tendinitis that has plagued me
for ~38 years. If anyone on this list feels they are capable of taking on this
project or knows of someone who would be capable, please contact me. Thank
you.
A. John Mardinly,
Ph.D., P.E.
Principal Materials
Nanoanalysis Engineer
EMail: mailto:john.mardi...@asu.edu
harpsichords.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: john.mardi...@asu.edu
Cell: 408-921-3253 (does not work in TEM labs)
Titan Lab: 480-727-5651
NION UltraSTEM Lab: 480-727-5652
JEOL ARM 200 Lab: 480-727-5653
2010F Lab: 480-727-5654
Office: 480-965-7946
John Cowley
my lute as soon as I get it back from Mel Wong.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NION UltraSTEM Lab: [4]480-727-5652
JEOL
d like a charm.
I can send a photograph to anyone who is interested, although I do not
have dimensions or assembly instructions at this time.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does
Dan;
Can you elaborate?
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NION UltraSTEM Lab: [4]480-727-5652
JEOL ARM 200 Lab
Dan;
Can you elaborate on this material/technique?
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NION UltraSTEM Lab: [4]480-727
He probably picked it up from Gamut during their Black Friday
sale..
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NION UltraSTEM
So is Weird Al a "Thumb Under" or a "Thumb Out" guy?
Sent from my iPhone.
John Mardinly
408 921 3253
> On Dec 3, 2014, at 2:00 PM, "Braig, Eugene" wrote:
>
> . . . or out thereof.
>
> Eugene
>
> -Original Message-
> From: He
Mel Wong will be installing these pegs in my 1968 Rubio as part of the
restoration. He has used them in the past and reports excellent
results. They are also relatively inexpensive. I am looking forward to
the experience.
A. John Mardinly, Ph.D., P.E.
Principal Materials
And my Turkish Saz, or Baglama, has THREE strings for the top course!
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Jan 22, 2018, at 8:22 AM, Bruno Cognyl-Fournier
<[1]fournier...@gmail.com> wrote:
Interesting to note howeve
The speedometer in my car reads out in âfurlongs per fortnight', but
what does this have to do with lutes?
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Jan 29, 2018, at 2:37 AM, Rainer <[1]rads.bera_g...@t-online.de>
w
Cats playing lutes is great. I also like cats playing the samisen:
[1]https://i.pinimg.com/originals/63/65/ea/6365eaca812630279eb6228aa609
d1ff.jpg
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Jan 29, 2018, at 2:22 AM, David Morales
w and The Early
Music Consort of London. This record was recently re-issued, and
actually won a GRAMMY last night!
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Jan 29, 2018, at 11:34 AM, Tristan von Neumann
<[1]tristanvonneu
--_000_FFA9553912F34B37A36432623F95F2B4asuedu_
Content-Type: text/plain; charset="windows-1258"
Content-Transfer-Encoding: quoted-printable
Appalling about the Siena Lute Book.
Gloves are cheap!
A. John Mardinly, Ph.D., P.E.
[cid:43213E1A-45A3-4C0C-B084-966A95C27ED9]
The Sleep
Cool but-good Lord-he's handling it without gloves.
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Feb 1, 2018, at 9:29 AM, Bernd Haegemann <[1]b...@symbol4.de> wrote:
[2]https://urldefense.proofpoint.com/v2
Wasn't Dowland fired by King Christian of Denmark for being drunk all
the time? Could it be then considered that playing âstoned' was more
âauthentic'?
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Feb 2, 2
I listened, but only a little, because I found the sound to be so
horrible I just could not stand it. So whatever the musicological
arguments, it is just not musical, IMHO.
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Feb 7, 2018, at
You gotta be kidding me. Aside from being aurally hideous, it is so
ludicrous even Peter Schickele would not present it as a joke.
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Feb 8, 2018, at 10:20 AM, Tristan von Neumann
<
Tristan;
Here is the comment from my sister, BS Voice, New England Conservatory,
Ph.D. Musicology Hartford Conservatory:
"I have encountered many who overdo connections, like this guy!!"
It's not just me.
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Pr
Excellent find, Jacob. Clearly someone has too much free time on their
hands.
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Feb 8, 2018, at 11:39 AM, Jacob Johnson <[1]tmrguitar...@gmail.com>
wrote:
If a mashup cou
My frets never come loose and they have not worn out yet. They are
metal.
