RE: [-empyre-] blue skies

selected for us, the overhead and wide angle shots, the military precision choreography, and the close ups of the little girl who sang, and, it turned out, lip synched the song. with regards Johannes Birringer artistic director, Interaktionslabor Göttelborn http://interaktionslabor.de

RE: [-empyre-] the hegemonic

is the content./message? I think CRUMB was involved in curating a games exhibition a while back, if i remember. But games surely are hegemonic, no? regards Johannes Birringer Interaktionslabor http://interaktionslabor.de winmail.dat___ empyre

[-empyre-] critical motion nowhere and everywhere at some time

, was becoming less than particpatory, but i could be wrong. ?? I am sorry if I misunderstood. What readership, Norah, was invited, in your work? with many regards Johannes Johannes Birringer artistic director, DAP Lab School of Arts Brunel University West London UB8 3PH UK http

Re: [-empyre-] critical motion nowhere and everywhere at some time

-Original Message- From: Johannes Birringer Sent: 13 May 2009 19:24 To: empyre@lists.cofa.unsw.edu.au Subject: critical motion nowhere and everywhere at some time hello all: thanks Norah for drawing attention to a question that perhaps might like to see itself addressed

Re: [-empyre-] critical motion nowhere and everywhere at some time

dear Deborah, dear all may I return for a moment to a mail you, Deborah, sent me about “tank man tango”, in response to my question regarding its address……. It's a memorial- my greatest hopes for it are that it brings life to the past, recollectivises a lone hero figure, and gives people a

Re: [-empyre-] learning movement, mixed realities, desiring slippage

hello: fascinating citation from a dancer (something we need to hear more here) about practicing inventive curiosity, and Dana Caspersen, ending in the reference to Takasui, helps with her reminder of conscious activity of body-minds never inert but always responsive as well as generative

Re: [-empyre-] critical / indifference and in/direct politics

with these various new softwares, sensors and so forth Since most interactive performance art I now find problematic and dysfunctional (artistically, ethically), i would be hard pressed to answer this positively. It has not been a generous form of public experiment, i fear. regards Johannes Birringer

Re: [-empyre-] Returning to Relational Aesthetics, Queerly

of postmodernism; cultural hybridisation; travelling as a new way to produce forms; and the expanding formats of art. I like the bit about surfing. I'm still reading Marc's long texts, so am behind. regards Johannes Birringer http://interaktionslabor.de -Original Message- From: empyre-boun

Re: [-empyre-] the exhausted, deeper down

. with many regards johannes birringer http://interaktionslabor.de -Original Message- From: empyre-boun...@lists.cofa.unsw.edu.au on behalf of naxsmash Sent: Mon 7/27/2009 7:03 PM To: soft_skinned_space Subject: [-empyre-] please welcome Alex Donis Hi -empyreans-, Just when you thought 'queer

Re: [-empyre-] danger anyone?

Hi Robert what moments of danger or passing intimacies do you have in mind? i tend to think (am not thinking of October actually and hardly see them as having or being a model of dominat art history in the US, surely not beyond) site specific art or other art, relational or digital or non, the

Re: [-empyre-] bridging flying machines

this is a very beautiful evocation of bridges (in Gloria' Anazaldua's writing) and the transformation you address, Christina. thanks for recallng Anzaldua, she was an inportant inspiration in the 90s for many for us. thanks also for sending me a link to your video, soda lake (unbound'),

Re: [-empyre-] bridging flying machines

this is a very beautiful evocation of bridges (in Gloria' Anazaldua's writing) and the transformation you address, Christina. thanks for recallng Anzaldua, she was an inportant inspiration in the 90s for many for us. thanks also for sending me a link to your video, soda lake (unbound'), which

[-empyre-] border sounds

might be gunshots, police sirens, and dogs barking. A blinding light will be pointed at you. with regards Johannes Johannes Birringer director, DAP Lab School of Arts Brunel University West London UB8 3PH UK +44 (0)1895 267 343 (office) http://www.brunel.ac.uk/dap

Re: [-empyre-] the depth of projection - uses of space, networked spaces, control

extent does it succeed? regards Johannes Birringer ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] networked_art

