Hello,
I currently work on a mass setting by Palestrina. The music is stored in
variables sopranoK, altoK, tenorK, bassK, sopranoVerseK, …, sopranoG,
altoG, etc. etc. for the different parts and movements. Now since I need
a separate \score block for each movement, but these score blocks will
Hello,
I recently exchanged Windows for Lubuntu on my computer. Lilypond 2.18.0
is already installed and I want to add 2.19.3, but when I run the
installing file, it requires that I uninstall the old versions before
installing the new one. However, I want to have both at hand, as it
seems to
from there.)
However this is on text and I don't know anything about music
typesetting conventions.
--
Simon Albrecht, Kirchenmusikstudent
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, Mar 3, 2014 at 6:29 AM, Simon Albrecht simon.albre...@mail.de wrote:
Hello,
I recently exchanged Windows for Lubuntu on my computer. Lilypond 2.18.0 is
already installed and I want to add 2.19.3, but when I run the installing
file, it requires that I uninstall the old versions before installing
s!
Why is this not in the LSR or even in http://lilypond.org/doc/v2.18/Documentation/notation/graphical-notation?
If we dont yet have an elaborate documentation there, it would be a
notable progress to have at least a collection of examples, I think.
--
Simon Albrecht, Kirchenmu
@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
--
Simon Albrecht, Kirchenmusikstudent
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overlook some „integration” feature or should I suggest creating one?
Thanks for everything,
Simon
--
Simon Albrecht, Kirchenmusikstudent
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I’m so sorry. I just misunderstood something, or my brain was fuzzy, but
actually it all works.
Have a nice day!
Am 10.03.2014 15:08, schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
is there any possibility to include \markuplist commands inside
\markup? I’m trying
the necessity of a new edition of Schubert’s Winterreise is
incorrect? After all, I am judging it more from the artist’s than from
the scientist’s point of view.
Best regards,
Simon Albrecht
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https
.
The question is whether there is something in the docs that would have
contributed to a misunderstanding, or whether there could have been
something in the docs that would have prevented it.
--
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Am 13.03.2014 03:16, schrieb carltesta:
Hello Everyone,
I have a measure written below, the top staff of the piano has three beamed
grace notes and it seems to be affecting the spacing of the sixteenth notes
in the bottom staff. Is there anything I could do so that the unsightly
space in the
Am 16.03.2014 17:52, schrieb Kieren MacMillan:
Hi,
I wonder why the notation of minor as lowercase seems to be only known in
German folk circles …
It’s known here, too — at least in my circles — but avoided, mostly because at
a glance it can be hard to tell c from C. =)
As in all notation,
Am 17.03.2014 00:15, schrieb Kieren MacMillan:
Hi Simon,
I’m under the impression that this debate is very old, widespread and unlikely
to end in onemindedness
True.
so it’s just advisable to provide different options, which will let everyone
have his will
That doesn’t logically follow!
Am 17.03.2014 00:28, schrieb Paul Morris:
David Stephen Grant wrote
Paul, this certainly cleans things up! Thank you.
A minor follow up question - in this code the cross notehead dot glyph
is
being printed and offset through markup - would it be possible to replace
the symbol directly (\once
Am 17.03.2014 19:00, schrieb Matthias Hüsken:
On 15.03.2014 09:09, Pierre Perol-Schneider wrote:
Mini example please
~Pierre
Sorry, forgot to post one.
During shortening some code into a mini example, I was actually able
to solve my problem. I'm posting it anyway because I'm not sure it's
Am 17.03.2014 20:22, schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
Am 17.03.2014 19:00, schrieb Matthias Hüsken:
On 15.03.2014 09:09, Pierre Perol-Schneider wrote:
Mini example please
~Pierre
Sorry, forgot to post one.