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Mar 9, 2018, at 6:48 AM, Christopher Wilke
<[1]chriswi...@cs.dartmouth.edu> wrote:
Martyn,
I'
It's not fear, it's taste. People play music that appeals to them.
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Mar 14, 2018, at 4:16 PM, howard posner <[1]howardpos...@ca.rr.com>
wrote:
On Mar 14, 2018, at 4:02 PM,
contact info. His web
site is [1]http://www.zuillbailey.com/index.php/en/
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Mar 15, 2018, at 12:29 PM, Edward Martin <[2]edvihuel...@gmail.com>
wrote:
Goffriller
--
Refe
So does anyone play contemporary music on the vihuela?
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
> On Mar 16, 2018, at 10:01 AM, Wayne wrote:
>
> One thing that has not been mentioned is that we have choices - we all, or
> most of us, o
Beautiful! Thank you.
A. John Mardinly, Ph.D., P.E.
The Sleep of Reason Produces Monsters
Francisco Goya
On Mar 16, 2018, at 12:36 PM, Daniel Shoskes
<[1]kidneykut...@gmail.com> wrote:
Since you asked: [2]https://www.youtube.com/watch?v=SZ3kCnbnSnc
On Mar 16, 2018
suited for pressing
a 6th string by reaching around the neck.
A. John Mardinly, Ph.D., P.E.
> On Apr 26, 2018, at 1:45 PM, Christopher Stetson
> wrote:
>
> Hi, all.
> I somewhat agree with Gilbert on matters of "proper" technique, but as
> someone who is self
The left lute does not seem to have any pegs and neither appears to
have a bridge, yet both lutenists look like they are trying to stop the
lowest course with their thumbs.
A. John Mardinly, Ph.D., P.E.
On Apr 30, 2018, at 9:45 AM, Tristan von Neumann
<[1]tristanvonn
ccur (Largo) in Vivaldi's (1678–1741) Concerto, RV 444,[3][7]
and in bar 15 of François Couperin's Second Prelude from L'art de toucher le
clavecin(1716).[8]
A. John Mardinly, Ph.D., P.E.
> On May 14, 2018, at 6:47 AM, Rainer wrote:
>
> demisemihemidemisemiquaver
T
A. John Mardinly, Ph.D., P.E.
> On May 15, 2018, at 3:25 AM, Rainer wrote:
>
> Frankly speaking, the main reason for my post was the ridiculous
> demisemihemidemisemiquaver :)
>
> Rainer
>
>
> On 15.05.2018 04:12, howard posner wrote:
>>> On May 1
--_000_09763CDD21FE44BD80B2F8608A7F8E39asuedu_
Content-Type: text/plain; charset="windows-1258"
Content-Transfer-Encoding: quoted-printable
So is the Lute List going through an opt-in process for the new GDPR
regulations for Europe?
A. John Mardinly, Ph.D., P.E.
[cid:43213E1A-45A3
Has anyone ever tried re-drilling the holes to lower the action? How
might one do that without removing the bridge?
A. John Mardinly, Ph.D., P.E.
On Jun 29, 2018, at 12:37 PM, guy_and_liz Smith
<[1]guy_and_...@msn.com> wrote:
I enlarged a couple of bridge holes on
See the best specialist possible as soon as possible. Avulsion is especially
serious because loss of circulation could result in gangrene necessitating
amputation.
A. John Mardinly, Ph.D., P.E.
> On Jul 3, 2018, at 9:27 PM, Edward C. Yong wrote:
>
> hi lute people.
>
> i
The hazards of being a flutenist?
A. John Mardinly, Ph.D., P.E.
> On Jul 10, 2018, at 1:47 PM, Dan Winheld wrote:
>
> Loose lips sink lutes. Or flutes. What's the difference- my old guitar
> teacher used to tell me to keep my mouth closed!
> Dan
>
>
yager spacecraft in
1977.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
> On Nov 29, 2018, at 5:48 PM, David Morales
> wrote:
>
> Dear lutenists,
> I would like to share an interview with Lukas Henning that we have just
> posted on our blog, related to hi
ÓM÷ÍÀ×MÔQxßN}Þë¾Áð@{ ÁZ²ç¸*'µéíO*^µìmþZw!j»
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
d the
length that works acceptably for each.
A. John Mardinly, Ph.D., P.E.
On Mar 6, 2019, at 12:30 PM, Ron Andrico <[1]praelu...@hotmail.com>
wrote:
Thank you Martyn. It's about time we all sorted out this popular
misconception. I have encountered several classica
could make the instrument difficult/uncomfortable to play.