, is a Schnipsel http://www.youtube.com/watch?v=EhS08Kro70INR=1 Since it has religious connotations and antedates Chris Crocker (Leave Britney Alone), it is worth stuudying perhaps. with many regards Johannes Birringer DAP Lab London -Original Message- From: empyre-boun...@lists.cofa.unsw.edu.au

Re: [-empyre-] time, context, participation?

of the claims made for the consumer as author. Therse claims never worked in the theatre either. regards johannes birringer director, DAP Lab School of Arts Brunel University West London UB8 3PH UK http://www.brunel.ac.uk/dap winmail.dat___ empyre

Re: [-empyre-] time, context, participation?

to unintended use such as gambling, sex, profanity and just plain stupidity. A recent look at one of Michael Mandiberg's works on turbulence that allowed for comments showed a collection over time of 2000 unrelated comments, all of which had to be removed.) regards Johannes Birringer

Re: [-empyre-] re-un-mixing

of ancestors. that form or sharing differs from re-unmixing, does it? yes, it also is necessary to ask whether the centres (and the patrilinear theories/theorists accounted for in much discussion here) can be shifted. regards Johannes Birringer DAP Lab -Original Message- From

Re: [-empyre-] Thanks to Christina McPhee

, Christina !! regards Johannes Birringer www.aliennationcompany.com -Original Message- From: empyre-boun...@lists.cofa.unsw.edu.au on behalf of Renate Ferro Sent: Mon 2/1/2010 5:34 AM To: soft_skinned_space Subject: [-empyre-] Thanks to Christina McPhee The online community of -empyre soft

Re: [-empyre-] movement and animation

other dramatiurgies, and how such dramaturgies flow back to motion graphics, or whether industial practices are being adopted (variously) for other kinds of movement by creative users , and how. regards Johannes Birringer dap lab west london . Dear Tom and Lev, I have enjoyed both of your

Re: [-empyre-] seeing yourself a prototype - the limits of open source

Gabriel Shalom meant by autodocumentarian subjects ? greetings Johannes Johannes Birringer director, DAP lab School of Arts Brunel University West London UB8 3PH UK http://www.brunel.ac.uk/dap - ___ empyre forum empyre

Re: [-empyre-] Process as paradigm

(or pedagogics) evaluate how behaviors of interaction or reception of the processual affect exhibitions and performances? regards Johannes Birringer dap-lab london Yann Le Guennec writes I think that the term 'generative' is now closely linked to what is called 'generative art', dealing

Re: [-empyre-] Process as Paradigm - / cracked media

who did experience its processual-ness , or showed work in it, can speak a bit more about what objects or performances, prototypes or processes or nonobjects and interactional strategies you set in motion there? thanks ! regards Johannes Birringer dap lab http://www.brunel.ac.uk/dap http

Re: [-empyre-] Process as paradigm / systems theory

Johannes Birringer dap / dans sans joux www.danssansjoux.org I have received Johannes Birringer's letter. In the letter said: Along with the now standard embrace of the life sciences and biology. Okay, so we are talking about programming organisms? processual organisms? can you give some

Re: [-empyre-] Creativity as a social ontology

associated with the artistic, and then what artistic terms are meant? Simon quoting Kevin So how do we attend to creativity's ontology as a condition of being social, without ending up with just another form of instrumentalized freedom? indeed. with regards Johannes Birringer Interaktionslabor

Re: [-empyre-] Creativity as a social ontology

it as physically, emotionally and spiritually enriching in a communal sense (and now we are back to ritual)? Is there a relational consciousness and what would it be like? regards Johannes Birringer winmail.dat___ empyre forum empyre@lists.cofa.unsw.edu.au

Re: [-empyre-] intimate networks

front and back stages, and here i think the term imagined community quickly reaches various critical borderlines. has anyone been at DAW in Xi'an? regards Johannes Birringer DAP-Lab / Interaktionslabor PS. one aspect of the latest collaboration turned out to be quite beautiful, we made

Re: [-empyre-] thinking images and social choreography

-shamanic and non-Amazonian context? with regards Johannes Birringer Interaktionslabor http://interaktionslabor.de * reference to J.Birringer, Performance, Technology Science (NY: PAJ Publications, 2008), pp. 261-86. winmail.dat___ empyre forum empyre