During shortening some code into a mini example
Am 17.03.2014 20:42, schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
In more complex situations with \include and several scores in one
file it _is_ useful or even necessary, if you want to have one \layout
definition for all scores in common, but for example remove
Am 18.03.2014 20:17, schrieb Kevin Tough:
Hey Thanks,
when I first read the manual I thought Lilypond's symbol to spread or
center a lyric between two note values was the double underscore. No
matter how I placed or spaced it this naturally didn't work. Now I see
from playing with your example
Am 18.03.2014 21:05, schrieb Fredrik Wallberg:
Hi Ming,
someone with more knowledge about Unicode (and Windows) could perhaps
explain why that happens, but since you also asked for a workaround:
Instead of using \bookOutSuffix, you could try with \bookOutputName, like this:
\book {
You might be interested in the following thread:
http://lists.gnu.org/archive/html/lilypond-devel/2013-12/msg00425.html
This thread went private after a time, and I proposed the attached
solution. Mike S. had suggested the use of a new grob to collect
syllables, and this is what I did. The
Hello,
just a little announcement: I have completed my re-engraving of the
Missa Brevis by Palestrina and posted it
http://imslp.org/wiki/Missa_Brevis_%28Palestrina,_Giovanni_Pierluigi_da%29#IMSLP318571
on imslp.org. The text is derived from the 19th century scientific
edition on the same
Am 22.03.2014 02:45, schrieb Anthony Youngman:
And I don't tend to dig deep into all the esoteric settings - there
are so many of them that I don't understand, that I tend to shy away
from them. I shouldn't, but I'd rather just use standard bells and
whistles - when I need to use all sorts of
Am 22.03.2014 11:01, schrieb Anthony:
Well, I've put in a fair bit of time and effort over the years. The
problem, as always, is finding time to play, and also remembering what
worked last time :-) Many moons ago, I proofread the entire main
manual about three times! I've dug into the code
Am 09.03.2014 22:09, schrieb Thomas Morley:
\new Voice
\with { \consists Ambitus_engraver keySignature = #'() }
\relative c'' {
\key c \minor
ees,2 dis'
}
I just had another look at this, because I wanted to use it myself, and
found out there is no documentation on
Am 23.03.2014 20:06, schrieb Thomas Morley:
2014-03-23 18:50 GMT+01:00 Simon Albrecht simon.albre...@mail.de:
Am 09.03.2014 22:09, schrieb Thomas Morley:
\new Voice
\with { \consists Ambitus_engraver keySignature = #'() }
\relative c'' {
\key c \minor
ees,2 dis
Am 24.03.2014 03:39, schrieb Mike Dean:
(1) how can I get a certain field to break across two (or more) lines?
example:
\version 2.18.0
\header {
copyright = Copyright © 2003 by composer-name. For all countries.
All rights reserved.
}
Perhaps you'd also like to try
\version 2.19.3
Am 24.03.2014 13:33, schrieb Richard Shann:
An example of this, typeset using LilyPond is posted here:
http://imslp.org/wiki/Special:ImagefromIndex/278632
To do this I set tuplet timing around the entire bass part and used
doubled time signatures (one hidden IIRC)
Richard
The following is
Am 24.03.2014 15:45, schrieb Rutger Hofman:
Right, so there is a new style dodecaphonic-no-repeat from 2.19.3
onwards. But it does something else than the style dodecaphonic-first
that I wrote about, long ago. dodecaphonic-no-repeat suppresses
accidentals for immediately repeated notes.
You might check imslp.org, which often is a source for excellent
engravings. I have no idea whether there is a scientifically approvable
edition there. My thoughts referred in particular to the 19th century
complete editions for example of Bach which combine unsurpassed
typographical
Am 26.03.2014 11:11, schrieb Urs Liska:
Am 25.03.2014 01:10, schrieb Simon Albrecht:
The following is completely off-topic, but I'd like to share some
observations I often make and thoughts I have and ask for your opinion:
Looking at this score confirms me in my opinion that LilyPond default
Hello,
I've got a problem: I'm typesetting a Brahms lied where some melismata
are only for one stanza and not for the other. Now look at the following
example (output attached):
\version 2.19.3
\new Staff
\new Voice = one { \voiceOne c'4 c' c'8 c' c'4 }
\new Voice = two { \voiceTwo s4
Am 28.03.2014 03:57, schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
Hello,
I've got a problem: I'm typesetting a Brahms lied where some melismata
are only for one stanza and not for the other. Now look at the
following example (output attached):
\version 2.19.3
\new
Am 28.03.2014 18:04, schrieb Jordan B:
Hello - When writing multiple expressions, I find the rest collides
with the stem of notes. Like so:
\version 2.14.2
Please consider upgrading to the current stable version, 2.18.2. There
are many and great improvements in there.
