Hi I’d do have the garritan icon show on my desktop and the aria player icon
When I downloaded finale
So it’s not those then
M
Sent from my iPhone
> On 12 Jan 2018, at 18:21, Jorge Silvestrini wrote:
>
> Martin - it is a separate product that does not come bundled
Martin - it is a separate product that does not come bundled together when you
buy Finale. You need to buy the sounds libraries and then install them
separately. Once you’ve done that, they will show up in Finale within the Score
Manager.
Sent from Jorge's
¡!Suénalo¡!™ #daleplay
Instagram
Thanks chuck
How do you load it or where are instructions
Thanks
Sent from my iPhone
> On 11 Jan 2018, at 01:10, Chuck Israels wrote:
>
> Hi Martin,
>
> You can use the Score Manager, select JABB 3 (assuming you have that
> installed) and assign instruments.
>
> The
Hi Martin,
You can use the Score Manager, select JABB 3 (assuming you have that installed)
and assign instruments.
The reason I have Trombone 4 instead of 3 is that Trombone 3 is weaker (don’t
know why).
Hope this helps,
Chuck
> On Jan 10, 2018, at 5:05 PM, Martin Nickless
Hi that’s what I thought
Forgive me I need an idiots guide to do it or a link to the pages in the Manuel
Cheers
Martin
Sent from my iPhone
> On 12 Jan 2018, at 15:59, Jorge Silvestrini wrote:
>
> You didn't mention if you bought any of the Garritan libraries and
>
You didn't mention if you bought any of the Garritan libraries and
installed. Unless you have installed a new library of sounds, it won't show
up in Score Manager.
*Jorge Silvestrini*
___
Finale mailing list
Finale@shsu.edu
Hi no
I don’t see Garritan in the score manager
Thanks
Martin
Sent from my iPhone
> On 11 Jan 2018, at 23:22, Jorge Silvestrini wrote:
>
> Martin,
>
> Did you get any of the Garritan Big Band libraries?
>
> To assign sounds, the best place will be score manager.
>
Martin,
Did you get any of the Garritan Big Band libraries?
To assign sounds, the best place will be score manager.
Jorge Silvestrini
___
Finale mailing list
Finale@shsu.edu
https://lists.shsu.edu/mailman/listinfo/finale
To unsubscribe from finale
It appears only to work when using the Playback Controls (with HP on, of
course). It doesn't work using the Space Bar-Click playback.
On Sat, Feb 27, 2016 at 4:05 PM, Adam Taylor
wrote:
> Yeah. I have the same problem. It has selective hearing for the KS
> markings
Yeah. I have the same problem. It has selective hearing for the KS
markings which pisses me off sometimes. It does what it wants, when it
wants.
Adam
On 2/27/2016 7:19 PM, Ryan wrote:
> Playback sound isn't changing to pizz when marked. FinMac 2012c. Garritan
> Instruments. Basses KS. The "KS"
It rarely works as advertised for me. I always put pizz in a separate layer
On Feb 27, 2016 6:19 PM, "Ryan" wrote:
> Playback sound isn't changing to pizz when marked. FinMac 2012c. Garritan
> Instruments. Basses KS. The "KS" means that it's supposed to detect terms
> like
No, I have 8GB of RAM and I'm not running anything else other than MS
Outlook and the Finder, so memory is not the issue. MakeMusic support has
confirmed that I am indeed hearing the Garritan sounds and they're sorry
to hear I am not happy with them. The keyboards and strings may be
passable, but
Mentioned this to Brian Williams but should have included all.
Garritan sounds are somewhat harsh, but there is lots of tweeking you can do.
One thing that I found helped a lot was
recording the Finale file dry with Garritan, then loading that file into
Garage Band and using that program for
I was happy with the Garritan sounds I had with Finale 2008, less so with
Finale 2012. I think they possibly need some tampering with in the
ambience department to make them sound okay.