A. John Mardinly, Ph.D., P.E.
On Mar 6, 2019, at 2:00 PM, Sean Smith <[1]lutesm...@gmail.com> wrote:
To say that plucking the string closer to the bridge is "louder"
opens
a few cans of worms here. To plu
As of course did Julian Bream, who was the inspiration for Paul
O'Dette, and without whom most of you would likely not be playing the
lute.
A. John Mardinly, Ph.D., P.E.
On Mar 6, 2019, at 6:02 PM, lex.eisenhardt
<[1]lex.eisenha...@gmail.com> wrote:
A
Excellent.
A. John Mardinly, Ph.D., P.E.
On Mar 6, 2019, at 6:23 PM, howard posner <[1]howardpos...@ca.rr.com>
wrote:
On Mar 6, 2019, at 5:02 PM, lex.eisenhardt
<[2]lex.eisenha...@gmail.com> wrote:
Have a look at my recent Visée video, on YT.
.
A. John Mardinly, Ph.D., P.E.
On Mar 12, 2019, at 9:51 AM, Dan Winheld <[1]dwinh...@lmi.net> wrote:
"Foot"note to my previous: Not to be forgotten iwas the extraordinary
musician Joseph Iadone, bass player turned lutenist, associated with
Paul Hindemith. Sui
Some guitar makers have also believed that neck stiffness improves the
sound. Ramirez 1A guitars have a significant graphite-epoxy inset along
the neck to stiffen it, and that is said to be significant in a neck
that is only 66.7cm.
A. John Mardinly, Ph.D., P.E.
On Mar 23, 2019
polishing metals to view their
microstructure, I experienced a revolution in materials to polish the nails
that were quickly adopted by many people playing with nails.
A. John Mardinly, Ph.D., P.E.
> On May 6, 2019, at 3:34 PM, Roland Hayes wrote:
>
> Do we think he played w
stropping technique used by Segovia because there was not much better
in the mid 20th Century would be deemed laughable today among those who
play with nails.
A. John Mardinly, Ph.D., P.E.
On May 7, 2019, at 4:48 AM, Yuval Dvoran <[1]yuval.dvo...@posteo.de>
wrote:
Hahahaha good
ul for for preparing nails for playing, by today’s standards.
So, I submit that if deVisee played with nails, it would not be anything at all
like a modern player using nails finished with modern 3M papers.
A. John Mardinly, Ph.D., P.E.
> On May 7, 2019, at 1:44 PM, John Mardinly wrote
Very similar to what Segovia used, and certainly about the best there
was mid-20th century, but no comparison to 1500 grit 3M silicon carbide
papers.
A. John Mardinly, Ph.D., P.E.
On May 7, 2019, at 2:57 PM, M Del <[1]terli...@aol.com> wrote:
My first guitar teacher R
My suspicion would be that the nails Sor heard were just not prepared well.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
> On May 8, 2019, at 9:28 PM, Antonio Corona wrote:
>
> Sor's words:
> Never in my life have I heard a guitarist whose playing was
>
Amazing. I was looking closely to see if any of them played with nails, and one
guy played with GLOVES!
A. John Mardinly, Ph.D., P.E.
> On May 11, 2019, at 7:18 AM, Daniel Shoskes wrote:
>
> Never thought to use a bot, but gamers seem to have found the solution
&
Well said! Thank you!
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
> On Jun 19, 2019, at 8:09 AM, Ron Andrico wrote:
>
> I feel I must add a word of support for Julian Bream and his many
> contributions to the current lute revival.
>
> As a 20th-
Several years ago, Bream injured the A finger of his last hand and can no
longer play. I saw a photo in a guitar magazine that showed a finger swollen to
twice the normal diameter. There was no mention of how the injury occurred.
A. John Mardinly, Ph.D., P.E.
> On Jun 20, 2019, at 10:49
Left hand.
A. John Mardinly, Ph.D., P.E.
> On Jun 21, 2019, at 1:04 PM, John Mardinly wrote:
>
> Several years ago, Bream injured the A finger of his last hand and can no
> longer play. I saw a photo in a guitar magazine that showed a finger swollen
> to twice the normal
Bream was the primary inspiration for Paul O'Dette, as has been
documented in many O'Dette interviews.