\relative c' {
Hello,
I'm just creating a style sheet and want to create a scheme function
which sets the paper margins. However it seems the paper variables
aren't bound and I don't know why. A simple example would be:
\version 2.19.3
test =
#(define-scheme-function (parser location num) (number?)
#{
Am 28.03.2014 20:44, schrieb David Kastrup:
Simon Albrecht simon.albre...@mail.de writes:
Hello,
I'm just creating a style sheet and want to create a scheme function
which sets the paper margins. However it seems the paper variables
aren't bound and I don't know why. A simple example would
Am 29.03.2014 15:50, schrieb Phil Holmes:
- Original Message - From: Alberto Simões
al...@alfarrabio.di.uminho.pt
To: lilypond lilypond-user@gnu.org
Sent: Saturday, March 29, 2014 2:45 PM
Subject: unspecified starting volume for decrescendo
Hi.
I have a music that starts with
2014 à 23:06, Simon Albrecht simon.albre...@mail.de a écrit :
Am 31.03.2014 16:15, schrieb Jacques Menu:
Hello,
I’d like to display a custo at the end of one line only to help, but not for
the whole score.
Couldn’t find an equivalent of:
\once\override Staff.Custos.style = #’mensural
Hello Lilypond aficionados,
some days ago I sat in a regional train, two young guys opposite me
talking about computer games they were playing. At which I found an
answer to the question why I find it worthwile investing many and often
tedious hours in music typesetting with LilyPond: It’s
Am 02.04.2014 22:10, schrieb Daniel Rosen:
-Original Message-
From: Simon Albrecht [mailto:simon.albre...@mail.de]
Sent: Tuesday, April 01, 2014 10:42 AM
To: lilypond user list
Subject: The pleasantry of Lilyponding
Hello Lilypond aficionados,
It’s like a mixture of a logical
puzzle
Am 03.04.2014 00:45, schrieb Graeme Lee:
On 3-Apr 8:59, Joshua Nichols wrote:
Hello all,
I'm having trouble with this:
global = { \override TupletNumber.whiteout = ##t }
Use
\omit TupletNumber
If you want it back:
\undo \omit TupletNumber
Whiteout is a different thing: it doesn't turn
Am 06.04.2014 16:38, schrieb Kieren MacMillan:
Hi all,
Function I'm asking for would allow to control the width of whiteout box.
Just to note [again] that I would much prefer a whiteout function that followed
the glyph outline (with a padding or margin parameter), rather than a rectangle.
Am 09.04.2014 16:17, schrieb MING TSANG:
David,
Thank you for the link. It is good to know that new Voice can be
use instead of \new Staff.
Voice and Staff are different things. If you write \new Voice and don't
explicitly create a Staff context, it will be created automatically. Thus,
Am 15.04.2014 22:12, schrieb Federico Bruni:
2014-04-15 22:05 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com
mailto:pierre.schneider.pa...@gmail.com:
Hi,
Does anyone have access to the LSR ?
Hi Pierre
I can access to it here:
http://lsr.di.unimi.it/LSR/Search
Hello,
today I installed the update to newly released Ubuntu 14.04 (from
previous 13.04) and at the end of the process stands the removal of
software packages not needed anymore. The packages which are removed by
default include Guile 1.8 (which I take to be the version currently
required by
Am 20.04.2014 23:23, schrieb Simon Albrecht:
Hello,
today I installed the update to newly released Ubuntu 14.04 (from
previous 13.04) and at the end of the process stands the removal of
software packages not needed anymore. The packages which are removed
by default include Guile 1.8 (which
Alternatively, use the override inserted below.
Best, Simon
Am 22.04.2014 00:40, schrieb Conor Cook:
Does the tie need to connect the eeses? This looks good, but maybe not to your
specs.