Re: [-empyre-] Creativity as a social ontology / Le don

?). May I ask Kriss whether she likes to comment on Le Don ? with regards Johannes Birringer winmail.dat___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] Creativity as a social ontology

- questions that almost none were asked this week. regards Johannes Birringer winmail.dat___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] Creativity as a social ontology

the impossible manifesto that Hakim Bey wrote in 1985: The Temporary Autonomous Zone, Ontological Anarchy, Poetic Terrorism http://hermetic.com/bey/taz_cont.html what a fascinating and strange text! regards Johannes Birringer Interaktionslabor http://interaktionslabor.de

Re: [-empyre-] Creativity as a social ontology

dear all, dear Ruth I don't think there should be a need to apologize for 'poorly timed interjections' as i believe this months debate is/has been ongoing and your response to postings that went out here over the weekend is much appreciated, in fact I was interested in your telling us that

[-empyre-] Conservar, Documentar, Archivar.

media archive an important challenge you raised? with regards Johannes Birringer DAP-Lab West London http://www.brunel.ac.uk/dap http://interaktionslabor.de ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] Conservar, Documentar, Archivar.

is very much what this is about, on every level, Lynn argues, and I wonder whether this is as easily done as it is claimed. respectfully Johannes Birringer claudia wrote Subject: Re: [-empyre-] Conservar, Documentar, Archivar. Hello everyone, I respond

Re: [-empyre-] Archiving New Media Art: Ephemerality, and/or Sustainability. translation approach

dieser Freiheit ist proportional den Regeln und Beschränkungen der Kontingenz, die den Rahmen unserer Existenz einschränken würden, d.h. den Rahmen unseres Bewusstseins dieses Zustands des Archivs, das wir im Begriff sind aufzubauen. regards Johannes Birringer dap lab http

Re: [-empyre-] Archiving New Media Art: Ephemerality, and/or Sustainability. curatorial approach

dear all this just came in from a graduate student, and you might like to hear about it and pass it on, it seems to touch upon our subject, and Patrick's interesting warning voice, in a nice way. I adore the way curators talk about antiquated concepts/data of the human.

Re: [-empyre-] Archiving New Media Art: Ephemerality, and/or Sustainability. translation approach

one make of this. naturally, we hear that some will buy the the erring edition precisely now for that reason, namely the errors. regards Johannes Birringer dap lab http://www.brunel.ac.uk/dap ___ empyre forum empyre@lists.cofa.unsw.edu.au http

Re: [-empyre-] Archiving New Media Art: Ephemerality, and/or Sustainability. translation approach

://empaclivemediaperformancelab.blogspot.com thanks. Johannes Birringer dap lab http://www.brunel.ac.uk/dap ___ ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] The archive

maybe but in the way of understanding other people's contexts. with regards Johannes Birringer From: empyre-boun...@lists.cofa.unsw.edu.au [empyre-boun...@lists.cofa.unsw.edu.au] On Behalf Of Cynthia Beth Rubin [...@cbrubin.net] Sent: Monday, October 04

Re: [-empyre-] Culturally specific archives

hi all thanks Jon for this text excerpt from your writing, and it seems you are grappling in a very interesting way with Diana Taylor's potentially confusing so-called juxtaposition -- between the archive of supposedly enduring materials (i.e., texts, documents, buildings, bones) and the

Re: [-empyre-] Culturally specific and unreliable archives

inflected with imagery from everyday Northern/ Inuit life: broken skidoos, someone gutting a seal, garbage dumps, and such. thanks Johannes Birringer DAP lab B. Bogart writes I believe that technology and IP, as it is currently practised, makes any preservation nearly impossible

Re: [-empyre-] localized scenes, digital arts education

- is not so sale-able, yes? Is the maneuver that Cindy Zeng/ Lao Dan and Hart Cafe undertook a logical one? regards Johannes Birringer London http://www.brunel.ac.uk/dap ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] localized scenes, digital arts education

