Dear Marsha

What do you like the writings of Robert M Pirsig?

J A


13 maj 2013 x kl. 11.05 skrev MarshaV:

> 
> J-A,
> 
> What she?   
> 
> 
> Marsha 
> 
> 
> 
> 
> 
> On May 13, 2013, at 4:50 AM, Jan Anders Andersson <janander...@telia.com> 
> wrote:
> 
>> So did you like the pattern she created?
>> 
>> J A
>> 
>> 
>> 13 maj 2013 x kl. 10.28 skrev MarshaV:
>> 
>>> 
>>> J-A,
>>> 
>>> Would you now like to lecture me on how you have achieved a similar 
>>> performance of beauty, harmony, balance, and how I could too if only I 
>>> listen to your wise words?    
>>> 
>>> 
>>> 
>>> Marsha 
>>> 
>>> 
>>> 
>>> 
>>> 
>>> On May 13, 2013, at 3:43 AM, Jan Anders Andersson wrote:
>>> 
>>> How about this
>>> 
>>> http://www.flixxy.com/the-incredible-power-of-concentration-miyoko-shida.htm#.UZCXf3DEjcU
>>> 
>>> J A
>>> 
>>> 
>>> 
>>> 
>>> Greetings J-A,
>>> 
>>> On May 13, 2013, at 1:56 AM, Jan Anders Andersson wrote:
>>> 
>>>> Dear Marsha 
>>>> 
>>>> I think you are interested to know its point.
>>> 
>>> Is it your habit (pattern) to think you KNOW other people's interests?  
>>> That's a rather grandiose claim.  -  Make your point!   
>>> 
>>> 
>>> Here's my mundane point:
>>> 
>>> 
>>> 
>>> --- Static patterns of value are repetitive processes (multiple events), 
>>> 
>>>          conditionally co-dependent, 
>>> 
>>>                       impermanent, 
>>> 
>>>                                    and ever-changing, 
>>> 
>>> that pragmatically tend to persist and change within a stable, predictable 
>>> pattern.  
>>> 
>>> Within the MoQ, 
>>> 
>>>      these patterns are morally categorized into a four-level, 
>>> evolutionary, 
>>> 
>>>       hierarchical  
>>>                          structure:  
>>>                                          intellectual, 
>>>                                                             social, 
>>>                                                                        
>>> biological, 
>>>                                                                             
>>>             and inorganic. 
>>> 
>>> Static quality exists in stable patterns relative to other patterns.  
>>> 
>>>                                       Patterns have no independent, 
>>> inherent existence. ---
>>> 
>>> 
>>> 
>>> 
>>> Marsha 
>>> 
>>> 
>>> p.s.  Consider this explanation in the same category as "pure experience" 
>>> where 'pure' doesn't mean 'pure' but merely 'relatively pure' and there are 
>>> no accusations of some horrendous, unspeakable, anti-intellectual crime 
>>> against definition. 
>>> 
>>> 
>>> 
>>> 
>>>> 12 maj 2013 x kl. 23.46 skrev MarshaV:
>>>> 
>>>>> 
>>>>> J-A,
>>>>> 
>>>>> Answer the Y/N questions yourself; I am not interested in doing so.  It's 
>>>>> your thought experiment, so explain its point.   What are you thinking?
>>>>> 
>>>>> 
>>>>> Marsha
>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>>> On May 12, 2013, at 3:39 PM, Jan Anders Andersson <janander...@telia.com> 
>>>>> wrote:
>>>>> 
>>>>>> Dear Marsha
>>>>>> 
>>>>>> It shouldn't hurt or be dangerous in any way to just answer my questions 
