my brain??!
From: Aaron Sherber [EMAIL PROTECTED]
In FINMAC 2007 I need to move a cond's score stave to another
location. For example, put the Kazoo 1 and 2 stave above the Trumpet 1
stave, instead of its present location. Could someone tell me the best
way to do it?
Richard
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That worked great---thanks much (and to Christopher too). Now if i can
only convince the conductor about the kazoos
R.
On Aug 12, 2008, at 4:15 PM, Dennis Bathory-Kitsz wrote:
On Tue, August 12, 2008 4:53 pm, Richard Huggins wrote:
In FINMAC 2007 I need to move a cond's score stave
In an orchestration, I have a 3/4 measure where on beat 2 everyone has
a half note with fermata. I want the snare to roll on beat 2 but not
through the entire fermata. I have snare notated as q rest, q w/ roll,
q note w/ fermata (i.e., roll stops on 3). Of course, there is no
three,
A scratch staff is a staff just the same, and perhaps one of the MIDI
channels assigned to 1-4 also is assigned to 5. Make sure 5 has its
own MIDI channel. As for copying, make sure she looks at Items to Copy
and de-select Performance Data. I don't know (because I've never tried
it) but
A little explanation might be useful (or not..heh)...
In a rehearsal where the part was as it currently is, the intended
effect was realized, just through common sense and musicianship on the
part of the drummer. I'm now cleaning up various items, changes, etc.
and I noticed the
What can I check as to why I'm getting the following message?
Could not create the audio file (file may be in use by another
application)
This is FinMac 07 on Leopard. Only open App is Mail. Whether it's AIF
or MP3 makes no difference.
MakeMusic says '07 is, officially speaking,
MakeMusic's position is that '08 and '09 are the only versions officially
supported for Leopard, and that '07 is not supported by them for Leopard users.
I use '07, mostly but not totally without problems. I am switching to 09. If
you might need tech support, get 08 or 09.
-Original
I'm upgrading to FinMac 09 but I'm also considering the Steinway add-
on. My question is, can this be used by anything other than Finale,
such as Garage Band and other Mac MIDI apps?
-Richard
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Christopher, you are getting really close to Prof. Harold Hill's Think System.
You might ought to check for legal clearance.
On Oct 7, 2008, at 4:32 AM, Darcy James Argue wrote:
I have been thinking for a number of years of creating a sort of
Einsteinian grand unified music theory that, in
I'm considering getting the Roland VP-550 or 770 vocal keyboard. One
use would be to for informal orchestral-choral demos, First of all,
opinions about them are welcome. But to the point, is there a way to
get Finale to play a vocal stave --and only that stave-- through that
unit? Or is
. If
anyone can give me the barebones basics on it I'd appreciate it.
Richard
On Mar 9, 2009, at 12:34 PM, Richard Huggins wrote:
I'm considering getting the Roland VP-550 or 770 vocal keyboard. One
use would be to for informal orchestral-choral demos, First of all,
opinions about them
I was excited to hear the much-improved orchestral sounds of Finale
2009. I opened an old file so I cold hear it with these sounds, but
instead the old sounds were heard. How do I achieve playback using the
Garritan sounds that shipped with '09?
Richard
FINMAC 2009
I have a piece for flute, oboe and piano. I want to add continuous
data, specifically the sostenuto pedaling, so that playback is right.
How do I do that?
Richard
FINMAC 09
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Maybe this is was what was meant in the stutters thread, but in any
event my problem is Finale'09 (Mac) just omits notes at times,
occasionally near-dropout (1 note out of 5). When I'm trying to
evaluate some arranging decisions...well, grrr.
I've tried fiddling with Custom HP, using
FINMAC 09
I don't do this much so apparently I'm goofing somewhere. I selected
graphics tool, drag-enclosed a section of music, chose export
selection, chose .tif, chose 300 dpi rez,, and saved.
In Word I dragged the pic onto the page but only about half of it
displayed. The box was
On Jun 16, 2009, at 7:37 AM, David W. Fenton wrote:
Also, I've found that selecting your area to export at 100% view is
more successful than anything smaller or larger.
This appears to be the Bingo! factor...
I set my page % at 100% and my screen view at 100% and got a perfect
export.
How so? I started with it not seeming to work, posted a query, was
told the one condition where it would work, tested it, affirmed it. I
don't see a contradiction, but I'm happy for one to be pointed out..
RH
On Jun 16, 2009, at 9:33 AM, dc wrote:
Richard Huggins écrit:
This appears
I'm using over/under chord symbols and want to move them farther away
from the line in the middle. I haven't yet found how to do this.
Richard
FINMAC 09
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If you're not otherwise bound by some editorial edict you could use tied
quarter notes across the three beats.
Sent from my iPhone
On Jan 27, 2010, at 4:44 AM, dc den...@free.fr wrote:
Say you have three voices on one staff, as in the first bars (left hand), of
the Goldbergs (see link to
or acc to my
way the ear result is the same.