\version 2.18.2
\new Staff {
\key bes \major
\time 5/4
{
aes aes'4 bes bes' aes aes'
bes bes'8[ c' c''
Bonsoir Jacques,
I don’t know why you altered the suggestion I sent you:
Am 06.05.2014 17:06, schrieb Jacques Menu:
Hello Simon,
Thanks for your answer.
With:
%
\version 2.18.1
\layout {
ragged-right = ##t
\context { \Staff
\consists Custos_engraver
uncomment the following
Am 06.05.2014 21:18, schrieb Richard Shann:
On Wed, 2014-05-07 at 00:11 +1000, Andrew Bernard wrote:
If you are engraving coulés I wager you are going to need pincé and
all the usual suspects as well!
Yes, I don't know whether using mordents etc will be sufficient for this
job, or whether
.
But this redefining haven't Slur. I need function with no_space only
under Slur, but *with* slur.
I try use #(make-span-event 'SlurEvent START) in your variant,
but this line get error: unexpected post-event
thank you,
Evgeny
2014-05-06 0:24 GMT+04:00 Simon Albrecht simon.albre...@mail.de
mailto:simon.albre
please don’t forget the CC...
Original-Nachricht
Betreff:Re: Redefining parentheses
Datum: Wed, 07 May 2014 14:11:53 +0400
Von:Evgeny shtangencir...@gmail.com
An: Simon Albrecht simon.albre...@mail.de
Hello, Simon, thank you.
This code more elegancy, but I
Am 09.05.2014 00:06, schrieb Peter Bjuhr:
On 2014-05-08 16:22, Knute Snortum wrote:
I have a problem with sequential trill spans. they seems to be just
a little too long and therefore they stagger vertically. I would
think the solution is to shorten the trill span but I'm not sure how
to
But, of course, you'll find it documented in the Notation Reference:
http://lilypond.org/doc/v2.18/Documentation/notation/chord-notation and
http://lilypond.org/doc/v2.18/Documentation/notation/common-chord-modifiers.
Thus, following your examples, you write f1:m7 or ef1:6.9.
Best regards,
Am 12.05.2014 14:11, schrieb Carlo Vanoni:
Hi everyone,
I'm using this nice function to add a right-aligned text that states
the number of repeats of a repeat block:
repeatMark =
#(define-music-function
(parser location volte visible)
(number? boolean?)
(if visible
#{
before anything
else. That notwithstanding one may of course reconsider the case, also
because it really isn’t more than a nitpick, to be honest.
All the best,
Simon Albrecht
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was very happy to have
this in a composition of my own (which was actually kept in some early
19th century style) and it expressed exactly what I meant. So don't be
over-correct :-)
Simon Albrecht
Am 16.05.2014 18:15, schrieb Phil Holmes:
Well, LilyPond has the same problem as a performer
Hello Sebastian,
it seems to me like you would require more than 16 midi channels (which
normally correspond to the staves in your score) and midi doesn't
support more than 16. So the output which would have gone to channel #17
is actually put into channel #1 (and inherits its instrument,
Hello,
I just tried to suppress a series of expected warnings, but the scheme
function seems to suppress only the first of a kind. See attached file.
Why is this?
Best regards,
Simon
\version 2.19.3
#(ly:expect-warning MIDI channel wrapped around)
#(ly:expect-warning remapping modulo 16)
See also http://code.google.com/p/lilypond/issues/detail?id=3729 – it’s
the same, only that it’s about accidentalSuggestion, not about
trillPitchAccidental. Perhaps you add a comment there?
Best, Simon
Am 20.05.2014 05:44, schrieb James Harkins:
It appears that LilyPond 2.18.2 prints a
Am 20.05.2014 15:41, schrieb Knute Snortum:
(Note: the above code still emits a warning: Programming error:
impossible or ambiguous (de) crescendo)
One of the things I really liked about LilyPond was the ability to
compile sheet music and MIDI from the same source. It seems to me that
this
Am 18.05.2014 13:46, schrieb David Nalesnik:
Hi Simon,
On Sun, May 18, 2014 at 5:57 AM, Simon Albrecht
simon.albre...@mail.de mailto:simon.albre...@mail.de wrote:
Hello,
I just tried to suppress a series of expected warnings, but the
scheme function seems to suppress only
Am 21.05.2014 11:24, schrieb Urs Liska:
Hi,
for analysis purposes I'd like to draw (e.g.) boxes around objects on
different staves (see attachment).