A. John Mardinly, Ph.D., P.E.
On Jun 19, 2019, at 12:34 PM, Luke Emmet
<[1]luke.em...@orlando-lutes.com> wrote:
Julian Bream was an inspiration to so many p
ument market or find a luthier that will custom make one for you.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Jun 19, 2019, at 8:49 AM, Franz Mechsner <[1]franz.mechs...@gmx.de>
wrote:
Thank you so much, Ron.
Apart from my really deep admiration for Bream
Wong
in San Francisco.
A. John Mardinly, Ph.D., P.E.
On Jun 6, 2019, at 7:05 PM, Edward C. Yong <[1]edward.y...@gmail.com>
wrote:
Hi Daniel,
The buzz has always been there as long as I've had the instrument.
I've noticed the maker didn't remove the paper ste
I have always liked what Vladimir Horowitz said of practice: "If I miss
a day, I can tell. If I miss two days, my wife can tell. If I miss 3
days, everyone can tell."
A. John Mardinly, Ph.D., P.E.
On Jun 23, 2019, at 4:43 AM, Roland Hayes
<[1]rha...@legalaidbuffa
The initials “RM” are engraved on the top at the end of the fingerboard.
A. John Mardinly, Ph.D., P.E.
> On Jun 25, 2019, at 3:06 PM, Edward Martin wrote:
>
> Thank you Jo. I do not think I need to investigate further as this is
> probably made by them.
>
> Sent from my i
On all my computers, the most recent part of the email is visible at
the top. If there're 10 pages of older threads, they don't show unless
I want to see them, and I have to deliberately scroll down. So what is
the fuss?
A. John Mardinly, Ph.D., P.E.
On Jun 28, 2019,
Wow! That virtual tour is phenomenal!
A. John Mardinly, Ph.D., P.E.
On Jun 29, 2019, at 12:12 PM, Peter Martin <[1]peter.l...@gmail.com>
wrote:
$21 million total sale value!
[1][2]https://urldefense.proofpoint.com/v2/url?u=https-3A__www.christ
ies.com_the-2
way violins, violas,
cellos and string basses do?
A. John Mardinly, Ph.D., P.E.
> On Jun 29, 2019, at 7:30 AM, Matthew Daillie wrote:
>
> Unfortunately things don't work that way. Generally over time the tension of
> the strings pulls the bridge towards the neck so th
minimized if the bridge/top did not need to cary the
tension of the strings.
A. John Mardinly, Ph.D., P.E.
On Jun 30, 2019, at 8:09 AM, ido7 <[1]ishdai...@gmail.com> wrote:
I don't think the main reason is the lack of frets. Fretless acoustic
guitars, nylon strings
My teenage daughter says all classical music sounds the same. I tell
her all pop music sounds the same. Who is right?
A. John Mardinly, Ph.D., P.E.
On Jul 13, 2019, at 8:19 AM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
I guess period documentation is
Paul Odette was inspired by Julian Bream. One played thumb out, the
other played thumb under. Both got excellent results. That is what
matters the most.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Aug 1, 2019, at 1:03 PM, Mathias Rösel
<[1]mathias.roe..
in pirate
costumes and indulging in lots of eating (turkey legs are popular)
drinking beer, and as much bawdiness and depravity as possible.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Sep 26, 2019, at 2:36 PM, Frank A. Gerbode, M.D.
<[1]sa...@gerbode.net> wrot
I have seen a similar problem when moving to smaller diameter strings,
especially if the nut was filed with jeweler's files giving it a âv'
shaped profile . However, what is 'dentist's dentine', some sort of
magic epoxy?
A. John Mardinly, Ph.D., P.E.
Well, the non-silver composites used for fillings today do have
phenomenal properties, but I thought they all needed a special light to
cure them.
A. John Mardinly, Ph.D., P.E.
On Nov 28, 2019, at 3:12 PM, Anthony Hind
<[1]agno3ph...@mail.cs.dartmouth.edu> wrote:
Very cool. Dan Erlewine is just so full of cool tricks-he is amazing.
A. John Mardinly, Ph.D., P.E.
On Nov 28, 2019, at 4:16 PM, Steve Ramey <[1]stevera...@sbcglobal.net>
wrote:
Don't know about dentist's "dentine", but here's a trick that may
ations.pdf
A. John Mardinly, Ph.D., P.E.
On Nov 28, 2019, at 4:16 PM, Steve Ramey <[2]stevera...@sbcglobal.net>
wrote:
Don't know about dentist's "dentine", but here's a trick that may
help.