Dear all, dear Edward thanks for your recent response, and commentaries on the independent scene. I felt a bit foolish afterwards for thinking that the website (Cindy Zeng/Lao Dan and Hart Cafe) meant that they had expanded or changed their policy and were alive and well; I tried to contact

[-empyre-] without fear or/of favor

turned down. In other words, the Chinese authorities appear to be simultaneously infuriated by him and proud of him, as an artist of international standing. One can only hope it buys him enough space to continue working. regards Johannes Birringer

Re: [-empyre-] without fear or/of favor

the West to East but what about the diaspora, the many Chinese artists who have gone to other places? regards Johannes Birringer DAP-Lab ___Li zhenhua schrieb: I am wondering what this to do with the media art issue?! ___ empyre forum

Re: [-empyre-] the self and the (machinic) other / a post-systemic condition or a post-art condition?

of media, marketing, messages, branding, surveillance, study, investigation, knowledge and, most of all, information this is a lot to escape from; more or less you want to escape culture or (critical) frameworks as such?what am i misundestanding? with regards Johannes Birringer Menotti

Re: [-empyre-] the netopticon

and most rewarding, one gathers. regards Johannes Birringer Christina schreibt: Thanks, Julian! I look forward to checking out the sites. In fact, there is no way to be sure that any of us is experiencing the same site unless we do side by side comparisons because we have yet to have

Re: [-empyre-] vigilar y castigar

managed. with regards Johannes Birringer ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] Wearable Technologies, or dances with horses

technologies (social choreographies), and ask whether and how they differ from arts-based/contexted performances. regards Johannes Birringer DAP-Lab dans sans joux http://www.danssansjoux.org ___ empyre forum empyre@lists.cofa.unsw.edu.au http

Re: [-empyre-] Wearable Technologies, or dances with sound

social role, however, is an important subject that I hope we come back to. with regards Johannes Birringer Dap-Lab Susan wrote: I am interested in questions about how wearable technologies interface with their cultural contexts. In that regard, Sarah's questions about performability

Re: [-empyre-] Wearable Technologies: or, dances with sound

Johannes Birringer DAP Lab http://www.brunel.ac.uk/dap http://www.danssansjoux.org ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

[-empyre-] Wearable Technologies and dresses/bodies in flux

recent conference at Southampton: http://www.solent.ac.uk/news/2011/thebodyinflux.aspx)? the goth body? and how mass media play across these categories now or how fashion/advertising/entertainment in the late age of perverse capitalism is a rather chaotic mess, no? regards Johannes Birringer dap

Re: [-empyre-] wearables, distributed

? with regards Johannes Birringer ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] this month's discussion on wearables, distributed

dear all well, it's been announced the month's discussion is nearly or practically over, and one already has a sense that for some reason the discussion didn't come together, or discussants posted and left/did not return, some returned but it felt we were not having a conversation, or debate on

Re: [-empyre-] social wearables and scanners

fully conscious of the choices we make and what gestures we have adopted, and then again, often we are fully/performatively conscious of the roles we play, and thus colonization (if you look at the text below) is a fractious political problem. regards Johannes Birringer ___ From our friends

Re: [-empyre-] Wearables, against choreography

the wearing is always necessarily connected up with the anatomies, and whether a body without organs or an unintelligible body schema/image is creatable, an immanently diffused and morphosic body wearing and unwearing iitself? I don't know, hmm. don't think so. regards Johannes Birringer DAP-Lab

Re: [-empyre-] Fwd: Call for e-action | Venice Biennale |Manifesto

Not sure what there is, so lovable, about the rhetorical manifesto (Stateless1 Pavillion Biennale.jpg) of futile gestures, and the proposal to squat between the fascist monuments (german and italian pavilions) in the Giardini, if one were to travel to Italy, that would require a passport, no?