Cheers,
Lawrence
On 6 March 2015 at 23:56, Brian Williams br...@barisax.net wrote:
No, I have 8GB of RAM
On Fri, March 6, 2015 1:46 pm, Brian Williams wrote:
Apparently I was incorrect when I said the lame Garritan sounds were
indistinguishable from the SmartMusic SoftSynth sounds. I switched all of
my channels to SoftSynth and they sound WAY BETTER! I find it amazing that
MakeMusic touts the
Actually, I'm listening through $1200 JHAudio JH13 custom in-ear monitors
through an outboard USB D/A headphone preamp, so speaker quality is not
the issue.
Apparently I was incorrect when I said the lame Garritan sounds were
indistinguishable from the SmartMusic SoftSynth sounds. I switched all
On Mar 6, 2015, at 1:46 PM, Brian Williams wrote:
How is this possible?
It isn't.
Garritan is not the best, but way better than SoftSynth, imo.
tim
___
Finale mailing list
Finale@shsu.edu
https://lists.shsu.edu/mailman/listinfo/finale
To
Bad performance by the Garritan sounds could be a matter of insufficient access
to RAM. Low amounts of RAM would be much less noticeable with the less
demanding MIDI sounds.
Klaus
___
Finale mailing list
Finale@shsu.edu
On 3/5/2015 12:48 AM, Brian Williams wrote:
Hello list,
This question pertains to Finale 2012 running on a MacBook Pro in MacOS
10.9.5 (Mavericks).
When it comes to Finale, I'm mostly an expert about how to enter notation
and make it look exactly how I want. Playback is another matter
When buying a Garritan product your personal authorisation has the form of
picture that you download after creating it on the MM website. Then you drag
the application icon on top of that photo or maybe the other way round. I have
not seen this procedure in other contexts. It works and hasn't
Don, you can change the release time of the string sound.
If you open the Garritan sound in Aria player, go to the
controls tab and set length to 0% (or whatever you need).
You can do the same with a text expression or human
playback technique using the MIDI control message CC#21
and the value 0.
I find most string section samples to be much mushier than using solo
string instruments.
For a mockup for clients, use the solo strings not the section strings.
There's much more clarity and still good tone.
David H. Bailey
On 6/5/2014 12:13 PM, Don Hart wrote:
I use Finale's audio output
Yes.
Best
GJB
From: Michael Mathew mmathew_musicp...@yahoo.com
To: finale@shsu.edu finale@shsu.edu
Sent: Sunday, February 9, 2014 4:30:56 PM
Subject: Re: [Finale] Garritan keyswitching without HP
Hi,
I am glad you were able to provide a solution
David
Thank you for that -- I'll give it a whirl. For now I made the layer 1 -2 idea
work. Each layer with a different channel. Channel 1 is KS pizz. channel 2 is
arco. The program seems to remember when using spot playback. Not sure why
and not sure I can extend it to the further 2
Hi,
I am glad you were able to provide a solution for this problem. Is using the
expressions for pizz., arco, etc. provided by Finale an example of the use of
HP?
Thanks,
Michael Mathew
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/
Hi,
I seem to be able to obtain the effect using the expressions as provided by
Finale?
And I didn't have to use the keyswitches.
Michael Mathew
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/
On Friday, February 7, 2014 4:16 PM,
I asked this question early this month, and the consensus seemed to be that
at $75 (the sale price then), it was worth it, although few seemed to be
able to replicate the quality of the samples on the Garritan site, or the
samples used by Chuck Israels for his Exploring Jazz Arranging book. I'm
Glad you are happy with this. Just so all who read this understand, I wasn't
the one who manipulated the Garritan sounds for the arranging book. Gary found
a smart and musical guy from Brescia, Robert Soggeti, who did all that good
work.