[3]The baking soda and super glue trick
Daniel;
Thanks! That video by YouTubeConservatory was excellent. This is a real
eye-opener for someone who might have been considering an iPad.
A. John Mardinly, Ph.D., P.E.
On Jan 5, 2020, at 1:17 PM, Daniel Shoskes <[1]kidneykut...@gmail.com>
wrote:
I ended up g
ed in trying?
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Mar 23, 2020, at 10:20 PM, David van Ooijen
<[1]davidvanooi...@gmail.com> wrote:
This is what I made a while ago with my guitar (and one lute!) pupil.
[1][2]https://urldefense.proofpoint.com/v2/
two paper thin layers on
wood.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Mar 25, 2020, at 9:56 AM, Joachim Lüdtke <[1]jo.lued...@t-online.de>
wrote:
Dear David, dear list,
I was a bit puzzled at first because I know the term double top, but
on
t and a price just a fraction of a Smallman, and it is a
very lively, responsive instrument that I am thrilled with.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Mar 24, 2020, at 6:04 PM, Mark Probert <[1]probe...@gmail.com>
wrote:
John wrote:
guitar.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Mar 25, 2020, at 5:00 PM, Edward Martin <[1]edvihuel...@gmail.com>
wrote:
Two years ago, classic guitar virtuoso Jason Vieaux visited my city and
had an incredible concert and master class. Jason is a
paid just a third of what a Damman or Smallman would cost, plus I got a
magnificent instrument.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Mar 25, 2020, at 9:18 AM, Tristan von Neumann
<[2]tristanvonneum...@gmx.de> wrote:
For that money, I'd buy a L
big question is will I have sufficient longevity.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Mar 25, 2020, at 5:43 PM,
[1]theoj89...@new-old-mail.cs.dartmouth.edu wrote:
My concern with a double top is longevity: How will that top hold up
50, 100, 150
361014909&mc_cid�87c52354&mc_eid8806f77a
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Mar 26, 2020, at 4:38 AM, Joachim Lüdtke <[2]jo.lued...@t-online.de>
wrote:
And what I simply forgot in my first mail on this topic: Among the
newly built guit
But if we had listened to the part of Gate's message about pandemics,
we would not be in the pickle we are in now.
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Mar 31, 2020, at 11:05 AM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
1-871f-3a45b2ca6f75&spLa=ZW5jcnlwdGVkUXVhbGlmaWVyPUEyQlpFOVExWUNKOFBTJmVuY3J5cHRlZElkPUEwMzAxNTgzMVdHTVVXMjg5QjlLUiZlbmNyeXB0ZWRBZElkPUEwNzkzMDU1NFFLQzJMQzQzRVIzJndpZGdldE5hbWU9c3BfZGV0YWlsJmFjdGlvbj1jbGlja1JlZGlyZWN0JmRvTm90TG9nQ2xpY2s9dHJ1ZQ==
Cut out a 15’x15’ piece for each thigh, and use a footstool for the left leg
like guitarists use. The lute is then fairly stable. Makes a guitar a bit more
stable also. $5 buys enough to last a lifetime.
A. John Mardinly, Ph.
Bill Gates turned the Microsoft CEO job over to Steve Balmer TWENTY
years ago.
A. John Mardinly, Ph.D., P.E.
On Aug 10, 2020, at 12:26 PM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
I agree.
Also, I wouldn't want to give anything to Mr. Gates.
cause it's horrible,
which you can't even blame Gates for, anymore.
A. John Mardinly, Ph.D., P.E.
On Aug 10, 2020, at 3:49 PM, Tristan von Neumann
<[1]tristanvonneum...@gmx.de> wrote:
Did he sell all his shares too?...
As far as I know, he's still a
After he played, he
sat in the âguests' chair and talked a bit. Johnny Carson asked him how
much he practiced, and he calmly stated âAbout 8 hours a day'. From
then on, every day that I practiced less than 8 hours, I am reminded of
that. I think that was pretty much eve
Many thanks for your years of dedicated service. I hope you have great
enjoyment and many healthy years ahead of you. I have been enjoying my
retirement so I hope you enjoy yours too. Best to you.
A. John Mardinly, Ph.D., P.E.
On Aug 22, 2020, at 12:04 PM, Wayne <[1]
I hear
coming from my teenager's phone, the pop music is even worse!