Re: [-empyre-] pirates and clapping

, not clients, nor pirates. I hope folks were clapping frequently during the Google speech. with regards Johannes Birringer ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

[-empyre-] After the facts, and from a distance

now that the locale is left behind? how does this coming in and then leaving behind affect the theme of zones of contact? with regards Johannes Birringer dap-lab London ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] October Forum guests: E/motion frequency deceleration^

-Contingent Performance, where he also weaves together his previous practice and research on Carmelo Bene and the Baroque (1998-2000), on Tarantism and Butoh (1998-2007) and tinnitus/hyperacusis (1998-to present).) thank you regards Johannes Birringer director, DAP-Lab http://www.brunel.ac.uk

Re: [-empyre-] : E/motion frequency deceleration (M Weiss) prolog

[1] First reflection, Prolog from Michael Weiss. - - - Creating and Performing Existential Fields of Knowledge (Reflections on a Choreolab) A person wanted to learn dancing and went to a teacher of dance, asking: “What is dance?“ The teacher answered by

Re: [-empyre-] : E/motion frequency deceleration (M Weiss) Movement 1

[1] First reflection, Mov.1 (last part), from Michael Weiss. - - - Research with / through / of Body Mind At the very day the Choreolab ended, I went on to an interdisciplinary seminar of four days which happened to be a scientific forum, consisting of so--‐‑called ΄senior fellows΄ from

Re: [-empyre-] : butoh

into a chaotic light foam to be dispersed by the wind. regards Johannes Birringer To subscribe via the World Wide Web, visit http://lists.cofa.unsw.edu.au/mailman/listinfo/empyre Send your own posting to: empyre@lists.cofa.unsw.edu.au

Re: [-empyre-] E/motion frequency deceleration [Amos Hetz]

[relayed]: Dear Johannes, dear friends, Before writing some notes for our topics, I feel the need to add some sentences to my bio. I am an artist, a dancer who compose his dances through using the Eshkol-Wachman Movement-Notaion (EWMN) an israeli invention (1958). This system describes the

Re: [-empyre-] Listening, at times

, and may we ask others to join in, please? Johannes Birringer references [1] Tim Ingold, “Against Soundscape,” in Angus Carlyle (ed.), Autumn. Leaves: Sound and the Environment in Artistic Practice (Paris: Double Entendre, 2007), pp. 10-13. See also his “The eye of the storm: visual perception

Re: [-empyre-] listening, at times

... thought was not complete-d, when I suggested an issue came up listening moving during the choreolab, and that was when the film cameras were used at some point, and were considered an intrusion. Not by everyone, but probably by some, and we wondered whether we move differently when

Re: [-empyre-] : (E)MOTION FREQUENCY deceleration (M Weiss) Movement 3

[3] Third reflection, Mov.3, from Michael Weiss. Choreolab as / and Science Arts-Based Research Art-based research [1] and advanced scientific thinking share a fundamental commitment to allowing the phenomena being studied to

Re: [-empyre-] : (E)MOTION FREQUENCY deceleration / second week, introducing our guests

regards Johannes Birringer To subscribe via the World Wide Web, visit http://lists.cofa.unsw.edu.au/mailman/listinfo/empyre Send your own posting to: empyre@lists.cofa.unsw.edu.au ___ empyre forum empyre@lists.cofa.unsw.edu.au http

Re: [-empyre-] : (E)MOTION FREQUENCY deceleration / second week, introducing our guests

Johannes Birringer To subscribe via the World Wide Web, visit http://lists.cofa.unsw.edu.au/mailman/listinfo/empyre Send your own posting to: empyre@lists.cofa.unsw.edu.au ___ empyre forum empyre@lists.cofa.unsw.edu.au http

Re: [-empyre-] condensación/extrusión 2

with Olu's philosophical thoughts on duration time (not measurable time)? best wishes Johannes Birringer Reference [1] I try to address this by looking at Artaud's 1947 recording of Pour en finir avec le jugement de dieu, and the distinction – and convergence – between experience of pain

Re: [-empyre-] condensación/extrusión 3

Gordana's longer and invigorating post, Artaud, ritual, spectacle, alchemy...and a pinch of science really invites a final round of comments and feedbacks from this week's workshop discussants, and I am already tantalized by what our speakers from next week will have to say as some of the

Re: [-empyre-] (E)MOTION FREQUENCY deceleration / third week, introducing our guests

, Johannes Birringer To subscribe via the World Wide Web, visit http://lists.cofa.unsw.edu.au/mailman/listinfo/empyre Send your own posting to: empyre@lists.cofa.unsw.edu.au ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net