Chuck
On Dec 26, 2013, at 4:31 PM, Girard Bowe
Thanks for the advice.
db
-Original Message-
From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
Girard Bowe
Sent: Thursday, December 26, 2013 7:32 PM
To: finale@shsu.edu
Subject: Re: [Finale] Garritan libraries
I asked this question early this month
On 12/15/2013 3:39 PM, Ryan wrote:
When I choose Contrabass Clarinet as an instrument in the score manager,
Finale assigns the Solo Bb Clarinet sound. That ends up not playing back
since the pitches are below the Bb Clarinet's range. I can change the sound
to Bass Clarinet, but there's still
On Sun, December 15, 2013 4:01 pm, David H. Bailey wrote:
Sampled instruments in general can not be played below or above the
ranges they are sampled at -- so there's no way to get the Bass Clarinet
to play that lower octave.
They can be, but it requires changing two text files. Look back in
Garritan Concert and Marching Band has a contrabass clarinet.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Sun, Dec 15, 2013 at 3:39 PM, Ryan ry.squa...@gmail.com wrote:
When I choose
So does Garritan Personal Orchestra.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On Dec 15, 2013, at 4:53 PM, Raymond Horton horton.raym...@gmail.com wrote:
Garritan Concert and Marching Band has a contrabass clarinet.
Raymond Horton
Bass Trombonist, Louisville Orchestra
On 12/4/2013 12:49 AM, Darcy James Argue wrote:
To amplify Chuck's point, it's important to understand that the musical
samples using the JABB library on the Garritan site were not generated from
Finale. They were created using digital audio workstation software, which is
really the
I agree 100% with what Chuck said. Without tweaking, it is pretty lame.
I struggle with the volume levels. I really have to work to get
anything heard in the mix. Spreading out the stereo field helps a lot.
Adjusting the way Finale interprets articulations, especially the
marcato mark,
]
Sent: Tuesday, December 03, 2013 2:09 PM
To: finale@shsu.edu
Subject: Re: [Finale] Garritan Sale
I agree 100% with what Chuck said. Without tweaking, it is pretty lame.
I struggle with the volume levels. I really have to work to get
anything heard in the mix. Spreading out the stereo field helps
If I could insert my own reverb on a track by track basis ...
If I could insert my own compressors ...
If I could use a transient shaper VST ...
It could sound a lot more like what people are accustomed to hearing.
Hopefully in some Finale release soon.
On 12/3/2013 2:37 PM, Williams, Jim
: Re: [Finale] Garritan Sale
|
|I agree 100% with what Chuck said. Without tweaking, it is pretty lame.
|I struggle with the volume levels. I really have to work to get anything
heard in
|the mix. Spreading out the stereo field helps a lot.
___
Finale
maximizing
Garritan JABB?
Thanks again!
Giz
Richmond VA
|-Original Message-
|From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf Of
|Craig Parmerlee
|Sent: Tuesday, December 03, 2013 2:10 PM
|To: finale@shsu.edu
|Subject: Re: [Finale] Garritan Sale
|
|I
] On Behalf Of
|Craig Parmerlee
|Sent: Tuesday, December 03, 2013 2:10 PM
|To: finale@shsu.edu
|Subject: Re: [Finale] Garritan Sale
|
|I agree 100% with what Chuck said. Without tweaking, it is pretty lame.
|I struggle with the volume levels. I really have to work to get anything
heard
The JABB sounds are better but not great. Piano, bass, drums, guitar and
baritone sax are good. Clarinet, bass clarinet and flute are good. Upper saxes
and brass are a lot less good. We expect (justifiably) such nuance and shaping
of those sounds in the jazz style that it is probably too much
OK, I finally got around to reinstalling as you suggested above. However,
Garritan is still not showing up as an option in the score manager's Device
list.
Suggestions?
On Sat, Aug 10, 2013 at 7:17 AM, J D Thomas j...@thomastudios.com wrote:
I had a situation recently, not involving playback,
Clarification:
I can get Garritan instruments to show up in new documents started from
scratch, but not in existing documents or from the template.