Is there a straightforward and particularly robust way to do that with
LilyPond itself (the image was postprocessed)?
Hello Urs,
sorry for not
Am 22.05.2014 22:36, schrieb rm damerell:
Dear colleagues,
I have a problem due (I think) to a bad mixture of
versions of Lilypond and Guile. Versions are:
L-Ubuntu 12.04
guile-2.0.5+1-1 (most recent version I found in Ubuntu repository)
Lilypond 2.18.2 (From lilypond.org)
Lilypond still
Am 26.05.2014 03:47, schrieb David Nalesnik:
Hi all,
FWIW, here's something which tabulates the notes used in an excerpt
and presents them in ascending order.
I think this might be useful in handbell music (which the example
assuredly is not).
Any suggestions for improving this are
Am 27.05.2014 15:40, schrieb paul bedaride:
I would be something like this (but this doesn't work)
\version 2.16.2
\include predefined-ukulele-fretboards.ly
http://predefined-ukulele-fretboards.ly
theChords = \chordmode {
g g g g g
}
verseI = \lyricmode {
\set stanza = #1.
This is the
Am 29.05.2014 09:53, schrieb Urs Liska:
Am 29.05.2014 09:15, schrieb Javier Ruiz-Alma:
I'm typesetting the attached music using four voices. However, a
shifted quarter note refuses to merge with the half-note from other
voice. I suspect it has to do with both having same stem direction,
Am 29.05.2014 20:40, schrieb Pierre Perol-Schneider:
2014-05-29 12:43 GMT+02:00 Thomas Morley thomasmorle...@gmail.com
mailto:thomasmorle...@gmail.com:
How about:
\tweak #'duration-log #1
Of course Harm (even with \tweak duration-log #1 ;)
(or \tweak duration-log 1 !!!)
It's just
Hello,
in places with tight vertical spacing it's often useful and best
practice to have the dynamic text overlap slightly with the staff symbol
lines. I tried to reproduce this with something like the following:
\version 2.19
\relative {
\once \override DynamicText.outside-staff-priority
-
*From:* Simon Albrecht mailto:simon.albre...@mail.de
*To:* lilypond user list mailto:lilypond-user@gnu.org
*Sent:* Thursday, June 05, 2014 8:57 PM
*Subject:* Dynamic text/staff symbol overlap
Hello,
in places with tight vertical spacing it's often useful and best
practice to have the dynamic
Am 05.06.2014 23:02, schrieb Karol Majewski:
And how about:
\version 2.19
\relative {
\once \override DynamicLineSpanner #'Y-offset = #2.5
\once \override DynamicLineSpanner #'outside-staff-priority = ##f
c'^\f
}
Very good! That's the one I overlooked.
Thanks,
Simon
Am 14.06.2014 07:29, schrieb Pierre Perol-Schneider:
2014-06-13 23:53 GMT+02:00 Ralph Palmer palmer.r.vio...@gmail.com
mailto:palmer.r.vio...@gmail.com:
I think this is, on fact, a slur, not a tie. If the sounding of
the notes is separate, as would be implied by the staccato dots,
Am 15.06.2014 12:29, schrieb Orm Finnendahl:
Hi,
just to verify: I assume it is always necessary to tag a complete
music expression, or can just tweaks themselves get tagged?
You may insert the tag itself as a post-event using -\tag before the
tweak, yet the tag will then apply both to the
Am 17.06.2014 18:12, schrieb keira mccook:
I have dyslexia and i find it hard to read sheet music.I am starting uni in
September to study music. I've been instructed to improve my reading but it
seems impossible.is there any way you can help.