>>>>>> with YES or NO.
>>>>>> 
>>>>>> Is the clay burned to make it firm?  Y/N
>>>>>> 
>>>>>> Does that make it better and more useful?  Y/N
>>>>>> 
>>>>>> J-A
>>>>>> 
>>>>>> 
>>>>>> 
>>>>>>>>>>>>>> Jan-Anders,
>>>>>>>>>>>>>> 
>>>>>>>>>>>>>> The original topic has not been replaced; it was change, not 
>>>>>>>>>>>>>> clay or teapots or 'saving time'.   Before (when soft and 
>>>>>>>>>>>>>> malleable) and after a firing (when firm and stable), the clay 
>>>>>>>>>>>>>> is still in a constant state of changing.  In other words, both 
>>>>>>>>>>>>>> before and after the firing, the clay or teapot  is 
>>>>>>>>>>>>>> ever-changing.  So once again I suggest that you might take a 
>>>>>>>>>>>>>> few minutes everyday to take an introspective look:  
>>>>>> 
>>>>>>> Marsha:
>>>>>>> I have pointed out many times, it is not anti-intellectual or a 
>>>>>>> contradiction to understand that patterns may maintain a static, stable 
>>>>>>> identity at the same time as they and their context are undergoing 
>>>>>>> constant change. Think of the Ship of Theseus, or a parade (Hume) where 
>>>>>>> everyone drops out but is replaced so that the parade is maintained, or 
>>>>>>> the body with its cells constantly being replaced.  Things can change - 
>>>>>>> flow - and yet have permanence; think of a river.
>>>>>> 
>>>>>> 
>>>>>> 11 maj 2013 x kl. 00.43 skrev MarshaV:
>>>>>> 
>>>>>>> 
>>>>>>> J-A,
>>>>>>> 
>>>>>>> Any time you are ready to make the point of your thought experiment 
>>>>>>> clear I will consider it.
>>>>>>> 
>>>>>>> 
>>>>>>> Marsha 
>>>>>>> 
>>>>>>> 
>>>>>>> On May 10, 2013, at 5:50 AM, Jan Anders Andersson 
>>>>>>> <janander...@telia.com> wrote:
>>>>>>> 
>>>>>>>> Well Marsha
>>>>>>>> 
>>>>>>>> You admit that the clay changes from soft and malleable to firm and 
>>>>>>>> stable AND still in a constant state of changeing.
>>>>>>>> 
>>>>>>>> Do you understand that there is a change? The physical pattern changes 
>>>>>>>> into another, OK?
>>>>>>>> 
>>>>>>>> J-A
>>>>>>>> 
>>>>>>>> 10 maj 2013 kl. 10.32 skrev MarshaV:
>>>>>>>> 
>>>>>>>>> 
>>>>>>>>> 
>>>>>>>>> J-A,
>>>>>>>>> 
>>>>>>>>> What potter?  -  It's your thought experiment and I don't understand 
>>>>>>>>> it's point, so you'd be the person who must answer the questions. 
>>>>>>>>> 
>>>>>>>>> 
>>>>>>>>> Marsha
>>>>>>>>> 
>>>>>>>>> 
>>>>>>>>> On May 10, 2013, at 3:30 AM, Jan Anders Andersson 
>>>>>>>>> <janander...@telia.com> wrote:
>>>>>>>>> 
>>>>>>>>>> Marsha
>>>>>>>>>> 
>>>>>>>>>> OK, you say that the clay changes from soft and malleable to firm 
>>>>>>>>>> and stable AND still in a constant state of changeing.
>>>>>>>>>> 
>>>>>>>>>> So why do you think the potter is burning the clay? Is it because it 
>>>>>>>>>> makes the clay firm and stable or doesn't it really matter because 
>>>>>>>>>> it is still in a state of change?
>>>>>>>>>> 
>>>>>>>>>> Jan-Anders
>>>>>>>>>> 
>>>>>>>>>> 
>>>>>>>>>> 10 maj 2013 x kl. 09.12 skrev MarshaV:
>>>>>>>>>> 
>>>>>>>>>>> 
>>>>>>>>>>> snip...
>>> 
>>> 
>>> 
>>> 
>>> 
>>> ___
>>> 
>>> 
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