On Sun, Oct 20, 2013 at 11:30 AM, Ryan ry.squa...@gmail.com wrote:
OK, I finally got around to reinstalling as you suggested above. However,
On 4/24/2013 9:09 AM, Williams, Jim wrote:
5.it is imperative to avoid simultaneous attacks. HP does that to some
extent, but I haven't taken the time to determine how much.
How do you do that? Is that the setting in HP preferences - Tempo
variations called Don't randomize (exact timing)?
I
On Sun May 5, at SundayMay 5 11:20 AM, Craig Parmerlee wrote:
I find this
uncontrollable urge while sitting at my computer to look back over my
shoulder and shout at the trumpets Straight eights, dammit!!.
Try yelling Even eighths instead. Maybe the HP, like some trumpet players,
thinks
From: Craig Parmerlee [cr...@acticalc.com]
Sent: Sunday, May 05, 2013 11:20 AM
To: finale@shsu.edu
Cc: Williams, Jim
Subject: Re: [Finale] Garritan band library - Avoiding simultaneous attacks
On 4/24/2013 9:09 AM, Williams, Jim wrote:
5.it is imperative to avoid
Hi Craig...
How's your cimbasso? ;-)
It does take a fair amount of processing to make any sound library work.
What are you doing with respect to panning? That can help greatly. So can
reverb--how are you routing it? Are you using the stereo stage feature of ARIA?
How about EQ?
Also--what are
Craig,
I agree that these sounds improve the chance of catching orchestration and
composition errors, but they do require the suspension of disbelief in order to
interpret the results of Finale playback and imagine how a band will sound.
When I wrote an arranging book for Garritan using
Craig,
The articulation playback is determined locally by the articulation definition.
Open up the articulation definition window, find Playback Effect, choose Change
Duration from the dropdown menu, and make both Top and Bottom 50% (or more, if
you like your marcatos extra fat like Montreal
Hey, come to think of it, there are no cimbasso sounds on the Garritan
libraries. How could they have missed that? :)
I'm not doing many of the things you mentioned. I am using a little
reverb, but I got frustrated when I couldn't control that from Aria.
The Aria player has a tab for
Thanks for the suggestion. But I can't get out of the starting gate.
Where is this articulation definition window? Is that in document
options, somewhere in HP settings or somewhere else? I can't find any
reference to it in the documentation.
On 5/3/2013 11:18 AM, Christopher Smith wrote:
/
From: Craig Parmerlee cr...@parmerlee.com
To: finale@shsu.edu
Cc: Christopher Smith christopher.sm...@videotron.ca
Sent: Friday, May 3, 2013 9:21 AM
Subject: Re: [Finale] Garritan question - Big Band brass sounds
Thanks for the suggestion. But I can't get out
I can't speak to matters of taste, but i can say that there are a great
many MORE brass samples in Garritan Band than in GPO. Euphs vs. baritones,
etc. I find for brass band work it is quite helpful.
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
like the clarinet sounds of the GPO.
Thanks!
Klaus
--- On Wed, 4/24/13, Raymond Horton horton.raym...@gmail.com wrote:
From: Raymond Horton horton.raym...@gmail.com
Subject: Re: [Finale] Garritan band library
To: finale@shsu.edu
Date: Wednesday, April 24, 2013, 2:25 PM
I can't speak to matters
them preferable. I like the clarinet sounds of the GPO.
Thanks!
Klaus
--- On Wed, 4/24/13, Raymond Horton horton.raym...@gmail.com wrote:
From: Raymond Horton horton.raym...@gmail.com
Subject: Re: [Finale] Garritan band library
To: finale@shsu.edu
Date: Wednesday, April 24, 2013, 2:25 PM
: Re: [Finale] Garritan band library
There are a few points I might raise here:
1. Brasses are difficult to sample due to the complex overtones.
2. Homogeneous ensembles such as brass bands create problems as well.
3. The overtone situation Klaus describes can be adjusted via EQ. Go
I did buy the upgrade. It came with a really old version of Aria. You
would think that, considering they only offer about 6 packages (x 2, one
for Windows and one for Mac), they could get around to putting the
current software into each package.