Hello Keira,
I don’t know if this is the right
Am 26.06.2014 09:39, schrieb Pierre Perol-Schneider:
Hi James,
Sorry, I should have written syntax instead of format
2014-06-26 9:27 GMT+02:00 James pkx1...@gmail.com:
Can you be a bit more specific as I don't understand what you are stating?
'Creating a delayed turn'
...
\once \override
So sorry, wrong list…
Am 26.06.2014 12:53, schrieb Simon Albrecht:
Am 26.06.2014 09:39, schrieb Pierre Perol-Schneider:
\once \override AccidentalSuggestion #'outside-staff-priority = ##f
\once \override AccidentalSuggestion #'avoid-slur = #'inside
\once \override AccidentalSuggestion #'font
Am 26.06.2014 13:33, schrieb David Kastrup:
And he's right with that as well... Have you actually tried it?
My mistake again. Sorry for being pert and not checking first. I wasn’t
aware that your parser improvements had gone so far…
Best regards,
Simon
Am 27.06.2014 20:42, schrieb Knute Snortum:
I want to start a discussion about this and maybe get a change into
LilyPond.
Currently, you can get an impossible (de)crescendo error in LilyPond
if your crescendo has a \sf in the middle [1]. It stops the crescendo
and if you restart it, ending
Am 29.06.2014 19:10, schrieb Paul Morris:
Hi all,
Is this way of scaling a score (by putting it inside a markup) the best way
to do it, if you want to keep all of the proportions strictly consistent at
different sizes?
The approach in the staffSize snippet does not keep the proportions
Am 30.06.2014 08:41, schrieb Janek Warchoł:
You're welcome :)
Maybe i should add this function to official LilyPond?
Good idea, I think!
Simon
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Am 01.07.2014 20:50, schrieb bart deruyter:
Hi all,
I've got an issue here with rests.
I have three voice score with rests in the second voice . There simply
is not enough space for the rest between the highest and the lowest
note, so I tried to move the rest to the left using:
\once
Well, of course this reminded me of \textLengthOff and \textLengthOn,
which normally serve to control this behaviour.
However, with packed-spacing, \textLengthOff has no effect at all, while
\textLengthOn slightly increases the spacing between notes, or basically
it seems to me that it
Hello everybody,
I just wrote a music function to mark grobs as editorial addition by
colouring them grey. See the code and an example:
\version 2.19.8
ed = #(let
((string-or-list?
(lambda (grob)
(or (string? grob)
(list? grob)
(define-music-function
(parser location grob mus)
Am 08.07.2014 16:16, schrieb Federico Bruni:
Hi Michael
Problems in translated manuals should be reported on the translation list.
The german translation is not updated as far as I know, since I've seen
some reports from german users in the last year. Last commit of Till Paala
was in october
Am 08.07.2014 23:38, schrieb Federico Bruni:
2014-07-08 18:49 GMT+02:00 Simon Albrecht simon.albre...@mail.de
mailto:simon.albre...@mail.de:
Am 08.07.2014 16:16, schrieb Federico Bruni:
Hi Michael
Problems in translated manuals should be reported
Many thanks for the responses, Thomas and David.
And sorry for the messy code layout… I’ll see if I can change that.
Yours, Simon
Am 08.07.2014 15:50, schrieb Thomas Morley:
2014-07-08 13:39 GMT+02:00 Simon Albrecht simon.albre...@mail.de:
Hello everybody,
I just wrote a music function
Hello,
now there definitely seems to be something wrong with mail delivery on the
list. Some people already reported they were not receiving some posts at all.
With me, some posts pop up another time two days or so after they were
originally sent (including my own). Do any of you know what
Am 11.07.2014 18:49, schrieb Richard Shann:
For chord charts a barline is wanted at the start of each line of music
- \bar | is, of course ignored in this position.
Can anyone suggest how to force printing a barline here (after the time
signature, if any).
Incidentally, the documentation is
Am 13.07.2014 11:29, schrieb Pierre Perol-Schneider:
Hi Bart,
2014-07-13 10:52 GMT+02:00 bart deruyter bart.deruy...@gmail.com
mailto:bart.deruy...@gmail.com:
I've attached an image and a .ly example.