If the Goldberg or similar is a transcription, and the notes rep different
instruments, that might be diff.
Sent from my iPhone
On Jan 27, 2010, at 7:02 AM, dc den...@free.fr wrote:
Richard Huggins écrit:
If you're not otherwise bound by some
Periodically I am losing the link to my interface. Speedy quits
working and the icon in Mac OS Audio/MISI Setup is dimmed.
The only solution I know of is to do a Restart, which can be danged
inconvenient. I've tried just relaunching Finale but that doesn't work.
I wonder if anyone has a
Excellent, Christopher! The first solution (cycling the input setup)
didn't work but the second one did (unplugging/replugging interface).
I appreciate the tip.
Richard
On Jan 29, 2010, at 11:59 AM, christopher.sm...@videotron.ca christopher.sm...@videotron.ca
wrote:
This happened to me
I've engraved a collection of piano compositions for a lady and she's
asked me about selling PDFs of them on the 'Net. I'm looking for
suggested sites to do this. I'm aware of Kagi as a possibility; are
there others?
Richard
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On Feb 4, 2010, at 5:51 PM, Kim Patrick Clow wrote:
Who is the music by?
They are original compositions by
Dr. Warren M. Angell, Dean Emeritus (deceased),
Warren M. Angell College of Fine Arts,
Oklahoma Baptist University
--Richard
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On Feb 5, 2010, at 12:39 AM, Johannes Gebauer wrote:
www.lulu.com
Of all the print on demand publishers I tried they are the only one
who will sell pdfs directly. I have some music there, too, and
actually sold some, too. Not much though, but one of the items I
have seems to be selling
I was an editor for Word Music in the 90's and we credited the engraver on the
inside title sheet. They still do, as do similar publishers.
Sent from my iPhone
On Mar 30, 2010, at 1:12 AM, dc den...@free.fr wrote:
David W. Fenton écrit:
In modern times, I don't think it's ever done for
FINMAC 2007
I opened a file and all my bass clef stems are gone. Nothing I've
thought of has worked, including stab-at-it things such as respelling,
reengraving, changing clefs then back again, and cursing. The treble
clef is fine. If I paste a bass clef measure into the treble clef the
?
Sent from my iPhone
On Aug 4, 2010, at 8:52 AM, Richard Huggins huggin...@yahoo.com
wrote:
FINMAC 2007
I opened a file and all my bass clef stems are gone. Nothing I've
thought of has worked, including stab-at-it things such as
respelling, reengraving, changing clefs then back again
I fear corruption in a file where if I make *any* edit to a measure of
music, all the notes of that measure pile up on top of beat 1. Anyone
have a clue or a tip?
Richard Huggins
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I didn't mention I'm on FinMac 07
--RH
On Aug 23, 2010, at 7:06 PM, Richard Huggins wrote:
I fear corruption in a file where if I make *any* edit to a measure
of music, all the notes of that measure pile up on top of beat 1.
Anyone have a clue or a tip?
Richard Huggins
Status report: Nothing has worked once and for all. Weirdest thing
I've ever seen.
1. If I select Measure Tool and any measure, and if I change Use Beat
Spacing to According to Time Signature, proper spacing is returned but
only until the measure is touched again with Speedy or Simple, or
On Aug 24, 2010, at 8:38 PM, Richard Huggins wrote:
That should have been
http://www.richardhuggins.com/finale/we_gather.mus
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- Music Spacing - Spacing Widths. The file
is set to use a spacing width table, but the spacing width table is
empty.
Either load a spacing width table from the libraries, or set the
option use these values in the Spacing Widths dialog.
Michael
On 25 Aug 2010, at 05:14, Richard Huggins wrote
It seems that both copies of the file ---the original misbehaving one
and the new one created by pasting into a fresh document--- are
working well now. I haven't been able to get the orig. to stack beat 1
anymore.
I want to thank everybody who made suggestion,/ who downloaded my file
and
This comes under nothing asked, nothing discovered heh heh. Except I
hardly know how to ask it.
On the Mac...I'm wondering if there's some way to cause a unique
number (or alpha-numerical) to print on printouts of my choosing (in
other words, defeatable) that would help me keep various
FINMAC 09
I'm in a conductor''s score and can;t get tempo alterations to go
where I click them. They appear at the top of the page. I've checked
all the settings I can think of. What do I have to do to be able to
put arit in, say, the violin part?
RH
I had an arrangement recorded by a group that laid down tracks prior to the
session where I was present. I noticed that the engineer was using PT.
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using FINMAC 2010
I have a Roland VP-550 ---voice synthesizer keyboard. When you sing
into a mic connected to it, it sings back--in real time-- as a choir,
words and all. I want to use it to record the choral parts of choral
arrangements I have written, in some cases with just piano,
In my view, a part is a part. What does it matter that it's a synth part. I'd
give it a stave and go, The other musicians join in from their scores and off
you go. Is there a more specific concern you had in mind?