After messing around for a couple of hours, I
This happened to me too and I found out that turning my external
audio-interface off, quitting finale then switching the audio-interface back on
and restarting Finale would risolve the problem. Not always, though: I had to
reboot a couple of times.
I always got rid of the annoying glitches but
Reboot has cured this for me on the rare occasion that it has happened.
Sent from my iPhone
On Feb 24, 2013, at 7:27 AM, Robert Patterson rob...@robertgpatterson.com
wrote:
I have a file that was playing back fine until yesterday, and now when I
play it back there are all these glitches in
Using WinFin 2011, I find that, if I leave a Finale file with Garritan
playback (especially a large file with many voices) open while I am not
using Finale (either while I am away from the computer or while I am
working in some other application) that, when I return to Finale the file I
had open
On Sun, February 24, 2013 10:27 am, Robert Patterson wrote:
I have a file that was playing back fine until yesterday, and now when I
play it back there are all these glitches in playback: like when a DAT tape
would misfeed. Is there possibly some way to reset the player engine? I've
tried
Thank you for the input. Most people didn't seem
to understand the question, I don't think. Here's another question...
I am going to get GPO, I think. But will
loading that remover the 'Garritan for Finale'
library? I ask because I probably will do some
wind band stuff, and I can't
The Garritan for Finale library does contain saxes, and no, installing GPO will
not erase anything. You'll then have your choice of which library to draw from
for each individual instrument in your score.
On Feb 22, 2013, at 4:23 PM, Phil Buglass wrote:
Thank you for the input. Most people
Thanks, that will keep me going till the funds allow the next step!
Phil.
At 08:14 PM 2/22/2013, you wrote:
The Garritan for Finale library does contain
saxes, and no, installing GPO will not erase
anything. You'll then have your choice of which
library to draw from for each individual
Hi, Phil...
The two libraries GPO and IO are entirely different.
If you are using Finale, you will likely prefer GPO.
It consists of traditional orchestra sections and solo instruments, so you can
set up a total virtual full orchestra, chamber ensemble, etc.
It's more usable with Finale in
Hi Ryan,
Finale includes a light collection of sounds from Personal Orchestra, Jazz
and Big Band, Concert and Marching Band, World, and Tapspace Virtual
Drumline 2 (not a Garritan product). Each library have many more sounds
than the sample included with Finale.
ARIA (the sample player for
If they have a RTAS plugin included with it, yes.
Honestly though, there are a lot of other libraries that sound a LOT
better..and you might want to consider looking into some of them if you
plan on doing VI work in something other than Finale.
NOT Sent from a iBoat
--
On Dec 19, 2012,
On May 22, 2009, at 7:54 PM, Chuck Israels wrote:
Duh! Took me a day to figure it out.
Did you fix that by renaming the drive, or did you do some process to
let Kontakt know that the drive was where it should look?
Dick H
Dual 2 Ghz G5 PPC, 4 Gig
OSX 10.5.7, QT 7.6, iTunes 8.1.1
DP
Hi, I just restored the original drive name. It had been renamed in
the process of replacing a drive that was exhibiting problems and
threatening to fail. Computers are, by nature and design, and maybe
by necessity, remarkably literal (seems to me). What is interesting
to me is that, in
Anyone curious about this? Turned out to be the fact that the new
hard drive had a slightly different name. That's what hid the sample
files from the Kontakt Player. Duh! Took me a day to figure it out.
Chuck
On May 21, 2009, at 1:26 PM, Chuck Israels wrote:
Calling all Mac gurus!
On 3/20/2009 10:51 AM, Richard Huggins wrote:
I was excited to hear the much-improved orchestral sounds of Finale
2009. I opened an old file so I cold hear it with these sounds, but
instead the old sounds were heard. How do I achieve playback using the
Garritan sounds that shipped with '09?
If
If the other app that you want to use is an audio unit or VST host,
it should be.
But to be sure, I would check the Garritan website.