Here's what I'd do :
\version 2.18.2
global = {
\key e \minor
\time 2/4
}
Am 27.07.2014 16:30, schrieb Janek Warchoł:
Hi,
LilyPond has a treble clef with added C-clef-like stuff:
{ \clef tenorG c' }
(http://lists.gnu.org/archive/html/lilypond-user/2013-11/msg00661.html)
However, it seems to me that these added lines should be positioned
half a staff-space lower.
Am 27.07.2014 23:17, schrieb pls:
On 27.07.2014, at 22:18, Phil Holmes m...@philholmes.net
mailto:m...@philholmes.net wrote:
I don't know. My guess: there is no reasonable slur that will miss
the hairpin if the hairpin is inside the slur, so Lily does the best
compromise.
Thanks, Phil!
Am 28.07.2014 21:47, schrieb Marten:
Dear all,
Trying to typeset a song I am faced with the following problem for which I
can;t find a solution in the manual or snippet repository. I kindly request
your help.
I'm typesetting a song with one staff, where the refrain comes first and
spans
Am 29.07.2014 01:28, schrieb Marten:
Hello Abraham, Simon,
Thanks for your solutions and quick replies :)
I decided to try to implement Simon's third solution, as it explicitly
keeps the melody of the stanzas together with their texts.
Ingenious - hadn't thought about a solution like that.
I
Hello,
I’d like to suggest rearranging the instrument names in LSR 650 using
\center-column (more elegant in my eyes). Attached you find an updated
version of the file. Do you approve?
Best, Simon
Am 01.08.2014 15:10, schrieb Phil Holmes:
- Original Message - From: Janek Warchoł
Am 01.08.2014 16:49, schrieb Janek Warchoł:
2014-08-01 16:39 GMT+02:00 Simon Albrecht simon.albre...@mail.de:
Hello,
I’d like to suggest rearranging the instrument names in LSR 650 using
\center-column (more elegant in my eyes). Attached you find an updated
version of the file. Do you approve
Am 18.08.2014 12:40, schrieb Jayaratna:
Yes,
c\breve.
gives out an error.
Can’t confirm that on Ubuntu with Lily 2.19.8.
What version and system are you using? What kind of error message did
you get?
Best, Simon
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lilypond-user mailing list
Am 29.08.2014 um 16:58 schrieb Jacques Menu:
Hello Marco,
Always copy the list in your messages, to let the them know.
Put as many \skip as you have notes in the melody in the first 8 bars
if you use \addlyrics or \lyricsto,
Much more convenient: use _ for every note without a lyric
Am 29.08.2014 um 08:53 schrieb Keith OHara:
Janek Warchoł janek.lilypond at gmail.com writes:
I'm working on putting together a set of functions for handling parts
that split into multiple voices and/or staves
Attachment (definitions.ily): text/x-lilypond, 2359 bytes
Attachment
Furthermore, there is the rule that, if there is an upbeat, upbeat and
last measure of the piece must add up to one full bar. I’m not sure
where it comes from and how widely it is obeyed, but at least for a
“classical” period in the 18th to 20th centuries it’s to be regarded as
standard. So as
Hello Steve,
admittedly this is not easy to figure out.
\once \override Beam.positions = #'(-3.5 . -3.5)
is what you want here. It specifies the y position of the left and right
ends of the beam in staff-space units.
Yours,
Simon
Am 04.09.2014 um 20:11 schrieb st...@linuxsuite.org:
Hello,
how about:
\version 2.19.12
\new Staff \with { \override TimeSignature.font-name = #Garamond
\override TimeSignature.font-size = 1.5 }
{ \time 3/4 r4 r r
\time 7/8 r r r r8 }
It helps if you include some working example code.
HTH, Simon
Am 05.09.2014 um 07:51 schrieb Jayaratna:
Hello Hwaen,
the code you provided doesn’t compile for me (with 2.19.12, but it has
nothing to do with the version). Please send working code.
Yours, Simon
Am 05.09.2014 um 15:36 schrieb Hwaen Ch'uqi:
Greetings All,
What is the best way of achieving a cross-staff voice where one of the
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