Re: [-empyre-] Somatechnics, response, participation, failed empathy

one question kept spiraling in my mind -- it had to do with Gordana's speculation on audience participation/audience time and experience in interactional art works or interactive architectures that aspire to being ritual..? [Gordana writes] I think that it is a necessary element that can

Re: [-empyre-] (E)MOTION FREQUENCY deceleration

'understanding', in spectatorship? moderately Johannes Birringer To subscribe via the World Wide Web, visit http://lists.cofa.unsw.edu.au/mailman/listinfo/empyre Send your own posting to: empyre@lists.cofa.unsw.edu.aumailto:empyre@lists.cofa.unsw.edu.au

Re: [-empyre-] (E)MOTION FREQUENCY deceleration

, perhaps, at Pompidou Centre. In addition, he has been active on the Executive Board of The Subtle Technologies Association (http://www.subtletechnologies.com). with regards Johannes Birringer To subscribe via the World Wide Web, visit http://lists.cofa.unsw.edu.au/mailman/listinfo

Re: [-empyre-] installation / enveloping environments

of our fine post fordist societies -- perform or else! best wishes Johannes Birringer ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] INITIAL POSTING FROM SCOTT TAYLOR:

thanks for joining us, Scott, and also thanks to all who posted today, we invite feedback and open discussion this weekend:: best wishes Johannes From: Scott Taylor [fs...@hotmail.com] Sent: Saturday, October 22, 2011 6:08 PM Hello: SPEED UP LEADS TO SLOW DOWN AS IN GRID-LOCK: HYPER

Re: [-empyre-] installation / enveloping environments and sedimentation

current conditions of perverse capitalism), .. and repeat Nilüfer's incisive question: who are I/we to talk about decelerating culturally or anything about society and culture? moderately Johannes Birringer all our threads are archived in empyre/October 2011 at: http://lists.cofa.unsw.edu.au

Re: [-empyre-] (E)MOTION FREQUENCY deceleration: time/space prospection, vacant lots

that is experienced at high speeds. http://muse.jhu.edu/journals/leonardo/summary/v044/44.5.marshall.html best Johannes Birringer - - - To subscribe via the World Wide Web, visit http://lists.cofa.unsw.edu.au/mailman/listinfo/empyre Send your own posting to: empyre

Re: [-empyre-] (E)MOTION FREQUENCY deceleration: time/space prospection, vacant lots

. Thus, a terrifying prospect of radical exclusion make us continuously deny the ambiguous nature of our own beings with regards, and until Monday evening we debate please Johannes Birringer Sonja writes: I am always surprised when people think post-urban in the world that is, looking from

Re: [-empyre-] 'deceleration' and dark matters

thanks Anne-Sarah for sharing your work – Outre-ronde - Beyond-Round. (Lentir, sentir, sondre) 
 – with us, and some of the links where we can see the configurations for your interactional design... was it just now shown at ZKM in Karlsruhe?i like the overall theme of the exhibition,

Re: [-empyre-] THE SOCIETY OF DEFICIENCY / DARK MATTER in the ruins of imperial culture

-better-liam-neeson_creation] Thought experiment: on this Halloween or All Saints Night take Michael Jackson’s choreography for Thriller and slow the dance of the zombies down to Butoh. It’s not so scary or silly anymore, is it? peace Johannes Birringer

Re: [-empyre-] 'deceleration' and dark matters

Dee, what would such a cultural pre-movement / effort be, pre-movement' as discussed by Hubert Godard, which is not under the control of the conscious subject and combines the cultural as well as the individual? what notion of affects or forces is posited here, Dee? I am curious what

Re: [-empyre-] 'deceleration' and dark matters

Dee, thanks for this very interesting response, on Godard, and what you have now described as analogies of Impulse, through singular and collective 'economies' and depending on how indviduals and collectivities work on our 'corporeities' - assuming that they can be worked on (consciously)

Re: [-empyre-] a poem in the wall

bravo Sérgio, this is great, [why not start an OCCUPY SAO PAULO movement occupying the poem (No Balcão das Almas (o fetiche da mercadoria), is this worker solidarity with the former inhabitants, the protest? ] Sérgio schreibst Dear friends, This is the poem I've put in the wall, in