On Sep 24, 2008, at 5:42 PM, Richard Huggins wrote:
I'm upgrading to FinMac 09 but I'm also considering the Steinway add-
on. My question is, can this be
Carl Dershem wrote:
Darcy James Argue wrote:
Hi Craig,
You are right about the orchestral trombones. Perhaps some bigbands
have 3rd tbn. players with triggers, but here in NYC I rarely see
that. Nobody wants to play a solo on an instrument with an attachment,
and solos get passed around
dhbailey wrote:
[snip] the population which gets played for
paying [snip]
It's been a long time since I've had typing dyslexia -- I
meant the population which gets payed for playing :-)
--
David H. Bailey
[EMAIL PROTECTED]
___
Finale mailing list
dhbailey wrote:
dhbailey wrote:
[snip] the population which gets played for
paying [snip]
It's been a long time since I've had typing dyslexia -- I meant the
population which gets payed for playing :-)
Just kidding -- what I *really* meant was the population
which gets paid for playing
At 7:41 AM -0400 8/10/08, dhbailey wrote:
Sure, most of the top-tier jazz trombone players may not use
F-attachments when on jazz gigs (unless they're on 4th bone parts)
but I'm fairly positive that all of them would own and feel
comfortable playing F-attachment horns for those gigs when
Hi John,
It's not that NYC players don't own F-trigger horns or don't know how
to use them. It's that they don't bring them to jazz gigs (including
bigband) where they might be called on to play a solo. Their main solo
horn is almost always a straight tenor trombone. The F-trigger horn is
On Aug 10, 2008, at 10:21 AM, Craig Parmerlee wrote:
The avoidance of the trigger is mostly about tradition more than
anything else, and also that the number of instrument choices is
limited.
That's not strictly true. The addition of an F trigger affects the
way the horn blows, and most
On Aug 10, 2008, at 9:57 PM, Darcy James Argue wrote:
In fact, I think anyone would be hard-pressed to complain about the
instrument selection for JABB -- it is amazingly comprehensive.
They actually have MORE instruments than they list on the product
page:
. . . . I really don't see how
Hi Craig,
1) See Chris Smith's comments RE: why jazz players eschew the F
attachment. There are several high-profile jazz players who play large-
bore instruments -- none of them use F attachments.
2) I already agreed with you regarding the GPO orchestral t.tbn.
samples. Hell, I agree
Chris Bell wrote:
On Aug 10, 2008, at 9:57 PM, Darcy James Argue wrote:
In fact, I think anyone would be hard-pressed to complain about the
instrument selection for JABB -- it is amazingly comprehensive. They
actually have MORE instruments than they list on the product page:
. . . . I
Darcy James Argue wrote:
Hi Craig,
The range is realistic -- jazz tenor trombone players almost never have
an F attachment. I am sure the players they sampled for the JABB
trombones did not have an F attachment on their horn.
Hm. About half of the ones I work with (and have worked with in
The Garritan set included in Finale is not Jazz per se, is it? None
of the orchestral trombone voices covers any of the trigger range, I
don't believe, and 99.999% of orchestra trombonists play with F
attachments most of the time. Lots of second trombone parts in
orchestral scores go into
Hi Craig,
You are right about the orchestral trombones. Perhaps some bigbands
have 3rd tbn. players with triggers, but here in NYC I rarely see
that. Nobody wants to play a solo on an instrument with an attachment,
and solos get passed around within the section fairly frequently. None
of
Hi Craig,
The range is realistic -- jazz tenor trombone players almost never
have an F attachment. I am sure the players they sampled for the JABB
trombones did not have an F attachment on their horn.
The full JABB set has a proper bass trombone in addition to the four
tenor trombones.
On 2008/08/03(日), at 後2:44, Darcy James Argue wrote:
I am talking about Finale's Setup Wizard.
The JABB instruments are loaded via the Kontakt Player, which comes
with JABB.
Sorry I wasn't clear.