Sent from my iPhone
On Apr 4, 2011, at 10:53 AM, Eric Dentremont
i vote for MacAlly kb... wonderful feel .. for mouse I vote for the Kensington
turbo trackball- very programmable and smooth movement
Sent from my iPhone
On Apr 7, 2011, at 3:31 AM, SN jef chippewa shirl...@newmusicnotation.com
wrote:
(currently using a macbook pro)
my devices seem to
I think it depends on your market, but for a commercial product I would supply
an alternate note if available.
Sent from my iPhone
On May 12, 2011, at 7:30 PM, Aaron Rabushka arabus...@austin.rr.com wrote:
OK--as long as we're OT, does anyone have any information about low f's for
choral
Playback question. Consider: a 5-measure passage with repeats and
where you want the top staff to sound only on the repeat. Is there any
way in FInale that can be done?
Richard
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to 0 That didnt
work. ALso, in the lower portin of the Playback dialog box there is a
play only on pass __ I put 2 but it didn't change.
RH
On Jun 6, 2011, at 12:05 PM, David H. Bailey wrote:
On 6/6/2011 12:03 PM, Richard Huggins wrote:
Playback question. Consider: a 5-measure passage
FINMAC 2010
I can't find how to renumber staff systems, so that I can get a
wayward score back to 1,2,3,4 etc. order, starting at the top. Can it
be done?
RH
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Maybe I wasn't clear about what I wanted to do (renumber the staffs
from top to bottom, 1-2-3, etc)...they had been the residue of a
larger number of staffs, since deleted, After asking my q, I
experimented with an easier way...I used Staff Usage. I selected that
from the menu,
Could you show an example? I looked in Harp Scoring (by Stanley
Chaloupka, $8.95, bought through Lyon Healy
http://www.lyonhealy.com/?gclid=CJymptnT0qsCFQteTAodr0bcWw
and didn't see (or overlooked) this marking.
RH
On Oct 5, 2011, at 2:31 AM, Pierre Bailleul wrote:
Hi all,
Do you know
FINALE 12 FOR MAC
Just got 2012 downloaded and imported a simple arr. of a hymn from
2010 to give it a preliminary run. I have not read any of the docs on
2012 changes, nor do I have any familiarity with 2011.
Those things being said, the problem I am having is that i have the
String
FINMAC 2012
Thank you, Jeri, but there is no staff style applied. I don't fully
understand Score Manager yet so I didn't have any change from that
either.
I tried copying the problem area to my CLipboard and inserting it into
a new document. Setup Wizard handled everything perfectly and
I did that wrong trying to make a direct download...sorry...I'm to
tired to do it right (haha) soo write me privatey or publicly and I'll
send it to you. Again, sorry for screwing up the download idea.
RH
O
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I can't imagine that I would have figured that out on my own!J jeri,
thanks very much for taking the time to be so analytical.
RH
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FINMAC 12
I wan't to take baby steps to the next level of mixing down a Finale
piece. I hear these examples of lifelike orchestral writing, or pop
writing, and wonder how these guys and gals do the finesse mixes of
their pieces. What are some tips about creating a well-finessed
mixdown of
Thanks for the excellent discourse. I equally appreciated
Christopher's expansive thoughts and Nigel's concise ones. More
thoughts are welcome if anybody has any.
Learning the technology is not the whole battle, of course, but I'm
looking forward to working with Logic. I still marvel at
Finalle 2012 Mac
For all the new stuff they do sure wish MM would improve lots of
existing things, one of them being CLick Assignment and esp Option-
Click (Mac) where all the words go in at once. When they blow right
past slurs and put a word there anyway, it's frustrating to ffix
Haroldo, I never thot of extra spaces. I tried it and by gum it works.
On the Mac, Option-SPacebar inserts a forced space. So, EX: Be-hold
the rose, where hold spans three notes, would be entered hold (os)
(os) the Rose. Note it's a common space (no Option held down) then
Option-Space etc.
typing the lyrics and
abandoning CLick Assignment?
RH
On Dec 2, 2011, at 9:11 AM, Richard Huggins wrote:
Haroldo, I never thot of extra spaces. I tried it and by gum it works.
On the Mac, Option-SPacebar inserts a forced space. So, EX: Be-hold
the rose, where hold spans three notes, would
I recall (a few years ago) seeing a multi-button input device, something like
60 buttons or so. They were programmable, leading me to think how useful they
would be for calling up tools and various other items in Finale. First, has
anyone seen something like that, and second, would I be wrong
On Apr 10, 2012, at 6:50 PM, John Blane wrote:
I think this is what you're remembering.
http://www.piengineering.com/xkeys/xkpro.php
That's it, John!
Looks fairly straightforward to me, but maybe there's something I'm not
thinking about, like perhaps something that Finale wold have to
by Facebook so some administrative work is needed on my
end. It shows 2 members because of the way they handled membership during the
migration. Thee are more than two.
http://www.facebook.com/groups/33569661699/
Richard Huggins
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