A. John Mardinly, Ph.D., P.E.
Classical Guitarist/Lutenist
On Aug 27, 2020, at 12:15 PM, Nancy Carlin <[1]lsaq.edi...@gmail.com>
wrote:
Howard is right about the graying of audiences and it's been tal
Thanks Nancy-This was wonderful!
Sent from my iPhone
> On Aug 31, 2020, at 10:50 AM, Nancy Carlin wrote:
>
> --0511CBC1E59526415F9EA14C
> Content-Type: text/plain; charset="utf-8"; format=flowed
> Content-Transfer-Encoding: 8bit
>
> See the note below about an online Paul O'Dette
A notable characteristic of many Piazzolla tangos is that they are not
intended for dancing. That is a contributing factor to the many death
threats that he faced during his lifetime.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi
concert
was resuming-it was a gag.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NION UltraSTEM Lab: [4]480-727-5652
JEOL ARM 200 Lab: [5
After nearly four years in the Phoenix, Arizona area, my sense is that
winter just about anywhere is worse on instruments than summer in the
desert. So, don't knock the desert. Maybe the best place to take the
instruments in winter would be South America or Australia.
A.
Even when Segovia DID have a pulse, he had this really annoying habit of just
pausing on random notes just because the guitar sounded pretty good on that
note. I called it the "Segovia fermata". It did not cause me to move to the
lute directly-I moved to the Bream guitar first
I would recommend seeing a competent dermatologist who could possibly prescribe
a medical product to eliminate the problem.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: john.mardi...@asu.edu
Cell: 408-921-3253 (does not work in TEM labs)
Titan Lab: 480-727-5651
a high priority. It is up
to us to fix it, and if crowd sourcing finds some success, then let's
have more of it.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
I thought she had 13 sons...
Sent from my iPhone.
John Mardinly
408 921 3253
> On Mar 1, 2015, at 12:09 PM, "howard posner" wrote:
>
>> On Mar 1, 2015, at 9:32 AM, Rainer wrote:
>>
>> Has any lute-netter in Germany or Switzerland seen "Written by M
Fan bracing as well!
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: john.mardi...@asu.edu
Cell: 408-921-3253 (does not work in TEM labs)
Titan Lab: 480-727-5651
NION UltraSTEM Lab: 480-727-5652
JEOL ARM 200 Lab: 480-727-5653
2010F Lab: 480-727-5654
Office: 480-965
And nails, not fleshOK, claws?
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: john.mardi...@asu.edu
Cell: 408-921-3253 (does not work in TEM labs)
Titan Lab: 480-727-5651
NION UltraSTEM Lab: 480-727-5652
JEOL ARM 200 Lab: 480-727-5653
2010F Lab: 480-727-5654
Don't gut strings and hide glue come from.dead animals?
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NION UltraSTEM Lab: [4]48
Just got home from the Paul O'Dette concert at ASU. All Dowland, all great
music, all fine performances. Thanks to Frank Koonce in the music department
for making arrangements to such bring fine performers to ASU.
A. John Mardinly, Ph.D.,
P.E.
Principal Materials
Nanoanalysis Eng
Just got home from the Paul O'Dette concert at ASU. All Dowland, all
great music, all fine performances. Thanks to Frank Koonce in the music
department for making arrangements to such bring fine performers to
ASU.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoana
we do not
know who was "PS". Are there any suggestions out in the Lute Universe?
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NI
Good grief: Peg Heads have a 4/1 ratio and guitar gears have a 16/1
ratio. Changing strings is less complicated than going to the bathroom.
What is the fuss?
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2
back to being a real pain. I am looking forward to my Pegheads.
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NION UltraSTEM Lab: [4]480-727
ation.
Sent from my iPhone.
John Mardinly
408 921 3253
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Another interesting moment from my recent vacation was seeing the monument to
Lord Hunsdon in Westminster Abbey in London. He does not have his own chapel
room like Queen Elizabeth, but his monument in one of the side chapels is
actually the tallest monument in the Abbey.
To get on or off th
. Has anybody else noticed/experienced this?
A. John Mardinly, Ph.D., P.E.
Principal Materials Nanoanalysis Engineer
EMail: [1]john.mardi...@asu.edu
Cell: [2]408-921-3253 (does not work in TEM labs)
Titan Lab: [3]480-727-5651
NION UltraSTEM Lab: [4]480-727-5652
JEOL ARM 200 Lab
1 - 100 of 204 matches
Mail list logo