My question was that:
If you install Finale after Garritan commercial package, they won't
On 2008/08/02(土), at 後8:52, Darcy James Argue wrote:
Once installed, the full JABB instruments will show up in Finale's
Setup Wizard.
You are talking about Kontact Player, not Kontact, right? I have
never seen instrument.txt file that works for Kontact. This has been
really
I am talking about Finale's Setup Wizard.
The JABB instruments are loaded via the Kontakt Player, which comes
with JABB.
I don't own the standalone Kontakt and have never tried to use it with
Finale.
On 3 Aug 2008, at 1:40 PM, A-NO-NE Music wrote:
On 2008/08/02(土), at 後8:52, Darcy
Williams, Jim wrote:
Hi, Craig...
Jim Williams here, the euphonium player...
Garritan Jazz sounds require a fair amount of score-marking. There is a lot of expressivity, hence the need for a lot of controller action. You **ARE** using human playback, aren't you? That makes the task
Craig Parmerlee wrote:
I haven't figured out how to turn down the reverb with F2009. Is it a
setting in the Aria player?
It sounds as if my expectations were too high with the Garritan sounds.
Having listened to the orchestra samples, the Finale website implied
strongly that you enter the
dhbailey wrote:
But dumping the midi file into Sonar won't help a person who is using
the Garritan sounds which come with Finale -- he didn't say he had
purchased the JABB set from Garritan. He has simply made use of the
newly included samples from JABB which were incorporated in the
I had no trouble using the full JABB sounds. You need to use the
Kontakt Player 2 to get them loaded into the file, and that interface
is nowhere near as clear and elegant as the new Aria Player that comes
with Finale, but it works decently. I'm not sure of this, but the
impression I
A little follow-up question for Chuck or anybody else who knows the answer.
If I purchase the full JABB package and set my instruments under
Kontact, are those settings saved with my Finale score? In other words
the next time I open that score, it will have the same instruments I
assigned
On 2 Aug 2008, at 8:41 PM, Craig Parmerlee wrote:
If I purchase the full JABB package and set my instruments under
Kontact, are those settings saved with my Finale score?
Yes.
In other words the next time I open that score, it will have the
same instruments I assigned through Kontact?
On Aug 2, 2008, at 5:41 PM, Craig Parmerlee wrote:
A little follow-up question for Chuck or anybody else who knows the
answer.
If I purchase the full JABB package and set my instruments under
Kontact, are those settings saved with my Finale score? In other
words the next time I open
Hi, Craig...
Jim Williams here, the euphonium player...
Garritan Jazz sounds require a fair amount of score-marking. There is a lot of
expressivity, hence the need for a lot of controller action. You **ARE** using
human playback, aren't you? That makes the task substantially easier. There is
Hi Craig,
I use the full set of Garritan sounds (Jazz and Orchestra) and find
them a little more than marginally better than the soft synth sounds.
Some are quite good; the recording of my bass (#2 in the full set),
baritone sax, some of the brass, and the piano and guitar are both
my first suggestion is to turn down the reverb. I use
the JABB library and it defaults to the reverb on 50%
and the dry signal at 0%
Mark McCarron
--- Craig Parmerlee [EMAIL PROTECTED] wrote:
I just installed F2009, moving from 2007. 2007
never had the jazz
instruments, so I never used
On 1 Aug 2008, at 3:42 PM, Craig Parmerlee wrote:
To my ears, it sounds pretty much like the regular synth sounds,
only with a lot more reverb.
The Garritan sounds are recorded dry. Reverb settings are controlled
by the Ambience Reverb plugin (still not available by default on Intel
To add one piece of information to Darcy's coherent thoughts, I
misinformed you about where the reverb setting shows up. You can turn
it off in the mixer window in Finale. Look on the right.
Chuck
On Aug 1, 2008, at 4:25 PM, Darcy James Argue wrote:
On 1 Aug 2008, at 3:42 PM, Craig
1 - 100 of 498 matches
Mail list logo