Re: [-empyre-] (E)MOTION FREQUENCY deceleration :: October forum ends

creative work : PS: I am signing out European/UK time, so some of you are still seeing the sinking sun, and the rising sun in the east, and i trust our list administrators won't mind at all if you send last thoughts. with regards Johannes Birringer dap-lab London - - - To subscribe via

Re: [-empyre-] 'deceleration' and dark matters

if this excess will be effective or not so will attempt to send and see what happens!! in any case, many thanks for this invite, Johannes, and to all for inspirational sharings . . . best Dee On Tue, Nov 1, 2011 at 6:33 PM, Johannes Birringer johannes.birrin...@brunel.ac.ukmailto:johannes.birrin

Re: [-empyre-] a bank of ideas

of facing front, through practicing surrendering the pattern of facing a single direction and being open to many possibilities of being in the here and now - in relationality, in relation to the audience and the world.* regards Johannes Birringer dap-lab london http://www.brunel.ac.uk/dap

Re: [-empyre-] soft _skinned space and lurking vs.participating

? with regards Johannes Birringer Iannis Zannos schreibt your summary review of the project post is formulated with a sensitivity and thoughtfulness which touches some deep strings at least for me. I particularly appreciate your empathy with the non-western academic situation, to which I belong

Re: [-empyre-] soft _skinned space and lurking vs.participating

to, may be an open issue. with regards Johannes Birringer dap lab http://www.brunel.ac.uk/dap _ Subject: Re: [-empyre-] soft _skinned space and lurking vs.participating Dear Johannes, To answer briefly: I believe it would be useful to discuss

Re: [-empyre-] incompatible [?] research practices

activities, yes? greetings Johannes Birringer dap-lab http://www.brunel.ac.uk/dap ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] the pitfalls of trendy theory and popular art projects

. peace Johannes Birringer ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] the pitfalls of trendy theory and popular art projects

relations to the RAF (reproduced a art game or video game), interactive re/sourcing? theatrical decompatilizing? with regards Johannes Birringer dap-lab ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

Re: [-empyre-] incompatible research practices - - performing revolutions /

-Meinhof armed resistance being a hype or hyping itself up, and (now that quite of few of the first generation of the group are dead), the movies entertainment complex (and academia) take on the rest? with regards Johannes Birringer dap-lab

Re: [-empyre-] fragile identities / taboo of destroying property

ideas? quite apart from the broken loudspeakers. with regards Johannes Birringer dap-lab PS Noise and Capitalism proposes that improvisation and noise contain or can produce emancipatory moments ... these practices point towards social relations which can extend these moments. It might

Re: [-empyre-] The horse's mouth? / Re: fragile identities / taboo of destroying property

la mediateca de Arteleku o comprometete a escribir algún comentario del libro, y recibirás una copia en tu casa. [from http://www.arteleku.net/noise_capitalism/] from the horse's mouth? thanks regards Johannes Birringer As a colleague and friend of their editors/performers, I've been

Re: [-empyre-] practice as a means towards academic self-criticism / research as a curatorial enterprise

? with regards Johannes Birringer Magda schreibt: I wonder if this implies that what is specific to academic work is just a particular way of accounting for anything - coming down, precisely (purely?), to an issue of language and form. Could

Re: [-empyre-] practice as a means towards academic self-criticism / research as a curatorial enterprise

Research-Clusters für Forschungsorganisation und wissenschaftliche. Durchbrüche [which translates as research cluster for research-organization and scientific break-throughs]. nothing beats good organization PS. We Don’t Record Flowers, Said the Geographer regards Johannes Birringer dap-lab

Re: [-empyre-] Research self criticism the abuse of self-encapsulation

as impossible) until the very moment when it springs into being. so I try to imagine how your Derridean play sounds or looks like? with regards, and apologies to Tero, Rob and Andrew Johannes Birringer DAP-Lab London ___ empyre forum empyre

Re: [-empyre-] re/claiming and unsettling / continuing artistic practices

and an educational outreach side (to communities children), but there was not a single reference to politics in four days. regards Johannes Birringer dap lab ___ empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre

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